Windy Morning Quotes

We've searched our database for all the quotes and captions related to Windy Morning. Here they are! All 46 of them:

The Woman had told her that Tomorrow never comes, but Elizabeth knows better. It will come sometime. Some beautiful morning she will just wake up and find it is Tomorrow. Not Today but Tomorrow. And then things will happen…wonderful things.
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
Find your passion, Miller. Find what makes you excited to get up every morning and if it's not this, walk away." Well, fuck me, am I that obvious? "This is what I'm good at." "Oh, you're fucking brilliant at it. But you know what's better than being the best at something you don't love? Being mediocre at something you do.
Liz Tomforde (Caught Up (Windy City, #3))
Our mind is like a beach: Sometimes sunny, sometimes wavy, sometimes crowded, sometimes empty and lonely; at times stormy, at nights, cold and windy; in the mornings, very clear; at twilight, foggy! Our mind is like a beach, changing from one moment to another!
Mehmet Murat ildan
Indy, to make this clear, I don’t want a single daily update tomorrow!” Stevie announces from the couch. “I’ll text you in the morning with details!”  “I’m getting a new number.” “Aren’t we the cutest family foursome you’ve ever seen?” Zanders pitches in.
Liz Tomforde (The Right Move (Windy City, #2))
Kingsley could ‘do’ the sound of a brass band approaching on a foggy day. He could become the Metropolitan line train entering Edgware Road station. He could be four wrecked tramps coughing in a bus shelter (this was very demanding and once led to heart palpitations). To create the hiss and crackle of a wartime radio broadcast delivered by Franklin Delano Roosevelt was for him scant problem (a tape of it, indeed, was played at his memorial meeting, where I was hugely honored to be among the speakers). The pièce de résistance, an attempt by British soldiers to start up a frozen two-ton truck on a windy morning ‘somewhere in Germany,’ was for special occasions only. One held one's breath as Kingsley emitted the first screech of the busted starting-key. His only slightly lesser vocal achievement—of a motor-bike yelling in mechanical agony—once caused a man who had just parked his own machine in the street to turn back anxiously and take a look. The old boy's imitation of an angry dog barking the words 'fuck off' was note-perfect.
Christopher Hitchens (Hitch 22: A Memoir)
And while he waited in the castle court, The voice of Enid, Yniol's daughter, rang Clear through the open casement of the hall, Singing; and as the sweet voice of a bird, Heard by the lander in a lonely isle, Moves him to think what kind of bird it is That sings so delicately clear, and make Conjecture of the plumage and the form; So the sweet voice of Enid moved Geraint; And made him like a man abroad at morn When first the liquid note beloved of men Comes flying over many a windy wave To Britain, and in April suddenly Breaks from a coppice gemmed with green and red, And he suspends his converse with a friend, Or it may be the labour of his hands, To think or say, 'There is the nightingale;' So fared it with Geraint, who thought and said, 'Here, by God's grace, is the one voice for me.
Alfred Tennyson (Idylls of the King)
The material feels like straight-up butter as it glides over my thick thighs. And I shaved my legs this morning. Well, my lower legs because I’m too lazy to do the whole thing,
Liz Tomforde (Mile High (Windy City, #1))
Find your passion, Miller. Find what makes you excited to get up every morning and if it's not this, walk away.
Liz Tomforde (Caught Up (Windy City, #3))
One thing I learned during our last few days in Delhi was that Time, which can so often move as slowly as a slug crossing a dusty road, can also move with the swiftness of cloud shadows on a windy day.
M.M. Kaye (The Sun in the Morning: My Early Years in India and England)
Within twenty years at the most, he reflected, the huge and simple question, “Was life better before the Revolution than it is now?” would have ceased once and for all to be answerable. But in effect it was unanswerable even now, since the few scattered survivors from the ancient world were incapable of comparing one age with another. They remembered a million useless things, a quarrel with a workmate, a hunt for a lost bicycle pump, the expression on a long-dead sister’s face, the swirls of dust on a windy morning seventy years ago; but all the relevant facts were outside the range of their vision. They were like the ant, which can see small objects but not large ones. And when memory failed and written records were falsified—when that happened, the claim of the Party to have improved the conditions of human life had got to be accepted, because there did not exist, and never again could exist, any standard against which it could be tested.
George Orwell (1984)
Last night at 2:37 a.m. I stopped at the windy peak of Sheikh Mountains and watched the Milky Way. I couldn't tell if it was late night or early morning but one thing I knew; I could see the glowing face of yours among the stars. We stared, smiled and agreed with each other. Then I had to leave... ...my way back to you.
Ismaaciil C. Ubax
Studs Terkel was waiting for a number 146 bus alongside two well-groomed business types. "This was before the term yuppie was used," he explains. "But that was what they were. He was in Brooks Brothers and Gucci shoes and carrying the Wall Street Journal under his arm. She was a looker. I mean stunning - Bloomingdales and Neiman Marcus and carrying Vanity Fair." Terkel, who is 95, has long been a Chicago icon, every bit as accessible and integral to the cultural life of the Windy City as Susan Sontag was to New York. He had shared the bus stop with this couple for several mornings but they had always failed to acknowledge him. "It hurts my ego," he quips. "But this morning the bus was late and I thought, this is my chance." The rest of the story is his. "I say, 'Labour Day is coming up.' Well, it was the wrong thing to say. He looks toward me with a look of such contempt it's like Noel Coward has just spotted a bug on his collar. He says, 'We despise unions.' I thought, oooooh. The bus is still late. I've got a winner here. Suddenly I'm the ancient mariner and I fix him with my glittering eye. 'How many hours a day do you work?' I ask. He says, 'Eight.' 'How comes you don't work 18 hours a day like your great-great-grandfather did? You know why? Because four guys got hanged in Chicago in 1886 fighting for the eight-hour day ... For you.
Gary Younge
She kissed him kind, and hard, and desperately, and the Colonel could not think about any fights or any picturesque or strange incidents. He only thought of her and how she felt and how close life comes to death when there is ecstasy. And what the hell is ecstasy and what’s ecstasy’s rank and serial number? And how does her black sweater feel? And who made all her smoothness and delight and the strange pride and sacrifice and wisdom of a child? Yes, ecstasy is what you might have had and instead you drew sleep’s older brother. Death is a lot of shit, he thought. It comes to you in small fragments that hardly show where it has entered. It comes, sometimes, atrociously. It can come from unboiled water; an un-pulled-up mosquito boot, or it can come with the great, white-hot, clanging roar we have lived with. It comes in small cracking whispers that precede the noise of the automatic weapon. It can come with the smoke-emitting arc of the grenade, or the sharp, cracking drop of the mortar. I have seen it come, loosening itself from the bomb rack, and falling with that strange curve. It comes in the metallic rending crash of a vehicle, or the simple lack of traction on a slippery road. It comes in bed to most people, I know, like love’s opposite number. I have lived with it nearly all my life and the dispensing of it has been my trade. But what can I tell this girl now on this cold, windy morning in the Gritti Palace Hotel?
Ernest Hemingway (Across the River and into the Trees)
I know him, that man walking- toward me up the crowded street of the city, I have lived with him seven years now, I know his fast stride, his windy wheatfield hair, his hands thrust deep in his jacket pockets, hands that have known my body, touched its softest part, caused its quick shudders and slow releasings, I have seen his face above my face, his mouth smiling, moaning his eyes closed and opened, I have studied his eyes, the brown turning gold at the centers, I have silently watched him lying beside me in the early morning, I know his loneliness, like mine, human and sad, but different, too, his private pain and pleasure I can never enter even as he comes closer, past trees and cars, trash and flowers, steam rising from the manhole covers, gutters running with rain, he lifts his head, he sees me, we are strangers again, and a rending music of desire and loss— I don’t know him—courses through me, and we kiss and say, It’s good to see you, as if we haven’t seen each other in years when it was just a few hours ago, and we are shy, then, not knowing what to say next.
Susan Browne
The scene was Mr. Cruncher's private lodging in Hanging Sword Alley, Whitefriars: the time, half-past seven of the clock on a windy March morning, Anno Domino seventeen hundred and eight. (Mr. Cruncher himself always spoke of the year of our Lord as Anna Dominoes; apparently under the impression that the Christian era dated from the invention of a popular game, by a lady who had bestowed her name upon it.
Charles Dickens (A Tale of Two Cities)
At one-thirty in the deep dark morning, the cooking odors blew up through the windy corridors of the house. Down the stairs, one by one, came women in curlers, men in bathrobes, to tiptoe and peer into the kitchen- lit only by fitful gusts of red fire from the hissing stove. And there in the black kitchen at two of a warm summer morning, Grandma floated like an apparition, amidst bangings and clatterings, half blind once more, her fingers groping instinctively in the dimness, shaking out spice clouds over bubbling pots and simmering kettles, her face in the firelight red, magical, and enchanted as she seized and stirred and poured the sublime foods. Quiet, quiet, the boarders laid the best linens and gleaming silver and lit candles rather than switch on electric lights and snap the spell. Grandfather, arriving home from a late evening's work at the printing office, was startled to hear grace being said in the candlelit dining room. As for the food? The meats were deviled, the sauces curried, the greens mounded with sweet butter, the biscuits splashed with jeweled honey; everything toothsome, luscious, and so miraculously refreshing that a gentle lowing broke out as from a pasturage of beasts gone wild in clover. One and all cried out their gratitude for their loose-fitting night clothes.
Ray Bradbury (Dandelion Wine)
Each day, as she passed the house whose number she claimed, she looked at it with gratitude and affection. On windy days, when papers blew before it, she went about picking up the debris and depositing it in the gutter before the house. Mornings after the rubbish man had emptied the burlap bag and had carelessly tossed the empty bag on the walk instead of in the yard, Francie picked it up and hung it on a fence paling. The people who lived in the house came to look on her as a quiet child who had a queer complex about tidiness. Francie
Betty Smith (A Tree Grows in Brooklyn)
Every night I want to be Heathcliff with Cathy tapping at the window. I want to be Hamlet on the windy battlements. I want the Flying Dutchman to dock. I want what everyone who has lost someone wants: a visitation. Every second, someone dying is promising to come back from the dead. Every hour, waiting for it to happen, someone living notches up another hour lost. For the Dead, time stops. For the living, time slows. I am in slow-motion now. It takes me twice as long to clean my teeth, half the morning to make coffee and wash the cup. When I go shopping, I don't remember what I need. That's because it's you I need. I stare at the bag of potatoes, the packet of bacon. Absurd. Go home.
Jeanette Winterson (Night Side of the River)
Sunday Morning V She says, "But in contentment I still feel The need of some imperishable bliss." Death is the mother of beauty; hence from her, Alone, shall come fulfilment to our dreams And our desires. Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet. She causes boys to pile new plums and pears On disregarded plate. The maidens taste And stray impassioned in the littering leaves. VI Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly. VII Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source. Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward. They shall know well the heavenly fellowship Of men that perish and of summer morn. And whence they came and whither they shall go The dew upon their feet shall manifest. VIII She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering. It is the grave of Jesus, where he lay." We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsored, free, Of that wide water, inescapable. Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Ambiguous undulations as they sink, Downward to darkness, on extended wings
Wallace Stevens
Eventually the term ended and I was on the windy mountain road to camp, still slightly worried that I’d made a wrong turn in life. My doubt, however, was short-lived. The camp delivered on its promise, concentrating all the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
Paul Kalanithi (When Breath Becomes Air)
In the villages and small towns around Czernovitz all the Jews had been murdered. In Bessarabia there had been devastating pogroms. It seemed that the authorities were not going to leave us untouched. On Simchat Torah, October 11, 1941, on a cold, windy Saturday morning, there appeared notices, ordinances, pasted on buildings and lampposts, to the effect that every Jew was ordered to move into a certain section of town, formerly mostly populated by poor Jews. That section was designated as the Ghetto. By 5 o'clock on that afternoon, no Jew was allowed to reside in town any longer everybody had to reside within the confines of the Ghetto. Noncompliance was punishable by death, execution on the spot.
Pearl Fichman (Before Memories Fade)
As far as her parents could tell from their vantage point behind the spire, Psyche plummeted to her death. They never found her body, but that didn’t mean anything. It was a windy day, and they were too upset to launch a full-scale search. Besides, if Psyche hadn’t died, that meant the monster of the prophecy had taken her, which was even worse. The king and queen returned home, brokenhearted, convinced they would never see their beloved daughter and favorite tourism magnet again. The end. Not really. In the long run, Psyche would’ve suffered less if she had died, but she didn’t. As she fell from the rock, the winds swirled around her. Forty feet from the valley floor, they slowed her fall and lifted her up. “Hi,” said a disembodied voice. “I’m Zephyrus, god of the west wind. How ya doing today?” “Um…terrified?” said Psyche. “Great,” said Zephyrus. “So we have a short flight this morning, heading over to my master’s palace. Weather looks good. Maybe a little turbulence on our initial ascent.” “Your master’s palace?” “Please remember to keep your seat belt fastened, and don’t disable the smoke detectors in the lavatory.” “What language are you speaking?” Psyche demanded. “What are you talking—AHHH!” The west wind swept her away at a thousand miles an hour, leaving behind Psyche’s stomach and a trail of black flower petals. They touched down in a grassy valley blanketed with wildflowers. Butterflies flitted through the sunlight. Rising in the distance was the most beautiful palace Psyche had ever seen. “Thanks for flying with us today,” Zephyrus said. “We know you have a lot of options when choosing a directional wind, and we appreciate your business. Now, you’d better get going. He’ll be waiting.” “Who—?” But the air turned still. Psyche sensed that the wind god was gone.
Rick Riordan (Percy Jackson's Greek Heroes)
They remembered a million useless things, a quarrel with a workmate, a hunt for a lost bicycle pump, the expression on a long-dead sister’s face, the swirls of dust on a windy morning seventy years ago; but all the relevant facts were outside the range of their vision.
George Orwell (1984)
From the geyser ventilators autumn winds are blowing down on a thousand business women having baths in Camden Town. Waste pipes chuckle into runnels, steam's escaping here and there, morning trains through Camden cutting shake the Crescent and the Square. Early nip of changeful autumn, dahlias glimpsed through garden doves, at the back precarious bathrooms jutting out from upper floors; and behind their frail partitions business women lie and soak, seeing through the draughty skylight flying clouds and railway smoke. Rest you there, poor unbeloved ones, lap your loneliness in heat. All too soon the tiny breakfast, trolley-bus and windy street!
John Betjeman (Few Late Chrysanthemums)
Isn't it weird how you can have an amazing weekend and still find yourself surrounded by the same wooden desks and wooden people come Monday morning?
Crystal Cestari (The Best Kind of Magic (Windy City Magic, #1))
I've missed the opening rituals of a morning pep rally. Darn this school and its constant onslaught of organized student gatherings! I mean, I wouldn't immediately land on "peppy" as an adjective for myself, so how am I supposed to conjure it for a group of people who are only being celebrated because they happen to show a slight advantage in athleticism? So you can take an air-filled shape and put it through another shape--so what? Didn't we get applause for that sort of thing as toddlers? Is this really something we have to cheer for?
Crystal Cestari (The Best Kind of Magic (Windy City Magic, #1))
Maybe it’s acts of service. That could be your love language. Every morning you make sure my coffee is cold, so it doesn’t get watered down when I add ice. I’ve always noticed that.” She looks at me, cocking her head and speaking softly. “Thank you.
Liz Tomforde (The Right Move (Windy City, #2))
I’ll have some groceries sent over. She’s a vegetarian. And she likes her coffee over ice, so maybe put some in the fridge in the morning for her. Can you give this to her for me?
Liz Tomforde (The Right Move (Windy City, #2))
[Ygritte is] not like to be a threat," Qhorin agreed. "If I had needed her dead, I would have left her with Ebben, or done the thing myself." "Then why did you command it of me?" asked Jon. "I did not command it. I told you to do what needed to be done, and left you to decide what it would be." Qhorin stood and slid his longsword back into its scabbard. "When I want a mountain scaled, I call on Stonesnake. Should I need to put an arrow through the eye of some foe across a windy battlefield, I summon Squire Dallbridge. Ebben can make any man give up his secrets. To lead men you must know them, Jon Snow. I know more of you than I did this morning.
George R.R. Martin
They remembered a million useless things, a quarrel with a workmate, a hunt for a lost bicycle pump, the expression on a long-dead sister’s face, the swirls of dust on a windy morning seventy years ago: but all the relevant facts were outside the range of their vision. They were like the ant, which can see small objects but not large ones.
George Orwell (1984)
(Home) ‘This land is beautiful, but the people are horrible.’ The people took this beautiful land and raped it, and put up a bunch of ugly boxes, however, my home is in the Victorian-style and it is old and has a handcrafted personality. There is an ancient oak tree outside my window, sometimes I step out my window then onto the roof of the porch, and sit in the tree branch that hangs over, and watches all the stars as they appear to turn on and off. Yes, I have wished upon a shooting star, that things will change, and that the towers will be no more. Looking straight ahead, I can see all the lights that go on the horizon, some days the sunsets are blazing before the lights turn on. Then there are some days that the window is shut because it is cold windy while everything is chilled with the color of blue. (Frame of mind) My mood can change just like this and that it seems. Yes, just like all the summer turns into winter, and the winters turn into spring, and all of these thoughts running in my mind fall like the leaves through my brain, and they most likely do not mean a thing. I guess you could blame it on my ADD, ADHD, dyslexia, bipolar disorder, or OCD. I do not have any of these… I do not have anything wrong with me. But, if you are like one of the sisters or someone from my school, you would say my mood changes are because of my- STD’s, HIV, or being as they say GAY or BI, and LEZ-BO. They have also said, I am a pedophile and a child stocker, and I get moody if I do not get some from them. That is why I am so sober at times, or so they say. Whatever…! They also have said that I am a schizophrenic- psycho and that I could not even buy love. I would not try that anyways. I think that having money does not give you happiness; I am okay being a humble farm- girl, the guy that finds me… needs to be happy with that also. I am sure there are more things they say. However, those are just some of them that I can dredge up as of now, off the top of my head. They have murdered me and my life, in so many ways. So now, do you wonder as to why I am afraid of talking to people or even looking at them? You know you and they can try to destroy me, and my life. However, I do not have any of those listed either; none of these random arrangements of letters defines me as the person I truly am. (Sight) Looking out the windows, I can see the golden hayfields of ecstasy, I see the windmills that twist and tumble. I can see the abandoned railroad track that lies not far from my home. I can hear the cries of the swing as the wind gusts in spurts. But yet I am still in my room, but that is just okay with me. Because I know that there will someday soon be someone there for me. (Household) My room is a land of peace and tranquility without all the gloom, with a bed and a canopy overhead but still, I am not truly happy? There is nothing- like the sounds of the crickets speaking up often in the cool August night breeze. It is relaxing to me, however; it is a reminder to me of how the last glimmers of summer are ending. Besides the sounds slowly fade away, yes- I can hear this music from my bedroom window. It is just like in the spring the birds sing in the morning and leave in the cool gusts to come. It is just like the hummingbirds that flutter by, and then before I know it, all has changed; so, it seems by the time I walk out my bedroom door, to start my day. ‘Life goes in cycles of tunes it seems, and nature is its synchronization in its symphony you just have to listen.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
I’m going to need at least two ‘I love yous’ every morning and another before bed. I’m a bit needy, you know. Words of affirmation and all that. And we should really build an in-home library, and maybe a greenhouse in the back for winter.
Liz Tomforde (The Right Move (Windy City, #2))
For maximum life transformation potential, choose something to learn. The world is filled with daily art projects that faltered because the artist lost inspiration or pressured herself to reinvent the wheel every day. Nobody can paint a new Mona Lisa each morning or find fresh inspiration every single day, so don’t set that level of creative expectation for yourself.
Windy Chien (The Year of Knots: Modern Projects, Inspiration, and Creative Reinvention)
Navy is my sweet baby. Emotional but fierce. She loves hard and she’s a good friend to her brother. We love our girly dresses and bows, and our favorite morning activity is picking out our outfits together. But when it comes to bedtime, the only way she’ll fall asleep is if her dad reads her a story. It doesn’t matter if he’s on the other side of the country for work, she has to see Ryan’s face before falling asleep. I couldn’t count how many times he’s read to her over Facetime from the locker room before a game.  Ryan loves it. He cherishes the nights when he’s home and makes an even bigger effort when he’s on the road. I truly couldn’t ask for a better father to our kids.
Liz Tomforde (The Right Move (Windy City, #2))
My eyes burn from fresh tears wanting to surface because I’m a crier and I can’t help it. Sue me. But this is one of the most kind and attentive things someone has done for me in a long time, and it means more than I know how to express. Especially after a rough morning.
Liz Tomforde (The Right Move (Windy City, #2))
The prophetic sparkle of autumn. . . .invested the water and air of Balboa next morning. The inland garden softness of the night before was gone. The bay was still blue, and the wind-blown watery ridges looked sharp enough to draw blood. The sand glittered with minute glassy igloos.
Jessamyn West (A Matter of Time)
He made up his mind to see Kate, and with this view he went down to Westmoreland; and took himself to a small wayside inn at Shap among the fells, which had been known to him of old. He gave his sister notice that he would be there, and begged her to come over to him as early as she might find it possible on the’ morning after his arrival. He himself reached the place late in the evening by train from London. There is a station at Shap, by which the railway company no doubt conceives that it has conferred on that somewhat rough and remote locality all the advantages of a refined civilization; but I doubt whether the Shappites have been thankful for the favour. The landlord at the inn, for one, is not thankful. Shap had been a place owing all such life as it had possessed to coaching and posting. It had been a stage on the high road from Lancaster to Carlisle, and though it lay high and bleak among the fells, and was a cold, windy, thinly-populated place, – filling all travellers with thankfulness that they had not been made Shappites, nevertheless, it had had its glory in its coaching and posting. I have no doubt that there are men and women who look back with a fond regret to the palmy days of Shap.
Anthony Trollope (Can You Forgive Her?)
Strangers think Jus and me are twins, because we’re both cursed with messy red hair and a truckload of freckles, not to mention we’re both thirteen. But his real twin is his sister Liberty, even though she looks nothing like him, being a blond and, well…a girl. Liberty sauntered in, joining Justice and me in the kitchen. She slouched against the counter and tossed her baseball from hand to hand. Baseball was to Liberty like oxygen was to the rest of us. “That dumb ol’ skeleton is all people have on their brains this morning.” “You’re just mad the police won’t let you on the baseball field,” Justice said. Liberty spit into the trash can. She was a southern belle. Minus the belle part. She also ran faster and slugged harder than anyone else in Windy Bottom. “It’s probably just some soldier left over from the Civil War.” Justice tied on an apron and grabbed a tub filled with dirty dishes. “Nuh-uh. Dad said there wasn’t hardly any war fought in this part of Georgia.” Liberty rolled her eyes. “That doesn’t mean there was nothing. Maybe he crawled home to die.” “Come on, Lib,” I said, tossing her an apron. “We all got kitchen duty—not just Justice and me.
Taryn Souders (Coop Knows the Scoop)
I was reminded of a scene from a play about the French Revolution by a German writer of the last century. Danton learns that Robespierre is going to have him arrested on the following day, and he flees from his house at night. He wanders blindly across the dark heath. It is cold and windy, and suddenly he has a feeling that it is highly illogical to be wandering at night over a windy heath instead of sleeping at home in his good bed. Robespierre and the Convention seem to him unreal figments of the imagination, and the only common-sense thing to do seems to be to go home to bed and sleep. This he does. “Even should we know in theory,’ is the substance of his reflections, “even should we know in theory of all the dangers that threaten us, deep down in us there is a smiling voice which tells us that the morrow will be just as yesterday.” The next morning he is arrested. Deep down in us, too, on this last evening was that smiling voice that told us that the morrow would be just as yesterday. The next morning at 11 a.m. we were arrested.
Arthur Koestler (Dialogue with Death)
By early summer the flats were almost completed, and I knew I would soon be out of a job. There was no prospect of another, but I wasn’t worried; I never felt so beefily strong in my life. I remember standing one morning on the windy roof-top, and looking round at the racing sky, and suddenly realizing that once the job was finished I could go anywhere I liked in the world. There was nothing to stop me, I would be penniless, free, and could just pack up and walk away. I was a young man whose time coincided with the last years of peace, and so was perhaps luckier than any generation since. Europe at least was wide open, a place of casual frontiers, few questions and almost no travellers.
Laurie Lee (As I Walked Out One Midsummer Morning)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I am far too relaxed after the late night/early morning’s Mattress Olympics to be embarrassed about showing up at my parents’ house just in time for Thanksgiving dinner.
Abby Knox (Pumpkin and Spice (The Windy City Holiday Duet #1))
The sun rose this morning failing to dissipate the haze barely hanging above the palm fronds. A windy morning, and that inner feeling of something different about to start. A sub-Saharan harmattan; a blow of kiss with a tender chill. A chill not suited for a fireplace, but soothed by a soft sweater draped across my aging shoulders. When I close my eyes, I felt what I assumed to be teardrops on my feet. The manifestation of my ambivalence about the many years of my sojourn in foreign lands. I escaped from a state of despair as the harmattan wind blows, whistling and whispering my name across pine trees. I am home in Africa
Fidelis O. Mkparu
As Peet screamed on the road to Lamendron, morning birds chirped in the clearing where the Igibys slept. Cold blue light crept through the slit in the tent door. Janner stretched, forcing his eyes open and shaking the cobwebs from his mind. To his left, Podo snored so loudly that Janner wondered how it hadn’t woken him sooner. Oskar didn’t snore, but with every long exhale of breath, his lips made a windy pfffffhhhhhhh.
Andrew Peterson (North! or Be Eaten)
But I’m making you breakfast in the morning, and you’re going to like it. How do you like your eggs?” “Poached. Soft.” “Wonderful,” he deadpans. “I guess I’ll go watch some YouTube videos on how to do that because I have no fucking clue how to poach an egg, but I can promise you, they’re going to be perfect. So, good luck not falling in love with me tomorrow, Kennedy Kay!” 
Liz Tomforde (Caught Up (Windy City, #3))