β
Politics is ugly. Never doubt what small men will do for great power.
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Paolo Bacigalupi (The Windup Girl)
β
We are nature. Our every tinkering is nature, our every biological striving. We are what we are, and the world is ours. We are its gods. Your only difficulty is your unwillingness to unleash your potential fully upon it.
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Paolo Bacigalupi (The Windup Girl)
β
A girl doesn't always want to go out, you know, Mr. Wind-Up Bird. Sometimes she feels like being nasty--like, if the guy's gonna wait, let him really wait.
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β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
Sometimes I feel like a windup doll, like I have to reach behind and turn my golden key to produce a greeting, a laugh, whatever the socially acceptable reaction should be.
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β
Jessica Knoll (Luckiest Girl Alive)
β
Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. "Goodbye, Mr. Wind-Up Bird. See you again sometime.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
Food should come from the place of its origin, and stay there. It shouldn't spend its time crisscrossing the globe for the sake of profit.
β
β
Paolo Bacigalupi (The Windup Girl)
β
We rest in the hands of a fickle god. He plays on our behalf only for entertainment, and he will close his eyes and sleep if we fail to engage his intellect.
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Paolo Bacigalupi (The Windup Girl)
β
She smiles at him, too young to know him for a stranger, and too innocent yet to care.
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Paolo Bacigalupi (The Windup Girl)
β
Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? Theyβre nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You donβt get it, Iβm sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. Itβs true.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
She is an animal. Servile as a dog. And yet if he is careful to make no demands, to leave the air between them open, another version of the windup girl emerges. As precious and rare as a living bo tree. Her soul, emerging from within the strangling strands of her engineered DNA.
β
β
Paolo Bacigalupi (The Windup Girl)
β
I clicked the gate shut and slipped down the alley. Through one fence after another, I caught glimpses of people in their dining rooms and living rooms, eating and watching TV dramas. Food smells drifted into the alley through kitchen windows and exhaust fans. One teenaged boy was practicing a fast passage on his electric guitar, with the volume turned down. In a second floor window, a tiny girl was studying at her desk, an earnest expression on her face. A married couple in a heated argument sent their voices out to the alley. A baby was screaming. A telephone rang. Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
Sex and hypocrisy. They go together like coffee and cream.
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β
Paolo Bacigalupi (The Windup Girl)
β
Miss her a little? God, was she daft? He was going to miss her more than a little. No, he wasn't. He leaped to his feet and practically ran to the door. He wasn't going to miss her at all. He was going to find her and bring her home.
β
β
Kady Cross (The Girl with the Windup Heart (Steampunk Chronicles, #4))
β
Everything is change. It would be good for you to remember it. Clinging to the past, worrying about the future. . . It's all suffering.
β
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Paolo Bacigalupi (The Windup Girl)
β
A sudden eruption, and the surprise of realizing that the world he understands is not the one he actually inhabits.
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β
Paolo Bacigalupi (The Windup Girl)
β
What I'm trying to tell you, Griffin King, is that I don't want to live in a world that doesn't have you in it." She drew a deep breath and summoned all her courage. "I love you." Time seemed to stop. He just stared up at her. A swath of her hair fell over her shoulder onto his chest and he didn't even blink. "Griffin? Did you hear me?" "I did," he answered without a change in expression. "I'm just waiting to see if maybe I died after all, because this certainly feels like heaven.
β
β
Kady Cross (The Girl with the Windup Heart (Steampunk Chronicles, #4))
β
Laws are confusing documents. They get in the way of justice."
"Justice is always lost where Trade is concerned.
β
β
Paolo Bacigalupi (The Windup Girl)
β
We're so few in comparison to the past, where did all the souls go?
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β
Paolo Bacigalupi (The Windup Girl)
β
Her heart kicked hard against her ribs, seized by a terrible fear that refused to let go no matter how hard she pushed.
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Kady Cross (The Girl with the Windup Heart (Steampunk Chronicles, #4))
β
Emily's ginger brows were knit tight, the edges of each almost meeting over the bridge of her pert nose. "You know I will, you daft baggage. As if we have any other option.
β
β
Kady Cross (The Girl with the Windup Heart (Steampunk Chronicles, #4))
β
That is the nature of our beasts and plagues. They are not dumb machines to be driven about. They have their own needs and hungers. Their own evolutionary demands. They must mutate and adapt, and so you will never be done with me, and when I am gone, what will you do then? We have released demons upon the world, and your walls are only as good as my intellect. Nature has become something new. It is ours now, truly. And if our creation devours us, how poetic will that be?
β
β
Paolo Bacigalupi (The Windup Girl)
β
Water sluices away soap and grime, even some of the shame comes with it. If she were to scrub for a thousand years she would not be clean, but she is too tired to care and she has grown accustomed to scars she cannot scour away. The sweat, the alcohol, the humid salt of semen and degradation, these she can cleanse. It is enough. She is too tired to scrub harder. Too hot and too tired, always.
At the end of her rinsing, she is happy to find a little water left in the bucket. She dips one ladleful and drinks it, gulping. And then in a wasteful, unrestrained gesture, she upends the bucket over her head in one glorious cathartic rush. In that moment, between the touch of the water, and the splash as it pools around her toes, she is clean.
β
β
Paolo Bacigalupi (The Windup Girl)
β
Laws are confusing documents. They get in the way of justice.
β
β
Paolo Bacigalupi (The Windup Girl)
β
Sometimes I feel like a wind-up doll, like I have to reach behind and turn my golden key to produce a greeting, a laugh, whatever the socially acceptable reaction should be.
β
β
Jessica Knoll (Luckiest Girl Alive)
β
All of them waiting for a reincarnation that they cannot have because none of them deserve the suffering of this particular world.
β
β
Paolo Bacigalupi (The Windup Girl: Winner of Five Major SF Awards)
β
She is begging for survival, and he speaks of fantasy.
β
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Paolo Bacigalupi (The Windup Girl)
β
every so often they reach an impasse of language that seems more rooted in culture than vocabulary.
β
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Paolo Bacigalupi (The Windup Girl: Winner of Five Major SF Awards)
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Despite everything, he failed to understand the capriciousness of warfare. In his arrogance he thought he could prepare. Such a fool...
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Paolo Bacigalupi (The Windup Girl)
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All is transient. Even bo trees cannot last.
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Paolo Bacigalupi (The Windup Girl)
β
Down an alley a washing woman has set out laundry in pans near the rubble of an old high-rise. Another is washing her body, carefully scrubbing under her sarong, its fabric clinging to her skin. Children run naked through the dirt, jumping over bits of broken concrete that were laid down more than a hundred years ago in the old Expansion. Far down the street the levees rise, holding back the sea.
β
β
Paolo Bacigalupi (The Windup Girl)
β
Jaidee has seen these ghosts as well, walking the boulevards sometimes, sitting in the trees. Phii are everywhere now. Too many to count. He has seen them in graveyards and and leaning against the bones of riddled bo trees, all of them looking at him with some irritation. Mediums all speak of how crazy with frustration the Phii are, how they cannot reincarnate and thus linger, like a great mass of people at Hualamphong Station hoping for a train down to the beaches. All of them waiting for a reincarnation that they cannot have because none of them deserve the suffering of this particular world.
β
β
Paolo Bacigalupi (The Windup Girl)
β
Even the richest and the most powerful are only meat for cheshires in the end. We are all nothing but walking corpses and to forget it is folly. Meditate on the nature of corpses and you will see this.Β
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Paolo Bacigalupi (The Windup Girl)
β
It is beginning."
Pak Eng and Laughing Chan and Peter all look at Hock Seng with respect. "You were right."
Hock Seng nods impatiently. "I learn."
The storm is gathering. The megodonts must do battle. It is their fate. The power sharing of the last coup could never last. The beasts must clash and one will establish final dominance. Hock Seng murmurs a prayer to his ancestors that he will come out of this maelstrom alive.
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Paolo Bacigalupi (The Windup Girl)
β
All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.
How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering.
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β
Paolo Bacigalupi (The Windup Girl)
β
The problem with keeping money in a bank is that in the blink of a tiger's eye it will turn on you: what's yours becomes theirs, what was your sweat and labour and sold off portions of a lifetime becomes a stranger's.
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β
Paolo Bacigalupi (The Windup Girl)
β
She holds the bills between her fingers. Her training tells her to be polite, but his self-satisfied largesse irritates her.
"What does the gentleman think I will do with his extra baht?" she asks. "Buy a pretty piece of jewelry? Take myself out to dinner? I am property, yes? I am Raleigh's." She tosses the money at his feet. "It makes no difference if I am rich or poor. I am owned."
The man pauses, one hand on the sliding door. "Why not run away, then?"
"To where?
β
β
Paolo Bacigalupi (The Windup Girl)
β
The waves of her consciousness pulsed through my fingertips and into me-a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
Men are loyal when you lead from the front. I wonβt have a man wasting his time winding a crank fan for me, or waving a palm frond just to keep me comfortable like those heeya in the Trade Ministry. I may lead, but we are all brothers. When youβre a captain, promise me youβll do the same.
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Paolo Bacigalupi (The Windup Girl)
β
Hock Seng doesn't pause to ask any more. He turns and runs, as fast as his old bones will carry him. Cursing himself all the way. Cursing that he was a fool and didn't put his nose to the wind, that he let himself be distracted from bare survival by the urgent wish to do something more, to reach ahead.
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Paolo Bacigalupi (The Windup Girl)
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She takes the money and stuffs it into a pocket.Β βYou can find your way from here?β he asks. She grins. βIβm not a yellow card. I donβt have anything to fear.β Hock Seng makes himself smile in return, thinking that she does not know how little anyone cares to separate wheat from chaff, when all anyone wants to do is burn a field.
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Paolo Bacigalupi (The Windup Girl)
β
My anger is carbon monoxide, binding to pain, humiliation, and hurt, rendering them powerless. You would never know when you met me how angry I am. Like Ani, I sometimes feel like a wind-up doll. Turn my key and I will tell you what you want to hear. I will smile on cue. My anger is odorless, colorless, and tasteless. Itβs completely toxic.
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β
Jessica Knoll (Luckiest Girl Alive)
β
There's a certain trick to ignoring her bad moods. The first time Jaidee met Kanya, he almost thought she was stupid, the way her face remained so impassive, so impervious to any hint of fun, as though she were missing an organ, a nose for smell, eyes for sight, and whatever curious organ makes a person sense sanuk when it is right in front of them.
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Paolo Bacigalupi (The Windup Girl)
β
Grahamites." She makes a face. "So concerned with niche and nature. So focused on their Noah's ark, after the flood has already happened."
Anderson thinks of Hagg, sweating and distressed at the destruction caused by ivory beetle. "If they could, they'd keep us all on our own continents."
"It is impossible, I think. People like to expand. To fill new niches.
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Paolo Bacigalupi (The Windup Girl)
β
All life produces waste. The act of living produces costs, hazards and disposal questions, and so the Ministry has found itself in the center of all life, mitigating, guiding and policing the detritus of the average person along with investigating the infractions of the greedy and short-sighted, the ones who wish to make quick profits and trade on others' lives for it.
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Paolo Bacigalupi (The Windup Girl)
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You must go ask Gi Bu Sen for advice. He is the only one who knows what sort of monster we face. These are his children, coming to torment us. He will recognize them. I'm having the new samples prepared. Between the three, he will know. "
"There's no other way?"
"Our only other choice is to begin quarantining the city, and then the riots will begin and there will be nothing left to save.
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Paolo Bacigalupi (The Windup Girl)
β
Anderson takes a shuddering breath, forcing away the memories. She is the opposite of the invasive plagues he fights every day. A hothouse flower, dropped into a world too harsh for her delicate heritage. It seems unlikely that she will survive for long. Not in this climate. Not with these people. Perhaps it was that vulnerability that moved him, her pretended strength when she had nothing at all.
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Paolo Bacigalupi
β
I could actually see and hear my tears dripping down into the white pool of moonlight, where they were sucked in as if they had always been part of the light. As they fell, the tears caught the light of the moon and sparkled like beautiful crystals. Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? Theyβre nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You donβt get it, Iβm sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. Itβs true.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
Anderson forces a laugh. "Of course." He smiles, but inside he is seething. He'll have to deal with Raleigh. And now perhaps Carlyle as well. He's been sloppy. He eyes the ngaw with disgust. He's been waving his latest interest in front of everyone. Grahamites, even, and now this. It's too easy to get comfortable. To forget all the lines of exposure. And then one day in a bar, someone slaps you in the face.
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Paolo Bacigalupi (The Windup Girl)
β
I hate your kind."
"Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?"
Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first."
The old gaijin laughs. "That would have been exciting."
"We would have beaten you. Just like the cheshires."
"You may yet." He shrugs. "You do not fear cibiscosis or blister rust."
"No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont."
He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals."
Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?"
The old man exchanges a glance with his ladyboy.
"Can you do it?" Emiko presses.
He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented."
Emiko slumps.
The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your childrenβin genetic terms, if not physical onesβthey can be made fertile, a part of the natural world."
Emiko feels her heart pounding. "You can do this, truly?"
"Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.
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Paolo Bacigalupi (The Windup Girl)
β
Jaidee always insisted that the Kingdom was a happy country, that old story about the Land of Smiles. But Kanya cannot think of a time when she has seen smiles as wide as those in museum photos from before the Contraction. She sometimes wonders if those people in the photos were acting, if perhaps the National Gallery is intended to depress her, or if it is really true that at one point people smiled so totally, so fearlessly.
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Paolo Bacigalupi (The Windup Girl)
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I don't care. I want that one out. We can't afford a stampede. Find some polite way to get rid of him." Anderson pulls over another stack of paychecks waiting for his signature.
Hock Seng tries again. "Khun, negotiating with the union is a complicated thing."
"That's why I have you. It's called delegating." Anderson continues flipping the papers.
"Yes, of course." Hock Seng regards him drily. "Thank you for your management instruction.
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Paolo Bacigalupi (The Windup Girl)
β
Even our prayers are to farang, Kanya thinks. A farang antidote for a farang plague.
Take any tool you can find. Make it your own, Jaidee said in times past, explaining why they consorted with the worst. Why they bribed and stole and encouraged monsters like Gi Bu Sen.
A machete doesn't care who wields it, or who made it. Take the knife and it will cut. Take the farang if they will be a tool in your hand. And if it turns on you, melt it down. You will have at least the raw materials.
Take any tool. He was always practical.
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Paolo Bacigalupi (The Windup Girl)
β
His words have the finality of true authority. Reflexively, Emiko starts to bow, acquiescing to his wishes. She stops short. You are not a dog, she reminds herself. You are not a servant. Service has gotten you abandoned amongst demons in a city of divine beings. If you act like a servant, you will die like a dog.
She straightens. "So sorry, I must go north, Raleigh-san. Soon. How much would it cost? I will earn it."
"You're like a goddamn cheshire." Raleigh stands suddenly. "You just keep coming back to pick over the dead.
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Paolo Bacigalupi (The Windup Girl)
β
Life is algorithmic. Two becomes four, becomes ten thousand, becomes a plague. Maybe it's everywhere in the population already and we never noticed. Maybe this is end-stage. Terminal without symptoms, like poor Kip."
Kanya glances at the ladyboy. Kip gives a gentle return smile. Nothing shows on her skin. Nothing shows on her body. It is not the doctor's disease she dies of. And yet. . . Kanya steps away, involuntarily.
The doctor grins. "Don't look so worried. You have the same sickness. Life is, after all, inevitably fatal.
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Paolo Bacigalupi (The Windup Girl)
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Back home, we can't kill them fast enough," he says. "Even Grahamites offer blue bills for their skins. Probably the only thing they've ever done that I agreed with."
"Mmm, yes." Emiko's brow wrinkles thoughtfully. "They are too much improved for this world, I think. A natural bird has so little chance, now." She smiles slightly. "Just think if they had made New People first."
Is it mischief in her eyes? Or melancholy?
"What do you think would have happened?" Anderson asks.
Emiko doesn't meet his gaze, looks out instead at the circling cats amongst the diners. "Generippers learned too much from cheshires."
She doesn't say anything else, but Anderson can guess what's in her mind. If her kind had come first, before the generippers knew better, she would not have been made sterile. She would not have the signature tick-tock motions that make her so physically obvious. She might have even been designed as well as the military windups now operating in Vietnamβdeadly and fearless. Without the lesson of the cheshires, Emiko might have had the opportunity to supplant the human species entirely with her own improved version. Instead, she is a genetic dead end. Doomed to a single life cycle, just like SoyPRO and TotalNutrient Wheat.
Another shadow cat bolts across the street, shimmering and shading through darkness. A high-tech homage to Lewis Carroll, a few dirigible and clipper ship rides, and suddenly entire classes of animals are wiped out, unequipped to fight an invisible threat.
"We would have realized our mistake," Anderson observes.
"Yes. Of course. But perhaps not soon enough.
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Paolo Bacigalupi (The Windup Girl)
β
The doctor smiles. "Don't cling too tightly to what is natural, Captain. Here, look," he bends forward, makes cooing noises. The shimmer of the cheshire cranes toward his face, mewling. Its tortoiseshell fur glimmers. It licks tentatively at his chin. "A hungry little beast," he says. "A good thing, that. If it's hungry enough, it will succeed us entirely, unless we design a better predator. Something that hungers for it, in turn."
"We've run the analysis of that," Kanya says. "The food web only unravels more completely. Another super-predator won't solve the damage already done."
Gibbons snorts. "The ecosystem unravelled when man first went a-seafaring. When we first lit fires on the broad savannas of Africa. We have only accelerated the phenomenon. The food web you talk about is nostalgia, nothing more. Nature." He makes a disgusted face. "We are nature. Our every tinkering is nature, our every biological striving. We are what we are, and the world is ours. We are its gods. Your only difficulty is your unwillingness to unleash your potential fully upon it.
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Paolo Bacigalupi (The Windup Girl)
β
The Grahamites who preach on the streets of Bangkok all talk of their Holy Bible and its stories of salvation. Their stories of Noah Bodhisattva, who saved all the animals and trees and flowers on his great bamboo raft and helped them cross the waters, all the broken pieces of the world piled atop his raft while he hunted for land. But there is no Noah Bodhisattva now. There is only Phra Seub who feels the pain of loss but can do little to stop it, and the little mud Buddhas of the Environment Ministry, who hold back rising waters by barest luck.
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Paolo Bacigalupi (The Windup Girl)
β
Jaidee never told her how they first met, not even after they were married. It was too humiliating to admit to what she had seen in him that night on the street. To tell her that the man she loved was that other fool as well.
And now he prepares to do something worse. He puts on his white dress uniform while Niwat and Surat watch. They are solemn as he prepares to bring himself low in their eyes. He kneels before them.
"Whatever you see today, do not let it shame you."
They nod solemnly, but he knows they do not understand. They are too young to understand pressures and necessity. He pulls them close, and then he goes out into blinding sunlight.
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Paolo Bacigalupi (The Windup Girl)
β
Death is a stage. A transience. A passage to a later life. If Kanya meditates on this idea long enough, she imagines that she will be able to assimilate it, but the truth is that Jaidee is dead and they will never meet again and whatever Jaidee earned for his next life, whatever incense and prayers Kanya offers, Jaidee will never be Jaidee, his wife will never be returned, and his two fighting sons can only see that loss and suffering are everywhere.
Suffering. Pain is the only truth. But it is better for young ones to laugh a while and feel the softness, and if this desire to coddle a child ties a parent to the wheel of existence so be it. A child should be indulged. This is what Kanya thinks as she rides her bicycle across the city toward the Ministry and the housing that Jaidee's descendants have been placed in: a child should be indulged.
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Paolo Bacigalupi (The Windup Girl)
β
In the distance, the battle rages still, moved on to other avenues and other victims. Hock Seng limps down the street. Bodies lie everywhere. He reaches an intersection and hobbles across, too tired to care about the risk of being caught in the open. At the far side, a man lies slumped against a wall, his bicycle lying beside him. Blood soaks his lap.
Hock Seng picks up the bicycle.
"That's mine," the man says.
Hock Seng pauses, studying the man. The man can barely keep his eyes open, yet still he clings to normalcy, to the idea that something like a bicycle can be owned. Hock Seng turns and wheels the bicycle down off the sidewalk. The man calls out again, "That's mine." But he doesn't stand and he doesn't do anything to stop Hock Seng as he swings a leg over the frame and sets his feet on the pedals.
If the man complains again, Hock Seng doesn't hear it.
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Paolo Bacigalupi (The Windup Girl)
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I am bought, she thinks. I am paid for. I am bought.
When she first arrived at the Environment Ministry as Akkarat's mole, it was a surprise to discover that the little privileges of the Environment Ministry were always enough. The weekly take from street stalls to burn something other than expensive approved-source methane. The pleasure of a night patrol spent sleeping well. It was an easy existence. Even under Jaidee, it was easy. And now by ill-luck she must work, and the work is important, and she has had two masters for so long that she cannot remember which one should be ascendant.
Someone else should have replaced you, Jaidee. Someone worthy. The Kingdom falls because we are not strong. We are not virtuous, we do not follow the eightfold path and now the sicknesses come again.
And she is the one who must stand against them, like Phra Seubβbut without the strength or moral compass.
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Paolo Bacigalupi (The Windup Girl)
β
We're not in Khlong Prem Prison yet. So let's assume we're winning."
But inwardly, Anderson wonders. There are too many variables in play, and it makes him nervous. He remembers a time in Missouri when the Grahamites rioted. There had been tension, some small speeches, and then it had simply erupted in field burning. No one had seen the violence coming. Not a single intelligence officer had anticipated the cauldron boiling beneath the surface.
Anderson had ended up perched atop a grain silo, choking on the smoke of HiGro fields going up in sheets of flame, firing steadily at rioters on the ground with a spring rifle he'd salvaged from a slow-moving security guard, and all the while he had wondered how everyone had missed the signs. They lost the facility because of that blindness. And now it is the same. A sudden eruption, and the surprise of realizing that the world he understands is not the one he actually inhabits.
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Paolo Bacigalupi (The Windup Girl)
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Jaidee studies the general's desk. "I wasn't aware that the Environment Ministry only inspected cargo at others' convenience."
"I am trying to reason with you. My hands are full with tigers: blister rust, weevil, the coal war, Trade Ministry infiltrators, yellow cards, greenhouse quotas, fa' gan outbreaks. . . And yet you choose to add another."
Jaidee looks up. "Who is it?"
"What do you mean?"
"Who is so angry that you're pissing your pants this way? Coming to ask me not to fight? It's Trade, yes? Someone in the Trade Ministry has you by the balls."
Pracha doesn't say anything for a moment. "I don't know who it is. Better that you don't know, either. What you do not know, you cannot fight." He slides a card across the desk. "This arrived today, under my door." His eyes lock on Jaidee so that Jaidee cannot look away. "Right here in the office. Inside the compound, you understand? We are completely infiltrated."
Jaidee turns over the card.
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Paolo Bacigalupi (The Windup Girl)
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Is this how you will die? Is this what you were meant for? To simply be bled out like a pig?
A spark of rage flickers, an antidote to despair.
Will you not even try to survive? Did the scientists make you too stupid even to consider fighting for your own life?
Emiko closes her eyes and prays to Mizuko Jizo Bodhisattva, and then the bakeneko cheshire spirit for good measure. She takes a breath, and then with all her strength she slams her hand against the knife. The blade slices past her neck, a searing line.
"Arai wa?!" the man shouts.
Emiko shoves hard against him and ducks under his flailing knife. Behind her, she hears a grunt and thud as she bolts for the street. She doesn't look back. She plunges into the street, not caring that she shows herself as a windup, not caring that in running she will burn up and die. She runs, determined only to escape the demon behind her. She will burn, but she will not die passive like some pig led to slaughter.
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Paolo Bacigalupi (The Windup Girl)
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How many of us are dead because of their potential unleashed? Your calorie masters showed us what happens. People die."
"Everyone dies." The doctor waves a dismissal. "But you die now because you cling to the past. We should all be windups by now. It's easier to build a person impervious to blister rust than to protect an earlier version of the human creature. A generation from now, we could be well-suited for our new environment. Your children could be the beneficiaries. Yet you people refuse to adapt. You cling to some idea of a humanity that evolved in concert with your environment over millennia, and which you now, perversely, refuse to remain in lockstep with.
"Blister rust is our environment. Cibiscosis. Genehack weevil. Cheshires. They have adapted. Quibble as you like about whether they evolved naturally or not. Our environment has changed. If we wish to remain at the top of our food chain, we will evolve. Or we will refuse, and go the way of the dinosaurs and Felis domesticus. Evolve or die. It has always been nature's guiding principle, and yet you white shirts seek to stand in the way of inevitable change." He leans forward. "I want to shake you sometimes. If you would just let me, I could be your god and shape you to the Eden that beckons us."
"I'm Buddhist."
"And we all know windups have no souls." Gibbons grins. "No rebirth for them. They will have to find their own gods to protect them. Their own gods to pray for their dead." His grin widens. "Perhaps I will be that one, and your windup children will pray to me for salvation." His eyes twinkle. "I would like a few more worshippers, I must admit. Jaidee was like you. Always such a doubter. Not as bad as Grahamites, but still, not particularly satisfactory for a god."
Kanya makes a face. "When you die, we will burn you to ash and bury you in chlorine and lye and no one will remember you."
The doctor shrugs, unconcerned. "All gods must suffer.
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But Hock Seng doesnβt contest the foreignerβs words. Heβll put out the bounty, regardless. If the cats are allowed to stay, the workers will start rumors that Phii Oun the cheshire trickster spirit has caused the calamity. The devil cats flicker closer. Calico and ginger, black as nightβall of them fading in and out of view as their bodies take on the colors of their surroundings. They shade red as they dip into the blood pool.Β Hock Seng has heard that cheshires were supposedly created by a calorie executiveβsome PurCal or AgriGen man, most likelyβfor a daughterβs birthday. A party favor for when the little princess turned as old as Lewis Carrollβs Alice.Β The child guests took their new pets home where they mated with natural felines, and within twenty years, the devil cats were on every continent and Felis domesticus was gone from the face of the world, replaced by a genetic string that bred true ninety-eight percent of the time. The Green Headbands in Malaya hated Chinese people and cheshires equally, but as far as Hock Seng knows, the devil cats still thrive there.Β
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Paolo Bacigalupi (The Windup Girl)
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The problem with keeping money in a bank is that in the blink of a tiger's eye it will turn on you: what's yours becomes theirs, what was your sweat and labor and sold off portions of a lifetime become a stranger's. This problemβthis banking problemβgnaws at the forefront of Hock Seng's mind, a genehack weevil that he cannot dig out and cannot pinch into pus and exoskeleton fragments.
Imagined in terms of the timeβtime spent earning wages that a bank then holdsβa bank can own more than half of a man. Well, at least a third, even if you are a lazy Thai. And a man without one third of his life, in truth, has no life at all.
Which third can a man lose? The third from his chest to the top of his balding skull? From his waist to his yellowing toenails? Two legs and an arm? Two arms and a head? A quarter of a man, cut away, might still hope to survive, but a third is too much to tolerate.
This is the problem with a bank. As soon as you place your money in its mouth, it turns out that the tiger has gotten its teeth locked around your head. One third, or one half, or just a liver-spotted skull, it might as well be all.
But if a bank cannot be trusted, what can?
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She holds the remnants of slashed clothes around her, keeping her modesty. It's pitiable, really, that a creature so utterly owned clings to modesty.
"Why?" she asks again.
He shrugs again. "You needed help."
"No one helps a windup." Her voice is flat. "You are a fool." She pushes damp hair away from her face. A surreal stutter-stop motion, the genetic bits of her unkinking. Her smooth skin shines between the edges of her slashed blouse, the gentle promise of her breasts. What would she feel like? Her skin gleams, smooth and inviting.
She catches him staring. "Do you wish to use me?"
"No." he looks away, uneasy. "It's not necessary."
"I would not fight you," she says.
Anderson feels a sudden revulsion at the acquiescence in her voice. On another day, at another time, he probably would have taken her for the novelty. Thought nothing of it. But the fact that she expects so little fills him with distaste. He forces a smile. "Thank you. No."
She nods shortly. Looks out again at the humid night and the green glow of the street lamps. It's impossible to say if she is grateful or surprised, or if his decision even matters to her. However her mask might have slipped in the heat of terror and relief of escape, her thoughts are carefully locked away now.
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Paolo Bacigalupi (The Windup Girl)
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Anderson has spent enough time poring over ancient pictures that they seldom affect him. He can usually ignore the foolish confidence of the pastβthe waste, the arrogance, the absurd wealthβbut this one irritates him: the fat flesh hanging off the farang, the astonishing abundance of calories that are so obviously secondary to the color and attractiveness of a market that has thirty varieties of fruit: mangosteens, pineapples, coconuts, certainly. . . but there are no oranges, now. None of these. . . these. . . dragon fruits, none of these pomelos, none of these yellow things. . . lemons. None of them. So many of these things are simply gone.
But the people in the photo don't know it. These dead men and women have no idea that they stand in front of the treasure of the ages, that they inhabit the Eden of the Grahamite Bible where pure souls go to live at the right hand of God. Where all the flavors of the world reside under the careful attentions of Noah and Saint Francis, and where no one starves.
Anderson scans the caption. The fat, self-contented fools have no idea of the genetic gold mine they stand beside. The book doesn't even bother to identify the ngaw. It's just another example of nature's fecundity, taken entirely for granted because they enjoyed so damn much of it.
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That? It's nothing. A stupid mutation. A standard outcome. We used to see them in our labs. Junk."
"Then why haven't we ever seen it before?"
Gibbons makes a face of impatience. "You don't culture death the way we do. You don't tinker with the building blocks of nature." Interest and passion flicker briefly in the old man's eyes. Mischief and predatory interests. "You have no idea what things we succeeded in creating in our labs. This stuff is hardly worth my time. I hoped you were bringing me a challenge. Something from Drs. Ping and Raymond. Or perhaps Mahmoud Sonthalia. Those are challenges." For a moment, his eyes lose their cynicism. He becomes entranced. "Ah. Now those are worthy opponents."
We are in the hands of a gamesman.
In a flash of insight, Kanya understands the doctor entirely. A fierce intellect. A man who reached the pinnacle of his field. A jealous and competitive man. A man who found his competition too lacking, and so switched sides and joined the Thai Kingdom for the stimulation it might provide. An intellectual exercise for him. As if Jaidee had decided to fight a muay thai match with his hands tied behind his back to see if he could win with kicks alone.
We rest in the hands of a fickle god. He plays on our behalf only for entertainment, and he will close his eyes and sleep if we fail to engage his intellect.
A horrifying thought. The man exists only for competition, the chess match of evolution, fought on a global scale. An exercise in ego, a single giant fending off the attacks of dozens of others, a giant swatting them from the sky and laughing. But all giants must fall, and then what must the Kingdom look forward to?
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Why did you help AgriGen for so long?"
The doctor's eyes narrow. "The same reason you run like a dog for your masters. They paid me in the coin I wanted most."
Her slap rings across the water. The guards start forward, but Kanya is already drawing back, shaking off the sting in her hand, waving away the guards. "We're fine. Nothing is wrong."
The guards pause, unsure of their duty and loyalties. The doctor touches his broken lip, examines the blood thoughtfully. Looks up. "A sore spot, there. . . How much of yourself have you already sold?" He smiles showing teeth rimed bloody from Kanya's strike. "Are you AgriGen's then? Complicit?" He looks into Kanya's eyes. "Are you here to kill me? To end my thorn in their side?" He watches closely, eyes peering into her soul, observant, curious. "It is only a matter of time. They must know that I am here. That I am yours. The Kingdom couldn't have fared so well for so long without me. Couldn't have released nightshades and ngaw without my help. We all know they are hunting. Are you my hunter, then? Are you my destiny?"
Kanya scowls. "Hardly. We're not done with you yet."
Gibbons slumps. "Ah, of course not. But then, you never will be. That is the nature of our beasts and plagues. They are not dumb machines to be driven about. They have their own needs and hungers. Their own evolutionary demands. They must mutate and adapt, and so you will never be done with me, and when I am gone, what will you do then? We have released demons upon the world, and your walls are only as good as my intellect. Nature has become something new. It is ours now, truly. And if our creation devours us, how poetic will that be?"
"Kamma," she murmurs.
"Precisely.
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Kanya looks away. "You deserve it. It's your kamma. Your death will be painful."
"Karma? Did you say karma?" The doctor leans closer, brown eyes rolling, tongue lolling. "And what sort of karma is it that ties your entire country to me, to my rotting broken body? What sort of karma is it that behooves you to keep me, of all people, alive?" He grins. "I think a great deal about your karma. Perhaps it's your pride, your hubris that is being repaid, that forces you to lap seedstock from my hand. Or perhaps you're the vehicle of my enlightenment and salvation. Who knows? Perhaps I'll be reborn at the right hand of Buddha thanks to the kindnesses I do for you."
"That's not the way it works."
The doctor shrugs. "I don't care. Just give me another like Kip to fuck. Throw me another of your sickened lost souls. Throw me a windup. I don't care. I'll take what flesh you throw me. Just don't bother me. I'm beyond worrying about your rotting country now."
He tosses the papers into the pool. They scatter across the water. Kanya gasps, horrified, and nearly lunges after them before steeling herself and forcing herself to draw back. She will not allow Gibbons to bait her. This is the way of the calorie man. Always manipulating. Always testing. She forces herself to look away from the parchment slowly soaking in the pool and turn her eyes to him.
Gibbons smiles slightly. "Well? Are you going to swim for them or not?" He nods at Kip. "My little nymph will help you. I'd enjoy seeing you two little nymphs frolicking together."
Kanya shakes her head. "Get them out yourself."
"I always like it when an upright person such as yourself comes before me. A woman with pure convictions." He leans forward, eyes narrowed. "Someone with real qualifications to judge my work."
"You were a killer."
"I advanced my field. It wasn't my business what they did with my research. You have a spring gun. It's not the manufacturer's fault that you are likely unreliable. That you may at any time kill the wrong person. I built the tools of life. If people use them for their own ends, then that is their karma, not mine."
"AgriGen paid you well to think so."
"AgriGen paid me well to make them rich. My thoughts are my own." He studies Kanya. "I suppose you have a clean conscience. One of those upright Ministry officers. As pure as your uniform. As clean as sterilizer can make you." He leans forward. "Tell me, do you take bribes?"
Kanya opens her mouth to retort, but words fail her. She can almost feel Jaidee drifting close. Listening. Her skin prickles. She forces himself not to look over her shoulder.
Gibbons smiles. "Of course you do. All of your kind are the same. Corrupt from top to bottom.
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Paolo Bacigalupi (The Windup Girl)
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Youβre as close as anyone ever comes to meeting God. Come now, donβt you have any questions for God?
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on protecting the Kingdom, even destroying the levees and flooding the city after learning of Akkarat's plot against General Pracha. Finally, Mai begins to associate with Gi Bu Sen after he promises to create a new race of fertile windups, fulfilling her desire to live among her own kind.
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BookRags (Summary & Study Guide The Windup Girl by Paolo Bacigalupi)
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Laws are confusing documents. They get in the way if justice.
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Paolo Bacigalupi (The Windup Girl)
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At the time, he told his children to watch themselves, to understand that the tides of conservatism came and went and if they could not live as freely and openly as their parents had, well then, what of it? Didn't they have food in their bellies and family and friends whose company they enjoyed? And within their high-walled compounds, it was irrelevant what the Green Headbands thouse.
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Paolo Bacigalupi (The Windup Girl)
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The problem with keeping money in a bank is that in the blink of a tigerβs tail it will turn on you: whatβs yours becomes theirs, what was your sweat and labour and sold off portions of a lifetime becomes a strangerβs.
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It's difficult not to always be aware of those high walls and the pressure of the water beyond. Difficult to think of the City of Divine Beings as anything other than a disaster waiting to happen.
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Paolo Bacigalupi (The Windup Girl)
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The press slams down, clipping another kink-spring among the forty per hour that now, apparently, will have only a seventy-five percent chance of ending up in a supervised disposal fill at the Environment Ministry. They're spending millions to produce trash that will cost millions more to destroyβa double-edged sword that just keeps cutting.
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Paolo Bacigalupi (The Windup Girl)
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It amuses him that the Thais, even amid starvation, have found the time and energy to resurrect nicotine addiction. He wonders if human nature ever really changes.
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Paolo Bacigalupi (The Windup Girl)
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Windups have no souls. But they are beautiful.
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An arrogance that has difficulty fitting into his clothes. Some people are simply too powerful to pretend a lower status.
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Paolo Bacigalupi (The Windup Girl)
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It is at times like these that Jaidee's heart breaks. Only once when he was in the muay thai ring was he afraid. But many times when he has worked, he has been terrified. Fear is part of him. Fear is part of the Ministry. What else but fear could close borders, burn towns, slaughter fifty thousand chickens and inter them wholesale under clean dirt and a thick powdering of lye?
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Paolo Bacigalupi (The Windup Girl)
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It is a precise thing, a scripted act as deliberate as Jo No Mai, each move choreographed, a worship of scarcity.
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Paolo Bacigalupi (The Windup Girl)
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Men are loyal when you lead from the front.
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Paolo Bacigalupi (The Windup Girl)
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she does not know how little anyone cares to separate wheat from chaff, when all anyone wants to do is burn a field.
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Paolo Bacigalupi (The Windup Girl: Winner of Five Major SF Awards)
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The yang guizi flinches as Doctor Chan sticks him again and he gives her a dirty look. βFinish up,β he says to her. βNow.β She wais carefully, hiding her fear.
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Paolo Bacigalupi (The Windup Girl)
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His arms and shoulders and back ached from the strain of rowing. An old man's aches. A soft man's pains.
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Paolo Bacigalupi (The Windup Girl)
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All of them waiting for a reincarnation that they cannot have because none of them deserve the suffering of this particular world... the ghosts are all around.
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Paolo Bacigalupi (The Windup Girl)
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People don't remember the worst times. They aren't afraid the way they were before.
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Paolo Bacigalupi (The Windup Girl)
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In the distance, a building explodes in flame. She has over a hundred men working this district, letting everyone feel the pain of real enforcement. Laws are a fine thing on paper, but painful when no bribery can ease their bind. People have forgotten this.
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Paolo Bacigalupi (The Windup Girl)
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Up ahead, people are shouting about white shirts and the death of their Queen's protector. Angry voices, ready for a riot. The storm is brewing. The battle pieces are being aligned. A little girl hurries past, pressing whisper sheets into each of their hands before dashing on. The political parties are already at work. Soon the godfather of the slum will have his own people down in the alleys inciting violence.
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Children playing at war. Children who don't deserve to die, but are too foolish to live.
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Paolo Bacigalupi (The Windup Girl)
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It is not fighting that he fears; it is not death; it is the waiting and uncertainty, and it breaks Jaidee's heart that Niwat knows nothing of the waiting terrors, and that the waiting terrors are all around them now. So many things can only be fought by waiting...
It breaks Jaidee's heart that Niwat knows no fear, and that Surat trains him so. It breaks his heart that he cannot make himself intervene, and he curses himself for it. Why must he destroy childhood illusions of invincibility? Why him? He resents this role.
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Paolo Bacigalupi (The Windup Girl)
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King Rama did not care an ounce for Krung Thep; he cared for us, and so he made a symbol for us to protect. But it is not the city, it is the people that matter. What good is a city if the people are enslaved?
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Paolo Bacigalupi (The Windup Girl)
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And yet all around he hears the groaning complaining mass of humanity.
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The two would make a fine pair: two uprooted souls, two men far from their homelands, each of them surviving by their wits and paranoia. . .
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Paolo Bacigalupi (The Windup Girl)
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The worst part of any job is the moment of exposure, when too many people suddenly know too many things.
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I was asleep. All along, I was asleep and never understood.
But now, as he stares at the relic bo tree, something shifts.
Nothing lasts forever. A kuti is a cell. This cell is a prison. He sits in a prison, while the ones who took Chaya live and drink and whore and laugh. Nothing is permanent. This is the central teaching of the Buddha. Not a career, not an institution, not a wife, not a tree. . . All is change; change is the only truth.
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Will they understand that we were not fast enough or smart enough to save them all? That we had to make choices?
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Paolo Bacigalupi (The Windup Girl)