Piercing Done Quotes

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We are not our station in life. We are us - the sum of what we've done, what we want to do, and the people who we keep close.
Pierce Brown (Golden Son (Red Rising Saga, #2))
My love, my love Remember the cries When winter died for spring skies They roared and roared But we grabbed our seed And sowed a song Against their greed And Down in the vale Hear the reaper swing, the reaper swing the reaper swing Down in the vale Hear the reaper sing A tale of winter done My son, my son Remember the chains When gold ruled with iron reins We roared and roared And twisted and screamed For ours, a vale of better dreams
Pierce Brown (Red Rising (Red Rising Saga, #1))
Where everyone else sees a straight line, you see a maze, and when I'm done talking to you, the maze starts to make more sense --Reply by Dove to Aly's silent inquiry
Tamora Pierce
It's always better to attack than to defend," Coram had told her when they talked about fencing late at night. "Always. Ye don't win with defense--ye only hold the other feller off, or wear him down. Attack and have done with it!
Tamora Pierce (Alanna: The First Adventure (Song of the Lioness, #1))
At last Niko dropped his hands, and opened his eyes. His perfect tree illusion solidified and settled. "Very nice," said Briar with approval. "Couldn't have done better myself" "Couldn't do it at all yourself," muttered Tris. Briar ignored her. "But you'd never find a cork oak in these parts. Too cold." Niko looked down his nose at the boy. "I beg your pardon?" Briar shrugged. "Just thought I'd mention it." Niko glared.
Tamora Pierce
I can trust you." "How do you know?" she says again. This is when I kiss her. I cannot give her the haemanthus. That is my heart, and it is of Mars- one of the only things born from the red soil. And it is still Eo's. But this girl, when they took her... I would have done anything to see her smirking again. Perhaps one day I'll have two hearts to give.
Pierce Brown (Red Rising (Red Rising Saga, #1))
You want me to come clean, I will. I'll tell you everything. Who I am and what I've done. Every last detail. I'll dig it all up, but you have to ask. You have to want it. You can see who I was, or you can see who I am now. I'm not good," he said, piercing me with eyes that absorbed all light but reflected none, "but I was worse.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
We are not our station in life. We are us—the sum of what we’ve done, what we want to do, and the people who we keep close.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Wenna followed us out. "You've done him some good, Clary, I have to say! He's got color in his cheeks, and he's stepping along as if he was sixty again," she told Goodwin as she walked us to the gate. "You'll come back?" "Of course," Goodwin said. "But thank Cooper for his improved spirits. Once he'd insulted her a few times, he was in the pink.
Tamora Pierce (Bloodhound (Beka Cooper, #2))
You’ve been fucked before, huh?” he asked, angling her so that his piercing slid over her G-spot when he entered. “By the time I’m done, you’ll have reassessed your definition
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a piercing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase--nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it.
R.J. Anderson (Ultraviolet (Ultraviolet, #1))
I suppose that is what every man must tell himself in war.” His voice rasps and he sucks again on the water tube. “That there will be an end, and when it is done, enough of himself will remain. Enough to be a father. A brother. A lover. But we know it isn’t true. Don’t we, Darrow? War eats the victors last.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Why would I care what you were? I care about what people do. I care about truth. If you had told me, I wouldn’t have done a single thing differently. I would have protected you.
Pierce Brown (Morning Star (Red Rising, #3))
They all want a part of it. A part of the pain that's not theirs. Nod their heads. Wrinkle their foreheads. Now they want to pity it, gorge on my pain. And when they're done or bored or too sad, they whisk themselves away to stare at a screen or stuff their fat faces, thinking 'How lucky am I to be me.' And they they forget the pain and say we should be good citizens. Get a job. Assimilate.. They planted us in stones, watered us with pain, and now marvel how we have thorns.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Her free hand was clenched in a fist. I held still, waiting for her to say something, to tell me she should have never left me here, where her friends might look to me for help. Finally she looked at me. Her eyes were hard, but she'd let no tears fall. "This is where we blame those who are responsible, Cooper, she told me, her voice very soft. "The colemongers, and the bought Dogs at Tradesmen's kennel. We'll leave an offering for him with the Black God when all this is done, and we'll occupy ourselves with tearing these colemongers apart. all right? We put grief aside for now.
Tamora Pierce (Bloodhound (Beka Cooper, #2))
I took his hand, he took a friend. All he has done is bite and claw for his own survival. Watching him now, so small and plain in a world of gods, it's almost as if he's the hero nobly struggling against a father who rejected him, against a Society that laughs at his size, his weakness, and scorns him as a cannibal even though it was they who told him to do whatever he had to do to win.
Pierce Brown (Golden Son (Red Rising Saga, #2))
No. You hurt people because you didn't have any idea what love really was. You were trying to understand it in the only way you knew how. It’s horrible, yes. But it’s forgivable. I forgive you. I forgive a thousand worse things you may have done. I can forgive anything.
Laurelin Paige
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Your eyes are the shade of intelligence, able to pierce a man’s heart with merely a glance. As they have done so to mine.
Elizabeth Boyle (And the Miss Ran Away with the Rake (Rhymes With Love, #2))
Well, she pissed on Sevro and lived,” Cassius manages between fits of laughter. “Name one other person who’s done that.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
I should have loved him more. I would have done anything to keep him at my side and show him the love he deserves.
Pierce Brown (Morning Star (Red Rising Saga, #3))
I do not believe that God has given us this trial to not purpose. I know that the day will come when we will clearly understand why this persecution with all it's sufferings has been bestowed upon us -- for everything that Our Lord does is for our good. And yet, even as I write these words I feel the oppressive weight in my heart of those last stammering words of Kichijiro in the morning of his departure: "Why has Deus Sama imposed this suffering on us?" and then the resentment in those eyes that he turned upon me. "Father", he had said "what evil have we done?" I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.
Shūsaku Endō (Silence)
We have the strange idea in the West that civilizations just happen: that they come into existence as a hit and miss affair and that we bumble along, creating and inventing and making it better. But this is not how things are done at all. Civilizations never just happen. They are brought into existence quite consciously, with unbelievable compassion and determination, from another world. Then the job of people experienced in ecstasy is to prepare the soil for them; carefully sow and plant them; care for them; watch them grow.
Peter Kingsley (A Story Waiting to Pierce You: Mongolia, Tibet and the Destiny of the Western World)
Swift is her walk, more swift her winged haste: A monstrous phantom, horrible and vast. As many plumes as raise her lofty flight, So many piercing eyes inlarge her sight; Millions of opening mouths to Fame belong, And ev'ry mouth is furnish'd with a tongue, And round with list'ning ears the flying plague is hung. She fills the peaceful universe with cries; No slumbers ever close her wakeful eyes; By day, from lofty tow'rs her head she shews, And spreads thro' trembling crowds disastrous news; With court informers haunts, and royal spies; Things done relates, not done she feigns, and mingles truth with lies. Talk is her business, and her chief delight To tell of prodigies and cause affright.
Virgil (The Aeneid English)
throat. He’s a traitor, a liar, a cheat. Yet I see a friend. I want to fix him and make him whole. What am I doing? I have to put him down. But I’ve done that before with Titus. That cycle erodes us. Death begets death begets death, and ever more.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I failed the test. He’s right. It wasn’t justice. Justice is dispassionate; it is fair. I am the leader. I passed the sentence. I should have done it. Instead, I gave license to vengeance and vendetta. The cancer will not be cut away; I made it worse.
Pierce Brown (Red Rising (Red Rising Saga, #1))
He is a horse who will burn and bloat and explode in the sun. Put him back in the oven and let him cook until he's done.
Tamora Pierce (Tortall and Other Lands: A Collection of Tales)
We are not our station in life. We are us--the sum of what we've done, what we want to do, and the people who we keep close.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I cannot escape it, what I’ve done, no matter how far I follow the tunnel. I am alone with my sin. This is why they rule. The Peerless Scarred know that dark deeds are carried through life. They cannot be outrun. They must be worn if one is to rule. This is their �rst lesson.
Pierce Brown (Red Rising (Red Rising Saga, #1))
That’s what makes us special,” she continues. “This isn’t just a courtship of boy meets girl. They fall in love, yadda, yadda. This is a lifelong commitment to men who aren’t satisfied living ordinary lives. It sometimes seems more of an obsession than a mission. One that can test a woman to her absolute limits.” She grins over at me, “But for him, for that man, I’ll do it. I’ll be there when he fucks up so badly he can’t celebrate how good he is or what he’s done. I’ll be there whenever he doubts himself and our relationship suffers because of those doubts. I’ll be there with my hair done, and my lipstick on, in my best heels, with my head held high on his darkest days, because that’s what he needs. And I don’t want him changing. I don’t want him to stop being who he is, not ever, not for me, and not for any baby we make.” She turns her gaze to me. “But I will use the tips of these heels to pierce and pin his brass balls down if he ever stops giving me what I need.
Kate Stewart (The Finish Line (The Ravenhood, #3))
Darcy looked at Graham for the first time in months, and realized that her memory had not done him justice. He was gold and bronze, perfect like a statue. His eyes were ice blue. They were eyes that could pierce a man's resolve, and probably had many times. But not now. Now they assessed her, ice fading to liquid sky...
Olivia Stocum (Starlight)
A student once walked into the office of Harvard Dean LeBaron Russell Briggs and said he hadn't done his assignment because he hadn't felt well. Looking the student piercingly in the eye, Dean Briggs said, "Mr. Smith, I think in time you may perhaps find that most of the work in the world is done by people who aren't feeling very well
LeBaron Russell Briggs
If we have abdicated our birthright to scientific progress, we have done so by moving the debate into the realm of political and cultural argument, where we all feel more confident, because it is there that the Gut rules. Held to the standards of that context, any scientific theory is turned into mere opinion. Scientific fact is no more immutable than a polling sample.
Charles P. Pierce (Idiot America: How Stupidity Became a Virtue in the Land of the Free)
I suppose that is what every man must tell himself in war... That there will be an end, and when it is done, enough of himself will remain. Enough to be a father. A brother. A lover. But we know it isn't true. Don't we Darrow? War eats the victors last.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
All I cared about then was catching a glimpse of Chairman Mao. I turned my eyes quickly away from Liu to the front of the motorcade. I spotted Mao's stalwart back, his right arm steadily waving. In an instant, he had disappeared. My heart sank. Was that all I would see of Chairman Mao? Only a fleeting glimpse of his back? The sun seemed suddenly to have turned gray. All around me the Red Guards were making a huge din. The girl standing next to me had just pierced the index finger of her right hand and was squeezing blood out of it to write something on a neatly folded handkerchief. I knew exactly the words she was going to use. It had been done many times by other Red Guards and had been publicized ad nauseam: "I am the happiest person in the world today. I have seen our Great Leader Chairman Mao!" Watching her, my despair grew. Life seemed pointless. A thought flickered into my mind: perhaps I should commit suicide?
Jung Chang (Wild Swans: Three Daughters of China)
Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?" Blue gray eyes twinkled at her over his cream-colored mare's back. "I didn't. It's Farant. " His blond hair curled thickly over his head, almost matching the pony's in color. "Thank you. Trainee Farant, you're missing spots. " "Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed. "Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up. "Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large? "Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. " His grin was wolfish. "But that can be fixed. " Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw. "No, sir. I just never met nobody like you. " "And if you're lucky, you won't again, " muttered Buri, passing by.
Tamora Pierce (Wild Magic (Immortals, #1))
My army cries in protest. They don’t understand. Golds don’t do this. Golds don’t sacrifice for one another. Leaders take; they do not give. My army cries out again. I ask them, how is this worse than the rape they were all so comfortable with? Is not Nyla now one of us? Is she not part of the body? Like Reds are. Like Obsidians are. Like all the Colors are. Pax tries to go light. But it’s Pax, so when he’s done, my back looks like chewed goatmeat. I stand up. Do everything I can to prevent myself from wobbling. I’m seeing stars. I want to wail. Want to cry. Instead, I tell them that anyone who does anything vile—they know what I mean—will have to whip me like this in front of the entire army. I see how they look at Tactus now, how they look at Pax, how they look at my back. “You do not follow me because I am the strongest. Pax is. You do not follow me because I am the brightest. Mustang is. You follow me because you do not know where you are going. I do.” I motion Tactus to come toward me. He wavers, pale, confused as a newborn lamb. Fear marks his face. Fear of the unknown. Fear of the pain I willingly bore. Fear when he realizes how different he is from me. “Don’t be afraid,” I tell him. I pull him forward into a hug. “We are blood brothers, you little shit. Blood brothers.” I’m learning.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Together you and I... we've broken worlds. Who can do what we have done? What our men have done? Yet we put ourselves at the mercy of rats. We free them. Protect them. Die for them. And when we turn our backs, they unveil their little teeth and gnaw at us one bite at a time. And when we turn to face them, they cheer, and we pretend their gnawing hasn't made us weaker. Rats cannot even govern their own appetite. How can they govern themselves?
Pierce Brown (Dark Age (Red Rising Saga, #5))
I know this will be hard, Arram. Do not be heroic. I have often done this on my own with Daleric's people. Sometimes I work here with two mastery students. I--" "Two mastery students!" Arram cried, as close to hysterics as he had ever been in his life. "Then why not at least bring another instead of using only me?" Ramasu raised his eyebrows until Arram caught his breath. Then he said, his voice kind and firm, "Because I knew you would be enough.
Tamora Pierce (Tempests and Slaughter (The Numair Chronicles, #1))
I cannot escape it, what I’ve done, no matter how far I follow the tunnel. I am alone with my sin. This is why they rule. The Peerless Scarred know that dark deeds are carried through life. They cannot be outrun. They must be worn if one is to rule. This is their first lesson. Or was it that the weak do not deserve life?
Pierce Brown (Red Rising (Red Rising Saga, #1))
Forevermore, let justice be done.
Pierce Brown (Red Rising (Red Rising Saga, #1))
I knew it!" he cried, jubilant. "I thought 'twas you, but there's more of you now. You should've seen the likes of her, boys," he said, turning towards the other convicts as he pointed at Kel. "We was all outlaws, livin' on the edges, and this bunch of pages stumbled into our camp. We chased 'em back in a canyon, and her -" he jabbed his finger at Kel - "she gutted ol' Breakbone Dell, and him the meanest dog-skinner you'd ever hope to meet. Stood there afoot, her and her spear, cool as meltwater with Breakbone ridin' down on her with that neck-cutter sword of his. First time she got 'im in the leg, second in the tripes, and he was done. Her and six lads held us all back, just them. There she was, eyes like stone and that bloody spear in her hand. Lady." He bowed deep. Kel looked at him, not sure what to say. Finally she asked, "What's your name, soldier?" "Me? Gilab Lofts - Gil. Lady. It's - it's good to see you well." He bowed again and returned to his seat, whispering with the men on either side of him. Kel waited for them to quiet once again before she said ruefully, "I'm not sure that being known for gutting a man is exactly a recommendation for a commander." "It is in the north!" cried someone. Several men laughed outright; others grinned.
Tamora Pierce (Lady Knight (Protector of the Small, #4))
I’ve experienced a lot in my life. I’ve been in bloody battles. I’ve been with friends who were killed. I’ve seen terrible things done to man and beast, but I’ve never felt afraid. “I’ve been troubled. I’ve also been uneasy and tense. I’ve been in mortal danger, but I’ve never experienced that cold-sweat kind of fear, the kind that eats a man alive, brings him to his knees, and makes him beg. In fact, I always prided myself on being above that. I thought that I’d suffered through and seen so much that nothing could scare me anymore. That nothing could bring me to that point.” He brushed a brief kiss on my neck. “I was wrong. When I found you and saw that…that thing trying to kill you, I was enraged. I destroyed it without hesitation.” “The Kappa were terrifying.” “I wasn’t afraid of the Kappa. I was afraid…that I’d lost you. I felt an unquenchable, gut-wrenching, corrosive fear. It was unbearable. The most agonizing part was realizing that I didn’t want to live anymore if you were gone and knowing there was nothing I could do about it. I would be stuck forever in this miserable existence without you.” I heard every word he said. It pierced through me, and I knew I would have felt the same way if our places had been reversed. But I told myself that his heartfelt declaration was just a reflection of the tense pressure we’d been under. The little love plant in my heart was grasping at each wispy thought, absorbing his words like sweet drops of morning dew. But I chastised my heart and shoved the tender expressions of affection elsewhere, determined to be unaffected by them. “It’s okay. I’m here. You don’t need to be afraid. I’m still around to help you break the curse,” I said, trying to keep my voice even. He squeezed my waist and whispered softly, “Breaking the curse didn’t matter to me anymore. I thought you were dying.” I swallowed and tried to be flippant. “Well, I didn’t. See? I lived to argue with you another day. Now don’t you wish it had gone the other way?” His arms stiffened and he threatened, “Don’t ever say that, Kells.” After a second of hesitation, I said, “Well, thank you. Thank you for saving me.” He pulled me close, and I allowed myself a minute, just a minute, to lie back against him and enjoy it. I had almost died after all. I deserved some kind of reward for surviving, didn’t I?
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Fear no more the heat o’ the sun Nor the furious winter’s rages, Thou thy worldly task hast done, Home art gone, and ta’en thy wages; Golden lads and girls all must As chimney sweepers come to dust
Pierce Brown (Morning Star (Red Rising Saga, #3))
Fear no more the heat o' the sun Nor the furious winter's rages, Thou thy worldly task hast done, Home art gone, and ta'en thy wages; Golden lads and girls all must As chimney sweepers come to dust
Pierce Brown (Morning Star (Red Rising Saga, #3))
Albert Graeme It was an English ladye bright, (The sun shines fair on Carlisle wall) And she would marry a Scottish knight, For Love will still be lord of all. Blithely they saw the rising sun When he shone fair on Carlisle wall; But they were sad ere day was done, Though Love was still the lord of all. Her sire gave brooch and jewel fine, Where the sun shines fair on Carlisle wall; Her brother gave but a flask of wine, For ire that Love was lord of all. For she had lands both meadow and lea, Where the sun shines fair on Carlisle wall, For he swore her death, ere he would see A Scottish knight the lord of all. That wine she had not tasted well (The sun shines fair on Carlisle wall) When dead, in her true love's arms, she fell, For Love was still the lord of all! He pierced her brother to the heart, Where the sun shines fair on Carlisle wall, So perish all would true love part That Love may still be lord of all! And then he took the cross divine, Where the sun shines fair on Carlisle wall, And died for her sake in Palestine; So Love was still the lord of all. Now all ye lovers, that faithful prove, (The sun shines fair on Carlisle wall) Pray for their souls who died for love, For Love shall still be lord of all! -- Canto 6
Walter Scott (The Lay of the Last Minstrel 1805 (Revolution and Romanticism, 1789-1834))
I cannot escape it, what I’ve done, no matter how far I follow the tunnel. I am alone with my sin. This is why they rule. The Peerless Scarred know that dark deeds are carried through life. They cannot be outrun. They must be worn if one is to rule. This is their first lesson. Or was it that the weak do not deserve life? I hate them, but I hear them. Win. Bear the guilt. Reign. They want me pitiless. They want my memory short. But I was raised differently. All my people sing of are memories. And so I will remember this death. It will burden me as it does not burden my fellow students—I must not let that change. I must not become like them. I’ll remember that every sin, every death, every sacrifice, is for freedom.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Look,” Petru said, pointing up at the sky. Among the first stars beginning to pierce the night sky, there was one falling. It burned, light trailing behind it as it slowly moved through the gathering darkness. “It is an omen,” Daciana said from her seat in front of Stefan on his horse, her voice quiet with wonder. Lada closed her eyes, remembering another night when stars fell from the heavens. She had almost been happy, then, with the two men she loved. Now she had neither of them. But she had known that night what she knew now: nothing but Wallachia would ever be enough. The stars saw her. They knew. She lifted a hand in the air toward the burning sign as she rode forward, letting everyone see her pointing to the omen of her coming. Everyone would witness it. They were her people. This was her country. This was her throne. She needed no intrigues, no elaborate plans. Wallachia was her mother. After everything she had been through, all she had done in pursuit of the throne, she was left with one thing only: herself. She was enough.
Kiersten White (Now I Rise (And I Darken Series, #2))
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
But figure his thought, when Death is now clutching at his own heart-strings, unlooked for, inexorable! Yes, poor Louis, Death has found thee. No palace walls or life-guards, gorgeous tapestries or gilt buckram of stiffest ceremonial could keep him out; but he is here, here at thy very life-breath, and will extinguish it. Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a dream, into void Immensity; Time is done, and all the scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking'd, and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all-too possible, in the prospect; in the retrospect,--alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the 'five hundred thousand' ghosts, who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,--crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou 'hast done evil as thou couldst:' thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men; daily dragging virgins to thy cave;--clad also in scales that no spear would pierce: no spear but Death's? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.--We will pry no further into the horrors of a sinner's death-bed.
Thomas Carlyle (The French Revolution: A History)
Now burst above the city's cold twilight The piercing whistles and the tower-clocks: For day is done. Along the frozen docks The workmen set their ragged shirts aright. Thro' factory doors a stream of dingy light Follows the scrimmage as it quickly flocks To hut and home among the snow's gray blocks. -- I love you, human labourers. Good-night! Good-night to all the blackened arms that ache! Good-night to every sick and sweated brow, To the poor girl that strength and love forsake, To the poor boy who can no more! I vow The victim soon shall shudder at the stake And fall in blood: we bring him even now.
Trumbull Stickney
Bring thy lust to the gospel, not for relief, but for further conviction of its guilt; look on Him whom thou hast pierced, and be in bitterness. Say to thy soul, “What have I done? What love, what mercy what blood, what grace have I despised and trampled on! Is this the return I make to the Father for his love, to the Son for his blood, to the Holy Ghost for his grace? Do I thus requite the Lord? Have I defiled the heart that Christ died to wash, that the blessed Spirit has chosen to dwell in? And can I keep myself out of the dust? What can I say to the dear Lord Jesus? How shall I hold up my head with any boldness before him? Do I account communion with him of so little value, that for this vile lust’s sake I have scarce left him any room in my heart? How shall I escape if I neglect so great a salvation? In the meantime, what shall I say to the Lord? Love, mercy, grace, goodness, peace, joy, consolation… I have despised them all and esteemed them as a thing of nought, that I might harbor a lust in my heart. Have I obtained a view of God’s fatherly countenance, that I might behold his face and provoke him to his face? Was my soul washed, that room might be made for new defilements? Shall I endeavor to disappoint the end of the death of Christ? Shall I daily grieve that Spirit whereby I am sealed to the day of redemption?” Entertain thy conscience daily with this treaty. See if it can stand before this aggravation of its guilt. If this make it not sink in some measure and melt, I fear thy case is dangerous.
John Owen
However he said before I came: To him who brought you up relate How you have broken honor's ties, And say,- his prompt response I wait!' 'Distressed am I to bear your words; And humbled low I am by fate. For honor's sake I must revenge The wrong done Batu and his mate.' Then slowly on one upraised knee He placed with care his loaded gun; Ten aimed at Sapar-beg whom he Had reared, and loved more than a son 'O Sapar-beg,' he gravely said, 'Unworthy even for death are you. 'Tis I who am unfit to live For bringing up a man like you' A sudden flash… a bursting shot… A bullet pierce through temples gray… And on the ground in wreaths of smoke Haji-Iusub lifeless lay.
Akaki Tsereteli
Pierce also blamed the nation’s deepening divide on “wild and chimerical schemes of social change” and “a fanatical devotion to the supposed interests of the relatively few Africans in the United States.” Rarely had the U.S. government’s acquiescence to the Slave Power been so plainly expressed—and done so by a dough-faced Yankee from New Hampshire.
Tony Horwitz (Midnight Rising: John Brown and the Raid That Sparked the Civil War)
How do we work with our minds when we meet our match? Rather than indulge or reject our experience, we can somehow let the energy of the emotion, the quality of what we’re feeling, pierce us to the heart. This is easier said than done, but it’s a noble way to live. It’s definitely the path of compassion—the path of cultivating human bravery and kindheartedness.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
Local Girl Missing, Feared Dead. Beneath it was a photo of me-my most recent school photo. “Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?” Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.” He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did. But what I wanted to do was burst into tears. “Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before. “Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?” My gaze flicked down the page. I wanted to throw up. “One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.” This was all so very, very bad. “One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?” “That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“ Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort. “You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
Meg Cabot (Underworld (Abandon, #2))
It took him half an hour to reach the little mission chapel. From his position on his back in the river he could see just the tip of the steeple, but for the most part he gazed upward at the constellations. Rudy knew his constellations, because each one of his daughters had done a science project on them and they'd spent hours lying on their backs in the middle of the Edgar Lee Masters campus looking up at the sky. As the river bent to the south, he could see Virgo and Centaurus coming into view. At first they reminded him of true beauty, and he was overwhelmed. He knew that this heart-piercing ache, however painful, was the central experience of his life and that he would have to come to terms with it. No one - not Aristotle, not Epicurus, not Siva Singh - would ever convince him otherwise. But then it occurred to him that Virgo and Centaurus were just as arbitrary as the rudimentary classification system he'd used for his books - Helen's books. There were a lot of stars left out of the constellations, and nothing to stop you from drawing the lines in different ways to create different pictures. He wanted to lift his wings and fly, but he didn't have the power. He could only let the river carry him along.
Robert Hellenga (Philosophy Made Simple)
Christ is all in the entire work of salvation. Let me just take you back to the period before this world was made. There was a time when this great world, the sun, the moon, the stars, and all which now exist throughout the whole of the vast universe, lay in the mind of God, like unborn forests in an acorn cup. There was a time when the Great Creator lived alone, and yet he could foresee that he would make a world, and that men would be born to people it; and in that vast eternity a great scheme was devised, whereby he might save a fallen race. Do you know who devised it? God planned it from first to last. Neither Gabriel nor any of the holy angels had anything to do with it. I question whether they were even told how God might be just, and yet save the transgressors. God was all in the drawing up of the scheme, and Christ was all in carrying it out. There was a dark and doleful night! Jesus was in the garden, sweating great drops of blood, which fell to the ground; nobody then came to bear the load that had been laid upon him. An angel stood there to strengthen him, but not to bear the sentence. The cup was put into his hands, and Jesus said, "Father, must I drink it?" and his Father replied, "If thou dost not drink, sinners cannot be saved"; and he took the cup and drained it to its very dregs. No man helped him. And when he hung upon that accursed tree of Calvary, when his precious hands were pierced, when: "From his head, his hands, his feet, Sorrow and love flowed mingled down," there was nobody to help him. He was "all" in the work of salvation. And, my friends, if any of you shall be saved, it must be by Christ alone. There must be no patchwork; Christ did it all, and will not be helped in the matter. Christ will not allow you, as some say, to do what you can, and leave him to make up the rest. What can you do that is not sinful? Christ has done all for us; the work of redemption is all finished. Christ planned it all, and worked out all; and we, therefore, preach a full salvation through Jesus Christ.
Charles Haddon Spurgeon
Fear no more the heat o’ the sun Nor the furious winter’s rages, Thou thy worldly task hast done, Home art gone, and ta’en thy wages; Golden lads and girls all must As chimney sweepers come to dust “Per aspera, ad astra,” my Golden friends whisper, even Sevro. And with a press of a button, Roque disappears from our lives to begin his last journey to join Ragnar and generations of fallen warriors in the sun.
Pierce Brown (Morning Star (Red Rising, #3))
A novel flashes up for a season and does not often outlast it. For ‘Mary Barton’ I am a little, little disappointed, do you know. I have just done reading it. There is power and truth — she can shake and she can pierce — but I wish half the book away, it is so tedious every now and then; and besides I want more beauty, more air from the universal world — these classbooks must always be defective as works of art.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
My meaning, is, that churchmen in peace and quiet pray to Heaven for the welfare of the world, but we soldiers and knights carry into effect what they pray for, defending it with the might of our arms and the edge of our swords, not under shelter but in the open air, a target for the intolerable rays of the sun in summer and the piercing frosts of winter. Thus are we God's ministers on earth and the arms by which his justice is done therein.
Miguel de Cervantes Saavedra (Don Quixote: By Miguel de Cervantes & Illustrated)
15. He has opened a pit, etc. This is the wonderful wisdom of God, that He does not punish the ungodly except with their own stratagems, He mocks them with their own mockeries, He pierces them with their own javelins, as David did with Goliath and Christ did with the devil. Thus the Jews had prepared every evil for Christ, and behold, it came upon themselves. And always God observes the rule: “No law is fairer than that the schemers of destruction perish by their own device.”8 And blessed Augustine says, “You have commanded,9 O Lord, and so it is done, that every disordered spirit be its self-punishment.”10 And in this passage (v. 16) we read: His mischief shall be turned on his own head. This is what happened to Saul, Absalom, and many others who harmed themselves when they wanted to harm others, and the fact that Saul fell on his own sword, and his armor bearer after him, is an illustration of this.
Martin Luther (Luther's Works, Vol. 10: Lectures on Psalms)
fantastical. The memories were more real—more believable—than the stone spires. To myself I pretended there were other reasons I couldn’t belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn’t belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside, and the stench was too powerful, the core too rancid, to be covered up by mere dressings. Whether Dr. Kerry suspected any part of this, I’m not sure. But he understood that I had fixated on clothes as the symbol of why I didn’t, and couldn’t, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. “The most powerful determinant of who you are is inside you,” he said. “Professor Steinberg says this is Pygmalion. Think of the story, Tara.” He paused, his eyes fierce, his voice piercing. “She was just a cockney in a nice dress. Until she believed in herself. Then it didn’t matter what dress she wore.
Tara Westover (Educated)
So did he me: and he no more remembers his mother now than an eight-year-old horse. The tartness of his face sours ripe grapes: when he walks, he moves like an engine, and the ground shrinks before his treading: he is able to pierce a corslet with his eye; talks like a knell, and his hum is a battery. He sits in his state, as a thing made for Alexander. What he bids be done is finished with his bidding. He wants nothing of a god but eternity and a heaven to throne in.
William Shakespeare (Coriolanus)
In the Gospel of Luke, just at the crucial moment, Jesus too is in the courtyard, and the two—Jesus and Peter—exchange a look that pierces the disciple's heart. The question that Peter reads in this look, “Why do you persecute me?” Paul will hear as well from Jesus’ own mouth: “Saul, Saul, why do you persecute me?” In response to Paul's question “Who are you, Lord?” Jesus answers, “I am Jesus whom you persecute.” Christian conversion is always this question that Christ himself asks. Because of the simple fact that we live in a world whose structure is based on mimetic processes and victim mechanisms, from which we all profit without knowing it, we are all accessories to the Crucifixion, persecutors of Christ. The Resurrection empowers Peter and Paul, as well as all believers after them, to understand that all imprisonment in sacred violence is violence done to Christ. Humankind is never the victim of God; God is always the victim of humankind.
René Girard (I See Satan Fall Like Lightning)
I can trust you.” “How do you know?” she says again. This is when I kiss her. I cannot give her the haemanthus. That is my heart, and it is of Mars—one of the only things born from the red soil. And it is still Eo’s. But this girl, when they took her … I would have done anything to see her smirking again. Perhaps one day I’ll have two hearts to give. She tastes how she smells. Smoke and hunger. We do not pull apart. My fingers wend through her hair. Hers trace along my jaw, my neck, and scrape along the back of my scalp. There is a bed. There is time. And there’s a hunger different from when I first kissed Eo. But I remember when the Gamma Helldiver, Dago, took a deep pull from his burner, turning it bright but dead in a few quick moments. He said, This is you. I know I am impetuous. Rash. I process that. And I am full of many things—passion, regret, guilt, sorrow, longing, rage. At times they rule me, but not now. Not here. I wound up hanging on a scaffold because of my passion and sorrow. I ended up in the mud because of my guilt. I would have killed Augustus at first sight because of my rage. But now I am here. I know nothing of the Institute’s history. But I know I have taken what no one else has taken. I took it with anger and cunning, with passion and rage. I won’t take Mustang the same way. Love and war are two different battlefields. So despite the hunger, I pull away from Mustang. Without a word, she knows my mind, and that’s how I know it’s in the right. She darts one more kiss into me. It lingers longer than it should, and then we stand together and leave.
Pierce Brown (Red Rising (Red Rising Saga, #1))
You don’t concern yourself much with being liked, do you?” Tristan asked, half amused. No, I don’t.” He was doubtful that Tristan would be capable of understanding that, but the sensation of being liked was extraordinarily dull. It was the closest thing to vanilla that Callum could think of, though nothing was truly comparable. Being feared was a bit like anise, like absinthe. A strange and arousing flavor. Being admired was golden, maple-sweet. Being despised was woodsy, sulfuric aroma, smoke in his nostrils, something to choke on, when done properly. Being envied was tart, a citrusy tang, like green apple. Being desired was Callum’s favorite. That was smoky, too, in a sense, but more sultry, cloaked and perfumed in precisely what it was. It smelled like tangled bedsheets. It tasted like a flicker of a candle flame. It felt like a sigh, a quiet one; concessionary and pleading. He could always feel it on his skin, sharp as a blade. Piercing, like the groan of a lover in his ear. “Being liked is fairly ordinary, I’m afraid,” Callum said. “Intensely commonplace.
Olivie Blake (The Atlas Six (The Atlas, #1))
During the campaign of 2016, we took a step toward totalitarianism without even noticing by accepting as normal the violation of electronic privacy. Whether it is done by American or Russian intelligence agencies, or for that matter by any institution, the theft, discussion, or publication of personal communications destroys a basic foundation of our rights. If we have no control over who reads what and when, we have no ability to act in the present or plan for the future. Whoever can pierce your privacy can humiliate you and disrupt your relationships at will.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Well, whatever his name is. I still don’t like him.” His voice is rough and his bright brown eyes pierce straight through me. Tell me why you don’t like him. Tell me it’s because you’re jealous he kissed me and you haven’t. Tell me you want to. Want me. “Gag,” Nina says with a groan. “Would you two just kiss and be done with it already?” Darren and I gape at her. Fire creeps up my neck, and I press my body against the window, as far from Darren as possible. “I thought you were asleep,” Darren says to her. “With the both of you whining like children? Please,” she huffs.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Yes. I trusted Amanda," Pierce says, leaning back again in his chair. "And yet you cheated on her with your neighbour," Moen breaks in. He fixes a hard look on her. He finds her annoying, picking away at him. "That was a moment of stupidity. Becky came on to me. I shouldn't have done it. Just because I did something wrong, it doesn't mean my wife did." "Doesn't it?" Moen asks, arching an eyebrow. He doesn't like her. He doesn't like either one of them. He considers getting up and leaving. He knows he's within his rights to do so - he's here voluntarily. Moen continues to goad him. "You haven't asked who was having an affair with your wife." "Maybe because I don't want to know," Robert says bluntly. "Or maybe it's because you know already?" Webb suggests. Robert gives the detective a hostile look. "Why would you say that?" "We think she was sleeping with your neighbour, Larry Harris." He is suddenly furious, but tries to tamp down his anger. "I didn't know." "Sure, you didn't," Webb says pleasantly. "That's not why you slept with Becky Harris, is it, to get back at your wife's lover? You wouldn't do that, would you? Just like you wouldn't kill your wife.
Shari Lapena (Someone We Know)
They were living to themselves: self, with its hopes, and promises, and dreams, still had hold of them; but the Lord began to fulfill their prayers. They had asked for contrition, and He sent them sorrow; they had asked for purity, and He sent them thrilling anguish; they had asked to be meek, and He had broken their hearts; they has asked to be dead to the world, and He slew all their living hopes; they had asked to be made like unto Him, and He placed them in the furnace, sitting by "as a refiner of silver," till they should reflect His image; they had asked to lay hold of His cross, and when He had reached it out to them, it lacerated their hands. They had asked they knew not what, nor how; but He had taken them at their word, and granted them all their petitions. They were hardly willing to follow so far, or to draw so nigh to Him. They had upon them an awe and fear, as Jacob at Bethel, or Eliphaz in the night visions, or as the apostles when they thought they had seen the spirit, and knew not that it was Jesus. They could almost pray Him to depart from them, or to hide His awefulness. They found it easier to obey than to suffer--to do than to give up--to bear the cross than to hang upon it: but they cannot go back, for they have come too near the unseen cross, and its virtues have pierced too deeply within them. He is fulfilling to them his promise, "And I, if I be lifted up, will draw all men unto me. But now, at last, their turn is come. Before, they had only heard of the mystery, but now they feel it. He has fastened on them His look of love, as He did on Mary and Peter, and they cannot but choose to follow. Little by little, from time to time, by flitting gleams the mystery of His cross shines upon them. They behold Him lifted up--they gaze upon the glory which rays forth from the wound of His holy passion; and as they gaze, they advance, and are changed into His likeness, and His name shines out through them, for he dwells in them. They live alone with Him above, in unspeakable fellowship; willing to lack what others own, and to be unlike all, so that they are only like him. "Such are they in all ages who follow the Lamb whithersoever He goeth. Had they chosen for themselves, or their friends chosen for them, they would have chosen otherwise. They would have been brighter here, but less glorious in His kingdom. They would have had Lot's portion, not Abraham's. If they had halted anywhere--if He had taken off His hand, and let them stray back--what would they have lost? What forfeits in the morning of the resurrection? But He stayed them up, even against themselves. Many a time their foot had well-nigh slipped; but He, in mercy, held them up; now, even in this life, they know all he did was done well. It was good for them to suffer here, for they shall reign hereafter--to bear the cross below, for they shall wear the crown above; and that not their will but His was done on them.
Elizabeth Payson Prentiss
I see a familiar figure lurking at the edge of the crowd. A long dark coat, tousled blond hair, a gaze so piercing it hurts. He smiles slightly and then steps away, steps back, turns away. No.“ “The figure is moving, moving away across the street. As he reaches the other side, he turns back and looks at me. Raises his eyebrows and nods as if to say well done. Then he leaves, walking quickly down the road.” “I am going to burst. I am going to burst with disappointment, sorrow and pain. I scan the street desperately with my eyes. He does not come back. He does not come back.” - Jennah
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a Dream, into void Immensity; Time is done, and all the Scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking’d,* and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all too possible, in the prospect: in the retrospect,—alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the ‘five hundred thousand’ ghosts,* who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,*—crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou ‘hast done evil as thou couldst:’* thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men;* daily dragging virgins to thy cave;—clad also in scales that no spear would pierce: no spear but Death’s? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.—We will pry no further into the horrors of a sinner’s deathbed.
Thomas Carlyle (The French Revolution)
The king needs riders,” Mother Blackbeak said, still staring at the horizon. “Riders for his wyverns—to be his aerial cavalry. He’s been breeding them in the Gap all these years.” It had been a while—too damn long—but Manon could feel the threads of fate twisting around them, tightening. “And when we are done, when we have served him, he will let us keep the wyverns. To take our host to reclaim the Wastes from the mortal pigs who now dwell there.” A fierce, wild thrill pierced Manon’s chest, sharp as a knife. Following the Matron’s gaze, Manon looked to the horizon, where the mountains were still blanketed with winter. To fly again, to soar through the mountain passes, to hunt down prey the way they’d been born to … They weren’t enchanted ironwood brooms. But wyverns would do just fine.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Bernard also counsels us to be careful how we respond when a wrong has been done to us. So when an offence is committed against you, a thing hard to avoid at times in communities like ours, do not immediately rush, as a worldly person may do, to retaliate dishonorably against your brother; nor, under the guise of administering correction, should you dare to pierce with sharp and searing words one for whom Christ was pleased to be crucified; nor make grunting, resentful noises at him, nor mutter and murmur complaints, nor adopt a sneering air, nor indulge the loud laugh of contempt, nor knit the brow in menacing anger. Let your passion die within, where it was born; a carrier of death, it must be allowed no exit or it will cause destruction, and then you can say with the Prophet: “I was troubled and I spoke not.
Ralph Martin (The Fulfillment of All Desire: A Guidebook to God Based on the Wisdom of the Saints)
The Disciple He that hath a Gospel To loose upon Mankind, Though he serve it utterly -- Body, soul and mind -- Though he go to Calvary Daily for its gain -- It is His Disciple Shall make his labour vain. He that hath a Gospel For all earth to own -- Though he etch it on the steel, Or carve it on the stone -- Not to be misdoubted Through the after-days -- It is His Disciple Shall read it many ways. It is His Disciple (Ere Those Bones are dust ) Who shall change the Charter, Who shall split the Trust -- Amplify distinctions, Rationalize the Claim; Preaching that the Master Would have done the same. It is His Disciple Who shall tell us how Much the Master would have scrapped Had he lived till now -- What he would have modified Of what he said before. It is His Disciple Shall do this and more.... He that hath a Gospel Whereby Heaven is won (Carpenter, or cameleer, Or Maya's dreaming son), Many swords shall pierce Him, Mingling blood with gall; But His Own Disciple Shall wound Him worst of all!
Rudyard Kipling
You want to control me.” She spoke dispassionately as though observing the plight of another woman far distant from herself. Dragon looked up, surprised. “You are my wife.” “Say rather possession for so do you think, do you not?” He shrugged, wondering why she stated the obvious. “All wives belong to their husbands.” “I wanted to be free.” His eyes darkened. There was greater challenge here than even he had thought. “You wanted to be safe from Wolscroft and the rest of them, even from me when you though misguidedly. That is why you fled.” She shook her head. “Oh, no, safety was a convent from which not even my father could have forced me. But it was not to one such that I fled, was it? I wanted freedom, and having tasted it, however briefly, I want it still.” His hands tightened on her, driven by the sudden, piercing pain her words brought. Did she think to leave him again? To flee as she had done and leave him once more bereft. No, by heaven, she would not! “No one is free,” he said fiercely. “We are all enmeshed in duty and responsibility.” “Your duty is of your own choosing, for you did not return here after many years away and willingly take up your inheritance. Your destiny is of your own making and you the master of it as much as any man can claim to be. I want the same myself, no more, less.” “But you are a woman . . .” His bewilderment was genuine. Such yearnings as she described belonged to the realm of men. Women were for hearth and home, the nurturing of children, such ordered security of days as could be wrested from uncertain fate. A man in the thick of battle, in the fury of adventure, in the depths of night had to be able to count on that, for without it, of what purpose was anything? “You are a woman,” he repeated firmly. “And my wife. You have been too long apart from womanly ways with no proper influence to guide you. I applaud your strength and your courage; both will breed true in my sons, but—” “Your sons? Your sons? They will be my sons, Lord Vanity, and my daughters as well, mayhap only daughters, for by heaven it would suit me to thwart you so!
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Three nights a week your Lalasa closes her shop early," Buri told her after a sip from her cup. "She teaches city girls--commoners--holds, blows, and kicks that will help them to escape an attacker. She learned all that somewhere. And it does girls more good than your courting frostbite to shoot a bow you don't even like. There's now a demand for arms teachers for young noblewomen. Seven female Riders this year asked me for references to get them such posts. And may I remind you that a particular law is being revised right now because you had the nerve to tell King Jonathan it should be changed?" "I still should have reported Vinson at the Temple of the Goddess," Kel said stubbornly. "Very well, you should have done," Buri agreed, her face sober. "Next time, you will. And while it won't heal his victims, here's something for you to drink besides self-pity. No court in the land could put him through what he did to those girls. The Chamber did. I've seen the marks of beatings. The Chamber is making him feel every blow, kick, and punch he doled out. And I bet that will continue for a while.
Tamora Pierce (Squire (Protector of the Small, #3))
I always think about how life would have been if Eo never died. The children I would have had. What I would have named them.” I smile distantly. “I would have grown old. Watched Eo grow old. And I would have loved her more with each new scar, with each new year even as she learned to despise our small life. I would have said farewell to my mother, maybe my brother, sister. And if I was lucky, one day when Eo’s hair turned gray, before it began to fall out and she began to cough, I would hear the shift of rocks over my head on the drill and that would be it. She would have sent me to the incinerators and sprinkled my ashes, then our children would have done the same. And the clans would say we were happy and good and raised bloodydamn fine children. And when those children died, our memory would fade, and when their children died, it would be swept away like the dust we become, down and away to the long tunnels. It would have been a small life,” I say with a shrug, “but I would have liked it. And every day I ask myself if I was given the chance to go back, to be blind, to have all that back, would I?
Pierce Brown (Morning Star (Red Rising, #3))
Rafe clenched his teeth as he stood over Lady Rosslyn, taking in her tumble of fiery auburn curls, her fine-boned features, the sweep of her lashes, the curve of her lips. Reaching out a shaky hand, he brushed his fingers across that silken mass of hair with a whisper of a touch. He snatched back his hand with an inner curse. She was too fine to be handled by the likes of him. However, this business had to be done. Raising his index finger to his mouth, he pierced the digit with a fang, watching his blood bead up from the wound. Never in centuries had he imagined performing such an act. Carefully, Rafe held his finger above Lady Rosslyn’s parted lips, allowing his magical blood to drip into her mouth. In as low a voice as possible, he recited the words that would bind her to him for the rest of her life. “I, Rafael Villar, interim Lord of London, Mark this mortal, Cassandra Burton, as mine and mine alone. With this Mark I give Cassandra my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath, as I will avenge what is mine.” The
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
The book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in its as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see. And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into lace with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing-all the color, the light and movement-is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.
Ann Patchett
All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz
And when the day closes, I shall know I have done my part. To every soul, who feels that there's a bunch of dreams left unrealised, remember that as long as the Life remains, the possibility to dream remains. Remember that sometimes some dreams that we paint in our hearts are not meant to grow us in our journey of Life and then while we walk along the path, even the detours and broken dreams pave way to a whole lot of waking dreams that only the heart of gratitude can see and feel. I have seen and felt, that sometimes some souls have to go through a lot of trials and tribulations, lessons and sufferings, and even then they never fail to wear kindness and grace simply because they know that what happens around them should not intrude upon what is inside their heart. To know that we are here for a purpose and to not live idly, to know that the purpose is as simple as to stay kind and open to every possibility is as beautiful as the sky who knows no matter how dark the night is the stars would always lit her face. In a world where everything comes at a price, if you're choosing to stay kind, if you're choosing to value your dignity and your integrity, if your choosing to understand and embrace the smile of Solitude, if you're choosing to employ your faculties to understand the real questions of Life, then you're alive, much more alive than your human dreams could have made you feel. Because no matter what, when sunset hits the night, and the day comes to a close you know you've done your part, you know you have embraced one more day with gratitude and grace, with a formidable zeal for Life and an invincible spirit of human understanding that stands firm pillared with Hope and Faith. And then no matter how many voices shrill your mind, the echo of your soul would pierce through your heart and enlighten every inch of your mind, body and soul, and you would know how proud the Universe must be to see the faithfulness, the strength and resilience in your soul, the very mould that was shaped in the fire of the Stardust that shines upon the sky, sometimes becoming a beacon to others while sometimes lying beautifully hidden but always there, always alive. And so each time, I look at the sky with a bunch of stars, I know I am alive, burning with all that Life is made up of. And someday when the day closes for another dawn altogether, I shall know that I have done my part, pretty well.
Debatrayee Banerjee
CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.
W.B. Yeats
I just figured someone like him would be named Fabio or something.” I want to be angry, I really do, but I can’t resist laughing. “That’s what I thought the first time I met him,” I admit. Darren actually cracks a smile, and hope blooms inside my chest for an instant before it fizzles. I’m itching to tell Darren that he’s the one I want. But I don’t know how, or if I should. Keeping Darren at an emotionally safe distance might be the only way I make it through this summer unscathed. If that’s even possible at this point. “Well, whatever his name is. I still don’t like him.” His voice is rough and his bright brown eyes pierce straight through me. Tell me why you don’t like him. Tell me it’s because you’re jealous he kissed me and you haven’t. Tell me you want to. Want me. “Gag,” Nina says with a groan. “Would you two just kiss and be done with it already?” Darren and I gape at her. Fire creeps up my neck, and I press my body against the window, as far from Darren as possible. “I thought you were asleep,” Darren says to her. “With the both of you whining like children? Please,” she huffs. “I’m going to the little girl’s room.” She stands and her long legs step over Tate’s without waking him. “Fix this or we’re all going to be miserable,” she whispers to Darren loud enough for me to hear.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Cheddar Cheese Grits Ingredients: 2 cups whole milk 2 cups water 1 1/2 teaspoons salt 1 cup coarse ground cornmeal 1/2 teaspoon freshly ground black pepper 4 tablespoons unsalted butter 4 ounces sharp Cheddar, shredded Directions: Place the milk, water, and salt into a large, heavy-gauge pan over medium-high heat and bring to a boil. Once the milk mixture comes to a boil, gradually add the cornmeal while continually stirring. Once all of the cornmeal has been incorporated, decrease the heat to low and cover. Remove lid and stir frequently, every few minutes, to prevent grits from sticking or forming lumps; make sure to get into corners of the pan when stirring. Cook for 20 to 25 minutes or until mixture is creamy. Remove from the heat, add the pepper and butter, and whisk to combine. Once the butter is melted, gradually whisk in the cheese a little at a time. Serve immediately. Sweet Potato Casserole Ingredients: For the sweet potatoes 3 cups (1 29-ounce can) sweet potatoes, drained ½ cup melted butter ⅓ cup milk ¾ cup sugar 1 teaspoon vanilla 2 beaten eggs salt to taste For the topping: 5 tablespoons melted butter ⅔ cup brown sugar ⅔ cup flour 1 cup pecan pieces Instructions: Preheat the oven to 350 degrees. Mash the sweet potatoes and add the melted butter, milk, sugar, vanilla, beaten eggs, and a pinch of salt. Stir until incorporated. Pour into a shallow baking dish or a cast iron skillet. Combine the butter, brown sugar, flour, and pecan pieces in a small bowl, using your fingers to create moist crumbs. Sprinkle generously over the casserole. Bake for 25-35 minutes, until the edges pull away from the sides of the pan and the top is golden brown. Let stand for the mixture to cool and solidify a little bit before serving. Southern Fried Chicken Ingredients: 4 pounds chicken pieces 1 1/2 cups milk 2 large eggs 2 1/2 cups all-purpose flour 2 tablespoons salt 2 teaspoons pepper 3 cups vegetable oil salt to taste Preparation: Rinse chicken; pat dry and then set aside. Combine milk and eggs in a bowl; whisk to blend well. In a large heavy-duty plastic food storage bag, combine the flour, salt, and pepper. Dip a chicken piece in the milk mixture; let excess drip off into bowl. Put a few chicken pieces in the food storage bag and shake lightly to coat thoroughly. Remove to a plate and repeat with remaining chicken pieces. Heat oil to 350°. Fry chicken, a few pieces at a time, for about 10 minutes on each side, or until golden brown and cooked through. Chicken breasts will take a little less time than other pieces. Pierce with a fork to see if juices run clear to check for doneness. With a slotted spoon, move to paper towels to drain; sprinkle with salt.
Ella Fox (Southern Seduction Box Set)
He clipped the male again, this time in the shoulder, sending Einar flying backward. He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her. Con couldn’t go to her yet. The threat needed to be eliminated. A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here. He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him. Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con. Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.” Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother. Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—” She jumped at him, throwing her arms around his neck on a sob. “You came for me.” Unable to do anything about the blood, he wrapped his arms around her and held tight. Of course he’d come for her. There was nowhere she could go that he wouldn’t follow. That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t. He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.” She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him. “I would move to the mainland for you.” She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.” No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
During the months (or years) it takes me to put my ideas together, I don’t take notes or make outlines; I’m figuring things out, and all the while the book makes a breeze around my head like an oversized butterfly whose wings were cut from the rose window in Notre Dame. This book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in it as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see. And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into place with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing—all the color, the light and movement—is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.
Ann Patchett (This Is the Story of a Happy Marriage)
Egil asked Thord to let him go with him to the game; he was then in his seventh winter. Thord let him do so, and Egil mounted behind him. But when they came to the play-meeting, then the men made up sides for the play. Many small boys had come there too, and they made up a game for themselves. For this also sides were chosen. Egil was matched to play against a boy named Grim, son of Hegg, of Hegg-stead. Grim was ten or eleven years old, and strong for his age. But when they played together Egil got the worst of it. And Grim made all he could of his advantage. Then Egil got angry and lifted up the bat and struck Grim, whereupon Grim seized him and threw him down with a heavy fall, and handled him rather roughly, and said he would thrash him if he did not behave. But when Egil got to his feet, he went out of the game, and the boys hooted at him. Egil went to Thord and told him what had been done. Thord said: 'I will go with you, and we will be avenged on them.' He gave into his hands a halberd that he had been carrying. Such weapons were then customary. They went where the boys' game was. Grim had now got the ball and was running away with it, and the other boys after him. Then Egil bounded upon Grim, and drove the axe into his head, so that it at once pierced his brain. (...) when Egil came home, Skallagrim said little about it; but Bera said Egil had in him the makings of a freebooter, and that 'twould be well, so soon as he were old enough, to give him a long-ship.
Egill Skallagrímsson (Egil's Saga)
Dr. Kerry said he'd been watching me. "You act like someone who is impersonating someone else. And it's as if you think your life depends on it." I didn't know what to say, so I said nothing. "It has never occurred to you," he said, "that you might have as much right to be here as anyone." He waited for an explanation. "I would enjoy serving the dinner," I said, "more than eating it." Dr. Kerry smiled. "You should trust Professor Steinberg. If he says you're a scholar-'pure gold,' I heard him say-then you are." "This is a magical place," I said. "Everything shines here." "You must stop yourself from thinking like that," Dr. Kerry said, his voice raised. "You are not fool's gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself-even gold appears dull in some lighting-but that is the illusion. And it always was." I wanted to believe him, to take his words and remake myself, but I'd never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot. I couldn't tell Dr. Kerry about that girl. I couldn't tell him that the reason I couldn't return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real-more believable-than the stone spires. To myself I pretended there were other reasons I couldn't belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn't belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside. Whether Dr. Kerry suspected any part of this, I'm not sure. But he understood that I had fixated on clothes as the symbol of why I didn't, and couldn't, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. "The most powerful determinant of who you are is inside you," he said. "Professor Steinberg says this is Pygmalion. Think of the story, Tara." He paused, his eyes fierce, his voice piercing. "She was just a cockney in a nice dress. Until she believed in herself. Then it didn't matter what dress she wore.
Tara Westover (Educated)
Much more than skeleton, it is flash, I mean the carrion flesh, which disturb and alarm us – and which alleviates us as well. The Buddhists monks gladly frequented charnel houses: where corner desire more surely and emancipate oneself from it? The horrible being a path of liberation in every period of fervor and inwardness, our remains have enjoyed great favor. In the Middle Ages, a man made a regimen of salvation, he believed energetically: the corpse was in fashion. Faith was vigorous than, invincible; it cherished the livid and the fetid, it knew the profits to be derived from corruption and gruesomeness. Today, an edulcorated religion adheres only to „nice” hallucinations, to Evolution and to Progress. It is not such a religion which might afford us the modern equivalent of the dense macabre. „Let a man who aspires to nirvana act so that nothing is dear to him”, we read in a Buddhist text. It is enough to consider these specters, to meditate on the fate of the flash which adhered to them, in order to understand the urgency of detachment. There is no ascesis in the double rumination on the flesh and on the skeleton, on the dreadful decrepitude of the one and the futile permanence of the other. It is a good exercise to sever ourselves now and then from our face, from our skin, to lay aside this deceptive sheathe, then to discard – if only for a moment – that layer of grease which keeps us from discerning what is fundamental in ourselves. Once exercise is over, we are freer and more alone, almost invulnerable. In other to vanquish attachments and the disadvantages which derive from them, we should have to contemplate the ultimate nudity of a human being, force our eyes to pierce his entrails and all the rest, wallow in the horror of his secretions, in his physiology of an imminent corpse. This vision would not be morbid but methodical, a controlled obsession, particularly salutary in ordeals. The skeleton incites us to serenity; the cadaver to renunciation. In the sermon of futility which both of them preach to us happiness is identified with the destruction of our bounds. To have scanted no detail of such a teaching and even so to come to terms with simulacra! Blessed was the age when solitaries could plumb their depths without seeming obsessed, deranged. Their imbalance was not assigned a negative coefficient, as is the case for us. They would sacrifice ten, twenty years, a whole life, for a foreboding, for a flash of the absolute. The word „depth” has a meaning only in connection with epochs when the monk was considered as the noblest human exemplar. No one will gain – say the fact that he is in the process of disappearing. For centuries, he has done no more than survive himself. To whom would he address himself, in a universe which calls him a „parasite”? In Tibet, the last country where monks still mattered, they have been ruled out. Yet is was a rare consolation to think that thousands of thousands of hermits could be meditating there, today, on the themes of the prajnaparamita. Even if it had only odious aspects, monasticism would still be worth more than any other ideal. Now more then ever, we should build monasteries … for those who believe in everything and for those who believe in nothing. Where to escape? There no longer exist a single place where we can professionally execrate this world.
Emil M. Cioran
Then, as if he’d figured out what produced the maximum reaction in her, he switched back to Chopin. Just like that night in her childhood, the music slipped past her defenses and produced a deep contraction inside her, equal parts pain and pleasure. It went deeper still, until the tears began to rise, and she could only sit there, crying, trying to display only her expressionless left side so he wouldn’t notice. She’d been numb and it had felt good. Okay, not good. But safe. Manageable. He kept playing, soulful, stirring pieces that seemed chosen for their ability to pierce her heart deeper, deeper. She was crying audibly now, and he stopped and regarded her impassively. It couldn’t have been more awkward. She worked to compose herself and only then did she look up and meet his eyes. “Well,” he said, “I think it’s safe to say that dance is not done with you yet.” She stared at him in disbelief. “You did this on purpose. Tried to provoke a reaction.” “I suppose I did.” What a horrible, disreputable person he was. No wonder Misha had seemed anxious about having him around this weekend. “That was a pretty shitty thing to do.” “Not at all,” he replied. “I was just helping you see where you stand with your art. You need it. It nourishes you. That’s not going to go away just because you’re sidelined for a year or two.” “Two years?” She wasn’t sure which appalled her more, his words or his casual attitude. “Whatever. Point being, you’re still a dancer. It couldn’t be more obvious. That gorgeous body of yours, the way it moves. The way you’re sitting there now, all swept away by the music. You’re a dancer. You can’t not be one. Ever.” The truth of this, the twin emotions of fragile hope and crushing despair, crashed into her. He was right. And right then, the truth hurt. Now that the numbness was gone, it all hurt. The tears rose up again and spilled out. She heard Misha come in through the front door. David looked anxious. “Look, Dena. I just want to make sure you’re looking at the issue clearly.” Misha
Terez Mertes Rose (Outside the Limelight (Ballet Theatre Chronicles, #2))
Wormtail was speaking. His voice shook; he seemed frightened beyond his wits. He raised his wand, closed his eyes, and spoke to the night. “Bone of the father, unknowingly given, you will renew your son!” The surface of the grave at Harry’s feet cracked. Horrified, Harry watched as a fine trickle of dust rose into the air at Wormtail’s command and fell softly into the cauldron. The diamond surface of the water broke and hissed; it sent sparks in all directions and turned a vivid, poisonous-looking blue. And now Wormtail was whimpering. He pulled a long, thin, shining silver dagger from inside his cloak. His voice broke into petrified sobs. “Flesh — of the servant — w-willingly given — you will — revive — your master.” He stretched his right hand out in front of him — the hand with the missing finger. He gripped the dagger very tightly in his left hand and swung it upward. Harry realized what Wormtail was about to do a second before it happened — he closed his eyes as tightly as he could, but he could not block the scream that pierced the night, that went through Harry as though he had been stabbed with the dagger too. He heard something fall to the ground, heard Wormtail’s anguished panting, then a sickening splash, as something was dropped into the cauldron. Harry couldn’t stand to look . . . but the potion had turned a burning red; the light of it shone through Harry’s closed eyelids. . . . Wormtail was gasping and moaning with agony. Not until Harry felt Wormtail’s anguished breath on his face did he realize that Wormtail was right in front of him. “B-blood of the enemy . . . forcibly taken . . . you will . . . resurrect your foe.” Harry could do nothing to prevent it, he was tied too tightly. . . . Squinting down, struggling hopelessly at the ropes binding him, he saw the shining silver dagger shaking in Wormtail’s remaining hand. He felt its point penetrate the crook of his right arm and blood seeping down the sleeve of his torn robes. Wormtail, still panting with pain, fumbled in his pocket for a glass vial and held it to Harry’s cut, so that a dribble of blood fell into it. He staggered back to the cauldron with Harry’s blood. He poured it inside. The liquid within turned, instantly, a blinding white. Wormtail, his job done, dropped to his knees beside the cauldron, then slumped sideways and lay on the ground, cradling the bleeding stump of his arm, gasping and sobbing.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
When we reach a certain age we have opportunity to decide how we present ourselves to the world, and that age is getting ever younger. Even our young teenage generation is aware of fashion and we grow acutely more and more aware of how obsessed our society is with imagery and appearance. Or rather we become more aware that to get on in life we need to be brash and bright and sparkling all the time. That bright colours and big noises is what gets your through life, that any substance behind that is almost irrelevant to success. We only need look at who we proclaim as celebrities, who society rewards with wealth, that substance is not a prerequisite to success. Be bright, make a statement, choose a bold look, dye your hair, pierce your body, paint it with permanent ink, wear outlandish clothes and don't be afraid to say something crude or mean or controversial because that's the person you are. Or is it? Is it that when you've done with the all the additions to your body, the person you look at in the mirror is no longer the real you. It is a character, the one you think society wants you to be, that society has convinced you that you want to be, substance optional. One of the most beautiful moments of conversation on and offline I've had with some people is when they surprise me, a comment or opinion with substance and thought, something away fro their character, revealing the real individual in-between. So why hide that part of you. When did our society evolve into a place when people have to sell themselves as a larger than life character? When did being a little quiet, thoughtful, more subtly dressed stop being classy and become perceived as dull. When did people, intelligent people, start to realise that world didn't want them to be themselves and it was better to throw in some over the top extravagances, make claim to some extreme habits and tastes. These same people permanently seeking definition of the character they've become rather than friendship from real people who know it is purely superficial but go along with it anyway. You're not your unnaturally coloured hair or your mark applied to you by a skilled artist. You are not the label of clothes you wear nor the quirky colours you choose to represent yourself. Just be honest with yourself, attention seeking is an illness. Don't follow the trends like everyone else. Make your own. That's my objective, to unashamedly be myself, And that is probably why I always wear a lot of black. No tricks, no fancy colours, no parlour tricks to detract from who I am. I want people to see my subtance, not be clouded with smoke and mirrors and see a character that doesn't really exist.
Raven Lockwood
I might disagree with them, but accept that they have some purpose to play in God’s larger plan, Then Iluvatar arose, and the Ainur perceived that he smiled; and he lifted up his left hand, and a new theme began amid the storm, like and yet unlike to the former theme, and it gathered power and had new beauty. But the discord of Melkor rose in uproar and contended with it, and again there was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. Then again Ilu´ vatar arose, and the Ainur perceived that his countenance was stern; and he lifted up his right hand, and behold! a third theme grew amid the confusion, and it was unlike the others. For it seemed at first soft and sweet, a mere rippling of gentle sounds in delicate melodies; but it could not be quenched, and it took to itself power and profundity. And it seemed at last that there were two musics progressing at one time before the seat of Iluvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern. In the midst of this strife, whereat the halls of Iluvatar shook and a tremor ran out into the silences yet unmoved, Ilu´ vatar arose a third time, and his face was terrible to behold. Then he raised up both his hands, and in one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Iluvatar, the Music ceased. Then Ilu´ vatar spoke, and he said: ‘Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Iluvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.’ Then the Ainur were afraid, and they did not yet comprehend the words that were said to them; and Melkor was filled with shame, of which came secret anger. But Iluvatar arose in splendour, and he went forth from the fair regions that he had made for the Ainur; and the Ainur followed him.
J.R.R. Tolkien (The Silmarillion)
When we reach a certain age we have opportunity to decide how we present ourselves to the world, and that age is getting ever younger. Even our young teenage generation is aware of fashion and we grow acutely more and more aware of how obsessed our society is with imagery and appearance. Or rather we become more aware that to get on in life we need to be brash and bright and sparkling all the time. That bright colours and big noises is what gets your through life, that any substance behind that is almost irrelevant to success. We only need look at who we proclaim as celebrities, who society rewards with wealth, that substance is not a prerequisite to success. Be bright, make a statement, choose a bold look, dye your hair, pierce your body, paint it with permanent ink, wear outlandish clothes and don't be afraid to say something crude or mean or controversial because that's the person you are. Or is it? Is it that when you've done with the all the additions to your body, the person you look at in the mirror is no longer the real you. It is a character, the one you think society wants you to be, that society has convinced you that you want to be, substance optional. One of the most beautiful moments of conversation on and offline I've had with some people is when they surprise me, a comment or opinion with substance and thought, something away fro their character, revealing the real individual in-between. So why hide that part of you. When did our society evolve into a place when people have to sell themselves as a larger than life character? When did being a little quiet, thoughtful, more subtly dressed stop being classy and become perceived as dull. When did people, intelligent people, start to realise that world didn't want them to be themselves and it was better to throw in some over the top extravagances, make claim to some extreme habits and tastes. These same people permanently seeking definition of the character they've become rather than friendship from real people who know it is purely superficial but go along with it anyway. You're not your unnaturally coloured hair or your mark applied to you by a skilled artist. You are not the label of clothes you wear nor the quirky colours you choose to represent yourself. Just be honest with yourself, attention seeking is an illness. Don't follow the trends like everyone else. Make your own. That's my objective, to unashamedly be myself, And that is probably why I always wear a lot of black. No tricks, no fancy colours, no parlour tricks to detract from who I am. I want people to see my subtance, not be clouded with smoke and mirrors and see a character that doesn't really exist.
Raven Lockwood
Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market place, and cried incessantly: "I seek God! I seek God!" --As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lost his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated?--Thus they yelled and laughed. The madman jumped into their minds and pierced them with his eyes. "Whither is God?" he cried; "I will tell you. We have killed him--you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions. Is there still any up or down? Are we not straying as though an infinite nothing? Do we not feel the breath of empty space? Had it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him. "How shall we comfort ourselves. the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under out knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us--for the sake of this deed he will belong to a higher history than all history hitherto." Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground and it broke into pieces and went out. "I have come too early," he said then; "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightening and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars--and yet they have done it themselves" It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said to always have replied nothing but: "What after all are these churches now if they are not tombs and sepulchers of God?
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
A woman paralyzed by her own selfishness and triviality, a woman who knew she should love her life more than she did but couldn’t seem to love her life beyond a few odd inconsequential incidents. It is, in fact, time to start dating again. But Dan has no idea what that means for a gay man well into his thirties who has neither money nor abs. - if you’re delivering a song, there are instances when the veil of the ordinary falls away and you are, fleetingly, a supernatural being, with music rampaging through you and soaring out into a crowd. You connect, you’re giving it, you’re the living sweat-slicked manifestation of music itself, the crowd feels it as piercingly as you do. Always, almost always, you “spot a girl. She doesn’t need to be pretty. She’s the love of somebody’s life (you hope she is), and for those few seconds she’s the love of yours, you’re singing to her and she’s singing back to you, by raising her arms over her head and swinging her hips, adoring you or, rather, adoring some being who is you and the song combined, able to touch her everywhere. It’s the briefest of love affairs. - Isabel is embarrassed about her sadness. She’s embarrassed about being embarrassed about her sadness, she who has love and money. She tries looking discreetly into her bag for a Kleenex, without anything that could be called frantic rummaging. She ponders the prospect that decadent unhappiness might, in its way, be worse than genuine, legitimate despair. Which is, as she knows, a decadent question to pose at all. - members of a biological aristocracy - Dan is taken by a tremor of scorn twisted up with painful affection, as if they were two names for the same emotion - but that’s my narcissism speaking ive been working on the idea that there are other people in the world - Beyond lust there’s a purity, you know? Does it ever get to be too late? If neither of you abuses the dog (should they finally get a dog?) or leaves the children in the car on a hot day. Does it ever become irreparable? If so, when? How do you, how does any“one, know when they cross over from working through this to it’s too late? Is there (she suspects there must be) an interlude during which you’re so bored or disappointed or ambushed by regret that it is, truly, too late? Or, more to the point, do we arrive at it’s too late over and over again, only to return to working through this before it’s too late arrives, yet again? Do you think we ever really survive our childhoods? Most mothers think their children are amazing and singular people. Most mothers are wrong about that. You’re beautiful in your own skin. You brought with you into the world some kind of human amazingness, and you can depend on it, always. Please try not to ever let anybody talk you out of that. She says, “You’re not in love with me.” “Trust me. I’ve had a lot of experience at not being in love with people. I’ve been not in love with pretty much everybody, all my life.” She wonders how many women think more kindly and, all right, more lustfully toward their husbands after they’ve left them. Maybe someone’s done a study. “If you’re determined to be insulted.
Michael Cunningham (Day)