Wind Sand And Stars Quotes

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Nothing can match the treasure of common memories, of trials endured together, of quarrels and reconciliations and generous emotions. It is idle, having planted an acorn in the morning, to expect that afternoon to sit in the shade of the oak.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Love is not just looking at each other, it's looking in the same direction.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Behind all seen things lies something vaster; everything is but a path, a portal or a window opening on something other than iteself.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
And I wonder, in my last moments, if the planet does not mind that we wound her surface or pillage her bounty, because she knows we silly warm things are not even a breath in her cosmic life. We have grown and spread, and will rage and die. And when all that remains of us is our steel monuments and plastic idols, her winds will whisper, her sands will shift, and she will spin on and on, forgetting about the bold, hairless apes who thought they deserved immortality.
Pierce Brown (Morning Star (Red Rising, #3))
To be a man is, precisely, to be responsible. It is to feel shame at the sight of what seems to be unmerited misery. It is to take pride in a victory won by one's comrades. It is to feel, when setting one's stone, that one is contributing to the building of the world.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
And that heart which was a wild garden was given to him who only loved trim lawns. And the imbecile carried the princess into slavery.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade. For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old. If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
What he had yearned to embrace was not the flesh but a down spirit, a spark, the impalpable angel that inhabits the flesh.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
It is in the compelling zest of high adventure and of victory, and in creative action, that man finds his supreme joys.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
You’ll be bothered from time to time by storms, fog, snow. When you are, think to yourself, ‘What they could do, I can do.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
When I opened my eyes I saw nothing but the pool of nocturnal sky, for I was lying on my back with out-stretched arms, face to face with that hatchery of stars. Only half awake, still unaware that those depths were sky, having no roof between those depths and me, no branches to screen them, no root to cling to, I was seized with vertigo and felt myself as if flung forth and plunging downward like a diver.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
What torments me is not the humps nor hollows nor the ugliness. It is the sight, a little bit in all these men, of Mozart murdered.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
One cannot live any longer on refrigerators, on politics, on balance-sheets and cross-word puzzles. One cannot live any longer without poetry, colour and love.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Aimer, ce n'est pas se regarder l'un l'autre, c'est regarder ensemble dans la même direction.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the asronomer that possibly inhabited you in the beginning.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
We are sand and rock and water and sky, anchors on ships and sails in the wind. We are a journey to a destination that shifts every time we dream or fall or keep or weep. We are stars with flaws that still sparkle and shine. We always strive, always want, always have more questions than answers, but there are moments like these, full of magic and contentment, when souls get a glimpse of the divine and quite simply, lose their breath.
Leylah Attar (The Paper Swan)
I am not talking about living dangerously. Such words are meaningless to me. The toreador does not stir me to enthusiasm. It is not danger I love. I know what I love. It is life.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
But you want to remember that below the sea of clouds lies eternity.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
The first stars tremble as if shimmering in green water. Hours must pass before their glimmer hardens into the frozen glitter of diamonds. I shall have a long wait before I witness the soundless frolic of the shooting stars. In the profound darkness of certain nights I have seen the sky streaked with so many trailing sparks that it seemed to me a great gale must be blowing through the outer heavens.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
A sheet spread beneath an apple-tree can receive only apples; a sheet spread beneath the stars can receive only star-dust.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
To love is not to look at one another, it is to look, together, in the same direction.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
و تدلنا التجربة أن الحب ليس أن ينظر بعضنا إلى بعض ، وإنما أن ننظر سوياً في اتجاه واحد ..
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Life is the bad with all the good. The deadly sharks with the beautiful sea stars. The gigantic waves with the sand castles. The licorice with the lemon and lime. The loud lyrics with the rhythm of the music. The liver disease with the love of a father and son. It’s life. Sweet, beautiful, wind on your face, air in your lungs, kisses on your lips. life.
Lisa Schroeder (The Day Before)
I am a man raking through ashes, a man struggling to find the embers of life in the bottom of a fireplace.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
He is among those beings of great scope who spread their leafy branches willingly over broad horizons. To be a man is, precisely, to be responsible. It is to know shame at the sight of poverty which is not of our making. It is to be proud of a victory won by our comrades. It is to feel, as we place our stone, that we are contributing to the building of the world.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
If he shrugs his shoulders, it is because he is no fool. He knows that once men are caught up in an event they cease to be afraid. Only the unknown frightens men. But once a man has faced the unknown, that terror becomes the known.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
The world is a wide place where we stumble like children learning to walk. The world is a bright mosaic where we learn like children to see, where our little blurry eyes strive greedily to take in as much light and love and colour and detail as they can. The world is a coaxing whisper when the wind lips the trees, when the sea licks the shore, when animals burrow into earth and people look up at the sympathetic stars. The world is an admonishing roar when gales chase rainclouds over the plains and whip up ocean waves, when people crowd into cities or intrude into dazzling jungles. What right have we to carry our desperate mouths up mountains or into deserts? Do we want to taste rock and sand or do we expect to make impossible poems from space and silence? The vastness at least reminds us how tiny we are, and how much we don't yet understand. We are mere babes in the universe, all brothers and sisters in the nursery together. We had better learn to play nicely before we're allowed out..... And we want to go out, don't we? ..... Into the distant humming welcoming darkness.
Jay Woodman (SPAN)
I looked about me. Luminous points glowed in the darkness. Cigarettes punctuated the humble meditations of worn old clerks. I heard them talking to one another in murmurs and whispers. They talked about illness, money, shabby domestic cares. And suddenly I had a vision of the face of destiny. Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as a man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then I’ll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and that’s why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
Only the Spirit, if it breathe upon the clay, can create Man.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
And when all that remains of us is our steel monuments and plastic idols, her winds will whisper, her sands will shift, and she will spin on and on, forgetting about the bold, hairless apes who thought they deserved immortality.
Pierce Brown (Morning Star (Red Rising Saga, #3))
Sitting in the flickering light of the candles on this kerchief of sand, on this village square, we waited in the night. We were waiting for the rescuing dawn - or for the Moors. Something, I know not what, lent this night a savor of Christmas. We told stories, we joked, we sang songs. In the air there was that slight fever that reigns over a gaily prepared feast. And yet we were infinitely poor. Wind, sand, and stars. The austerity of Trappists. But on this badly lighted cloth, a handful of men who possessed nothing in the world but their memories were sharing invisible riches.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
You, Bedouin of Libya who saved our lives, though you will dwell forever in my memory yet I shall never be able to recapture your features. You are Humanity and your face comes into my mind simply as man incarnate. You, our beloved fellowman, did not know who we might be, and yet you recognized us without fail. And I, in my turn, shall recognize you in the faces of all mankind. You came towards me in an aureole of charity and magnanimity bearing the gift of water. All my friends and all my enemies marched towards me in your person. It did not seem to me that you were rescuing me: rather did it seem that you were forgiving me. And I felt I had no enemy left in all the world.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
I Name you Echthroi. I Name you Meg. I Name you Calvin. I Name you Mr. Jenkins. I Name you Proginoskes. I fill you with Naming. Be! Be, butterfly and behemoth, be galaxy and grasshopper, star and sparrow, you matter, you are, be! Be caterpillar and comet, Be porcupine and planet, sea sand and solar system, sing with us, dance with us, rejoice with us, for the glory of creation, seagulls and seraphim angle worms and angel host, chrysanthemum and cherubim. (O cherubim.) Be! Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us. Be!" - Madeleine L'Engle, A Wind in the Door
Madeleine L'Engle
Since the first human eye saw a leaf in Devonian sandstone and a puzzled finger reached to touch it, sadness has lain over the heart of man. By this tenuous thread of living protoplasm, stretching backward into time, we are linked forever to lost beaches whose sands have long since hardened into stone. The stars that caught our blind amphibian stare have shifted far or vanished in their courses, but still that naked, glistening thread winds onward. No one knows the secret of its beginning or its end. Its forms are phantoms. The thread alone is real; the thread is life.
Loren Eiseley (The Firmament of Time)
What matters most: "What he had yearned to embrace was not the flesh but a downy spirit, a spark, the impalpable angel that inhabits the flesh." Wind, Sand and Stars.
Richard Bach
You'll be bothered from time to time by storms, fog, snow. When you are, think of those who went through it before you, and say to yourself, 'What they could do, I can do.' - Guillaume
Antoine de Saint-Exupéry (Wind, Sand and Stars)
لا شيء، أبدا، في الواقع، يحل محل الرفيق المفقود. لا نستطيع أن نخلق قدامى الرفاق. لا شيء يوازي كنز تلك الذكريات المشتركة، وتلك الساعات العسيرة التي عشناها معا، بما فيها من الخلافات، والمصالحات، ونزوات القلب. مثل تلك الصداقات لا تبنى من جديد. وهل نرتجي، لو غرسنا سنديانة، أن نستظل أوراقها بعد أمد قصير؟
Antoine de Saint-Exupéry (Wind, Sand and Stars)
It is moonlight. Alone in the silence I ascend my stairs once more, While waves remote in pale blue starlight Crash on a white sand shore. It is moonlight. The garden is silent. I stand in my room alone. Across my wall, from the far-off moon, A rain of fire is thrown. There are houses hanging above the stars, And stars hung under the sea, And a wind from the long blue vault of time Waves my curtains for me. I wait in the dark once more, swung between space and space: Before the mirror I lift my hands And face my remembered face.
Conrad Aiken
Alone within the vast tribunal that is the stormy sky, the pilot is in contention for his mailbags with three elemental divinities: mountain, sea and storm.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
What saves a man is to take a step. Then another step. It is always the same step, but you have to take it. —Antoine de Saint-Exupéry, Wind, Sand and Stars
Gretchen Rubin (Better Than Before: Mastering the Habits of Our Everyday Lives)
When I opened my eyes I saw nothing but the pool of night sky, for I was lying on my back with out-stretched arms, face to face with that hatchery of stars.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
لعل عظمة مهنة من المهن هي، قبل كل شيء، في التوحيد بين البشر: ليس ثمة إلا ترف واحد حقيقي، هو ترف الخلائق البشرية! إننا إذ نشتغل من أجل الخيرات وحدها نشيد سجننا بأنفسنا. نسجن أنفسنا منعزلين، مع عملتنا، وهي من رماد، لا توفر أي شيء جدير بأن نحيا من أجله.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Bit by bit, nevertheless, it comes over us that we shall never again hear the laughter of our friend, that this one garden is forever locked against us. And at that moment begins our true mourning, which, though it may not be rending, is yet a little bitter. For nothing, in truth, can replace that companion. Old friends cannot be created out of hand. Nothing can match the treasure of common memories, of trials endured together, of quarrels and reconciliations and generous emotions. It is idle, having planted an acorn in the morning, to expect that afternoon to sit in the shade of the oak.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
On peut enivrer les Allemands de l'ivresse d'être Allemands et compatriotes de Beethoven. On peut en saouler jusqu'au soutier. C'est, certes, plus facile que de tirer du soutier un Beethoven.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
But in the machine of today we forget that motors are whirring: the motor, finally, has come to fulfill its function, which is to whirr as a heart beats - and we give no thought to the beating of our heart. Thus, precisely because it is perfect the machine dissembles its own existence instead of forcing itself upon our notice.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Each time I stopped I stripped myself of something vitally important. I was, becoming my own enemy! And I can’t tell you how it hurt me when I found that out. “What saves a man is to take a step. Then another step. It is always the same step, but you have to take it.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
Everyone seems inspired by some religion that promises fulfillment. Within the clashing words we are all expressing the same impulses. We are divided over methods which are the fruit of our reasoning, but not over our goals, which are identical.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Old friends cannot be created out of hand. Nothing can match the treasure of common memories, of trials endured together, of quarrels and reconciliations and generous emotions. It is idle, having planted an acorn in the morning, to expect that afternoon to sit in the shade of the oak.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
الحب ليس هو أن نتبادل النظرات وانما أن ننظر معا في اتجاه واحد
Antoine de Saint-Exupéry (Wind, Sand and Stars)
a last glimmer of intelligence (p. 79)
Antoine de Saint-Exupéry (Wind, Sand and Stars)
When we work merely for material gain, we build our own prison. We enclose ourselves in isolation; our coins turn to ashes and buy nothing worth living for.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
He knows that once men are caught up in an event they cease to be afraid. Only the unknown frightens men. But once a man has faced the unknown, that terror becomes the known.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
He is not admiring the colours of the earth and sky, the marks of the wind on the sea, the gilded clouds of twilight; they are the objects of his meditation.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
En travaillant pour les seuls biens matériels, nous bâtissons nous-mêmes notre prison. Nous nous enfermons solitaires, avec notre monnaie de cendre qui ne procure rien qui vaille de vivre.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
All of us, in words that contradict each other, express at bottom the same exalted impulse. What sets us against one another is not our aims—they all come to the same thing—but our methods, which are the fruit of our varied reasoning.
Antoine de Saint-Exupéry (Airman's Odyssey: Wind, Sand and Stars; Night Flight; and Flight to Arras)
But silence continued in the layers of the earth, and this density that I could feel at my shoulders continued harmonious, sustained, unaltered through eternity. I lay there pondering my situation, lost in the desert, and in danger, naked between sky and sand and stars, withdrawn by too much silence from the poles of my life.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
So life goes on. For years we plant the seed, we feel ourselves rich; and then come other years when time does its work and our plantation is made sparse and thin. One by one, our comrades slip away, deprive us of their shade.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
I picked up one and then a second and then a third of these stones, finding them at about the rate of one stone to the acre. And here is where my adventure became magical, for in a striking foreshortening of time that embraced thousands of years, I had become the witness of this miserly rain from the stars. the marvel of marvels was that there on the rounded back of the planet, between this magnetic sheet and those stars, a human consciousness was present in which as in a mirror that rain could be reflected.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Once it was believed that to bring these creatures to manhood it was enough to feed them, clothe them, and look to their everyday needs; but we see now that the result of this has been to turn out petty shopkeepers, village politicians, hollow technicians devoid of an inner life.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
…A veces, las tempestades, las nieblas o la nieve te molestarán. Piensa entonces en todos aquellos que lo han conseguido antes que tú y dite simplemente: lo que otros han conseguido, también yo puedo hacerlo…
Antoine de Saint-Exupéry (Wind, Sand and Stars)
yet we were infinitely poor. Wind, sand, and stars. The austerity of Trappists. But on this badly lighted cloth, a handful of men who possessed nothing in the world but their memories were sharing invisible riches.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
As summer neared, as the evening lengthened there came to the wakeful, the hopeful, walking the beach, stirring the pool, imaginations of the strangest kind- of flesh turned to atoms which drove before the wind, of stars flashing in their hearts, of outwardly the scattered parts of the vision within. In those mirrors, the minds of men, in those pools of uneasy water, in which cloud forever and shadows form, dreams persisted; and it was impossible to resist the strange intimation which every gull, flower, tree, man and woman, and the white earth itself seemed to declare (but if you questioned at once to withdraw) that good triumph, happiness prevails, order rules, or to resist the extra ordinary stimulus to range hither and thither in search of some absolute good, some crystal of intensity remote from the known pleasures and familiar virtues, something alien to the processes of domestic life, single, hard, bright, like a diamond in the sand which would render the possessor secure. Moreover softened and acquiescent, the spring with their bees humming and gnats dancing threw her cloud about her, veiled her eyes, averted her head, and among passing shadows and fights of small rain seemed to have taken upon her knowledge of the sorrows of mankind.
Virginia Woolf
How shallow is the stage on which this vast drama of human hates and joys and friendships is played! Whence do men draw this passion for eternity, flung by chance as they are upon a scarcely cooled bed of lava, threatened by the beginning by the deserts that are to be, under the constant menace of the snows? Their civilizations are but fragile gildings: a volcano can blot them out, a new sea, a sand-storm.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
What we thought of as personality was no more than the passing shape of one of the waves in front of me. Or, slowing it down to more human speed, the shape of a sand dune. Form in response to stimulus. Wind, gravity, upbringing. Gene blueprinting. All subject to erosion and change. The only way to beat that was to go on stack forever. Just as a primitive sextant functions on the illusion that the sun and stars rotate around the planet we are standing on, our senses give us the illusion of stability in the universe, and we accept it, because without that acceptance, nothing can be done.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
...But I did not fall. From nape to heel I discovered myself bound to earth. I felt a sort of appeasement in surrendering to it my weight. Gravitation had become as sovereign as love.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
The wind was off shore, and only broke the sea's surface in to long, silvery ripples, and sent sheeny shadows flying out across it, from every point and headland, like transparent wings. The dusk was hanging a curtain of violet gloom over the sand-dunes and the headlands where gulls were huddling. The sky was faintly filmed over with scarfs of silken vapor. Cloud fleets rode at anchor along the horizons. An evening star was watching over the bar.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Old bureaucrat, my companion here present, no man ever opened an escape route for you, and you are not to blame. You built peace for yourself by blocking up every chink of light, as termites do. You rolled yourself into your ball of bourgeois security, your routines, the stifling rituals of your provincial existence, you built your humble rampart against winds and tides and stars. You have no wish to ponder great questions, you had enough trouble suppressing awareness of your human condition. You do not dwell on a wandering planet, you ask yourself no unanswerable questions
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning. The
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
What a space between men their spiritual natures create! A girl’s reverie isolates her from me, and how shall I enter it? What can one know of a girl that passes, slow steps homeward, out of thoughts, she can form an empire, locked up in her language, in the singing echoes of her memory. Born yesterday of the volcanoes, of greenswards, of brine of the sea, she walks here already half divine.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
I have inside me the winds, the deserts, the oceans, the stars, and everything created in the universe. We were all made by the same hand, and we have the same soul. I want to be like you, able to reach every corner of the world, cross the seas, blow away the sands that cover my treasure, and carry the voice of the woman I love.
Paulo Coelho (The Alchemist)
And in that dismal restaurant, surrounded by the simple government clerks who sat there repairing the wear and tear of their humble daily tasks, my broad-shouldered messmate seemed to me strangely noble; beneath his rough hide I could discern the angel who had vanquished the dragon.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Truth is the language that expresses universality. Newton did not “discover” a law that lay hidden from man like the answer to a rebus. He accomplished a creative operation. He founded a human speech which could express at one and the same time the fall of an apple and the rising of the sun. Truth is not that which is demonstrable but that which is ineluctable.
Antoine de Saint-Exupéry (Airman's Odyssey: Wind, Sand and Stars; Night Flight; and Flight to Arras)
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when the night has fallen, I, delivered, shall read my course in the stars.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
The South Pacific is memorable because when you are in the islands you simply cannot ignore nature. You cannot avoid looking up at the stars, large as apples on a new tree. You cannot deafen your ear to the thunder of the surf. The bright sands, the screaming birds, and the wild winds are always with you.
James A. Michener (Return to Paradise)
There is a tendency to class such men with toreadors and gamblers. People extol their contempt for death. But I would not give a fig for anybody’s contempt for death. If its roots are not sunk deep in an acceptance of responsibility, this contempt for death is the sign either of an impoverished soul or of youthful extravagance.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
Water, thou hast no taste, no color, no odor; canst not be defined, art relished while ever mysterious. Not necessary to life, but rather life itself, thou fillest us with a gratification that exceeds the delight of the senses. By thy might, there return into us treasures that we had abandoned. By thy grace, there are released in us all the dried-up runnels of our heart. Of the riches that exist in the world, thou art the rarest and also the most delicate - thou so pure within the bowels of the earth! A man may die of thirst lying beside a magnesian spring. He may die within reach of a salt lake. He may die though he hold in his hand a jug of dew, if it be inhabited by evil salts. For thou, water, art a proud divinity, allowing no alteration, no foreignness in thy being. And the joy that thou spreadest is an infinitely simple joy.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
آدم ها مدتی دراز در حصار سکوت خود در کنار هم راه می سپارند،یا حرف هایی می زنند که پیامی با خود ندارند.اما ساعت خطر فرا می رسد.آن وقت شانه به شانه می دهند.پی می برند که از یک تبارند و چون وجدان های دیگر را کشف کردند دایره ی وجودشان وسعت می گیرد.با لبخندی جانانه به هم می نگرند و به زندانی آزادی یافته ای می مانند که از عظمت دریا به حیرت می افتد.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
When I opened my eyes, I saw nothing but the pool of nocturnal sky, for I was lying on my back with outstretched arms, face to face with that hatchery of stars. Only half awake, still unaware that those depths were sky, having no roof between those depths and me, no branches to screen them, no root to cling to, I was seized with vertigo and felt myself as if flung forth and plunging downward like a diver. But I did not fall. From nape to heel I discovered myself bound to earth. I felt a sort of appeasement in surrendering to it my weight. Gravitation had become as sovereign as love. The earth, I felt, was supporting my back, sustaining me, lifting me up, transporting me through the immense void of night.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
The gunslinger turned his eyes up to the faces in the leaves. A play was being enacted there for his amusement Worlds rose and fell before him. Empires were built across shining sands where forever machines toiled in abstract electronic frenzies. Empires declined and fell. Wheels that had spun like silent liquid moved more slowly, began to squeak, began to scream, stopped. Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels. And through it all, a dying wind of change blew, bringing with it the cinnamon smell of late October. The gunslinger watched as the world moved on.
Stephen King (The Gunslinger (The Dark Tower, #1))
And the voice spoke even more deliberately: '...but remember what is under the ocean of clouds: eternity.' And suddenly that tranquil world, the world of such simple harmony that you discover as you rise above the clouds, took on an unfamiliar quality in my eyes. All that gentleness became a trap. In my mind's eye I saw that vast white trap laid out, right under my feet. Beneath it reigned neither the restlessness of men nor the living tumult and motion of cities, as one might have thought, but a silence that was even more absolute, a more final peace. That viscous whiteness was turning before my eyes into the boundary between the real and the unreal, between the known and the unknowable. And I was already beginning to sense that a spectacle has no meaning except when seen through a culture, a civilization, a professional craft.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
The beach looked beautiful this time of night. She'd always loved the ocean, spending many of her summers on its sand and in its waters, but she'd never witnessed it like this. Completely night, and completely alone. The waves crashed against the shore, the moon's light shimmering off the currents like glitter, stars speckling the sky above and wind rustling her hair as she took it all in. Sitting here in solitude, it felt as if it existed just for her. The water, the moon, the stars, the wind - all a beautiful masterpiece constructed only for her viewing.
Connie L. Smith (Essenced (The Division Chronicles #1))
I shall never be able to express clearly whence comes this pleasure men take from aridity, but always and everywhere I have seen men attach themselves more stubbornly to barren lands than any other. Men will die for a calcined, leafless, stony mountain. The nomads will defend to the death their great store of sand as if it were a treasure of gold dust.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
My father is deceast, come Gaveston,' And share the kingdom with thy deerest friend.' Ah words that make me surfet with delight: What greater blisse can hap to Gaveston, Then live and be the favorit of a king? Sweete prince I come, these these thy amorous lines, Might have enforst me to have swum from France, And like Leander gaspt upon the sande, So thou wouldst smile and take me in thy armes. The sight of London to my exiled eyes, Is as Elizium to a new come soule. Not that I love the citie or the men, But that it harbors him I hold so deare, The king, upon whose bosome let me die, And with the world be still at enmitie: What neede the artick people love star-light, To whom the sunne shines both by day and night. Farewell base stooping to the lordly peeres, My knee shall bowe to none but to the king. As for the multitude that are but sparkes, Rakt up in embers of their povertie, Tanti: Ile fawne first on the winde, That glaunceth at my lips and flieth away: ....
Christopher Marlowe (Edward II)
I had thought myself lost, had touched the very bottom of despair; and then, when the spirit of renunciation had filled me, I had known peace. I know now what I was not conscious of at the time—that in such an hour a man feels that he has finally found himself and has become his own friend. An essential inner need has been satisfied, and against that satisfaction, that self-fulfilment, no external power can prevail. Bonnafous, I imagine, he who spent: his life racing before the wind, was acquainted with this serenity of spirit. Guillaumet, too, in his snows. Never shall I forget that, lying buried to the chin in sand, strangled slowly to death by thirst, my heart was infinitely warm beneath the desert stars. What can men do to make known to themselves this sense of deliverance? Everything about mankind is paradox. He who strives and conquers grows soft. The magnanimous man grown rich becomes mean. The creative artist for whom everything is made easy nods. Every doctrine swears that it can breed men, but none can tell us in advance what sort of men it will breed. Men are not cattle to be fattened for market. In the scales of life an indigent Newton weighs more than a parcel of prosperous nonentities. All of us have had the experience of a sudden joy that came when nothing in the world had forewarned us of its coming—a joy so thrilling that if it was born of misery we remembered even the misery with tenderness.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
Today the word "hope" had grown meaningless. Today we were tramping simply because we were tramping. Probably oxen work for the same reason. Yesterday I had dreamed of a paradise of orange-trees. Today I would not give a button for paradise; I did not believe oranges existed. When I thought about myself I found in me nothing but a heart squeezed dry. I was tottering but emotionless. I felt no distress whatever, and in a way I regretted it: misery would have seemed to me as sweet as water. I might then have felt sorry for myself and commiserated with myself as with a friend.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
The earth rises and seems to spread like a mist. The first stars tremble as if shimmering in green water. Hours must pass before their glimmer hardens into the frozen glitter of diamonds. I shall have a long wait before I witness the soundless frolic of the shooting stars. In the profound darkness of certain nights, I have seen the sky streaked with so many trialing sparks that it seemed to me a great gale must be blowing through the outer heavens.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Nous nous étions enfin rencontrés. On chemine longtemps côte à côte, enfermé dans son propre silence, ou bien l'on échange des mots qui ne transportent rien. Mais voici l'heure du danger. Alors on s'épaule l'un à l'autre. On découvre que l'on appartient à la même communauté. On s'élargit par la découverte d'autres consciences. On se regarde avec un grand sourire. On est semblable à ce prisonnier délivré qui s'émerveille de l'immensité de la mer. (p. 37)
Antoine de Saint-Exupéry (Wind, Sand and Stars)
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
I have nothing to complain of. For three days I have tramped the desert, have known the pangs of thirst, have followed false scents in the sand, have pinned my faith on the dew. I have struggled to rejoin my kind, whose very existence on earth I had forgotten. These are the cares of men alive in every fibre, and I cannot help thinking them more important than the fretful choosing of a night-club in which to spend the evening. Compare the one life with the other, and all things considered this is luxury! I have no regrets. I have gambled and lost. It was all in the day's work. At least I have had the unforgettable taste of the sea on my lips. I am not talking about living dangerously. Such words are meaningless to me. The toreador does not stir me to enthusiasm. It is not danger I love. I know what I love. It is life.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Should Plenty pour from cornucopia full As much in riches as the sand Stirred up by wind-whipped seas, or as the countless stars That shine in the clear night sky, And never stay her hand, Still would mankind not cease Complaining of their wretchedness. Even were God with much gold prodigal, Answering men's prayers, And heaped bright honors on those wanting them, Their gains would seem to them Nothing: ever their cruel gain-devouring greed Opens new maws. What curbs Could check within firm bounds this headlong lust, When even those whose wealth is overflowing The thirst for gain still burns? He is never rich Who trembles and sighs, thinking himself in need.
Boethius (Theological Tractates/The Consolation of Philosophy)
What is going on inside me I cannot tell. In the sky a thousand stars are magnetized, and I lie glued by the swing of the planet to the sand. A different weight brings me back to myself. I feel the weight of my body drawing me towards so many things. My dreams are more real than these dunes, than that moon, than these presences. My civilization is an empire more imperious than this empire. The marvel of a house is not that it shelters or warms a man, nor that its walls belong to him. It is that it leaves its trace on the language. Let it remain a sign. Let it form, deep in the heart, that obscure range from which, as waters from a spring, are born our dreams.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Farewell, eyes that I loved! Do not blame me if the human body cannot go three days without water. I should never have believed that man was so truly the prisoner of the springs and freshets. I had no notion that our self-sufficiency was so circumscribed. We take it for granted that a man is able to stride straight out into the world. We believe that man is free. We never see the cord that binds him to wells and fountains, that umbilical cord by which he is tied to the womb of the world. Let man take but one step too many... and the cord snaps. Apart from your suffering, I have no regrets. All in all, it has been a good life. If I got free of this I should start right in again. A man cannot live a decent life in cities, and I need to feel myself live. I am not thinking of aviation. The airplane is a means, not an end. One doesn't risk one's life for a plane any more than a farmer ploughs for the sake of the plough. But the airplane is a means of getting away from towns and their bookkeeping and coming to grips with reality.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Somewhere int he flesh of the earth the dreadful earthquake shuddered, the tide walked to and fro on the leash of the moon, rainbows formed, winds swept the sky like giant brooms piling up clouds before them, clouds which writhed into different shapes, melted into rain or darkened, bruised themselves against an unseen antagonist and went on their way, laced with forking rivers of lightning, complete with white electric tributaries. Out of this infinite vision an infinity of details could be drawn, but Sonny had settled on one, and from the endless series a particular beach was chosen and began to form around Laura - a beach of iron-dark sand and shells like frail stars, and a wonderful wide sea that stretched, neither green nor blue, but inked by the approach of night into violet and black, wrinkling with its own salty puzzles, right out to a distant, pure horizon.
Margaret Mahy (The Changeover)
I know that mood. Three years of the desert taught it to me. Something in one’s heart takes fright, not at the thought of growing old, not at feeling one’s youth used up in this mineral universe, but at the thought that far away the whole world is ageing. The trees have brought forth their fruit; the grain has ripened in the fields; the women have bloomed in their loveliness. But the season is advancing and one must make haste; but the season is advancing and still one cannot leave; but the season is advancing ... and other men will glean the harvest.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
Annie Dillard (Pilgrim at Tinker Creek)
You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.
Pablo Neruda
But these things that Rome had to give, are they not good things?” Marcus demanded. “Justice, and order, and good roads; worth having, surely?” “These be all good things,” Esca agreed. “But the price is too high.” “The price? Freedom?” “Yes—and other things than freedom.” “What other things? Tell me, Esca; I want to know. I want to understand.” Esca thought for a while, staring straight before him. “Look at the pattern embossed here on your dagger-sheath,” he said at last. “See, here is a tight curve, and here is another facing the other way to balance it, and here between them is a little round stiff flower; and then it is all repeated here, and here, and here again. It is beautiful, yes, but to me it is as meaningless as an unlit lamp.” Marcus nodded as the other glanced up at him. “Go on.” Esca took up the shield which had been laid aside at Cottia’s coming. “Look now at this shield-boss. See the bulging curves that flow from each other as water flows from water and wind from wind, as the stars turn in the heaven and blown sand drifts into dunes. These are the curves of life; and the man who traced them had in him knowledge of things that your people have lost the key to—if they ever had it.” He looked up at Marcus again very earnestly. “You cannot expect the man who made this shield to live easily under the rule of the man who worked the sheath of this dagger.” “The sheath was made by a British craftsman,” Marcus said stubbornly. “I bought it at Anderida when I first landed.” “By a British craftsman, yes, making a Roman pattern. One who had lived so long under the wings of Rome—he and his fathers before him—that he had forgotten the ways and the spirit of his own people.” He laid the shield down again. “You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are of the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.” For a while they were silent, watching Cub at his beetle-hunting. Then Marcus said, “When I came out from home, a year and a half ago, it all seemed so simple.” His gaze dropped again to the buckler on the bench beside him, seeing the strange, swelling curves of the boss with new eyes. Esca had chosen his symbol well, he thought: between the formal pattern on his dagger-sheath and the formless yet potent beauty of the shield-boss lay all the distance that could lie between two worlds. And yet between individual people, people like Esca, and Marcus, and Cottia, the distance narrowed so that you could reach across it, one to another, so that it ceased to matter.
Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))