“
That's what literature is. It's the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! Listen to them!
”
”
Connie Willis (Passage)
“
That luminous part of you that exists beyond personality–your soul, if you will–is as bright and shining as any that has ever been....Clear away everything that keeps you separate from this secret luminous place. Believe it exists, come to know it better, nurture it, share its fruits tirelessly.
”
”
George Saunders
“
Let’s get to know each other. My name’s William, William More, but you can call me Willy. I’m an engineer-chemist who graduated from MIT. So . . . but you’re all alike to me . . . of course, you would be . . . you’re robots. And all your names are that sort of, um . . . codes, technical numbers . . . I need some marker where I can pick you out. Well, well, to you I’ll call . . .,” and Willy pondered for a moment, “Gumball, yes, Gumball! Do you mind?” “No, sir, actually no,” CSE-TR-03 said, agreeing with its new given name. “Ah, that’s wonderful. And then you’re Darwin,” Willy said, accosting the second robot. “Look what a nice name—Darwin! What do you say, eh?” “What can I say, sir? I like it,” CSE-TR-02 agreed too. “Yes, a human name with a past . . . You and Gumball . . . are from the same family, the Methanesons!” “It turns out thus, sir,” Darwin confirmed its family belonging. “And you’re like Larry. You’re Larry. Do you know that?” More addressed the next robot in line. “Yes, sir, just now I learned that,” the third robot said, accepted its name as well.
”
”
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
“
The early bird gets the worm, but the second mouse gets the cheese.
”
”
Willie Nelson
“
The jungle is dark but full of diamonds, Willy.
”
”
Arthur Miller (Death of a Salesman)
“
I suddenly had a vision of my sperm swimming around and talking in Bruce Willis’s voice like in Look Who’s Talking. “Come on! Swim faster! This little shit has no idea we escaped from the condom! Yippee-ki-yay, motherfucker!
”
”
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
“
Cats, as you know, are quite impervious to threats.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Why do only the awful things become fads? I thought. Eye-rolling and Barbie and bread pudding. Why never chocolate cheesecake or thinking for yourself?
”
”
Connie Willis (Bellwether)
“
I knew Dad was concerned about my past associations. I was from the Trash Alley. It was my community. I hung out with thugs from the Frog Bottom, the Burns Bottoms, the Red Line, the S-Curve, the Sandfield, the Morning Side, and a bunch of other places that shall remain nameless. I knew all of the “Legends of the Hood”: Sin Man, Swap, Boo Boo, Emp-Man, Cookie Man, Shank, Polar Bear, Bae Willy, Bae Bruh, Skullhead Ned, Pimp, Crunch, and Goat Turd (just to name a few). I thought maybe Dad had summoned me as a “show and tell” for the kids in his neighborhood—the hardliner to scare those wayward suburban brats back into reality.
”
”
Author Harold Phifer (Surviving Chaos: How I Found Peace at A Beach Bar)
“
The reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Oh, I would while away the hours,
Wanking in the flowers, my heart all full of song,
I'd be gliding all the lilies as I waved about my willie,
If I only had a schlong.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
“
I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don't want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can't I say that, Willy?
”
”
Arthur Miller (Death of a Salesman)
“
Ninety-nine percent of the world's lovers are not with their first choice. That's what makes the jukebox play.
”
”
Willie Nelson
“
I don't say he's a great man. Willie Loman never made a lot of money. His name was never in the paper. He's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid. He's not to be allowed to fall in his grave like an old dog. Attention, attention must finally be paid to such a person.
”
”
Arthur Miller (Death of a Salesman)
“
There are more old drunks than there are old doctors.
”
”
Willie Nelson
“
God has blessed you richly, so get down on your knees and thank him. Don’t forget the less fortunate or God will personally kick your ass. I’d love to do it for him, but I can’t be everywhere.
”
”
Willie Nelson
“
You will never find happiness until you stop looking for it.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
“
People will buy anything at jumble sales,' I said. 'At the Evacuated Children Charity Fair a woman bought a tree branch that had fallen on the table.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
No," I said finally.
"Slowness in Answering," she said into the handheld. "When's the last time you slept?"
"1940" I said promptly, which is the problem with Quickness in Answering.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Alec raised his blue eyes."Whos Will?"
Magnus exhled a sort laugh."Will.Dear God.That was a long time ago.Will was a Shadowhunter,like you.And yes,he did look like you,but your nothing like him.Jace is much more the way Will was,in personality at least-and my relationship with you is nothing like the one I had with Will.Is that whats bothering you?"
"I dont like thinking your only with me because I look like so dead guy you liked.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Quote is taken from Chapter 1:
A decade ago when Isabel’s husband Max had died, they’d moved in together and merged their possessions. Neither sister brought any fussy teapots, canaries, sachets, or doilies, but lots of other stuff had to either stay or go. Looking at the lime green armchair gave Alma the willies. Her suggestion to slipcover it in a more subdued color had garnered Isabel’s frosty stare, and Alma had dropped the matter.
”
”
Ed Lynskey (Quiet Anchorage (Isabel & Alma Trumbo, #1))
“
Willy Loman: I don't want change, I want Swiss cheese!
”
”
Arthur Miller (Death of a Salesman)
“
I got along without you before I met you and I'll get along without you a long time after you're gone.
”
”
Willie Nelson
“
Management cares about only one thing. Paperwork. They will forgive almost anything else - cost overruns, gross incompetence, criminal indictments - as long as the paperwork's filled out properly. And in on time.
”
”
Connie Willis (Bellwether)
“
They had buried him under our elm tree, they said -- yet this was not totally true. For he really lay buried in my heart.
”
”
Willie Morris (My Dog Skip)
“
Nothing like a puppet to give you the willies.
”
”
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
“
I am not a dime a dozen! I am Willy Loman, and you are Biff Loman!
”
”
Arthur Miller (Death of a Salesman)
“
I know that I stopped thinking about extreme grief as the sole vehicle for great art when the grief started to take people with it. And I get it. The tortured artist is the artist that gets remembered for all time, particularly if they if they either perish or overcome. But the truth is that so many of us are stuck in the middle. So many of us begin tortured and end tortured, with only brief bursts of light in between, and I'd rather have average art and survival than miracles that come at the cost of someone's life.
”
”
Hanif Abdurraqib (They Can't Kill Us Until They Kill Us)
“
Waylon said it best when he sang to Willy; 'If you see me gettin' smaller, I'm leavin' don't be grievin', just gotta get away from here. If you see me gettin' smaller, don't worry, I'm in no hurry I've got the right to disappear.
”
”
Waylon Jennings
“
William: I just had the best idea ever. Let's give Maddox a ring.
Paris: You mean propose to him? To grumpy ole Maddox? Willie, why didn't you tell us you're a masochist, who swung that way? You're so delicate, he'll rip you to shreds the moment you climb into his bed. Plus, he's hitched himself to Ashlyn. You try to lay a move on him, and that sweet thang will rearrange your face.
William: I mean call him, you idiot. What's with you tonight? Permanent brain damage? We'll breath heavily and ask him what he's wearing. I bet no one's phone sexed him before.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
A prosthetic leg with a Willie Nelson bumper sticker washed ashore on the beach, which meant it was Florida.
Then it got weird.
”
”
Tim Dorsey (Pineapple Grenade (Serge Storms, #15))
“
There is always that dream of escape, but there is no place to escape to, you just run into yourself.
”
”
Willy Vlautin
“
It is a painful thing to say to oneself: by choosing one road I am turning my back on a thousand others. Everything is interesting; everything might be useful; everything attracts and charms a noble mind; but death is before us; mind and matter make their demands; willy-nilly we must submit and rest content as to things that time and wisdom deny us, with a glance of sympathy which is another act of our homage to the truth.
”
”
Antonin Sertillanges (The Intellectual Life: Its Spirit, Conditions, Methods)
“
I wanted to come, and if I hadn’t, they would have been all alone, and nobody would have ever known how frightened and brave and irreplaceable they were.
”
”
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
“
One has not lived until one has carried a sixty-pound dog down a sweeping flight of stairs at half-past V in the morning.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Let the jerks of the world serve as the perfect example of what you don't want to be. You'll be a heck of a lot happier, and in the long run, there's a chance that other person at work will end up asking what your secret is. Why are you the happy one? In other words, don't let your thoughts think you. Besides, if you're really gonna get pissed, don't waste it on your family, friends, or coworkers, save it for something that really matters.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
“
Pleasant is a rainy winter's day, within doors! The best study for such a day, or the best amusement,—call it which you will,—is a book of travels, describing scenes the most unlike that sombre one
”
”
Nathaniel Hawthorne (Twice-Told Tales)
“
And kissed her for a hundred and sixty-nine years.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
And that is how someone who is unusally susceptible to nightmares, night terrors, the Creeps, the Willies and the Seeing Things That Aren't Really There talks himself into making one last trip to the abandoned, almost-certainly-haunted house where a dozen or more children met their untimely end.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
If you’re not crazy there’s something wrong with you.
Willie Nelson
”
”
Willie Nelson
“
My mother, Southern to the bone, once told me, “All Southern literature can be summed up in these words: ‘On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.’” She raised me up to be a Southern writer, but it wasn’t easy.
”
”
Pat Conroy
“
Willie said normal was boring and that I should be grateful that I had a touch of spice. She said no one cared about boring people, and when they died, they were forgotten, like something that slips behind the dresser.
”
”
Ruta Sepetys (Out of the Easy)
“
By idolizing those whom we honor, we do a disservice both to them and to ourselves. . . . We fail to recognize that we could go and do likewise. —CHARLES V. WILLIE
”
”
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
“
You will never find love until you stop looking.
”
”
Willie Nelson
“
Isn't Bunson's training evil geniuses?"
"Yes, mostly."
"Well, is that wise? Having a mess of seedling evil geniuses falling in love with you willy-nilly? What if they feel spurned?"
"Ah, but in the interim, think of the lovely gifts they can make you. Monique bragged that one of her boys made her silver and wood hair sticks as anti-supernatural weapons. With amethyst inlay. And another made her an exploding wicker chicken."
"Goodness, what's that for?"
Dimity pursed her lips. "Who doesn't want an exploding wicker chicken?
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
You'll never get ahead by blaming your problems on other people.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
“
Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?
”
”
Connie Willis (The Winds of Marble Arch and Other Stories)
“
Good begets good; evil begets evil; and even if the good you give is met by evil, you have no choice but to go on giving better than you get. Otherwise-and these were Willy's exact words-why bother to go on living?
”
”
Paul Auster (Timbuktu)
“
Come here, cat. You wouldn’t want to destroy the space-time continuum, would you? Meow. Meow.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
...when you put your life in a good place, good things follow.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
“
You'd help if you could, wouldn't you, boy?" I said. "It's no wonder they call you man's best friend. Faithful and loyal and true, you share in our sorrows and rejoice with us in our triumphs, the truest friend we ever have known, a better friend than we deserve. You have thrown in your lot with us, through thick and thin, on battlefield and hearthrug, refusing to leave your master even when death and destruction lie all around. Ah, noble dog, you are the furry mirror in which we see our better selves reflected, man as he could be, unstained by war or ambition, unspoilt by-
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Just tell 'em you're gonna soak the fat boys and forget the rest of the tax stuff...Willie, make 'em cry, make 'em laugh, make 'em mad, even mad at you. Stir them up and they'll love it and come back for more, but, for heaven's sakes, don't try to improve their minds.
”
”
Robert Penn Warren (All the King's Men)
“
One place suits on person, another place suits another person. For my part, I prefer to live in the country, like Timmy Willie.
”
”
Beatrix Potter (The Tale of Johnny Town-Mouse (World of Beatrix Potter, #21))
“
Little Willie, full of glee,
Put radium in grandma's tea.
Now he thinks it quite a lark
To see her shining in the dark.
”
”
Harry Graham (Ruthless Rhymes for Heartless Homes and More Ruthless Rhymes)
“
There's no earthly way of knowing
Which direction we are going
There's no knowing where we're rowing
Or which way the river's flowing
Is it raining, is it snowing?
Is a hurricane a-blowing? - uh!
Not a speck of light is showing
So the danger must be growing
Are the fires of Hell a-glowing?
Is the grisly reaper mowing?
Yes! The danger must be growing
For the rowers keep on rowing
And they're certainly not showing
Any signs that they are slowing!
A-aa-aaa-aaaah!
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
A Grand Design we couldn't see because we were part of it. A Grand Design we only got occasional, fleeting glimpses of. A Grand Design involving the entire course of history and all of time and space that, for some unfathomable reason, chose to work out its designs with cats and croquet mallets and penwipers, to say nothing of the dog. And a hideous piece of Victorian artwork. And us.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Nobody dast blame this man. You don’t understand: Willy was a salesman. And for a salesman, there’s no rock bottom to the life. He don’t put a bolt to a nut, he don’t tell you the law or give you medicine. He’s a man way out there in the blue riding on a smile and a shoeshine. And when they start not smiling back—that’s an earthquake. And then you get yourself a couple spots on your hat and your finished. Nobody dast blame this man. A salesman is got to dream boy, it comes with the territory.
”
”
Arthur Miller (Death of a Salesman)
“
Charley: He won't starve. None a them starve. Forget about him.
Willy: Then what have I got to remember?
”
”
Arthur Miller (Death of a Salesman)
“
I fink I gots deaf on me willie.
”
”
Christopher Moore (Fool)
“
HAPPY: All right, boy. I'm gonna show you and everybody else that Willy Loman did not die in vain. He had a good dream. It's the only dream you can have-- to come out number-one man.
”
”
Arthur Miller (Death of a Salesman)
“
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
”
”
Connie Willis
“
There is considerable hypocrisy in conventionalism. Any thinking person is aware of this paradox; but in dealing with conventional people it is advantageous to treat them as though they were not hypocrites. It isn't a question of faithfulness to your own concepts; it is a matter of compromise so that you can remain an individual without the constant threat of conventional pressures.
”
”
Truman Capote (In Cold Blood)
“
From her desk, she observed Willy demonstrating his ability to blow snot bubbles out of his slightly runny nose. Emma politely ignored him; Maggie’s face showed disgust at his grossness; Harley giggled; and competitive Joseph tried his best, with no luck, to make something, anything come out of his nose.
”
”
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
“
As adults we try to relax from the never-ending quest for reason and order by drinking a little whiskey or smoking whatever works for us, but the wisdom isn't in the whiskey or the smoke. The wisdom is in the moments when the madness slips away and we remember the basics.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
“
Once you replace negative thoughts with positive ones, you'll start having positive results.
”
”
Willie Nelson
“
When I started counting my blessings, my whole life turned around.
”
”
Willie Nelson
“
I get the willies when I see closed doors.
”
”
Joseph Heller (Something Happened)
“
She's got a new found fondness for stun guns."
There was silence and then Eddie replied "Yeah, I heard that too. Willie saw her with it, said the floor was littered with her victims.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
Walls in people's heads are sometimes more durable than walls made of concrete blocks.
”
”
Willy Brandt (Erinnerungen (Spiegel-Edition, #15))
“
Mr Willy Wonka can make marshmallows that taste of violets, and rich caramels that change colour every ten seconds as you suck them, and little feathery sweets that melt away deliciously the moment you put them between your lips. He can make chewing-gum that never loses its taste, and sugar balloons that you can blow up to enormous sizes before you pop them with a pin and gobble them up. And, by a most secret method, he can make lovely blue birds' eggs with black spots on them, and when you put one of these in your mouth, it gradually gets smaller and smaller until suddenly there is nothing left except a tiny little DARKRED sugary baby bird sitting on the tip of your tongue.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
One of the few certainties in life is that persons of certainty should certainly be avoided.
”
”
Willy Russell (The Wrong Boy)
“
I don't remember Moses writing, 'Thou shalt not kill.. unless you think you have a good reason.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart, Library Edition)
“
There are some things worth giving up anything for, even your freedom, and getting rid of your period is definitely one of them.
”
”
Connie Willis (Even the Queen, & Other Short Stories)
“
Once you replace negative thoughts with positive ones, you'll start having positive results.
”
”
Willie Nelson
“
Little did he know, I possessed no feminine wiles. Only the willies and the hibby jibbies.
”
”
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
“
I don’t believe in adhering to any rules I don’t support and I didn’t vote for. To hell with what people think. Just be who you are and you’ll be happy.
”
”
Willie Nelson
“
Killing somebody, even if you have to do it, it feels that bad?'
'Willy, it's one of the ugliest things in the world.
”
”
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
“
I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.
”
”
Connie Willis (The Winds of Marble Arch and Other Stories)
“
But explaining men still assume I am, in some sort of obscene impregnation metaphor, an empty vessel to be filled with their wisdom and knowledge. A Freudian would claim to know what they have and I lack, but intelligence is not situated in the crotch—even if you can write one of Virginia Woolf’s long mellifluous musical sentences about the subtle subjugation of women in the snow with your willie.
”
”
Rebecca Solnit (Men Explain Things to Me)
“
If you've made your own hell, then only you have the power to escape it.
”
”
Willie Nelson
“
Be here. Be present. Wherever you are, be there.
”
”
Willie Nelson
“
Translated ‘Non omnia possumus omnus’ as ‘No possums allowed on the omnibus.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Willy, one of the guys at the distillery, comes up with what Oliver and I agree is the best definition of what a 'dram' actually is: 'A measure of whisky that is pleasing to both guest and host.
”
”
Iain Banks
“
I'm not sayin' she's a bragger, but if you've been to Paradise, she's got a season ticket.
”
”
Willy Russell (Shirley Valentine)
“
One of the nastier trends in library management in recent years is the notion that libraries should be 'responsive to their patrons'.
”
”
Connie Willis
“
There have only been two geniuses in the world — Willie Mays and Willie Shakespeare.
”
”
Tallulah Bankhead
“
You know it doesn’t work that way, T. I have to be touching the body or something that belonged to the victim. Photos only give me a paper cut…and the willies. (Simone)
”
”
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
“
A marriage, willy-nilly, requires you to trust that your spouse will tell your story truthfully and lovingly when you are no longer around to tell it yourself.
”
”
Kate Braestrup (Here If You Need Me)
“
Engrave your pieces, Jo, and they’ll always find their way back to you,” said Willie.
”
”
Ruta Sepetys (Out of the Easy)
“
Conversation was only awkward because she searched for something important to say. Friends didn't do that. Friends let their thoughts become words without trying to change them.
”
”
Kate Willis (Kiera)
“
I, Willy Wonka, have decided to allow five children – just five, mind you, and no more – to visit my factory this year.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
Then Drago began the deliberate, precise, business-like process of killing. A knee-buckling burst of fire and flash laid waste to men and material within seconds. A Panhard vehicle to Silva’s left simply disappeared in an explosion that spraying metal parts willy-nilly in every direction in a spread so thorough that Drago thought they were under fire, and he yelled at his men to respond. Another blast destroyed a six-wheeled reconnaissance vehicle, but it didn’t break it apart; it simply expanded as if swollen or bloated, like an air mattress or inflatable toy, though it still had weight and quickly collapsed over its own suspension. Some trucks were overturned; a Jeep flipped end-over-end. None were left unscathed. In short order, what had been ten or twelve vehicles were reduced to a single steaming and smoking pile of metal.
”
”
John Payton Foden (Magenta)
“
There was no ‘Miss Woodley.’ There was Willie. Willie was about life, and she grabbed it by the balls. Y’all know that. She loved a stiff drink, a stiff hundred, and she loved her business. And she didn’t judge nobody. She loved everyone equal—accountants, queers, musicians, she welcomed us all, said we were all idiots just the same.
”
”
Ruta Sepetys (Out of the Easy)
“
The Heir and the Spare—there was no judgment about it, but also no ambiguity. I was the shadow, the support, the Plan B. I was brought into the world in case something happened to Willy. I was summoned to provide backup, distraction, diversion and, if necessary, a spare part. Kidney, perhaps. Blood transfusion. Speck of bone marrow. This was all made explicitly clear to me from the start of life’s journey and regularly reinforced thereafter.
”
”
Prince Harry (Spare)
“
Joram Kiango ni mpelelezi maarufu nchini Tanzania. Willy Gamba ni mpelelezi maarufu katika bara la Afrika. John Murphy ni mpelelezi maarufu duniani. Ni watu watatu tofauti wanaofanya kazi zinazofanana.
”
”
Enock Maregesi
“
Nothing dies as beautifully as autumn.
”
”
Ashlee Willis (A Wish Made of Glass)
“
No, death hadn't changed [Willie] much. But just in case, I avoided looking directly into his eyes. It was standard policy for dealing with vampires. He was a slime bucket, but now he was an undead slime bucket.
”
”
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
“
Be an encourager. The world has plenty of critics already.
”
”
Dave Willis
“
I don't know who started the myth that sheep are fluffy and white. They were more the color of an old mop and just as matted with dirt.
”
”
Connie Willis (Bellwether)
“
As with many Southern Writers, I believe that the special quality of the land itself indelibly shapes the people who dwell upon it.
”
”
Willie Morris (The Courting of Marcus Dupree)
“
That’s the problem with models—they only include the details people think are relevant,
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Willie appeared completely calm about the news of Mother. She always said she could make tea in a tornado.
”
”
Ruta Sepetys (Out of the Easy)
“
Man, you’re a regular Bonnie Parker.”
“A dame that knows the ropes isn’t likely to get tied up.”
Jesse found that hysterical. “Did Willie say that?”
“Nope, Mae West. Now, how do I get on this thing in a skirt?
”
”
Ruta Sepetys (Out of the Easy)
“
My mind was no longer functioning on a rational level. For fuck's sake, who needed rational when they boarded a train to insanity? All that was missing were the Oompa Loompas and Willy-fucking-Wonka.
”
”
J.A. Saare (The Ripple Effect (Rhiannon's Law, #3))
“
...early medieval Ireland sounds like a somewhat crazed Wisconsin, in which every dairy farm is an armed camp at perpetual war with its neighbors, and every farmer claims he is a king.
”
”
David Willis McCullough (Wars of the Irish Kings: A Thousand Years of Struggle, from the Age of Myth through the Reign of Queen Elizabeth I)
“
Do not define me by my gender or my socio-economic status, Noah Willis. Do not tell me who I am and do not tell me who society thinks I am and then put me in that box and expect me to stay there. Because, I swear to God, I will climb the hell out of that box and I will take that box you've just put me in and I will use that box to smash your face in until you're nothing more than a freckly, bloodied pulp. You got that, sweet cheeks?
”
”
Megan Jacobson (Yellow)
“
... not once more will/I be found with beings/who swallowed the rail of life//And one day I found myself with beings/who swallowed the nail of life/-as soon as I lost my matrix mamma,//and the being twisted under him,/and god poured me back to her/(the motherfucker)...
”
”
Antonin Artaud (Watchfiends and Rack Screams: Works from the Final Period)
“
I learned everything I know about plot from Dame Agatha (Christie).
”
”
Connie Willis (The Winds of Marble Arch and Other Stories)
“
If i have to make her hate me in order to save her, I Will , Even if it destroys me in the process
”
”
M.S. Willis (Madeleine Abducted (The Estate, #1))
“
Finch picked up one of the ancient fax-mags and brought it over to me.
"I don't need anything to read," I said. "I'll just sit here and eavesdrop along with you."
"I thought you might sit on the mag," he said. "It's extremely difficult to get soot out of chintz.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
None of the things one frets about ever happen. Something one's never thought of does.
”
”
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
“
The rules are very strict...
”
”
Mary Downing Hahn (The Old Willis Place)
“
Show respect to people who don't even deserve it; not as a reflection of their character, but as a reflection of yours.
”
”
Dave Willis
“
Our century is so shallow, its desires scattered so widely, our knowledge so encyclopedic, that we are absolutely unable to focus our designs on any single object and hence, willy-nilly, we fragment all our works into trivia and charming toys. We have the marvellous gift of making everything insignificant.
”
”
Nikolai Gogol
“
Originally, he'd wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H's life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H's story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he'd have to talk about the cities that took that flock in. He'd have to talk about Harlem, And how could he talk about Harlem without mentioning his father's heroin addiction - the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the '60s, wouldn't he also have to talk about crack everywhere in the '80s? And if he wrote about crack, he'd inevitably be writing, to, about the "war on drugs." And if he started talking about the war on drugs, he'd be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he'd gone to college with smoked it openly every day, he'd get so angry that he'd slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they'd think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.
”
”
Yaa Gyasi (Homegoing)
“
History was indeed controlled by blind forces, as well as character and courage and treachery and love. And accident and random chance. And stray bullets and telegrams and tips. And cats.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
If King Harold had had swans on his side, England would still be Saxon.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
It was about a girl who helps an ugly old woman who turns out to be a good fairy in disguise. Inner values versus shallow appearances.
”
”
Connie Willis (Bellwether)
“
We are the music makers, and we are the dreamers of dreams.
”
”
Willy Wonka/Roald Dahl
“
A lot of people make money off of fear and negativity and any way they can feed it to you is to their benefit in a lot of ways. You can't avoid it completely; you have to be open enough that shit doesn't stick on you, it goes through, because you are gonna be hit and bombarded all the time with negativity... You just let things go on through without trying to stop them or block them.
”
”
Willie Nelson
“
She has her own glamour, Willy lad. All poets do, all the bards and artists, all the musicians who truly take the music into their own hearts. They all straddle the border of Faerie, and they see into both worlds. Not dependably into either, perhaps, but that uncertainty keeps them honest and at a distance.
”
”
Emma Bull (War for the Oaks)
“
I have always had a love for American geography, and especially for the landscapes of the South. One of my pleasures has been to drive across it, with no one in the world knowing where I am, languidly absorbing the thoughts and memories of old moments, of people vanished now from my life.
”
”
Willie Morris (The Courting of Marcus Dupree)
“
literally: This word should be deleted. All too often, actions described as “literally” did not happen at all. As in, “He literally jumped out of his skin.” No, he did not. Though if he literally had, I’d suggest raising the element and proposing the piece for page one. Inserting “literally” willy-nilly reinforces the notion that breathless nitwits lurk within this newsroom. Eliminate on sight—the usage, not the nitwits. The nitwits are to be captured
”
”
Tom Rachman (The Imperfectionists)
“
For some moments in life, there are no words.
”
”
David Seltzer
“
Nothing in all those "O swan" poems had ever mentioned that they hissed. Or resented being mistaken for felines. Or bit.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
Waiting for the operation, there was a gentle tap on the door. In came a strapping nurse. 'Good morning', she shrilled, whipped back the bedclothes, upped with his nightshirt, grabbed his willy, lathered furiously around it till it looked like the Eddystone Lighthouse in a storm, then shaved the whole area till it looked like an oven-ready chicken.
'Excuse me, nurse', said Looney, 'why did you knock?
”
”
Spike Milligan
“
You ever see Willy Wonka? You know that part where the girl eats an everlasting gobstopper sweet and it tastes of everything? Like chicken soup and roast beef and blueberry pie all rolled into one? Well, that's exactly what Shapeshifter blood tastes like...
”
”
Sarah Alderson (Fated (Fated, #1))
“
TO ALL THE
ambulance drivers
firewatchers
air-raid wardens
nurses
canteen workers
airplane spotters
rescue workers
mathematicians
vicars
vergers
shopgirls
chorus girls
librarians
debutantes
spinsters
fishermen
retired sailors
servants
evacuees
Shakespearean actors
and mystery novelists
WHO WON THE WAR.
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
But if she'd come then, she would never have properly appreciated it. She'd have seen the happy crowds and the Union Jacks and the bonfires, but she'd have no idea of what it meant to see the lights on after years of navigating in the dark, what it meant to look up at an approaching plane without fear, to hear church bells after years of air-raid sirens. She'd have had no idea of the years of rationing and shabby clothes and fear which lay behind the smiles and the cheering, no idea of what it had cost to bring this day to pass--the lives of all those soldiers and sailors and airmen and civilians.
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
She is light while I am darkness, she is raw beauty and so blessedly pure while I am nothing more than a poison to humanity.She deserves her life far more than I deserve mine.
”
”
M.S. Willis (Madeleine Abducted (The Estate, #1))
“
Gay or straight? So what? It doesn't matter to me. We have to be concerned about other people regardless.
”
”
Willie Nelson
“
Both for practical reasons and for mathematically verifiable moral reasons, authority and responsibility must be equal - else a balancing takes place as surely as current flows between points of unequal potential. To permit irresponsible authority is to sow disaster; to hold a man responsible for anything he does not control is to behave with blind idiocy. The unlimited democracies were unstable because their citizens were not responsible for the fashion in which they exerted their sovereign authority... other than through the tragic logic of history... No attempt was made to determine whether a voter was socially responsible to the extent of his literally unlimited authority. If he voted the impossible, the disastrous possible happened instead - and responsibility was then forced on him willy-nilly and destroyed both him and his foundationless temple.
”
”
Robert A. Heinlein (Starship Troopers)
“
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
”
”
Jack Kerouac
“
Ohmigod! This place is so cool!” This was Tracy, who was sashaying into the warehouse looking around like she just hit the candy garden with chocolate stream at Willy Wonka’s. Her eyes caught site of Elvira who was in the kitchen. “Hey girl! What’s up?”
“Job satisfaction, beanpole, what’s up with you,” Elvira replied on a huge smile thus taking the sting out of her nickname for Tracy (I hoped).
If Cam was yin to Tracy’s yang, Elvira was yang to all of our yins.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
If any of us had heard the word "feminist" we would have thought it meant a girl who wore too much makeup, but we were, without knowing it, feminists ourselves, bound together by the freemasonry that exists among intelligent women who know they are intelligent. It is the only kind of female bonding that works, which is why most men do not like intelligent women. They don't mind one female brain if they can enjoy it privately; it's the idea of two or more on the loose that upsets them. The girls in the college-bound group might not have been friends in every case--Sharon Cohen and I gave each other willies--but our instincts told us that we had the same enemies.
”
”
Florence King (Confessions of a Failed Southern Lady)
“
The amazing thing is that chaotic systems don't always stay chaotic," Ben said, leaning on the gate. "Sometimes they spontaneously reorganize themselves into an orderly structure."
"They suddenly become less chaotic?" I said, wishing that would happen at HiTek.
"No, that's the thing. They become more and more chaotic until they reach some sort of chaotic critical mass. When that happens, they spontaneously reorganize themselves at a higher equilibrium level. It's called self-organized criticality.
”
”
Connie Willis (Bellwether)
“
One of the nastier trends in library management in recent years is the notion that libraries should be "responsive to their patrons." This means having dozens of copies of The Bridges of Madison County and Danielle Steele, and a consequent shortage of shelf space, to cope with which librarians have taken to purging books that haven't been checked out lately.
”
”
Connie Willis (Bellwether)
“
A house divided against itself cannot stand. There is no middle road, no 'white' sin. One is either for God or against Him - there is no compromise between His holiness and the works of spiritual darkness.
”
”
Alicia A. Willis
“
I was never going to get any sleep. I was going to have Alice in Wonderland conversation after Alice in Wonderland conversation until I died of exhaustion. Here, in the restful, idyllic Victorian era.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
The entire range of human experience is present in a church choir, including, but not restricted to jealousy, revenge, horror, pride, incompetence (the tenors have never been on the right note in the entire history of church choirs, and the basses have never been on the right page), wrath, lust and existential despair.
”
”
Connie Willis (The Winds of Marble Arch and Other Stories)
“
Mr. Reese had told him that life, at its core, was a cruel burden because we had the knowledge that we were born to die. We were born with innocent eyes and those eyes had to see pain and death and deceit and violence and heartache. If we were lucky we lived long enough to see most everything we love die. But, he said, being honorable and truthful took a little of the sting out of it. It made life bearable. Mr. Reese said liars and cowards were the worst people to know because they broke your heart in a world that is built to break your heart. They poured gas on an already cruel and barely controllable fire.
”
”
Willy Vlautin (Don't Skip Out on Me)
“
My deepest impulses are optimistic, an attitude that seems to me as spiritually necessary and proper as it is intellectually suspect.
”
”
Ellen Willis
“
Some people are just afraid of what's different. It doesn't mean different is bad. It just means different is different.
”
”
Kimberly Willis Holt (My Louisiana Sky)
“
Quiet is really just a lot of small noises that most people don’t notice.
”
”
Robert Dunbar (Willy)
“
Fifty stranded whales are a tangible crisis with a visible solution. There’s camaraderie in the process, a Free Willy fantasy, an image of Flipper in everyone’s mind. There’s nothing romantic about waking up a man on a park bench and making him walk to a shelter.
”
”
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
“
Anya made you kiss her?
Yeah. And at our next stop, I'll expect you to deliver.
I'll pay, William piped up. After you describe everything about that kiss you two shared. Did you cop a feel? You did, didn't you, you little hussy. I bet you moaned a lot, too.
Too late for you to pay, she said in a sing song voice. Strider already offered, and I already accepted. And no, I won't do any describing. You can just imagine how sexy it was. Oh, and Willie. Just so you know, your imagination won't do it justice.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
It is the end of the world. Surely you could be allowed a few carnal thoughts.
”
”
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
“
Dream of me, Maddy. See me as I want to be; not the nightmare who torments you, but the devoted and mystified man who worships at your feet.
”
”
M.S. Willis (Madeleine Abducted (The Estate, #1))
“
Fortunately, we are not in control.
”
”
Willie Nelson
“
Memories remind us that every moment of our lives, even the most tragic, have contributed to our strength. We’ve gotten through. We’re still here.
”
”
Willie Nelson (It's a Long Story: My Life)
“
Money is a very pleasant thing, Willie, and I think you can trade almost anything for it wisely except the work you really want to do. If you sell out your time for a comfortable life, and give up your natural work, I think you lose the exchange. There remains an inner uneasiness that spoils the comforts.
”
”
Herman Wouk (The Caine Mutiny)
“
Willie approached them solo at first, smiling and speaking Spanish. He asked them how they were doing and whether there were any hot chicks inside. Then he said, “Here, let me help you.” With that, he delivered an uppercut so strong it felt as if the punch ended only when it struck roly-poly’s backbone. Rufus came up behind the second guy and administered a kidney punch that would have the little fellow peeing blood for a month.
”
”
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
“
Saturday, December 12, 8 p.m., the Loft
I WILL PASS ALGEBRA THIS SEMESTER, and NOTHING IS GOING TO DISTRACT ME FROM STUDYING FOR THE FINAL!!!!!!!!!!!
Saturday, December 12, 9 p.m., the Loft
I just had to go out and see the part where Bruce Willis throws the explosives down the elevator shaft, but now I am back to work.
”
”
Meg Cabot (Princess in Love (The Princess Diaries, #3))
“
Marriage is not 50-50. Divorce is 50-50. Marriage has to be 100-100. It isn't dividing everything in half, but giving everything you've got!
”
”
Dave Willis
“
I believe in looseness.
”
”
Willie Nelson
“
Go for the moon. If you don't get it, you'll still be heading for a star
”
”
Willis Reed
“
Hold on.” Beckett shot out a hand, shoved Ryder back. “Are you saying Mom and Willy B are . . .”
“That’s what I’m saying. And they have been for a couple years now.”
“Fuck,” Ryder muttered.
“Don’t say fuck when he’s telling us about Mom and Willy B. I don’t want that verb and those names together in my head.
”
”
Nora Roberts (The Last Boyfriend (Inn BoonsBoro Trilogy, #2))
“
You was talkin' out of yer head last night, too," chortles Davy. "No one's gonna fancy me. I'm gonna be ugly and no on'es gonna fancyme!" he mimics, mincing about the hammock. "You are such a rum cove, Jacky, for thinkin' such things when yer just about beat t' death! Fancy me? Fancy me? Jacky, no one's gonna fancy us, we're all gonna end up lookin' like Snag!"
"Which is how a salty dog sailor's supposed to look," says Willy with a firm nod.
"And you're halfway there, Jack-o!" crows Tink.
Ah, the sweet comfort of friends.
”
”
L.A. Meyer
“
What's Management up to?" I whispered to Bennett.
"My guess is a new acronym," he whispered. "Departmental Unification Management Business." He wrote down the ltters on his legal pad. "D.U.M.B.
”
”
Connie Willis (Bellwether)
“
I’m not studying the heroes who lead navies—and armies—and win wars. I’m studying ordinary people who you wouldn’t expect to be heroic, but who, when there’s a crisis, show extraordinary bravery and self-sacrifice. Like Jenna Geidel, who gave her life vaccinating people during the Pandemic. And the fishermen and retired boat owners and weekend sailors who rescued the British Army from Dunkirk. And Wells Crowther, the twenty-four-year-old equities trader who worked in the World Trade Center. When it was hit by terrorists, he could have gotten out, but instead he went back and saved ten people, and died. I’m going to observe six different sets of heroes in six different situations to try to determine what qualities they have in common.
”
”
Connie Willis (Blackout (Oxford Time Travel, #3))
“
Shakespeare put no children in his plays for a reason," Sir Godfrey muttered, glaring at Alf and Binnie.
"You're forgetting the Little Prince," Polly reminded him.
"Who he had the good sense to kill off in the second act," snapped Sir Godfrey.
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
Poor thing, consigned to a life of frivolousness and wretched things for breakfast. Not allowed to go to school or do anything worthwhile, and eel pie besides.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
And every place and time an author writes about is imaginary, from Oz to Raymond Chandler's L.A. to Dickens's London.
”
”
Connie Willis
“
1. Optimize potential.
2. Facilitate empowerment.
3. Implement visioning.
4. Strategize priorities.
5. Augment core structures.
”
”
Connie Willis (Bellwether)
“
An inch, maybe two, separated our bodies. That tiny gap crackled, the electricity between us just as strong as it had been at Willie’s. She was more beautiful than I’d realized sitting in that dark, musty bar.
Winn’s blue eyes broke from mine, and the moment her gaze dropped to my mouth, I was done for.
I leaned closer.
“What are you doing?” she whispered.
“I have no fucking clue.” Then my lips were on hers.
”
”
Devney Perry (Indigo Ridge (The Edens, #1))
“
Beautiful ideals were painted for our boys who were sent out to die. The was the "war to end wars." This was the "war to make the world safe for democracy." No one told them that dollars and cents were the real reason. No one mentioned to them, as they marched away, that their going and their dying would mean huge war profits. No one told these American soldiers that they might be shot down by bullets made by their own brothers here. No one told them that the ships on which they were going to cross might be torpedoed by submarines built with United State patents. They were just told it was to be a "glorious adventure".
Thus, having stuffed patriotism down their throats, it was decided to make them help pay for the war, too. So, we gave them the large salary of $30 a month!
All that they had to do for this munificent sum was to leave their dear ones behind, give up their jobs, lie in swampy trenches, eat canned willy (when they could get it) and kill and kill and kill...and be killed
”
”
Smedley D. Butler (War Is a Racket)
“
That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.
”
”
Connie Willis (Remake)
“
I don't rate them, I just hit them.
”
”
Willie Mays
“
DOGMA: a political belief one is unreasonably committed to, such as the notion that freedom is good and slavery is bad.
BIAS: predeliction for a particular dogma. For example, the feminist bias is that women are equal to men and the male chauvinist bias is that women are inferior. The unbiased view is that the truth lies somewhere in between.
(an early comment on backlash, from "Glossary for the Eighties")
”
”
Ellen Willis
“
I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader’s mind so that the mind, like the author’s, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness.
”
”
Philip K. Dick (Paycheck and Other Classic Stories)
“
The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
I was flying out to Connecticut for the express purpose of breaking up with my boyfriend and I bought this set of three paperbacks to read on the plane and by the time I got to New Haven I was so worried about Frodo and Sam that I said to my boyfriend, “It’s awful. They’re trying to sneak into Mordor and the Ringwraiths are after them and I don’t trust Gollum and …” and I completely forgot to break up with him. And, as of yesterday, we’ve been married thirty-nine years.
”
”
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
“
People who shout at women in the street don’t do it because they think there’s a chance the woman will drop her shopping, willy-nilly, and leap into their arms! It isn’t a compliment – and to call it that disparages the vast majority of lovely men who are perfectly able to pay a real compliment. It is an exertion of power, dominance and control. And it’s utterly horrifying that we’ve become so used to it that it’s considered the norm. ▶
”
”
Laura Bates (Everyday Sexism)
“
Explain! Perhaps you’d like to explain it to me, too. I’m not used to having my civil liberties taken away like this. In America, nobody would dream of telling you where you can or can’t go.” And over thirty million Americans died during the Pandemic as a result of that sort of thinking, he thought.
”
”
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
“
And yet, women keep trying. They put off the rent or the utilities to scrape together the $500 for a first-trimester abortion. They drive across whole states to get to a clinic and sleep in their cars because they can’t afford a motel. They do not do this because they are careless sluts or because they hate babies or because they fail to see clearly what their alternatives are. They see the alternatives all too clearly. We live, as Ellen Willis wrote, in a society that is “actively hostile to women’s ambitions for a better life. Under these conditions the unwillingly pregnant woman faces a terrifying loss of control over her fate.” Abortion, wrote Willis, is an act of self-defense.5
”
”
Katha Pollitt (Pro: Reclaiming Abortion Rights)
“
Life and water are inseparable. Three quarters of the earth's surface is covered by water, just as three quarters of your body is made up of water. Even in the driest desert where rain may come just once every few years, the cycles of life are based on waiting for the arrival of water. Our bodies are not so patient.
Every cell in your body needs water to survive, and that means that drinking plenty of clean, fresh water can make you stronger healthier and smarter. Water carries oxygen and fuel to your cells, lubricates your joints, regulates your body temperature, and plays a key roll in just about every function of your body.
My number one roadie, POODIE, says, "You can't make a turd without grease.
”
”
Willie Nelson (The Tao of Willie: A Guide to the Happiness in Your Heart)
“
Certain houses, like certain persons, manage somehow to proclaim at once their character for evil. In the case of the latter, no particular feature need betray them; they may boast an open countenance and an ingenuous smile; and yet a little of their company leaves the unalterable conviction that there is something radically amiss with their being: that they are evil. Willy nilly, they seem to communicate an atmosphere of secret and wicked thoughts which makes those in their immediate neighbourhood shrink from them as from a thing diseased.
”
”
Algernon Blackwood (The Empty House and Other Ghost Stories)
“
Bigotry is one of the oldest and ugliest of trends, so persistent it only counts as a fad because the target keeps changing: Huguenots, Koreans, homosexuals, Muslims, Tutsis, Jews, Quakers, wolves, Serbs, Salem housewives. Nearly every group, so long as it’s small and different, has had a turn, and the pattern never changes—disapproval, isolation, demonization, persecution. Which was one of the reasons it’d be nice to find the switch that turned fads on. I’d like to turn that one off for good.
”
”
Connie Willis (Bellwether)
“
Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
”
”
Connie Willis (Bellwether)
“
Willie didn't have a historian's respect for the victories at Guadalcanal, Stalingrad, and Midway. The stream of news as it burbled by his mind left only a confused impression that our side was a bit ahead in the game, but making painful slow work of it. He had often wondered in his boyhood what it must have been like to live in the stirring days of Gettysburg and Waterloo; now he knew, but he didn't know that he knew. This war seemed to him different from all the others: diffuse, slogging, and empty of drama.
”
”
Herman Wouk (The Caine Mutiny)
“
At first it was, as I have said, rather bracing and tonic. For after the dream there is not reason why you should not go back and face the fact which you have fled from (even if the fact seems to be that you have, by digging up the truth about the past, handed over Anne Stanton to Willie Stark), for any place to which you may flee will not be like the place from which you have fled, and you might as well go back, after all, to the place where you belong, for nothing was your fault or anybody's fault, for things are always as they are. And you can go back in good spirits, for you will have learned two very great truths. First, that you cannot lose what you have never had. Second, that you are never guilty of a crime which you did not commit. So there is innocence and a new start in the West after all.
If you believe that dream you dream when you go there.
”
”
Robert Penn Warren (All the King's Men)
“
There are a hundred ways a man can bleed to death. And he can be pulled from the rubble of bitterness, of despair, as well as the wreckage of the Phoenix. And which rescue is the more real? Nothing you could have done for me... was more important than the restoration of my hope.
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
Hey, manager... Some kid must have left his glove here... It has his name on it... See? Right here... Willie Mays... He wrote his name on his glove, see? Poor kid... He's probably been looking all over for it... We should have a lost and found. I don't know any kid around here named Willie Mays, do you? How are we gonna get it back to him? He was pretty smart putting his name on his glove this way, though... It's funny, I just don't remember any kid by that name..."
"Look at your own glove."
"What?"
"Look at your own glove... There's a name on it..."
"Babe Ruth... Well, I'll be! How in the world do you suppose I got her glove?!
”
”
Charles M. Schulz (The Complete Peanuts, 1969–1970 (The Complete Peanuts, #10))
“
It was long before I could believe that human learning had no clear answer to this question. For a long time it seemed to me, as I listened to the gravity and seriousness wherewith Science affirmed its positions on matters unconnected with the problem of life, that I must have misunderstood something. For a long time I was timid in the presence in learning, and I fancied that the insufficiency of the answers which I received was not its fault, but was owing to my own gross ignorance, but this thing was not a joke or a pastime with me, but the business of my life, and I was at last forced, willy-nilly, to the conclusion that these questions of mine were the only legitimate questions underlying all knowledge, and that it was not I that was in fault in putting them, but science in pretending to have an answer for them.
”
”
Leo Tolstoy (A Confession)
“
Books are an amazing thing. Anyone who thinks of them as an escape from reality or as something you should get your nose out of and go outside and play, or as merely a distraction or an amusement or a waste of time is - dead wrong.
Books are the most important
the most powerful
the most beautiful thing
humans have ever created.
”
”
Connie Willis
“
I was in the Air Force a while and they had what they call "policing the area." That's where you looked around and if there's anything wrong here, there, anywhere, you took care of your own area. And I think that's a pretty good thing to go by. If everyone just takes care of their own area then we won't have any problems. Be here. Be present. Wherever you are, be there. And look around you and see what needs to be changed.
”
”
Willie Nelson (Wisdom: The Greatest Gift One Generation Can Give To Another)
“
There seems to be an audience that demands everything be explained to them that everything be easy. And I don t think that s doing us any good as a culture. The ease with which we can accomplish or conjure any possible imaginable scenario through CGI is almost directly proportionate to how uninterested we re becoming in all of this. I can remember Ray Harryhausen s animated skeletons in Jason and the Argonauts. I can remember Willis O Brien s King Kong. I can remember being awed at the artistry that had made those things possible. Yes I knew how it was done. But it looked so wonderful. These days I can see half a million Orcs coming over a hill and I am bored. I am not impressed at all. Because frankly I could have gotten someone a passerby on the street who could have gotten the same effect if you d given them half a million dollars to do it. It removes artistry and imagination and places money in the driver s seat and I think it s a pretty straight equation—that there is an inverse relationship between money and imagination.
”
”
Alan Moore
“
And it was to this city, whenever I went home, that I always knew I must return, for it was mistress of one's wildest hopes, protector of one's deepest privacies. It was half insane with its noise, violence, and decay, but it gave one the tender security of fulfillment. On winter afternoons, from my office, there were sunsets across Manhattan when the smog itself shimmered and glowed… Despite its difficulties, which become more obvious all the time, one was constantly put to the test by this city, which finally came down to its people; no other place in America had quite such people and they would not allow you to go stale; in the end they were its triumph and its reward.
”
”
Willie Morris
“
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth.
The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death.
The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade.
The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
”
”
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
“
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage.
He looked ... contented. As if he was where he wanted to be, doing what he wanted to do.
Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy.
To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
Cyril had staked out his claim and refused to move. "Move over!" I said, freeing one hand from holding the cat to push. "Dogs are supposed to sleep at the foot of the bed." Cyril had never heard of this rule. He jammed his body up against my back and began to snore. I tugged at the rugs, trying to get enough to cover me, and turned on my side, the cat cradled in my arms. Princess Arjumand paid no attention to the regulations of animals on the bed either. She promptly wriggled free and walked round the bed, treading on Cyril, who responded with a faint "oof," and kneading her claws in my leg. Cyril shoved and shoved again until he had the entire bed and all the covers, and Princess Arjumand draped herself across my neck with her full weight on my Adam's apple. Cyril shoved some more. An hour into this little drama it began to rain in earnest, and everyone moved in under the covers and began jockeying for position again.
”
”
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
“
As Dalla Costa put it, women's unpaid
labor in the home has been the pillar upon which the exploitation of the waged workers, "wage slavery," has been built, and the secret of ies productivity (1972:31). Thus, the power differential between women and men in capitalist societry cannot be attributed to the irrelevance of housework for capitalist accumulation - an irrelevance belied by the strict rules that have governed women's lives - nor CO the survival of timeless cultural schemes. Rather, it should be interpreted as the effect of a social system of production that does not recognize the production and reproduction of the worker as a social-economic activity. and a source of capital accumulation, but mystifies it instead as a natural resource or a personal service, willie profiting from the wageless conclition of the labor involved.
”
”
Silvia Federici
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
He looked resigned, as though he knew that wretched door--to where? Home? Heaven? Peace?--would never open, and at the same time he seemed resolved, ready to do his bit even though he couldn't possibly know what sacrifices that would require. Had he been kept here, too--in a place he didn't belong, serving in a war in which he hadn't enlisted, to rescue sparrows and soldiers and shopgirls and Shakespeare? To tip the balance?
”
”
Connie Willis (All Clear (Oxford Time Travel, 4))
“
Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?”
Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.”
Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.”
“I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.”
Masculine cheeks went scarlet as the big bad warrior struggled for a comeback.
…
“One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.”
“Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.”
He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
In my world," said Posy, "authors write stories, and the characters do whatever the author tells them. It's not like this--the characters don't have minds and lives of their own."
"How do you know this?" was Caris' surprising reply. The corner of her mouth turned up in a playful smile. "You do not see the characters when the pages of the book are shut. Is there never a time when you read a book for the second time and you notice something that you didn't remember from the first time? Or hear a story told, and every time it is told it grows and changes in the telling? Change is the nature of everything.
”
”
Ashlee Willis (The Word Changers)
“
You talk about piling up treasure - money, property, culture, knowledge, and so on and so on. In going ahead with the Jesus Prayer - just let me finish, now please - in going ahead with the Jesus Prayer, aren't you trying to lay up some kind of treasure? Something that's every goddam bit as negotiable as all those other, more material things? Or does the fact that it's a prayer make all the difference?
. . . There's something about the way you're going at this prayer that gives me the willies . . . but I would like you to clear up for me just what the hell your motives are for saying it . . . As a matter of simple logic, there's no difference at all, that I can see, between the man who's greedy for material treasure - or even intellectual treasure - and the man who's greedy for spiritual treasure. As you say, treasure's treasure, God damn it, and it seems to me that ninety per cent of all the world-hating saints in history were just as acquisitive and unattractive, basically, as the rest of us are."
Don't you think I have sense enough to worry about my motives for saying the prayer? That's exactly what's bothering me so. Just because I'm choosy about what I want - in this case, enlightenment, or peace, instead of money or prestige or fame or any of those things - doesn't mean I'm not as egotistical and self-seeking as everybody else. If anything, I'm more so!
”
”
J.D. Salinger (Franny and Zooey)
“
I'm part of the fellowship of the unashamed. I have Holy Spirit power. The die has been cast. I have stepped over the line. The decision has been made. I'm a disciple of His. I won't look back, let up, slow down, back away, or be still.
My past is redeemed, my present makes sense, my future is secure. I'm finished and down with low living, sight walking, small planning, smooth knees, colorless dreams, tamed visions, mundane talking, cheap living, and dwarfed goals.
I no longer need prominence, prosperity, position, promotions, plaudits, or popularity. I don't have to be right, first, tops, recognized, praised, regarded, or rewarded. I now live by faith, lean on His presence, walk by patience, lift by prayer, and labor by power.
My face is set, my gait is fast, my goal is heaven, my road is narrow, my way is rough, my companions are few, my Guide is reliable, my mission is clear. I cannot be bought, compromised, detoured, lured away, turned back, deluded, or delayed. I will not flinch in the face of sacrifice, hesitate in the presence of the adversary, negotiate at the table of the enemy, ponder at the pool of popularity, or meander in the maze of mediocrity.
I won't give up, shut up, let up, until I have stayed up, stored up, prayed up, paid up, and preached up for the cause of Christ. I am a disciple of Jesus. I must go till He comes, give till I drop, preach till all know, and work till He stops me. And when He comes for His own, He will have no problem recognizing me - my banner will be clear.
”
”
Avery T. Willis Jr.
“
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child.
When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
”
”
Samantha Harvey (Orbital)
“
These ideas can be made more concrete with a parable, which I borrow from John Fowles’s wonderful novel, The Magus.
Conchis, the principle character in the novel, finds himself Mayor of his home
town in Greece when the Nazi occupation begins. One day, three Communist
partisans who recently killed some German soldiers are caught. The Nazi commandant gives Conchis, as Mayor, a choice — either Conchis will execute the three partisans himself to set an example of loyalty to the new regime, or the Nazis will execute every male in the town.
Should Conchis act as a collaborator with the Nazis and take on himself the
direct guilt of killing three men? Or should he refuse and, by default, be responsible for the killing of over 300 men?
I often use this moral riddle to determine the degree to which people are hypnotized by Ideology. The totally hypnotized, of course, have an answer at once; they know beyond doubt what is correct, because they have memorized the Rule Book. It doesn’t matter whose Rule Book they rely on — Ayn Rand’s or Joan Baez’s or the Pope’s or Lenin’s or Elephant Doody Comix — the hypnosis is indicated by lack of pause for thought, feeling and evaluation. The response is immediate because it is because mechanical. Those who are not totally hypnotized—those who have some awareness of concrete events of sensory space-time, outside their heads— find the problem terrible and terrifying and admit they don’t know any 'correct' answer.
I don’t know the 'correct' answer either, and I doubt that there is one. The
universe may not contain 'right' and 'wrong' answers to everything just because Ideologists want to have 'right' and 'wrong' answers in all cases, anymore than it provides hot and cold running water before humans start tinkering with it. I feel sure that, for those awakened from hypnosis, every hour of every day presents choices that are just as puzzling (although fortunately not as monstrous) as this parable. That is why it appears a terrible burden to be aware of who you are, where you are, and what is going on around you, and why most people would prefer to retreat into Ideology, abstraction, myth and self-hypnosis.
To come out of our heads, then, also means to come to our senses, literally—to live with awareness of the bottle of beer on the table and the bleeding body in the street. Without polemic intent, I think this involves waking from hypnosis in a very literal sense. Only one individual can do it at a time, and nobody else can do it for you. You have to do it all alone.
”
”
Robert Anton Wilson (Natural Law: or Don't Put a Rubber on Your Willy)