Willie Homegoing Quotes

We've searched our database for all the quotes and captions related to Willie Homegoing. Here they are! All 15 of them:

Originally, he'd wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H's life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H's story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he'd have to talk about the cities that took that flock in. He'd have to talk about Harlem, And how could he talk about Harlem without mentioning his father's heroin addiction - the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the '60s, wouldn't he also have to talk about crack everywhere in the '80s? And if he wrote about crack, he'd inevitably be writing, to, about the "war on drugs." And if he started talking about the war on drugs, he'd be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he'd gone to college with smoked it openly every day, he'd get so angry that he'd slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they'd think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.
Yaa Gyasi (Homegoing)
Willie smiled at Robert, and it wasn’t until that smile that she realized she forgave him. She felt like the smile had opened a valve, like the pressure of anger and sadness and confusion and loss was shooting out of her, into the sky and away. Away.
Yaa Gyasi (Homegoing)
How could he explain to Marjorie that he wasn't supposed to be here? Alive. Free. That the fact that he had been born, that he wasn't in a jail cell somewhere, was not by dint of his pulling himself up by the bootstraps, not by hard work or belief in the American Dream, but by mere chance. He had only heard tell of his great-grandpa H from Ma Willie, but those stories were enough to make him weep and to fill him with pride. Two-Shovel H they had called him. But what had they called his father or his father before him? What of the mothers? They had been products of their time, and walking in Birmingham now, Marcus was an accumulation of these times. That was the point.
Yaa Gyasi (Homegoing)
I haven’t changed, Willie,” Robert said to the wall. “No, but you ain’t the same neither,” she replied.
Yaa Gyasi (Homegoing)
A month passed, and it was time again for Marcus to return to his research. He had been avoiding it because it wasn’t going well. Originally, he’d wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H’s life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H’s story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he’d have to talk about the cities that took that flock in. He’d have to talk about Harlem. And how could he talk about Harlem without mentioning his father’s heroin addiction—the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the ’60s, wouldn’t he also have to talk about crack everywhere in the ’80s? And if he wrote about crack, he’d inevitably be writing, too, about the “war on drugs.” And if he started talking about the war on drugs, he’d be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he’d gone to college with smoked it openly every day, he’d get so angry that he’d slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they’d think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.
Yaa Gyasi (Homegoing)
It was a matter of knowing the things that he could not yet let himself know. Like that he was not the kind of man who could handle invisible hands around his neck. That Carson’s birth had changed him, but not for the better. It had made him deeply afraid of himself, always questioning his choices, never measuring up to a standard of his own making, a standard that was upheld in his own father’s generous love, a love that had made a way for him and his mother, even when the cost had been great. That Willie could recognize these things in Robert, but be unable to recognize his hunched back, his hanging head, frightened her.
Yaa Gyasi (Homegoing)
There was a time, when they were still just sweethearts dating and at the beginning of their marriage, when Willie thought she knew Robert better than she knew herself. This was more than a matter of knowing what his favorite color was, or knowing what he wanted for dinner. without him having to tell her. It was a matter of knowing the things that he could not yet let himself know. Like that he was not the kind of man who could handle invisible hands around his neck. That Carson’s birth had changed him, but not for the better. It had made him deeply afraid of himself, always questioning his choices, never measuring up to a standard of his own making, a standard that was upheld in his own father’s generous love, a love that had made a way for him and his mother, even when the cost had been great. That Willie could recognize these things in Robert, but be unable to recognize his hunched back, his hanging head, frightened her.
Yaa Gyasi (Homegoing)
There was a time, when they were still just sweethearts dating and at the beginning of their marriage, when Willie thought she knew Robert better than she knew herself. This was more than a matter of knowing what his favorite color was, or knowing what he wanted for dinner. without him having to tell her. It was a matter of knowing the things that he could not yet let himself know. Like that he was not the kind of man who could handle invisible hands around his neck. That Carson’s birth had changed him, but not for the better. It had made him deeply afraid of himself, always questioning his choices, never measuring up to a standard of his own making, a standard that was upheld in his own father’s generous love, a love that had made a way for him and his mother, even when the cost had been great. That Willie could recognize these things in Robert, but be unable to recognize his hunched back, his hanging head, frightened her.
Yaa Gyasi (Homegoing)
Durante los primeros días no había quien la consolase. No quería mirar a Carson ni tenerlo en brazos. Robert la acunaba por las noches y besaba su eterno mar de lágrimas mientras el bebé dormía. "Te quiero, Willie", susurraba, y a veces ese amor también dolía y la hacía llorar aún más, porque le costaba creer que aún quedasen cosas buenas en el mundo cuando sus padres ya no estaban en él.
Yaa Gyasi (Homegoing)
I love you, Willie,” he’d whisper, and somehow that love hurt too, made her cry even harder, because she didn’t want to believe that anything good could still be in the world when her parents had left it.
Yaa Gyasi (Homegoing)
Originally, he’d wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H’s life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H’s story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he’d have to talk about the cities that took that flock in. He’d have to talk about Harlem. And how could he talk about Harlem without mentioning his father’s heroin addiction—the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the ’60s, wouldn’t he also have to talk about crack everywhere in the ’80s? And if he wrote about crack, he’d inevitably be writing, too, about the “war on drugs.” And if he started talking about the war on drugs, he’d be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he’d gone to college with smoked it openly every day, he’d get so angry that he’d slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they’d think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.
Yaa Gyasi (Homegoing)
All she could think about was the fact that she had not recognized him. There was a time, when they were still just sweethearts dating and at the beginning of their marriage, when Willie thought she knew Robert better than she knew herself. This was more than a matter of knowing what his favorite color was, or knowing what he wanted for dinner without him having to tell her. It was a matter of knowing the things that he could not yet let himself know.
Yaa Gyasi (Homegoing)
Sonny said he didn’t mind his schools because he never went, and Willie said the fact that he never went was what was wrong with them.
Yaa Gyasi (Homegoing)
Originally, he’d wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H’s life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H’s story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he’d have to talk about the cities that took that flock in. He’d have to talk about Harlem. And how could he talk about Harlem without mentioning his father’s heroin addiction—the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the ’60s, wouldn’t he also have to talk about crack everywhere in the ’80s? And if he wrote about crack, he’d inevitably be writing, too, about the “war on drugs.” And if he started talking about the war on drugs, he’d be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he’d gone to college with smoked it openly every day, he’d get so angry that he’d slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they’d think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was. When
Yaa Gyasi (Homegoing)
Willie's hands trembled still, and in a moment of complete quiet, she dropped the songbook down on the stage with a great thud. And everyone in the sanctuary, the congregants and pastor, Sisters Dora and Bertha and the whole choir, turned to look at her. She stepped forward, trembling still, and she sang.
Yaa Gyasi (Homegoing)