William Wallace Quotes

To die would be an awfully big adventure. But it’s not true. Life is the real adventure. Having the hurricane inside you is the true adventure. And then I think not of Cate Blanchett as Queen Elizabeth I, but of Mel Gibson as William Wallace. Everyone dies. Not everyone really lives.

Every man dies, not every man really lives" ... William Wallace

Every man dies. Not every man truly lives." Sir William Wallace

We all have stories, just as you do. Ways in which he touched us, helped us, gave us money, sold it to us wholesale. Lots of stories, big and small. They all add up. Over a lifetime it all adds up. That's why we're here, William. We're a a part of him, who he is, just as he is a part of us. You still don't understand, do you?" I didn't. But as I stared at the man and he stared back at me, in my father's dream I remembered where we'd met before. "And what did my father do for you?" I asked him, and the old man smiled. "He made me laugh," he said.

Evangelicals hadn’t betrayed their values. Donald Trump was the culmination of their half-century-long pursuit of a militant Christian masculinity. He was the reincarnation of John Wayne, sitting tall in the saddle, a man who wasn’t afraid to resort to violence to bring order, who protected those deemed worthy of protection, who wouldn’t let political correctness get in the way of saying what had to be said or the norms of democratic society keep him from doing what needed to be done. Unencumbered by traditional Christian virtue, he was a warrior in the tradition (if not the actual physical form) of Mel Gibson’s William Wallace. He was a hero for God-and-country Christians in the line of Barry Goldwater, Ronald Reagan, and Oliver North, one suited for Duck Dynasty Americans and American Christians. He was the latest and greatest high priest of the evangelical cult of masculinity.

For many evangelicals, the masculine values men like John Wayne, William Wallace, Ronald Reagan, Rush Limbaugh, Jordan Peterson, and Donald Trump embody have come to define evangelicalism itself.

Every man dies. Not every man really lives.

In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man.

In a shadowy place something white flew up. It was a heron, and it went away over the dark treetops. William Wallace followed it with his eyes and Brucie clapped his hands, but Virgil gave a sigh, as if he knew that when you go looking for what is lost, everything is a sign. ("The Wide Net")

We should never forget that Jesus was executed in the name of “freedom and justice” - whether it was the Roman version or the Jewish version. But the cross shames the ancient deception that freedom and justice can be attained by killing. The crowd believes this pernicious lie, but Christ never does. The Passover crowd shouted, “Hosanna!” (“ Save now!”) until it realized that Jesus wouldn’t save them by killing their enemies; then it shouted, “Crucify him!” Jesus refused to be a messiah after the model of Alexander the Great, Julius Caesar, Judah Maccabeus, William Wallace, or George Washington - and the crowd despises him for it. The crowd loves their violent heroes. The crowd is predisposed to believe in the idea that “freedom and justice” can be achieved by violence.

You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.

I have spent my whole life preparing to be William Wallace’s wife. The choices I make are defined by the person I am. “I am Mrs. William Victor Wallace. I am married to a federal felon whom I love unconditionally. I hold my head high, I take pride in my life and I walk this world without regret. I will be the perfect wife and my husband deserves nothing less.

When he got to his own house, William Wallace saw to his surprise that it had not rained at all. But there, curved over the roof, was something he had never seen before as long as he could remember, a rainbow at night. In the light of the moon, which had risen again, it looked small and of gauzy material, like a lady’s summer dress, a faint veil through which the stars showed. ("A Wide Net")

He opened his eyes to half-cast. With a low rumble he lifted her onto his hips. "Take me to heaven, lassie. For no one but ye can cool the fire thrumming in my blood.

When she straightened, he leaned back in the chair, his eyelids heavy. “My God, woman, you know how to make a man melt.

In The Pale King, David Foster Wallace has his narrator remark that “it was a little bit like a for-profit company, my family, in that you were pretty much only as good as your last sales quarter.

He took a step back to distance himself from her wicked, mind-consuming scent. In the future if he wanted to bamboozle an opponent in the karate ring, all he had to do was splash on some eau de Christina.

Though we are not together in body, know that I will always be with you in spirit. I will be in the whistling wind and in your dreams. Think of me in the joy of watching snow fall and know that I am thinking of you always.

THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.

The top eleven are, in order, T. S. Eliot’s “Prufrock,” Robert Lowell’s “Skunk Hour,” Robert Frost’s “Stopping by Woods on a Snowy Evening,” William Carlos Williams’s “Red Wheelbarrow,” Elizabeth Bishop’s “The Fish,” Ezra Pound’s “The River Merchant’s Wife,” Sylvia Plath’s “Daddy,” Pound’s “In a Station of the Metro,” Frost’s “Mending Wall,” Wallace Stevens’s “The Snow Man,” and Williams’s “The Dance.

At that moment, Robert saw James Stewart turn to him. A jolt went through him as the steward nodded. Before anyone could begin speaking again, he headed out of the crowd towards Wallace, leaving his men looking on in surprise. ‘We have chosen to elect this man as our guardian.’ Robert’s voice was harsh as he gestured to Wallace. ‘But he is still just the son of a knight.’ ‘You dare to challenge his election?’ demanded Adam. Other shouts of scorn and ire joined his. ‘On the contrary,’ answered Robert, ‘I am suggesting that a man of William Wallace’s achievements, a man who is to be sole guardian of Scotland, bears a title befitting his prowess.’ He faced the crowd. ‘I, Sir Robert Bruce, Earl of Carrick, offer William Wallace the honour of a knighthood.’ He turned to Wallace. ‘If he will bend before me.

There are some writers who sweep us along so strongly in their current of energy--Normal mailer, Tom Wolfe, Toni Morrison, William F. Buckley, Jr., Hunter Thompson, David Foster Wallace, Dave Eggers--that we assume that when they go to work the words just flow. Nobody thinks of the effort they made every morning to turn on the switch. You also have to turn on the switch. Nobody is going to do it for you.

He hadn’t landed on the battlefield to save Christina, at least not entirely. He’d landed there because it was meant to be – because his destiny lay with a bonny woman who would capture his heart and show him honor and respect on a uniquely deep level that had been lost in the twenty-first century.

It didn't take long for her to help him remove his armor. She gestured to the pallet. "Lie down." "Not yet." He pulled her into his arms and held her against his chest. This is what he was fighting for. Not just for himself, but for all men to hold their women in their arms - and to raise families free from tyranny.

Her face grew suddenly serious as she cupped his cheek in her palm. "Oh how I love you, William." The angel had spoken. He closed his eyes and let her words seep into his soul.

You are charismatic. Men are drawn to you. I am drawn to you. And by your size, let alone your skill with weapons, they will be in awe of you.

He [Wallace] sent a quick note to his friend [Franzen] explaining his behavior. "the bold fact is that I'm a little afraid of you right now,"[...] "all I can tell you is that I may have been that [a worthy opponent] for you a couple/ three years ago, and maybe 16 months or tow or 5 or 10 years hence, but right now I am a pathetic and very confused man, a failed writer at 28, who is so jealous, so sickly searing envious of you and Vollmann and Mark Leyner and even David Fuckward Leavitt and any young man who is right now producing pages with which he can live and even approving them off some base-clause of conviction about the entrprise's meaning and end that I consider suicide a reasonable- if not at this point a desirable- option with respect to the whole wretched problem.

Consider the great Samuel Clemens. Huckleberry Finn is one of the few books that all American children are mandated to read: Jonathan Arac, in his brilliant new study of the teaching of Huck, is quite right to term it 'hyper-canonical.' And Twain is a figure in American history as well as in American letters. The only objectors to his presence in the schoolroom are mediocre or fanatical racial nationalists or 'inclusivists,' like Julius Lester or the Chicago-based Dr John Wallace, who object to Twain's use—in or out of 'context'—of the expression 'nigger.' An empty and formal 'debate' on this has dragged on for decades and flares up every now and again to bore us. But what if Twain were taught as a whole? He served briefly as a Confederate soldier, and wrote a hilarious and melancholy account, The Private History of a Campaign That Failed. He went on to make a fortune by publishing the memoirs of Ulysses Grant. He composed a caustic and brilliant report on the treatment of the Congolese by King Leopold of the Belgians. With William Dean Howells he led the Anti-Imperialist League, to oppose McKinley's and Roosevelt's pious and sanguinary war in the Philippines. Some of the pamphlets he wrote for the league can be set alongside those of Swift and Defoe for their sheer polemical artistry. In 1900 he had a public exchange with Winston Churchill in New York City, in which he attacked American support for the British war in South Africa and British support for the American war in Cuba. Does this count as history? Just try and find any reference to it, not just in textbooks but in more general histories and biographies. The Anti-Imperialist League has gone down the Orwellian memory hole, taking with it a great swirl of truly American passion and intellect, and the grand figure of Twain has become reduced—in part because he upended the vials of ridicule over the national tendency to religious and spiritual quackery, where he discerned what Tocqueville had missed and far anticipated Mencken—to that of a drawling, avuncular fabulist.

She must continue to live life one day at a time. Neither the past nor the future existed for Eva. She clenched her fist around her reins, drilling in the words she must never forget: 'there can only be the now.

Had Martha Foley returned William [James Sidis]'s passion as Margaret [Engemann] did Norbert [Wiener]'s, perhaps the two prodigies would have had more in common in the long run. ... In the life of a prodigy, perhaps more than in the average life, a marriage or a requited love is the greatest single factor that can heal the old childhood wounds. William and Norbert's response to their childhood and teenage rejections and humiliations was to retreat into the painless world of ideas, where successes and satisfactions abounded. A successful love affair could be the key to reentry into the world of feeling, bridging the gap between the cerebral and the emotional lives.

God, you’re beautiful,” he growled while his cock throbbed with need. “Ye keep telling me that and ye’ll have me believing it,” she said with the sexiest, most breathless voice he’d ever heard. His fingers sank into her supple flesh. Her breasts were so full, so pliable, he craved to have his mouth on them, craved to suckle her nipples and listen to every soft moan. “You’d best believe me, because whenever you’re near, I feel like a caveman.” “A wild beast?” He nearly roared. “The wildest imaginable.

My mum always taught that the truth will set you free.” “Did she now?” “Mm hmm,” Lachlan brushed the pad of his pointer finger over her cheek’s silken skin. “But she kept one truth hidden from me until very recently.” “What was that?” He gulped. “You know the truth thing on the medallion? “Aye.” “Well, if that’s my rallying cry, then it will mean the world to me if you trust that I’m not lying.” She let the disk drop back to his chest. “Ye can tell me anything, I’d reckon.” He needed to tell her the truth. “My father is – was William Wallace.

God had given him a gift when he opened his eyes to see her smile and the lovely glimmer of fathomless green pools. Her gaze reminded him of the rolling hills of his beloved Scotland. With Eva, he was home. With her in his arms, he could achieve anything - fear nothing. If only...

McGrath briefly notes Bertrand Russell's Why I am not a Christian, and J. J. C. Smart gets a single mention, as does Adolf Grünbaum, but the other major defenders of philosophical atheism of the last half-century do not even merit a nod. His index contains no listings for Antony Flew, Wallace Matson, Kai Nielsen, Richard Gale, William L. Rowe, Michael Martin, J. L. Mackie, Daniel Dennett, Evan Fales, Michael Tooley, Quentin Smith, Jordan Howard Sobel, Robin Le Poidevin, Theodore Drange, Walter Sinnott-Armstrong, Nicholas Everitt, J. L. Schellenberg, or Graham Oppy.

When their lips finally met, all the pent up emotion within Christina’s breast surged, funneling into a whirlwind of heat. Pushing away all thoughts, she allowed herself only to feel. Lachlan could be so physical, so powerful, so brutal, but when he wrapped his arms around her, Christina felt invincible. Be it true or nay, she felt loved, and cherished, and valued. Reaching up, she slid her fingers through his locks. Soft waves of thick tresses contrasted with hardened male…. As his kiss eased, he cupped her cheek in the palm of his hand. “I wish I could hold you in my arms forever.

Eva’s chin ticked up. “Are you threatening me, m’lord?” Scoffing, he gave an exaggerated eye roll. “Heaven forbid someone threaten William Wallace’s woman.” Narrowing her eyes, she glared at him for a moment. Even if he’d seen her take the pictures, he wouldn’t have a clue what she was up to. And she’d turned the flash off. He had absolutely no grounds on which to make any accusations. With a dismissive nod she turned her attention back to Christina. “But—” Comyn stepped closer, making the hackles on the back of Eva’s neck stand on end. “One day that big fella will fall out of favor, and then a pretty lassie such as yourself willna be so smug.” “I beg your pardon, Lord Comyn?” Lady Murray threw her shoulders back. “You over inflate your station. Regardless of your noble birth, Miss Eva is the daughter of a knight, and I daresay she ought not be spoken to like a mere commoner.” “Not to worry.” Eva flashed a wry grin. “I am very comfortable being identified as among the loyal servants of Scotland. Unlike some high-ranking gentry present whose questionable actions have proved their very hypocrisy, and their willingness to change allegiances on a whim only to protect their personal wealth.

Barely able to breathe, Eva's tongue slipped across her lips. He moved a bit closer. "Every time ye walk past, I want ye. Your scent sends my insides into a maelstrom of need." She closed her eyes and drew out the moment, wishing he'd say that again. Oh, how delectable to listen to a medieval Scotsman declare his desire.

Yes!, Fight and you may die. Run and you will live at least awhile. And dying in your bed many years from now, would you be willing to trade all the days from this day to that for one chance, just one cahnce, to come back here as young men and tell our enemies that they may take our lives but they will never take our freedom!!!

Actual class struggles apart, one of the aesthetic ways you could prove that there was a class system in America was by cogitating on the word, or acronym, 'WASP.' First minted by E. Digby Baltzell in his book The Protestant Establishment , the term stood for 'White Anglo-Saxon Protestant.' Except that, as I never grew tired of pointing out, the 'W' was something of a redundancy (there being by definition no BASPs or JASPs for anyone to be confused with, or confused about). 'ASP,' on the other hand, lacked some of the all-important tone. There being so relatively few Anglo-Saxon Catholics in the United States, the 'S' [sic] was arguably surplus to requirements as well. But then the acronym AS would scarcely do, either. And it would raise an additional difficulty. If 'Anglo-Saxon' descent was the qualifying thing, which surely it was, then why were George Wallace and Jerry Falwell not WASPs? After all, they were not merely white and Anglo-Saxon and Protestant, but very emphatic about all three things. Whereas a man like William F. Buckley, say, despite being a white Irish Catholic, radiated the very sort of demeanor for which the word WASP had been coined to begin with. So, for the matter of that, did the dapper gentleman from Richmond, Virginia, Tom Wolfe. Could it be, then, that WASP was really a term of class rather than ethnicity? Q.E.D.

Dreams are what keep a man going, William, and already your father was dreaming empire. But looking at him on the day he left that town he was born in, you would have seen little more than a young, handsome boy with nothing but the clothes on his back and the holes in his shoes. You might not have actually seen the holes in his shoes, but they were there, William; the holes were there. “That

God, I've missed ye," he heard himself say. Fear of failure? Mayhap when it came to her. He'd endure a mangled shoulder any day if he never had to suffer losing Eva again. Her inhale spluttered as she looked up into his eyes, moving her hands to his whiskered cheek. "I--" Dipping his head, he kissed her. Aye, finally kissed her, like he'd been aching to do for three days. And God bless it, she kissed him back.

I’d love to be William Wallace, leading the charge with a big sword in my hand,” sighed a friend. “But I feel like I’m the guy back there in the fourth row, with a hoe.” That’s a lie of the Enemy—that your place is really insignificant, that you aren’t really armed for it anyway. In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man. This is the next leg in the initiation journey, when God calls a man forward to the front lines. He wants to develop and release in us the qualities every warrior needs—including a keen awareness of the enemies we will face.

Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.

--- He knit his brows as she stared at him. "Do I have a pustule on my face?" "No." She continued to stare. He may be a bit more time-weathered, but that only served to increase his allure. And his eyes. Lord, his eyes were the same crystal blues that could pierce through her soul. Tilting his chin up, he folded his arms. "Then why are ye looking at me like that?" "I want to remember." His gaze softened. "I've never forgotten." "Nor have I.

… the countryside and the village are symbols of stability and security, of order. Yet they are also, as I have noted, liminal spaces, at a very narrow remove from the atavistic Wild. Arcadia is not the realm even of Giorgione and of Claude, with its cracked pillars and thunderbolts, its lurking banditti; still less is it Poussin’s sun-dappled and regularised realm of order, where, although the lamb may be destined for the altar and the spit, all things proceed with charm and gravity and studied gesture; least of all is it the degenerate and prettified Arcady of Fragonard and Watteau, filled with simpering courtier-Corydons, pallid Olympians, and fat-arsed putti. (It is only family piety that prevents me from taking a poker to an inherited coffee service in gilt porcelain with bastardised, deutero-Fragonard scenes painted on the sides of every damned thing. Cue Wallace Greenslade: ‘… “Round the Horne”, with Marie Antoinette as the dairymaid and Kenneth Williams as the manager of the camp-site….’) No: Arcadia is the very margin of the liminal space between the safe tilth and the threatening Wild, in which Pan lurks, shaggy and goatish, and Death proclaims, from ambush, et in Arcadia ego. Arcadia is not the Wide World nor the Riverbank, but the Wild Wood. And in that wood are worse than stoats and weasels, and the true Pan is no Francis of Assisi figure, sheltering infant otters. The Wild that borders and penetrates Arcady is red in tooth and claw.

Before Christina could stop herself, her gaze dipped lower. Holy saints, the outline of his manhood stretched the cloth taut. She’d never seen a man so well endowed. Taking a deep breath, she pressed her hand against her forehead and tried not to swoon while she forced herself to snap her gaze to his face. “They’re braies, not box-ers.” She bent down, picked up his blue ones and held them up. “Ye ken?” “Right, bra-ie-s,” he said as if it were a new word for him. “How do you keep them up?

Wrapped in a fur-lined cloak, Christina paced in the guard tower above the main gate of Roxburgh Castle. For two days she had maintained her vigil. … Awhile later, a guard entered with an armload of fuel. “Twill be dawn in a couple of hours, m’lady. Ye really ought to try to sleep.” “Nay, not when I could see my son any moment.” “They could be another day, mayhap two.” He placed a square of peat onto the coals. She held her hands out to the warmth. “What are two days out of three and ten years?

Since 1980, the planet has experienced a fiftyfold increase in the number of dangerous heat waves; a bigger increase is to come. The five warmest summers in Europe since 1500 have all occurred since 2002, and eventually, the IPCC warns, simply working outdoors at that time of year will be unhealthy for parts of the globe. Even if we meet the Paris goals, cities like Karachi and Kolkata will annually encounter deadly heat waves like those that crippled them in 2015, when heat killed thousands in India and Pakistan. At four degrees, the deadly European heat wave of 2003, which killed as many as 2,000 people a day, will be a normal summer. Then, it was one of the worst weather events in Continental history, killing 35,000 Europeans, including 14,000 French; perversely, the infirm fared relatively well, William Langewiesche has written, most of them watched over in the nursing homes and hospitals of those well-off countries, and it was the comparatively healthy elderly who accounted for most of the dead, many left behind by vacationing families escaping the heat, with some corpses rotting for weeks before the families returned.

In retrospect one’s life is subject to invention and distortion. Documentation is often scanty, and what survives rarely predicts a famous life. Indeed, fame begins with the mundane: a messy birth, a crying baby, health and sickness, parents, family, schooling. Later, we consciously and unconsciously edit our lives: saving some papers, throwing much away; telling and retelling certain stories and suppressing much more. By the time a biographer relates a life, much of it has faded into well-tailored memory, an open arena for creative retelling or outright invention.

think of climate change as slow, but it is unnervingly fast. We think of the technological change necessary to avert it as fast-arriving, but unfortunately it is deceptively slow—especially judged by just how soon we need it. This is what Bill McKibben means when he says that winning slowly is the same as losing: “If we don’t act quickly, and on a global scale, then the problem will literally become insoluble,” he writes. “The decisions we make in 2075 won’t matter.” Innovation, in many cases, is the easy part. This is what the novelist William Gibson meant when he said, “The future is already here, it just isn’t evenly distributed.” Gadgets like the iPhone, talismanic for technologists, give a false picture of the pace of adaptation. To a wealthy American or Swede or Japanese, the market penetration may seem total, but more than a decade after its introduction, the device is used by less than 10 percent of the world; for all smartphones, even the “cheap” ones, the number is somewhere between a quarter and a third. Define the technology in even more basic terms, as “cell phones” or “the internet,” and you get a timeline to global saturation of at least decades—of which we have two or three, in which to completely eliminate carbon emissions, planetwide. According to the IPCC, we have just twelve years to cut them in half. The longer we wait, the harder it will be. If we had started global decarbonization in 2000, when Al Gore narrowly lost election to the American presidency, we would have had to cut emissions by only about 3 percent per year to stay safely under two degrees of warming. If we start today, when global emissions are still growing, the necessary rate is 10 percent. If we delay another decade, it will require us to cut emissions by 30 percent each year. This is why U.N. Secretary-General António Guterres believes we have only one year to change course and get started. The scale of the technological transformation required dwarfs any achievement that has emerged from Silicon Valley—in fact dwarfs every technological revolution ever engineered in human history, including electricity and telecommunications and even the invention of agriculture ten thousand years ago. It dwarfs them by definition, because it contains all of them—every single one needs to be replaced at the root, since every single one breathes on carbon, like a ventilator.

Israel was thinking of warm beer, and muffins, and Wensleydale cheese, and Wallace and Gromit, and the music of Elgar, and the Clash, and the Beatles, and Jarvis Cocker, and the white cliffs of Dover, and Big Bend, and the West End, and Stonehenge, and Alton Towers, and the Last Night of the Proms, and Glastonbury, and William Hogarth, and William Blake, and Just William, and Winston Churchill, and the North Circular Road, and Grodzinski's for coffee, and rubbish, and potholes, and a slice of Stilton and a pickled onion, and George Orwell. And Gloria, of course. He was almost home to Gloria. G-L-O-R-I-A.

How is it, then, that Infinite Jest still feels so transcendently, electrically alive? Theory one: as a novel about an “entertainment” weaponized to enslave and destroy all who look upon it, Infinite Jest is the first great Internet novel. Yes, William Gibson and Neal Stephenson may have gotten there first with Neuromancer and Snow Crash, whose Matrix and Metaverse, respectively, more accurately surmised what the Internet would look and feel like. (Wallace, among other things, failed to anticipate the break from cartridge- and disc-based entertainment.) But Infinite Jest warned against the insidious virality of popular entertainment long before anyone but the most Delphic philosophers of technology. Sharing videos, binge-watching Netflix, the resultant neuro-pudding at the end of an epic gaming marathon, the perverse seduction of recording and devouring our most ordinary human thoughts on Facebook and Instagram—Wallace somehow knew all this was coming, and it gave him (as the man himself might have put it) the howling fantods.

Descendants of people enslaved at the Whitney still live in the areas surrounding the former plantation. A few now work at the Whitney—ranging from a director-level position to tour guides to the front desk. But much of the community still suffers from the intergenerational poverty that plagues many formerly enslaved communities more than a century and a half after emancipation. Poverty is common in Wallace, Louisiana, the area encompassing the Whitney, where over 90 percent of the population is Black. Wallace is also one of a series of majority-Black communities lining the Mississippi River from Baton Rouge to New Orleans that—as a result of their proximity to petrochemical plants—form what is known as Cancer Alley. Neighborhoods here have some of the highest cancer risks in the country, and chemical emissions from these plants are linked to cardiovascular, respiratory, and developmental ailments. Civil rights leader Reverend Dr. William J. Barber II put it this way when describing the landscape of factories and refineries along the Mississippi River: “The same land that held people captive through slavery is now holding people captive through this environmental injustice and devastation.

Driscoll preached a sermon called “Sex: A Study of the Good Bits of Song of Solomon,” which he followed up with a sermon series and an e-book, Porn-again Christian (2008). For Driscoll, the “good bits” amounted to a veritable sex manual. Translating from the Hebrew, he discovered that the woman in the passage was asking for manual stimulation of her clitoris. He assured women that if they thought they were “being dirty,” chances are their husbands were pretty happy. He issued the pronouncement that “all men are breast men. . . . It’s biblical,” as was a wife performing oral sex on her husband. Hearing an “Amen” from the men in his audience, he urged the ladies present to serve their husbands, to “love them well,” with oral sex. He advised one woman to go home and perform oral sex on her husband in Jesus’ name to get him to come to church. Handing out religious tracts was one thing, but there was a better way to bring about Christian revival. 13 Driscoll reveled in his ability to shock people, but it was a series of anonymous blog posts on his church’s online discussion board that laid bare the extent of his misogyny. In 2006, inspired by Braveheart, Driscoll adopted the pseudonym “William Wallace II” to express his unfiltered views. “I love to fight. It’s good to fight. Fighting is what we used to do before we all became pussified,” before America became a “pussified nation.” In that vein, he offered a scathing critique of the earlier iteration of the evangelical men’s movement, of the “pussified James Dobson knock-off crying Promise Keeping homoerotic worship . . .” where men hugged and cried “like damn junior high girls watching Dawson’s Creek.” Real men should steer clear. 14 For Driscoll, the problem went all the way back to the biblical Adam, a man who plunged humanity headlong into “hell/ feminism” by listening to his wife, “who thought Satan was a good theologian.” Failing to exercise “his delegated authority as king of the planet,” Adam was cursed, and “every man since has been pussified.” The result was a nation of men raised “by bitter penis envying burned feministed single mothers who make sure that Johnny grows up to be a very nice woman who sits down to pee.” Women served certain purposes, and not others. In one of his more infamous missives, Driscoll talked of God creating women to serve as penis “homes” for lonely penises. When a woman posted on the church’s discussion board, his response was swift: “I . . . do not answer to women. So, your questions will be ignored.” 15

were good friends. They’d maintained their friendship after Ted was out of the game. Both of them were avid fishermen, but they both had different ideas about it. They would hassle on technique, and neither would give in to the other.” Wallace Lawrimore vividly remembered the April 6, 1939, game in Florence between the Red Sox and the Reds. “Daddy carried two carloads of family to the game. We all went up to the dugout to tell Cronin we wanted some passes to get in. I got a program from that day, with all the players’ autographs.” The one ball field Florence had was deemed unsuitable for a major-league game because the fences were too short, so it was decided to build a field from scratch at the local fairgrounds. They laid down a coating of dirt for the infield and put up some circus-style bleachers for the 2,285 spectators who showed up, but when it came time for the game, gale-force winds blowing out toward left field drove the dirt everywhere, and conditions made the game virtually unplayable. It was called in the ninth inning, with the score tied 18–18, because they ran out of baseballs. Ted went 1–2 before leaving the game in the third inning after complaining of chills and a fever. Several days later, Gerry Moore of the Globe summed up spring training

The first time Christina and Lachlan Meet ...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs. The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up. No, no. Her strike hadn't rescued her from the pillager. A champion had. A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!" Bloodied and battered, the varlet dropped to the dirt. A swordsman attacked her savior from behind. "Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back. Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened. Five enemy soldiers lay on their backs. "Quickly," the man shouted, running toward her, his feet bare. No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle. "Behind!" Christina screamed, every muscle in her body clenching taut. Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack. She picked up her reins and dug in her heels. "Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox. Christina peered around her shoulder at the mass of fighting men behind them. "My son!" "Do you see him?" the man asked in the strangest accent she'd ever heard. She tried to turn back, but the man's steely chest stopped her. "They took him." "Who?" "The English, of course." The more they talked, the further from the border the galloway took them. "Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day. The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste. White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time. At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace." The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?

«¡Libertad, libertad, libertad!»; William Wallace.

Forty years later, in 1995, Terry Tempest Williams, working with the Utah writer Stephen Trimble, put together Testimony: Writers Speak on Behalf of Utah Wilderness, an anthology of the work of twenty writers whose purpose was to help preserve 1.9 million acres of land in southern Utah. Just as with This Is Dinosaur, the book was distributed to every member of Congress. It was part of the effort that led to the creation of the Grand Staircase–Escalante National Monument. At the monument’s dedication on September 18, 1996, President Bill Clinton held up the book and said, “This made a difference.

The important truth that William Wallace captured is that “every man dies — not every man really lives.

What was this future world where people aged so slowly? Were they protected in cocoons of silk? "What say ye? Are there no warriors?" "There are soldiers who join the army - and they learn combat, but most of the fighting is done..." She glanced aside. "Pardon?" "You wouldn't believe me." He snorted. "The fighting is done by banshees and fairies? She threw back her head with a belly laugh. "Now that would be a good name for a video game.

Promise me ye'll be careful." "I'll gladly do that." A hand moved to her nape, a finger tickling the side of her neck. "Ye ken why?" he asked with a devilish grin. "No." Her tongue grew dry. His gaze dipped to her mouth. "'Cause ye still love me, lass." With one step in, his chest lightly brushed the tips of her breasts as he lowered his lips to hers. She caught a drift of his scent, part leather, part iron, part musk and entirely intoxicating male. With a rush of heat between her legs, Eva could no sooner resist him than to say no to warm double-chocolate-fudge-melting cake. The deep rumble of his sigh made tingles spread through the tips of her fingers as he deepened the pressure with soft, demanding lips

Closing his eyes he kissed her forehead. "Eva?" "Mm." "I want ye." A pair of sleepy green eyes turned up to him - not dull green, but vivid, like spring leaves. William parted his lips as her mouth covered his. Lord save him, Eva's entire body turned wicked, writhing, groping. Her mouth sucking, dictating a frenzied pace as she lifted her hips and let him tug off those damnable panties.

What God hath joined together let no man put asunder.

Todos los hombres mueren, pero no todos los hombres realmente viven.   WILLIAM WALLACE

William Mitchell followed suit, halving his Olympic Theater’s admission prices and focusing almost exclusively on what he called “tragico-comico-illegitimate” productions: travesties of local events, topical commentaries, and Shakespearean burlesque (Julius Sneezer and Dars-de-Money). Shipbuilders

Political editors were a truculent breed. Leggett’s boss, William Cullen Bryant, took a cowskin whip to William Leete Stone of the Commercial Advertiser in 1831, who riposted with a sword cane, a thrust Bryant parried with his whip until onlookers broke them apart. In 1836 James Watson Webb would assault James Gordon Bennet in the middle of Wall Street. By

At four degrees, the deadly European heat wave of 2003, which killed as many as 2,000 people a day, will be a normal summer. Then, it was one of the worst weather events in Continental history, killing 35,000 Europeans, including 14,000 French; perversely, the infirm fared relatively well, William Langewiesche has written, most of them watched over in the nursing homes and hospitals of those well-off countries, and it was the comparatively healthy elderly who accounted for most of the dead, many left behind by vacationing families escaping the heat, with some corpses rotting for weeks before the families returned.

A ship is safe in harbor, but that’s not what ships are for.” -William G.T. Shedd

Gustavo Solivellas dice: "Nunca podrán quitarnos nuestra Libertad!" (William Wallace)

We all end up dead, it’s just a question of how and why.

I’ve been told again and again, at school after school, that career service offices have little or nothing to say to students who are interested in something other than the big four of law, medicine, finance, and consulting. At the recruitment fairs, the last two dominate the field. And some schools go even further. Stanford offers companies special access to its students for a fee of ten thousand dollars—and it is hard to believe that Stanford is the only one. Selling your students to the highest bidder: it doesn’t get more cynical than that. But though the process isn’t often that direct, that’s basically the way the system works. As a friend of mine, a third-generation Yalie, once remarked, the purpose of Yale College is to manufacture Yale alumni. David Foster Wallace (Amherst ’85), has a character put it like this: The college itself turned out to have a lot of moral hypocrisy about it, e.g., congratulating itself on its diversity and the leftist piety of its politics while in reality going about the business of preparing elite kids to enter elite professions and make a great deal of money, thus increasing the pool of prosperous alumni donors.

Here again, the common assumption about the inevitability of liberalism has led to constant underestimation of the power of anti liberal sentiments in America, We simply assume that, with time, people become enlightened. Yet the views of white Southerners did not change: not in the 1870s, when they fought against Black equality; not in the 1920s, when the second Klan spread across the South like wildfire; not in the 1960s, when George Wallace spoke for millions when he declared “segregation now, segregation tomorrow, segregation forever.” And not today when the unwarranted killing of Black people by police inspires for so many white Americans more sympathy for the police than for their victims. (Page 91)

In the Spring of 1962, a white postal worker from Baltimore, William Moore, decided to use his ten-day vacation to showcase his passion for Civil Rights.  Moore planned a “Freedom Walk” from Chattanooga, Tennessee, across Alabama, to Jackson, Mississippi, where he would confront Governor Ross Barnett about the injustice of racial segregation.      Moore, who had a history of psychiatric illness, entered Alabama wearing signs that read MISSISSIPPI OR BUST, END SEGREGATION IN AMERICA, and EQUAL RIGHTS FOR ALL MEN.  The much-publicized march ended tragically, when Moore's body was found on a roadside near Gadsen, Alabama—he had been shot to death.

He inclined his head toward a fallen log. "Come. Let us break our fast." She pushed the heels of her hands against her temples as if she had an ache in her head. "I need a cup of coffee." William sat on a log. "What is this ye say ... coffee?" She looked at him and arched one brow as if she considered him daft. "It's a hot drink that helps me wake up in the morning." "But ye are already awake.

She swatted the fur beside her. "Sit." Growling, he shoved his dirk back in its sheath. "I'll listen, but if ye lift a finger against me, I'll slit your throat afore ye can draw your next breath." "I'll keep that in mind." Eva smoothed her fingers over her throat ...

Jostling in the saddle against an iron shirt of mail wasn't half as romantic as the books made it out to be.

Nothing could stir Eva's passion like a tall, muscular Scotsman disrobing. Lordy, she could watch him stand before her in the nude for hours.

More and more I knew my budding world was ruined if he were free in it. As a specimen Mr. Wallace might be my pride. Glory to him in a jar. But free! Better to release the sweet moving tiger or the delicate snake, the monumental elephant. I was just a castaway to be devoured.

Every man dies. Not every man really lives.”                                                         -William Wallace

I am the William Wallace of love. Wait, no I’m not, I’m the Robert the Bruce.

There's a lot of "fiddle-faddle" wrapped up in that word "inspiration." It is the last resort of the lazy writer, of the man who would rather sit and dream than be up and doing. If the majority of writers who depend upon fiction for a livelihood were to wait for the spirit of inspiration to move them, the sheriff would happen along and tack a notice on the front door--while the writers were still waiting.

A wee beverage afore the next dance?" Her green eyes widened mischievously as her tongue slipped to the corner of her mouth. "Yes, indeed." She took the goblet and drank a healthy tot. Before she downed it all, he stopped her. "Ye might want to ebb your thirst... for I have plans involving the both of us this night, and it will be all the more fun if ye are awake to enjoy it.

What a sight the big man made, sitting his horse with a commanding presence as if he were born to the guardianship. If she hadn't known him, Eva would have guessed him to be as regal as a king.

Mm hmmm." His gaze dropped to her lips. "I missed ye." Lordy, he could melt marzipan with that sexy Scottish burr. With a dip of his chin, he brushed a kiss across her mouth. Hot tingles spread down her back. Eva moved closer and pressed her body flush with his toned, muscular form. If they hadn't been born so many centuries apart, she could have believed they were made for each other, fitting together perfectly as if molded from the same clay. Closing her eyes, she drank him in, allowing her senses to take over. Hot, spicy male kissed and held her in a tender embrace with arms that could crush a man, let alone her fine bones. Yet he cradled her with incredible tenderness.

Opening her eyes, Eva placed her palm in the center of William's chest. "You're next." With her wee push, he obliged her and sat on the edge of the bed. Kneeling, she untied his shoes and removed his hose. When she stood, William had already untied the lace of the arming doublet he wore atop his shirt. Eva held up her finger. "Tsk, tsk. You don't want to spoil my fun do you?" He shrugged out of the doublet with a look of defiance. "It canna hurt to help a bit." "Come here." She pulled him up by the cord of his chausses. Fingers working quickly, she untied them and his braies, and let them drop to the floor. Then, with a sultry giggle, she slowly tugged the tie on his linen shirt, staring at his eyes while she tortured him, pulling oh so very slowly. "This bit of linen is all that's left between us, William." He growled though straight white teeth. "And it will be torn to shreds if ye dunna haste to rip it from my torrid flesh.

Hegelianism is confessedly one of the most difficult of all philosophies. Every

In the autumn of 1788 he entered at Tübingen as a student of theology; but he showed no interest in theology: his sermons were a failure, and he found more congenial reading in the classics, on the advantages of studying which his first essay was written. After two years he took the degree of Ph.D., and in the autumn of 1793 received his theological certificate, stating him to be of good abilities, but of middling industry and knowledge, and especially deficient in philosophy.

Marc Reisner’s Cadillac Desert, Rick Bass’s The Watch, Terry Tempest Williams’s Refuge, Charles Bowden’s Red Line, Leslie Marmon Silko’s Ceremony, Doug Peacock’s Grizzly Years, and Pam Houston’s Cowboys Are My Weakness.

Men don't follow titles, they follow courage.

Are you in love with Kate, Drew?” My eyes meet Alexandra’s. “Yes.” “Is there a chance that she feels the same way?” “I think so.” The more I thought about Kate’s words and actions that weekend, the more certain I became that Kate felt something for me. Something real and deep. At least she did before I shot it all to hell. “Do you want to be with her?” “God, yes.” “Then whether she’s back with her ex or not is irrelevant. The question you need to ask yourself is what are you willing to do—willing to risk—to make this right? To get her back.” And my answer to that is simple: Anything. Everything. My throat is tight as I confess, “I’d give anything to have Kate back.” “Then, for God’s sake, fight for her! Tell her.” As her words sink in, Matthew grips my shoulder. “In times like this, I always ask myself, ‘What would William Wallace do?’” His eyes are serious. Stirring. Then his voice takes on a Scottish accent he doesn’t have. “Aye…run, and you won’t get rejected…but years from now, would you be willin’ to trade all the days from now to then for a chance—just one chance—to go back and tell Kate she can take your balls and hang them from the rearview mirror of her car, but she can never take…your freedom!

every news anchor was wiped out with the exception of Brian Williams as he had been doing nothing of note at the time.

We know what we are, but not what we may be. —WILLIAM SHAKESPEARE

After Scotland's mounted knights had been routed by Edward I in 1296, resistance leaders worked out new methods of waging war, using foot-soldiers armed with long pikes and axes. Medieval infantry usually fled when charged by cavalry, but William Wallace and Robert Bruce (King Robert I) solved the problem by organising their men into massed formations ('schiltroms'), and fighting on the defensive on well-chosen ground; that is how Robert I's army won the battle of Bannockburn. Also, Robert ordered that castles recaptured from the English should be demolished or slighted. This denied the English any bases for garrisons, and meant that subsequent warfare consisted chiefly of cross-Border raids - in which Robert I perfected the technique of making rapid hard-hitting strikes. The English could not win this type of warfare. The actual fighting was done by ordinary Scotsmen; most of the pikemen came from the substantial peasantry, whose level of commitment to the independence cause was remarkably high. But the organisation and leadership came from the Normanised Scottish landowners. Norman military success had been based on these qualities as well as on armoured cavalry; now they were vital in countering the armies of English knights. There is a most significant contrast here with the Welsh and the Irish, who never found the way to defeat the English in warfare. It was the Normanised Scottish landowners, forming the officer corps of Scotland's armies, who achieved that crucial breakthrough.

With a historian’s eye, Archibald Gracie attempted to separate truth from fantasy as he listened to the survivors’ stories, a potential book beginning to form in his mind. Second Officer Lightoller and Third Officer Pitman regularly stopped by the small cabin Gracie shared with Hugh Woolner to discuss various aspects of the disaster. All agreed that the explosions heard during the sinking could not have been the ship’s boilers blowing up. From the discovery of the severed wreck in 1985 we now know that the “explosions” were actually the sound of the ship being wrenched apart. But Gracie and Lightoller firmly believed that the ship had sunk intact—a view that would become the prevailing opinion for the next seventy-three years. Gracie thought that Norris Williams and Jack Thayer, “the two young men cited as authority … of the break-in-two theory,” had confused the falling funnel for the ship breaking apart. But both Williams and Thayer knew exactly what they had seen, as did some other eyewitnesses. On the Carpathia, Jack Thayer described the stages of the ship’s sinking and breaking apart to Lewis Skidmore, a Brooklyn art teacher, who drew sketches that were later featured in many newspapers. The inaccuracies in Skidmore’s drawings, however, only bolstered the belief that the ship had, in fact, sunk intact. And what of the most famous Titanic legend of all—that the band played “Nearer My God to Thee” as the ship neared its end? It’s often claimed that this was a myth that took hold among survivors on the Carpathia and captivated the public in the aftermath of the disaster. None of the musicians survived to confirm or deny the story, but Harold Bride noted that the last tune he heard being played as he left the wireless cabin was “Autumn.” For a time this was believed to be a hymn tune by that name, but Walter Lord proposed in The Night Lives On that Bride must have been referring to “Songe d’Automne,” a popular waltz by Archibald Joyce that is listed in White Star music booklets of the period. Historian George Behe, however, has carefully studied the survivor accounts regarding the music that was heard during the sinking and has found credible evidence that “Nearer My God to Thee” and perhaps other hymns were played toward the end. Behe also recounts that the orchestra’s leader, Wallace Hartley, was once asked by a friend what he would do if he ever found himself on a sinking ship. Hartley replied, “I don’t think I could do better than play ‘O God, Our Help in Ages Past’ or ‘Nearer My God to Thee.’ ” The legendary hymn may not have been the very last tune played on the Titanic but it seems possible that it was heard on the sloping deck that night.

In 2016, nearly three-quarters of white evangelicals believed America had changed for the worse since the 1950s, a more pessimistic view than any other group. They were looking for a man who could put things right, a man who could restore America to a mythical Christian past. Like Bachmann, they believed that God had blessed America and they believed Trump understood this; he wasn’t ashamed of Christian America. Trump wasn’t just a nationalist, he was a Christian nationalist, and he wasn’t afraid to throw his weight around.44 Evangelicals hadn’t betrayed their values. Donald Trump was the culmination of their half-century-long pursuit of a militant Christian masculinity. He was the reincarnation of John Wayne, sitting tall in the saddle, a man who wasn’t afraid to resort to violence to bring order, who protected those deemed worthy of protection, who wouldn’t let political correctness get in the way of saying what had to be said or the norms of democratic society keep him from doing what needed to be done. Unencumbered by traditional Christian virtue, he was a warrior in the tradition (if not the actual physical form) of Mel Gibson’s William Wallace. He was a hero for God-and-country Christians in the line of Barry Goldwater, Ronald Reagan, and Oliver North, one suited for Duck Dynasty Americans and American Christians. He was the latest and greatest high priest of the evangelical cult of masculinity. Chapter 16

What Ibarra calls the “plan-and-implement” model—the idea that we should first make a long-term plan and execute without deviation, as opposed to the “test-and-learn” model—is entrenched in depictions of geniuses. Popular lore holds that the sculptor Michelangelo would see a full figure in a block of marble before he ever touched it, and simply chip away the excess stone to free the figure inside. It is an exquisitely beautiful image. It just isn’t true. Art historian William Wallace showed that Michelangelo was actually a test-and-learn all-star. He constantly changed his mind and altered his sculptural plans as he worked. He left three-fifths of his sculptures unfinished, each time moving on to something more promising. The first line of Wallace’s analysis: “Michelangelo did not expound a theory of art.” He tried, then went from there. He was a sculptor, painter, master architect, and made engineering designs for fortifications in Florence. In his late twenties he even pushed visual art aside to spend time writing poems (including one about how much he grew to dislike painting), half of which he left unfinished. Like anyone eager to raise their match quality prospects, Michelangelo learned who he was—and whom he was carving—in practice, not in theory. He started with an idea, tested it, changed it, and readily abandoned it for a better project fit. Michelangelo might have fit well in Silicon Valley; he was a relentless iterator. He worked according to Ibarra’s new aphorism: “I know who I am when I see what I do.

To afford protection to certain Scottish merchants who were going to Bremen, Lubeck and Hamburg to trade, and promising protection to the merchants of the Hanseatic League, when their mercantile affairs should bring them to Scotland. If they read the the records of any other countries of that time, notably those of the Genoese and Venetian Republics and many others shortly after they were instituted, they would find a widely different spirit to that which animated the national hero of Scotland. Nearly every one of those other Republics cut themselves off by inpenetrable walls of protection - by arms, by tariffs, and by sustoms - in order that their merchants should be protected: but Wallace understood clearly that there could be no international goodwill without international reciprocity and protection to the merchants of the various nationalities.

He was the reincarnation of John Wayne, sitting tall in the saddle, a man who wasn’t afraid to resort to violence to bring order, who protected those deemed worthy of protection, who wouldn’t let political correctness get in the way of saying what had to be said or the norms of democratic society keep him from doing what needed to be done. Unencumbered by traditional Christian virtue, he was a warrior in the tradition (if not the actual physical form) of Mel Gibson’s William Wallace. He was a hero for God-and-country Christians in the line of Barry Goldwater, Ronald Reagan, and Oliver North, one suited for Duck Dynasty Americans and American Christians. He was the latest and greatest high priest of the evangelical cult of masculinity.

Adopting a “power pose” for one minute increases testosterone, decreases cortisol, and increases feelings of power and tolerance for risk—important biological determinants of confidence.A power pose is simply body language that is open and expansive, with chest out, shoulders back, and eyes looking straight ahead. Think Superman stance or William Wallace stepping out from the front line as if to say, “Come at me, bro.

seems I have been elected to the American Academy of Arts and Letters. It’s a lifelong appointment and there are no dues, just glory and hobnobbery. I look at the list of current members and feel woozy. In the department of literature, there’s Ann Beattie, Michael Cunningham, Jeffrey Eugenides, Jonathan Franzen, Amy Hempel, Jamaica Kincaid, David Mamet, Lorrie Moore, Joyce Carol Oates, Sharon Olds, Ann Patchett, Jayne Anne Phillips, Francine Prose, Marilynne Robinson, George Saunders, Wallace Shawn, Anne Tyler, Edmund White, Joy Williams, and Tobias Wolff. Really? I think. These people are gods to me. It’s like I’ve been allowed onto Mount Olympus. Then there are the departments of art (Bruce Nauman, Cindy Sherman, Jenny Holzer, Susan Rothenberg), music, and architecture. Honorary members—people whose work falls outside these categories—include Bob Dylan, Meryl Streep, Frederick Wiseman, and Martin Scorsese.