William Gull Quotes

We've searched our database for all the quotes and captions related to William Gull. Here they are! All 15 of them:

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I should think this a gull, but that the white-bearded fellow speaks it; knavery cannot, sure, hide himself in such reverence.
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William Shakespeare (Much Ado About Nothing)
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A gull on an invisible wire attached through space dragged. You carry the symbol of your frustration into eternity. Then the wings are bigger Father said only who can play a harp.
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William Faulkner (The Sound and the Fury)
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The road to a clinic goes through the pathologic museum and not through the apothecary's shop.
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William Gull
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And so I told myself to take that one. Because Father said clocks slay time. He said time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life. The hands were extended, slightly off the horizontal at a faint angle, like a gull tilting into the wind.
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William Faulkner (The Sound and the Fury)
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How soon, indeed, are human things forgotten! As we meet here this morning, the Southern sun is shining on their place of burial, and the waves sparkling and the sea-gulls circling around Fort Wagner's ancient site. But the great earthworks and their thundering cannon, the commanders and their followers, the wild assault and repulse that for a brief space made night hideous on that far-off evening, have all sunk into the blue gulf of the past, and for the majority of this generation are hardly more than an abstract name, a picture, a tale that is told. Only when some yellow-bleached photograph of a soldier of the 'sixties comes into our hands, with that odd and vivid look of individuality due to the moment when it was taken, do we realize the concreteness of that by-gone history, and feel how interminable to the actors in them were those leaden-footed hours and years.
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William James
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Then, seemingly from out of nowhere, appeared sea gulls… forming a welcoming committee for an island I hadn’t the slightest desire to visit.
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William Waterman Sherman
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never forget that it is not a pneumonia, but pneumonic man who is your patient
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William Withey Gull
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It was his power, his gift, suddenly to shed all superfluities, to shrink and diminish so that he looked barer and felt sparer, even physically, yet lost none of his intensity of mind, and so to stand on his little ledge facing the dark of human ignorance, how we know nothing and the sea eats away the ground we stand on - that was his fate, his gift. But having thrown away, when he dismounted, all gestures and fripperies, all trophies of nuts and roses, and shrunk so that not only fame but even his own name was forgotten by him, he kept even in that desolation a vigilance which spared no phantom and luxuriated in no vision, and it was in this guise that he inspired in William Bankes (intermittently) and in Charles Tansley (obsequiously) and in his wife now, when she looked up and saw him standing at the edge of the lawn, profoundly, reverence, and pity, and gratitude too, as a stake driven into the bed of a channel upon which the gulls perch and the waves beat inspires in merry boat-loads a feeling of gratitude for the duty it is taking upon itself of marking the channel out there in the floods alone.
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Virginia Woolf (To the Lighthouse)
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The lane to the land of the dead. Where you are, my friend. Marie-France, my lady, she prepared this road, but her lord choked her off before I could read the book of her days. Neuro from the nerves, the silver paths. Romancer. Necromancer. I call up the dead. But no, my friend," and the boy did a little dance, brown feet printing the sand, "I am the dead, and their land." He laughed. A gull cried, "Stay. If your woman is a ghost, she doesn't know it. Neither will you." Neuromancer
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William Gibson
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The appeasers had been powerful; they had controlled The Times and The BBC; they had been largely drawn from the upper classes, and their betrayal of England's greatness would be neither forgotten nor forgiven by those who, gulled by the mystique of England's class system, had believed as Englishmen had believed for generations that public school boys governed best. The appeasers destroyed oligarchic rule which, though levelers may protest, had long governed well. If ever men betrayed their class, these were they. Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, Anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold all that had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.
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William Manchester (The Last Lion: Winston Spencer Churchill: Alone, 1932-40)
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few odd souls wandered about Surf Avenue looking for something to do. Sheets of newspaper blew like tumbleweed down broad, empty streets. Overhead, a pair of sea gulls hovered, scanning the ground for discarded scraps. All along the avenue, cotton candy stands, fun houses, and games of chance were tightly shuttered, like clowns without makeup. Nathan
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William Hjortsberg (Falling Angel)
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The lane to the land of the dead. Where you are, my friend. Marie-France, my lady, she prepared this road, but her lord choked her off before I could read the book of her days. Neuro from the nerves, the silver paths. Romancer. Necromancer. I call up the dead. But no, my friend," and the boy did a little dance, brown feet printing the sand, "I am the dead, and their land." He laughed. A gull cried, "Stay. If your woman is a ghost, she doesn't know it. Neither will you. - Neuromancer
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William Gibson, Neuromancer
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Denial stops us from listening. I cannot hear what Mother is saying. I can only hear what I want. But denial lies. It protects us from the potency of a truth we cannot yet bear to accept. It takes our hands and leads us to places of comfort. Denial flourishes in the familiar. It seduces us with our own desires and cleverly constructs walls around us to keep us safe. I want the walls down. Mother’s rage over our inability to face her illness has burned away my defenses. I am left with guilt, guilt I cannot tolerate because it has no courage. I hurt Mother through my own desire to be cured. I continue to watch the gulls. Their pilgrimage from salt water to fresh becomes my own. RAVENS lake level: 4209.10β€² Mother began her radiation
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Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
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It would seem we are to suffer an apocalypse of cockatoos - William Gull
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Alan Moore (From Hell)
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It is probable that anorexia nervosa, which became an established term with an 1873 paper by the physician William Gull, increased among young women as a result of tuberculosis. They measured themselves against an ideal of feminine beauty β€œadvertised” in poems, paintings, plays, novels, and operas about ethereal tuberculous heroines. Fashion also powerfully promoted this ideal of feminine beauty modeled on the emaciated figure of the consumptive.
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Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)