“
Sometimes when you lose your way, you find YOURSELF.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
Ô, Wanderess, Wanderess
When did you feel your
most euphoric kiss?
Was I the source
of your greatest bliss?
”
”
Roman Payne
“
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
”
”
Roman Payne (Hope and Despair)
“
Some old-fashioned things like fresh air and sunshine are hard to beat. In our mad rush for progress and modern improvements let's be sure we take along with us all the old-fashioned things worth while.
”
”
Laura Ingalls Wilder (A Family Collection: Life on the Farm and in the Country, Making a Home; the Ways of the World, a Woman's Role)
“
It's better to be impulsive than cautious; fortune is female and if you want to stay on top of her you have to slap and thrust. You'll see she's more likely to yield that way than to men who go about her coldly. And being a woman she likes her men young, because they're not so cagey, they're wilder and more daring when they master her.
”
”
Niccolò Machiavelli (The Prince)
“
You’re my woman. Of course
I’m responsible for you. It’s my highest duty in life to take care of you, protect you. -Jason Dorsey
”
”
Jasinda Wilder (Falling into Us (Falling, #2))
“
I am ever changing, evolving into the wilder version of myself. I have little rules but many morals, I will set my soul on fire to attain the things I love.
”
”
Nikki Rowe
“
Every war is more or less a woman's war.
”
”
Laura Ingalls Wilder (A Family Collection: Life on the Farm and in the Country, Making a Home; the Ways of the World, a Woman's Role)
“
Baby? I am not a baby.”
“No, I know. It’s…a term of endearment. It’s like ‘honey’ or ‘sweetie’. It just means I love you.”
“If you say so, but it is strange, to call the woman you love as a baby. But then, Americans are strange.
”
”
Jasinda Wilder (Wounded)
“
Ô, Muse of the Heart’s Passion,
let me relive my Love’s memory,
to remember her body, so brave and so free,
and the sound of my Dreameress singing to me,
and the scent of my Dreameress sleeping by me,
Ô, sing, sweet Muse, my soliloquy!
”
”
Roman Payne
“
He came back up with a brighter smile. "And I'm proven right, again! You guys should hire me for this talent I have. Mom, I bet you have a better sex life with that Garrett dude than you did with dad."
"Logan!"
He turned towards James. "And dad, I bet your sex life is pretty good with Analise. She strikes me as the slutty type."
"Logan!"
He grinned broadly. "And David…I don't know you that well, but you strike me as conservative. You're only going to be with a conservative woman, maybe one that looks exotic though. I can tell you have control issues. You don't like anyone who is wilder than you, probably why you had problems with your ex, huh? As for the current one, she's hot under the covers, but I don't know if you want her to be." He shook his head in sympathy. "You might want to take care of that.
”
”
Tijan (Fallen Crest High (Fallen Crest High, #1))
“
Vices are simply overworked virtues, anyway. Economy and frugality are to be commended but follow them on in an increasing ratio and what do we find at the other end? A miser! If we overdo the using of spare moments we may find an invalid at the end, while perhaps if we allowed ourselves more idle time we would conserve our nervous strength and health to more than the value the work we could accomplish by emulating at all times the little busy bee.
I once knew a woman, not very strong, who to the wonder of her friends went through a time of extraordinary hard work without any ill effects.
I asked her for her secret and she told me that she was able to keep her health, under the strain, because she took 20 minutes, of each day in which to absolutely relax both mind and body. She did not even “set and think.” She lay at full length, every muscle and nerve relaxed and her mind as quiet as her body. This always relieved the strain and renewed her strength.
”
”
Laura Ingalls Wilder
“
I’ve lost my wild heart once. Twice. Too many times to count.
I’ve lost her most often when I’ve forgotten myself, when I’ve denied my own truths, when I’ve pushed down the need to create for so long that my heart...she finds better things to do.
The funny thing is, that the losing and the finding are interwoven.
We must lose our wild hearts from time to time, I believe.
We must so that we know why we need them.
We must so that we remember that in order to be found we must go into the wilderness.
Sometimes, it is only in the getting lost that we can find our way back home.
”
”
Jeanette LeBlanc (Wild Heart Writing: A 30-Day Course to Rediscover Your Deepest Truths)
“
The most exhausting of all our adventures is that journey down the long corridors of the mind to the last halls where belief is enthroned.
”
”
Thornton Wilder (Woman of Andros)
“
Wild spirits are often born in a cage, which disappears if and when they learn to handle their wild energies.
”
”
Shunya
“
Dear Josh,
Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always
just right. It made sense. You were my home. When I was with you I knew everything would be okay.
You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was
falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet.
Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I
never doubted my worth because you taught me I was worthy.
When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for
another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He
doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me
would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll
always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart
always.
Love,
Your Eva Blue
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
It's a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman's task is to teach them gentleness and courtesy and love and kindness. It's a big task, too, Caddie--harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman's work is something fine and noble to grow up to, and it is just as important as a man's.
”
”
Carol Ryrie Brink (Caddie Woodlawn (Caddie Woodlawn, #1))
“
Is there any wilderness of sand in the deserts of Arabia, is there any prospect of desolation among the ruins of Palestine, which can rival the repelling effect on the eye, and the depressing influence on the mind, of an English country town in the first stage of its existence, and in the transition state of its prosperity?
”
”
Wilkie Collins (The Woman in White)
“
I am not a woman, I am a thing. An object, a servant for their needs. Sex is a tool.
”
”
Jasinda Wilder (Wounded)
“
You're stunning, Kyrie. Whether you're done up in Dior and jewels, or just woken up in a sundress and messy hair, you are, very honestly, the most lovely woman I've ever know. You don't need fancy hair and makeup to take my breath a way away, Kyire. You just have to be you.
”
”
Jasinda Wilder (Alpha (Alpha, #1))
“
If you think Atticus Finch went home at night and slept easy because he knew he was doing the right thing, you're wrong....Because even one voice in a wilderness of ignorance is a voice that is heard by someone. Because every woman and man, no matter their color or their religion, is entitled to a good defense. And because Jem and Scout would grow up to be like their father, spreading his wisdom, understanding his compassion and sharing his strength which are the only, the only weapons we have against injustice.
”
”
Kristen Ashley
“
When you are where wild bears live
you learn to pay attention to the rhythm of the land and yourself. Bears not only make the habitat rich, they enrich us just by being.
”
”
Linda Jo Hunter (Lonesome for Bears: A Woman's Journey In The Tracks Of The Wilderness)
“
Dad on Child-rearing: "There's no education superior to travel. Think of The Motorcycle Diaries, or what Montrose St. Millet wrote in Ages of Exploration: 'To be still is to be stupid. To be stupid is to die.' And so we shall live. Every Betsy sitting next to you in a classroom will only know Maple Street on which sits her boxy white house, inside of which whimper her boxy white parents. After your travels, you'll know Maple Street, sure, but also wilderness and ruins, carnivals and the moon. You'll know the man sitting on an apple crate outside a gas station in Cheerless, Texas, who lost his legs in Vietnam, the woman in the tollboth outside Dismal, Delaware, in possession of six children, a husband with black lung but no teeth. When a teacher asks the class to interpret Paradise Lost, no one will be able to grab your coattails, sweet, for you will be flying far, far out in front of them all. For them, you will be a speck somewhere above the horizon. And thus, when you're ultimately set loose upon the world..." He shrugged, his smile lazy as an old dog. "I suspect you'll have no choice but to go down in history.
”
”
Marisha Pessl (Special Topics in Calamity Physics)
“
Ger says that Kat has a tendency to push things to extremes, to go over the edge, merely from a juvenile desire to shock, which is hardly a substitute for wit. One of these days, he says, she will go way too far. Too far for him, is what he means.
”
”
Margaret Atwood (Wilderness Tips)
“
At any time, and under any circumstances of human interest, is it not strange to see how little real hold the objects of the natural world amid which we live can gain on our hearts and minds? We go to Nature for comfort in trouble, and sympathy in joy, only in books. Admiration of those beauties of the inanimate world, which modern poetry so largely and so eloquently describes, is not, even in the best of us, one of the original instincts of our nature.
”
”
Wilkie Collins (The Woman in White)
“
Here's the deal, though. Real men watch girly shit with their wives, and they don't bitch about it. Because you know what? When you're done watching that girly shit, your woman is happy. And what do happy women do? They take you to bed and bang your brains out.
”
”
Jasinda Wilder (Falling into Us (Falling, #2))
“
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance
”
”
Joseph Conrad (Heart of Darkness)
“
Bean felt a rush of sweet nostalgia for the woman who had introduced us to E. Nesbit and Edward Eager and Laura Ingalls Wilder...
”
”
Eleanor Brown (The Weird Sisters)
“
Love is like a wild rose; the thorns will only make your heart bleed if you touch it without care.
”
”
Laura Chouette
“
I did not know what to answer, because it would be too sudden and too direct, but I knew in my heart that what I wanted was everything that could be between a woman and a man; not at first, of course, but later, when we had found our other mountain, or our wilderness, or wherever it was we might go to hide ourselves from the world. There was no need to rehearse all that now. The point was that I was prepared to follow her anywhere if she would let me.
”
”
Daphne du Maurier (The Birds and Other Stories)
“
Climbing hills was never one of my great ambitions. Perhaps I was just lazy, but I admit--now that I've been climbing a hill every other day--that it's very difficult to think about the stresses in your life while you're trying to avoid falling backwards when a goat with large horns is chasing you because you came too close to the little patch of grass he was planning to eat for breakfast.
”
”
Gene Wilder (The Woman Who Wouldn't)
“
Camila had intended to be perfunctory and if possible impudent, but now she was struck for the first time with the dignity of the old woman. The mercer's daughter could carry herself at times with all the distinction of the Montemayors and when she was drunk she wore the grandeur of Hecuba.
”
”
Thornton Wilder (The Bridge of San Luis Rey)
“
And so the aching grew like a festered wound.
Like something that spread its way through reason and rational.
She knew a great shifting was leading her on.
One by one,
Her worries dropped to the floor.
Piece by piece,
Her heart grew strong.
And the ligaments of her soul stretched far beyond.
Encompassing the universe and delighting in the wilderness beyond.
”
”
Cassie Jeans
“
A woman need a man to claim, even if it's a dead one.
”
”
Alice Childress (Wine in the Wilderness)
“
PRO21.19 It is better to dwell in the wilderness, than with a contentious and an angry woman.
”
”
Anonymous (Holy Bible: King James Version)
“
How does a panther scream?" Laura asked. "Like a woman,
”
”
Laura Ingalls Wilder (Little House in the Big Woods)
“
Remind me to never let you wear red unless it’s in our bedroom,” he smirked, taking my appearance in with a confident air. “Like the dress?” “I love the woman wearing the dress,
”
”
R.S. Grey (Scoring Wilder)
“
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
”
”
Jeanette LeBlanc
“
No, the Arctic does not yield its secret for the price of a ship's ticket. You must live through the long night, the storms, and the destruction of human pride. You must have gazed on the deadness of all things to grasps their livingness. In the return of light, in the magic of the ice, in the life-rhythm of the animals observed in the wilderness, in the natural laws of all being, revealed here in their completeness, lies the secret of the Arctic and the overpowering beauty of its lands.
”
”
Christiane Ritter (A Woman in the Polar Night)
“
In that year there was
an intense visitation
of energy.
I left school & went down
to the beach to live.
I slept on a roof.
At night the moon became
a woman's face.
I met the Spirit of Music.
”
”
Jim Morrison (Wilderness: The Lost Writings, Vol. 1)
“
A woman's body always stands on the outskirts of the town, verging on uncivilization. A think paper gown is all that separates it from the wilderness. Half of its whole being is devoted to remembering how to live in the woods. This is why Witch, this is why whore, this is why Unlucky, and this is why Unclean. This is why attempts to govern the female body always have the feeling of a last resort, because the female body is fundamentally ungovernable. Barbie, the neatest, tannest, blondest tall who ever existed. Barbie, from the Greek, meaning foreign or strange.
”
”
Patricia Lockwood (Priestdaddy)
“
Estates are sometimes held by foolish forms, the breaking of a stick or the payment of a peppercorn. I was willing to hold the whole huge estate of earth and heaven by any such feudal fantasy. It could not well be wilder than the fact that I was allowed to hold it at all. At this stage I give only one ethical instance to show my meaning. I could never mix in the common murmur of the rising generation against monogamy, because no restriction on sex seemed so odd and unexpected as sex itself. To be allowed, like Endymion, to make love to the moon and then to complain that Jupiter kept his own moons in a harem seemed to me (bred on fairy tales like Endymion's) a vulgar anticlimax.Keeping to one woman is a small price for so much as seeing one woman. To complain that I could only be married once was like complaining that I could only be born once. It was incommensurate with the terrible excitement of which one was talking. It showed, not an exaggerated sensibility to sex, but a curious insensibility to it. A man is a fool who complains that he cannot enter Eden by five gates at once. Polygamy is a lack of the realization of sex; it is like a man plucking five pears in mere absence of mind.
”
”
G.K. Chesterton
“
Like that breeder-woman sitting at the bar, who thinks it's a buzz to go into a gay joint and has no doubt heard somewhere that this is one. Her lurid get-up's a joke, ludicrous. She's the type who dons the camouflage-green combat trousers, wraps a bandanna around her head and paints herself with black lipstick, imagining all the lesbians in the joint'll have the hots for her. Not so much imagining as secretly hoping.
Naturally, no one goes and sits with her. She's been here before, and everyone gives the ice-cold shoulder, yet she still turns up again and again. Someone might argue we're zoo animals for her. But I've another theory. For her, we're noble savages, a kind of grey area outside the respectable, minutely organized community, an untamed wilderness it takes a lot of guts to step into. But if you do dare, there's a glorious smell of freedom floating around your trousers and giving the finger to society, making whoever an instant anarchist. Certainly, for her, coming here is like putting a washable tattoo on your shoulder : there's the thrill of deviance with none of the dull commitment - and she'll never have to wonder whether she's too weird to be seen out before dark.
”
”
Johanna Sinisalo (Troll: A Love Story)
“
She was woman, she was wildwood, she was whore, witch, wolverine. The gold ring on her finger shackled her to reality, to the world beyond the wilderness - and my Isola, this woman, she loved you so deeply that she wanted to wrap you softly in herself, only to protect you, not realising that those bones of hers would instead form a cage around you.
”
”
Allyse Near
“
The woman he’d carried a torch for for almost ten years, whom no one else could hold a candle to.
”
”
Ava Wilder (Will They or Won't They)
“
I’m a (kind of) strong, (semi) independent woman, and I can. Handle. Ty. Wilder.
”
”
L.J. Shen (Tyed)
“
What had just happened between us in this bed was every woman’s erotic fantasy. He was totally dominant, powerful and confident, skilled and passionate and attentive.
”
”
Jasinda Wilder (Alpha (Alpha, #1))
“
But a woman who walks alone in the wilderness for eleven hundred miles? I’d never been anything like that before. I had nothing to lose by giving it a whirl.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Somehow you made trudging through the wilderness in the middle of winter with a soul-sucking demon and a soul-sucked would-be murderer seem not so terrible. “But
”
”
Emily Croy Barker (The Thinking Woman's Guide to Real Magic)
“
Villiers, that woman, if I can call her a woman, corrupted my soul. The night of the wedding I found myself sitting in her bedroom in the hotel, listening to her talk. She was sitting up in bed, and I listened to her as she spoke in her beautiful voice, spoke of things which even now I would dare not whisper in the blackest night, though I stood in the midst of a wilderness.
”
”
Arthur Machen (The Great God Pan (Creation Classics))
“
the person who had loved me first and fiercest, my rock of steadfast support during every crazy and ill-advised decision I had ever made, my touchstone who made me laugh during good times and cried with me and shored me up during hard times, the woman whose wit and wisdom were razor sharp, would never open her eyes again and, soon, would not be alive on this earth any longer.
”
”
Wendy Webb (The Haunting of Brynn Wilder)
“
Because even one voice in a wilderness of ignorance is a voice that is heard by someone. Because every woman and man, no matter their color or their religion, is entitled to a good defense.
”
”
Kristen Ashley (Golden Trail (The 'Burg, #3))
“
Ask any man what his greatest weakness is, and if he’s being honest, he will tell you it’s a woman. Not just any woman. The one woman who is capable of bringing him to his knees. The one woman who has the power to destroy him. Rip his beating heart from his chest. Ruin him. I knew that Remy was capable for doing all those things.
My greatest weakness was, is, and always would be, her.
”
”
Emery Rose Andrews (Wilder Love (Love and Chaos, #1))
“
How does a hardworking sixty-four-year-old-woman end up without a house or a permanent place to stay, relying on unpredictable low-wage work to survive? Living in a mile-high alpine wilderness, with intermittent snow and maybe mountain lions in a tiny trailer, scrubbing toilets at the mercy of employers who, on a whim, could cut her hours or even fire her? What does the future look like for someone like that?
”
”
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
“
The female body has been both territory and machine, virgin wilderness to be exploited and assembly-line turning out life. We need to imagine a world in which every woman is the presiding genius of her own body. In such a world women will truly create new life, bringing forth not only children (if and as we choose) but the visions, and the thinking, necessary to sustain, console, and alter human existence—a new relationship to the universe. Sexuality, politics, intelligence, power, motherhood, work, community, intimacy will develop new meanings; thinking itself will be transformed. This is where we have to begin.
”
”
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
“
.. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman.
'She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
”
”
Joseph Conrad (Heart of Darkness)
“
Her womb from her body. Separation. Her clitoris from her vulva. Cleaving. Desire from her body. We were told that bodies rising to heaven lose their vulvas, their ovaries, wombs, that her body in resurrection becomes a male body.
The Divine Image from woman, severing, immortality from the garden, exile, the golden calf split, birth, sorrow, suffering. We were told that the blood of a woman after childbirth conveys uncleanness. That if a woman's uterus is detached and falls to the ground, that she is unclean. Her body from the sacred. Spirit from flesh. We were told that if a woman has an issue and that issue in her flesh be blood, she shall be impure for seven days. The impure from the pure. The defiled from the holy. And whoever touches her, we heard, was also impure. Spirit from matter. And we were told that if our garments are stained we are unclean back to the time we can remember seeing our garments unstained, that we must rub seven substances over these stains, and immerse our soiled garments.
Separation. The clean from the unclean. The decaying, the putrid, the polluted, the fetid, the eroded, waste, defecation, from the unchanging. The changing from the sacred. We heard it spoken that if a grave is plowed up in a field so that the bones of the dead are lost in the soil of the field, this soil conveys uncleanness. That if a member is severed from a corpse, this too conveys uncleanness, even an olive pit's bulk of flesh. That if marrow is left in a bone there is uncleanness. And of the place where we gathered to weep near the graveyard, we heard that planting and sowing were forbidden since our grieving may have tempted unclean flesh to the soil. And we learned that the dead body must be separated from the city.
Death from the city. Wilderness from the city. Wildness from the city. The Cemetery. The Garden. The Zoological Garden. We were told that a wolf circled the walls of the city. That he ate little children. That he ate women. That he lured us away from the city with his tricks. That he was a seducer and he feasted on the flesh of the foolish, and the blood of the errant and sinful stained the snow under his jaws.
The errant from the city. The ghetto. The ghetto of Jews. The ghetto of Moors. The quarter of prostitutes. The ghetto of blacks. The neighborhood of lesbians. The prison. The witch house. The underworld. The underground. The sewer. Space Divided. The inch. The foot. The mile. The boundary. The border. The nation. The promised land. The chosen ones.
”
”
Susan Griffin (Woman and Nature: The Roaring Inside Her)
“
The Sick Woman begins to see that life is wilder, more chaotic, harsher and more loving, paradoxical, and downright strange than she was ever taught. She discovers for herself the power of moon and the tides, the shifting of the stars and the seasons, the haze of pollen and shift in air pressure and how they impact her dreams, her moods, her body processes. She learns that she is not an independent automaton but a wild being woven of life and death, a chaos of magic, not a machine of logic. She learns that the outer impacts the inner in myriad ways. And vice versa. She learns that she is simultaneously weaker and yet more powerful than she ever knew. She is dangerous with this knowledge which does not appear in the medical books and bibles except as anomalies. She’s singing from the wrong hymn sheet and messing up the patina of perfection that the patriarchy is aiming for. In a display of a million marching soldiers with polished boots, gleaming medals and straight legs, there is the sick woman, bare breasted, hair loose, scars showing, shameless, dancing to her own tune.
”
”
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
“
In the very same years that Rousseau was writing his books, Franklin admitted that ‘No European who has tasted Savage Life can afterwards bear to live in our societies.’47 He described how ‘civilised’ white men and women who were captured and subsequently released by Indians invariably would ‘take the first good Opportunity of escaping again into the Woods’. Colonists fled into the wilderness by the hundreds, whereas the reverse rarely happened.48 And who could blame them? Living as Indians, they enjoyed more freedoms than they did as farmers and taxpayers. For women, the appeal was even greater. ‘We could work as leisurely as we pleased,’ said a colonial woman who hid from countrymen sent to ‘rescue’ her.49 ‘Here, I have no master,’ another told a French diplomat. ‘I shall marry if I wish and be unmarried again when I wish. Is there a single woman as independent as I in your cities?
”
”
Rutger Bregman (Humankind: A Hopeful History)
“
Often we can get caught in our own struggles, our own small stories, that we forget our place in the larger story arc – the way that our actions, our choices, our achievements can and will blaze trails for that who come after us, so that they do not have to spend their time and energy re-fighting the same battles.
For sure we walk a spiral path, but for generations of women the spirals were so tightly packed that it seemed they were going round in circles – let us blaze trails so that the path we walk takes in wider and wider sweeps of human experience.
Trail blazing is what we do when we find ourselves in the wilderness, with no path to guide us but our own intuitive understanding of nature and our destination. At times we must walk through the night, guided only by the stars. We know when to sit and rest, to shelter from storms, when to gather water, and what on the trail will sustain us and what will do us harm. We are courageous and cautious in equal measure, but we are driven forward, not only by our own desire to reach our destination, but also by the desire to leave a viable way for others who follow.
Trail blazing is an art-form. It is how we find paths through what before was wilderness. We push aside braches, or cut them back, we tramp down nettles and long grasses, ford rivers and streams, through the inner and outer landscapes.
”
”
Lucy H. Pearce (Burning Woman)
“
Nothing is ever gained by allowing anger to have sway. When under its influence we lose the ability to think clearly and the forceful power that is in calmness.
-Laura Ingalls Wilder: As A Farm Woman Thinks (3)(November 15, 1921).
”
”
Stephen W. Hines (Laura Ingalls Wilder, Farm Journalist: Writings from the Ozarks (Volume 1))
“
WHENEVER A WOMAN IS DECLARED dangerous, there is always a man eager to subdue her. Whether it’s because he can’t stand the idea of a woman with power, or he can’t stand the idea of a woman having more power than him, Rhi doesn’t know.
”
”
Madeline Claire Franklin (The Wilderness of Girls)
“
Ultimately, the roast turkey must be regarded as a monument to Boomer's love.
Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards.
See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy.
The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage.
Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird?
And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted?
The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together.
And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering.
Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe.
Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder.
Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs.
Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
”
”
Tom Robbins (Skinny Legs and All)
“
These two Kings and two Queens governed Narnia well, and long and happy was their reign. At first much of their time was spent in seeking out the remnants of the White Witch's army and destroying them, and indeed for a long time there would be news of evil things lurking in the wilder parts of the forest- a haunting here and a killing there, a glimpse of a werewolf one month and a rumor of a hag the next. But in the end all that foul brood was stamped out. And they made good laws and kept the peace and saved good trees from being unnecessarily cut down, and liberated young dwarfs and young satyrs from being sent to school, and generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live. And they drove back the fierce giants (quite a different sort from Giant Rumblebuffin) in the North of Narnia when these ventured across the frontier. And they entered into friendship and alliance with countries beyond the sea and paid them visits of state and received visits of state from them. And they themselves grew and changed as the years passed over them. And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgement. He was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all the princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
I've done my research and learned this : Ten is when we learn how to be good girls and real boys.Ten is when children begin to hide who they are in order to become what the world expects them to be.Right around ten is when we begin to internalize our formal taming.Ten is when the world sat me down, told me to be quiet, and pointed toward my cages: These are the feelings you are allowed to express.This is how a woman should act.This is the body you must strive for.These are the things you will believe.These are the people you can love.Those are the people you should fear.This is the kind of life you are supposed to want.Make yourself fit.You'll be uncomfortable at first, but don't worry-eventually you'll forget you're caged.Soon this will just feel like: life.
”
”
Glennon Doyle (Untamed)
“
Actually, what he had done is come out of his cave looking for a woman, got his bat out, walked into the first place that had women, and hit the prettiest over the head with a bat and dragged her out kicking and screaming. A Neanderthal man! Nikita thought,
”
”
Nicci Wilder (Million Lies Away)
“
From the essay on Love, in which he describes as a wilderness experience his daily visits with his wife to a hospital 3,000 miles from home in a strange city, where someone he loves is in danger of dying.
“When the worst finally happens, or almost happens, a kind of peace comes. I had passed beyond grief, beyond terror, all but beyond hope, and it was thee, in that wilderness, that for the first time in my life I caught sight of something of what it must be like to love God truly. It was only a glimpse, but it was like stumbling on fresh water in the desert, like remembering something so huge and extraordinary that my memory had been unable to contain it. Though God was nowhere to be clearly seen, nowhere to be clearly heard, I had to be near him—even in the elevator riding up to her floor, even walking down the corridor to the one door among all those doors that had her name taped on it. I loved him because there was nothing else left. I loved him because he seemed to have made himself as helpless in his might as I was in my helplessness. I loved him not so much in spite of there being nothing in it for me but almost because there was nothing in it for me. For the first time in my life, there in that wilderness, I caught a glimpse of what it must be like to love God truly, for his own sake, to love him no matter what. If I loved him with less than all my heart, soul, and will, I loved him with at least as much of them as I had left for loving anything…
I did not love God, God knows, because I was some sort of saint or hero. I did not love him because I suddenly saw the light (there was almost no light at all) or because I hoped by loving him to persuade him to heal the young woman I loved. I loved him because I couldn’t help myself. I loved him because the one who commands us to love is the one who also empowers us to love, as there in the wilderness of that dark and terrible time I was, through no doing of my own, empowered to love him at least a little, at least enough to survive. And in the midst of it, these small things happened that were as big as heaven and earth because through them a hope beyond hopelessness happened. “O Israel, hope in the Lord from this time forth and for evermore.”…
The final secret, I think, is this: that the words “You shall love the Lord your God” become in the end less a command than a promise.
”
”
Frederick Buechner (A Room Called Remember: Uncollected Pieces)
“
I walked, floated, lighter—forty miles, my biggest day yet. I'd lifted the burden of guilt and shame off my body. I held my new hard-won wisdom, the gift three months of walking in the wilderness had carried me to: compassion for my younger self—forgiveness for my innocence.
”
”
Aspen Matis (Girl in the Woods: A Memoir)
“
In The Woman Reader Kate Flint argues that "the study of reading...involves examining a fulcrum: the meeting-place of discourses of subjectivity and socialization." Reading has traditionally been "a prime tool in socialization" and is "centrally bound in with questions of authority".
”
”
Ann Romines (Constructing the Little House: Gender, Culture, and Laura Ingalls Wilder)
“
She laughed. “Let me guess, sex in the gazebo is one of your fantasies?” “Oh, yeah. I’ve wanted to do this since the moment this damn thing was built.” “What, none of your hockey groupies ever wanted to do it in the wilderness of your backyard?” she teased. “I’ve never brought a woman home before.
”
”
Elle Kennedy (Body Check)
“
I didn’t wake from these dreams crying. I woke shrieking. Paul grabbed me and held me until I was quiet. He wetted a washcloth with cool water and put it over my face. But those wet washcloths couldn’t wash the dreams of my mother away. Nothing did. Nothing would. Nothing could ever bring my mother back or make it okay that she was gone. Nothing would put me beside her the moment she died. It broke me up. It cut me off. It tumbled me end over end. It took me years to take my place among the ten thousand things again. To be the woman my mother raised. To remember how she said honey and picture her particular gaze. I would suffer. I would suffer. I would want things to be different than they were. The wanting was a wilderness and I had to find my own way out of the woods. It took me four years, seven months, and three days to do it. I didn’t know where I was going until I got there. It was a place called the Bridge of the Gods.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I do not find myself beguiled, let alone enchanted by mortal man or woman with their pretense, show or adornments, yet when I’m alone in the pine-scented cloak of forested mountains, I’m both.
It was nearing sunset in the treasure state with not another soul in sight and despite my own plainness and insignificance, I never felt more grounded or at peace; it’s a tranquility only the curvaceous, imposing landscape of the frontier can provide and I was free of the trepidation within my thoughts as I gratefully and prayerfully walked with God. All was well within me and around me for that blissful yet brief moment in time.
”
”
Donna Lynn Hope
“
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. "She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
”
”
Joseph Conrad (Heart of Darkness)
“
And now, at last, after a lifetime of linoleum and asphalt and Axminster carpets, the heavy flat-footed woman trod the springing earth. Born fifty-seven years ago in a suburban wilderness of smoke-grimed bricks, she knew no more of Nature than a scarecrow rigid on a broomstick above a field of waving corn. She who had lived so close to the little forest on the Bendigo Road had never felt the short wiry grass underfoot. Never walked between the straight shaggy stems of the stringy-bark trees. Never paused to savour the jubilant gusts of Spring that carried the scent of wattle and eucalypt right into the front hall of the College. Nor sniffed with foreboding the blast of the North wind, laden in summer with the fine ash of mountain fires.
”
”
Joan Lindsay (Picnic at Hanging Rock)
“
We had such different ideas of danger. I have spent all my life trying not to be attacked. This sounds melodramatic if you are not a woman. But for women, the danger of wilderness is not just about encountering wild animals or slipping and falling into the rapids; it is also the danger posed by men...The specter of violence follows women everywhere, and it follows us into the great outdoors.
”
”
Shahnaz Habib (Airplane Mode: An Irreverent History of Travel)
“
Faced with the daunting prospect of moving forward, of embracing a life of greater flourishing, we find ourselves losing hope. The sex addict returns to his favorite pornographic sites. The workaholic returns to his busy schedule, knowing that his schedule kills any chance of intimacy with his wife or connection with his children. The angry wife defaults to her husband’s defensiveness, squelching his spirit. The abused woman returns to a relationship where she knows she’ll be used rather than loved. The religious addict defaults to her legalistic ways, judging others rather than embracing the love God has for her even in her failures. Over and over again, we choose to return to Egypt instead of daring to enter the promised land. We settle for less than the life for which God made us.
”
”
Chuck DeGroat (Leaving Egypt: Finding God in the Wilderness Places)
“
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
”
”
Imperial War Museum
“
was another woman with a garden and a tree. But for tasting its fruit, she was banished from the garden and the gates clanged shut behind her. That mother of men was made to wander in the wilderness and earn her bread by the sweat of her brow, not by filling her mouth with the sweet juicy fruits that bend the branches low. In order to eat, she was instructed to subdue the wilderness into which she was cast.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
On the other side was another woman with a garden and a tree. But for tasting its fruit, she was banished from the garden and the gates clanged shut behind her. That mother of men was made to wander in the wilderness and earn her bread by the sweat of her brow, not by filling her mouth with the sweet juicy fruits that bend the branches low. In order to eat, she was instructed to subdue the wilderness into which she was cast.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
After a while you learn
the subtle difference between
holding a hand and chaining a soul and you learn that
love doesn’t mean leaning
and company doesn’t always mean security. And you begin to learn
that kisses aren’t contracts
and presents aren’t promises and you begin to accept your defeats
with your head up and your eyes ahead
with the grace of a woman, not the grief of a child and you learn
to build all your roads on today
because tomorrow’s ground is too uncertain for plans
and futures have a way of falling down in mid-flight. After a while you learn that even sunshine burns
if you get too much. So you plant your own garden
and decorate your own soul
instead of waiting for someone to bring you flowers. And you learn that you really can endure,
that you really are strong
and you really do have worth. and you learn
and you learn
with every good-bye you learn.
”
”
Gene Wilder (Kiss Me Like A Stranger: My Search for Love and Art)
“
When people dream something as a child, it doesn’t always come true. But my childhood dream of what kind of man I would marry and spend the rest of my life with did come true.
I always knew my husband would be tall, dark, and handsome, but he also had to have a rugged look, as if he’d just walked out of the wilderness. He had to love the outdoors and be able to survive there if needed. I also wanted him to be able to take command of any situation when needed.
I wanted him to be a leader but with a sense of humor, too. I wanted him to work and make a living. I wanted him to be a man’s man, but with gentleness and love for me and his children, and be ready to defend us at all times. More than anything else, I wanted to feel loved and protected.
What I didn’t know when I found the man who filled my dreams was that I had found a diamond in the rough. It would take a lifetime to perfect that diamond on the long journey of life.
Phil and I have had many good years, some hard years, a few sad years, and a lot of struggling years to get where we are now. God put us in each other’s paths. It has always been a wonderful ride for me.
I have a husband who is my best buddy and friend, my lover, my Christian brother, my champion, and the person who will always be there through thick and thin.
There is no greater love than your love for God, but right under that is your love for your husband, your partner in life. One of the greatest tragedies I see is people not putting every effort into the foundation of their marriage. My grandmother told me that it’s one man and one woman for life and that your marriage is worth fighting for. We had a few hard and bumpy years, but prayer, patience, and some suffering and hope-plus remembering an old lady’s words-were what got me through the difficult times. We have given it our all for our marriage and family, and my dreams did come true. Phil is and will always be my hero!
”
”
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
“
Two hundred years ago, the mothers of the books we take for granted were lumped together in the same lowly category as factory workers, governesses, and prostitutes. A respectable woman didn't write, she took care of her household: if she were rich, she oversaw a staff of servants and entertained for a living; if she were poor, she carried out endless labors punctuated by births and deaths. Jane Austen had to publish her books anonymously at a time when women were lucky to be taught to read.
”
”
Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
“
The people cast themselves down by the fuming boards
while servants cut the roast, mixed jars of wine and water,
and all the gods flew past like the night-breaths of spring.
The chattering female flocks sat down by farther tables,
their fresh prismatic garments gleaming in the moon
as though a crowd of haughty peacocks played in moonlight.
The queen’s throne softly spread with white furs of fox
gaped desolate and bare, for Penelope felt ashamed
to come before her guests after so much murder.
Though all the guests were ravenous, they still refrained,
turning their eyes upon their silent watchful lord
till he should spill wine in libation for the Immortals.
The king then filled a brimming cup, stood up and raised
it high till in the moon the embossed adornments gleamed:
Athena, dwarfed and slender, wrought in purest gold,
pursued around the cup with double-pointed spear
dark lowering herds of angry gods and hairy demons;
she smiled and the sad tenderness of her lean face,
and her embittered fearless glance, seemed almost human.
Star-eyed Odysseus raised Athena’s goblet high
and greeted all, but spoke in a beclouded mood:
“In all my wandering voyages and torturous strife,
the earth, the seas, the winds fought me with frenzied rage;
I was in danger often, both through joy and grief,
of losing priceless goodness, man’s most worthy face.
I raised my arms to the high heavens and cried for help,
but on my head gods hurled their lightning bolts, and laughed.
I then clasped Mother Earth, but she changed many shapes,
and whether as earthquake, beast, or woman, rushed to eat me;
then like a child I gave my hopes to the sea in trust,
piled on my ship my stubbornness, my cares, my virtues,
the poor remaining plunder of god-fighting man,
and then set sail; but suddenly a wild storm burst,
and when I raised my eyes, the sea was strewn with wreckage.
As I swam on, alone between sea and sky,
with but my crooked heart for dog and company,
I heard my mind, upon the crumpling battlements
about my head, yelling with flailing crimson spear.
Earth, sea, and sky rushed backward; I remained alone
with a horned bow slung down my shoulder, shorn of gods
and hopes, a free man standing in the wilderness.
Old comrades, O young men, my island’s newest sprouts,
I drink not to the gods but to man’s dauntless mind.”
All shuddered, for the daring toast seemed sacrilege,
and suddenly the hungry people shrank in spirit;
They did not fully understand the impious words
but saw flames lick like red curls about his savage head.
The smell of roast was overpowering, choice meats steamed,
and his bold speech was soon forgotten in hunger’s pangs;
all fell to eating ravenously till their brains reeled.
Under his lowering eyebrows Odysseus watched them sharply:
"This is my people, a mess of bellies and stinking breath!
These are my own minds, hands, and thighs, my loins and necks!"
He muttered in his thorny beard, held back his hunger
far from the feast and licked none of the steaming food.
”
”
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
“
Perhaps I am here because of last night’s dream, when I stood on the frozen lake before a kayak made of sealskin. I walked on the ice toward the boat and picked up a handful of shredded hide and guts. An old Eskimo man said, “You have much to work with.” Suddenly, the kayak was stripped of its skin. It was a rib cage of willow. It was the skeleton of a fish. I want to see it for myself, wild exposure, in January, when this desert is most severe. The lake is like steel. I wrap my alpaca shawl tight around my face until only my eyes are exposed. I must keep walking to stay warm. Even the land is frozen. There is no give beneath my feet. I want to see the lake as Woman, as myself, in her refusal to be tamed. The State of Utah may try to dike her, divert her waters, build roads across her shores, but ultimately, it won’t matter. She will survive us. I recognize her as a wilderness, raw and self-defined. Great Salt Lake strips me of contrivances and conditioning, saying, “I am not what you see. Question me. Stand by your own impressions.” We are taught not to trust our own experiences. Great Salt Lake teaches me experience is all we have.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
I did not so much look like a woman who had spent the past three weeks backpacking in there wilderness as I did like a woman who had been the victim I have a violent and bizarre crime. Bruises that arranged in color from yellow to black lined my arms and legs, my back and rump, as if I've been beaten with sticks. My hips and shoulders we are covered with blisters and rashes, inflamed welts and dark scabs where my skin had broken open from being chafed by my pack. Beneath the bruises and wounds and dirt I could see new ridges of muscle, my flat taught in places that has recently been soft.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
of fascinating books about this country and about faraway places like Albania, and she became well known the world over. But Rose grew up in a time when ladies did not consciously seek fame. She chose to shed light on the lives of others instead of her own, and so this book about her mother, her father, and herself had to wait until after her death to be published. Rose (who became Mrs. Rose Wilder Lane) led a full and busy life. After her mother died, she wrote the setting for On the Way Home. She also wrote a number of magazine articles, some of which were published as the Woman’s Day Book of American Needlework. She worked at length
”
”
Laura Ingalls Wilder (The First Four Years (Little House, #9))
“
The first day Ma made cheese, Laura tasted the whey. She tasted it without saying anything to Ma, and when Ma turned around and saw her face, Ma laughed. That night while she was washing the supper dishes and Mary and Laura were wiping them, Ma told Pa that Laura had tasted the whey and didn’t like it.
“You wouldn’t starve to death on Ma’s whey, like old Grimes did on his wife’s,” Pa said.
Laura begged him to tell her about Old Grimes. So, though Pa was tired, he took his fiddle out of its box and played and sang for Laura:
“Old Grimes is dead, that good old man,
We ne’er shall see him more,
He used to wear an old gray coat,
All buttoned down before.
“Old Grimes’s wife made skim-milk cheese,
Old Grimes, he drank the whey,
There came an east wind from the west,
And blew Old Grimes away.”
“There you have it!” said Pa. “She was a mean, tight-fisted woman. If she hadn’t skimmed all the milk, a little cream would have run off in the whey, and Old Grimes might have staggered along.
“But she skimmed off every bit of cream, and poor Old Grimes got so thin the wind blew him away. Plumb starved to death.”
Then Pa looked at Ma and said, “Nobody’d starve to death when you were around, Caroline.”
“Well, no,” Ma said. “No, Charles, not if you were there to provide for us.”
Pa was pleased.
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
On one side of the world were people whose relationship with the living world was shaped by Skywoman, who created a garden for the well-being of all. On the other side was another woman with a garden and a tree. But for tasting its fruit, she was banished from the garden and the gates clanged shut behind her. That mother of men was made to wander in the wilderness and earn her bread by the sweat of her brow, not by filling her mouth with the sweet juicy fruit that bent the branches low. In order to ear, she was instructed to subdue the wilderness into which she was cast.
Same species, same earth, different stories. Like Creation stories everywhere, cosmologies are a source of identity and orientation to the world. They tell us who we are. We are inevitably shaped by them no matter how distant they may be from our consciousness. One story leads to the generous embrace of the living world, the other to banishment. One woman is our ancestral gardener, a cocreator of the good green world that would be the home of her descendants. The other was an exile, just passing through an alien world on a rough road to her real home in heaven. And then they met—the offspring of Skywoman and the children of Eve- and the land around us bears the scars of that meeting, the echoes of our stories.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize.
When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes.
That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable.
Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
”
”
Steven Erikson
“
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf.
Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this
riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb.
Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you.
Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any.
Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen.
Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
”
”
James Gould Cozzens (Castaway)
“
Let him get out on the front lines. Let him bring one slow freight through a snowstorm in the Rockies; let him drive one rivet to hold his apartment roof over his head. Let him keep his own electric light burning through one quiet, cosy winter evening when mist is freezing to the wires. Let him make, from seed to table, just one slice of bread, and we will hear no more from him about the human right to security. No man’s security is any greater than his own self-reliance. If every man and woman worth living did not stand up to the job of living, did not take risk and danger and exhaustion beyond exhaustion and go on fighting for one thin hope of victory in the certainty of death, there would not be a human being alive today.
”
”
Rose Wilder Lane (The Discovery Of Freedom: Man's Struggle Against Authority)
“
The question I'm most commonly asked is "Why?" A more pertinent question might be, why is it that more people don't attempt to escape the limitations imposed upon them? If Tracks has a message at all, it is that one can be awake to the demand for obedience that seems natural simply because it is familiar. Wherever there is pressure to conform (one person's conformity is often in the interests of another person's power), there is a requirement to resist. Of course I did not mean that people should drop what they were doing and head for the wilder places, certainly not that they should copy what I did. I meant that one can choose adventure in the most ordinary of circumstances. Adventure of the mind, or to use an old-fashioned word, the spirit.
”
”
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
“
An intelligent man, or woman, is a lamp that guides itself. Let
him or her lead. Trust the knowing they browse. A half-intelligent person is one who lets
the intelligent person be guide. He holds on like the blind to the coat of a helper. Through
another, he acts and sees and learns. There is a third kind with no intellect at all, who
takes no advice, strolls out into the wilderness, runs a little to one side, stops, limps
through the night with no candle, no stub of a candle, no notion what to ask for.
The first has perfect intellect. The second knows enough to surrender to the first. One
breathes with Jesus. The other dies, so Jesus can breathe through him. The third
flops and flounders in all directions, with no direction, lurches and leaps, trying
everything, with no way or way out.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
Had the girl had any common sense, she would have dropped the line at once. But she had no sense. She made no sense. She was a pale English rose of a governess, adrift in a watery wilderness, on her way to a grueling post on a godforsaken island, when any fool could have told her-a woman so lovely need never work for her keep.
Had the men around her any sense, they would have cut the rope immediately. But they were idiots, bloody shite-for-brains idiots, too entranced by the pretty girl in peril to reach for their knives.
Had Gray his own knife, he would have drawn it. But he wasn’t wearing his knife, because he wasn’t the captain on this ship, was he? Nor an officer, nor even part of the crew. He was just a stupid, overdressed passenger who hadn’t strapped on a goddamned knife that morning because it might ruin the lines of his goddamned brand-new coat.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
And blood, in all the cities through which he passed, ran down. There seemed no door, anywhere, behind which blood did not call out, unceasingly, for blood; no woman whether singing before defiant trumpets or rejoicing before the Lord, who had not seen her father, her brother, her lover, or her son cut down without mercy; who had not seen her sister become part of the white man's great whorehouse, who had not, all too narrowly, escaped that house herself; no man... who had not been made to bend his head and drink white men's muddy water... their very names were nothing more than dust blown disdainfully across the field of time - to fall where, to blossom where, bringing forth what fruit hereafter, where? their very names were not their own. Behind them was the darkness, nothing but the darkness, and all around them destruction, and before them nothing but the fire - a bastard people, far from God, singing and crying in the wilderness!
”
”
James Baldwin (Go Tell It on the Mountain)
“
Wilderness
by Carl Sandburg
There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.
There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.
There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.
There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so.
There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.
O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
”
”
Carl Sandburg (The Complete Poems)
“
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up.
There’s really no other option.
And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe.
Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill.
“We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.”
I turn to my own ragtag crew.
“Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!”
A blond boy whispers to his friend, “Who’s Rudy?”
The kid shrugs.
And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.”
“It’s my birthday too.” I give him a high-five. “Twinning!”
I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.”
A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?”
And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.”
“No,” I try, “that’s not what I—”
But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away.
“Darn.”
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness.
“Come on, children. Let’s go be heroes.”
It was a massacre.
We never stood a chance.
In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint.
But we tried—I think Rudy and Charlize would be proud
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
In the night I awoke. Was this my own voice reciting what was written? “ ‘And every secret thing shall be opened, and every dark place illuminated.’ ” Dear God, no, do not let them know this, do not let them know the great accumulation of all of this, this agony and joy, this misery, this solace, this reaching, this gouging pain, this . . . But they will know, each and every one of them will know. They will know because what you are remembering is what has happened to each and every one of them. Did you think this was more or less for you? Did you think—? And when they are called to account, when they stand naked before God and every incident and utterance is laid bare—you, you will know all of it with each and every one of them! I knelt in the sand. Is this possible, Lord, to be with each of them when he or she comes to know? To be there for every single cry of anguish? For the grief-stricken remembrance of every incomplete joy? Oh, Lord, God, what is judgment and how can it be, if I cannot bear to be with all of them for every ugly word, every harsh and desperate cry, for every gesture examined, for every deed explored to its roots? And I saw the deeds, the deeds of my own life, the smallest, most trivial things, I saw them suddenly in their seed and sprout and with their groping branches; I saw them growing, intertwining with other deeds, and those deeds come to form a thicket and a woodland and a great roving wilderness that dwarfed the world as we hold it on a map, the world as we hold it in our minds. Dear God, next to this, this endless spawning of deed from deed and word from word and thought from thought—the world is nothing. Every single soul is a world! I started to cry. But I would not close off this vision—no, let me see, and all those who lifted the stones, and I, I blundering, and James' face when I said it, I am weary of you, my brother, and from that instant outwards a million echoes of those words in all present who heard or thought they heard, who would remember, repeat, confess, defend . . . and so on it goes for the lifting of a finger, the launching of the ship, the fall of an army in a northern forest, the burning of a city as flames rage through house after house! Dear God, I cannot . . . but I will. I will. I sobbed aloud. I will. O Father in Heaven, I am reaching to You with hands of flesh and blood. I am longing for You in Your perfection with this heart that is imperfection! And I reach up for You with what is decaying before my very eyes, and I stare at Your stars from within the prison of this body, but this is not my prison, this is my Will. This is Your Will. I collapsed weeping. And I will go down, down with every single one of them into the depths of Sheol, into the private darkness, into the anguish exposed for all eyes and for Your eyes, into the fear, into the fire which is the heat of every mind. I will be with them, every solitary one of them. I am one of them! And I am Your Son! I am Your only begotten Son! And driven here by Your Spirit, I cry because I cannot do anything but grasp it, grasp it as I cannot contain it in this flesh-and-blood mind, and by Your leave I cry. I cried. I cried and I cried. “Lord, give me this little while that I may cry, for I've heard that tears accomplish much. . . .” Alone? You said you wanted to be alone? You wanted this, to be alone? You wanted the silence? You wanted to be alone and in the silence. Don't you understand the temptation now of being alone? You are alone. Well, you are absolutely alone because you are the only One who can do this! What judgment can there ever be for man, woman, or child—if I am not there for every heartbeat at every depth of their torment?
”
”
Anne Rice (Christ the Lord: The Road to Cana (Life of Christ Book 2))
“
Celia froze. She couldn't believe it-Proper Pinter was kissing her. Hard, boldly, with more feeling than the duke.
Good heavens.
Stung by the challenge he'd laid down, she fumbled for the pistol in her reticule, but she'd just got it in her hand when he whispered hoarsely against her lips, "Sweet God, Celia..."
He'd never called her by only her Christian name. He'd certainly never said it so...desperately. It made her hesitate with the pistol in her hand.
He took her mouth once more, and her world shifted on its axis as his kiss became wilder, more consuming. This wasn't about a challenge anymore-not when he kissed her is if her mouth held the secret to eternity. Such lovely, drugging kisses made her blood dance through her veins.
His mouth slanted over hers, and his tongue swept the seam of her lips with an urgency that made her throat ache. Remembering how Ned had kissed her, she parted her lips for him.
He went still for the briefest instant. Then with a groan, he slipped his tongue into her mouth. Ohhh, that was amazing. When Ned had done it she'd found it messy and disgusting, but Mr. Pinter's kiss was as opposite to Ned's as sun was to rain.
Slow and sensual, he dove inside with hot strokes that had her eager for more. How could this be happening to her? With him? Who could ever have guessed that the passionless Mr. Pinter could kiss so very passionately?
Scarcely aware of what she did, she slipper her free hand up to clutch his neck. He pressed into her, flattening her against the wall as he ravished her mouth with no remorse. His whiskers abraded her chin, his mouth tasted of champagne, and the smell of orange trees sweetened the air around them.
It was delicious...it was intoxicating. Paradise.
She forgot the pistol in her other hand, forgot that they were in full view of anyone who might be outside the orangery windows, forgot that he'd just been lecturing her as if she were some ninnyhammer. Because he was kissing her now as if she were an angel. His angel. And Lord help her, but she wanted him to keep kissing her like that forever.
But a noise from the nearby stove-the crackle of a log as it settled-seemed to jerk him to his senses. He tore his lips from hers and stared down at her a moment, his eyes wild, his breathing heavy.
A change came over his face, turning his expression to cold stone. "You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
the Cook expedition had another, far less benign result. Cook was not only an experienced seaman and geographer, but also a naval officer. The Royal Society financed a large part of the expedition’s expenses, but the ship itself was provided by the Royal Navy. The navy also seconded eighty-five well-armed sailors and marines, and equipped the ship with artillery, muskets, gunpowder and other weaponry. Much of the information collected by the expedition – particularly the astronomical, geographical, meteorological and anthropological data – was of obvious political and military value. The discovery of an effective treatment for scurvy greatly contributed to British control of the world’s oceans and its ability to send armies to the other side of the world. Cook claimed for Britain many of the islands and lands he ‘discovered’, most notably Australia. The Cook expedition laid the foundation for the British occupation of the south-western Pacific Ocean; for the conquest of Australia, Tasmania and New Zealand; for the settlement of millions of Europeans in the new colonies; and for the extermination of their native cultures and most of their native populations.2 In the century following the Cook expedition, the most fertile lands of Australia and New Zealand were taken from their previous inhabitants by European settlers. The native population dropped by up to 90 per cent and the survivors were subjected to a harsh regime of racial oppression. For the Aborigines of Australia and the Maoris of New Zealand, the Cook expedition was the beginning of a catastrophe from which they have never recovered. An even worse fate befell the natives of Tasmania. Having survived for 10,000 years in splendid isolation, they were completely wiped out, to the last man, woman and child, within a century of Cook’s arrival. European settlers first drove them off the richest parts of the island, and then, coveting even the remaining wilderness, hunted them down and killed them systematically. The few survivors were hounded into an evangelical concentration camp, where well-meaning but not particularly open-minded missionaries tried to indoctrinate them in the ways of the modern world. The Tasmanians were instructed in reading and writing, Christianity and various ‘productive skills’ such as sewing clothes and farming. But they refused to learn. They became ever more melancholic, stopped having children, lost all interest in life, and finally chose the only escape route from the modern world of science and progress – death. Alas,
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)