Wilderness Is Not A Luxury Quotes

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Wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.
Edward Abbey (Desert Solitaire)
Wilderness is not a luxury but a necessity of the human spirit.
Edward Abbey
He covered page after page with wild words of sorrow and wilder words of pain. There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution.
Oscar Wilde
No, wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread.
Edward Abbey (Desert Solitaire)
No, wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
Another struggle has been the struggle to keep the value of a local and particular character, of a particular culture in this awful maelstrom, this awful avalanche toward uniformity. The whole fight is for the conservation of the individual soul. The enemy is the supression of history; against us is the bewildering propaganda and brainwash, luxury and violence. Sixty years ago, poetry was the poor man’s art: a man off on the edge of the wilderness, or Frémont, going off with a Greek text in his pocket. A man who wanted the best could have it on a lonely farm. Then there was the cinema, and now television.
Ezra Pound
Debarred from public worship, David was heartsick. Ease he did not seek, honour he did not covet, but the enjoyment of communion with God was an urgent need of his soul; he viewed it not merely as the sweetest of all luxuries, but as an absolute necessity, like water to a stag. Like the parched traveler in the wilderness, whose skin bottle is empty, and who finds the wells dry, he must drink or die – he must have his God or faint. His soul, his very self, his deepest life, was insatiable for a sense of the divine presence. . . . Give him his God and he is as content as the poor deer which at length slakes its thirst and is perfectly happy; but deny him his Lord, and his heart heaves, his bosom palpitates, his whole frame is convulsed, like one who gasps for breath, or pants with long running. Dear friend, dost thou know what this is, by personally having felt the same? It is a sweet bitterness. The next best thing to living in the light of the Lord’s love is to be unhappy till we have it, and to pant hourly after it – hourly, did I say? Thirst is a perpetual appetite, and not to be forgotten, and even thus continually is the heart’s longing after God. When it is as natural for us to long for God as for an animal to thirst, it is well with our souls, however painful our feelings
Charles Haddon Spurgeon
We feel love and we know pain. We feel hope and we know struggle. We see beauty and we survive trauma. We don’t all have the protection of privilege and the luxury of anonymity. We’re trying to build connected and loving lives while we pack lunches, drive carpools, go to jobs, and push into as many moments of joy as we can.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
I told my plan to Fritz once, and he said it was just what he would like, and agreed to try it when we got rich. Bless his dear heart, he's been doing it all his life—helping poor boys, I mean, not getting rich, that he'll never be. Money doesn't stay in his pocket long enough to lay up any. But now, thanks to my good old aunt, who loved me better than I ever deserved, I'm rich, at least I feel so, and we can live at Plumfield perfectly well, if we have a flourishing school. It's just the place for boys, the house is big, and the furniture strong and plain. There's plenty of room for dozens inside, and splendid grounds outside. They could help in the garden and orchard. Such work is healthy, isn't it, sir? Then Fritz could train and teach in his own way, and Father will help him. I can feed and nurse and pet and scold them, and Mother will be my stand-by. I've always longed for lots of boys, and never had enough, now I can fill the house full and revel in the little dears to my heart's content. Think what luxury— Plumfield my own, and a wilderness of boys to enjoy it with me.
Louisa May Alcott (Little Women)
Good things lost amid a wilderness of weeds, to be sure, whose rankness far overtopped their neglected growth; yet, notwithstanding, evidence of a wealthy soil, that might yield luxuriant crops under other and favourable circumstances.
Emily Brontë
With my new habit of carrying binoculars everywhere, I feel imbued with a readiness to see, an attitude that my life itself is a kind of field trip. The urban naturalist has the terrific luxury of stepping out her door and into "the field," without long rides or carpools, or putting money in for gas and Dairy Queen. When does the field trip being? Whenever we start paying attention.
Lyanda Lynn Haupt (Crow Planet: Essential Wisdom from the Urban Wilderness)
want to come to the wilderness, but they don’t want to be in the wilderness. They just want to look at it, ideally through the window of a luxury hotel. They want to be wilderness-adjacent.
Emily St. John Mandel (The Glass Hotel)
Protecting the status quo against our internal convictions is obviously a luxury of the privileged, because the underdogs and outliers and marginalized have no choice but to experience the daily wilderness
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Our guests in Caiette want to come to the wilderness, but they don’t want to be in the wilderness. They just want to look at it, ideally through the window of a luxury hotel. They want to be wilderness-adjacent
Emily St. John Mandel (The Glass Hotel)
Our guests in Caiette want to come to the wilderness, but they don’t want to be in the wilderness. They just want to look at it, ideally through the window of a luxury hotel. They want to be wilderness-adjacent.
Emily St. John Mandel (The Glass Hotel)
Although she was at an age when in England girls are in the schoolroom and come down to dessert, this 'child of the wilderness' had more courage, discretion, and power of mind than many a woman of mature age nurtured in idleness and luxury, with minds carefully drilled and educated out of any originality or self-resource that nature may have endowed them with.
H. Rider Haggard (Allan Quatermain)
On one hand the Christian missionaries sought to convert the heathen, by fire and sword if need be, to the gospel of peace, brotherhood, and heavenly beatitude; on the other, the more venturesome spirits wished to throw off the constraining traditions and customs, and begin life afresh, levelling distinctions of class, eliminating superfluities and luxuries, privileges and distinctions, and hierarchical rank. In short, to go back to the Stone Ages, before the institutions of Bronze Age civilization had crystallized. Though the Western hemisphere was indeed inhabited, and many parts of it were artfully cultivated, so much of it was so sparsely occupied that the European thought of it as a virgin continent against whose wildness he pitted his manly strength. In one mood the European invaders preached the Christian gospel to the native idolaters, subverted them with strong liquors, forced them to cover their nakedness with clothes, and worked them to an early death in mines; in another, the pioneer himself took on the ways of the North American Indian, adopted his leather costume, and reverted to the ancient paleolithic economy: hunting, fishing, gathering shellfish and berries, revelling in the wilderness and its solitude, defying orthodox law and order, and yet, under pressure, improvising brutal substitutes. The beauty of that free life still haunted Audubon in his old age.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
Our guests in Caiette want to come to the wilderness, but they don’t want to be in the wilderness. They just want to look at it, ideally through the window of a luxury hotel. They want to be wilderness-adjacent. The point here”—he touched the white star with one finger, and Walter admired his manicure—“is extraordinary luxury in an unexpected setting. There’s an element of surrealism to it, frankly. It’s a five-star experience in a place where your cell phone doesn’t work.
Emily St. John Mandel (The Glass Hotel)
As she was putting the finishing touches on The House Without Windows, she wrote of her yearning for a wilder life: “I want as long as possible in that green, fairylike, woodsy, animal-filled, watery, luxuriant, butterfly-painted, moth-dotted, dragonfly-blotched, bird-filled, salamandrous, mossy, ferny, sunshiny, moonshiny, long-dayful, short-nightful land, on that fishy, froggy, tadpoly, shelly, lizard-filled lake—[oh,] no end of the lovely things to say about that place, and I am mad to get there.” Barbara is the girl inside the house, rattling at her cage, demanding to be set free. Go outside, she is saying. Embrace the world in all its frightening, joyful, sun-filled complexity.
Laura Smith (The Art of Vanishing: A Memoir of Wanderlust)
You, too, can have your own little slice of paradise; all you have to do is destroy that paradise in the process. This kind of banal desire, and the greed that sold it, has been Florida’s true destruction. Developers pitted man versus nature, not as it had been before as a struggle for survival out in a harsh and remote wilderness, but as a struggle to uphold a false hierarchy of creation. Humans are more important than animals, they said. The soil is ours to scourge and conquer. Marketing has convinced us that trivial luxuries are more important than the natural world, as if we are not part of the natural world ourselves, as if our consumption is not a bid against our own interests, one in favor of concrete and routine against the unwieldy and awe-inspiring, monotony against biodiversity, pesticides against night music, the greed of a few against life itself on our planet. Dozens of species go extinct every day, with perhaps a million more under threat of extinction within our lifetime. Corporate greed tells us this doesn’t merit our attention. If you feel bad, cut back on your own, because it’s certainly not their fault. Such PR sleight of hand shifts the blame, feeds our guilt, inflames our anxiety, convinces us to consume more and more, until we give up caring, if we ever cared at all. Without thinking, we have become numb to the quiet collapse going on around us. Everything is connected. A species dying is a piece of our world dying. If the world dies, we die, too.
Rebecca Renner (Gator Country: Deception, Danger, and Alligators in the Everglades)
Emotions are a luxury Wilder’s can’t afford.
A. Zavarelli (Crow (Boston Underworld, #1))
I have a lot of friends who proclaim to love the wilderness and spending time in it,” he says. “But what they consider wild is skiing at a resort all day, then going to the lodge for a vodka and a cheeseburger. Or hunting at a retreat with luxury cabins. There’s absolutely no shame in that. But I think there’s more charm in what we’re doing. And I think the experiences out here affect you much differently and deeply.
Michael Easter (The Comfort Crisis: Embrace Discomfort to Reclaim Your Wild, Happy, Healthy Self)
The Wilderness and Spottsylvania battles convinced me that we had more artillery than could ever be brought into action at any one time. It occupied much of the road in marching, and taxed the trains in bringing up forage. Artillery is very useful when it can be brought into action, but it is a very burdensome luxury where it cannot be used. Before leaving Spottsylvania, therefore, I sent back to the defences of Washington over one hundred pieces of artillery, with the horses and caissons. This relieved the roads over which we were to march of more than two hundred six-horse teams, and still left us more artillery than could be advantageously used. In fact, before reaching the James River I again reduced the artillery with the army largely.
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
Cedar Valley It's well offthe beaten path, and that's just how wilderness-lovers like it Nick Nault Photography Island Lake Lodge, about 15 kilometres outside of Fernie, offers in-chalet luxury and pristine mounds of snow as far as the eye can see. Mark Sissons | 878 words They say there are no friends on a powder day. This may be true at most North American ski resorts, where it's every powder hound for himself in the mad morning rush to lay down first tracks after an overnight dump, but not from where I'm standing, perched on a ridgeline overlooking the
Anonymous
ardour to succeed for her sake he had been then! What schemes he had had to make money, to give her a life of luxury and romantic ease! There was nothing he would not have done for her but, somehow, nothing had worked out as he had planned. The guest house, the chicken farm, growing mushrooms, a crammer for dull little boys, the kennels venture: each plan had become smaller and wilder as it succeeded the previous failure. He was no good at business – simply hadn’t been brought up to it – and, he had to admit, he was not very good with people, with anyone, excepting Jessica. When the children had come along he had been jealous of them for the time they took away from him. When Angela was born, only a year after he was invalided out of the army, Jessica seemed unable to think of anything else; she had been a difficult baby, never sleeping for more than an hour or two at a stretch throughout, which meant that neither of them got a proper night’s sleep, and then when Nora arrived, Angela resented her so much that Jessica could not leave them alone together for a minute, and of course they’d never been able to afford a nurse, or more than a bit of daily
Elizabeth Jane Howard (Marking Time (Cazalet Chronicles, #2))
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