Wife Romantic Quotes

A woman should be able to kiss a man beautifully and romantically without any desire to be either his wife or his mistress.

Every broken heart has screamed at one time or another: Why can't you see who I truly am?

You may have married her, but she is mine. Do you think I shall let you take her? She may be ten times your wife, but, by God, you shall never have her.

Leo resisted the urge to throw a grenade in Frank's face. "I suppose I should know who Pelops was?" "He was a prince, won his wife in a chariot race. Supposedly he started the Olympic games in honor of that." Hazel sniffed. "How romantic. 'Nice wife you have, Prince Pelops.' 'Thanks. I won her in a chariot race.

SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.

Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.

Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!

Maxim's voice, clear and strong, "Will someone take my wife outside?She is going to faint.

Think like a middle-aged man with OCD, a dead wife, and a teenage daughter. Think like a woman with three teenage sons who once ran a golf cart into the side of their granddad's house." "Cameron and Sean shouldn't have let me drive," Adam said in his own defense. "I was seven." "You shouldn't have ASKED to drive. You were seven.

Beaumont wanted Esmond very badly. Esmond wanted Beaumont’s wife. And she didn’t want anybody.

Be my wife, all my life.

Zach kissed her forehead. "I'm not going to let anything like that happen to you again. You're going to live out your days as the cosseted and cherished wife of a chief deputy U.S. Marshal.

I love you. I love you a thousand times. I love you an irrational number. And I will continue to love you long after all this has died and been reborn and we are nothing more than a pair of reincarnated eyes.

I believe in political equality. But there are two opposite reasons for being a democrat. You may think all men so good that they deserve a share in the government of the commonwealth, and so wise that the commonwealth needs their advice. That is, in my opinion, the false, romantic doctrine of democracy. On the other hand, you may believe fallen men to be so wicked that not one of them can be trusted with any irresponsible power over his fellows. That I believe to be the true ground of democracy. I do not believe that God created an egalitarian world. I believe the authority of parent over child, husband over wife, learned over simple to have been as much a part of the original plan as the authority of man over beast. I believe that if we had not fallen...patriarchal monarchy would be the sole lawful government. But since we have learned sin, we have found, as Lord Acton says, that 'all power corrupts, and absolute power corrupts absolutely.' The only remedy has been to take away the powers and substitute a legal fiction of equality. The authority of father and husband has been rightly abolished on the legal plane, not because this authority is in itself bad (on the contrary, it is, I hold, divine in origin), but because fathers and husbands are bad. Theocracy has been rightly abolished not because it is bad that learned priests should govern ignorant laymen, but because priests are wicked men like the rest of us. Even the authority of man over beast has had to be interfered with because it is constantly abused.

We start a relationship with someone not only because of how great they are but how great they make us feel. And because they have granted us this extraordinary gift—a chance to experience love, joy, compassion, and security —it is our exclusive privilege to make them feel wonderful about themselves, especially during days when they, themselves, don't feel so wonderful.

Do You Believe Do you believe that I have loved you since the dawn of time? Do you believe that we were destined to be intertwined?...

He who sacrifices his respect for love basically burns his body to obtain the light.

When you look into your soulmates eyes, you see the world; into your soulmates heart, you see the sky, and into your soulmates soul, you see the universe.

Touch my wife again, and I’ll break every bone in your goddamn body.” My wife. Not Vanessa. He’d gone with my wife. He’d cussed. For me. For my honor. He’d said the ‘G’ word and it was just about the most romantic thing I’d ever heard in my life because Aiden didn’t do that.

Wendy taught me to curse, matched my clothing, brushed my hair before school, and let me sleep in bed with her when bad dreams woke me up. She fell in love often, and with great fanfare, throwing herself into each romance with the focus of an Olympic athlete. Now she's a mother and a wife, who tries to get her screaming baby to sleep through the night, tries to stop her boys from learning curse words, and calls romantic love useless. Sometimes it's heartbreaking to see your siblings as the people they've become. Maybe that's why we all stay away from each other as a matter of course.

Falling in love is accidental, staying in love is intentional, and growing in love is delightful.

Okay, I’ll give you that Wuthering Heights is the least romantic book in the history of Victorian romances, but Jane Eyre?” “Is that the one where the douchebag hid his wife away in the attic and then lied about it to the girl he wanted to bang who was, like, half his age?” Claire winced. “Well, when you put it like that.

German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her.

Everything I have become, everything I will ever accomplish cannot compare to my most impressive feat: I have loved you fiercely and assiduously with the very marrow inside my bones. So that when I die, they can crack them to find you there. So that when I die, they can open me up and see your name tattooed on the wall of my heart. So that when I die, my epitaph will neither commemorate who I was nor what I did, but will read: “She loved. And loved. And loved.” And so, I smile now, because that is no small thing.

Do You Believe ...on this road of life on this day I take you now husband and wife...

Nothing belongs to itself anymore. These trees are yours because you once looked at them. These streets are yours because you once traversed them. These coffee shops and bookshops, these cafés and bars, their sole owner is you. They gave themselves so willingly, surrendering to your perfume. You sang with the birds and they stopped to listen to you. You smiled at the sheepish stars and they fell into your hair. The sun and moon, the sea and mountain, they have all left from heartbreak. Nothing belongs to itself anymore. You once spoke to Him, and then God became yours. He sits with us in darkness now to plot how to make you ours.” K.K.

I want us to be more spontaneous. I want the superhero to come home and take me. Nothing to do with being his wife. Everything to do with uncontrollable testosterone.

Roger became aware, in a subliminally marital way, that his wife was disgruntled at the thought of being left behind to organize the harvest-a filthy, exhausting job at the best of times-whilst he frolicked with a squad of his co-religionists in the romantically exciting metropolis of Cross Creek, population two hundred.

most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.

Happy is the man who marries the woman he wants; happier is the man who marries the woman he needs.

How romantic. ‘Nice wife you have, Prince Pelops.’ ‘Thanks. I won her in a chariot race.

There are many fish in the sea, but never let a good one swim away.

You just wait. Soon, lovers all over the world will be reciting poems dedicated to you. This is my promise.

Taking good care of your husband or wife is the best way to thank their parent or parents for having taken good care of them.

Everyone thinks of romantic comedies as being these sappy, unrealistic stories where love conquers all and everyone ends up happy at the end. But that's not what her movies were at all. Like, in Sleepless in Seattle, you can't really get any sadder that Tom Hanks missing his dead wife. And in You've Got Mail, Meg Ryan misses her mom and loses her store. None of that gets resolved by the end. It's not like Tom's wife comes back to life, and Meg Ryan still loses the business her mom built.

Nikolai's glib demeanor vanished. "I cannot take a wife while I am in this state. I cannot forge a marriage founded on lies." "Aren't most?" "Ever the romantic." "Ever practical." (KoS, Ch. 2)

He took a breath. “My future wife’s in the police... “Wait, wait, wait. How long have you been going out with this woman?” Luca cleared his throat again, this time with deserved sheepishness. “We met yesterday.

Shortly before seven, he made Katie her sourdough toast and coffee, and woke her up with breakfast in bed. The tire shop he managed was closed on Sunday, so this was the only day he could relieve his wife of what would otherwise be a seven-day-a-week job. Taking care of the kids so she could sleep in an hour was, she frequently assured him, so romantic, and so sexy—and on most Sunday nights after the kids went to bed, she showed him exactly how much she appreciated the gesture. But

Rather than fall completely under his spell, she huffed, “I should like to see you submissively fond of your wife. Given your professed opinions, I cannot expect much fondness from you as a husband, can I?”   “Fondness, yes. Ridiculous, romantic, calf-eyed love, no, you may not,” he confirmed. “But when I am fond, Bess, I am very fond.

Finding a wife is easy; keeping her happy takes work.

What about you? Girlfriend? Wife? Kids? Perhaps a gaggle of towheaded, extra large boys who already excel at sports and know how to make fire with the ass end of a lightning bug?

Love came, it saw, and it conquered me.

Rather than act like a coward and live, it would be better to live in satisfaction and die." ~ Qu Qing Ju

My wife may be in a merciful mood, but I am not.

The greatest love stories are not written by the ink of the pen, but by the ink of the heart.

In sum, we need women to buy into romantic partnerships so that they will become the social safety net that our leaders and politicians refuse to create.

Such presumption," said Aunt Laura, meaning for a Dix to aspire to a Murray. "It wasn't because of his presumption I packed him off," said Emily. "It was because of the way he made love. He made a thing ugly that should have been beautiful." "I suppose you wouldn't have him because he didn't propose romantically," said Aunt Elizabeth contemptuously. "No. I think my real reason was that I felt sure he was the kind of man who would give his wife a vacuum cleaner for a Christmas present," vowed Emily.

Twenty years ago, two of the CIA's best double-agents had been murdered in their own home on Christmas Eve. The husband had been killed first, and the wife had been raped repeatedly before she'd been beaten to death. The two children were never found.

My only regret,” he gently tugged me back toward him, “would be leaving this world before naming you as my wife. If I die tomorrow, at least I’ll have that to my credit.” Wrapping his arms around my waist, he vowed, “You don’t have to be queen…but you will not fall into obscurity on a foreign world. You will bear the Omuran name, and I have to believe that will protect you.” He brought his forehead to rest against mine, adding sorrowfully, “I have to believe that our family line wasn’t meant to end with this.

Clare is silent. Her pragmatism and her romantic feelings about Jesus and Mary are, at thirteen, almost equally balanced. A year ago she would have said God without hesitation. In ten years she will vote for determinism, and ten years after that Clare will believe that the universe is arbitrary, that if God exists he does not hear our prayers, that cause and effect are inescapable and brutal, but meaningless. And after that? I don't know. But right now Clare sits on the threshold of adolescence with her faith in one hand and her growing skepticism in the other, and all she can do is try to juggle them, or squeeze them together until they fuse.

Despite rejection by the establishment, Bowlby pioneered on, giving form to a theory of what he called attachment. (The story goes that when asked by his wife why he didn’t give it its rightful name, a theory of love, he replied, “What? I’d be laughed out of science.”)

Because, my dear, God is love. Not just maternal or fraternal love but romantic love as well. Song of Solomon was written to show what the love between a husband and a wife should be, but it was also written to emulate the depth of feeling and love God has for each of us. As intense and wonderful as this young man’s kiss made you feel, more so is the passion and love God has for you. No, your feelings aren’t wrong, but perhaps the timing is.

Because inside we still carry the dreams of what could have been, of what should have been, of what we wish could still be. This doesn't mean we aren't content. We are content, but the romantic longings of our girlhood have never entirely left us. It's like Yen-Yen said all those years ago: 'I look in the mirror and I'm surprised by what I see.' I look in the mirror and still expect to see my Shanghai-girl self- not the wife and mother I've become.

By 'stay,' do you mean forever?" I mean to ask but don't. Stay till I die? Till I am too old to take care of myself, like my father? "For now." is my answer, but I don't know, not really. If moving to New York at age forty-eight taught me anything, it is that I am capable of starting over in a new place. And yet, the thought of leaving it, of knowing how much I would miss, is too painful to contemplate. I remember how Wendy once told me she loved New York so much she couldn't bear the thought of it going on without her. It seemed like both the saddest and the most romantic thing one could possibly say—sad because New York can never return the sentiment, and sad because it's the kind of thing said more often about a romantic love—husband, wife, girlfriend, partner, lover. You can't imagine them going on without you. But they do. We do. Every day, we may wake up and say, What's the point? Why go on? And, there is really only one answer: To be alive.

…I am sure it is not worth such high drama. I do not profess to know or understand romantic love between husband and wife, but surely it is not so all-encompassing that the loss of one would destroy the other. You are stronger than you think, dear sister. You would survive quite handily without him, moot point though it may be.

You're like a bullet that pierced my flesh, my heart and my soul. Pero sa lahat ng tinamaan ng bala, ako na ata ang pinakamasaya.

If you try to buy love, you will go bankrupt trying to possess it.

True love is like diamonds; scarce, and priceless.

every aspect of a woman’s emotional and physical existence is dependent on the romantic love she receives from her husband, says Dr. James Dobson.

The only place you will find love before sacrifice is in the dictionary.

Falling in love is not the problem; hitting your head on the way down is.

Love only knocks on your heart’s door when certain it has the right address.

Skype or FaceTime or whatever Internet magic puts husband and wife on a computer screen. Until they find a way to convey touch, it doesn’t do more than increase your longing.

Love her for all she is, Not just when she can please. She is the crown of your life, Not the fly of your jeans.

If you will not let me live freely, why would I let you live in satisfaction?" ~ Qu Qing Ju

She is feistier than I anticipated my wife to be, but what man doesn't like a challenge?

No, you are not because I am going to,” Roxbury said darkly, probably still angry about those pesky rumors about his preferences. “How could you deny me that satisfaction?” she asked. “Very well, my dear wife, we shall seek and destroy the Man About Town together,” Roxbury agreed. “That’s the most romantic thing anyone has ever said to me,” Julianna said sweetly, and her husband grinned.

He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.

I imagine standing beside you as a partner. I imagine supporting you as a friend. I imagine encouraging you as a confidant. And I imagine loving you in all the ways a devoted husband would adore his wife.

The Wall of Winnipeg stared down at the much smaller man, and in a voice that was as close to a cool, unattached statement as possible, he said, “Touch my wife again, and I’ll break every bone in your goddamn body.” My wife. Not Vanessa. He’d gone with my wife. He’d cussed. For me. For my honor. He’d said the ‘G’ word and it was just about the most romantic thing I’d ever heard in my life because Aiden didn’t do that.

Say what you like about those starry-eyed souls, about the upheaval and destruction they always leave in their wake, but there is one thing about romantics that nobody can deny. They never settle for second best

he sought her lips again...now you know what i have been fighting against since last summer at grand isle; what drove me away and drove me back again...i couldn't help loving you if you were ten times his wife...

I wasn’t even used to being someone’s girlfriend yet. I don’t know how to be a wife.” “Tip: have sex with me, and only me, often.” “And there’s the rest of my life, having sex with a sinfully hot man. However will I cope?

I'm going to do whatever it takes to make you mine in every way. My wife, the mother of my children, my everything. I'll be thirty-eight in two months. I've devoted most of my adulthood to my career. Now, I want to devote myself to you.

I sighed and glanced at him. “I have an idea.” “Those are the scariest damned words you could possibly say to me right now. Ideas are dangerous things. The only thing more dangerous than you having an idea is your wife having an idea—or my wife having one.

When I first read The Rebel, this splendid line came leaping from the page like a dolphin from a wave. I memorized it instantly, and from then on Camus was my man. I wanted to write like that, in a prose that sang like poetry. I wanted to look like him. I wanted to wear a Bogart-style trench coat with the collar turned up, have an untipped Gauloise dangling from my lower lip, and die romantically in a car crash. At the time, the crash had only just happened. The wheels of the wrecked Facel Vega were practically still spinning, and at Sydney University I knew exiled French students, spiritually scarred by service in Indochina, who had met Camus in Paris: one of them claimed to have shared a girl with him. Later on, in London, I was able to arrange the trench coat and the Gauloise, although I decided to forgo the car crash until a more propitious moment. Much later, long after having realized that smoking French cigarettes was just an expensive way of inhaling nationalized industrial waste, I learned from Olivier Todd's excellent biography of Camus that the trench coat had been a gift from Arthur Koestler's wife and that the Bogart connection had been, as the academics say, no accident. Camus had wanted to look like Bogart, and Mrs. Koestler knew where to get the kit. Camus was a bit of an actor--he though, in fact, that he was a lot of an actor, although his histrionic talent was the weakest item of his theatrical equipment--and, being a bit of an actor, he was preoccupied by questions of authenticity, as truly authentic people seldom are. But under the posturing agonies about authenticity there was something better than authentic: there was something genuine. He was genuinely poetic. Being that, he could apply two tests simultaneously to his own language: the test of expressiveness, and the test of truth to life. To put it another way, he couldn't not apply them.

Everybody must pity Desdemona, but I cannot bring myself to like her. Her determination to marry Othello – it was she who virtually did the proposing – seems the romantic crush of a silly schoolgirl rather than a mature affection; it is Othello’s adventures, so unlike the civilian life she knows, which captivate her rather than Othello as a person. He may not have practiced witchcraft, but, in fact, she is spellbound. Then, she seems more aware than is agreeable of the honor she has done Othello by becoming his wife. […] Before Cassio speaks to her, she has already discussed him with her husband and learned that he is to be reinstated as soon as it is opportune. A sensible wife would have told Cassio this and left matters alone. In continuing to badger Othello, she betrays a desire to prove to herself and to Cassio that she can make her husband do as she pleases. […] Though her relationship with Cassio is perfectly innocent, one cannot but share Iago’s doubts as to the durability of the marriage. It is worth noting that, in the willow-song scene with Emilia, she speaks with admiration of Ludovico and then turns to the topic of adultery. Of course, she discusses this in general terms and is shocked by Emilia’s attitude, but she does discuss the subject and she does listen to what Emilia has to say about husbands and wives. It is as if she had suddenly realized that she had made a mésalliance and that the sort of man she ought to have married was someone of her own class and color like Ludovico. Given a few more years of Othello and of Emilia’s influence and she might well, one feels, have taken a lover.

This portrait of a young woman is housed in the Louvre and is traditionally attributed to Leonardo. The painting’s title, applied as early as the seventeenth century, identifies the sitter as the wife or daughter of an ironmonger (a ferronnier). Some historians believe the title alludes to a reputed mistress of Francis I of France, who was married to a certain Le Ferron. According to a Romantic legend of revenge, the aggrieved husband Francis intentionally infected himself with syphilis, which he passed to the king through infecting his wife.

You say 'love' too easily, Kepler." "No, not rally - please don't call me that. The idea that love has to be a blazing romantic thing of monogamous stability is innately ludicrous. You loved your parents, perhaps, because they were the warmth you could flee to. You loved your first childhood crush with a passion that made your lips tingle, your flesh grow light in their presence. You loved your wife with the steadiness of an ocean against the shore; your lover with the blaze of a shooting star, your best friend with the confidence of a mountain. Love is a many-splendorous thing, as the old song says....

In eighteenth-century Britain, many female friends enjoyed intense relationships, which they celebrated in romantic terms. Some probably compensated for stiff and formal relations with parents by forging close bonds with same-sex friends. In one case, Eleanor Butler and Sarah Ponsonby ran away from their families in Ireland to set up home together in Wales, where they would live in mutual harmony for more than fifty years. Known as the Ladies of Llangollen, they attracted visitors from far and wide who venerated their romantic story with never a hint that the friendship might be anything other than platonic

Phillip Murray and Wanda Saxton meet in the last scene under the rainy awning, their wrong wife and fiance finally story-lined away, and walk out together into the downpour - we know from the first scene, Christmas eve, that both of them like walking in the rain but don't have anybody who will do it with them - and it's the miracle of the ending.

[Paul Olum] was president of the University of Oregon when he heard of [Richard] Feynman’s death. He realized that the young genius he had met at Princeton had become a part of him, impossible to extricate. “My wife died three years ago, also of cancer,” he said. ... I think about her a lot. I have to admit I have Dick’s books and other things of Dick’s. I have all of the Feynman lectures and other stuff. And there are things that have pictures of Dick on them. The article in Science about the Challenger episode. And also some of the recent books. I get a terrible feeling every time I look at them. How could someone like Dick Feynman be dead? This great and wonderful mind. This extraordinary feeling for things and ability is in the ground and there’s nothing there anymore. It’s an awful feeling. And I feel it—— A lot of people have died and I know about it. My parents are both dead and I had a younger brother who is dead. But I have this feeling about just two people. About my wife and about Dick. I suppose, although this wasn’t quite like childhood, it was graduate students together, and I do have more—— I don’t know, romantic, or something, feelings about Dick, and I have trouble realizing that he’s dead. He was such an extraordinarily special person in the universe. Gleick, James (2011-02-22). Genius: The Life and Science of Richard Feynman (p. 145). Open Road Media. Kindle Edition.

Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.

Think about it, Nick, we know each other. Better than anyone in the world now.’ It was true that I’d had this feeling too, in the past month, when I wasn’t wishing Amy harm. It would come to me at strange moments – in the middle of the night, up to take a piss, or in the morning pouring a bowl of cereal – I’d detect a nib of admiration, and more than that, fondness for my wife, right in the middle of me, right in the gut. To know exactly what I wanted to hear in those notes, to woo me back to her, even to predict all my wrong moves ... the woman knew me cold. Better than anyone in the world, she knew me. All this time I’d thought we were strangers, and it turned out we knew each other intuitively, in our bones, in our blood. It was kind of romantic. Catastrophically romantic.

Learning became her. She loved the smell of the books, the shelves, the type on the pages, the sense that the world was an infinite but knowable place. Every fact she learned seemed to open another question, and for every question there was another book. She learned the card catalog. She never learned more than she needed to know. She read romantic novels and she imagined that the men and women at the reading tables around her were the subject of the books. Happy passionate lives, so simple it seemed for others. She read Jane Austen, Thackeray, Dickens, stories in which the lives of the tattered poor turned out to be blissful in the end. She read about the capitals of the world, the cathedrals and minarets, the broad avenues, and the volatile and ever-expanding world of science.

I rather liked him.I asked him to come and see us.' ‘Oh Christ !’ ‘But, Bradley, you mustn’t reject people,you musn't just write them of. You must be curious about them. Curiosity is kind of charity.’ ‘I don’t think curiosity is a kind of charity. I think it’s a kind of malice.’ ‘That’s what makes a writer, knowing the details.’ ‘It may make your kind of writer. It doesn’t make mine.’ ‘Here we go again,’ said Arnold. ‘Why pile up a jumble of “details”? When you start really imagining something you have to forget the details anyhow, they just get in the way. Art isn’t the reproduction of oddments out of life.’ ‘I never said it was!’ said Arnold. ‘I don’t draw direct from life.’ ‘Your wife thinks you do.’ ‘Oh that. Oh God.’ ‘Inquisitive chatter and cataloguing of things one’s spotted isn’t art. ‘ ‘Of course it isn’t -‘ ‘Vague romantic myth isn’t art either. Art is imagination. Imagination changes, fuses. Without imagination you have stupid details on one side and empty dreams on the othet.’ ‘Bradley, I know you -‘ ‘Art isn’t chat plus fantasy. Art comes out of endless restraint and silnce.’ ‘If the silence is endless there isn’t any art! It’s people without creative gifts who say that more mean worse!’ ‘One should only complete something when one feels one’s bloody privileged to have it all. Those who only do what’s easy will never be rewarded by -‘ ‘Nonsense. I write whether I feel like it or not. I complete things whether I think they’re perfect or not. Anything else is hypocrisy. I have no muse. That’s what being a professional writer is.’ ‘Then thank God I’m not one.’…

The bones said death was comin', and the bones never lied. Eva Savoie leaned back in the rocking chair and pushed it into motion on the uneven wide-plank floor of the one-room cabin. Her grand pere Julien had built the place more than a century ago, pulling heavy cypress logs from the bayou and sawing them, one by one, into the thick planks she still walked across ever day. She had never known Julien Savoie, but she knew of him. The curse that had stalked her family for three generations had started with her grandfather and what he'd done all those years ago. What he'd brought with him to Whiskey Bayou with blood on his hands. What had driven her daddy to shoot her mama, and then himself, before either turned forty-five. What had led Eva's brother, Antoine, to drown in the bayou only a half mile from this cabin, leaving a wife and infant son behind. What stalked Eva now.

It is well-known that a big percentage of all marriages in the United States end in divorce or separation (about 39 percent, according to the latest data).[30] But staying together is not what really counts. Analysis of the Harvard Study data shows that marriage per se accounts for only 2 percent of subjective well-being later in life.[31] The important thing for health and well-being is relationship satisfaction. Popular culture would have you believe the secret to this satisfaction is romantic passion, but that is wrong. On the contrary, a lot of unhappiness can attend the early stages of romance. For example, researchers find that it is often accompanied by rumination, jealousy, and “surveillance behaviors”—not what we typically associate with happiness. Furthermore, “destiny beliefs” about soul mates or love being meant to be can predict low forgiveness when paired with attachment anxiety.[32] Romance often hijacks our brains in a way that can cause the highs of elation or the depths of despair.[33] You might accurately say that falling in love is the start-up cost for happiness—an exhilarating but stressful stage we have to endure to get to the relationships that actually fulfill us. The secret to happiness isn’t falling in love; it’s staying in love, which depends on what psychologists call “companionate love”—love based less on passionate highs and lows and more on stable affection, mutual understanding, and commitment.[34] You might think “companionate love” sounds a little, well, disappointing. I certainly did the first time I heard it, on the heels of great efforts to win my future wife’s love. But over the past thirty years, it turns out that we don’t just love each other; we like each other, too. Once and always my romantic love, she is also my best friend.

Just at that moment, Lucilla happened to cross the lawn at a distance. At sight of her, I could not, as I pointed to her, forbear exclaiming in the words of Sir John's favorite poet, There doth beauty dwell, There most conspicuous, e'en in outward shape, Where dawns the high expression of a mind. "This is very fine," said Sir John, sarcastically. "I admire all you young enthusiastic philosophers, with your intellectual refinement. You pretend to be captivated only with _mind_. I observe, however, that previous to your raptures, you always take care to get this mind lodged in a fair and youthful form. This mental beauty is always prudently enshrined in some elegant corporeal frame, before it is worshiped. I should be glad to see some of these intellectual adorers in love with the mind of an old or ugly woman. I never heard any of you fall into ecstasies in descanting on the mind of your grandmother.

Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories. “Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating. She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse. “I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs. Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way. Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late.

What’s the, like, symbol, for five years? Paper?” “Paper is first year,” I said. At the end of Year One’s unexpectedly wrenching treasure hunt, Amy presented me with a set of posh stationery, my initials embossed at the top, the paper so creamy I expected my fingers to come away moist. In return, I’d presented my wife with a bright red dime-store paper kite, picturing the park, picnics, warm summer gusts. Neither of us liked our presents; we’d each have preferred the other’s. It was a reverse O. Henry. “Silver?” guessed Go. “Bronze? Scrimshaw? Help me out.” “Wood,” I said. “There’s no romantic present for wood.” At the other end of the bar, Sue neatly folded her newspaper and left it on the bartop with her empty mug and a five-dollar bill. We all exchanged silent smiles as she walked out. “I got it,” Go said. “Go home, fuck her brains out, then smack her with your penis and scream, ‘There’s some wood for you, bitch!’ 

Eva's mother believed in past life connections, that two souls can be twinned over and over, playing out different roles so that in one life they may be mother and daughter, in another husband and wife, in a third dear friends. I only know that throughout my life I have felt an instinctive attraction to particular people, male and female, romantic and platonic; attraction inexplicable at the time but for a certain mutual recognition. It was this way with Eva, although we were only eight years old.

You said she has no travel records leaving Italy?" "Yes sir." "So there is a great possibility that she is still here in Italy, isn't?" "Yes sir." "What is 'true love' in Italian?" Secretary Wood showed surprise in his boss' peculiar question that was so not in line with their topic. "Uh...it's 'vero amore', sir." Secretary Wood answered, looking at Cullan as if he already lost his marbles. "Okay. Find my wife as soon as possible, Secretary Wood. I want my vero amore back to me." Cullan said with vindiction.

Rhys cleared his throat and tugged on his cravat. “I wanted to ask you something.” “Yes?” St. Clare livened up immediately as he took a sip of whisky. “Do you treat your wife like your mistress?” St. Clare raised a brow. Any other man would be sputtering his drink out of his mouth in surprise at the question. Not St. Clare. “No, I treat my wife a lot better than I have ever treated any of my mistresses.” “That’s not exactly what I mean….” Rhys cleared his throat again. “Then what do you mean?” Rhys scratched his temple. “I mean in bed.” “Oh…” Gabriel scowled. “I do not think I follow.” “Well, I mean… All the depraved things you did with your mistresses, do you do them to your wife?” Gabriel raised his brow. “If by depraved, you mean whether I pleasure my wife in every way I have learned how then yes. And she does the same for me.” “You let her—” “I let her do anything she wants to do to me and then teach her to do even more,” he added with a wink. Rhys tugged on his cravat again in agitation. “What I mean is… I’ve heard time and time again that ladies are delicate creatures who cannot withstand arduous pursuits… There are things that are indecent—” “Let me stop you right there, my dear, virtuous friend. What you think is indecent, I do to my wife every morning before breakfast. And what you call degrading or embarrassing, I call Tuesday.” He finished his drink and slammed the glass onto the desk. “There is no such thing as indecent between a husband and a wife. The only thing indecent is a cold marriage bed. Take it from a former rake.

What are you doing here?" He shoved one hand in his pocket. "I need a wife." "And you came here..." She searched for an explanation for his outlandish statement. "Because you thought a company that sells feminine care products might also have a supply of women available for marriage? I can go to the stock room if you want and see what we have on the shelf. Are you looking for a blonde or a brunette? I guess it doesn't matter whether she likes you or not." "It's not just for me," Liam explained, pulling his hand out of his pocket. "I need a wife to preserve my family legacy." "So you want to breed her? Good to know. That takes Margie and Joan out of the running. They're both in their sixties." He dropped to one knee and held out a blue velvet box. "I want you. Marry me, Daisy." Of all the things she'd expected him to say, "Marry me," did not even make the top thousand. For a long moment, all she could do was stand and stare. "I think you have me confused with someone who would even want to be in the same room as you, much less wed you after such a romantic proposal.

(And so, although, or rather because her family looked upon her as an ally of demons, the girl from then on led a pampered life, and came to consider her blood as superior to theirs, and played shamelessly on their fear of the Mouser and Fafhrd and Black-beard, and finally made them give her all the golden coins, and with them purchased seductive garments after fortunate passage to a faraway city, where by clever stratagem she became the wife of a satrap and lived sumptuously ever afterwards—something that is often the fate of romantic people, if only they are romantic enough.)

1. All-or-Nothing Thinking The tendency to think in extremes like “always” and “never” without considering nuanced degrees between. “My boyfriend broke up with me; I always ruin my relationships.” 2. Overgeneralization The tendency to make broad assumptions based on limited specifics. “If one person thinks I’m stupid, everyone will.” 3. Mental Filter The tendency to focus on small negative details to the exclusion of the big picture. “My A+ average doesn’t matter; I got a C on an assignment.” 4. Disqualifying the Positive The tendency to dismiss positive aspects of an experience for irrational reasons. “If my friend compliments me, she is probably just saying it out of pity.” 5. Jumping to Conclusions The tendency to make unfounded, negative assumptions, often in the form of attempted mind reading or fortune telling. “If my romantic interest doesn’t text me today, he must not be interested.” 6. Catastrophizing The tendency to magnify or minimize certain details of an experience, painting it as worse or more severe than it is. “If my wife leaves me, then I will never be able to recover from my misery.” 7. Emotional Reasoning The tendency to take one’s emotions as evidence of objective truth. “If I feel offended by someone else’s remark, then he must have wronged me.” 8. Should Statements The tendency to apply rigid rules to how one “should” or “must” behave. “My friend criticized my attitude, and that is something that friends should never do.” 9. Labeling The tendency to describe oneself in the form of absolute labels. “If I make a calculation error, it makes me a total idiot.” 10. Personalization The tendency to attribute negative outcomes to oneself without evidence. “If my wife is in a bad mood, then I must have done something to upset her.

We entered the Taj Mahal, the most romantic place on the planet, and possibly the most beautiful building on earth. We ate curry with our driver in a Delhi street café late at night and had the best chicken tikka I’ve ever tasted in an Agra restaurant. After the madness of Delhi, we were astonished that Agra could be even more mental. And we loved it. We marvelled at the architecture of the Red Fort, where Shah Jahan spent the last three years of his life, imprisoned and staring across at the Taj Mahal, the tomb of his favourite wife. We spent two days in a village constructed specifically for tiger safaris, although I didn’t see a tiger, my wife and son were more fortunate. We noticed in Mussoorie, 230 miles from the Tibetan border, evidence of Tibetan features in the faces of the Indians, and we paid just 770 rupees for the three of us to eat heartily in a Tibetan restaurant. Walking along the road accompanied by a cow became as common place as seeing a whole family of four without crash helmets on a motorcycle, a car going around a roundabout the wrong way, and cars approaching towards us on the wrong side of a duel carriageway. India has no traffic rules it seems.

But I know three things, Serafina Evans,” he replies, kissing me lightly on the lips. “First, that I’ve loved you since the moment I saw you.” He kisses me more deeply. “Second, that I missed you even when I didn’t remember you, I just didn’t realize that’s what I was feeling until my memories came back.” He kisses me again in a way that causes me to moan against him. “And finally, that life is too short, too precious to live another moment without asking you to be my wife.” He slips out of my arms, crouching on one knee next to the couch, the ring mysteriously having appeared in his hand. “Marry me, Sera.

Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.

The person who really writes the minor work is a secret writer who accepts only the dictates of a masterpiece. Our good craftsman writes. He’s absorbed in what takes shape well or badly on the page. His wife, though he doesn’t know it, is watching him. It really is he who’s writing. But if his wife had X-ray vision she would see that instead of being present at an exercise of literary creation, she’s witnessing a session of hypnosis. There’s nothing inside the man who sits there writing. Nothing of himself, I mean. How much better off the poor man would be if he devoted himself to reading. Reading is pleasure and happiness to be alive or sadness to be alive and above all it’s knowledge and questions. Writing, meanwhile, is almost always empty. There’s nothing in the guts of the man who sits there writing. Nothing, I mean to say, that his wife, at a given moment, might recognize. He writes like someone taking dictation. His novel or book of poems, decent, adequate, arises not from an exercise of style or will, as the poor unfortunate believes, but as the result of an exercise of concealment. There must be many books, many lovely pines, to shield from hungry eyes the book that really matters, the wretched cave of our misfortune, the magic flower of winter! Excuse the metaphors. Sometimes, in my excitement, I wax romantic. But listen. Every work that isn’t a masterpiece is, in a sense, a part of a vast camouflage. You’ve been a soldier, I imagine, and you know what I mean. Every book that isn’t a masterpiece is cannon fodder, a slogging foot soldier, a piece to be sacrificed, since in multiple ways it mimics the design of the masterpiece. When I came to this realization, I gave up writing. Still, my mind didn’t stop working. In fact, it worked better when I wasn’t writing. I asked myself: why does a masterpiece need to be hidden? what strange forces wreath it in secrecy and mystery?

Wife number one always married with the naïve romantic dream that her husband would never need another wife, believing his earnest promises to her that she would be the only one, that their marriage was different… until he shattered her union with him and obliterated her dignity by bringing the next woman home. Her children would learn from her embittered and broken heart that their father had betrayed her and thus, by extension… them. They themselves would count the other wives and their half-siblings as interlopers, cutting into their rightful inheritance, long before they were old enough to be sent to learn anything from their sire.

Emma, later tonight, when my mind isn’t clouded from nerves, I’m going to recite to you the entire epic speech I had planned to ask you to be my wife. It was filled with all the reasons I love you and how you make me a better man each and every day. I’ve known since the moment you told me you loved me that I was going to marry you, and I don’t want to wait any longer to make you my wife. I had all these other romantic things I was going to say with the proposal. It was filled with all the plans I have for us and how I cannot wait to be your partner in life for the rest of our lives, but fuck, all the poetic things I had in my mind are gone, so now…

The gestures of models (mannequins) and mythological figures. The romantic use of nature (leaves, trees, water) to create a place where innocence can be refound. The exotic and nostalgic attraction of the Mediterranean. The poses taken up to denote stereotypes of women: serene mother (madonna), free-wheeling secretary (actress, king’s mistress), perfect hostess (spectator-owner’s wife), sex-object (Venus, nymph surprised), etc. The special sexual emphasis given to women’s legs. The materials particularly used to indicate luxury: engraved metal, furs, polished leather, etc. The gestures and embraces of lovers, arranged frontally for the benefit of the spectator. The sea, offering a new life. The physical stance of men conveying wealth and virility. The treatment of distance by perspective – offering mystery. The equation of drinking and success. The man as knight (horseman) become motorist. Why does publicity depend so heavily upon the visual language of oil painting? Publicity is the culture of the consumer society. It propagates through images that society’s belief in itself. There are several reasons why these images use the language of oil painting. Oil painting, before it was anything else, was a celebration of private property. As an art-form it derived from the principle that you are what you have.

Doctors and nurses offer unconditional care, they treat whomever it is their job to heal. In order to be ethical they must be impartial. But to be in love is to be partial. It is to be specific. All romantic love is conditional, in that the condition is the persons essential nature. Their themness. If your love for a person isn’t predicated on the condition that they are them, right now as they are, and is instead predicated on their need for that love, or on your thinking that you could do a good job of making that person happier or better, then you are a nurse. You are a robot hero. And maybe you can save the day but you are not a lover. You are not in love.

In one conspicuous case, that of royalty, the State does already select the parents on purely political grounds; and in the peerage, though the heir to a dukedom is legally free to marry a dairymaid, yet the social pressure on him to confine his choice to politically and socially eligible mates is so overwhelming that he is really no more free to marry the dairymaid than George IV was to marry Mrs Fitzherbert; and such a marriage could only occur as a result of extraordinary strength of character on the part of the dairymaid acting upon extraordinary weakness on the part of the duke. Let those who think the whole conception of intelligent breeding absurd and scandalous ask themselves why George IV was not allowed to choose his own wife whilst any tinker could marry whom he pleased? Simply because it did not matter a rap politically whom the tinker married, whereas it mattered very much whom the king married. The way in which all considerations of the king’s personal rights, of claims of the heart, of the sanctity of the marriage oath, and of romantic morality crumpled up before this political need shews how negligible all these apparently irresistible prejudices are when they come into conflict with the demand for quality in our rulers. We learn the same lesson from the case of the soldier, whose marriage, when it is permitted at all, is despotically controlled with a view solely to military efficiency. Well, nowadays it is not the king that rules, but the tinker. Dynastic wars are no longer feared, dynastic alliances no longer valued. ... On the other hand a sense of the social importance of the tinker’s marriage has been steadily growing. We have made a public matter of his wife’s health in the month after her confinement. We have taken the minds of his children out of his hands and put them into those of our State schoolmaster. We shall presently make their bodily nourishment independent of him. ... King Demos must be bred like all other kings; and with Must there can be no arguing.

I have heard my girlfriends say that making love with their husbands had become as ritualistic and as ordinary as brushing their teeth. Some were clever enough to realize that their husbands made love out of fear. With all the talk about erectile dysfunction, the commercials about the loss of testosterone, men were haunted by the images of limp penises. Every successful act of sexual intercourse reaffirmed their manhood. For many, it could have been with any vagina. The important thing was to reach that climax and, oh, by the way, trigger at least one climax in his wife, if possible. But hey, if she didn’t have it, that was her fault. Maybe she was the one who needed hormones and not me.

How could I leave Prim, who is the only person in the world I’m certain I love? And Gale is devoted to his family. We can’t leave, so why bother talking about it? And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. When we met, I was a skinny twelve-year-old, and although he was only two years older, he already looked like a man. It took a long time for us to even become friends, to stop haggling over every trade and begin helping each other out. Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt.

Love has given me great pleasure but takes up too much time. I have often been in love. I am surprised when someone loves me. I do not consider myself handsome just because a woman thinks so. I sometimes feel like an imposter without knowing why, as if a shadow falls over me and I can't make it go away. If over time a woman I'm seeing starts to use the expressions I do, I may begin to pity her. I have left a woman because I didn't love her anymore and didn't like the way I was around her. I find something pleasant in the pain of a fading love. I have more good memories than bad ones. I masturbate less to pictures than to memories. I would like to have myself hypnotised by my wife, but I'm not married.

The old male drew himself up as though getting ready to go. “I hate romantics, Quilan. They do not really know themselves, but what is worse they do not really want to know themselves—or, ultimately, anybody else—because they think that will take the mystery out of life. They are fools. You are a fool. Probably your wife was a fool, too.” He paused. “Probably you were both romantic fools,” he said. “Fools who were doomed to a life of disillusionment and bitterness when you discovered that your precious romanticism faded away after the first few years of marriage and you were left to confront not just your own inadequacies but those of your mate. You were lucky she died. She was unlucky it was her and not you.

Her parents and Seraphina were there to keep her company, as were Lord and Lady Westcliff, whom she and her siblings had always called "Uncle Marcus" and "Aunt Lillian." Lord Westcliff's hunting estate, Stony Cross Park, was located in Hampshire, not far from Eversby Priory. The earl and his wife, who had originally been an American heiress from New York, had raised three sons and three daughters. Although Aunt Lillian had teasingly invited Phoebe to have her pick of any of her robust and handsome sons, Phoebe had answered- quite truthfully- that such a union would have felt positively incestuous. The Marsden and the Challons had spent too many family holidays together and had known each other for too long for any romantic sparks to fly between their offspring.

When you finally found me, sobbing at the base of pine tree, you made me a promise I'll never forget. No matter where I went, no matter how far I drifted, no matter how long I was gone, you would come after me and bring me home. It was the most romantic thing a man had ever said to me. Which makes it all the more difficult for me to come to term with the fact that twenty years later we've drifted from one another again. Profligate drifting. Senseless drifting. As if we had all the daylight left in the world to make to the top of Tuckerman. If this sounds like a goodbye letter, I'm sorry. I'm not sure it's goodbye. It's more of a warning. You should probably look at your watch. You should probably say to yourself, Alice has been gone for a very long time. You should probably come and find me.

To Phoebe's relief, the gathering in the drawing room turned out to be far less intimidating than she'd expected. Her parents and Seraphina were there to keep her company, as were Lord and Lady Westcliff, whom she and her siblings had always called "Uncle Marcus" and "Aunt Lillian." Lord Westcliff's hunting estate, Stony Cross Park, was located in Hampshire, not far from Eversby Priory. The earl and his wife, who had originally been an American heiress from New York, had raised three sons and three daughters. Although Aunt Lillian had teasingly invited Phoebe to have her pick of any of her robust and handsome sons, Phoebe had answered- quite truthfully- that such a union would have felt positively incestuous. The Marsdens and the Challons had spent too many family holidays together and had known each other for too long for any romantic sparks to fly between their offspring.

On the road leading from his ranch to Samantha's, Wyat t drove his surrey up a small hill and caught his breath as the beauty of the large crescent moon dangling just out of reach over the crest A full moon would have been plump with luminescence, yet the pearly surface of the sickle still cast enough light to shadow his surroundings and seemed close enough that once he drove to the top of the hill, he'd be able to touch the bottom horn or at least toss a rope around it. He slackened the reins, slowing the horse, knowing that the higher he climbed, the sooner the illusion of closeness would disappear and he wanted to preserve for a moment the fantasy that the moon was within his grasp. The stars, by contrast, were distant pricks of diamond light farther out than a man could dream. He sighed. Life as a rancher or as a rancher's wife was not moon and stars easy or romantic. What would put stars in Samantha's eyes?

I thought about my father in 1959, brush-cut and clean-shaven, taking the elevator up to the editorial offices in the CBS building to meet my sad, solitary, lovely young mother. She was tall, she had a nice figure. She had pretty red hair. And she was a real lost soul. It was time for Dick to find a wife. It was time for Jerry to find his next victim. Woody needed a muse. Henry needed to be understood. Spade was on his sacred mission to find the mythical Her. And we, the pretty, bright girls coming up through prep schools and the Ivy League, loaded up with Sylvia Plath and the Romantic poets, were prepped to be the just deserts of genius. We were milk-fed and impressionable. Privileged and heedless. We were disposable and interchangeable. We were only supposed to last for one incandescent moment, like mayflies, then flutter off into oblivion so that the men might be free to work, to publish, and to pursue their next great passion.

You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.

But Isabel was like no one Nora had met before. She was beautiful, of course---the otherworldly clarity of her English skin!---and possessed of the sort of poise Nora could only dream about. Beyond that, she was magnetic. Try as Nora might, she couldn't resist her brother's new wife. First, there was her voice when she spoke, that crisp accent and authoritative diction that made Miss Perry (strictest in a long line of governesses) seem like a drover's wife by comparison; next, there was her laugh, which rose like bubbles in a glass of champagne. And then there were her stories. True tales of adventure and daring, rivaling anything Nora had read in her Girls' Crystal Annuals: during the Blitz, Isabel had handled secret papers in Whitehall and later worked in some sort of capacity that she wasn't able to speak of at length (at least not then and there). Even more excitingly, she was an orphan---a real one, just like a girl in a book, whose parents had died in tragic circumstances when she was only young, casting her out of the nest and into a childhood of boarding schools and midnight feasts and hockey sticks and daring japes. Nora couldn't think of anything more romantic.

Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.

He could also be terrible romantic and thoughtful. My job was a real challenge. The work was difficult and the boss demanding: he thought nothing of calling or emailing at odd hours, even on the weekend; you ignored him at your peril. There was a point at which everything got to me. And it was exactly at that moment that Chris stepped in and planned a weekend getaway. He found a little cabin out in the woods where there was no cell phone reception-yes!-and without telling anyone, we made our getaway. Almost. I actually called the boss and told him my cell reception was giving out, and so I wouldn’t be able to check messages, something he expected even on the weekends. As soon as we got to the cabin, I headed to the bedroom. Inside, I opened my suitcase and changed into sexy white Victoria’s Secret-style lingerie, complete with corset and thigh-highs. Feeling a little shy and silly, I walked out and leaned against the doorway of the living room where he was sitting. “Hey!” “Yeah?” he mumbled from the couch, not bothering to look up from the magazine he was reading. “Turn around,” I said. He turned around-slowly at first. But as soon as he caught sight of me in that lingerie, he hopped clear over the couch and chased me down the hall to the bedroom. I squealed and giggled the whole way.

Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?” Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her. “One needn’t think too hard to discover why,” she replied gruffly. Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.” In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally. “You’re betrothed.” Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?” To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle. “It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper. “He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.” “Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?” Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow. She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?

Then there’s the fact that losses tend to be multilayered. There’s the actual loss (in my case, of Boyfriend), and the underlying loss (what it represents). That’s why for many people the pain of a divorce is only partially about the loss of the other person; often it’s just as much about what the change represents—failure, rejection, betrayal, the unknown, and a different life story than the one they’d expected. If the divorce happens at midlife, the loss might involve coping with the limitations of knowing someone and being known again with the same degree of intimacy. I remember reading a divorced woman’s experience of getting to know a new lover after her decades-long marriage ended: “I will never lock eyes in the delivery room with David,” she wrote. “I’ve never met his mother.” And that’s also why Wendell’s question is so important. In asking me to remember what it’s like to sit with people who are grieving, he’s showing me what he can do for me right now. He can’t fix my broken relationship. He can’t change the facts. But he can help because he knows this: We all have a deep yearning to understand ourselves and be understood. When I see couples in therapy, often one or the other will complain, not “You don’t love me” but “You don’t understand me.” (One woman said to her husband, “You know what three words are even more romantic to me than ‘I love you’?” “You look beautiful?” he tried. “No,” his wife said. “I understand you.”)

relationship? Both partners doing everything they could to keep the other satisfied? See, that was the problem with many of the married couples she knew. In any marriage, there was a fine balance between doing what you wanted and doing what your partner wanted, and as long as both the husband and the wife were doing what the other wanted, there was never any problem. The problems arose when people started doing what they wanted without regard to the other. A husband suddenly decides he needs more sex and looks for it outside of the marriage; a wife decides she needs more affection, which eventually leads to her doing exactly the same thing. A good marriage, like any partnership, meant subordinating one’s own needs to that of the other’s, in the expectation that the other will do the same. And as long as both partners keep up their end of the bargain, all is well in the world. But if you didn’t feel any passion for your husband, could you really expect that? She wasn’t sure. Doris, of course, had a ready answer. “Trust me, honey, that passes after the first couple of years,” she would say, despite the fact that, to Lexie’s mind, anyway, her grandparents had the kind of relationship that anyone would envy. Her grandfather was one of those naturally romantic men. Until the very end, he would open the car door for Doris and hold her hand when they walked through town. He had been both committed and faithful to her. He clearly adored her and would often comment on how lucky he was to have met a woman like her. After he passed on, part of Doris had begun to die as well. First the heart attack, now worsening

Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.

Marry me.” A statement. Not a question. It came again. “Marry. Me.” His eyes burned into mine. I breathed in, my ears ringing. My pulse sped up, my heart raced, I was trying to remember exactly what breathing meant. I was wet, and I was gasping. “I want you. I want that, what they had today. I want it all, and I want it with you. I want you, want you to be my wife. I’ve got a ring, I’ll give it to you right now if you’ll say yes.” With every word, his hands tightened on my hips, desperate, crazy, longing. “I had this all planned out, so much smoother and romantic and everything you deserve. But my head’s been spinning since yesterday, when I saw my best friend steal a van to go meet his new family. And all I want, all I’ve ever wanted, is exactly that. Exactly you. And when I walked up those stairs, and heard the shower go on, and knew you were in here all naked and wet and waiting for me, I knew I couldn’t wait another day, another hour, another minute, without asking you to be my wife. So. Marry. Me.” He knelt. Christ on a crutch, he knelt on the shower floor, where he had knelt countless times before . . . ahem . . . took my hand, and repeated those words again. Finally, with a question mark at the end. “Marry me?” And in that moment, I realized all the worrying, all the hand wringing and wonder ponder, all the thoughts about who says what’s right for a couple, and when is it too soon, and when is it the right time, and if it ain’t broke don’t blah blah blah. Fuck all that noise. It wasn’t about what was right for other couples, it was about what was right for us. Simon and me. Because when Wallbanger kneels down and asks you to be his wife, it’s not really something you need to think too long on. Funny thing about getting proposed to in a shower. You can’t tell which is water and which is tears.

Night after night I would speak to Violet in the womb (no matter how strange that may seem to some people) because I was looking forward to the day when I would hold her in my arms, no longer just talking to my wife’s pajamas like a fucking lunatic. When the day finally came, I was nervously packing up the car to go to the hospital when I noticed a huge rainbow overhead, something that happens maybe once every thousand years in Los Angeles. I was immediately calmed. Yes, it sounds nauseatingly romantic, but yes, it’s true, and I took it as a sign. After a long and difficult labor, Violet was born to the sound of the Beatles in the background, and she arrived screaming with a predetermined vocal capacity that made the Foo Fighters sound like the Carpenters. Once she was cleaned up and put under the little Arby’s heat-lamp bed, I put my face close to hers, stared into her gigantic blue eyes, and said, “Hey, Violet, it’s Dad.” She immediately stopped screaming and her eyes locked with mine. She recognized my voice. We stared at each other in silence, our first introduction, and I smiled and talked to her as if I had known her my whole life. I am happy to say that, still to this day, when we lock eyes it’s the same feeling. This was a love I had never experienced before. There is an inevitable insecurity that comes along with being a famous musician that makes you question love. Do they love me? Or do they love “it”? You are showered with superficial love and adoration on a regular basis, giving you something similar to a sugar high, but your heart crashes once the rush dies off. Is it possible for someone to see a musician without the instrument being a part of their identity? Or is that a part of the identity that the other loves? Regardless, it’s a dangerous and slippery slope to question love, but one thing is for certain: there is nothing purer than the unconditional love between a parent and their child.

Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay: did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning? At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!” And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.

While his patience frayed, in the end, it was Meena who snapped first. Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter. With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin. But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest. As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress. But… Well… He kind of liked it. While Leo had dated his fair share of women, he’d never had one show such a possessive side before. Definitely never had one go after a girl for daring to flirt with him. He didn’t know what it said about him, the fact that he enjoyed her jealous outburst. Feeling kind of smug about it, he took a moment to bask. Hers. Yes, he was hers, and she was his, at least on paper. Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other. First, though, he needed to pry her off the other woman before she literally spilled blood. Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!” Ah, the romantic words of a woman in lust. Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party. “I wasn’t done, Pookie,” she grumbled. “I’ve got better plans for that energy,” was his reply. And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping. The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar. However, embarrassment wasn’t enough to stop him.

The whole reason I’d written about him so freely was that I never expected to face him in person and could therefore imagine him in ways that gratified my conception of who he should be: a white trash savant imbued with junkyard political savvy. In truth, I found the magazine completely disgusting—as I was meant to, obviously: it had long been the most reviled instance of mass-circulation pornography around and used people like me (shame-ridden bourgeois feminists and other elites) for target practice, with excremental grossness among its weapons of choice. It was also particularly nasty to academics who in its imagination are invariably prissy and uptight—sadly I’m one of this breed too. (A cartoon academic to his wife: “Eat your pussy? You forget, Gladys, I have a Ph.D.”)1 Maybe I yearned to be rescued from my primness, though Flynt was obviously no one’s idea of a white knight. (Of course, being attracted to what you’re also repelled by is not exactly unknown in human history.) For some reason, I tend to be drawn to excess: to men who laugh too loud and drink too much, who are temperamentally and romantically immoderate, have off-kilter politics and ideas. Aside from that, it also happened that in the period during which my ideas about things were being formed, the bawdy French satirist Rabelais was enjoying an intellectual revival in my sorts of circles, along with the idea of the “carnivalesque”: the realm of subversion and sacrilege—the grotesque, the unruly, the profane—where the lower bodily stratum and everything that emerges from it is celebrated for supposedly subverting established pieties and hierarchies. I was intrigued by these kinds of ideas, despite—or more likely because of—my aforementioned primness. Contemplating where one might locate these carnivalesque impulses in our own time I’d immediately thought of Hustler, even though back then I had only the vaguest idea what bodily abhorrences awaited me within its shrink-wrapped covers (as if a thin sheet of plastic were sufficient to prevent seepage from the filth within). In fact, the first time I peeled away the protective casing and tried to actually read a copy, I was so disgusted I threw it away, I didn’t even want it in the house.

You wonder what had happened, when a feller like that, in a place like that, talked of a childhood that might have as easily belonged to a millionaire, a lawyer, a schoolteacher, you. You had to think he was defective somehow, or had fucked up not once, not twice, but again and again, a peculiar resolve to his life. That was the thing, that resolve. We didn’t credit it. You looked at him and your brain said he was on the losing end of one of the two bargains that America made with you. There was the romantic one, that of the rambler, the man out seeking his destiny, living by his wits, all that horseshit. Then there was the classical American dare, that you could risk all, take an internal grudge and make of it a billion dollars and get a monumental tomb in the bargain. But the truth was neither. America was a grindstone. She used those notions as twin abrasives to wear you down into a dutiful drudge walking the straight and narrow. But there was something in the hearts of the some men, some of whom became Fritz, that wouldn’t accept that. These men in crummy bars, some of them, most of them, they were main-chance fellers. You could take ten of these wrecks and offer them a salesman’s job, a dozen white shirts and ties, forty Gs a year and perks, a neat house on a quiet street, a yard, a car, a dog, a wife, an expense account, a Chinese laundryman, membership in a church, grandkids who’d bounce on their knees, and you’d be lucky if one or two took you up on it. And those two would be the most defeated, the most broken and worn down. Take the same ten and offer them eight dollars a day to be litter bearers on a great adventure, a hike after a lost civilization, a one in hundred shot at survival, a one in thousand shot at a fabulous fortune of jewels and gold, and if you provided rum along the way, nine of the ten would sign up. I guarantee it. I guarantee too that the one or two who took the salesman’s job—within a year or two or three, he’d be fucking up again and again, no matter how many chances you gave him. He’s a main-chance feller, and even if he didn’t have the brains or the luck to make it work, he still couldn’t abide the line others toed, even if he couldn’t think of anything else to do with his life but the miserable American two step—toe the line, fuck up, toe the line, fuck up....

If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.

Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night. Bob Hicok, Insomnia Diary. (University of Pittsburgh Press. 2004)

I hate romantics, Quilan. They do not really know themselves, but what is worse they do not really want to know themselves—or, ultimately, anybody else—because they think that will take the mystery out of life. They are fools. You are a fool. Probably your wife was a fool, too.” He paused. “Probably you were both romantic fools,” he said. “Fools who were doomed to a life of disillusionment and bitterness when you discovered that your precious romanticism faded away after the first few years of marriage and you were left to confront not just your own inadequacies but those of your mate. You were lucky she died. She was unlucky it was her and not you.

We see this even more in Seven Brides For Seven Brothers (1954), with Mercer again at MGM, collaborating with composer Gene De Paul. This one has a real Broadway score, every number embedded in the characters’ attitudes. Ragged, bearded, buckskinned Howard Keel has come to town to take a wife, and a local belle addresses him as “Backwoodsman”: it’s the film’s central image, of rough men who must learn to be civilized in the company of women. The entire score has that flavor—western again, rustic, primitive, lusty. “Bless Yore Beautiful Hide,” treating Keel’s tour of the Oregon town where he seeks his bride, sounds like something Pecos Bill wrote with Calamity Jane. When the song sheet came out, the tune was marked “Lazily”—but that isn’t how Keel sings it. He’s on the hunt and he wants results, and, right in the middle of the number, he spots Jane Powell chopping wood and realizes that he has found his mate. But he hasn’t, not yet. True, she goes with him, looking forward to love and marriage. But her number, “Wonderful, Wonderful Day,” warns us that she is of a different temperament than he: romantic, vulnerable, poetic. They don’t suit each other, especially when he incites his six brothers to snatch their intended mates. Not court them: kidnap them. “Sobbin’ Women” (a pun on the Sabine Women of the ancient Roman legend, which the film retells, via a story by Stephen Vincent Benét) is the number outlining the plan, in more of Keel’s demanding musical tone. But the six “brides” are horrified. Their number, in Powell’s pacifying tone, is “June Bride,” and the brothers in turn offer “Lament” (usually called “Lonesome Polecat”), which reveals that they, too, have feelings. That—and the promise of good behavior—shows that they at last deserve their partners, whereupon each brother duets with each bride, in “Spring, Spring, Spring.” And we note that this number completes the boys’ surrender, in music that gives rather than takes. Isn’t

William (Marshal n.n.) gained great credit and patronage by his determined defense of Queen Eleanor of Aquitaine… He was largely supported by royal patronage… serving the Young King (Henry, son of Henry II) on the field of tournament and at court. The latter role may have been the more dangerous: his biographer claims that enemies falsely accused him of adultery with the wife of the Young King; some think it was a romantic invention… If an accusation was in fact made, Marshal solved it as he did later when charges were brought against him at the court of King John: by challenging his accusers to fight, a challenge that they prudently avoided. It is fascinating to note that Lancelot, with a roughly contemporary beginning to a career in imaginative literature, would respond in just this fashion to charges against him. And the Young King, needing William`s martial skills (as Arthur needed those of Lancelot in romance), soon retained the great warrior in his service again.

Come to me,” he murmured, sliding his wife into his lap. He’d learned many romantic phrases by now and had created even more of them himself. But “come to me” was one of the most meaningful and the most underrated ones in his opinion. “Come to me, and I‘ll make it all better.” “Come to me, I’ll give you comfort.” “Come to me, life is perfect when you’re near.” “Come to me, I need you…

Still, the way he loved his wife was different from the way he loved his kids. If his love for his wife was romantic and warm, his love for his kids was like a volcano. When he read Where the Wild Things Are to them, and they asked why the Wild Things wanted to eat the kid, he knew exactly why. “Because of how much they love him!” he said, pretending to swallow them as they giggled so hard they could barely breathe. He understood that devouring love.

... that I feel myself a naturalist and a physician both; and that I am equally interested in diseases and people; perhaps, too, that I am equally drawn to the scientific and romantic, and continually see both in the human condition, not least in that quintessential human condition of sickness- animals get diseases, but only man falls radically into sickness.

She did not understand either that his peculiar loquacity that day, so exasperating to her, was merely the expression of his inward distress and uneasiness. As a child that has been hurt skips about, putting all his muscles into movement to drown the pain, in the same way Aleksey Aleksandrovich needed mental exercise to drown the thoughts of his wife...And it was as natural for him to talk well and cleverly as it is natural for a child to skip about

Luckily, I’m not a very demanding spouse. I don’t mind that my wife is not brilliantly logical in every way. Or that my beautifully romantic speech did not move her to tears. One can’t have everything.

...she turned in the water, she observed herself at every angle and in every light, she writhed upon herself--and always this offensive, naked body pursued her. It was a flight from her own body that she was attempting, as if from another person whom she, Signora Isotta, was unable to save at a difficult juncture, and could only abandon to her fate. Yet this body, so rich and so impossible to conceal, had indeed been a glory of hers, a source of self-satisfaction; only a contradictory chain of circumstances, apparently sensible, could make it now a cause for shame. Or perhaps not; perhaps her life always consisted only of the clothed lady she had been all of her days, and her nakedness hardly belonged to her, was a rash state of nature revealed only now and then, arousing wonder in human beings, foremost in her. Now Signora Isotta recalled that even when she was alone or in private with her husband she had always surrounded her being naked with an air of complicity, of irony, part embarrassed and part feline, as if she were temporarily putting on joyous but outraged disguises, for a kind of secret carnival between husband and wife. She had become accustomed with some reluctance to owning a body, after the first disappointed romantic years, and she had taken it on like someone who learns he can command a long-yearned for property.

You know what three words are even more romantic to me than ‘I love you’?” “You look beautiful?” he tried. “No,” his wife said. “I understand you.”)

Hazel sniffed. “How romantic. ‘Nice wife you have, Prince Pelops.’ ‘Thanks. I won her in a chariot race.

Edward read through his words again before sealing them up in an envelope. There were other words he wanted to say, but he didn’t know how. How could he tell Beryl that he missed the color of her eyes at night, her laugh when he made a joke, and even her chiding? Those were things he couldn’t write in a letter. He didn’t consider himself a romantic, and Beryl had known that when she had married him. June seemed like such a long time back to Edward, much longer than six months ago.

Fifteen years after leaving her husband, Frances—who never remarried—found herself in the headlines, accused of being a conniving homewrecker. In a lawsuit filed in March 1922, asking for $25,000 in damages, Mrs. Marion Mehren of 2971 Second Boulevard, Detroit, accused Frances of alienating the affections of her husband, Paul Mehren. According to Mrs. Mehren’s allegations, “the woman lawyer took her husband for automobile rides, permitted him to visit her at her apartment . . . and accepted gifts of groceries from him.” When Mrs. Mehren confronted her husband and “accused him of being too friendly with Mrs. Keusch,” he flew into a rage and “told her to ‘go ahead and get a divorce.’”9 For her part, Frances brushed off the accusations, “declaring that Mehren was nothing more than a chauffeur and a servant.” Six years earlier, while she was recovering from a knee injury, Mehren “scrubbed the floor of her apartment, washed dishes and performed other menial work.” Occasionally, she “employed him to take her for drives while she was convalescing.” She “paid him for everything he did for her,” as well as “for all the groceries.”10 The story took an even juicier turn during Mrs. Mehren’s court appearance that September, when she admitted to physically assaulting her alleged romantic rival. As she told the judge, she and her husband were out in their car when she spotted Mrs. Keusch, who called out “Hello, Paul” as they drove past. “Jumping from the car,” the enraged wife—who had known “her husband was going with another woman” ever since “he left home for three days in July, 1920”—had set upon Frances and badly “scratched her face.”11 Four years later, in August 1926, Frances Kehoe Keusch died of heart disease—chronic myocarditis.12 The scandal she had been involved in might have set tongues wagging at the time. Compared with the enormity perpetrated by another Kehoe sibling just one year later, however, it was a trivial matter indeed.

Not consort, not wife. Feyre is High Lady of the Night Court. My equal in every way; she would wear my crown, sit on the throne beside mine.

It’s the antithesis of reason and logic. History’s littered with fools dying for love, going to war for love. Ruining themselves for love. That’s not romantic. It’s imbecilic. Look at Lady Caroline Lamb, smashing a glass and making a scene when Byron ended their affair.” He shook his head. “Ridiculous.” Tess bit back a laugh at his fervency. For someone who claimed to be dispassionate, he seemed to have very strong views on the subject. “And what about the Trojan War?” he continued. “That all started because Paris thought he was in love with Helen, another man’s wife. He wasn’t in love, he was in lust. And he dragged thousands of men to their death because of his unruly loins.

RENAULT I have often speculated on why you do not return to America. Did you abscond with the church funds? Did you run off with the President's wife? I should like to think you killed a man. It is the romantic in me. RICK It was a combination of all three. RENAULT And what in Heaven's name brought you to Casablanca? RICK My health. I came to Casablanca for the waters. RENAULT Waters? What waters? We are in the desert. RICK I was misinformed.

The Igbo are not starry-eyed about the world. Their poetry does not celebrate romantic love. They have a proverb, which my wife detests, in which a woman is supposed to say that she does not insist that she be loved by her husband as long as he puts out yams for lunch every afternoon. What a drab outlook for the woman! But wait, how does the man fare? An old villager once told me (not in a proverb but from real life): “My favorite soup is egusi. So I order my wife never to give me egusi soup in this house. And so she makes egusi every evening!” This is then the picture: The woman forgoes love for lunch; the man tells a lie for his supper! Marriage is tough; it is bigger than any man or woman. So the Igbo do not ask you to meet it head-on with a placard, nor do they ask you to turn around and run away. They ask you to find a way to cope. Cowardice? You don’t know the Igbo.

The Igbo are not starry-eyed about the world. Their poetry does not celebrate romantic love. They have a proverb, which my wife detests, in which a woman is supposed to say that she does not insist that she be loved by her husband as long as he puts out yams for lunch every afternoon. What a drab outlook for the woman! But wait, how does the man fare? An old villager once told me (not in a proverb but from real life): “My favorite soup is egusi. So I order my wife never to give me egusi soup in this house. And so she makes egusi every evening!” This is then the picture: The woman forgoes love for lunch; the man tells a lie for his supper! Marriage is tough; it is bigger than any man or woman. So the Igbo do not ask you to meet it head-on with a placard, nor do they ask you to turn around and run away. They ask you to find a way to cope. Cowardice? You don’t know the Igbo. Colonial rule was stronger than any marriage.

The Romance Some couples only live together as roommates, which is bad. All the wife does is just cook, take care of the house etc, all the husband does is provide for the house, act like the boss of the house ask for sex whenever he feels like it. Some even only ask for sex from their wife when they feel like it's time to have another baby and women thought it is taboo to ask their husbands for sex when they feel horny, whereas, some are shy to do so. Hmmm!! In some Marriages, there is nothing like gisting, romancing, going on dates, attending events together, praying together, studying the word together apart from the general family retreat. This has led many women to the arms of strange men, although that is not an excuse to commit adultery. It was even recorded in the Scripture that Father Isaac caressed his beloved wife Rebekah. Spoil each other with romance. Write love letters to your spouse and put them in his or her pocket or handbag

I’m aware that I’m supposed to “make Aida my wife” in every sense of the word, but I doubt she’s going to be in the mood for that after I half-drowned her. I’ve never been one for grand romantic gestures, but even under the most liberal interpretations, I don’t think waterboarding counts as foreplay.

After this quarrel, Harilal composed the long letter that he then had printed. The letter rehearsed their decade of disagreement, the son saying that the father had ‘oppressed’ him, and paid him ‘no attention at all’. ‘Whenever we tried to put across our views on any subject to you,’ said Harilal, ‘you have lost your temper quickly and told us, “You are stupid, you are in a fallen state, you lack comprehension.” Harilal also accused Gandhi of bullying Kasturba, writing: ‘It is beyond my capacity to describe the hardships that my mother had to undergo.’ Gandhi had disapproved of Harilal’s marriage, since he fell in love and chose his bride, rather than, as was the custom, have his parents choose a wife for him. Harilal’s relationship with his wife, Chanchi, was intensely romantic; this wasn’t to Gandhi’s liking either, since he believed sex was strictly for procreation and a true satyagrahi should be celibate. Harilal emphatically disagreed. ‘No one can be made an ascetic,’ he told his father. ‘A person becomes an ascetic on his own volition... I cannot believe a salt-free diet, or abstinence from ghee or milk [all of which Gandhi preached and practised] indicates strength of character and morality.’ Harilal claimed he spoke on behalf of his younger brothers as well. Gandhi had imposed his will on his four sons, without ever giving them a hearing. ‘My entire letter stresses one point,’ remarked Harilal. ‘You have never considered our rights and capabilities, you have never seen the person in us'.

I saw my wife when she was just born," Frank marveled. "Now that's having history." Now they were dying together. The doctors had them going at almost the exact same time. It stunned him, like the plot of an opera. "It's kind of romantic, in a way.

I saw my wife when she was just born," Frank marveled. "Now that's having history." Now they were dying together. The doctors had them going at almost the exact same time. It stunned him, like the plot of an opera. "It's kind of romantic, in a way.

When you’re my wife, I will cut out the eyes of all those who even look at you,” he hisses as his mouth drops to mine. His hot breath tickles me. “And I will cut off the fingers of anyone who dares put his hands on you.” I shiver. My psycho villain siren should be wailing, but instead it is silent. The only sound is my heart thumping loudly in my chest. His violent words turn me on. I rub my thighs together and dart my gaze to his hooded one. “You’re so romantic,” I tease, my voice breathless.

When she died, he didn’t simply put away his feelings for her; he walled off a wing of the emotional house in which he lived. He would marry again and become devoted to his second wife. He would overflow with paternal feelings for his children. But he would never again visit that part of his personality where he had courted Alice.

Stop being so mean to me, or I swear to God I’ll fall in love with you.

You are impossible; you know that?” “And you are more beautiful today than you were yesterday,

He was a one-night stand with a stranger I was never supposed to see again. Yet here I am, dying inside from his mere touch. And his words. Those are not helping, either.

Those moss-green eyes drilling into mine and slowly moving down my overly exposed body with a sinful lick to his lips. He might as well have licked my pussy directly; the effect would be the same.

Born close to the water," White wrote, "be it on a coast or the shores of an inland sea, the Blues are known for striking and vivid eye color ranging from silvering indigo to a deep and meditative navy. Prone to song, they are apt to take up the mandolin or ukulele--really, any small, whimsical stringed instrument will do. The Blue, without exception, will be deeply spiritual (see:Rituals [Solstice], Herbology, Volunteerism) though not eager to join standard organized religion, and will draw to herself an eclectic and accomplished circle of artists, musicians, recovering addicts, fallen capitalists, the elderly, the poor, the romantics, seekers of all sorts. This endearing breed is most easily identified by her ability to sync all other women around her to her own monthly cycle, since her fecundity is among the strongest on the planet (though you will almost never find her the wife of any man). Her houseplants are among the healthiest you will find in a home. Catch her feeding them with the water used to rinse clean her cloth menstrual pads, and you are certain to have found a true Blue. Count yourself very lucky indeed.

Damn it, your smart talk turns me on, Wildflower.

You might be big and important out there…” He hitches his thumb to point outside. “But in here, in my bed, I am the one in control. I am the one who commands your body, and you will obey me, Wildflower.

Jacob may be in control here, but it’s my body that holds the key.

am his, and he is mine. And I’m about done denying myself this man, I want him.

With a home out in the Springs he could leave his wife, their daughter Nancy (born 8 June 1940), son Frank Junior (10 January 1944) and Christina (10 June 1948) and take off for his Sunset Towers apartment in town and often the arms of actress Lana Turner or those of many other lovers. Marian Collier, who died in 2021, worked as a showgirl in Las Vegas before moving on to movies in Hollywood working with names like Marilyn Monroe. She was forthright about Sinatra’s need never to spend a night alone and told us: ‘For many years I rarely met another woman who hadn’t fucked Frank Sinatra. For most of us it wasn’t romantic, more of a tick on the to-do list. I certainly got on better with him after I slept with him but he could be a moody son of a bitch. Vindictive.’ And jealous. His antics brought attention and his friends didn’t like the spotlight; his future was cemented with the Mob; he’d laid his foundations.

God takes great joy in the passionate romantic love between a husband and wife.

At first I thought Jack was full of shit. I mean, who hasn’t heard the married guy telling her that he and his wife have an arrangement, right?” she said. I haven’t. No married guys have ever hit on me, even when I was single. “Oh my God, tell me about it,” I rolled my eyes in disgusted solidarity. “Men are such pigs.” “Jack wasn’t, though. He kept asking if I wanted to talk to you, or get a note or whatnot.” He what?! He offered to have me sign an infidelity permission slip?   To Whom It May Concern: I, Lucy Klein, being of questionable mind and body, give my blessing to any woman of consenting age to engage in romantic and/or sexual relations with my estranged husband who just so happens to live with our infant son and me.

Things have been really interesting in your little bar,” Mel said. “A little tense and steamy.” He laughed. “Think someone should take Luke aside and warn him about this place?” “I thought you’d finally learned your lesson,” she teased him. “You’ve been in the business of almost every romantic relationship in this town….” “Yeah, but this one’s different. The second Shelby saw him, it was a target lock on. She wants him. Can you see the struggle on his face? He’s getting lines.” “Yeah, what’s that about?” Mel asked. “She’s adorable. You’d think he’d be thrilled.” “Well, the first night he met her he said he took one look at her and thought he was going to be arrested. He might be having a little trouble with her age.” “Phooey,” Mel said. “There’s quite a nice difference in our ages.” She grabbed his thigh. “I’m catching up with you, however.” “Then there’s the general,” Jack said. “Kind of intimidating…” “Oh, Walt’s a pussycat,” she said. “And I think he likes Luke. They have the army in common.” “Luke’s either going to give in or explode,” Jack said. “How do you know he hasn’t? Given in.” “Have you taken a good look at him? At his posture, his eyes? Believe me, he’d be a lot looser. He hasn’t unloaded in a long time.” “Jack!” she said. “And the funny thing is, Shelby’s downright serene,” Jack said, completely ignoring his wife’s scold. “She’s a very unusual woman.” “What do you mean?” “Have you looked at yourself in the mirror when it’s been a long time for us?” he asked. “It’s all over your face when you need to be taken care of.” He grinned at her. “It is not!” she said, giving him a whack on the arm. But she laughed at him, and secretly knew he was right. She also knew why Shelby didn’t look that way. Shelby, virginal, hadn’t been satisfied by a man yet; she didn’t ache with longing for her lover. “It’s hardly ever been a long time for us,” she pointed out. “Which is how I like it,” he said. “Then take the general,” he said. “Talk about a satisfied man…” “You can’t possibly know that. Walt neither looks nor acts any differently than he ever did,” she insisted. “The general looks like a beautiful woman moved in next door and he’s doing his best to be a good neighbor. He’s got a twinkle in his eye and a very sly grin.” Mel turned toward him and narrowed her eyes. “Do you really think you know what facial expressions correspond exactly to a man’s getting laid?” “I do,” he said with a smile. “In fact, I consider myself something of an expert.” She

After a long while, Rick cleared his throat and pulled over to the side of the road. He then turned to her and said, “Amelia sweetie, a lot of problems are caused because of a lack of communication. When you try to guess what the other is thinking, then that’s when you get into trouble. If we communicate, find time for one another, don’t take each other for granted, and even share responsibilities, it will bring us closer.” “Share responsibilities?” He nodded. “Sure. A man who thinks he’s too good to share with the chores needs to reevaluate his relationship with his wife.

Victor, Andy, and I sat waiting at the café within Miss Selfridge (the young fashion section of the department store) for our entourage to finish shopping. I took this opportunity to seek their advice.               “Tad proposed to me at the Oriental Club,” I declared nonchalantly.               “I know,” came Andy’s reply.               Boggled by his response, I questioned, “Why didn’t you ask me about it?” “I was waiting for you to tell me,” he answered. “He also gave you a key to his town house.” Shocked by his knowingness, I exclaimed, “How did you know?” “I know more about you than you,” he teased. Both men laughed at me. I looked at my teacher, confused. “You knew, too?” “Of course I did. I was present when Tad sought your Valet’s permission.” “Why did Tad come to you for permission?” I questioned. Victor promulgated, “Because he’s an honourable gentleman and a true romantic.” Andy nodded in agreement. My chaperone vociferated, “I’m your guardian, so he came to me to ask for your hand.” “Ask for my hand!” I exclaimed. “I’m not planning to marry him…” Before I could continue, my Valet pronounced, “Then it’s settled. You don’t want to be his property.” “I’m nobody’s property but my own!” I cried. The men burst into mirth. “I’m glad you are being sensible. In the Arab culture, being a kept boy is similar to being in a heterosexual marriage. The dominant partner has total control of his ‘wife boy,’” Triqueros commented. “I’m nobody’s ‘wife boy’!” I burst out. “And definitely not Tad’s.” “Very well then. It’s settled that you are not taking up his offer. I’ll convey your sentiments,” Andy finalized. Case closed. “I can tell him myself. I don’t need you to do it for me,” I voiced. Victor cited, “Since you are Andy’s charge, it is appropriate for him to act on your behalf to inform the intended of your decision. It’s customary protocol, as a man asks the father for his daughter’s hand.” I argued, “But I’m not a girl. I’m a boy who can make his own decisions. I am responsible for me!” Both mentors laughed again. “Are you sure about that?” my lover ruffled my hair and sniggered. “You could have fooled me.” My chaperone and I started a playful tug-of-war until my judicious professor put a stop to our silliness. “Young, stop this absurdity,” Triqueros commanded. “As I’d promised, I’m giving you a short lesson about the ‘real’ England. The existing British monarchy.” His words perked my attention.

I convinced my wife to go on a romantic holiday in the area because there was a hotel with a very nice restaurant with foie gras, and a hot-water spa nearby,” Thomas told me. A mischievous smile spread across his face as he relayed this, hinting that he might have brought her there under false pretenses. After they had a lovely meal, he went on, he did not retire to the hotel room with her but retrieved test tubes from the trunk of his car and returned to stake out the pool.

Love is the greatest drug; joy is the strongest medicine; virtue is the noblest remedy; together, they are the greatest therapy.

The more silent you are at bed during times of crisis, the more are the chances of an amicable, dignified and a not so counterproductive interchange of romantic exuberance.

Why, Elend! That’s almost romantic—in a twisted ‘I’m going to make my wife want to kill me’ sort of way.

German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her." -Oliver Markus  

I have a friend who puts me to shame in the way he is so romantic with his wife. He plans big weekend getaways with her. He writes beautiful poetry to her. He’ll go on for hours about how beautiful she is in their conversations. I want to tell him, “Would you quit doing that? You’re making me look bad.” But I’ve learned I’m not Romeo. I’m Joel-eo.

A controlling romantic partner is a common personal portrayal of the principles of CEM. If someone is in a relationship, and their partner is obviously trying to control them, the person is likely to be disgusted by what is happening and is looking to find a way out of the situation. For this reason, many controlling partners exercise their influence in the most covert way possible. Their girlfriend or wife ends up being a victim to total emotional manipulation without ever realizing it is taking place. This grants the manipulator the control they desire without any of the risks of being discovered and losing the other person for good.

Hitler was not the complete lover pictured in Eva's romantic young heart, but he was the man to comfort her and care for her like a father. Hitler always tried to make life for her with him as pleasant and happy as possible.

Dominic’s black shorts hung so low I refused to look at the waistband in fear I’d misstep and break my neck. Only, today he paired them with… So fucking hot. A white wife-beater No words. Brain splat. Now, don’t ask me why, but for some reason a tank like that on a man like him did wild things to me. My common sense immediately shut down and the wailing sirens of an emergency evacuation alarm sounded in my head. Well, that along with a mass exodus of logic, reason and intellect out my ear holes. Whoosh. Gone.

Ellie! No!” He rushed to her. “God, no! You can’t be leaving me! Don’t!” He grabbed her face and covered her mouth in a hard, desperate kiss. Her eyes flew open in stunned disbelief; she stopped breathing. He released her mouth but not her face, which he held in his hands, his fingers threaded into her hair. “You can’t go, Ellie, you can’t. Don’t you know how much I love you? God, I’d be nothing without you. I never thought I’d get to feel like this again, but you brought me back to life. You took the loneliness away and brought laughter back into my life. Ellie, you’re everything to me—I can’t make it without you. If you leave, I don’t know what I’ll—” She just stared at him, a slight smile on her face. “Really? You don’t say.” “Listen, I know I’m not a good romantic, I know that. I realized just a little while ago that I—Oh, hell, I told you how responsible I was, not how much you light up my life. I told you about my vow and how I could stick to it, not how life without you would be all gray and sad and awful. I didn’t tell you everything you mean to me. I promised myself I’d take care of that tonight, for sure. I was almost too late.” “Tell me now,” she said. “Now?” he asked, dropping his hands from her face. “Right now,” she insisted. “But I haven’t prepared!” “I know. That’s the whole idea,” she said. “I’m listening.” He cleared his throat. “Ellie. Dammit, you saved my life. I was a wallowing, pathetic, self-pitying—” He stopped talking at the sound of her soft laughter. “You’re not supposed to laugh at my attempts to be romantic.” “Noah, that wasn’t romantic. That made me wonder what I ever saw in you. Start over.” He grabbed her face in his hands again. “I want to be with you forever. I want to lie beside you every night, holding you close, whispering to you that I love you more than anything in the world, that you turned my whole world upside down just when it needed to be turned upside down. I want to make forever promises to you out loud, in front of God, and I want you to promise to be my woman, my wife, my one and only love, my best friend and my conscience. You’re never easy, Ellie, but you’re sure never boring…” “I don’t know about that last part,” she commented. “God, I love you so much. If I lost you, I don’t know what I’d do. I’d go after you, that’s what I’d do. I’d find a way to get you back. You know we’re perfect together. I know you feel it because I can feel you feel it.” He grinned roguishly. “We sure fit together perfect, don’t you think? You told me you loved me—tell me again.” “I love you, Noah. I tried not to. I usually screw up love situations. But, apparently, we have that in common.” She grinned. “A good start.” “You won’t leave me?” “Why would I leave you? I adore you. And unless I’m completely stupid, you just asked me to marry you.” “I did. We should give the kids some time to get used to the idea. And we should find a house that can hold us, but as soon as we can work out the details, we should get married.” “Okay,” she said. “Am I late for rehearsal?” “We were waiting for you,” he explained. “Then Walt said he saw you struggling with luggage and thought maybe you weren’t coming, that you were leaving.” She laughed a bit. “Noah, these are Vanni’s hand-me-downs. I thought I had time to unpack them before the rehearsal.” He was shocked silent for a moment, absorbing this, then he grabbed her and kissed her hard. And he said, “I have a feeling I bit off more than I can chew with you.” “No question about that, Your Holiness.” *

You spend the beginning part of your life with your mother, so love her; the middle part of your life with your girlfriend, so care for her; and the end part of your life with your wife, so adore her.

I can only thank the good Lord above,” she began after she turned back to him and Mr. Hodges assumed his usual stoic demeanor, “that your father and brother are away on business at the moment, because, well, I’m sure they’d have quite a bit to say regarding your current circumstance.” She released the tiniest of sighs. “Honestly, Edgar, one would have thought, considering you failed so spectacularly to win Wilhelmina’s hand the first time you proposed to her, that you would have tried a little more diligently to pull off a romantic moment the second time around.” “And one would have thought, considering how put out you’ve been at Wilhelmina over her rejecting my proposal all those years ago, that you would be trying to figure out a way to get me out of marrying her rather than marrying her.” “I’ve always adored Wilhelmina,” Nora said with a rattle of the paper she was still holding. “And while I’m sure I did lend the impression of being put out with her, that was mostly for your benefit, dear.” Edgar’s mouth dropped open. “Do not tell me that you’ve been holding out hope all these years for something like this to happen.” “I must admit that I have, and . . . now it would seem as if that hope was not misplaced if a wedding does indeed occur between the two of you in the foreseeable future.” Reaching for his tea again, Edgar drained the cup and set it aside. “I’m hesitantly optimistic that a wedding may soon take place, especially since I have come to realize that I still love Wilhelmina. I find her to be a most enchanting creature, and I would be a lucky gentleman indeed if she would truly agree to become my wife.” Nora frowned. “I’m afraid I don’t understand why you’re only hesitantly optimistic about marrying Wilhelmina. You’ve mentioned a time or two now that you told Mrs. Travers you were to be married, and while I know you’ve been away from society for quite some time, surely you haven’t forgotten that, as a gentleman, you have no choice but to go through with the wedding. And, as a lady, Wilhelmina can’t refute your declaration, not if she wants to keep her reputation, and . . . she can forget about continuing on as a social secretary if she doesn’t go through with the marriage because she’ll be looked at forevermore as a woman of loose moral values.” She rattled the paper again. “Add in the article Miss Quill published, and I can say with all certainty that there will be a wedding to plan, whether Wilhelmina has doubts or not.” Turning

The conclusion of this book, then, practically wrote itself. I would meet and marry the girl. Better still, I would use Big Data to meet the right girl. Perhaps I could weave tidbits from the courting process throughout. Then the story would all come together in the conclusion, which would describe my wedding day and double as a love letter to my new wife. Unfortunately, life didn't match my vision. Locking myself in my apartment and avoiding the world while writing a book probably didn't help my romantic life. And I, alas, still need to find a wife. More importantly, I needed to find a new conclusion.

What is your name?" he asked softly. She winced, knowing what was to come, "Calpurnia." She closed her eyes again, embarrassed by the extravagant name- a name with which no one but a hopelessly romantic mother with an unhealthy obsession with Shakespeare would have considered saddling a child. "Calpurnia." He tested the name on his tongue. "As in, Caesar's wife?" The blush flared higher as she nodded. He smiled. "I must make it a point to better acquaint myself with your parents. That is a bold name, to be sure." "It's a horrible name." "Nonsense. Calpurnia was Empress of Rome- strong and beautiful and smarter than the men who surrounded her. She saw the future, stood strong in the face of her husband's assassination. She is a marvelous namesake.

And since Love and Christ are one, and the work of redemption, formation, and union is one with his dealings with man in whatever state He is known, it may even be that the operation of this work takes place for some by means of their marriage. There are souls to whom religion is not much more than a mere formal duty, if that, who are yet capable of heroic achievements in love, of temptation and crucifixion in marriage if not in the Church. Vigil and fast, devotion and self-surrender, are aimed in the end at one sole End, and holiness may be reached by the obvious ways as well as by the more secret. The years of marriage may even have removed almost all memory of the high genesis of marriage, and the altar may be 'to an unknown God', for the name of his deity is forgotten. In the devotion of many a wife and many a husband, when the evils of the world are upon them, Christ redeems them and draws them to himself; they are upon the cross none the less because they offer it in churches but a merely casual knee.

He’s a professor of mechanical and biomedical engineering at the local university. He is somewhat renowned in his field. This is what I’m told by his adoring colleagues and students at boring cocktail parties where I play the part of devoted wife. They always marvel at what it must be like to be married to the great Dr. David Foster III. They imagine, I think, that our nights are filled with romantic whisperings about fluid dynamics and heat transfer or the power of biomechanical joints. They forget that I am a writer and maintain only a cursory understanding of and interest in David’s work—just enough to assure him that my love is true.

You say ‘love’ too easily, Kepler." “No, not really–please don’t call me that. The idea that love has to be a blazing romantic thing of monogamous stability is innately ludicrous. You loved your parents, perhaps, because they were the warmth you could flee to. You loved your first childhood crush with a passion that made your lips tingle, your flesh grow light in their presence. You loved your wife with the steadiness of an ocean against the shore; your lover with the blaze of a shooting star, your best friend with the confidence of a mountain. Love is a many-splendoured thing, as the old song says.

have her for his wife. As it turned out, Jacob understood Mercy better than he or anyone else could have imagined. When she discovered his trickery, she was hurt, but not as hurt as when she thought that Esau had spurned her. Maybe it was because she expected less from Jacob, so it was easier to be disappointed by him. Then there was the fact that she was a Morgan. She liked that. Divorce was hardly a consideration; to do so would place her on the social level of a prostitute. The fact was, she’d made a play for the best and wound up with second best. She could live with that. Too much was at risk to try to undo what had been done. Besides, there was something romantic about a man who would go to such great lengths to marry her. Esau couldn’t bring himself to forgive his brother. He didn’t fault Mercy. She’d been deceived and trapped. His only consolation was his hope that God would make things right. Striking Jacob with a bolt of lightning was preferable, but Esau chose to let God handle the specifics. He was willing to wait. Someday, Mercy would be his wife. For more than a decade Esau waited and prayed. The fact that Jacob and Mercy were unable to produce children in that time was for him an encouraging sign that God did not favor their union. He contented himself with brief, clandestine encounters with her. They were innocent enough, but the

List of Elizabeth Lennox Books   The Texas Tycoon’s Temptation   The Royal Cordova Trilogy Escaping a Royal Wedding The Man’s Outrageous Demands Mistress to the Prince   The Attracelli Family Series Never Dare a Tycoon Falling For the Boss Risky Negotiations Proposal to Love Love's Not Terrifying Romantic Acquisition   The Billionaire's Terms: Prison Or Passion The Sheik's Love Child The Sheik's Unfinished Business The Greek Tycoon's Lover The Sheik's Sensuous Trap The Greek's Baby Bargain The Italian's Bedroom Deal The Billionaire's Gamble The Tycoon's Seduction Plan The Sheik's Rebellious Mistress The Sheik's Missing Bride Blackmailed by the Billionaire The Billionaire's Runaway Bride The Billionaire's Elusive Lover The Intimate, Intricate Rescue   The Sisterhood Trilogy The Sheik's Virgin Lover The Billionaire's Impulsive Lover The Russian's Tender Lover The Billionaire's Gentle Rescue   The Tycoon's Toddler Surprise The Tycoon's Tender Triumph   The Friends Forever Series The Sheik's Mysterious Mistress The Duke's Willful Wife The Tycoon's Marriage Exchange   The Sheik's Secret Twins The Russian's Furious Fiancée The Tycoon's Misunderstood Bride   Love By Accident Series The Sheik's Pregnant Lover The Sheik's Furious Bride The Duke's Runaway Princess   The Russian's Pregnant Mistress   The Lovers Exchange Series The Earl's Outrageous Lover The Tycoon's Resistant Lover   The Sheik's Reluctant Lover The Spanish Tycoon's Temptress   The Berutelli Escape Resisting The Tycoon's Seduction The Billionaire’s Secretive Enchantress   The Big Apple Brotherhood The Billionaire’s Pregnant Lover The Sheik’s Rediscovered Lover The Tycoon’s Defiant Southern Belle   The Sheik’s Dangerous Lover (Novella)   The Thorpe Brothers His Captive Lover His Unexpected Lover His Secretive Lover His Challenging Lover   The Sheik’s Defiant Fiancée (Novella) The Prince’s Resistant Lover (Novella) The Tycoon’s Make-Believe Fiancée (Novella)   The Friendship Series The Billionaire’s Masquerade The Russian’s Dangerous Game The Sheik’s Beautiful Intruder   The Love and Danger Series – Romantic Mysteries Intimate Desires Intimate Caresses Intimate Secrets Intimate Whispers   The Alfieri Saga The Italian’s Passionate Return (Novella) Her Gentle Capture His Reluctant Lover Her Unexpected Admirer Her Tender Tyrant Releasing the Billionaire’s Passion (Novella) His Expectant Lover   The Sheik’s Intimate Proposition (Novella)   The Hart Sisters Trilogy The Billionaire’s Secret Marriage The Italian’s Twin Surprise The Forbidden Russian Lover   The War, Love, and Harmony Series Fighting with the Infuriating Prince (Novella) Dancing with the Dangerous Prince (Novella)

Congratulations on your exciting opportunity!” declared the blob in a voice that sounded like a mix between sandpaper and nails on a chalkboard. It appeared to be wholly ignorant of the way its voice sounded, its words infused with a joyful sincerity Paresh found unsettling. “Excuse me?” asked Paresh, who had never encountered an alien before but decided that if the first thing they did when they invaded was congratulate you, they couldn’t be all that bad. “We have identified you as a potential host body. We find your body very desirable.” No one was allowed to find his body desirable but his wife, dammit. “Host body?” “Our analysts have determined that your body’s complexion, specific gravity, and the length of its extremities are optimal for our experience.” Sita had never commented on his specific gravity, but Paresh took it as a compliment. She had commented on the length of his extremity.

Flirtations and romantic gestures caused people to lose respect and it caused judgement to be clouded and then the rest of these old ass men would think it’s okay to approach her. It just caused a heap of bullshit that Farren didn’t need. She

For Anne and our cub, for making me and my life less beastly

The last time I saw him, he was hustling his wife away from the table, and she was shedding clothes as she went. Ah, gods." He rubbed his face. "I pray they made it to their rooms before...

There was one feature of the house that nailed it for us: a balcony off the bedroom. “We’ll sit out in the morning and have coffee together,” Chris said when we first looked at it. It was a wonderful, romantic idea. Regrettably, we never found the time, not once, to sit out there together in the morning, with or without coffee.

Hell, I've always like the man," he said now. "Until he became involved with my wife.

Prior to the Reformation the church generally regarded sex — even within marriage — as a necessary evil. Tertullian regarded the extinction of the human race as preferable to procreation. Ambrose said that married couples ought to be ashamed of their sexuality. Augustine was willing to admit that intercourse might be lawful but taught that sexual passion was always a sin. Many priests counseled couples to abstain from sex altogether. The Catholic church gradually began to prohibit sex on certain holy days, so that by the time of Martin Luther, the list had grown to 183 days a year.1 Thank God for the Reformation, which began to restore sexual sanity by celebrating the physical act of lovemaking within marriage. According to my father, “The Puritan doctrine of sex was a watershed in the cultural history of the West. The Puritans devalued celibacy, glorified companionate marriage, affirmed married sex as both necessary and pure, established the ideal of wedded romantic love, and exalted the role of the wife.”2 In other words, they promoted a more Biblical view of human sexuality.

Ah, a romantic.” Danny leaned back, threading his fingers behind his head. “I used to be one, until my wife died. And then I was just pathetic.

Unable to stand another minute in the house with Angelina, the disapproving looks of his daughters and the chance that his dead first wife might show up at his door, Buckmaster drove into Beartooth to the Range Rider. The bar was empty this time of day, which suited him just fine. Clete poured him a Scotch and said," Haven't seen you for a while." He figured everyone in town already knew about Sarah. "I've never needed a drink more badly than I do right now. I'm sure you heard I now have two wives." "I wouldn't wish that on any man...

You hire another PI and you'll only get him killed - and start a shit storm that is going to rain down on not only you but also your husband and his daughters. You sure it's worth it just to get some dirt on your husband's former wife?