Wife Of Bath's Tale Quotes

We've searched our database for all the quotes and captions related to Wife Of Bath's Tale. Here they are! All 11 of them:

By God, if women had written stories, As clerks had within here oratories, They would have written of men more wickedness Than all the mark of Adam may redress.
Geoffrey Chaucer (The Wife of Bath's Prologue & Tale)
It seems to me that poverty is an eyeglass through which one may see his true friends.
Geoffrey Chaucer (The Canterbury Tales)
people have managed to marry without arithmetic
Geoffrey Chaucer (The Canterbury Tales)
you will not be master of my body & my property
Geoffrey Chaucer (The Canterbury Tales)
A man’s no cuckold if he has no wife.
Geoffrey Chaucer (A Canterbury Tale from the Wife of Bath)
You wonder about me. I wonder about you. Who are you and what are you doing? Are you in a New York subway car hanging from a strap, or soaking in your hot tub in Sunnyvale? Are you sunbathing on a sandy beach in Phuket, or having your toenails buffed in Brighton? Are you a male or a female or somewhat in between? Is your girlfriend cooking you a yummy dinner, or are you eating cold Chinese noodles from a box? Are you curled up with your back turned coldly toward your snoring wife, or are you eagerly waiting for your beautiful lover to finish his bath so you can make passionate love to him? Do you have a cat and is she sitting on your lap? Does her forehead smell like cedar trees and fresh sweet air?
Ruth Ozeki (A Tale for the Time Being)
The Wife of Bath A good Wife was there from Bath. She was somewhat deaf, and that was a pity. Of cloth-making had she such a skill that she surpassed even the weavers of Ypres and of Ghent. In all the Parish there was no Wife who dared precede her to the offering at Mass; and, if perchance one did, it was certain so wrathful was she that she forgot all thoughts of charity.
Geoffrey Chaucer (The Canterbury Tales)
Redrum by Stewart Stafford A Winter's tale of horrors profound, The haunted hotel's dark tapestry, Supreme isolation's moonscape snowbound, A father gripped by homicidal history. He sought to write, heal, absolve sins, Overlooked the hotel’s Redrum plans, Vomiting up daymares of phantom twins, His mind possessed by unseen hands. Room Two Three Seven, malevolent, Forbidden to enter its dark hole, Where ageless ladies bathed decadent, Luring caretakers to an adulterer's role. His wife and son sensed the danger, A bloody elevator with nowhere to run, A father's warpath with axe and anger, He became the monster, the devil's son. It might horrify 42 ways from Sunday, Only his shining son grasped the fact, May as well be across the galaxy, As in a labyrinth with that maniac. He failed to kill, he froze, met his fate, The hotel consumed his spirit as its own, Purgatorial torture in damnation's bait, He smiled in the photo, eternally alone. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
Martine Bailey (A Taste for Nightshade)
The Good Wife of Bath creates an inspirational tale of resilience through misogyny during the medieval period bequeathing a 20th-century reader's resignation on the reality that has cursed women since the dawn of man and the continued tales of women remain and insignificantly developed." Tracy Viola Woodford
Brooks Karen
It’s just like the eating,’ she explained. ‘I put his usual clothes out, in all the usual places, and he dresses without difficulty, singing to himself. He does everything singing to himself. But if he is interrupted and loses the thread, he comes to a complete stop, doesn’t know his clothes—or his own body. He sings all the time—eating songs, dressing songs, bathing songs, everything. He can’t do anything unless he makes it a song.
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)