Widow Wife Quotes

We've searched our database for all the quotes and captions related to Widow Wife. Here they are! All 100 of them:

On our wedding night," she said, "I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
A wife who loses a husband is called a widow. A husband who loses a wife is called a widower. A child who loses his parents is called an orphan. There is no word for a parent who loses a child. That’s how awful the loss is.
Jay Neugeboren (An Orphan's Tale)
He loses his wife so he stirs up an army to bring her back to him, costing countless lives and creating countless widows, orphans and slaves. Oenone loses her husband and she raises their son. Which of those is the more heroic act?
Natalie Haynes (A Thousand Ships)
I found it strange that no word exists for a parent who loses a child. If children lose their parents, they are orphans. If a husband loses his wife, he’s a widower. But there’s no word for a parent who loses a child. I’ve come to believe that the event is just too big, too monstrous, too overwhelming for words. No word could ever describe the feeling, so we leave it unsaid.
Amanda Peters (The Berry Pickers)
Don’t get any ideas,” Vaselik said as Leah left the room. “She’s a widowed Jew and my cook, so forget whatever you’re thinking.” “And you Ivan, what are you thinking?” asked Mikhail. “Less risk than a superior’s wife, no?
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
But the measure of a man, of a life, of a union of man and wife or even country is not in the falling. It’s in the rising back up again to repair what’s broken, to put right what’s wrong. Your father and I did that. We always did that. He never stopped trying until the day he died. And neither will I.
Stephanie Dray (My Dear Hamilton: A Novel of Eliza Schuyler Hamilton: Wife, Widow, and Warrior in Alexander Hamilton’s Quest for a More Perfect Union)
You lost your wife, Douglas. My heartbreaks for you, it really does. But I lose my husband every day, all over again. And I don’t even get to mourn.
Jonathan Tropper
We call that person who has lost his father, an orphan; and a widower that man who has lost his wife. But that man who has known the immense unhappiness of losing a friend, by what name do we call him? Here every language is silent and holds its peace in impotence.
Joseph Roux
The bed we loved in was a spinning world of forests, castles, torchlight, clifftops, seas where we would dive for pearls. My lover’s words were shooting stars which fell to earth as kisses on these lips; my body now a softer rhyme to his, now echo, assonance; his touch a verb dancing in the centre of a noun. Some nights, I dreamed he’d written me, the bed a page beneath his writer’s hands. Romance and drama played by touch, by scent, by taste. In the other bed, the best, our guests dozed on, dribbling their prose. My living laughing love - I hold him in the casket of my widow’s head as he held me upon that next best bed. - Anne Hathaway
Carol Ann Duffy (The World's Wife)
Confucius didn’t care much for women: When a girl, obey your father; when a wife, obey your husband; when a widow, obey your son.
Lisa See (The Island of Sea Women)
Now that’s what I call magic—seein’ all that, dealin’ with all that, and still goin’ on. It’s sittin’ up all night with some poor old man who’s leavin’ the world, taking away such pain as you can, comfortin’ their terror, seein’ ‘em safely on their way…and then cleanin’ ‘em up, layin’ ‘em out, making ‘em neat for the funeral, and helpin’ the weeping widow strip the bed and wash the sheets—which is, let me tell you, no errand for the fainthearted—and stayin’ up the next night to watch over the coffin before the funeral, and then going home and sitting down for five minutes before some shouting angry man comes bangin’ on your door ‘cuz his wife’s havin’ difficulty givin’ birth to their first child and the midwife’s at her wits’ end and then getting up and fetching your bag and going out again…We all do that, in our own way, and she does it better’n me, if I was to put my hand on my heart. That is the root and heart and soul and center of witchcraft, that is. The soul and center!
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.
M.L. Stedman (The Light Between Oceans)
When a husband loses his wife, they call him a widower. When a wife loses her husband, they call her a widow. And when somebody’s parents die, they call them an orphan. But there is no name for a parent, a grieving mother, or a devastated father who have lost their child. Because the pain behind the loss is so immeasurable and unbearable, that it cannot be described in a single word. It just cannot be described.
Bhavya Kaushik (The Other Side of the Bed)
A female is essentially a cunt, the pure purpose of the female is cunt, but a woman, a wife, is a cunt with a mouth, a man has to reckon with. It's a sobering fact: you start off with a cunt, you wind up with mouth. You wind up with your widow-to-be.
Joyce Carol Oates (Wild Nights!: Stories About the Last Days of Poe, Dickinson, Twain, James, and Hemingway)
You're too late. She's my wife." "No, she's your widow." His revolver cracked, and I saw the blood spurt from the front of Woodley's waistcoat. He spun round with a scream and fell upon his back, his hideous red face turning suddenly to a dreadful mottled pallor.
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
...A widow has freedoms a wife does not. But when I look at you, I do not see obstacles for my career, I see-" My face burned even more. "I see wings. A way to fly higher and further than I can on my own.
Marie Brennan (In the Labyrinth of Drakes (The Memoirs of Lady Trent, #4))
Here, take this, she would say, take this, and tell me where he is. Tell me whether he's dead or alive, so I can walk as his widow or his wife. No one would, or could, tell her, and so she continued to cook, and to learn new things all the while searching for an answer among the outcasts. The way he carried his body, the way he walked in my life, Tatiana thought, declared that he was the only man I had ever loved, and he knew it. And until I was alone without him, I thought it was all worth it.
Paullina Simons (Tatiana's Table: Tatiana And Alexander's Life Of Food And Love (The Bronze Horseman #3.5))
It was inevitable: Yankel fell in love with his never-wife. He would wake from sleep to miss the weight that never depressed the bed next to him, remember in earnest the weight of gestures she never made, long for the un-weight of her un-arm slung over his too-real chest, making his widower's rememberences that much more convincing and his pain that much more real.
Jonathan Safran Foer (Everything is Illuminated)
Life, they showed me, could go on no matter how unpredictable, no matter how unfair.
Stephanie Madoff Mack (The End of Normal: A Wife's Anguish, a Widow's New Life)
Guilt, fear, grief, they’re all like moss, Ab. If you slow down long enough it’ll start to grow, and it won’t stop until you’re covered.
Christian White (The Wife and the Widow)
Ah, Robert?” “Shhhh, not while I’m praying,” he said, momentarily losing his place before he started again, “thank you for letting us survive that trip from hell. Thank you for ignoring my prayers for a quick death when I didn’t think that I’d be able to survive another day of starvation,” he said, making her roll her eyes in annoyance. “You were given three full meals a day just like everyone else,” she pointed out, not bothering to mention the fact that, on most days, he’d received second helpings. She sat down on a bench near their luggage, wondering just how much longer he was going to keep this up. “I’m sorry for all the cursing that my wife forced me to do while I was on that boat,” he continued, ignoring her even as he amused her. “As you know, she’s been such a bad influence on me. Thank you for pulling me from near death and somehow giving me the strength to survive.” “Near death?” she asked, frowning. “When were you near death?” “When was I near death?” he asked in stunned disbelief as he opened his eyes so that he could glare at her. “How could you forget all those times that I could barely move? When I struggled to find the will to live so that I wouldn’t leave you a young widow? Did my struggle for survival mean nothing to you?” he demanded in outrage, terrifying the people that were forced to walk past him to get to the docks and making her wrack her brain as she struggled to figure out what he was talking about. “Do you mean those few times when you had a touch of seasickness?” she asked, unable to think of anything else that he could be talking about since he’d been the picture of health during the majority of the trip. “A touch?” he repeated in disbelief. “I nearly died!
R.L. Mathewson (Truce (Neighbor from Hell, #4))
What changes when a woman marries? What does a woman lose and what does she gain? For Abishag, marrying king David gave her instant status. As a wife, impugning Abishag's character meant a swift death. As a wife, she inspired fear. What changes when a woman is widowed? For Abishag, it meant foreign women came to Jerusalem to marry Solomon--and she was relegated to that of a spectator. In Abishag's widowhood, none feared her.
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
Investigating rule of thumb: people grumbled about work at home and about home at work.
Cate Holahan (The Widower's Wife)
I think first of the children. What the hell am I supposed to tell them? Then I think about money, the house, all those things no widow will tell you ever crossed her mind.
Shannon Celebi (Small Town Demons)
What is the word, Judith asks her mother, for someone who was a twin but is no longer a twin? Her mother, dipping a folded, doubled wick into heated tallow, pauses, but doesn't turn around. If you were a wife, Judith continues, and your husband dies, then you are a widow. And if its parents die, a child becomes an orphan. But what is the word for what I am? I don't know, her mother says. Judith watches the liquid slide off the ends of the wicks, into the bowl below. Maybe there isn't one, she suggests. Maybe not, says her mother.
Maggie O'Farrell (Hamnet)
I think timing is better left up to God to decide then religious leaders. I once met a man that brought his wife flowers in the hospital. They held hands, kissed and were as affectionate as any cute couple could be. They were both in their eighties. I asked them how long they were married. I expected them to tell me fifty years or longer. To my surprise, they said only five years. He then began to explain to me that he was married thirty years to someone that didn’t love him, and then he remarried a second time only to have his second wife die of cancer, two years later. I looked at my patient (his wife) sitting in the wheelchair next to him smiling. She added that she had been widowed two times. Both of her marriages lasted fifteen years. I was curious, so I asked them why they would even bother pursuing love again at their age. He looked at me with astonishment and said, “Do you really think that you stop looking for a soulmate at our age? Do you honestly believe that God would stop caring about how much I needed it still, just because I am nearing the end of my life? No, he left the best for last. I have lived through hell, but if I only get five years of happiness with this woman then it was worth the years of struggle I have been through.
Shannon L. Alder
A man is little use when his wife’s a widow. Scottish proverb
Colin Dexter (Inspector Morse: The First Three Novels)
wife who loses a husband is called a widow. A husband who loses a wife is called a widower. A child who loses his parents is called an orphan. There is no word for a parent who loses a child. Lose your child and you’re… nothing. —Tennessee Williams
David Kessler (Finding Meaning: The Sixth Stage of Grief)
and Grenouille’s mother, who was still a young woman, barely in her mid-twenties, and who still was quite pretty and had almost all her teeth in her mouth and some hair on her head and – except for gout and syphilis and a touch of consumption – suffered from no serious disease, who still hoped to live a while yet, perhaps a good five or ten years, and perhaps even to marry one day and as the honorable wife of a widower with a trade or some such to bear real children... Grenouille’s mother wished that it were already over.
Patrick Süskind (Perfume: The Story of a Murderer)
There were just four things a woman could be (five at most): daughter, wife, mother, widow, and slut. That was it. There were no other roles for them—no free and independent women, no feminism, no selfsufficiency. If you didn’t like it, you could be branded a witch and executed.
Lina J. Potter (First Lessons (A Medieval Tale, #1))
That’s why I found it strange that no word exists for a parent who loses a child. If children lose their parents, they are orphans. If a husband loses his wife, he’s a widower. But there’s no word for a parent who loses a child. I’ve come to believe that the event is just too big, too monstrous, too overwhelming for words. No word could ever describe the feeling, so we leave it unsaid.
Amanda Peters (The Berry Pickers)
I have heard ballads of great battles, and poems about the beauty of a charge and the grace of a leader. But I did not know that war was nothing more than butchery, as savage and unskilled as sticking a pig in the throat and leaving it to bleed to make the meat tender. I did not know that the style and nobility of the jousting arena had nothing to do with this thrust and stab. Just like killing a screaming piglet for bacon after chasing it round the sty. And I did not know that war thrilled men so: they come home laughing like schoolboys after a prank; but they have blood on their hands and a smear of something on their cloaks and the smell of smoke in their hair and a terrible ugly excitement on their faces. I understand now why they break into convents, force women against their will, defy sanctuary to finish the killing chase. They arouse in themselves a wild vicious hunger more like animals than men. I did not know war was like this. I feel I have been a fool not to know, since I was raised in a kingdom at war and am the daughter of a man captured in battle, the widow of a night, the wife of a merciless solider. But I know now.
Philippa Gregory
As usual, he saves his wife's for last. He leans on the cane and he looks at the headstone and he thinks about many things. Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
Mitch Albom (The Five People You Meet in Heaven)
It was a complete inversion of the natural order. It was a man's job to worry about wealth and wordly success, and a woman's merely to adorn him.
Lucy Worsley (Queen Victoria: Daughter, Wife, Mother, Widow)
Surely Victoria's mental health suffered because all the men around her expected it to.
Lucy Worsley (Queen Victoria: Daughter, Wife, Mother, Widow)
is Oenone less of a hero than Menelaus? He loses his wife so he stirs up an army to bring her back to him, costing countless lives and creating countless widows, orphans and slaves. Oenone loses her husband and she raises their son. Which of those is the more heroic act?
Natalie Haynes (A Thousand Ships)
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
You can't just take her," Jeremy said, his voice growing rough with anger. "She belongs here. She's my wife." Henry's eyes narrowed. "Not if I kill you, she isn't. Then she's your widow.
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
It was nothing to her, that an innocent man was to die for the sins of his forefathers; she saw, not him, but them. It was nothing to her, that his wife was to be made a widow and his daughter an orphan; that was insufficient punishment, because they were her natural enemies and her prey, and as such had no right to live. To appeal to her, was made hopeless by her having no sense of pity, even for herself. If she had been laid low in the streets, in any of the many encounters in which she had been engaged, she would not have pitied herself; nor, if she had been ordered to the axe to-morrow, would she have gone to it with any softer feeling than a fierce desire to change places with the man who sent her there.
Charles Dickens (A Tale of Two Cities)
LINSCOTT: Well, I don't like it. Man works damn hard, leaves his wife all his money, and some pretty boy comes along and gets it. Sometimes I think those old East Indians had the right idea about widows. Cremate the husbands and burn up the wives along with them. CONNIE: Maybe it would be simpler to burn up the money.
Dorothy Parker (The Ladies of the Corridor (Penguin Classics))
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
The idea is to visualise a stream, take each negative thought and place it on a leaf, put the leaf in the stream and let it drift away. But there’s only so many leaves you can place in that stream before it forms a dam.
Christian White (The Wife and the Widow)
Hector, you are my father and my mother. 430 You are my brother, and the vigorous man whose bed I share. Please think of me, have pity, and stay here on the wall. Please do not make your son an orphan and your wife a widow.
Homer (The Iliad)
In this martial world dominated by men, women had little place. The Church's teachings might underpin feudal morality, yet when it came to the practicalities of life, a ruthless pragmatism often came into play. Kings and noblemen married for political advantage, and women rarely had any say in how they or their wealth were to be disposed in marriage. Kings would sell off heiresses and rich widows to the highest bidder, for political or territorial advantage, and those who resisted were heavily fined. Young girls of good birth were strictly reared, often in convents, and married off at fourteen or even earlier to suit their parents' or overlord's purposes. The betrothal of infants was not uncommon, despite the church's disapproval. It was a father's duty to bestow his daughters in marriage; if he was dead, his overlord or the King himself would act for him. Personal choice was rarely and issue. Upon marriage, a girl's property and rights became invested in her husband, to whom she owed absolute obedience. Every husband had the right to enforce this duty in whichever way he thought fit--as Eleanor was to find out to her cost. Wife-beating was common, although the Church did at this time attempt to restrict the length of the rod that a husband might use.
Alison Weir (Eleanor of Aquitaine: A Life (World Leaders Past & Present))
It may have been characteristic of Mr. Dombey’s pride, that he pitied himself through the child. Not poor me. Not poor widower, confiding by constraint in the wife of an ignorant Hind* who has been working “mostly underground” all his life, and yet at whose door Death had never knocked, and at whose poor table four sons daily sit—but poor little fellow!
Charles Dickens (Dombey and Son)
Out story never ends. You pull the pin out of a hand grenade, and in a few seconds it explodes and men in a small area get killed and wounded. That makes bodies to be buried, hurt men to be treated. It makes widows and fatherless children and bereaved parents. It means pension machinery, and it makes for pacifism in some and for lasting hatred in others. Again, a man out of the danger area sees the carnage the grenade creates, and he shoots himself in the foot. Another man had been standing there just two minutes before the thing went off, and thereafter he believes in God or in a rabbit’s foot. Another man sees human brains for the first time and locks up the picture until one night years later, when he finally comes out with a description of what he saw, and the horror of his description turns his wife away from him....
John O'Hara (Appointment in Samarra)
Cleopatra moreover came of age in a country that entertained a singular definition of women’s roles. Well before her and centuries before the arrival of the Ptolemies, Egyptian women enjoyed the right to make their own marriages. Over time their liberties had increased, to levels unprecedented in the ancient world. They inherited equally and held property independently. Married women did not submit to their husbands’ control. They enjoyed the right to divorce and to be supported after a divorce. Until the time an ex-wife’s dowry was returned, she was entitled to be lodged in the house of her choice. Her property remained hers; it was not to be squandered by a wastrel husband. The law sided with the wife and children if a husband acted against their interests. Romans marveled that in Egypt female children were not left to die; a Roman was obligated to raise only his first-born daughter. Egyptian women married later than did their neighbors as well, only about half of them by Cleopatra’s age. They loaned money and operated barges. They served as priests in the native temples. They initiated lawsuits and hired flute players. As wives, widows, or divorcées, they owned vineyards, wineries, papyrus marshes, ships, perfume businesses, milling equipment, slaves, homes, camels. As much as one third of Ptolemaic Egypt may have been in female hands.
Stacy Schiff (Cleopatra)
You took Theo's title and his home," West continued in appalled disbelief, "and now you want his wife." "His widow," Devon muttered. "Have you seduced her?" "Not yet." West clapped his hand to his forehead. "Christ. Don't you think she's suffered enough?
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Bailee had watched them come in and out of the sheriff’s office the week she’d been in jail. She, Sarah, and Lacy had sworn daily that if any one of the three won the lottery to become a husband, the other two women would help their friend become a widow as fast as possible.
Jodi Thomas (The Texan's Wager (Wife Lottery, #1))
There was a fellow I stayed with once in Warwickshire who farmed his own land, but was otherwise quite steady.  Should never have suspected him of having a soul, yet not very long afterwards he eloped with a lion-tamer's widow and set up as a golf-instructor somewhere on the Persian Gulf; dreadfully immoral, of course, because he was only an indifferent player, but still, it showed imagination.  His wife was really to be pitied, because he had been the only person in the house who understood how to manage the cook's temper, and now she has to put "D.V." on her dinner invitations. 
Saki (Classic British Fiction: 7 books by Saki (H.H. Munro) in a single file, with active toc)
You deny our vows. You deny my rights. You abuse my pride and leave me nothing of yourself. You send me from you on some lackey's strength. You betray me at every turn." Shanna met his glare and hurled a fierce reply. "You took my heart and set your fingers firm around it, then, no doubt delighted at your success, you rent it with unfaithfulness." "Unfaithfulness is only from a husband. You play the same to me and yet do say I am no spouse." "You plead you are my husband true and spite the suitors come to woo me." "Yea!" Ruark raged. "Your suitors flock about your skirts in heated lust, and you yield them more than me." Shanna paused before him, rage etched upon her face. "You're a churlish cad!" "They fondle you boldly and you set not their hands away from you." "A knavish blackguard!" "You are a married woman!" "I am a widow!" "You are my wife!" Ruark shouted to be heard over the rising wind outside.
Kathleen E. Woodiwiss (Shanna)
Tell me. Please, Brant.” “She…” He squeezes his eyes shut. “She doesn’t like Nickelback. And I…” His Adam’s apple bobs. “I love them. There—I said it. Nickelback is my absolute favorite band of all time, and my own wife can’t stand them.” “Brant…” “You have no idea what it’s been like.” He wipes his eyes with the back of his hand.
Freida McFadden (The Widow's Husband's Secret Lie)
On our wedding night,” she said, “I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
No matter what I do or where I go, I must live as a proper Confucian woman: When a girl, obey your father; when a wife, obey your husband; when a widow, obey your son. My entire life will be limited to a total of three places: the house where I lived with my parents, the Mansion of Golden Light, and my future in-laws’ compound and garden. Weeks
Lisa See (Lady Tan's Circle of Women)
Once Once, oh once, there was, was not, A girl, princess, mermaid, widow, witch, queen, wife, A boy, king, soldier, wizard, troll, giants, Magic Life. The tale turns, returns, confuses, confesses, And all the hardships, spells, and stresses, End well in happy laughter And we hope- ever after. Believe me, friend- because would I, A storyteller, ever lie?
Jane Yolen (Grumbles from the Forest: Fairy-Tale Voices with a Twist)
She had been a widow considerably longer than she had been a wife, and her relationship with her departed husband was as good as ever and was even improving with the years.
Lyudmila Ulitskaya (Medea and Her Children)
She no longer followed fashion; she had created a fashion all her own.
Lucy Worsley (Queen Victoria: Daughter, Wife, Mother, Widow)
His widow Anna dedicated most of her energy in her later years to shaping Dostoyevsky’s legacy and presenting it to the world.
Andrew D. Kaufman (The Gambler Wife: A True Story of Love, Risk, and the Woman Who Saved Dostoyevsky)
I turn melancholy when I lie out in the sun. I mourn my unhappy origins. I feel sad for my mother, frustrated as a wife, disdainful now that she’s a widow.
Jhumpa Lahiri (Whereabouts)
behind him. “Any
Cate Holahan (The Widower's Wife)
As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent lost a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or a daughter. That seemed odd. As
M.L. Stedman (The Light Between Oceans)
Dostoyevsky’s widow insisted that her husband was to literature what the physicist-founder of the X-ray was to the human body: the inventor of a wholly new means of peering inside the human soul.
Andrew D. Kaufman (The Gambler Wife: A True Story of Love, Risk, and the Woman Who Saved Dostoyevsky)
Only Jesus can hold things like this in tandem. Only Jesus can simultaneously attend to the one with the broken foot and the one with stage IV cancer. Only Jesus can concurrently care about the child withering away from starvation and the child weeping over his parents’ divorce. Only Jesus can cry with the girl sobbing over a high school breakup and the wife who is widowed, left with mouths to feed and an empty bed. He is the only one who can see that all pain is real and valid, regardless of how the world would rank it. He is the only one who can validate our suffering—and he does.
Ann Swindell (Still Waiting: Hope for When God Doesn’t Give You What You Want)
It was as if the boy had already divined what his senses and intellect had not encompassed yet: that doomed wilderness whose edges were being constantly and punily gnawed at by men with plows and axes who feared it because it was wilderness, men myriad and nameless even to one another in the land where the old bear had earned a name, and through which ran not even a mortal beast but an anachronism indomitable and invincible out of an old dead time, a phantom, epitome and apotheosis of the old wild life which the little puny humans swarmed and hacked at in fury of abhorrence and fear like pygmies about the ankles of a drowsing elephant;--the old bear, solitary, indomitable, and alone; widowered childless and absolved of mortality--old Priam reft of his old wife and outlived all his sons.
William Faulkner
He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.
Joan Aiken (Black Hearts in Battersea (The Wolves Chronicles, #2))
Yes, He was a Man of sorrows and acquainted with grief. If you are grieving, He can feel it with you. For the lonely one—the widow or widower, the divorced—He understands what it is to be alone, to feel that a part of yourself has been literally torn away. Studies show that the two greatest stress-producing factors to body, mind, and emotions are the death of a spouse and divorce. In some ways, divorce can be worse. The death of a spouse, though painful, can be a clean wound. Divorce often leaves a dirty, infected wound, throbbing with pain. Jesus understands when a single parent is trying to be husband and wife, mother and father, all in one.
David A. Seamands (Healing for Damaged Emotions)
Do you think he would have wanted you to commit suttee?” “What is that?” “A Hindu practice in which a widow is expected to throw herself on her husband’s burning funeral pyre. Her suicide is considered as proof of her devotion to him.” “What if the wife dies first? Does the husband do the same thing?” Shaw threw her a mildly taunting grin. “No, he re-marries.” “I should have known,” Livia said. “Men always manage to arrange things for their own benefit.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
The stewards, and then the bailiffs, and then finally the lawyers meet. They wrangle, they agree, and we are to be married in June. It is no little decision for me - for the first time in my life I have my own lands in my own hands as a widow; once I become a wife everything becomes Lord Stanley's property. I have to struggle to reserve what I can from the law that rules that a wife has no rights, and I keep what I can, but I know that I am choosing my master.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
It was nothing to her, that an innocent man was to die for the sins of his forefathers; she saw, not him, but them. It was nothing to her, that his wife was to be made a widow and his daughter an orphan; that was insufficient punishment, because they were her natural enemies and her prey, and as such had no right to live. To appeal to her, was made hopeless by her having no sense of pity, even for herself. If she had been laid low in the streets, in any of the many encounters in which she had been engaged, she would not have pitied herself; nor, if she had been ordered to the axe to- morrow, would she have gone to it with any softer feeling than a fierce desire to change places with the man who sent her there.
Charles Dickens (A Tale of Two Cities)
But, imbued from her childhood with a brooding sense of wrong, and an inveterate hatred of a class, opportunity had developed her into a tigress. She was absolutely without pity. If she had ever had the virtue in her, it had quite gone out of her. It was nothing to her, that an innocent man was to die for the sins of his forefathers; she saw, not him, but them. It was nothing to her, that his wife was to be made a widow and his daughter an orphan; that was insufficient punishment, because they were her natural enemies and her prey, and as such had no right to live. To appeal to her, was made hopeless by her having no sense of pity, even for herself. If she had been laid low in the streets, in any of the many encounters in which she had been engaged, she would not have pitied herself; nor, if she had been ordered to the axe to-morrow, would she have gone to it with any softer feeling than a fierce desire to change places with the man who sent here there.
Charles Dickens (A Tale of Two Cities)
This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
Marcel Proust (In the Shadow of Young Girls in Flower)
If one’s husband had been married before and widowed—a fairly common condition—and a close relative of his first wife’s died, the second wife was expected to engage in “complementary mourning”—a kind of proxy mourning on behalf of the deceased earlier partner.
Bill Bryson (At Home: A Short History of Private Life)
My wife of more than forty-years shot herself yesterday afternoon. At least that is what the police assume, and I am playing the part of grieving widower with enthusiasm and success. Life with Sarah has schooled me in self-deception, which I find--as she did--to be an excellent training in the deceiving of others. Of course I know that she did nothing of the kind. My wife was far too sane, far too rooted in the present to think of harming herself. In my opinion she never gave a thought to what she had done. She was incapable of guilt. It was I who killed her.
Richard Mason (The Drowning People)
If a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loses a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter.
M.L. Stedman
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
If he complains to me again, I will ask him this: is Oenone less of a hero than Menelaus? He loses his wife so he stirs up an army to bring her back to him, costing countless lives and creating countless widows, orphans and slaves. Oenone loses her husband and she raises their son. Which of those is the more heroic act?
Natalie Haynes (A Thousand Ships)
I sue not for my happy crown again; I sue not for my phalanx on the plain; I sue not for my lone, my widow’d wife; I sue not for my ruddy drops of life, My children fair, my lovely girls and boys! 550 I will forget them; I will pass these joys; Ask nought so heavenward, so too–too high: Only I pray, as fairest boon, to die, Or be deliver’d from this cumbrous flesh,
John Keats (Complete Works of John Keats)
She is ‘wife of’ and ‘aunt of’; later she will be ‘mother of’ – perhaps some energetic young man whose achievements will never be traced back to she who birthed him. These claims upon her will only multiply – she will be mother-in-law, grandmother, widow, dependant – and accordingly her own person will be divided and divided and divided, until there is nothing left.
Imogen Hermes Gowar (The Mermaid and Mrs. Hancock)
In 1927, Edwin Wakeman of Manchester committed suicide leaving this note: ‘I married a widow with a grown daughter. My father fell in love with my stepdaughter and married her – thus becoming my son-in-law. My stepdaughter became my stepmother because she was my father’s wife. My wife gave birth to a son, who was, of course, my father’s brother-in-law, and also my uncle, for he was the brother of my stepmother. My father’s wife became the mother of a son, who was, of course, my brother, and also my grandchild, for he was the son of my stepdaughter. Accordingly, my wife was my grandmother, because she was my stepmother’s mother. I was my wife’s husband and grandchild at the same time. And, as the husband of a person’s grandmother is his grandfather, I am my own grandfather.
Mitchell Symons (There Are Tittles in This Title: The Weird World of Words)
She spotted Matt Holden and her eyes began to twinkle. He was a handsome devil, even at his age. His wife had died the year before, and the husky black-eyed politician with his glimmering silver hair and elegant broad-shouldered physique was now on every widow’s list of eligible. Even now, two lovely elderly society dames were attacking from both sides with expensive perfume and daring cleavage. At least one of them should have worn something high-necked, she mused, with her collarbone and skinny neck so prominent. Another pair of eyes followed her amused gaze. “Doesn’t it remind you of shark attacks?” a pleasant voice murmured in her ear. She jumped, and looked up at her companion for the evening. “Good grief, Colby, you scared me out of a year’s growth!” she burst out with a helpless laugh.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The Aftermath When the fierce pure pleasure has clawed through, ripped open my tent of separateness, I lay in my lover's arms, weeping and exposed. I can't help seeing my sister, new widow whose heart hangs heavy, a side of beef in the ice box of her chest. I imagine her entering a bedroom like this, maples flaming beyond the window against a perfectly useless blue sky. And then my mother-in-law stops at the library on the way home from her husband’s funeral, picks up the book they've been holding. It sits in the passenger seat while she stares at the windshield, stunned, a bird flown into glass. Even my friend whose wife hasn’t died yet appears in this sex-drenched air. Tears pool in the shallows under his eyes. If his soul were a tin can, it would be sliced, the thick soup leaking out. The night is soaked with suffering. My dumb body, sprung open, can’t tell the difference between this blaze of pleasure and the sorrow it drags in. As I gaze out into the gathering darkness it seems I almost comprehend the mystery, glimpse the water of life pouring through my form into theirs, theirs back to mine, misery and ecstasy swirled like the blue white planet seen from space, but it lasts less than a moment-- the arms of my own dear one haul me back into my body, her flesh so ostentatiously alive.
Ellen Bass
Time means succession, and succession, change: Hence timelessness is bound to disarrange Schedules of sentiment. We give advice 570  To widower. He has been married twice: He meets his wives; both loved, both loving, both Jealous of one another. Time means growth, And growth means nothing in Elysian life. Fondling a changeless child, the flax-haired wife Grieves on the brink of a remembered pond Full of a dreamy sky. And, also blond, But with a touch of tawny in the shade, Feet up, knees clasped, on a stone balustrade The other sits and raises a moist gaze 580  Toward the blue impenetrable haze. How to begin? Which first to kiss? What toy To give the babe? Does that small solemn boy Know of the head-on crash which on a wild March night killed both the mother and the child? And she, the second love, with instep bare In ballerina black, why does she wear The earrings from the other’s jewel case? And why does she avert her fierce young face?
Vladimir Nabokov (Pale Fire)
She would toss in everything from mint, which signified virtue, to honeysuckle for love, fennel for strength (it was very strong in taste) and peppermint for warmth of feeling. Mint also helped settle upset stomachs and the apothecary told Rosamund fennel would ease flatulence, which made her chuckle. She would be sure to add some to Sam's chocolate. Hyssop and anise seed, she knew from Widow Cecily back at Gravesend, would help with a cold, as would marshmallow and orange or lemon juice.
Karen Brooks (The Chocolate Maker's Wife)
Not the Happiness but the Consequence of Happiness He wakes up in the silence of the winter woods, the silence of birds not singing, knowing he will not hear his voice all day. He remembers what the brown owl sounded like while he was sleeping. The man wakes in the frigid morning thinking about women. Not with desire so much as with a sense of what is not. The January silence is the sound of his feet in the snow, a squirrel scolding, or the scraping calls of a single blue jay. Something of him dances there, apart and gravely mute. Many days in the woods he wonders what it is that he has for so long hunted down. We go hand in hand, he thinks, into the dark pleasure, but we are rewarded alone, just as we are married into aloneness. He walks the paths doing the strange mathematics of the brain, multiplying the spirit. He thinks of caressing her feet as she kept dying. For the last four hours, watching her gradually stop as the hospital slept. Remembers the stunning coldness of her head when he kissed her just after. There is light or more light, darkness and less darkness. It is, he decides, a quality without definition. How strange to discover that one lives with the heart as one lives with a wife. Even after many years, nobody knows what she is like. The heart has a life of its own. It gets free of us, escapes, is ambitiously unfaithful. Dies out unaccountably after eight years, blooms unnecessarily and too late. Like the arbitrary silence in the white woods, leaving tracks in the snow he cannot recognize.
Jack Gilbert (Refusing Heaven: Poems)
Lada spoke with a quiet, clear voice, and the room hushed in surprise. No one expected a girl to speak. She was probably not allowed to. Radu knew Lada would not care either way. “On our wedding night,” she said, “I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.” Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?” Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.” Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray. Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match. “What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?” St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.” “What about finishing the accounting?” “I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Leonard Woolf was two years older than Virginia, whom he had first met in 1901 in the rooms of her brother Thoby at Cambridge. He went from St Paul’s School to Trinity College on a scholarship in 1899 and was the first Jew to be elected to the Cambridge Apostles. His father Sidney Woolf (1844–92) was a barrister who died prematurely, leaving his widow, Marie, with the care of their ten children. After Cambridge, Leonard reluctantly entered the Colonial Civil Service and he served in Ceylon for seven years. The experience forged him as a passionate anti-imperialist. In 1911 he began writing a novel based on his experiences, but written from the point of view of the Sinhalese; The Village in the Jungle was published in 1913. This work may have influenced his wife’s novel The Voyage Out, which has a fictional colonial setting. On his return to England he became a committed socialist and he was active on the left for most of his life, publishing numerous pamphlets and books of significance on national and international politics. His role as intimate literary mentor to Virginia Woolf has sometimes overshadowed his considerable import as a political writer in his own right.
Jane Goldman (The Cambridge Introduction to Virginia Woolf)
We do not converse. She visits me to talk. My task to murmur. She talks about her grandsons, her daughter who lives in Delphi, her sister or her husband - both gone - obscure friends - dead - obscurer aunts and uncles - lost - ancient neighbors, members of her church or of her clubs - passed or passing on; and in this way she brings the ends of her life together with a terrifying rush: she is a girl, a wife, a mother, widow, all at once. All at once - appalling - but I believe it; I wince in expectation of the clap. Her talk's a fence - shade drawn, window fastened, door that's locked - for no one dies taking tea in a kitchen; and as her years compress and begin to jumble, I really believe in the brevity of life; I sweat in my wonder; death is the dog down the street, the angry gander, bedroom spider, goblin who's come to get her; and it occurs to me that in my listening posture I'm the boy who suffered the winds of my grandfather with an exactly similar politeness, that I am, right now, all my ages, out in elbows, as angular as badly stacekd cards. Thus was I, when I loved you, every man I could be, youth and child - far from enough - and you, so strangely ambiguous a being, met me, h eart for spade, play after play, the whole run of our suits.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
Too many men telling the stories of men to each other. Do they see themselves reflected in the glory of Achilles? Do their ageing bodies feel strong when they describe his youth? Is the fat belly of a feasted poet reminiscent of the hard muscles of Hector? The idea is absurd. And yet, there must be some reason why they tell and retell tales of men. If he complains to me again, I will ask him this: is Oenone less of a hero than Menelaus? He loses his wife so he stirs up an army to bring her back to him, costing countless lives and creating countless widows, orphans and slaves. Oenone loses her husband and she raises their son. Which of those is the more heroic act?
Natalie Haynes (A Thousand Ships)
But, of course, in real life, in the outside world, women do not have equality. They have been judged inferior to men -Adam's rib, his helpmate- with no soul of their own. This has been so since the beginning of Western civilization. Women may have been potent characters in plays by Aeschylus, Euripides, and Sophocles, but in classical Greek life, women were not allowed to leave their houses (except to go to the well or on certain feast days). Their names on all legal documents appear as "the daughter of so and so" or "the wife of so and so", They had almost no rights -"She is my goods, my chattels", as Petruchio says of Kate two thousand years later (Taming of the Shrew,3.2,220). And with the advent of Christianity we began the debate as to whether women had souls in their own right or whether they were an "add-on" to their husbands and fathers. What is clear is that the mother of Jesus had to be both a virgin and totally lacking in sexual desire. And she is the model for all women. By the time we get to Shakespeare's era, a widow would automatically inherit a third of her husband's possessions if he died (but those possessions became her new husband's if she remarried). Women probably had souls (but it was still being debated), and a woman was a monarch. But in neither classical Greece nor Elizabethan England could a woman portray a woman onstage [...]
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
She was a daughter, a sister, and then a wife. But now her parents were dead—did that make her an orphan? Certainly not. Was there a specific age, she wondered, old enough, after which you were not considered an orphan if your parents died? Eighteen perhaps. And then her husband died—so she was a widow. But was there a certain age, young enough, that if you lost your husband you did not have to be called a widow? If a young childless woman lost her husband tragically when she was only twenty-five—or even thirty-seven, like Mrs. Ray had been—it felt unfair to burden her with the label of widow for the rest of her life. And Mrs. Ray certainly did not feel like a widow, even though she was reminded that she was one nearly every day in Mayur Palli.
Diksha Basu (The Windfall)
O my land! O my love! What a woe, and how deep, Is thy death to my long mourning soul! God alone, God above, Can awake thee from sleep, Can release thee from bondage and dole! Alas, alas, and alas! For the once proud people of Banba! As a tree in its prime, Which the axe layeth low, Didst thou fall, O unfortunate land! Not by time, nor thy crime, Came the shock and the blow. They were given by a false felon hand! Alas, alas, and alas! For the once proud people of Banba! O, my grief of all griefs Is to see how thy throne Is usurped, whilst thyself art in thrall! Other lands have their chiefs, Have their kings, thou alone Art a wife, yet a widow withal! Alas, alas, and alas! For the once proud people of Banba! The high house of O’Neill Is gone down to the dust, The O’Brien is clanless and banned; And the steel, the red steel May no more be the trust Of the Faithful and Brave in the land! Alas, alas, and alas! For the once proud people of Banba! True, alas! Wrong and Wrath Were of old all too rife. Deeds were done which no good man admires And perchance Heaven hath Chastened us for the strife And the blood-shedding ways of our sires! Alas, alas, and alas! For the once proud people of Banba! But, no more! This our doom, While our hearts yet are warm, Let us not over weakly deplore! For the hour soon may loom When the Lord’s mighty hand Shall be raised for our rescue once more! And all our grief shall be turned into joy For the still proud people of Banba!
James Clarence Mangan
I notice that you’re wearing your wedding ring,” he said after I sat down. “Do you think you might be in denial?” I guess it was a fair question, but it caught me off guard. “I know Chris is gone,” I said. “But I do feel as if I’m still married to him.” I looked at my ring. It didn’t mean I was in denial; it meant I loved Chris. Yet the question bothered me. My husband is dead, and of course I acknowledge it. But that’s different than shouting about it. The ring is a symbol of our love as well as our marriage. How should I treat that symbol? Do I have a problem? I left the office in a quandary. The Bible says “until death do you part.” I know that means that marriage lasts only until one death, and that it’s okay for me to marry again. I know good friends wo are widows, and I’ve encouraged them to marry, feeling it was right for them. One of my dearest friends decided to do just that this past summer. It hadn’t been that long since her husband had died, but things had just come together, and her new love deserved to be acknowledged. It was another case, to me, of finding beauty through the ashes. “I kept asking God, why now? Why so soon?” she confessed. “The answer that came back was, timing doesn’t matter. Accept the gift.” She’s right. People may judge her, but she had the courage and strength to admit that she had something beautiful, and that the right thing to do was act on it. I know with certainty that not only was the man right but the timing was as well. They have strengthened each other, and I’m sure will have a life together many can only dream of.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Theo, she say without lookin up, her voice low. Do you know who Dred Scott is? Shake my head. Dred Scott was a slave. Is a slave. Dred Scott’s master was a U.S. Army surgeon who took him along to various military assignments—fort in Illinois: free state; fort in Wisconsin: free territory. Mr. Scott was in free Wisconsin four years, wedding a wife and having a daughter, hiring himself out during long periods when the master was away. The master returned and took Mr. Scott and his family to slave states, then the master died. Mr. Scott and his wife had scrimped and saved to purchase their family’s freedom, and requested this of the physician’s widow, who refused. Mr. Scott took them to court, basing his claim on the family’s previous residences on free soil, and won. He won! But the fiend mistress appealed to the Missouri Supreme Court which, two years after Mr. Scott and family had gained their freedom, overturned the ruling, placing them back in slavery. Another trial, this time regarding the physical abuse Mr. Scott had endured. Another unjust outcome. So, the U.S. Supreme Court. The decision came yesterday.
Kia Corthron (Moon and the Mars)
This,bellissima," Nonna began, "is true love story... "The Costas, we were born to the sea and proud, very proud. Son after father after son build their boats and follow the fish.My bisnonno, father of my nonno, is proudest of all. He is the only son of a widowed mother-king of the sea.But he is...ppffftt..." Nonna blew out a breath and fluttered her fingers maybe an inch or two above her own head. "Basso. Piccolo. When he was young, his uncles and cousins at first fear to take him on board.They think the smallest of waves or biggest of tono...tono...What is it?" "Tuna," I said. "Si. Silly word. A tuna would flip him from the boat. But no one looks down on him. Ah, you laugh, you. Go on, laugh. They are not much bigger than he. So he is little, but he is proud, because his boat sails highest on the waves and soon brings in the most fish. Like gold, it makes him rich. And when a man becomes rich, he must think of marriage, or the village mamas will think of it for him. Capisci?" I smiled. "Yeah, I get it. 'It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife." "Ah,si!" Nonna nodded, delighted. "Austen.So smart." "You know Pride and Prejudice?" I asked. She flicked my ear. "Ow!
Melissa Jensen (The Fine Art of Truth or Dare)
What is that?” “Oh, it's… well, something personal to Lady Holly, and… sir, she wouldn't like it if ye—” Maude spluttered with dismayed protests as Zachary reached over and plucked the frame case from the pile. “A miniature?” he asked, deftly shaking the object from its leather casing. “Yes, sir, but… you shouldn't, really… oh, dear.” Maude's pudgy cheeks reddened, and she sighed in patent discomfort as he stared at the little portrait. “George,” Zachary said quietly. He had never seen a likeness of the man, had never wanted to before. It was only to be expected that Holly should carry a portrait of her late husband, for Rose's benefit as well as her own. However, Zachary had never asked to view a likeness of George Taylor, and Holly had certainly never volunteered to show him. Perhaps Zachary had expected that he would feel a pang of animosity at the sight of Taylor's face, but as he stared at the miniature, he was conscious only of a surprising feeling of pity. He had always thought of George as a contemporary, but this face was impossibly young, adorned with sideburns that amounted to a bit of peach fuzz on either side of his cheeks. Zachary was startled by the realization that Taylor couldn't have been more than twenty-four when he died, almost a full ten years younger than Zachary was now. Holly had been wooed and loved by this handsome boy, with his golden blond hair and untroubled blue eyes, and a smile that hinted of mischief. George had died before he'd barely tasted of life, widowing a girl who had been even more innocent than he. Try as he might, Zachary couldn't blame George Taylor for trying to protect Holly, arrange things for her, ensure that his infant daughter was taken care of. No doubt George would have been anguished at the thought of his wife being seduced and made miserable by the Zachary Bronsons of the world.
Lisa Kleypas (Where Dreams Begin)
Baron, Baroness Originally, the term baron signified a person who owned land as a direct gift from the monarchy or as a descendant of a baron. Now it is an honorary title. The wife of a baron is a baroness. Duke, Duchess, Duchy, Dukedom Originally, a man could become a duke in one of two ways. He could be recognized for owning a lot of land. Or he could be a victorious military commander. Now a man can become a duke simply by being appointed by a monarch. Queen Elizabeth II appointed her husband Philip the Duke of Edinburgh and her son Charles the Duke of Wales. A duchess is the wife or widow of a duke. The territory ruled by a duke is a duchy or a dukedom. Earl, Earldom Earl is the oldest title in the English nobility. It originally signified a chieftan or leader of a tribe. Each earl is identified with a certain area called an earldom. Today the monarchy sometimes confers an earldom on a retiring prime minister. For example, former Prime Minister Harold Macmillan is the Earl of Stockton. King A king is a ruling monarch. He inherits this position and retains it until he abdicates or dies. Formerly, a king was an absolute ruler. Today the role of King of England is largely symbolic. The wife of a king is a queen. Knight Originally a knight was a man who performed devoted military service. The title is not hereditary. A king or queen may award a citizen with knighthood. The criterion for the award is devoted service to the country. Lady One may use Lady to refer to the wife of a knight, baron, count, or viscount. It may also be used for the daughter of a duke, marquis, or earl. Marquis, also spelled Marquess. A marquis ranks above an earl and below a duke. Originally marquis signified military men who stood guard on the border of a territory. Now it is a hereditary title. Lord Lord is a general term denoting nobility. It may be used to address any peer (see below) except a duke. The House of Lords is the upper house of the British Parliament. It is a nonelective body with limited powers. The presiding officer for the House of Lords is the Lord Chancellor or Lord High Chancellor. Sometimes a mayor is called lord, such as the Lord Mayor of London. The term lord may also be used informally to show respect. Peer, Peerage A peer is a titled member of the British nobility who may sit in the House of Lords, the upper house of Parliament. Peers are ranked in order of their importance. A duke is most important; the others follow in this order: marquis, earl, viscount, baron. A group of peers is called a peerage. Prince, Princess Princes and princesses are sons and daughters of a reigning king and queen. The first-born son of a royal family is first in line for the throne, the second born son is second in line. A princess may become a queen if there is no prince at the time of abdication or death of a king. The wife of a prince is also called a princess. Queen A queen may be the ruler of a monarchy, the wife—or widow—of a king. Viscount, Viscountess The title Viscount originally meant deputy to a count. It has been used most recently to honor British soldiers in World War II. Field Marshall Bernard Montgomery was named a viscount. The title may also be hereditary. The wife of a viscount is a viscountess. (In pronunciation the initial s is silent.) House of Windsor The British royal family has been called the House of Windsor since 1917. Before then, the royal family name was Wettin, a German name derived from Queen Victoria’s husband. In 1917, England was at war with Germany. King George V announced that the royal family name would become the House of Windsor, a name derived from Windsor Castle, a royal residence. The House of Windsor has included Kings George V, Edward VII, George VI, and Queen Elizabeth II.
Nancy Whitelaw (Lady Diana Spencer: Princess of Wales)
He ought to be more clever in his murder attempt. Done properly, he could make a wealthy widow of you, and then you’d both have your happy ending.” Harry knew instantly that he shouldn’t have said it—the comment was the kind of cold-blooded sarcasm he had always resorted to when he felt the need to defend himself. He regretted it even before he saw Merripen out of the periphery of his vision. The Rom was giving him a warning shake of his head and drawing a finger across his throat. Poppy was red faced, her brows drawn in a scowl. “What a dreadful thing to say!” Harry cleared his throat. “I’m sorry,” he said brusquely. “I was joking. It was in poor—” He ducked as something came flying at him. “What the devil—” She had thrown something at him, a cushion. “I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?” “I’ll handle this,” Merripen told Win before she could reply. Standing, he slung a great arm across Harry’s shoulders and walked him to the side of the terrace. Poppy’s furious form could be seen in the distance. She was walking down the drive to the caretaker’s house, her skirts and shoes kicking up tiny dust storms. Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. “Take my advice, gadjo . . . never argue with a woman when she’s in this state. Tell her you were wrong and you’re sorry as hell. And promise never to do it again.” “I’m still not exactly certain what I did,” Harry said. “That doesn’t matter. Apologize anyway.” Merripen paused and added in whisper, “And whenever your wife is angry . . . for God’s sake, don’t try logic.” “I heard that,” Win said from the chaise.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))