Widow Finding Love Again Quotes

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Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
And this is what living next to a waterfall is like, Safran. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Yor great-great-great-grandchildren's will be. But we learn to live in that love
Jonathan Safran Foer (Everything is Illuminated)
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night’s sleep, and will be able to eat breakfast, and doesn’t hear her husband’s ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren’s will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
I notice that you’re wearing your wedding ring,” he said after I sat down. “Do you think you might be in denial?” I guess it was a fair question, but it caught me off guard. “I know Chris is gone,” I said. “But I do feel as if I’m still married to him.” I looked at my ring. It didn’t mean I was in denial; it meant I loved Chris. Yet the question bothered me. My husband is dead, and of course I acknowledge it. But that’s different than shouting about it. The ring is a symbol of our love as well as our marriage. How should I treat that symbol? Do I have a problem? I left the office in a quandary. The Bible says “until death do you part.” I know that means that marriage lasts only until one death, and that it’s okay for me to marry again. I know good friends wo are widows, and I’ve encouraged them to marry, feeling it was right for them. One of my dearest friends decided to do just that this past summer. It hadn’t been that long since her husband had died, but things had just come together, and her new love deserved to be acknowledged. It was another case, to me, of finding beauty through the ashes. “I kept asking God, why now? Why so soon?” she confessed. “The answer that came back was, timing doesn’t matter. Accept the gift.” She’s right. People may judge her, but she had the courage and strength to admit that she had something beautiful, and that the right thing to do was act on it. I know with certainty that not only was the man right but the timing was as well. They have strengthened each other, and I’m sure will have a life together many can only dream of.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
This is getting weird,” Lip said, flipping through some of the others.  “Do you think these are code?” “Could be.  Don’t know.  Not our speed, though.  We’re going to need to call in some favors to get them run.” Lip nodded.  “That shouldn’t be a problem.  We’ll use our go-to boy.” “Lawrence?” “He owes us.” Lawrence Simpson.  He still worked at the NSA.  Man was a lifer.  And he owed them big. “They’ve got the Black Widow now,” Lip said.  “I’d love to work with that baby.” The Black Widow.  The NSA’s colossal Cray supercomputer.  Thing could scan through millions of emails, phone calls, you name it, in seconds.  It could find patterns, search for key words, and do it on a scale that was unfathomable. “Keep dreaming,” Marks said. Lip could get carried away.  Like the NSA was going to let ‘em use that.  Thing was needed for its job.  Like spying on the world. First time on the job Marks was pretty blown away.  Didn’t faze him in the least now, knowing that the NSA captured every bit of correspondence every day and every second from around the world.  Phone calls, cell or land lines.  Domestic and international.  Emails.  Text messages.  Fuckin’ everything. It was all captured, scanned and stored.  And Lip and he had a hand in helping with that.  Still were helping.  Information in motion.  There were always new pipes that needed to be tapped, more splitters to put in place somewhere around the world.  Dubai, Chóngqing, Bangalore…  Marks and Lip, just two of your friendly cable box installers.  No job too small or too far away. Marks eyed the walls again.  In a micro sense this was almost like a snapshot of the soup.  Random and nonsensical.  Just a bunch of non-related groups lumped together. He examined some of the newspaper clippings.  It was weird to see the paper content. 
Dave Buschi (Proportionate Response (Marks and Lip))
George, I probably owe you an apology,” Maureen said. “I don’t think I was as friendly as I could have been when we ran into each other at Jack’s a week or so ago. The fact is, I do remember meeting you at Luke’s wedding. I don’t know why I was acting as if I couldn’t remember you. It isn’t like me to play coy like that.” “I knew that, Mrs. Riordan,” he said. She was stunned. “You knew?” He smiled gently. Kindly. “I saw it in your eyes,” he explained, then shifted his own back and forth, breaking eye contact, demonstrating what he saw. “And the moment I met you I knew you were more straightforward than that. I’m sorry if I made you uncomfortable.” She was a little uncomfortable now, in fact. She felt vulnerable, being found out before she even had a chance to confess. “And I was widowed quite a while ago.” “Yes, I know that, too. Twelve years or so?” he asked. She put her hands on her hips. “And you know this how?” she asked, not trying too hard to keep the indignant tone from her voice. “Well, I asked,” he said with a shrug. “That’s what a man does when he has an interest in a woman. He asks about her.” “Is that so? Well, what else did you find out?” “Nothing embarrassing, I swear. Just that you’ve been widowed quite a while now, all five sons are in the military, you live in Phoenix and, as far as anyone knows, you’re not currently seeing anyone special.” Special? she thought. Not seeing anyone period with absolutely no intention of doing so. “Interesting,” she said. “Well, I don’t know a thing about you.” “Of course you do. I’m a friend of Noah’s. A teacher.” He chuckled. “And obviously I have time on my hands.” “That’s not very much information,” she said. He took a rag out of his back pocket and wiped some of the sawdust and sweat off his brow. “You’re welcome to ask me anything you like. I’m an open book.” “How long have you been a teacher?” she asked, starting with a safe subject. “Twenty years now, and I’m thinking of making some changes. I’m seventy and I always thought retirement would turn me into an old fuddy-duddy, but I’m rethinking that. I’d like to have more time to do the things I enjoy most and, fortunately, I have a small pension and some savings. Besides, I’m tired of keeping a rigid schedule.” “You would retire?” “Again.” He laughed. “I retired the first time at the age of fifty and, after twenty years at the university, I could retire again. There are so many young professors who’d love to see a tenured old goat like me leave an opening for them.” “And before you were a teacher?” “A Presbyterian minister,” he said. “Oh! You’re joking!” she said. “I’m afraid it’s the truth.” “I’m Catholic!” He laughed. “How nice for you.” “You’re making fun of me,” she accused. “I’m making fun of your shock,” he said. “Don’t you have any non-Catholic friends?” “Of course. Many. But—” “Because I have quite a few Catholic friends. And Jewish and Mormon and other faiths. I used to play golf with a priest friend every Thursday afternoon for years. I had to quit. He was a cheat.” “He was not!” “You’re right, he wasn’t. I just threw that in there to see if I could rile you up. No one riles quite as beautifully as a redhead.
Robyn Carr (Angel's Peak (Virgin River #10))
Forgive me, Mother.” He bowed. “My argument is with my father.” “Well,” the duke announced himself and paused for dramatic effect in the doorway of the private parlor. “No need to look further. You can have at me now.” “You are having Anna Seaton investigated,” the earl said, “and it could well cost her her safety.” “Then marry her,” the duke shot back. “A husband can protect a wife, particularly if he’s wealthy, titled, smart, and well connected. Your mother has assured me she does not object to the match.” “You don’t deny this? Do you have any idea the damage you do with your dirty tricks, sly maneuvers, and stupid manipulations? That woman is terrified, nigh paralyzed with fear for herself and her younger relation, and you go stomping about in her life as if you are God Almighty come to earth for the purpose of directing everybody else’s personal life.” The duke paced into the room, color rising in his face. “That is mighty brave talk for a man who can’t see fit to take a damned wife after almost ten years of looking. What in God’s name is wrong with you, Westhaven? I know you cater to women, and I know you are carrying on with this Seaton woman. She’s comely, convenient, and of child-bearing age. I should have thought to have her investigated, I tell you, so I might find some way to coerce her to the altar.” “You already tried coercion,” Westhaven shot back, “and it’s only because Gwen Allen is a decent human being her relations haven’t ruined us completely in retaliation for your failed schemes. I am ashamed to be your son and worse than ashamed to be your heir. You embarrass me, and I wish to hell I could disinherit you, because if I don’t find you a damned broodmare, I’ve every expectation you will disinherit me.” “Gayle!” His mother was on her feet, her expression horror-stricken. “Please, for the love of God, apologize. His Grace did not have Mrs. Seaton investigated.” “Esther…” His Grace tried to get words out, but his wife had eyes only for her enraged son. “He most certainly did,” Westhaven bit out. “Up to his old tricks, just as he was with Gwen and with Elise and with God knows how many hapless debutantes and scheming widows. I am sick to death of it, Mother, and this is the last straw.” “Esther,” His Grace tried again. “Hush, Percy,” the duchess said miserably, still staring at her son. “His Grace did not have your Mrs. Seaton investigated.” She paused and dropped Westhaven’s gaze. “I did.” “Esther,” the duke gasped as he dropped like a stone onto a sofa. “For the love of God, help me.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
How can I be sure it won’t happen again?” she demanded. “By letting your heart heal and being careful not to rush into anything. By finding a man who will treat you with the love and respect you deserve.
Penny Richards (Wolf Creek Widow)