Widescreen Quotes

Officially she was there to liaise with me on the case, but really she was there for the wide-screen TV, takeaways and the unresolved sexual tension.

I remember exactly how it felt to see that first message from him in my inbox. It was a little bit surreal. He wanted to know about me. For the next few days at school after that, it felt like I was a character in a movie. I could almost imagine a close-up of my face, projected wide-screen. It's strange, because in reality, I'm not the leading guy. Maybe I'm the best friend.

But somewhere in America, between the freeways and the Food-4-Less, between the filling stations and the 5-o-'clock news, behind the blue blinking light coming off the TV, there is a space, an empty space, between us, around us, inside us, that inevitable, desperate, begs to be filled up. And nothing, not shame, not God, not a new microwave, not a wide-screen TV or that new diet with grapefruits, can ever, ever fill it. Underneath all that white noise there's a lack.

He wished he were at his home in Abuja with a glass of cool Guinness, watching Star Wars on his high-definition widescreen television. He loved Star Wars, especially the more recent instalments. There was such honour in Star Wars. In another life, he’d have made a great Jedi knight. Being a vigilante loyal only to justice was always better than being any kind of head of state.

A wide screen just makes a bad film twice as bad.

There are two social classes in Pakistan," Professor Superb said to his unsuspecting audience, gripping the podium with both hands as he spoke. "The first group, large and sweaty, contains those referred to as the masses. The second group is much smaller, but its members exercise vastly greater control over their immediate environment and are collectively termed the elite. The distinction between members of these two groups is made on the basis of control of an important resource:air-conditioning. You see, the elite have managed to re-create for themselves the living standards of say, Sweden without leaving the dusty plains of the subcontinent. They're a mixed lot - Punjabi and Pathans, Sindhis and Baluchis, smugglers , mullahs, soldiers, industrialists - united by their residence in an artificially cooled world. They wake up in air-conditioned houses, drive air-conditioned cars to air-conditioned offices, grab lunch in air-conditioned restaurants (rights of admission reserved), and at the end of the day go home to an air-conditioned lounges to relax in front of their wide-screen TVs. And if they should think about the rest of the people, the great uncooled, and become uneasy as they lie under their blankets in the middle of the summer, there is always prayer, five times a day, which they hope will gain them admittance to an air-conditioned heaven, or at the very least, a long, cool drink during a fiery day in hell.

It is one thing when prices drift downward over time due to innovation, scalability or other efficiencies. This might be considered “good” deflation and is familiar to any contemporary consumer who has seen prices of computers or wide-screen TVs fall year after year. It is another matter when prices are forced down by unnecessary monetary contraction, credit constraints, deleveraging, business failures, bankruptcies and mass unemployment. This may be considered “bad” deflation. This bad deflation was exactly what was required in order to return the most important currencies to their prewar parity with gold.

Brave (2012) C-94m. 1⁄2 D: Mark Andrews, Brenda Chapman. Voices of Kelly Macdonald, Emma Thompson, Billy Connolly, Robbie Coltrane, Kevin McKidd, Julie Walters, Craig Ferguson, John Ratzenberger. In ancient times, a Scottish princess named Merida resists her mother’s constant training to become a future queen, preferring a boisterous existence roaming the forest with her trusty bow and arrow. When it comes time for her to choose a suitor, she runs away and stumbles onto a witch who agrees to change her fate through a magical dark spell. Typically handsome Pixar animated feature has robust characters but a formulaic feel—until the story takes a very strange turn. A final burst of emotion almost redeems it. Oscar winner for Best Animated Feature. 3-D Digital Widescreen. [PG] Braveheart (1995) C-177m. 1⁄2 D: Mel Gibson. Mel

We have no parlors anymore, no hearthsides. We have, rather, our family rooms in which light flickers from the widescreen multichannel TV on which we watch reruns of a life we are not familiar with. Kitchens are not cooked in, dining rooms go dusty. Living rooms are a kind of mausolea reserved for “company” that seldom comes.

Supporters of the Wall, especially those who live far from the border, don't understand the impotence of the barriers. Raw steel bars make for good theatre and look impressive on television newscasts, but they are easily defeated. "You got some lard-ass in Dubuque, Iowa, or some damn place," Bill said, "and he's got his big fat American ass sitting on an overstuffed couch, looking at a wide-screen TV, eating super-saturated fats, and he sees a picture of this fence and thinks, 'That'll stop'em.' Well, it'll stop him, but not some kid coming up from five hundred miles south who is twenty years old and wants to work.

At a key point in the letter James told his readers: “You do not have because you do not ask God” (4:2). Prayer makes a difference. Your prayer makes a difference. “The prayer of a righteous person is powerful and effective” (5:16). One of the most successful advertising campaigns of recent years came from a regional airline in the US during the run-up to Christmas. They set up a “virtual Santa” in the departure lounge of a domestic flight. Passengers would scan their boarding pass, activating a screen featuring Santa (located somewhere else and with access to their flight details), who would then ask them what they wanted for Christmas before sending them on their way. Unbeknownst to the passengers, employees from the airline then went out to local malls to purchase and wrap the very things the passengers had asked for—everything from new socks to a widescreen TV. When the passengers arrived at their destination, their gifts arrived along with their luggage at the baggage belt. Many stood in disbelief when they realised what had happened. Needless to say, the video recording their reactions went viral, providing the airline with way more publicity and goodwill than a standard commercial would have generated. But after the warm glow from watching it subsided, I had one thought in my mind: The guy who only asked for socks must be kicking himself. Once he’d realised what had happened, surrounded by people with expensive cameras and tablets, he must have felt a little foolish clutching a pair of socks. If only he had known. If only he had asked. James does not want us to make the same mistake. The prayer of a righteous man is powerful and effective. It is real. Things actually happen. God answers. How foolish we are not to pray far more than we do. How foolish, at the end of the day, aware of all that we could have had, to be left clutching the equivalent of a pair of socks that we never even realised we would get. Not every Christian can be a great theologian, preacher, missionary or evangelist. But every Christian can be a great and effective pray-er.

I went into my bedroom and noticed for the first time how much my chenille bedspread resembled a medieval tapestry. Every shimmering thread stood out for singular contemplation. Yet, at the same time, I could admire the totality of the weave—while noting every gradation of hue and texture. In a matter of minutes, my aesthetic had accelerated light-years beyond even Mr. Rogavere’s. I sat on my bed and examined the hairs on my arm. They formed calligraphic patterns more exquisite than any Chinese brush painting. Aldous Huxley was right. Beyond the narrow doors of perception lies a realm of wide-screen, big-budget Technicolor spectacles. All that was lacking was Victor Mature in a toga lashed to a marble column.

Every issue I carry in my soul and identity as a woman, every possibility and promise, fear and obstacle, stamped on my own life seemed projected, in 3-D widescreen, in the experience of having a daughter.

With crowds I was cocky, too comfortable in the big picture. Wide-screen. I knew I could love at scale, but could I survive the intimacy of the close-up?

I don’t mean to nitpick, but there are a few questions that come to mind about this scientific explanation of the law of attraction. How, exactly, does sending out thought frequencies make something materialize in our lives? Let’s say I have my heart set on a new wide-screen TV that is sitting in the showroom of my local electronics dealer. I ask the universe for the TV, believe that I will get it, and receive positive thoughts and feelings about it. My positive thought frequencies zoom out of my head and into the showroom, and because they are magnetic, the TV moves closer to me. But wait a minute—does it actually inch closer each day? Won’t the store personnel be a little suspicious when they arrive in the morning and find that the TV has moved to the loading dock? And how exactly does the TV get into my living room? Does it swoop in through the chimney like Santa delivering presents on Christmas Eve? Aren’t there a few unresolved questions here?

Anchorage is hip deep in the twentieth century. In a downtown bar you can find a deranged redneck watching a Rams game on the wide-screen TV alongside an arts administrator who is working on a production of Waiting for Godot to tour the arctic villages. Both of them will walk around the Eskimo man bundled up asleep on the sidewalk, but the arts administrator will feel an ironic sense of history.

What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.

Epic, adult and widescreen in its ambitions, the beefed-up Comeback version of 'Let Yourself Go' sounded almost violent in its execution, with Elvis's raw and desperate vocals every match for the gargantuan, aggressive horns and percussion that dominated the mix. A big, sweaty, dusty monster of a take towered over the Culver City version, and perfectly captured the tumultuous social and political strife of its era in dissonant musical form. This new version of 'Let Yourself Go' was unfailingly magnificent in its vision.