“
Why did you do all this for me?' he asked. 'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.
”
”
E.B. White (Charlotte’s Web)
“
Mad Hatter: “Why is a raven like a writing-desk?”
“Have you guessed the riddle yet?” the Hatter said, turning to Alice again.
“No, I give it up,” Alice replied: “What’s the answer?”
“I haven’t the slightest idea,” said the Hatter
”
”
Lewis Carroll (Alice in Wonderland)
“
We have to be back in three hours," Ronan said. "I just fed Chainsaw but she'll need it again."
"This," Gansey replied "is precisely why I didn't want to have a baby with you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
The best thing for being sad," replied Merlin, beginning to puff and blow, "is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
You are fettered," said Scrooge, trembling. "Tell me why?"
"I wear the chain I forged in life," replied the Ghost. "I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it.
”
”
Charles Dickens (A Christmas Carol)
“
Why do you wear a mask and hood?"
I think everybody will in the near future," was the man in black's reply. "They're terribly comfortable.
”
”
William Goldman (The Princess Bride)
“
The question,’ she replied, ‘is not whether you will love, hurt, dream, and die. It is what you will love, why you will hurt, when you will dream, and how you will die. This is your choice. You cannot pick the destination, only the path.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
To the dumb question "Why me?" the cosmos barely bothers to return the reply: why not?
”
”
Christopher Hitchens (Mortality)
“
Einstein was once asked how many feet are in a mile. Einstein's reply was "I don't know, why should I fill my brain with facts I can find in two minutes in any standard reference book?
”
”
Albert Einstein
“
I might as well enquire,” replied she, “why with so evident a design of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character?
”
”
Jane Austen (Pride and Prejudice)
“
Tell me, Tool, what dominates your thoughts?'
The Imass shrugged before replying.
'I think of futility, Adjunct.'
'Do all Imass think about futility?'
'No. Few think at all.'
'Why is that?'
The Imass leaned his head to one side and regarded her.
'Because Adjunct, it is futile.
”
”
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
“
Idiotic reply, June. Why don't you punch him in the face while you're at it. I turn even more flustered when I remember that I have actually pistol-whipped him in the face before. Romantic
”
”
Marie Lu (Prodigy (Legend, #2))
“
Do you think the ability to sleep in counts as a special skill?” I asked Dad, trying to sound torn over the decision.
“Yes, list that. And don’t forget to write that you can eat an entire meal in under five minutes,” he replied. I laughed. It was true; I did tend to inhale my food.
“Oh, the both of you! Why don’t you just write down that you’re an absolute heathen!” My mother went storming from the room.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
A student, filled with emotion and crying, implored, "Why is there so much suffering?"
Suzuki Roshi replied, "No reason.
”
”
Shunryu Suzuki (Zen Is Right Here: Teaching Stories and Anecdotes of Shunryu Suzuki, Author of "ZEN Mind, Beginner's Mind" (Kindle Edition))
“
A child fish asks mother fish, 'Mother, why cannot we live on the Earth?' Mother fish replied, 'Dear… it is not the place for fish, it is the place for selfish
”
”
Santosh Kalwar
“
If I am pressed to say why I loved him, I feel it can only be explained by replying: 'Because it was he; because it was me.
”
”
Michel de Montaigne (The Complete Essays)
“
As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing.
What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk.
Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.'
Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?'
I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.
”
”
L. Frank Baum (The Marvelous Land of Oz (Oz, #2))
“
I don't know," I said. "What else did you do for your first eighteen years?"
"Like I said," he said as I unlocked the car, "I'm not so sure that you should go by my example."
"Why not?"
"Because I have my regrets," he said. "Also, I'm a guy. And guys do different stuff."
"Like ride bikes?" I said.
"No," he replied. "Like have food fights. And break stuff. And set off firecrackers on people's front porches. And..."
"Girls can't set off firecrackers on people's front porches?"
"They can," he said... "But they're smart enough not to. That's the difference.
”
”
Sarah Dessen (Along for the Ride)
“
I was asked once, 'you're a smart man,why aren't you rich?' I replied, 'you're a rich man, why aren't you smart?
”
”
Jacque Fresco
“
I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.
He questioned softly why I failed?
“For beauty,” I replied.
“And I for truth,—the two are one;
We brethren are,” he said.
And so, as kinsmen met a night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.
”
”
Emily Dickinson (The Collected Poems of Emily Dickinson)
“
Also, it'd be kinda hard to be together if I was in prison."
"What are you talking about?" Helen asked, suddenly alarmed. "Why would you go to prison?"
"For killing the guy that took your virginity," he replied. "You I would forgive. But the guy? Dead man.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Why are you drinking? demanded the little prince.
"So that I may forget," replied the tippler.
"Forget what?" inquired the little prince, who was already sorry for him.
"Forget that I am ashamed," the tippler confessed, hanging his head.
"Ashamed of what?" insisted the little prince, who wanted to help him.
"Ashamed of drinking!
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
Why, you are a man of heart!"
"Sometimes," replied Phileas Fogg, quietly. "When I have the time.
”
”
Jules Verne (Around the World in Eighty Days)
“
One day I was speeding along at the typewriter, and my daughter - who was a child at the time - asked me, "Daddy, why are you writing so fast?" And I replied, "Because I want to see how the story turns out!
”
”
Louis L'Amour
“
Vasya felt cold despite the steam. “Why would I choose to die?” “It is easy to die,” replied the bannik. “Harder to live.
”
”
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
“
A man said to a Dervish: “Why do I not see you more often?” The Dervish replied, “Because the words ‘Why have you not been to see me?’ are sweeter to my ear than the words ‘Why have you come again?
”
”
Robert Greene (The 48 Laws of Power)
“
He remembered Apollo, smiling and tanned and completely cool in his shades. Thalia had said, He’s hot. He’s the sun god, Percy replied. That’s not what I meant. Why was Nico thinking about that now? The random memory irritated him, made him feel jittery.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
People ask me why I wear veils. I reply, I am mourning. Mourning what? Well I figure something shitty must be going on somewhere.
”
”
Lady Gaga
“
DEMON MATH
What is JUST in a world
you've ripped in two
as if there could be
a half for me
a half for you
what is FAIR when
there is nothing
left to share
what is YOURS when
your pain is mine to bear
this sad math is mine
this mad path is mine
subtract they say
don't cry
back to the desk
try
forget addition
multiply
and i reply
this is why
remainders
hate
division.
”
”
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
“
And now tell me, why is it that you use me words "good people" all the time? Do you call everyone that, or what?
- Everyone, - the prisoner replied. - There are no evil people in the world.
(- А теперь скажи мне, что это ты все время употребляешь слова добрые
люди"? Ты всех, что ли, так называешь?
- Всех, - ответил арестант, - злых людей нет на свете.)
”
”
Mikhail Bulgakov (The Master and Margarita)
“
George looked at her for a long moment. Finally he replied, "And why do you find it so hard to think someone might like you and want to do things for you?
”
”
Tamora Pierce (Alanna: The First Adventure (Song of the Lioness, #1))
“
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die.
”
”
Alfred Tennyson (The Charge of the Light Brigade)
“
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Let's scope the place out," he suggested, heading around the side of the building, "and be careful in the bushes."
"Why?" Amy asked.
"This is South Africa, dude," Dan replied. "Where cobras come from. And not the hot ones, like Ian.
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus.
The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus.
But this was not how the author of the book ended the story.
He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears.
'Why do you weep?' the goddesses asked.
'I weep for Narcissus," the lake replied.
'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.'
'But... was Narcissus beautiful?' the lake asked.
'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!'
The lake was silent for some time. Finally, it said:
'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.'
'What a lovely story,' the alchemist thought.
”
”
Paulo Coelho (The Alchemist)
“
When the suicide arrived at the sky, the people there asked him: "Why?" He replied: "Because no one admired me.
”
”
Stephen Crane (The Complete Poems of Stephen Crane)
“
Tell me," Wittgenstein's asked a friend, "why do people always say, it was natural for man to assume that the sun went round the earth rather than that the earth was rotating?" His friend replied, "Well, obviously because it just looks as though the Sun is going round the Earth." Wittgenstein replied, "Well, what would it have looked like if it had looked as though the Earth was rotating?
”
”
Ludwig Wittgenstein
“
What’s your tattoo?” I asked quietly, remembering how my friend noticed he had one.
He didn’t say anything for a moment, or ask how I knew, but then he answered, “A decaying snowflake.”
I raised my eyebrows. A decaying…
“Why?” I asked.
“Because of Winter by Walter de la Mare,” he replied softly. “Something still beautiful, even after what I did to her.
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
Hadrian shook his head and sighed. “Why do you have to make everything so difficult? They’re probably not bad people—just poor. You know, taking what they need to buy a loaf of bread to feed their family. Can you begrudge them that? Winter is coming and times are hard.” He nodded his head in the direction of the thieves. “Right?”
“I ain’t got no family,” flat-nose replied. “I spend most of my coin on drink.”
“You’re not helping,” Hadrian said.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work.
One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up.
As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean.
He came closer still and called out "Good morning! May I ask what it is that you are doing?"
The young man paused, looked up, and replied "Throwing starfish into the ocean."
"I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man.
To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die."
Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!"
At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said,
"It made a difference for that one.
”
”
Loren Eiseley
“
She asked why I was so black. I asked why she was so white. She said she was born that way. Same here, I replied.
”
”
Lawrence Hill (Someone Knows My Name)
“
What a funny watch!’ she remarked. ‘It tells the day of the month, and doesn’t tell
what o’clock it is!’
‘Why should it?’ muttered the Hatter. ‘Does YOUR watch tell you what year it is?’
‘Of course not,’ Alice replied very readily: ‘but that’s because it stays the same year for such a long time together.’
‘Which is just the case with MINE,’ said the Hatter.
”
”
Lewis Carroll (Alice in Wonderland)
“
Until death," Jem replied gently. "Those are the words of the oath. 'Until aught but death part thee and me.' Someday, Will, I will go where none can follow me, and I think it will be sooner rather than later. Have you ever asked yourself why I agreed to be your parabatai?"
"No better offers forthcoming?" Will tried for humor, but his voice cracked like glass.
"I thought you needed me," Jem said. "There is a wall you have built about yourself, Will, and I have never asked you why. But no one should shoulder every burden alone. I thought you would let me inside if I became your parabatai, and then you would have at least someone to lean upon. I did wonder what my death would mean for you. I used to fear it, for your sake. I feared you would be left alone inside that wall. But now... something has changed. I do not know why. But I know that it is true."
"That what is true?" Will's fingers were still digging into Jem's wrist.
"That the wall is coming down.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
You know yourself what you are worth in your own eyes; and at what price you will sell yourself. For men sell themselves at various prices. This is why, when Florus was deliberating whether he should appear at Nero's shows, taking part in the performance himself, Agrippinus replied, 'Appear by all means.' And when Florus inquired, 'But why do not you appear?' he answered, 'Because I do not even consider the question.' For the man who has once stooped to consider such questions, and to reckon up the value of external things, is not far from forgetting what manner of man he is.
”
”
Epictetus (The Golden Sayings of Epictetus)
“
She couldn’t picture herself at the company ten years down the road and resigned after some thought. Her boss grumbled, “This is why we don’t hire women.” She replied, “Women don’t stay because you make it impossible for us to stay.
”
”
Cho Nam-Joo (Kim Jiyoung, Born 1982)
“
You told me i was your world.
It wasn't me. I was an animal."
My heart pounded. My cheeks burned.
You never wanted it to end.
"Why are you being such a jackass, slamming me in the face with my own humiliation?"
Humilation? That's what you call this? He forced a more detailed reminder on me.
I swallowed. Yes, I certainly remembered that. "I was out of my mind. I‘d never have done it otherwise."
Really, his dark eyes mocked, and in them I was demanding more, telling him I wanted it to always be this way.
I remembered what he'd replied: that one day I would wonder if it was possible to hate him more.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
I think we need to have sex now.'
His brows drew together. 'Why?'
'To remind us of what we're doing here,' I replied, my tone meaningful.
Braden's eyes narrowed. 'No,' he told me gruffly, squeezing my nape. 'I'd have sex with you for anything else but that.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father?
hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth.
that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer.
you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about.
last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
”
”
Warsan Shire
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
There was a young man who said "God
Must find it exceedingly odd
To think that the tree
Should continue to be
When there's no one about in the quad."
Reply:
"Dear Sir: Your astonishment's odd;
I am always about in the quad.
And that's why the tree
Will continue to be
Since observed by, Yours faithfully, God.
”
”
Ronald Knox
“
In reply to "Why are people at school such d*cks"
Cause they're sad and scared and insecure. Don't let them spread it to you. Try and spread confidence and kindness
”
”
Patrick Stump
“
When people asked him why he didn't work with those viruses, he replied, I don't particularly feel like dying.
”
”
Richard Preston (The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus)
“
A farmer is sitting on his porch in a chair, hanging out.
A friend walks up to the porch to say hello, and hears an awful yelping, squealing sound coming from inside the house.
"What's that terrifyin' sound?" asks the friend.
"It's my dog," said the farmer. "He's sittin' on a nail."
"Why doesn't he just sit up and get off it?" asks the friend.
The farmer deliberates on this and replies:
"Doesn't hurt enough yet.
”
”
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
“
So it's a coincidence. Just like you said. Two rich parents with two rich kids at the same school. They're both killed in accidents. Why are you so interested?"
"Because I don't like coincidence," Blunt replied. "In fact, I don't believe in coincidence. Where some
people see coincidence, I see conspiracy. That's my job.
”
”
Anthony Horowitz (Point Blank (Alex Rider #2))
“
The first time I met you, you told me you grew up here, I’d call you a liar,” Tate informed me.
I tipped my head to the side and asked, “Really?”
“Really.”
“Why?”
“High-class,” he replied.
“Sorry?”
“You looked high-class,” he semi-repeated.
“I’m not,” I stated.
“No, Ace, you’re not. You’re a different kind of class.”
“Farmer class.”
“Pure class.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Everything will happen as was written by the Lord," replied the prophet. "There are moments when tribulations occur in our lives, and we cannot avoid them. But they are there for some reason."
"What reason?"
"That is a question we cannot answer before, or even during the trials. Only when we have overcome them do we understand why they were there.
”
”
Paulo Coelho (The Fifth Mountain)
“
Why are you drinking? - the little prince asked.
- In order to forget - replied the drunkard.
- To forget what? - inquired the little prince, who was already feeling sorry for him.
- To forget that I am ashamed - the drunkard confessed, hanging his head.
- Ashamed of what? - asked the little prince who wanted to help him.
- Ashamed of drinking! - concluded the drunkard, withdrawing into total silence.
And the little prince went away, puzzled.
'Grown-ups really are very, very odd', he said to himself as he continued his journey.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
The question," she replied, "is not whether you will love, hurt, dream, and die. It is what you will love, why you will hurt, when you will dream, and how you will die. This is your choice. You cannot pick the destination, only the path.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
You are very beautiful,” Ilya said.
Shane smiled without opening his eyes. “Come on.”
“Is the truth. Your freckles.” Ilya grazed a fingertip over his own cheek. “I am nuts about them.”
“I have no idea why. I hate them.”
“Noooo...” Ilya moaned. “Hollander. They are stunning.”
“Stunning?”
“Yes. Am I not using that word right? Very beautiful. Um...take my breath?”
“Wow. Alright”
“I told you...” Ilya grinned. “You love praise.”
When Shane didn’t reply, Ilya said, “And you like to hog it all for yourself. You asshole.
”
”
Rachel Reid (Heated Rivalry (Game Changers, #2))
“
Plus there’s the fact,” he went on, making it clear he didn’t need me to reply anyway, “that music is a total constant. That’s why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment. Which is pretty amazing, when you actually think about it.
”
”
Sarah Dessen (Just Listen)
“
I know Mark,' I reply. 'And I don't like him.'
'But I do. And part of being social means being civil to someone you don't like.'
'That's stupid. It's a huge world. why not just get up and walk away?'
'Because that's rude,' Jess explains.
'I think it's rude to stick a smile on your face and pretend you like talking to someone when in reality you'd rather be sticking bamboo slivers under your fingernails.
”
”
Jodi Picoult (House Rules)
“
I wonder why Steven wasn’t at swimming club tonight?” Archie asked.
“He’s caught bronchitis,” Mrs Akran said.
Imran thought for a second before replying. “I would like to catch a dinosaur too. I wonder what he feeds it?”
Archie looked at his friend his face looked as if he was in pain before he burst out laughing. “Imran you’re tragic. Bronchitis is like a bad cold it’s not a type of dinosaur.
”
”
Mark A. Cooper (Archie Wilson & The Beasts of Loch Ness)
“
Fighting positions, please, ladies...'
'That's debatable,' Halt said in an undertone to Will as they stood watching...
'The 'fighting' part or the 'ladies' part?' Will replied with a grin.
Halt looked at him and shook his head. 'Definitely the 'ladies,'' he said. 'There's no debate about the 'fighting.''
Will shrugged. He knew there was an edginess to the girls' relationship and that it had something to do with him. Why that should be so was beyond him.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
Isn't there something in living dangerously?'
There's a great deal in it,' the Controller replied. 'Men and women must have their adrenals stimulated from time to time.'
What?' questioned the Savage, uncomprehending.
It's one of the conditions of perfect health. That's why we've made the V.P.S. treatments compulsory.'
V.P.S.?'
Violent Passion Surrogate. Regularly once a month. We flood the whole system with adrenin. It's the complete physiological equivalent of fear and rage. All the tonic effects of murdering Desdemona and being murdered by Othello, without any of the inconvenience.'
But I like the inconveniences.'
We don't,' said the Controller. 'We prefer to do things comfortably.'
But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.'
In fact,' said Mustapha Mond, 'you're claiming the right to be unhappy. Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer, the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence.
I claim them all,' said the Savage at last.
Mustapha Mond shrugged his shoulders. 'You're welcome,' he said.
”
”
Aldous Huxley (Brave New World)
“
She's an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that's turned."
"And so skinny!" the cook replied. "Never finishes her supper."
Crouched beside the girl, the boy turned to her and whispered, "Why don't you eat?"
"Because everything she cooks tastes like mud."
"Tastes fine to me."
"You'll eat anything."
They bent their ears back to the crack in the cupboard doors.
A moment later the boy whispered, "I don't think you're ugly."
"Shhhh!" the girl hissed. But hidden by the deep shadows of the cupboard, she smiled.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
May I ask you something?" I say. "Why do you read books, when you could be outside, living a million different adventures every day?"
"Because you can always count on a book to stay the same. EVerything else changes when you least expect it," she replies, bitter. "Families split apart, and nothing's forever. In books, you always know what's coming next. There are no surprises.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Well, well. If it isn't the princess."
My body tensed and I frowned when I saw him approaching. Narrowing my eyes, I plastered on a fake smile. "I almost didn't recognize you without a tramp attached to you."
Drew and the other guy snickered.
Leaning into my ear he harshly whispered, "Would you like to change that? I'm not up to my limit tonight yet."
Gah, why did he have to be so hot? My body was practically humming with how close he was. I leaned away and replied with the most innocent expression on my face, "Oh I'm sorry, but I don't have any STDs, I'm not your type.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
And why not?' the merchant replied seriously. 'Why not have doubts? It's nothing but a human and good thing'.
'What?'
'Doubt. Only an evil man, master Geralt, is without it. And no one escapes his destiny'.
”
”
Andrzej Sapkowski
“
Why do you read books?” he asked. “Why do you drink beer?” I replied without glancing in his direction,
”
”
Haruki Murakami (Wind/Pinball: Two Novels)
“
Why are you staring at me?” she’d ask.
“‘Cause you’re pretty,” I’d reply.
“You’re the first one who’s ever said that.”
“I’m the only one who knows,” I’d tell her. “And believe me, I know.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
The boys had asked why, if it acted slowly, was it called quicksand. The Mollusks had replied that, as far as they were concerned, most English names for things were silly. The word that they used for quicksand was a deep grunt that translated roughly to "uh-oh.
”
”
Ridley Pearson (Peter and the Shadow Thieves (Peter and the Starcatchers, #2))
“
George!' [Horace] said, the relief evident in his voice. 'Are you all right?'
'No! I am not!' George replied with considerable spirit. 'I have a whacking great arrow stuck through my arm and it hurts like the very dickens! How could anybody be all right in those circumstances?'...
'You saved my life, George,' Horace said gently...
George grimaced. 'Well, if I'd known it was going to hurt like this, I wouldn't have! I would have just let them shoot you! Why do you live this way?' he demanded in a high-pitched voice. 'How can you bear it? This sort of thing is very, very painful. I always suspected that warriors are crazy. Now I know.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
I see a badge on four belts. I’d like it explained why he’s here,” Debbie demanded, eyeing up Cal.
“Mostly ‘cause there’s nothin’ on TV,” Cal replied, Debbie’s eyes narrowed and Merry chuckled.
”
”
Kristen Ashley (Games of the Heart (The 'Burg, #4))
“
Hua Cheng quietly sighed, extended his arms, and once again folded him into his embrace. "Your Highness, I've always watched you."
This was the second time he had said this, but his voice was softer than before. Xie Lian clutched the red robes at his chest, asking, his mind blank, "I know, I know. But... what should I do now?"
Hua Cheng's long and slender fingers gently combed through Xie Lian's mussed hair. "Then, Your Highness, do you know why I refuse to leave this world?"
Xie Lian couldn't understand why Hua Cheng could still be so calm at a time like this, he was panicking so hard he was trembling. But, while feeling lost, he still simple-mindedly asked, "Why?"
Hua Cheng replied quietly, "Because I have a beloved who is still in this world."
Hearing this, Xie Lian was slightly stunned. He seemed to have heard this somewhere before.
Hua Cheng continued, "My beloved is a brave, noble, and gracious special someone. He's saved my life; I've looked up to him ever since I was young. But, I wanted to catch up to him more, and become and even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him."
He gazed at Xie Lian. "If your dream is to save the common people, then my dream is only you."
"..." Relying on his memory, Xie Lian asked with a trembling voice, "But... you won't... be able to rest in peace... like this...?"
Hua Cheng answered, "I pray to never rest in peace.
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
Why are we here?" he asked.
"Wrong devil," Adam replied quietly.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Pourquoi?" Kingsley demanded. "Why? You take her every way you can, every chance you have. Why her and not me?"
Soren hadn't replied, and for that Kingsley had been forever grateful. He knew the answer, but to hear it would have broken the one last unbroken part of his spirit.
”
”
Tiffany Reisz (The Prince (The Original Sinners, #3))
“
You think he’s still alive?” Royce asked, nodding his head toward Alric.
“Sure,” Hadrian replied without bothering to look. “He’s probably sleeping. Why do you ask?”
“I was just pondering something. Do you think a person could smother in a wet potato bag?”
Hadrian lifted his head and looked over at the motionless prince. “I really hadn’t thought about it until now.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
Why be elated by material profit?” Father replied. “The one who pursues a goal of evenmindedness is neither jubilant with gain nor depressed by loss. He knows that man arrives penniless in this world, and departs without a single rupee.
”
”
Paramahansa Yogananda (Autobiography of a Yogi)
“
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer.
What?”
The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away.
Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control.
What?” he asked Halt, and the smaller man made a gesture of exasperation.
That’s what I want to know,” he said irritably. “What?”
Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper.
What?” said Horace, now totally puzzled.
Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?”
Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.”
Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him.
What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?”
Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.”
Horace frowned. “I was?”
Halt nodded. “You were. I saw you take a breath to ask it.”
I see,” Horace said. “And what was it about?”
For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak.
That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.”
I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded.
Then what, if I may use that word once more, were you about to ask me?”
Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
Hey, sexy. Why haven’t you called?” The cooing sound came from behind me, and I glanced back over my shoulder to see a familiar-looking brunette. “Because I’m the asshole who never calls,” I replied with a wink.
”
”
Abbi Glines (Just for Now (Sea Breeze, #4))
“
Milk?” Lady Bridgerton asked.
“Thank you,” Gareth replied. “No sugar, if you please.”
“Hyacinth takes hers with three,” Gregory said, reaching for a piece of shortbread.
“Why,” Hyacinth ground out, “would he care?”
“Well,” Gregory replied, taking a bite and chewing, “he is your special friend.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
So finally we tumble into the abyss, we ask God why he has made us so feeble. But, in spite of ourselves, He replies through our consciences: 'I have made you too feeble to climb out of the pit, because i made you strong enough not to fall in.
”
”
Jean-Jacques Rousseau (Confessions)
“
You're already the villain in everyone's stories, Loki," she replied, dropping her veil over her face. "Why not start playing your part?
”
”
Mackenzi Lee (Loki: Where Mischief Lies)
“
That's why you like me!' I exclaim. 'Because you're not nice either! It makes so much more sense now.'
'Come on,' he says. 'We're going to see Johanna.'
'I like you, too.'
'That's encouraging,' he replies flatly. 'Come on. Oh for God's sake. I'll just carry you.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Maya is silent for a long time, then asks, 'Do you want boys or girls?'
Ana replies as if she's spent her whole life thinking about this, 'Boys.'
'Why?'
'Because the world is kind of shitty toward them sometimes. But it treats us like that nearly all the time.
”
”
Fredrik Backman (Us Against You (Beartown, #2))
“
Well, " she replied dryly, "there's no getting around that. And it's not me being nice. It's not even my choice. It's an order from my superiors. "
"It still sounds like a pain in the ass for you. Why don't you just tell me where it is and blow them off? "
"You obviously don't know the people I work for. "
"Don't need to. I ignore authority all the time. It's not hard once you get used to it.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Do not demean yourself by stating the ridiculous," Grimalkin replied smoothly. Just because my species is vastly superior does not mean you should flaunt your idiocy freely. I know why you are here, dog."
"Really", Puck called, craning his head to look up at the cat. "Well then, would you like to share your theory, furball?
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
I...asked why purebloods despised me so. He replied, 'What if the difference between social strata stem not from genomics or inherent xcellence or even dollars, but merely differences in knowledge? Would this not mean the whole Pyramid is built on shifting sands?... fabricants are mirrors held up to purebloods' consciences; what purebloods see reflected there sickens them. So they blame you for holding up the mirror
”
”
David Mitchell (Cloud Atlas)
“
We’re only together because of a deal you made with my father. What’s it to you if my ex shows back up in my life? … Why do you care?”
“I don’t know!” The force of his reply stunned me into silence.
Dante’s granite mask cracked, revealing the torment underneath.
“I don’t know why I care. I just know I do, and I hate it.” Self-loathing coated his voice.
“I hate the idea of you touching anyone else, or anyone else touching you. I hate that other people can make you laugh in a way I can’t. I hate how I feel around you, like you’re the only person that can make me lose control when I. Don’t. Lose Control.”
Every word, every step brought him closer until my back pressed against the wall and the heat of his body enveloped mine.
“But I do.” His voice dropped, turning ragged. “With you.
”
”
Ana Huang (King of Wrath (Kings of Sin, #1))
“
Christians often ask why God does not speak to them, as he is believed to have done in former days. When I hear such questions, it always makes me think of the rabbi who asked how it could be that God often showed himself to people in the olden days whereas nowadays nobody ever sees him. The rabbi replied: "Nowadays there is no longer anybody who can bow low enough."
This answer hits the nail on the head. We are so captivated by and entangled in our subjective consciousness that we have forgotten the age-old fact that God speaks chiefly through dreams and visions. The Buddhist discards the world of unconscious fantasies as useless illusions; the Christian puts his Church and his Bible between himself and his unconscious; and the rational intellectual does not yet know that his consciousness is not his total psyche.
”
”
C.G. Jung
“
Holy shit,” I blurt out. “You shaved the beard.” I glare at Garrett. “Why didn’t you tell me? I would’ve thrown us a party.”
Dean snickers. “You mean thrown him a party.”
“No, he means us,” Garrett replies for me. “We’re the ones who had to stare at that ghastly thing for half a year.”
I smack Tuck’s ass as he breezes past my stool. “Welcome back, Babyface.”
“Fuck off,” he grumbles.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Why should her lover, just because he is male, be in a position to judge her against other women? Why must she need to know her position and hate needing to, and hate knowing? Why should his reply have such exaggerated power? And it does. He does not know that what he says will affect the way she feels when they next make love. She is angry for a number of good reasons that may have nothing to do with this particular man's intentions. The exchange reminds her that, in spite of a whole fabric of carefully woven equalities, they are not equal in this way that is so crucial that its snagged thread unravels the rest.
”
”
Naomi Wolf (The Beauty Myth)
“
The jogger came upon them after the tragedy occurred and witnessed Raymond preparing to take off on his bike while Howard lay facedown on the ground with a metal spike through his head.
When the cops arrived at the scene and questioned Raymond, he told them, “I don’t know … he like fell on it, or something. I was just riding my bike to the grocery store when I passed him on the trail. He was walking on the path while I was biking by. He saw me and said hello and then he fell face-first on a spike. I was like, ‘Dude, does that hurt?’ but he didn’t reply or move.” When the cops asked him why he was trying to flee the scene, he said, “I was going to get help on my bike. Maybe doctors could, like, unspike his head or something, like, I don’t know.
”
”
Jasun Ether (The Beasts of Success)
“
And you're going to help me find it."
"Oh, really?" he replied with a wry grin. "Why's that?"
"Because you promised to love me," she said in a dopey voice. "And, uh...honor me...and protect..."
He snickered. "Shut up, spaz.
”
”
Gina Damico (Scorch (Croak, #2))
“
Sometimes a symbol holds more power than the thing it represents. Like the symbol for Thing, the one I created that is confusing and abstract and makes people ask, What is that thing? And I always reply, “If you already knew, why did you ask?
”
”
Jarod Kintz (This Book is Not for Sale)
“
When asked why I am single, my reply is simply; I consider myself a black pearl rare in my authenticity, adding a mysterious beauty to the select few who can recognize & even fewer who appreciate my worth. So instead of dating, I throw myself into working in the field. If my Boaz recognizes me amongst the black rocks...great! If not, the magnificence of my rarity will simply radiate onto those working the fields as well in the form of teaching, which is what I do.
”
”
Sanjo Jendayi
“
Fork you, Kyle," she said and took a bite of her duck, chewing it with deliberate slowness.
"Fork yourself, Lanie," he replied, irritated by her rant.
She got quiet for a minute, swallowed, and then said barely above a whisper, "I tried but it didn't work. That's why I have you.
”
”
M.K. Schiller (The Do-Over)
“
Why?” he whispered as he leaned over her, supported on one arm. “Why must ye be the one that haunts me dreams? I’ve seen ye weepin’ night after bloody night since the day I sent ye from me palace with yer dress half undone. If I had it to do over again, I’d cut me own right hand off rather than hurt ye so. Will ye never be able to forgive me, Silence love?”
“I already have,” she replied, cradling his cheek in her hand. “Long, long ago.
”
”
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
“
Well, what do you want me to say?' The Doctor was so angry he was almost hovering. 'Well done on marrying the only male nurse not to have a full set of Barbara Streisand records? Why did you pick him, anyway? Were there no flight attendants in your village?'
'Only Jeff,' [Amy replied].
'Ah.'...
'I picked Rory, always Rory, because he is just like you,' I [Amy] yelled at him. 'He is sweet and understanding and funny and he always tries to do the right thing. Plus you both run the same way.'
'We do not.'
'Do so.
”
”
James Goss (Doctor Who: Dead of Winter)
“
If I were to be made a knight," said the Wart, staring dreamily into the fire, "I should insist on doing my vigil by myself, as Hob does with his hawks, and I should pray to God to let me encounter all the evil in the world in my own person, so that if I conquered there would be none left, and, if I were defeated, I would be the one to suffer for it."
"That would be extremely presumptuous of you," said Merlyn, "and you would be conquered, and you would suffer for it."
"I shouldn't mind."
"Wouldn't you? Wait till it happens and see."
"Why do people not think, when they are grown up, as I do when I am young?"
"Oh dear," said Merlyn. '"You are making me feel confused. Suppose you wait till you are grown up and know the reason?"
"I don't think that is an answer at all," replied the Wart, justly.
Merlyn wrung his hands.
"Well, anyway," he said, "suppose they did not let you stand against all the evil in the world?"
"I could ask," said the Wart.
"You could ask," repeated Merlyn.
He thrust the end of his beard into his mouth, stared tragically into the fire, and began to munch it fiercely.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
Her dad’s coming,” she said, voice shrill.
“What?” we all said in unison.
Tristan, Ayden and the fairy looked at me and said, “What?”
“What?” I repeated, panicked and irritated at my lack of control in responding to a fairy I wasn’t
supposed to see or hear.
“What?” came their reply.
“What?” I continued the theme of repetition because I lacked any form of explanation.
Ayden held up a hand for silence. “Why are you ‘whatting’?”
“What?”
The hand again. “Okay, stop that,” Ayden said.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
But here is a question that is troubling me: if there is no God, then, one may ask, who governs human life and, in general, the whole order of things on earth?
– Man governs it himself, – Homeless angrily hastened to reply to this admittedly none-too-clear question.
– Pardon me, – the stranger responded gently, – but in order to govern, one needs, after all, to have a precise plan for a certain, at least somewhat decent, length of time. Allow me to ask you, then, how can man govern, if he is not only deprived of the opportunity of making a plan for at least some ridiculously short period, well, say, a thousand years , but cannot even vouch for his own tomorrow? And in fact, – here the stranger turned to Berlioz, – imagine that you, for instance, start governing, giving orders to others and yourself, generally, so to speak, acquire a taste for it, and suddenly you get ...hem ... hem ... lung cancer ... – here the foreigner smiled sweetly, and if the thought of lung cancer gave him pleasure — yes, cancer — narrowing his eyes like a cat, he repeated the sonorous word —and so your governing is over! You are no longer interested in anyone’s fate but your own. Your family starts lying to you. Feeling that something is wrong, you rush to learned doctors, then to quacks, and sometimes to fortune-tellers as well. Like the first, so the second and third are completely senseless, as you understand. And it all ends tragically: a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box, and the people around him, seeing that the man lying there is no longer good for anything, burn him in an oven. And sometimes it’s worse still: the man has just decided to go to Kislovodsk – here the foreigner squinted at Berlioz – a trifling matter, it seems, but even this he cannot accomplish, because suddenly, no one knows why, he slips and falls under a tram-car! Are you going to say it was he who governed himself that way? Would it not be more correct to think that he was governed by someone else entirely?
”
”
Mikhail Bulgakov (The Master and Margarita)
“
why were you so mean to little Chancellor Junior?” Clarke looked at him with a mixture of shock and indignation. For a moment, he thought she might actually hit him, but then she just shook her head. “That’s none of your business.” “Is he your boyfriend?” Bellamy pressed. “No,” Clarke said flatly. But then her mouth twitched into a questioning smile. “Why do you care?” “Just taking a census,” Bellamy replied. “Specifically, to determine the relationship status of all the pretty girls on Earth.
”
”
Kass Morgan (The Hundred (The Hundred, #1))
“
What did you spend so much time talking about with Ila? If you weren’t dancing with that long-legged fellow, you were talking to her like it was some kind of secret.”
“Ila was giving me advice on being a woman,” Egwene replied absently. He began laughing, and she gave him a hooded, dangerous look that he failed to see.
“Advice! Nobody tells us how to be men. We just are.”
“That,” Egwene said, “is probably why you make such a bad job of it.
”
”
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I replied with an Avenian accent. "Is the priest of this church still here?"
"No." He squinted at me. "Never seen you before. You from out of town?"
"I've never seen you before either," I said. "So maybe you're the one from out of town."
That amused him. "My name is Fink. Well, that's not really m name, but it's what everyone calls me."
"What's your name, then."
"Dunno. Everyone just calls me Fink."
"Don't you have anywhere else to go?"
"Not really. Why d'you want the priest?"
"A doctrinal question. What punishment does the Book of Faith recommend for a kid who's being too nosy?
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
That's stupid." I stopped to look at him. "why would you want everyone assuming something that isn't true?"
"Why should I care?"
"So you can ask someone you're interested in to go to the dance with you," I replied, not expecting his lack of concern.
"I just did.
”
”
Rebecca Donovan (Reason to Breathe (Breathing, #1))
“
Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...)
Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.
”
”
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
“
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.
”
”
Emily Brontë (Wuthering Heights)
“
It's asking us our names," Falkor reported.
"I'm Atreyu!" Atreyu cried.
"I'm Falkor!" cried Falkor.
The boy without a name was silent.
Atreyu looked at him, then took him by the hand and cried: "He's Bastian Balthazar Bux!"
"It asks," Falkor translated, "why he doesn't speak for himself."
"He can't," said Atreyu. "He has forgotten everything."
Falkor listened again to the roaring of the fountain.
"Without memory, it says, he cannot come in. The snakes won't let him through."
Atreyu replied: "I have stored up everything he told us about himself and his world. I vouch for him."
Falkor listened.
"It wants to know by what right?"
"I am his friend," said Atreyu.
”
”
Michael Ende (The Neverending Story)
“
A belligerent samurai, an old Japanese tale goes, once challenged a Zen master to explain the concept of heaven and hell. The monk replied with scorn, "You're nothing but a lout - I can't waste my time with the likes of you!"
His very honor attacked, the samurai flew into a rage and, pulling his sword from its scabbard, yelled "I could kill you for your impertinence."
"That," the monk calmly replied, "is hell."
Startled at seeing the truth in what the master pointed out about the fury that had him in its grip, the samurai calmed down, sheathed his sword, and bowed, thanking the monk for the insight.
"And that,"said the monk "is heaven."
The sudden awakening of the samurai to his own agitated state illustrates the crucial difference between being caught up in a feeling and becoming aware that you are being swept away by it. Socrates's injunction "Know thyself" speaks to the keystone of emotional intelligence: awareness of one's own feelings as they occur.
”
”
Daniel Goleman (Emotional Intelligence: Why It Can Matter More Than IQ)
“
Once, long ago, Parminder had told Barry the story of Bhai Kanhaiya, the Sikh hero who had administered to the needs of those wounded in combat, whether friend or fo. When asked why he gave aid indiscriminately, Bahai Kanhaiya had replied that the light of God shone from every soul, and that he had been unable to distinguish between them.
”
”
J.K. Rowling (The Casual Vacancy)
“
In a speech Abraham Lincoln delivered at the height of the Civil War,
he referred to the Southerners as fellow human beings who were in
error. An elderly lady chastised him for not calling them irreconcilable
enemies who must be destroyed. “Why, madam,” Lincoln replied,
“do I not destroy my enemies when I make them my friends?
”
”
Robert Greene (The 48 Laws of Power)
“
It quickly became a tracking operation, though. My chariot could not keep up with his truck. By the time I caught up with him, his truck was parked in one of those asphalt wastelands. What are they called again"?
The Tuatha De Danann have no problem asking Druids for information. That's what we're for, after all. The secret to becoming an Old Druid instead of a dead Druid is to betray nary a hint of condescension when answering even the simplest questions.
"They are called parking lots," I replied.
"Ah, yes, thank you. He came out of a building called 'Crussh', holding one of these potions. Are you familar with the building, Druid?"
"I belive that is a smoothie bar in England."
"Quite right. So after I killed him and stowed his body next to the doe, I sampled his smooth concoction in the parking lot and found it to be quite delicious".
See, sentences like that are why I nurture a healthy fear of the Tuatha De Danann.
”
”
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“
This is very American, too - the insecurity about whether we have earned our happiness. Planet Advertising in America orbits completely around the need to convince the uncertain consumer that yes, you have actually warranted a special treat. This Bud's for You! You Deserve a Break Today! Because You're Worth It! You've Come a Long Way, Baby! And the insecure consumer thinks, Yeah! Thanks! I AM gonna go buy a six-pack, damn it! Maybe even two six-packs! And then comes the reactionary binge. Followed by the remorse. Such advertising campaigns would probably not be as effective in the Italian culture, where people already know that they are entitled enjoyment in this life. The reply in Italy to "You Deserve a Break Today" would probably be, Yeah, no duh. That's why I'm planning on taking a break at noon, to go over to you house and sleep with your wife.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
When I was a kid," Orr replied, "I used to walk around all day with crab apples in my cheeks. One in each cheek."
... A minute passed. "Why?" [Yossarian] found himself forced to ask finally.
Orr tittered triumphantly. "Because they're better than horse chestnuts... When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit."
"Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked."
"Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that."
"Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?"
"I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab applies in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks.
”
”
Joseph Heller (Catch-22)
“
I HAVE WATCHED YOUR PROGRESS WITH INTEREST, ESMERELDA WEATHERWAX, said the voice in the dark. He was firm, but oh so polite. But now there was a question in his voice. PRAY TELL ME, WHY WERE YOU CONTENT TO LIVE IN THIS TINY LITTLE COUNTRY WHEN, AS YOU KNOW, YOU COULD HAVE BEEN ANYTHING AND ANYBODY IN THE WORLD? “I don’t know about the world, not much; but in my part of the world I could make little miracles for ordinary people,” Granny replied sharply. “And I never wanted the world—just a part of it, a small part that I could keep safe, that I could keep away from storms. Not the ones of the sky, you
”
”
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
“
...If there's a noise in the woods, and there's nobody around to hear it, is it really a noise?"
"Of course it is," she replied calmly.
"How did you reach that conclusion?" Beldin demanded.
"Because there's no such thing as an empty place, uncle. There are always creatures around --wild animals, mice, insects, birds --and they can all hear."
"But what if there weren't? What if the woods are truly empty?"
"Why waste your time talking about an impossibility?
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
Elizabeth’s hands flew to her mouth; tears filled her eyes with happiness
as she realized he was fulfilling yet another of her and her mother’s intended activities.
“Why are you fulfilling all of my mother’s dreams?” she asked, studying
his face and searching for answers.
“So you don’t run away like she did in search of them,” he replied, taking
her hand. “Come on, join in!” he said, leaping around.
”
”
Cecelia Ahern (If You Could See Me Now)
“
There was no reply. So Z glanced over again - just as a tear slide down Phury's cheek.
"Ah...fuck," Z muttered.
"Yeah. Pretty much." Another tear rolled out of Phury's eye. "God...damn. I'm leaking."
"Okay, brace yourself."
Phury scrubbed his face with his palms. "Why?"
"Because... I think I'm going to try to hug you.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Oh, I thought you were trying to build a canal. If it's jobs you want, then you should give these workers spoons, not shovels. [Reply to the government bureaucrat of one Asian country who told him that, reason why there were workers with shovels instead of modern tractors and earth movers at a worksite of a new canal, was that: "You don't understand. This is a jobs program."]
”
”
Milton Friedman
“
Blinking hard, she watched two Toltec nobles disembark from the aircraft and rush up the steps. One of them argued with the priest who had
proclaimed her death sentence. The taller of the two, wearing what she
dimly registered as the uniform of the Generals Council, demanded the
keys to her shackles.
Securing them, he walked behind the post. A curious mixture of anticipation and confusion filled Helen. Although she did not know him, a tenuous sense of hope stirred deep within her simply because he was there with her.
She turned her head from side to side, trying to watch him as he
worked to free her. “Who are you, my lord? Why are you here?”
“You sent me a lecture not long ago about your duty as a healer,
Lieutenant,” he replied, on one knee behind her to unlock the manacles
around her ankles. “I am your father.
”
”
Candace L. Talmadge (Stoneslayer: Book One Scandal)
“
Ow!"
"Hold still," Sinead ordered. "And don't be such a baby." She dabbed at the angry red mark behind Ian's ear. "Cat scratches are prone to infection, you know."
"And that's my fault?" Ian raged. "Why don't you lock that animal in the cellar? Or, better still, send him to a violen string factory! Ow! What is this stuff–acid?"
"My own concoction," she replied cheerfully. "Amy and I use it on our blisters when we do marathon training. Soothing, right?"
"They practice this kind of soothing in the Lucian stronghold–during interrogations.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
Why, in truth, sir," was Monte Cristo's reply, "man is but an ugly caterpillar for him who studies him through a solar microscope; but you said, I think, that I had nothing else to do. Now, really, let me ask, sir, have you? — do you believe you have anything to do? or to speak in plain terms, do you really think that what you do deserves being called anything?
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.” Hoshino looked up, mouth half open, and gazed at her face. “What’s that?” “Henri Bergson,” she replied, licking the semen from the tip of his penis. [...] “I can’t think of anything special, but could you quote some more of that philosophy stuff? I don’t know why, but it might keep me from coming so quick. Otherwise I’ll lose it pretty fast.
”
”
Haruki Murakami (Kafka on the Shore)
“
A woman once came to Mahatma Gandhi with her little boy. She asked, “Mahatma-ji, tell my little boy to stop eating sugar.” “Come back in three days,” said Gandhi. In three days the woman and the little boy returned and Mahatma Gandhi said to the little boy, “Stop eating sugar.” The woman asked, “Why was it necessary for us to return only after three days for you to tell my little boy that?” The Mahatma replied: “Three days ago I had not stopped eating sugar.
”
”
Ram Dass (Be Here Now)
“
Who's this?" he said, coming across a name he didn't recognize. "Lady Georgina of Sandalhurst? Why are we inviting her? I don't know her. Why are we asking people we don't know?"
I know her," Pauline replied. There was a certain steeliness in her voice that Halt would have done well to recognize. "She's my aunt, Bit of an old stick, really, but I have to invite her."
You've never mentioned her before," Halt challenged.
True. I don't like her very much. As I said, she's a bit of an old stick."
Then why are we inviting her?"
We're inviting her," Lady Pauline explained, "because Aunt Georgina has spent the last twenty years bemoaning the fact that I was unmarried. 'Poor Pauline!' she'd cry to anyone who'd listen. 'She'll be a lonley old maid! Married to her job! She'll never find a husband to look after her!' It's just too good an opportunity to miss."
Halt's eyebrows came together in a frown. There might be a few things that would annoy him more than someone criticizing the woman he loved, but for a moment, he couldn't think of one.
Agreed," he said. "And let's sit her with the most boring people possible at the wedding feast."
Good thinking," Lady Pauline said. She made a note on another sheet of paper. "I'll make her the first person on the Bores' table."
The Bores' table?" Halt said. "I'm not sure I've heard that term."
Every wedding has to have a Bores' table," his fiance explained patiently. "We take all the boring, annoying, bombastic people and sit them together. That way they all bore each other and they don't bother the normal people we've asked."
Wouldn't it be simpler to just ask the people you like?" Halt askede. "Except Aunt Georgina, of course--there's a good reason to ask her. But why ask others?"
It's a family thing," Lady Pauline said, adding a second and third name to the Bores' table as she thought of them. "You have to ask family and every family has its share of annoying bores. It's just organizing a wedding.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
Do you love me?"
There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!"
"What do you mean?" Jonas asked. Amusement was not at all what he had anticipated.
"Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully.
Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory.
"And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said.
"Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'"
"Do you understand why it's inappropriate to use a word like 'love'?" Mother asked.
Jonas nodded. "Yes, thank you, I do," he replied slowly.
It was his first lie to his parents.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
Faris turned on him. "Why choose to wear black today, of all days? I know why I'm in black. Why are you? Mourning?
He looked startled. "One does not wear mourning for a servant."
You still don't understand, do you? He was not my servant."
He regarded her anger, aghast. "What then? What else could he be?
Her empty hands shook as she held them out to him. Her voice shook as she replied, "Glove to my hand." Slowly she closed her fists. "Everything.
”
”
Caroline Stevermer (A College of Magics (A College of Magics, #1))
“
The movies make the brooding guy the hero – the guy with problems the guy who carries a gun, the gun with unresolved anger, the guy with a chip on his shoulder, the guy who’s a vampire – and they tell you that you can have the mythical happy ending with that same brooding guy.
But in reality, the brooding guy is cranky. He doesn’t reply to emails. He doesn’t call. He’s only half there when you’re talking to him, and he doesn’t chase you when you run. You feel insecure all the time. You get needy and sad and you hate yourself got being needy.
If you don’t know why he’s brooding, you’re shut out.
And if you do know why he’s brooding, you’re still shut out. (Because he’s busy brooding.)
”
”
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
“
You are in the wrong," replied the fiend; "and, instead of threatening, I am content to reason with you. I am malicious because I am miserable; am I not shunned and hated by all mankind? You, my creator, would tear me to pieces and triumph; remember that, and tell me why I should pity man more than he pities me? Would you not call it murder if you could Precipitate me into one of those ice-rifts, and destroy my frame, the work of your own hands. Shall I respect man, when he contemns me? Let him live with me in the interchange of kindness, and instead of injury, I would bestow every benefit upon him with tears of gratitude at his acceptance. But that cannot be; the human senses are insurmountable barriers to our union. Yet mine shall not be the submission of abject slavery. I will revenge my injuries: if I cannot inspire love, I will cause fear; and chiefly towards you my arch-enemy, because my creator, do I swear inextinguishable hatred. Have a care: I will work at your destruction, nor finish until I desolate your heart , so that you curse the hour of your birth.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Once, on ancient Earth, there was a human boy walking along a beach. There had just been a storm, and starfish had been scattered along the sands. The boy knew the fish would die, so he began to fling the fish to the sea. But every time he threw a starfish, another would wash ashore. "An old Earth man happened along and saw what the child was doing. He called out, 'Boy, what are you doing?' " 'Saving the starfish!' replied the boy. " 'But your attempts are useless, child! Every time you save one, another one returns, often the same one! You can't save them all, so why bother trying? Why does it matter, anyway?' called the old man. "The boy thought about this for a while, a starfish in his hand; he answered, "Well, it matters to this one." And then he flung the starfish into the welcoming sea.
”
”
Loren Eiseley (The Star Thrower)
“
Luke came to me and took the gun out of my hand. “I need to find a way to erase the last three minutes,” he muttered, sounding aggrieved.
“Why?” I asked.
“I just watched my boy’s sister strip. There’s laws against that,” he replied, not taking his eyes off Mace … but I had a feeling what Luke was doing was studiously avoiding seeing me in sequined undies and stripper shoes.
“No there’s not,” I said to Luke and he finally looked at me.
“Babe, there are. Trust me,” he stated.
”
”
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
“
You look like shit,” Horse said helpfully as he pulled up a lawn chair next to me. He sounded almost cheerful, which annoyed me. I glared at him and he smirked. “Still got a sweet butt though.”
I went from annoyed to pissed.
“Don’t call me that,” I snapped. “I don’t like it.”
“I know,” he replied. “That’s why I do it. You’re cute when you’re pissed. Kind of like a wet kitten. Gets me hard.
”
”
Joanna Wylde (Reaper's Property (Reapers MC, #1))
“
The Shepherd laughed too. “I love doing preposterous things,” he replied. “Why, I don’t know anything more exhilarating and delightful than turning weakness into strength, and fear into faith, and that which has been marred into perfection. If there is one thing more than mother which I should enjoy doing at this moment it is turning a jellyfish into a mountain goat. That is my special work,” he added with the light of a great joy in his face. “Transforming things —to take Much-Afraid, for instance, and to transform her into—“ He broke off and then went on laughingly. “Well, we shall see later on what she finds herself transformed into.
”
”
Hannah Hurnard (Hinds Feet on High Places)
“
Durnik needs a tower somewhere in the Vale," Belgarath was saying.
"I don't see why, father," Polgara replied.
"All of Aldur's disciples have towers, Pol. It's the custom."
"Old customs persist --even when there's no longer any need for them."
"He's going to need to study, Pol. How can he possibly study with you underfoot all the time?"
She gave him a long, chilly stare.
"Maybe I should rephrase that.
”
”
David Eddings (Seeress of Kell (The Malloreon, #5))
“
I have served a genius for almost forty years. Hundreds of times I have felt my intellectual energy stir within me and all sorts of desires - a longing for education, a love of music and the arts… And time and again I have crushed and smothered these longings… Everyone asks, “But why should a worthless woman like you need an intellectual or artistic life?” To this question I can only reply: “I don’t know, but eternally suppressing it to serve a genius is a great misfortune".
”
”
Sofia Tolstaya
“
The Viscount stepped into the room. "Came to see if you was dead," he said. "Laid Pom odds you weren't."
Lethbridge passed his hand across his eyes. "I'm not," he replied in a faint voice.
"No. I'm sorry," said the Viscount simply. He wandered over to the table and sat down. "Horry said she killed you, Pom said So she might, I said No. Nonsense."
Lethbridge still holding a hand to his aching head tried to pull himself together. "Did you?" he said. His eyes ran over his self invited guest. "I see. Let me assure you once more that I am very much alive."
"Well I wish you'd put your wig on," complained the Viscount. "What I want to know is why did Horry hit you on the head with a poker?"
Lethbridge gingerly felt his bruised scalp. "With a poker was it? Pray ask her, though I doubt if she will tell you."
"You shouldn't keep the front door open," said the Viscount. "What's to stop people coming in and hitting you over the head? It's preposterous."
"I wish you'd go home," said Lethbridge wearily.
The Viscount surveyed the supper-table with a knowing eye.
"Card-party?" he inquired.
”
”
Georgette Heyer (The Convenient Marriage)
“
Lo!" cried the demon. "I am here! What dost thou seek of me? Why dost thou disturb my repose? Smite me no more with that dread rod!" He looked at Cabal. "Where's your dread rod?"
"I left it at home," replied Cabal. "Didn't think I really needed it."
"You can't summon me without a dread rod!" said Lucifuge, appalled.
"You're here, aren't you?"
"Well, yes, but under false pretences. You haven't got a goatskin or two vervain crowns or two candles of virgin wax made by a virgin girl and duly blessed. Have you got the stone called Ematille?"
"I don't even know what Ematille is."
Neither did the demon. He dropped the subject and moved on. "Four nails from the coffin of a dead child?"
"Don't be fatuous."
"Half a bottle of brandy?"
"I don't drink brandy."
"It's not for you."
"I have a hip flask," said Cabal, and threw it to him. The demon caught it and took a dram.
"Cheers," said Lucifuge, and threw it back. They regarded each other for a long moment. "This really is a shambles," the demon added finally. "What did you summon me for, anyway?
”
”
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
“
When they say Don't I know you? say no.
When they invite you to the party
remember what parties are like
before answering.
Someone telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.
If they say we should get together.
say why? It's not that you don't love them any more.
You're trying to remember something
too important to forget.
Trees.
The monastery bell at twilight.
Tell them you have a new project.
It will never be finished. When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven't seen in ten years
appears at the door,
don't start singing him all your new songs.
You will never catch up.
Walk around feeling like a leaf. Know you could tumble any second.
Then decide what to do with your time.
”
”
Naomi Shihab Nye
“
Do you want to know why you don't meet my standards?" he asked.
She shook her head in mortification.
"Too late," he replied. "Here's my most important rule: Never have intercourse when one of the parties is in love with the other. It won't end well."
She gasped. "You arrogant cad! I'm not in love with you."
"I know." He didn't look away from her. "Isn't that what I said? Only one of us is in love, and it isn't you."
Violet stared at him. Her ears appeared to be working; her brain seemed to function. Tentatively, she added two and three and verified that they still made five.
”
”
Courtney Milan (The Countess Conspiracy (Brothers Sinister, #3))
“
Aesthetic and utilitarian considerations aside," I said, "Those mittens don't particularly make sense. Why would you want to hitchhike to the North Pole? Isn't the whole gimmick of Christmas that there's home delivery? You get up there, all you're going to find is a bunch of exhausted, grumpy elves. Assuming, of course, that you accept the mythical presence of a workshop up there, when we all know there isn't even a pole at the North Pole, and if global warming continues, there won't be any ice, either."
"Why don't you just fuck off?" the woman replied. Then she took her mittens and got out of there.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
A friend of Diagoras pointed out an expensive display of votive gifts and said, 'You think the gods have no care for man? Why, you can see from all these votive pictures here how many people have escaped the fury of storms at sea by praying to the gods who have brought them safe to harbor.'
To which Diagoras replied, 'Yes, indeed, but where are the pictures of all those who suffered shipwreck and perished in the waves?
”
”
Diagoras of Melos
“
What a shame," signed the Dodecahedron. "They're so very useful. Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?"
"Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped.
"I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him."
"That's absurd," objected Milo, whose head was spinning from all the numbers and questions.
"That may be true," he acknowledged, "but it's completely accurate, and as long as the answer is right, who cares if the question is wrong? If you want sense, you'll have to make it yourself.
”
”
Norton Juster (The Phantom Tollbooth)
“
I understand that you are an accomplished swords-man,” she finally said.
He eyed her curiously. Where was she going with this? “I like to fence, yes,” he replied.
“I have always wanted to learn.”
“Good God,” Gregory grunted.
“I would be quite good at it,” she protested.
“I’m sure you would,” her brother replied, “which is why you should never be allowed within thirty feet of a sword.” He turned to Gareth. “She’s quite diabolical.”
“Yes, I’d noticed,” Gareth murmured, deciding that maybe there might be a bit more to Hyacinth’s brother than he had thought.
Gregory shrugged, reaching for a piece of shortbread. “It’s probably why we can’t seem to get her married off.”
“Gregory!” This came from Hyacinth, but that was only because Lady Bridgerton had excused herself and followed one of the footmen into the hall.
“It’s a compliment!” Gregory protested. “Haven’t you waited your entire life for me to agree that you’re smarter than any of the poor fools who have attempted to court you?”
“You might find it difficult to believe,” Hyacinth shot back, “but I haven’t been going to bed each night thinking to myself—Oh, I do wish my brother would offer me something that passes for a compliment in his twisted mind.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Without realizing what she was doing and more on an impulse than anything else, she leaned forward and kissed him. It was a simple, yet firm kiss and she pulled back after only a moment. But it sent a thrill through her.
He leaned down for another. But she put her finger on his lips to stop him.
"That was my reward to you," she said as they danced. "Don't squander it."
"Reward? he asked still seeming both surprised and delighted at this unexpected attention. "What for?"
"Why for living, Vaelros. And for doing so much else to help me. I will have you rewarded in state as well. But that was just from me."
She saw Vaelros flush and she gave him a brilliant smile. "You don't like my reward?" she asked.
"I do!" he replied. "I want only to learn how to earn more."
The music was fading. The song was ending. Luthiel stepped back and let her hands drop.
"A mysterious thing, my heart," she said.
”
”
Robert Fanney
“
In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot–I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation.”
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth’s feelings dreadful. At length, with a voice of forced calmness, he said:
And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance.”
I might as well inquire,” replied she, “why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil?
”
”
Jane Austen
“
If my twelve-year-old self, of whom I had grown rather fond, thinking about him, were to reproach me: 'Why have you grown up such a dull dog, when I gave you such a good start? Why have you spent your time in dusty libraries, catologuing other people's books instead of writing your own? What had become of the Ram, the Bull and the Lion, the example I gave you to emulate? Where above all is the Virgin, with her shining face and curling tresses, whom I entrusted to you'- what should I say?
I should have an answer ready. 'Well, it was you who let me down, and I will tell you how. You flew too near to the sun, and you were scorched. This cindery creature is what you made me.'
To which he might reply: 'But you have had half a century to get over it! Half a century, half the twentieth century, that glorious epoch, that golden age that I bequeathed to you!'
'Has the twentieth century,' I should ask, 'done so much better than I have? When you leave this room, which I admit is dull and cheerless, and take the last bus to your home in the past, if you haven't missed it - ask yourself whether you found everything so radiant as you imagined it. Ask yourself whether it has fulfilled your hopes. You were vanquished, Colston, you were vanquished, and so was your century, your precious century that you hoped so much of.
”
”
L.P. Hartley (The Go-Between)
“
Man is unhappy because he doesn't know he's happy; only because of that. It's everything, everything, Whoever learns will at once immediately become happy, that same moment...
"And when did you find out that you were so happy?"
"Last week, on Tuesday, no, Wednesday, because it was Wednesday by then, in the night."
"And what was the occasion?"
"I don't remember, just so; I was pacing the room...it makes no difference. I stopped my clock, it was two thirty-seven."
"As an emblem that time should stop?"
Kirillov did not reply.
"They're not good," he suddenly began again, "because they don't know they're good. When they find out, they won't violate the girl. They must find out that they're good, then they'll all become good at once, all, to a man.
"Well, you did find out, so you must be good?"
"I am good."
"With that I agree, incidentally," Stavrogin muttered frowningly.
"He who teaches that all are good, will end the world."
"He who taught it was crucified."
"He will come, and his name is the man-god."
"The God-man?"
"The man-god--that's the whole difference."
"Can it be you who lights the icon lamp?"
"Yes, I lit it."
"You've become a believer?"
"The old woman likes the icon lamp...she's busy today," Kirillov muttered.
"But you don't pray yet?"
"I pray to everything. See, there's a spider crawling on the wall, I look and am thankful to it for crawling."
His eyes lit up again. He kept looking straight at Stavrogin, his gaze firm and unflinching. Stavrogin watched him frowningly and squeamishly, but there was no mockery in his eyes.
"I bet when I come the next time you'll already believe in God," he said, getting up and grabbing his hat.
"Why?" Kirillov also rose.
"If you found out that you believe in God, you would believe; but since you don't know yet that you believe in God, you don't believe," Nikolai Vsevolodovich grinned.
”
”
Fyodor Dostoevsky (Demons)
“
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some."
Yeah, you think? Butch took a swig. "Thanks."
"So can we kill him now?" said the one with the goatee and the baseball hat.
Beth's man spoke harshly. "Back off, V."
"Why? He's just a human."
"And my shellan is half-human. The man doesn't die just because he's not one of us."
"Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it."
He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight.
"I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat.
"Though I hate clocking the shit out of another Red Sox fan."
There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch."
The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?"
"Born and raised in Southie. Haven't stopped grinning since '04."
There was a long pause.
The vampire snorted. "I don't like humans."
"Yeah, well, I'm not too crazy about you bloodsuckers."
Another stretch of silence.
The guy stroked his goatee. "What do you call twenty guys watching the World
Series?"
"The New York Yankees," Butch replied.
The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Are you enjoying your company so far?"
"Yes! It's been a pleasure getting to know these ladies."
"Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of.
"Umm..." Maxon looked past Gavril at me. "Almost."
"Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?"
Mercifully, all the girls let out light giggles, so I blended in. The little traitor!
"What exactly did these girls do that isn't so sweet?" Gavril asked Maxon.
"Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding."
Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something.
"I don't remember anyone yelling at him in the Great Room. Do you?"
Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me."
"A scolding, you say? Whatever for?" Gavril continued.
"Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did.
"So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince.
"Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
”
”
William Golding
“
The youngest Merriville, bursting into the room some time later, found them seated side by side on the sofa. 'Buddle said I wasn't to disturb you, but I knew that was fudge,' he said scornfully. 'Cousin Alverstoke, there is someting I particularly wanted to ask you!' He broke off, perceiving suddenly, and with disfavour, that his Cousin Alverstoke had an arm round Frederica. Revolted by such a betrayal of unmanliness, he bent a disapproving look upon his idol and demanded: 'Why are you cuddling Frederica, sir?'
'Because we are going to be married,' replied his lordship calmly. 'It's obligatory, you know. One is expected to -er - cuddle the lady one is going to marry.'
'Oh!' said Felix. 'Well, I won't ask anyone to marry me , if that's what you have to do! I just say I never thought that you sir would have-' Again he broke off, as a thought struck him. 'Will that make her a - a She-Marquis? Oh, Jessamy, did you hear that? Frederica is going to be a She-Marquis!'
'What you mean is a Marchioness, you ignorant little ape!' replied his austere brother.
”
”
Georgette Heyer (Frederica)
“
What about me?’ said Grantaire. ‘I’m here.’
‘You?’
‘Yes, me.’
‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
‘Why not?’
‘Are you capable of being good for something?’
‘I have the vague ambition to be,’ said Grantaire.
‘You don’t believe in anything.’
‘I believe in you.’
‘Grantaire, will you do me a favour?’
‘Anything. Polish your boots.’
‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
‘You’re heartless, Enjolras.’
‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
‘Do you know them at all, those comrades who meet at Richefeu’s?'
‘Not very well. But we’re on friendly terms.’
‘What will you say to them?’
‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
‘You?’
‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
‘Be serious,’ said Enjolras.
‘I mean it,’ replied Grantaire.
Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’
Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
He resolutely jammed on his hat, and off he went.
”
”
Victor Hugo (Les Misérables)
“
I should have written you a letter, it was too late to make the deaths of my brothers an excuse. Since they died, I wrote a book; why not a letter? A mysterious but truthful answer is that while I can gear myself up to do a novel, letters, real-life communications, are too much for me. I used to rattle them off easily enough; why is the challenge of writing to friends and acquaintances too much for me now? Because I have become such a solitary, and not in the Aristotelian sense: not a beast, not a god. Rather, a loner troubled by longings, incapable of finding a suitable language and despairing at the impossibility of composing messages in a playable key--as if I no longer understood the codes used by the estimable people who wanted to hear from me and would have so much to reply if only the impediments were taken away.
”
”
Saul Bellow
“
Melody began to mumble incomprehensibly under her breath as she worked frantically on securing her most important papers into bankers boxes.
Her father stomped into her room, eating a banana.
Melody looked up at him with a sweaty and nauseated look on her face. “What are you tramping around so heavily about?” she asked him.
Bernie finished the last of the banana, and then held the peel in his hand as though it were a washcloth he had just found on the floor of a gym locker room.
Melody pointed to her trashcan with her eyes.
“I make an insane amount of noise when I approach you, because you once yelled at me claiming that I was 'sneaking up on you',” Bernie replied, using finger quotes on the last phrase. “That kind of treatment stays with a guy.”
Melody shook her head. Her father knew how much she hated finger quotes. Why he insisted on using them was beyond her. “I was five at the time”, she said.
“Ah,” Bernie said, with a knowing grin on his face. “The angry period.
”
”
B.M.B. Johnson (Melody Jackson v. the Hound from Hell It happened on Lafayette Street Season One)
“
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care.
I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.'
I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research.
Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery.
To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be.
Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit.
So, I believed.
”
”
Lance Armstrong (It's Not About the Bike: My Journey Back to Life)
“
His heart cracked, and he fell in love. He wondered if she would marry him.
“Tu sei pazzo,” she told him with a pleasant laugh.
“Why am I crazy?” he asked.
“Perché non posso sposare.”
“Why can’t you get married?”
“Because I am not a virgin,” she answered.
“What has that got to do with it?”
“Who will marry me? No one wants a girl who is not a virgin.”
“I will. I’ll marry you.”
“Ma non posso sposarti.”
“Why can’t you marry me?”
“Perché sei pazzo.”
“Why am I crazy?”
“Perché vuoi sposarmi.”
Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?”
“Si.”
“Tu sei pazz’!” he told her loudly.
“Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?”
“Because you won’t marry me.”
“Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.”
“Oh, sure, I understand. And why can’t you marry me?”
“Perché sei pazzo!”
“And why am I crazy?”
“Perché vuoi sposarmi.”
“Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.”
“Tu sei pazzo,” she murmured in reply, flattered.
“Perché?”
“Because you say you love me. How can you love a girl who is not a virgin?”
“Because I can’t marry you.”
She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?”
“No, no, darling. Because you’re crazy.
”
”
Joseph Heller (Catch-22)
“
The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said: "And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you— had they been indifferent, or had they even been favourable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps for ever, the happiness of a most beloved sister?
”
”
Jane Austen (Pride and Prejudice)
“
We might not return from this voyage. None of us. We might all lay down our lives when we reach the end, and not ever know whether our sacrifice changed anything for the better.”
“It will be for the better,” Magiano replies. “We cannot just die, not without trying. Not without fighting.”
“Do you really believe that?” I ask. “Why are we doing this, anyway? To preserve my own life, and yours—but what has the world ever done for us in order to deserve our sacrifice?”
Magiano’s brows furrow for a moment, then he leans in closer. “We exist because this world exists. It’s a responsibility of ours, whether or not anyone will remember it.” He nods at me. “And they will. Because we will return and make sure of it.
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
She needs to wake up," said Boots. "Hazard is crying. When does she wake up?" Gregor could not find it within him to give his standard reply. To pretend that in a short time Thalia would be back with them, laughing and happy. And somehow it seemed wrong to try. Boots was getting older. Very soon, she would begin to realize the truth on her own, anyway. "She's not going wake up," he told her. "She's dead."
"She doesn't wake up?" said Boots.
"No, not this time," said Gregor. "This time, she had to go away."
Boots looked around at all their faces, at Hazard crying. "Where did she go?" No one had an answer. "Where is Thalia when she doesn't wake up?"
The question hung in the air for an eternity. Finally, it was Howard who spoke up. "Why, she's in your heart, Boots."
"My heart?" said Boots, putting both hands on her chest.
"Yes. That's where she lives now," said Howard.
"She can fly away?" asked Boots, pressing her palms tightly against her heart as if to keep Thalia from escaping.
"Oh, no, she will stay there forever," said Howard.
”
”
Suzanne Collins (Gregor and the Marks of Secret (Underland Chronicles, #4))
“
You look different." His words, normally crisp,are now sluggish.
"So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?"
"Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea."
"No,it isn't" I'm not sure I like Four this way.There's something unsettling about it.
"Didn't know you had a tattoo," he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath.
"Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way."
I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand.
"What way?" I ask. "Drunk?
"Yeah...well,no." His voice softens. "Real,I guess."
"I'll pretend I didn't."
"Nice of you." He puts his lips next to my ear and says, "You look good, Tris."
His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?"
"Of course." He winks at me.
I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends.
Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot.
"Come on,little girl," he says, "I'm taking you to dinner."
I rest my elbows on Al's back and wave at Four as he carries me away.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Marie came that evening and asked me if I'd marry her. I said I didn't mind; if she was keen on it, we'd get married. Then she
asked me again if I loved her. I replied, much as before, that her question meant nothing or next to nothing--but I supposed I didn't.
'If that's how you feel,' she said, 'why marry me?'
I explained that it had no importance really, but, if it would give her pleasure, we could get married right away. I pointed out that, anyhow, the suggestion came from her; as for me, I'd merely said, 'Yes.'
Then she remarked that marriage was a serious matter. To which I answered: 'No.'
She kept silent after that, staring at me in a curious way. Then she asked:
'Suppose another girl had asked you to marry her--I mean, a girl you liked in the same way as you like me--would you have said 'Yes' to her, too?'
'Naturally.'
Then she said she wondered if she really loved me or not. I, of course, couldn't enlighten her as to that. And, after another silence, she murmured something about my being 'a queer fellow.' 'And I daresay that's why I love you,' she added. 'But maybe that's why one day I'll come to hate you.
”
”
Albert Camus (The Stranger)
“
Before Rohan could reply, a new voice entered the conversation. "What's this?"
It was Leo, who had just arisen from bed and pulled on his clothes. He came barefoot from the direction of his bedroom. His bleary gaze moved over the pair of them.
"Why are you on the floor with your buttons undone?"
Amelia considered the question. "I decided to have a spontaneous tryst in the middle of the hallway with a man I hardly know."
"Well, try to be quiet about it next time. A fellow needs his sleep."
Amelia stared at him quizzically. "For heaven's sake, Leo, aren't you worried that I may have been compromised?"
"Were you?"
"I..." Her face turned hot as she glanced into Rohan's vivid topaz eyes. "I don't think so."
"If you're not sure about it," Leo said, "you probably weren't.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.”
“It’s the truth. All of it. That’s why hunters are after me.”
“How did they find out?” Peter asked, swiveling toward her now.
“I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.”
“Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.”
“He never said anything,” she retorted.
“Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?”
She glowered at her friend. “I figured he was doing it because of my father.”
“Maybe, but the guy is really into you, Riley.”
“No way. If he’d liked me, he wouldn’t have blown me off and—”
“Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.”
“He didn’t have to be so mean.”
“God, will you listen to yourself?” Peter retorted.
“You have no idea how much he hurt me,” she shot back.
“Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
”
”
Jana Oliver (Forgiven (The Demon Trappers, #3))
“
Then the person I least expected to take my side strolled into the kitchen, wearing nothing but a bed sheet wrapped around his hips.
"Why do you bother, Crispin? You married a fighter, so stop trying to convince her that the sidelines suit her better."
"The day you love anyone but yourself is the day I'll take your marital advice, Ian," Bones bit back in an icy tone.
"Then today is that day," Ian replied sharply, "for I love you, you wretched, pig-headed guttersnipe. I also love that arrogant, overprivileged dandy smirking at us"—a wave indicted Spade, whose aforementioned smirk vanished—"as well as the emotionally fractured, malfunctioning psychic who sired me. And you, Crispin, love a bloodthirsty hellion who's probably killed more people in her thirty years than I have in over two centuries of living, so again I say, don't bother trying to convince her that she isn't who she is.
”
”
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
Christians often ask why God does not speak to them, as he is believed to have done in former days. When I hear such questions, it always makes me think of the rabbi who was asked how it could be that God often showed himself to people in the olden days while nowadays nobody ever sees him. The rabbi replied: "Nowadays there is now longer anybody who can bow low enough."
This answer hits the nail on the head. We are so captivated by and entangled in our subjective consciousness that we have forgotten the age-old fact that God speaks chiefly through dreams and visions. The Buddhist discards the world of unconscious fantasies as useless illusions; the Christian puts his Church and his Bible between himself and his unconscious; and the rational intellectual does not yet know that his consciousness is not his total psyche. This ignorance persists today in spite of the fact that for more than 70 years the unconscious has been a basic scientific concept that is indispensable to any serious psychological investigation.
”
”
C.G. Jung (Man and His Symbols)
“
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks
up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me.
“You look different.” His words, normally crisp, are now sluggish.
“So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?”
“Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.”
“No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it.
“Didn’t know you had a tattoo,” he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath.
“Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds,
“I’d ask you to hang out with us, but you’re not supposed to see me this way.”
I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in
his hand.
“What way?” I ask. “Drunk?”
“Yeah...well, no.” His voice softens. “Real, I guess.”
“I’ll pretend I didn’t.”
“Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.”
His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea
what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?”
“Of course.” He winks at me.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Afraid? No!" he replied. "I have neither a fear, nor a presentiment, nor a hope of death. Why should I? With my hard constitution and temperate mode of living, and unperilous occupations, I ought to, and probably shall, remain above ground till there is scarcely a black hair on my head. And yet I cannot continue in this condition! I have to remind myself to breathe - almost to remind my heart to beat! And it is like bending back a stiff spring: it is by compulsion that I do the slightest act not prompted by one thought; and by compulsion that I notice anything alive or dead, which is not associated with one universal idea. I have a single wish, and my whole being and faculties are yearning to attain it. They have yearned towards it so long, and so unwaveringly, that I'm convinced it will be reached - and soon - because it has devoured my existence: I am swallowed up in the anticipation of its fulfillment. My confessions have not revieved me; but they may account for some otherwise unaccountable phases of humour which I show. Oh God! It is a long fight; I wish it were over!
”
”
Emily Brontë (Wuthering Heights)
“
Children," Johanna drawled out. "They're such a joy. When you get married and have a family of your own, you'll understand what I'm saying. You are going to get married someday, aren't you, Keith?"
"Aye, m'lady," he answered. "Next summer as a matter of fact. Bridgid MacCoy has agreed to become my wife."
"Oh."
She couldn't quite hide her disappointment. She turned her gaze down the table and settled on Michael as a possibility.
He caught her staring at him. He smiled. She nodded. "Children," she began again. "They're wonderful, aren't they, Michael?"
"If you say so, m'lady."
"Oh, I do say," she replied. "When you get married, you'll understand. You do plan to marry someday, don't you, Michael?"
"Eventually," he answered with a shrug.
"Have you anyone in mind?"
"Are you matchmaking, m'lady?" Keith asked.
"Why would you think that?"
"I'll marry Helen when I'm ready," Michael interjected. "I've told her I will, and she agreed to wait."
Johanna frowned. The possibilities were becoming a bit limited. She turned to Niall.
"Children…" she began.
"She is matchmaking," Keith announced.
It was as though he'd just shouted the alarm that they were under siege. The soldiers literally jumped from their stools. They bowed to Johanna and left the room in the space of a single minute. She didn't even have enough time to order them back into their seats.
”
”
Julie Garwood (Saving Grace (Pocket Romance Classics))
“
Once, Gansey had overhead his father saying, Why in the world did he even want that car? and his mother replying, Oh, I know why. One day he would find an opportunity to bring up that conversation with her, because he wanted to know why she thought he had bought it. Analyzing what motivated him to put up with the Camaro made Gansey feel unsettled, but he knew it had something to do with how sitting in this perfectly restored Peugeot made him feel. A car was a wrapper for its contents, he thought, and if he looked on the inside like any of the cars in this garage looked on the outside, he couldn’t live with himself. On the outside, he knew he looked a lot like his father. On the inside, he sort of wished he looked more like the Camaro. Which was to say, more like Adam.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Not long since, a strolling Indian went to sell baskets at the house of a well-known lawyer in my neighborhood. “Do you wish to buy any baskets?” he asked. “No, we do not want any,” was the reply. “What!” exclaimed the Indian as he went out the gate, “do you mean to starve us?” Having seen his industrious white neighbors so well off—that the lawyer had only to weave arguments, and, by some magic, wealth and standing followed—he had said to himself: I will go into business; I will weave baskets; it is a thing which I can do. Thinking that when he had made the baskets he would have done his part, and then it would be the white man’s to buy them. He had not discovered that it was necessary for him to make it worth the other’s while to buy them, or at least make him think that it was so, or to make something else which it would be worth his while to buy.
I too had woven a kind of basket of a delicate texture, but I had not made it worth any one’s while to buy them. Yet not the less, in my case, did I think it worth my while to weave them, and instead of studying how to make it worth men’s while to buy my baskets, I studied rather how to avoid the necessity of selling them. The life which men praise and regard as successful is but one kind. Why should we exaggerate any one kind at the expense of the others?
”
”
Henry David Thoreau (Walden or, Life in the Woods)
“
In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.’
In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways.
We had, indeed, one very great advantage over our ancestors—anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances… and in which death itself was not a chance at all, but a certainty.
This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
”
”
C.S. Lewis
“
Then tell me this: How do I outthink an enemy I know is smarter than I am?' ...
I face some of the most crafty people who have ever lived. My current foe understands the minds of others in a way that I cannot hope to match. So how do I defeat her? She will vanish the moment I threaten her, running to one of a dozen other refuges that she is sure to have set up. ...
I have to peer into her eyes, see into her soul, and know that it's her that I face and not some decoy. I have to do that without frightening her into running. How?'
***
The question remains,' he said, voice soft but tense. 'How would you fight her, Nynaeve?'
I don't care to play your games, Rand al'Thor,' Nynaeve replied with a huff. 'You've obviously already decided what you intend to do. Why ask me?'
Because what I'm about to do should frighten me,' he said. 'It doesn't.
”
”
Brandon Sanderson (The Gathering Storm (The Wheel of Time, #12))
“
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers.
One day, a woman saw this bird and fell in love with him.
She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird.
But then she thought: He might want to visit far-off mountains!
And she was afraid, afraid that she would never feel the same way about any other bird.
And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.”
The bird, who was also in love, returned the following day, fell into the trap and was put in a cage.
She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.”
However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest.
The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage.
One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds.
If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body.
Without the bird, her life too lost all meaning, and Death came knocking at her door.
“Why have you come?” she asked Death.
“So that you can fly once more with him across the sky,” Death replied.
“If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
”
”
Paulo Coelho (Eleven Minutes)
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
It was the shadow of Some one who had gone by long before: of Some one who had gone on far away quite out of reach, never, never to come back. It was bright to look at; and when the tiny woman showed it to the Princess, she was proud of it with all her heart, as a great, great, treasure. When the Princess had considered it a little while, she said to the tiny woman, And you keep watch over this, every day? And she cast down her eyes, and whispered, Yes. Then the Princess said, Remind me why. To which the other replied, that no one so good and so kind had ever passed that way, and that was why in the beginning. She said, too, that nobody missed it, that nobody was the worse for it, that Some one had gone on to those who were expecting him--
'Some one was a man then?' interposed Maggy.
Little Dorrit timidly said yes, she believed so; and resumed:
'-- Had gone on to those who were expecting him, and that this remembrance
was stolen or kept back from nobody. The Princess made answer, Ah! But when the cottager died it would be discovered there. The tiny woman told her No; when that time came, it would sink quietly into her own grave, and would never be found.
”
”
Charles Dickens (Little Dorrit)
“
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward the Light Brigade!
Charge for the guns!" he said.
Into the valley of Death
Rode the six hundred.
Forward, the Light Brigade!"
Was there a man dismay'd?
Not tho' the soldier knew
Some one had blunder'd.
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die.
Into the valley of Death
Rode the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of hell
Rode the six hundred.
Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army, while
All the world wonder'd.
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre-stroke
Shatter'd and sunder'd.
Then they rode back, but not,
Not the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death,
Back from the mouth of hell,
All that was left of them,
Left of six hundred.
When can their glory fade?
O the wild charge they made!
All the world wonder'd.
Honor the charge they made!
Honor the Light Brigade,
Noble six hundred!
”
”
Alfred Tennyson
“
The religious leaders of the day had written the script for the Messiah. When Jesus announced he was the Messiah, the Pharisees and others screamed at him, "There is no Jesus in the Messiah script. Messiahs do not hang out with losers. Our Messiah does not break all the rules, Our Messiah does not question our leadership or threaten our religion or act so irresponsibly. Our Messiah does not disregard his reputation, befriend riffraff, or frequent the haunts of questionable people." Jesus' reply? "This Messiah does"! Do you see why Christianity is called "good news"? Christianity proclaims that it is an equal-opportunity faith, open to all, in spite of the abundance of playwrights in the church who are more than anxious to announce, "There is no place for you in Christianity if you [wear an earring/have a tattoo/drink wine/have too many questions/look weird/smoke/dance/haven't been filled with the Spirit/aren't baptized/swear/have pink hair/are in the wrong ethnic group/have a nose ring/have had an abortion/are gay or lesbian/are too conservative or too liberal].
”
”
Mike Yaconelli
“
The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then—to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn—pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theocriticism and geography and history and economics—why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-4))
“
Damn you to Lolth's web!" he said. "Don't you dare pretend if doesn't matter to you!" "Why do you care?" Drizzt growled back at him. "No one who has ever made a difference?" "Do you believe that?" "What do you want from me, son of Baenre?" "Just the truth-your truth. You believe that you have never made a difference?" "Perhaps there is no difference to be made," Drizzt replied. "Do not ever say that," Jarlaxle said to him. "Why do you care?" Drizzzt asked. "Because you were the one who escaped," Jarlaxle replied. "Don't you understand? Jarlaxle went on. "I watched you-we all watched you. Whenever a matron mother, or almost any female of Menzoberranzan was about, we spoke your name with vitriol, promising to avenge Lolth and kill you." "But whenever they were not around, the name of Drizzt Do'Urden was spoken with jealousy, often reverence. You do not understand, do you? You don't even recognize the difference you've made to so many of us in Menzoberranzan." "How? Why?" "Because you were the one who escaped!" "You are here with me!" Drizzt argued. "Are you bound to the City of Spiders by anything more than your own designs? By Bregan D'Aerthe?" "I'm not talking about the city, you obstinate fool," Jarlaxle replied, his voice lowering. Again Drizzt looked at him, at a loss. "The heritage," Jarlaxle explained. "The fate.
”
”
R.A. Salvatore (Gauntlgrym (Forgotten Realms: Neverwinter, #1; Legend of Drizzt, #20))
“
By the following morning, Anthony was drunk. By afternoon, he was hungover.
His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him
in such a state at
their club, were talking far too loudly.
Anthony put his hands over his ears and groaned.Everyone was talking far too loudly.
“Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle
their table and
splitting it open with a viciously loud crack.
Anthony lifted his head just far enough to glare at him.
Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted
him out,” he said to Colin. “Hand me one of those walnuts, will you?”
Colin tossed one across the table. “Do you want the crackers as well?”
Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to
smash them.”
“Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.”
“Ears a bit sensitive this afternoon, are they?”
If Anthony had had a pistol, he would have shot them both, hang the noise.
“If I might offer you a piece of advice?” Colin said, munching on his walnut.
“You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had
been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was
displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered.
Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did,
apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—”
“What the hell is he talking about?” Anthony grumbled.
“I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.”
“Just so!” Colin exclaimed.
Anthony just shook his head wearily. “It’s more complicated than you think.”
“It always is,” Benedict said, with sincerity so false it almost managed to sound sincere.
“When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you
may presume to
offer me advice. But until then ...shut up.”
Colin looked at Benedict. “Think he’s angry?”
Benedict quirked a brow. “That or drunk.”
Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.”
“Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.”
Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle
finger. “God above,”
he muttered. ‘‘What would it take to get you two to leave me alone?”
“Go home, Anthony,” Benedict said, his voice surprisingly gentle.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Gilan,” she said, “you’re looking well.” And apart from those wrinkles, he was.
He smiled at her. “And you grow more beautiful every day, Pauline,” he replied.
“What about me?” Halt said, with mock severity. “Do I grow more handsome every day? More impressive, perhaps?”
Gilan eyed him critically, his head to one side. Then he announced his verdict.
“Scruffier,” he said.
Halt raised his eyebrows. “’Scruffier’?” he demanded.
Gilan nodded. I’m not sure if you’re aware of recent advances in technology, Halt,” he said. “But there a wonderful new invention called scissors. People use them for trimming beards and hair.”
“Why?”
Gilan appealed to Pauline. “Still using his saxe knife to do his barbering, is he?”
Pauline nodded, slipping her hand inside her husband’s arm. “Unless I can catch him at it,” she admitted. Halt regarded them both with a withering look. They both refused to wither, so he abandoned the expression.
“You show a fine lack of respect for your former mentor,” he told Gilan.
The younger man shrugged. “It goes with my exalted position as your commander.”
“Not mine,” Halt said. “I’ve retired.”
“So I can expect little in the way of deference from you?” Gilan grinned.
“No. I’ll show proper deference….the day you train your horse to fly back around the castle’s turrets.
”
”
John Flanagan (The Royal Ranger (Ranger's Apprentice #12 Ranger's Apprentice: The Royal Ranger #1))
“
1. Bangladesh.... In 1971 ... Kissinger overrode all advice in order to support the Pakistani generals in both their civilian massacre policy in East Bengal and their armed attack on India from West Pakistan.... This led to a moral and political catastrophe the effects of which are still sorely felt. Kissinger’s undisclosed reason for the ‘tilt’ was the supposed but never materialised ‘brokerage’ offered by the dictator Yahya Khan in the course of secret diplomacy between Nixon and China.... Of the new state of Bangladesh, Kissinger remarked coldly that it was ‘a basket case’ before turning his unsolicited expertise elsewhere.
2. Chile.... Kissinger had direct personal knowledge of the CIA’s plan to kidnap and murder General René Schneider, the head of the Chilean Armed Forces ... who refused to countenance military intervention in politics. In his hatred for the Allende Government, Kissinger even outdid Richard Helms ... who warned him that a coup in such a stable democracy would be hard to procure. The murder of Schneider nonetheless went ahead, at Kissinger’s urging and with American financing, just between Allende’s election and his confirmation.... This was one of the relatively few times that Mr Kissinger (his success in getting people to call him ‘Doctor’ is greater than that of most PhDs) involved himself in the assassination of a single named individual rather than the slaughter of anonymous thousands. His jocular remark on this occasion—‘I don’t see why we have to let a country go Marxist just because its people are irresponsible’—suggests he may have been having the best of times....
3. Cyprus.... Kissinger approved of the preparations by Greek Cypriot fascists for the murder of President Makarios, and sanctioned the coup which tried to extend the rule of the Athens junta (a favoured client of his) to the island. When despite great waste of life this coup failed in its objective, which was also Kissinger’s, of enforced partition, Kissinger promiscuously switched sides to support an even bloodier intervention by Turkey. Thomas Boyatt ... went to Kissinger in advance of the anti-Makarios putsch and warned him that it could lead to a civil war. ‘Spare me the civics lecture,’ replied Kissinger, who as you can readily see had an aphorism for all occasions.
4. Kurdistan. Having endorsed the covert policy of supporting a Kurdish revolt in northern Iraq between 1974 and 1975, with ‘deniable’ assistance also provided by Israel and the Shah of Iran, Kissinger made it plain to his subordinates that the Kurds were not to be allowed to win, but were to be employed for their nuisance value alone. They were not to be told that this was the case, but soon found out when the Shah and Saddam Hussein composed their differences, and American aid to Kurdistan was cut off. Hardened CIA hands went to Kissinger ... for an aid programme for the many thousands of Kurdish refugees who were thus abruptly created.... The apercu of the day was: ‘foreign policy should not he confused with missionary work.’ Saddam Hussein heartily concurred.
5. East Timor. The day after Kissinger left Djakarta in 1975, the Armed Forces of Indonesia employed American weapons to invade and subjugate the independent former Portuguese colony of East Timor. Isaacson gives a figure of 100,000 deaths resulting from the occupation, or one-seventh of the population, and there are good judges who put this estimate on the low side. Kissinger was furious when news of his own collusion was leaked, because as well as breaking international law the Indonesians were also violating an agreement with the United States.... Monroe Leigh ... pointed out this awkward latter fact. Kissinger snapped: ‘The Israelis when they go into Lebanon—when was the last time we protested that?’ A good question, even if it did not and does not lie especially well in his mouth.
It goes on and on and on until one cannot eat enough to vomit enough.
”
”
Christopher Hitchens
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Get Comfortable Not Knowing There once was a village that had among its people a very wise old man. The villagers trusted this man to provide them answers to their questions and concerns. One day, a farmer from the village went to the wise man and said in a frantic tone, “Wise man, help me. A horrible thing has happened. My ox has died and I have no animal to help me plow my field! Isn’t this the worst thing that could have possibly happened?” The wise old man replied, “Maybe so, maybe not.” The man hurried back to the village and reported to his neighbors that the wise man had gone mad. Surely this was the worst thing that could have happened. Why couldn’t he see this? The very next day, however, a strong, young horse was seen near the man’s farm. Because the man had no ox to rely on, he had the idea to catch the horse to replace his ox—and he did. How joyful the farmer was. Plowing the field had never been easier. He went back to the wise man to apologize. “You were right, wise man. Losing my ox wasn’t the worst thing that could have happened. It was a blessing in disguise! I never would have captured my new horse had that not happened. You must agree that this is the best thing that could have happened.” The wise man replied once again, “Maybe so, maybe not.” Not again, thought the farmer. Surely the wise man had gone mad now. But, once again, the farmer did not know what was to happen. A few days later the farmer’s son was riding the horse and was thrown off. He broke his leg and would not be able to help with the crop. Oh no, thought the man. Now we will starve to death. Once again, the farmer went to the wise man. This time he said, “How did you know that capturing my horse was not a good thing? You were right again. My son is injured and won’t be able to help with the crop. This time I’m sure that this is the worst thing that could have possibly happened. You must agree this time.” But, just as he had done before, the wise man calmly looked at the farmer and in a compassionate tone replied once again, “Maybe so, maybe not.” Enraged that the wise man could be so ignorant, the farmer stormed back to the village. The next day troops arrived to take every able-bodied man to the war that had just broken out. The farmer’s son was the only young man in the village who didn’t have to go. He would live, while the others would surely die. The moral of this story provides a powerful lesson. The truth is, we don’t know what’s going to happen—we just think we do. Often we make a big deal out of something. We blow up scenarios in our minds about all the terrible things that are going to happen. Most of the time we are wrong. If we keep our cool and stay open to possibilities, we can be reasonably certain that, eventually, all will be well. Remember: maybe so, maybe not.
”
”
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
“
I’m not trying to impress you,” he replied, glancing up at the front of the room. “Gads,” he said, blinking in surprise. “What is that ?”
Hyacinth followed his gaze. Several of the Pleinsworth progeny, one of whom appeared to be costumed as a shepherdess, were milling about.
“Now that’s an interesting coincidence,” Gareth murmured.
“It might be time to start bleating,” she agreed.
“I thought this was meant to be a poetry recitation.”
Hyacinth grimaced and shook her head. “An unexpected change to the program, I’m afraid.”
“From iambic pentameter to Little Bo Peep?” he asked doubtfully. “It does seem a stretch.”
Hyacinth gave him a rueful look. “I think there will still be iambic pentameter.”
His mouth fell open. “From Peep?”
She nodded, holding up the program that had been resting in her lap. “It’s an original composition,” she said, as if that would explain everything. “By Harriet Pleinsworth.The Shepherdess, the Unicorn, and Henry VIII .”
“All of them? At once?”
“I’m not jesting,” she said, shaking her head.
“Of course not. Even you couldn’t have made this up.”
Hyacinth decided to take that as a compliment.
“Why didn’t I receive one of these?” he asked, taking the program from her.
“I believe it was decided not to hand them out to the gentlemen,” Hyacinth said, glancing about the room. “One has to admire Lady Pleinsworth’s foresight, actually. You’d surely flee if you knew what was in store for you.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.
It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.
The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--
"Sir?"
"Hey?" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," replied Gavroche.
And he laid his head down on the mat again.
The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.
Still the little one could not sleep.
"Sir?" he began again.
"Hey?" said Gavroche.
"What are rats?"
"They are mice."
This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.
"Sir?"
"Hey?" said Gavroche again.
"Why don't you have a cat?"
"I did have one," replied Gavroche, "I brought one here, but they ate
her."
This second explanation undid the work of the first, and the little
fellow began to tremble again.
The dialogue between him and Gavroche began again for the fourth time:--
"Monsieur?"
"Hey?"
"Who was it that was eaten?"
"The cat."
"And who ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--
"Sir, would those mice eat us?"
"Wouldn't they just!" ejaculated Gavroche.
The child's terror had reached its climax. But Gavroche added:--
"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!
”
”
Victor Hugo (Les Misérables)
“
Thurman asked, “Are you born again?”
Reacher said, “Once was enough for me.”
“I’m serious.”
“So am I.”
“You should think about it.”
“My father used to say, ‘Why be born again when you can just grow up?’”
“Is he no longer with us?”
“He died a long time ago.”
“He’s in the other place then, with an attitude like that.”
“He’s in a hole in the ground in Arlington Cemetery.”
“Another veteran?”
“Marine.”
“Thank you for his service.”
“Don’t thank me, I had nothing to do with it.”
Thurman said, “You should think about getting your life in order, you know, before it’s too late. Something might happen. The Book of Revelations says ‘The time is at hand.’”
“As it has every day since it was written nearly 2000 years ago. Why would it be true now, when it wasn’t before?”
“There are signs,” Thurman said, “And the possibility of precipitating events.”
He said it primly and smugly, and with a degree of certainty, as if he had regular access to privilieged, insider information. Reacher said nothing in reply.
They drove on past a small group of tired men, wrestling with a mountain of tangled steel. Their backs were bent and their shoulders were slumped. Not yet 8 o’clock in the morning, Reacher thought. More than 10 hours still to go.
“God watches over them.”
“You sure?”
“He tells me so.”
“Does he watch over you, too?”
“He knows what I do.”
“Does he approve?”
“He tells me so.”
“Then why is there a lightning rod on your church?
”
”
Lee Child (Nothing to Lose (Jack Reacher, #12))
“
I come not, Ambrosia for any of the purposes thou hast named," replied Marcela, "but to defend myself and to prove how unreasonable are all those who blame me for their sorrow and for Chrysostom's death; and therefore I ask all of you that are here to give me your attention, for will not take much time or many words to bring the truth home to persons of sense. Heaven has made me, so you say, beautiful, and so much so that in spite of yourselves my beauty leads you to love me; and for the love you show me you say, and even urge, that I am bound to love you. By that natural understanding which God has given me I know that everything beautiful attracts love, but I cannot see how, by reason of being loved, that which is loved for its beauty is bound to love that which loves it; besides, it may happen that the lover of that which is beautiful may be ugly, and ugliness being detestable, it is very absurd to say, "I love thee because thou art beautiful, thou must love me though I be ugly." But supposing the beauty equal on both sides, it does not follow that the inclinations must be therefore alike, for it is not every beauty that excites love, some but pleasing the eye without winning the affection; and if every sort of beauty excited love and won the heart, the will would wander vaguely to and fro unable to make choice of any; for as there is an infinity of beautiful objects there must be an infinity of inclinations, and true love, I have heard it said, is indivisible, and must be voluntary and not compelled. If this be so, as I believe it to be, why do you desire me to bend my will by force, for no other reason but that you say you love me? Nay—tell me—had Heaven made me ugly, as it has made me beautiful, could I with justice complain of you for not loving me? Moreover, you must remember that the beauty I possess was no choice of mine, for, be it what it may, Heaven of its bounty gave it me without my asking or choosing it; and as the viper, though it kills with it, does not deserve to be blamed for the poison it carries, as it is a gift of nature, neither do I deserve reproach for being beautiful; for beauty in a modest woman is like fire at a distance or a sharp sword; the one does not burn, the other does not cut, those who do not come too near. Honour and virtue are the ornaments of the mind, without which the body, though it be so, has no right to pass for beautiful; but if modesty is one of the virtues that specially lend a grace and charm to mind and body, why should she who is loved for her beauty part with it to gratify one who for his pleasure alone strives with all his might and energy to rob her of it?
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
You speak as if you envied him."
"And I do envy him, Emma. In one respect he is the object of my envy."
Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying,
"You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment."
"Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself."
"Thank you," said he, in an accent of deep mortification, and not another syllable followed.
Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house.
"You are going in, I suppose?" said he.
"No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think."
"As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?"
He stopped in his earnestness to look the question, and the expression of his eyes overpowered her.
"My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
Mister God made everything, didn’t he?”
There was no point in saying I didn’t really know. I said “Yes.”
“Even the dirt and the stars and the animals and the people and the trees and everything, and the pollywogs?” The pollywogs were those little creatures we had seen under the microscope.
I said, “Yes, he made everything.”
She nodded her agreement. “Does Mister God love us truly?”
“Sure thing,” I said. “Mister God loves everything.”
“Oh,” she said. “well then, why does he let things get hurt and dead?” Her voice sounded as if she felt she had betrayed a sacred trust, but the question had been thought and it had to be spoken.
“I don’t know,” I replied. “There’re a great many things about Mister God, we don’t know about?”
“Well then,” she continued, “if we don’t know many things about Mister God, how do we know he loves us?”
I could see this was going to be one of those times, but thank goodness she didn’t expect an answer to her question, for she hurried on: “Them pollywogs, I could love them till I bust, but they wouldn’t know, would they? I’m million times bigger than they are and Mister God is million times bigger than me, so how do I know what Mister God does?”
She was silent for a little while. Later I thought that at this moment she was taking her last look at babyhood. Then she went on.
“Fynn, Mister God doesn’t love us.” She hesitated. “He doesn’t really, you know, only people can love. I love Bossy, but Bossy don’t love me. I love the pollywogs, but they don’t love me. I love you Fynn, and you love me, don’t you?”
I tightened my arm about her.
“You love me because you are people. I love Mister God truly but he don’t love me.”
It sounded to me like a death knell. “Damn and blast,” I thought. “Why does this have to happen to people? Now she’s lost everything.” But I was wrong.
She had got both feet planted firmly on the next stepping stone.
“No,” she went on, “no, he don’t love me, not like you do, its different, its millions of times bigger.”
I must have made some movement or noise, for she levered herself upright and sat on her haunches and giggled. The she launched herself at me and undid my little pang of hurt, cut from the useless spark of jealousy with the delicate sureness of a surgeon.
“Fynn, you can love better than any people that ever was, and so can I, cant I? But Mister God is different. You see, Fynn, people can only love outside, and can only kiss outside, but Mister God can love you right inside, and Mister God can kiss you right inside, so its different. Mister God ain’t like us; we are a little bit like Mister God, but not much yet.”
It seemed to me to reduce itself to the fact that we were like God because of the similarities, but God was not like us because of our differences. Her inner fires had refined her ideas, and like some alchemist she had turned lead into gold. Gone were all the human definitions of God, like Goodness, Mercy, Love, and Justice, for these were merely props to describe the indescribable.
“You see, Fynn, Mister God is different because he can finish things and we cant. I cant finish loving you because I shall be dead millions of years before I can finish, but Mister God can finish loving you, and so its not the same kind of love, is it?
”
”
Fynn (Mister God, This is Anna)
“
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have.
The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said.
"Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done."
"Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you."
He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team."
"We were." In more ways than one, I thought. Which is why this sucked so bad.
I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist.
I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms.
My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his.
How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.
”
”
Carlos Castaneda (The Active Side of Infinity)
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.
Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.
Silver and blue, blue and silver.
Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.
The voice of Volkheimer: What you could be.
Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.
“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.
The wind moves through his undershirt. He is a kite, a balloon.
Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.
“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”
Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?
The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.
Why doesn’t the wind move the light?
Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.
“Stop,” he calls.
“Halt,” he calls.
But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"—As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?—the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!"—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,—it has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,—and yet they have done it!"—It is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem æternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
But what I would like to know," says Albert, "is whether there would not have
been a war if the Kaiser had said No."
"I'm sure there would," I interject, "he was against it from the first."
"Well, if not him alone, then perhaps if twenty or thirty people in the world had
said No."
"That's probable," I agree, "but they damned well said Yes."
"It's queer, when one thinks about it," goes on Kropp, "we are here to protect
our fatherland. And the French are over there to protect their fatherland. Now who's in the right?"
"Perhaps both," say I without believing it.
"Yes, well now," pursues Albert, and I see that he means to drive me into a
corner, "but our professors and parsons and newspapers say that we are the only
ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?"
"That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in."
Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started.
"Mostly by one country badly offending another," answers Albert with a slight
air of superiority.
Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in
Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat."
"Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--"
"Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."
"Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you."
"Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach,
man! he means the people as a whole, the State--" exclaims Mller.
"State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police,
taxes, that's your State;--if that's what you are talking about, no, thank you."
"That's right," says Kat, "you've said something for once, Tjaden. State and
home-country, there's a big difference."
"But they go together," insists Kropp, "without the State there wouldn't be any
home-country."
"True, but just you consider, almost all of us are simple folk. And in France,
too, the majority of men are labourers, workmen, or poor clerks. Now just why
would a French blacksmith or a French shoemaker want to attack us? No, it is
merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were."
"Then what exactly is the war for?" asks Tjaden.
Kat shrugs his shoulders. "There must be some people to whom the war is useful."
"Well, I'm not one of them," grins Tjaden.
"Not you, nor anybody else here."
"Who are they then?" persists Tjaden.
"It isn't any use to the Kaiser either. He has everything he can want already."
"I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books."
"And generals too," adds Detering, "they become famous through war."
"Even more famous than emperors," adds Kat.
"There are other people back behind there who profit by the war, that's
certain," growls Detering.
"I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
”
Christopher Hitchens (Hitch 22: A Memoir)