Whore Bag Quotes

Wait! Did you sleep with any of my boyfriends?" "No, I promise." "Okay, good," she said, relieved. "I just made out with one." "You see?" Tabitha said. "She's a whore bag." "Cum bucket," Mayson nodded in agreement. "You guys," Donya made a disgusted sound. "Can we save the name calling for later? I want to hear the hoe's story.

Bawdy in thoughts, precise in words, Ill-natured though a whore, Her belly is a bag of turds, And her cunt a common shore.

So now I'm getting my gown made by an exclusive seamstress, and all thos anorexic whores on Michigan Avenue and Oak Street who made me feel like the Goodyear blimp can kiss the very fattest part of my ass.

God is the comic shepherd who gets more of a kick out of that one lost sheep once he finds it again than out of the ninety and nine who had the good sense not to get lost in the first place. God is the eccentric host who, when the country-club crowd all turned out to have other things more important to do than come live it up with him, goes out into the skid rows and soup kitchens and charity wards and brings home a freak show. The man with no legs who sells shoelaces at the corner. The old woman in the moth-eaten fur coat who makes her daily rounds of the garbage cans. The old wino with his pint in a brown paper bag. The pusher, the whore, the village idiot who stands at the blinker light waving his hand as the cars go by. They are seated at the damask-laid table in the great hall. The candles are all lit and the champagne glasses filled. At a sign from the host, the musicians in their gallery strike up "Amazing Grace.

Shocking! Did she really do that?" "Would I lie?" "You lie faster than a whore offered a bag of gold,

What do you do with the kid who can't read? ...Well, what he did with the kid who couldn't read was to make her his mistress. What Farley did was to make her his punching bag. What the Cuban did was to make her his whore, or one among them--so Coleman believed more often than not.

Epidemic boo-hoo — ‘DON’T TELL MY WIFE!’ Leg-shackle clangs — the prostie vans shook…Panic down below: Shriners bagged en masse. Five men, fez hats flying — a whore grabbed one and pranced.

Fathers that wear rags Do make their children blind; But fathers that bear bags Shall see their children kind. Fortune, that arrant whore, Ne'er turns the key to th' poor.

That cum-guzzling, whore-bag, rubber-band, saggy-assed cunt…” I laugh, I can’t help myself. “Rubber-band, saggy-assed cunt?” “Yeah you know, stretches all to hell like a rubber band and then snaps back and cut your dick off, but once it’s been stretched it never actually goes back to the same…

I love everything that flows,” said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution. The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.

In thirty minutes, Pascal was at my door with a bag of beignets he had freshly fried. We ate them in my bed, getting powdered sugar on our clothes, and then on our underwear, and then on our naked bodies. "Who was that out there?" he said, his tongue edging up from my collarbone, to my neck, to the curve of my ear. His hands were on my butt, and my hands were on his. We were pressing into each other as much as we could, as much as was possible until we were finally one. "No one," I said, as he began pushing into me. No one, I repeated to myself. No one. No one. Inside, a mountain of tension squeezed tighter and tighter before crunching into a tiny crystalline diamond. That diamond shattered into a billion pieces of wonder and I came harder than I'd ever come before. I was broken, but I was also new. I silently cried myself to sleep with Pascal beside me. But when I woke up, I felt much better. Kissing Pascal had made me feel like another person. And after having sex with him, I knew that the change was finally complete.

Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.

I’ll James you, you foxy-faced drippings of a cankered __, you poxy bastarding whore’s melt, I put it to myself, and thought it worth it to hit him a belt; but, when all is said and done, I was but sixteen and he was a grown man and had come through Borstal institutions, mostly, I would say, by sucking up to bullying big bollixes the likes of Dale, not by letting his backstraps down—he was too ugly for that, but maybe some of these bastards would get a bit of a drop. I was no country Paddy from the middle of the Bog of Allen to be frightened to death by a lot of Liverpool seldom-fed bastards, nor was I one of your wrap-the-green-flag-round-me junior Civil Servants that came into the IRA from the Gaelic League, and well ready to die for their country any day of the week, purity in their hearts, truth on their lips, for the glory of God and the honour of Ireland. No, be Jesus, I was from Russell Street, North Circular Road, Dublin, from the Northside where, be Jesus, the likes of Dale wouldn’t make a dinner for them, where the whole of this pack of Limeys would be scruff-hounds would be et, bet, and threw up again __et without salt. I’ll James you, you bastard. Then the smile had to fade and the joke was rejected and the gentleness refused, never a better nor my own sweet self, and it wasn’t off the stones I licked. The old fellow would beat the best of them round our way and him only my height now, though fully grown a hell of a long time. James, be Jesus, prepare to meet thy Jesus. And I just stood up, held up a bag and said, ‘Finished work,’ and the screw nodded, though I hadn’t said ‘sir’ because I hadn’t time.

Local NGOs are like high-fashion boutiques. They sell very high-quality products – the Prada bag, the Armani frock – to a small number of people at very high prices.

Code Six and Jimmy were not and never had been cadets immaculate in long white sweeps of uniform; they were the troops silhouetted black against the blue sea, the troops leaping down from the landing craft into the hot sea, running toward the beach, the soldiers running through a burned-out place where pale faces prayed over the dead bodies that kept coming back inside plastic bags inside caskets inside flags in a truck with everyone saluting.

One of these days her mother is going to have to accept that her daughter was a lying, cheating whore. Not that there's anything wrong with whores—I bag them all the time—but own your shit.

When he returns with my bag, he holds it toward me. “You don’t have much in there.” “Yeah, some asshole cut up most of my clothes.” “Maybe it was an asshole who didn’t want you parading around like a whore.

Who do you belong to?" I gasped, trying to form a coherent thought with the painful pleasure he wrought between my thighs with every pass. "Say it!" He gritted out, his control slipping. "You!" I cried. "That's right. You're my little whore, and you will be for the rest of your life. You'll only be allowed to come around my fingers, my tongue, my cock, for so long as we both shall live.

What… was that for, sweetheart?” She shrugs. “I just remembered. I’ve only been photographed kissing Glen and Matt. I don’t want the magazines to get the wrong impression and think I’m only in love with two of you.” I’m not even walking, but I still almost trip over my own feet. “In love?” I manage eventually. “Madly, I’m afraid,” she says, tilting her head. “Are you going to pass out?” I stammer. “But… Matt and Glen…” She sighs dramatically. “I guess Goss magazine was right all along. I’m a massive hoe-bag. But I don’t just whore out my body, I whore out my heart.

A ball gag, a bag of zip ties, and a paddle that says SLUT across it. A choker that reads whore.

A perfect male specimen. Complete wolf-whistling material . . . whore-bag material too. I’m pretty sure that Tristan Miles could talk anyone onto their back and have them begging to open their legs for him.

I grabbed the hanger and ducked back into my room to slip on my dress, and it was, indeed, flattering. The red fabric gathered at the bust, swept down my sides, and came out in a wispy trumpet shape at my knees. I put on the leather jacket, and though I never would have picked this out myself, again, Emerald was right. I didn't feel so green and scared, but rather strong and protected. No wonder so many women in New York wore leather. "You look incredible!" Emerald jumped up and down when I stepped out into the living room. Then she calmed herself by admiring her work. "Oh, the red looks so good on your skin. And the leather. It's too perfect. Keep those. They don't fit me anymore." "Wow!" Elliott said. "You look great." "One last thing," Emerald added. "Take this purse and seal the deal. It's the latest Proenza Schouler bag. The PS1 is done and now they're onto this. It won't be in stores for another year." I looked down at the purse, a blue, green, and gold rectangle with inlaid triangles and textures. Some pony hair, some leather, maybe snake or skate?