Whitman Inspirational Quotes

Keep your face always toward the sunshine - and shadows will fall behind you.

Re-examine all you have been told. Dismiss what insults your soul.

Pointing to another world will never stop vice among us; shedding light over this world can alone help us.

Every moment of light and dark is a miracle.

I am larger, better than I thought; I did not know I held so much goodness. All seems beautiful to me. Whoever denies me, it shall not trouble me; Whoever accepts me, he or she shall be blessed, and shall bless me.

Argue not concerning God,…re-examine all that you have been told at church or school or in any book, dismiss whatever insults your soul…

Why are there trees I never walk under but large and melodious thoughts descend upon me?

Behold I do not give lectures or a little charity, when I give I give myself.

These are the days that must happen to you

For we cannot tarry here, We must march my darlings, we must bear the brunt of danger, We, the youthful sinewy races, all the rest on us depend, Pioneers! O pioneers!

And I will show that there is no imperfection in the present, and can be none in the future, And I will show that whatever happens to anybody it may be turn'd to beautiful results, And I will show that nothing can happen more beautiful than death, And I will thread a thread through my poems that time and events are compact, And that all the things of the universe are perfect miracles, each as profound as any.

I do not ask who you are, that is not important to me,   You can do nothing and be nothing but what I will infold you.

The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to your nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place, search another, I stop somewhere waiting for you.

What stays with you longest and deepest? Of curious panics, of hard-fought engagements or sieges tremendous what deepest remains?

The pleasures of heaven are with me, and the pains of hell are with me, The first I graft and increase upon myself ... the latter I translate into a new tongue.

This is what you should do: Love the earth and sun and animals, Despise riches, give alms to everyone that asks, Stand up for the stupid and crazy, Devote your income and labor to others, hate tyrants, Argue not concerning God, Have patience and indulgence toward the people... Reexamine all you have been told in school or church or in any book, Dismiss what insults your very soul, And your flesh shall become a great poem.

Re-examine all that you have been told, dismiss that which insults your soul.

All truths wait in all things, They neither hasten their own delivery nor resist it, They do not need the obstetric forceps of the surgeon, The insignificant is as big to me as any, (What is less or more than a touch?) Logic and sermons never convince, The damp of the night drives deeper into my soul.

Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.

Books had rescued me when i most needed saving... Books were smarter than me and words inspired me... to try something new, charge forward without a clear understanding of what would happen next, because "given something like death, what does it matter if one looks foolish now and then, or tries too hard, or cares too deeply?" In the end, Thoreau, Whitman, Hafiz, and a dozen other writers put me up to the task of seeing if I dared to "live a life worth living.

A lot of aspiring writers are actually very talented and just have to continue polishing their craft till opportunity knocks. All writers have to persevere, have a story they want to share and push till it's in a form others can understand and appreciate. To my fans and readers, I love you all and say a great big THANK YOU!

My respiration and inspiration...the beating of my heart...the passing of blood and air through my lungs, the sniff of green leaves and dry leaves and of the short and dark colored sea-rocks and of hay in the barn...the delight alone or in the rush of the streets, or along the fields and hillsides, the feeling of health...the full moon trill...the song of me rising from bed and meeting the sun.

Aquel que camina una sola legua sin amor, camina amortajado hacia su propio funeral.

All truths wait in all things

. . . never seen him inspired by any more dangerous stimulant than strong coffee, of which he was very fond & of which [he] drank freely. MacIntosh says that the measure of a man's brain is the amount of coffee he can drink with impunity. SARAH HELEN WHITMAN (POE'S FIANCÉE) TO JOHN INGRAM DECEMBER 13, 1874

To inspire the players, I adapted a quote from Walt Whitman and taped it on their lockers before the first game of the playoffs, against the Miami Heat. "Henceforth we seek not good fortune, we are ourselves good fortune".

She didn’t believe there was anything like perfect, fairytale love. Most people were flawed and prone to mistakes. She thought herself a romantic but treated love with the same practicality she did most things. They’d had fall-outs and misunderstandings but she’d never been free to be herself like she was with Edward. She couldn’t imagine being with another person after him.

However convenient this dwelling, we cannot remain here.

The law of the past can't be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded,

Success happens when good people with good intentions cooperate and work together over a shared interest. Believing that people are basically good is what fuels most inspired individuals. Cynics and pessimists do not change the world.

Come, said my Soul Such verses for my Body let us write, (for we are one,) That should I after death invisibly return, Or, long, long hence, in other spheres, There to some group of mates the chants resuming, (Tallying Earth’s soil, trees, winds, tumultuous waves,) Ever with pleas’d smiles I may keep on, Ever and ever yet the verses owning — as, first, I here and now, Signing for Soul and Body, set to them my name,

He is a type of our best — our rarest. Electrical, I was going to say, beyond anyone, perhaps, ever was: charged, surcharged. Not a founder of new philosophies — not of that build. But a towering magnetic presence, filling the air about with light, warmth, inspiration. A great intellect, penetrating, in ways (on his field) the best of our time — to be long kept, cherished, passed on... It should not be surprising that I am drawn to Ingersoll, for he is 'Leaves of Grass.' He lives, embodies, the individuality I preach. 'Leaves of Grass' utters individuality, the most extreme, uncompromising. I see in Bob the noblest specimen —American-flavored—pure out of the soil, spreading, giving, demanding light. {Whitman's thought on his good friend, the great Robert Ingersoll}

By the time that Hitler rose to power, the United States “was not just a country with racism,” Whitman, the Yale legal scholar, wrote. “It was the leading racist jurisdiction—so much so that even Nazi Germany looked to America for inspiration.” The Nazis recognized the parallels even if many Americans did not.

If you read a great poem aloud - for example, "To a Skylark" by Percy Bysshe Shelley - and read it the way he set it up and puncuated it, what you are doing is breathing his inspired breath at the moment he wrote that poem. That breath was so powerful it can still be awakened in us over 150 years later. Taking it on is very exhilarating. That is why it is good to remember: if you want to get high, don't drink whiskey; read Shakespeare, Tennyson, Keats, Neruda, Hopkins, Millay, Whitman, aloud and let your body sing.

Lo, I or you, Or woman, man, or state, known or unknown, We seeming solid wealth, strength, beauty build, But really build eidolons.

Re-examine all that you have been told... Dismiss that which insults your soul.

Let me sing to you now, about how people turn into other things from "Leaves of Grass

When it's dark enough, you can see the stars.

Enough to live, enough to merely be.

Keep your face to the sunshine and the shadows will fall behind you.

No specification is necessary—to add or subtract or divide is in vain. Little or big, learned or unlearned, white or black, legal or illegal, sick or well, from the first inspiration down the windpipe to the last expiration out of it, all that a male or female does that is vigorous and benevolent and clean is so much sure profit to him or her in the unshakable order of the universe and through the whole scope of it for ever.

Have you learned lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed the passage with you?

. . . . Shut not your doors to me proud libraries, for that which was lacking on all your well-fill’d shelves, yet needed most, I bring forth from the war emerging, a book I’ve made , the words of my book , nothing, the drift of it, everything . . . . -Walt Whitman

My respiration and inspiration.... the beating of my heart.... the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and darkcolored sea-rocks, and of hay in the barn, The sound of the belched words of my voice.... words loosed to the eddies of the wind, A few light kisses.... a few embraces.... a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hillsides, The feeling of health.... the full-noon trill.... the song of me rising from bed and meeting the sun. Have you reckoned a thousand acres much? Have you reckoned the earth much? Have you practiced so long to learn to read? Have you felt so proud to get at the meaning of poems?

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

To know the universe itself as a road, as many roads, as roads for traveling souls. The soul travels, the body does not travel as much as the soul. The body has just a great of work as the soul and parts away at last for the journeys of the soul.” If it’s happiness we are after it is the pursuit of happiness that matters.

To quote from Whitman, 'O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?' Answer. That you are here — that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play goes on and you may contribute a verse. What will your verse be?

The Civil War was a big break in Whitman’s poetry. Sometimes, he’d drive you nuts before that with his oh, what a great country we are, marching toward this glorious future!—all that Emersonian optimism. He saw this vision of collective humanity in this country that he really believed in. He expected all good things would happen from this very energetic and attractive people. And then, boom—the war.

Come, said my Soul Such verses for my Body let us write, (for we are one,) That should I after death invisibly return, Or, long, long hence, in other spheres, There to some group of mates the chants resuming, (Tallying Earth’s soil, trees, winds, tumultuous waves,) Ever with pleas’d smiles I may keep on, Ever and ever yet the verses owning — as, first, I here and now, Signing for Soul and Body, set to them my name, WALT WHITMAN

We seem afraid of the natural forces. John Burroughs puts it well, says, if the American is only dry, he is not content to take a drink of pure cold water, but must put sugar into it, or a flavor. To me, these things—the things of which these are the type—are the prominent dangers in the future of our America. The exhilaration of such freedom—the going and coming—the being master of yourself and of the road! No one who is not a walker can begin to know it! Oh! the long, long walks, way into the nights!—in the after hours—sometimes lasting till two or three in the morning! The air, the stars, the moon, the water—what a fullness of inspiration they imparted!—what exhilaration! And there were the detours, too—wanderings off into the country out of the beaten path: I remember one place in Maryland in particular to which we would go. How splendid, above all, was the moon—the full moon, the half moon: and then the wonder, the delight, of the silences.

owning states, since he was an ardent Abolitionist). Among those directly inspired by Emerson’s lectures and writings were Walt Whitman and Emily Dickinson (the two greatest American poets of the Nineteenth Century), Henry David Thoreau (the greatest literary observer of nature), John Muir (wilderness advocate and “Father of the National Parks”), and William James (pioneering psychologist and founder of Pragmatic philosophy). He also met President Abraham Lincoln and encouraged him to declare an end to slavery, which he did the next year with the Emancipation Proclamation. Ralph Waldo Emerson’s reach was vast, and his influence has continued to reverberate through every succeeding generation.

On the Beach at Night Alone On the beach at night alone, As the old mother sways her to and fro singing her husky song, As I watch the bright stars shining, I think a thought of the clef of the universes and of the future. A vast similitude interlocks all, All spheres, grown, ungrown, small, large, suns, moons, planets, All distances of place however wide, All distances of time, all inanimate forms, All souls, all living bodies though they be ever so different, or in different worlds, All gaseous, watery, vegetable, mineral processes, the fishes, the brutes, All nations, colors, barbarisms, civilizations, languages, All identities that have existed or may exist on this globe, or any globe, All lives and deaths, all of the past, present, future, This vast similitude spans them, and always has spann’d, And shall forever span them and compactly hold and enclose them.

Dear Sir—I am not blind to the worth of the wonderful gift of “Leaves of Grass.” I find it the most extraordinary piece of wit and wisdom that America has yet contributed. I am very happy in reading it, as great power makes us happy.… I give you joy of your free and brave thought. I have great joy in it. I find incomparable things said incomparably well, as they must be. I find the courage of treatment which so delights us, and which large perceptions only can inspire. I greet you at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start. I rubbed my eyes a little, to see if this sunbeam were no illusion; but the solid sense of the book is a sober certainty. It has the best merits, namely, of fortifying and encouraging.… I wish to see my benefactor, and have felt much like striking my tasks and visiting New York to pay you my respects. R.W. Emerson

If the American culture of movies, shopping males, and soft drinks cannot inspire us, there are other Americas that can: Americas of renegades and prisoners, of dreamers and outsiders. Something can be salvaged from the twisted wreck of the “democratic sprit” celebrated by Walt Whitman, something subverted from the sense that each person has worth and dignity: a spirit that can be sustained on self-reliance and initiative. These Americas are America of the alienated and marginalized: indigenous warriors, the freedom fighters of civil rights, the miners’ rebelling in the Appalachian Mountains. America’s past is full of revolutionary hybrids; our lists could stretch infinitely onwards towards undiscovered past or future. The monolith of a rich and plump America must be destroyed to make room for many Americas. A folk anarchist culture rising in the periphery of America, and can grow in the fertile ground that lies beneath the concrete of the great American wasteland. Anyone struggling today – living the hard life and fighting the even harder fight – is a friend even if he or she can never share a single meal with us, or speak our language. The anarchists of America, with our influence as wide as our prairies and dreams that could light those prairies on fire, can make entire meals on discarded food, live in abandoned buildings, and travel on the secret paths of lost highways and railroads, we are immensely privileged.

Walt Whitman said, “To have great poets, there must be great audiences.

By the time that Hitler rose to power, the United States “was not just a country with racism,” Whitman, the Yale legal scholar, wrote. “It was the leading racist jurisdiction—so much so that even Nazi Germany looked to America for inspiration.

mean a thing without the ring.” To inspire the players, I adapted a quote from Walt Whitman and taped it on their lockers before the first game of the playoffs, against the Miami Heat. “Henceforth we seek not good fortune, we are ourselves good fortune.” Everyone expected us to dance our way to the championship,

I thought about how grim I felt since leaving the Navajo Nation, and I tried to imagine my perfect life. Surely it wasn't this. How could perfection include loneliness and longing, filth and exhaustion, whispers of despair? It seemed there were countless other potential versions of this life that'd be so much better. I could spend hours fantasizing about them, wondering what that perfection might look like someday, wishing it would come soon. I could spend my entire life that way wondering, wishing. It'd be so easy. It was in fact, the inevitable result of believing that perfection was anything other than what already was. 'This minute that comes to me over the past decillions," Whitman wrote, "There is no better than it and now."If I couldn't find perfection in this, then what made me think I'd be able to find it tomorrow, next month or two decades from now? Peace had to be an inner perspective, not a specific and temperamental set of external conditions. The fire cackled, lighting up Jean-Sébastien and Cristelle in hues of yellow and orange, and I realized that this was my perfect life. It had to be.

I was inspired by the example of my parents and by Walt Whitman’s stirring advice to American boys of the nineteenth century: “Ascend no longer from the textbook! Ascend to your own country! Go to the West and the South! Go among men, in the spirit of men! Master horses, become a good marksman and a strong oarsman . . .

By the time that Hitler rose to power, the United States "was not just a country with racism," Whitman, the Yale legal scholar wrote. "It was the leading racist jurisdiction - so much so that even Nazi Germany looked to American for inspiration." The Nazis recognized the parallels event if many Americans did not.

Where on earth did it come from? You can ask that question of any poem, and one inevitable answer is a simple one: work. No made thing springs up unbidden, even those that seem to. The poem that announced itself to the intoxicated Coleridge, before a knock at the door banished most of it from his memory, or the composition that sprung full blown into the head of Mozart, as he stepped down from a carriage after a satisfying dinner, seemed to pour from the artist's hand, so long schooled those hands had become. But years of labor inform those spontaneous productions. Though a poem over which one struggles may seem labored, it often prepares the way for new writing in which what's been learned emerges with an effortless grace.

But something special happened to American poetry in the 19th century when Walt Whitman broke with more traditional English poetics and fashioned an American poetic style as innovative and imaginative as the new nation itself. He created a persona narrator whose ambition it was to embrace all the ideals and spirit of rebellion and revolutionary zeal of its history, while creating a language free of old world formalists constraints. His new music was influenced by the Hebraic bible in its use of incantation and rhythmic repetition, and his stories were also both biblical and innovative in nature.

One by one, he lifts the blankets to take a peek. Curious I halt and silent stand, Then with light fingers I from the face of the nearest the first just lift the blanket; Who are you elderly man so gaunt and grim, with well-gray’d hair, and flesh all sunken about the eyes? Who are you my dear comrade? Then to the second I step—and who are you my child and darling? Who are you sweet boy with cheeks yet blooming? Whitman had compassion. He understood these were unique lives that had been extinguished, three examples among countless others. Empathy is one of the strongest things in Whitman from the very beginning. And as I read this, I really feel sorry for that old man. And of course, for the kid—young guy, who goes to war to be a hero and gets killed. The whole poem is a live wire vibrating with feelings. It manages to be both restrained and emotional as the speaker uncovers those bodies and looks in horror at their faces.

Hand-sewing is calming to me, and I chose to stitch my dress entirely machine-free. For whimsy and inspiration, I’ve selected some thread in a pretty shade of moss-green and continue to embroider quotes along the hems as fancy strikes. Joy Harjo: Remember the earth whose skin you are. Walt Whitman: I bequeath myself to the dirt to grow from the grass I love… Your very flesh shall be a great poem… Now and then I wear the dress on a forest walk, letting it become accustomed to roots and soil. If

Hand-sewing is calming to me, and I chose to stitch my dress entirely machine-free. For whimsy and inspiration, I’ve selected some thread in a pretty shade of moss-green and continue to embroider quotes along the hems as fancy strikes. Joy Harjo: Remember the earth whose skin you are. Walt Whitman: I bequeath myself to the dirt to grow from the grass I love… Your very flesh shall be a great poem… Now and then I wear the dress on a forest walk, letting it become accustomed to roots and soil. If any of these practices and ponderings sound glib or overly lighthearted, know that they are defense mechanisms. Naps upon decaying trees. Sewing of shrouds. Skulls of birds and coyotes enshrined as memento mori on the shelves of my study—I contemplate them daily in the palms of my hands, their intricate post-purpose: Remember. All of this is an attempt at a reckoning with the end of my own life, the constant presence of an inevitability I am as yet unable to fully brook. Some say peace with death descends upon us as we age, and perhaps this is so. For now, I struggle and I stitch.

air of robust innocence in the wake of mass death.” By the time that Hitler rose to power, the United States “was not just a country with racism,” Whitman, the Yale legal scholar, wrote. “It was the leading racist jurisdiction—so much so that even Nazi Germany looked to America for inspiration.” The Nazis recognized the parallels even if many Americans did not.