Whitman Friends Quotes

I no doubt deserved my enemies, but I don't believe I deserved my friends.

I announce adhesiveness-I say it shall be limitless, unloosen'd; I say you shall yet find the friend you were looking for.

I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.

Uttering joyous leaves all its life without a friend a lover near, I know very well I could not.

Body Electric" Elvis is my daddy, Marilyn’s my mother, Jesus is my bestest friend. We don’t need nobody 'Cause we got each other, Or at least I pretend. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. Whitman is my daddy, Monaco’s my mother, Diamonds are my bestest friend. Heaven is my baby, suicide’s her father, Opulence is the end. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. My clothes still smell like you, And all the photographs say you’re still young. I pretend I’m not hurt And go about the world like I’m havin’ fun. We get crazy every Friday night, Drop it like it’s hot in the pale moonlight. Grand Ole Opry, feelin' all right Mary's swayin’ softly to her heart's delight. I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. I sing the body electric, baby. I sing the body electric, baby. I sing the body electric, baby.

I dream'd in a dream I saw a city invincible to the attacks of the whole of the rest of the earth, I dream'd that was the new city of Friends, Nothing was greater there than the quality of robust love, it led the rest, It was seen every hour in the actions of the men of that city, And in all their looks and words.

The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine… While the children are falling asleep and complaining about the noise you’re making as you rummage through the closets for your old poems, afraid your wife might’ve thrown them out with last spring’s cleaning. It’s snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing.

Though the live-oak glistens there in Louisiana solitary in a wide flat space, Uttering joyous leaves all its life without a friend a lover near, I know very well I could not." - from "I Saw in Louisiana a Live-Oak Growing

Something else gets under your skin, keeps you working days and nights at the sacrifice of your sleeping and eating and attention to your family and friends, something beyond the love of puzzle solving. And that other force is the anticipation of understanding something about the world that no one has ever understood before you. Einstein wrote that when he first realized that gravity was equivalent to acceleration -- an idea that would underlie his new theory of gravity -- it was the "happiest thought of my life." On projects of far smaller weight, I have experienced that pleasure of discovering something new. It is an exquisite sensation, a feeling of power, a rush of the blood, a sense of living forever. To be the first vessel to hold this new thing. All of the scientists I've known have at least one more quality in common: they do what they do because they love it, and because they cannot imagine doing anything else. In a sense, this is the real reason a scientist does science. Because the scientist must. Such a compulsion is both blessing and burden. A blessing because the creative life, in any endeavor, is a gift filled with beauty and not given to everyone, a burden because the call is unrelenting and can drown out the rest of life. This mixed blessing and burden must be why the astrophysicist Chandrasekhar continued working until his mid-80's, why a visitor to Einstein's apartment in Bern found the young physicist rocking his infant with one hand while doing mathematical calculations with the other. This mixed blessing and burden must have been the "sweet hell" that Walt Whitman referred to when he realized at a young age that he was destined to be a poet. "Never more," he wrote, "shall I escape.

Shocked? I consider Bob one of the constellations of our time — of our country — America — a bright, magnificent constellation. Besides, all the constellations—not alone of this but of any time—shock the average intelligence for a while. In one respect that helps to prove it a constellation. Think of Voltaire, Paine, Hicks, not to say anything of modern men whom we could mention. {Whitman's thoughts on his close friend, the great Robert Ingersoll}

I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day — at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.

When I heard at the close of the day how my name had been receiv’d with plaudits in the capitol, still it was not a happy night for me that follow’d, And else when I carous’d, or when my plans were accomplish’d, still I was not happy, But the day when I rose at dawn from the bed of perfect health, refresh’d, singing, inhaling the ripe breath of autumn, When I saw the full moon in the west grow pale and disappear in the morning light, When I wander’d alone over the beach, and undressing bathed, laughing with the cool waters, and saw the sun rise, And when I thought how my dear friend my lover was on his way coming, O then I was happy, O then each breath tasted sweeter, and all that day my food nourish’d me more, and the beautiful day pass’d well, And the next came with equal joy, and with the next at evening came my friend, And that night while all was still I heard the waters roll slowly continually up the shores, I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me, For the one I love most lay sleeping by me under the same cover in the cool night, In the stillness in the autumn moonbeams his face was inclined toward me, And his arm lay lightly around my breast – and that night I was happy.

Like one that had a Star Wars Storm Trooper face on it and next to that “I had friends on that Death Star.” And another one that said, “The gene pool could use a little chlorine.” And another that said, “Contrary to belief, no one owes you anything.” Then there were the random quotes, like Walt Whitman’s “Resist much. Obey little.

After ministering each day to the hundreds of young men who had endured ghastly wounds, submitted to amputations without anesthesia, and often died without the comfort of family or friends, Whitman wrote, “nothing of ordinary misfortune seems as it used to.

Paine was a grand fellow — high—with the most splendid sense of justice. But he was a reasoner — not warm — not letting out the natural palpitating passion... which perhaps he didn't have. But I see all that and more in Ingersoll. His imagination flames and plays up, up, up. It is a grand height! And he has so sharp a blade, too; is many-sided, gifted for great effects in different spheres. I don't suppose we ever had a man here so well adapted to that work. {Whitman's thought on Thomas Paine and his good friend, Robert Ingersoll}

He is a type of our best — our rarest. Electrical, I was going to say, beyond anyone, perhaps, ever was: charged, surcharged. Not a founder of new philosophies — not of that build. But a towering magnetic presence, filling the air about with light, warmth, inspiration. A great intellect, penetrating, in ways (on his field) the best of our time — to be long kept, cherished, passed on... It should not be surprising that I am drawn to Ingersoll, for he is 'Leaves of Grass.' He lives, embodies, the individuality I preach. 'Leaves of Grass' utters individuality, the most extreme, uncompromising. I see in Bob the noblest specimen —American-flavored—pure out of the soil, spreading, giving, demanding light. {Whitman's thought on his good friend, the great Robert Ingersoll}

Somehow I cannot let it go yet, funeral though it is, Let it remain back there on its nail suspended, With pink, blue, yellow, all blanch'd, and the white now gray and ashy, One wither'd rose put years ago for thee, dear friend; But I do not forget thee. Hast thou then faded? Is the odor exhaled? Are the colors, vitalities, dead? No, while memories subtly play—the past vivid as ever; For but last night I woke, and in that spectral ring saw thee, Thy smile, eyes, face, calm, silent, loving as ever: So let the wreath hang still awhile within my eye-reach, It is not yet dead to me, nor even pallid.

HOW solemn, as one by one, As the ranks returning, all worn and sweaty—as the men file by where I stand; As the faces, the masks appear—as I glance at the faces, studying the masks; (As I glance upward out of this page, studying you, dear friend, whoever you are;) How solemn the thought of my whispering soul, to each in the ranks, and to you; I see behind each mask, that wonder, a kindred soul; O the bullet could never kill what you really are, dear friend, Nor the bayonet stab what you really are: ... The soul! yourself I see, great as any, good as the best, Waiting, secure and content, which the bullet could never kill, Nor the bayonet stab, O friend!

The warden always seems to know which book to bring. When the sun is gunslinger blue, the warden brings a western. When rain slates against the towers and the world has gone hopeless with gray, it is Bible stories. When the halls ring with the cries of riot and the bars of my own cell rattle with pain, the warden drops a soft book on the floor, solace in its pages: the collected poems of Walt Whitman. And oh, my favorites, like the tastes of childhood. Every few months the warden passes me The White Dawn, and for a few precious days I traverse the open heavens on hard-packed moonlit snow and see the blue splashing arctic lights, and I fill my belly with frozen seal meat and laugh with my Inuit friends.

Puttin’ two slugs in some gumshoe in an alley behind the Whitman’s Chocolates place, now that ain’t their style at all. Murder, My Sweet’s what me and Louisa’s been callin’ it. You know, like that movie with that singer fella playing the detective? Because it was next to the chocolate place.” Henry laughed at his own joke. Everything about him was friendly. So friendly he could make light of murder.

I sleep—I sleep long. I do not know it—it is without name—it is a word unsaid, It is not in any dictionary, utterance, symbol. Something it swings on more than the earth I swing on, To it the creation is the friend whose embracing awakes me. Perhaps I might tell more. Outlines! I plead for my brothers and sisters. Do you see O my brothers and sisters? It is not chaos or death—it is form, union, plan—it is eternal life—it is Happiness. from "Song of Myself," Strophe 50.

I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe: I told it not, my wrath did grow. And I watered it in fears, Night and morning with my tears; And I sunned it with smiles, And with soft deceitful wiles. And it grew both day and night, Till it bore an apple bright. And my foe beheld it shine. And he knew that it was mine, And into my garden stole When the night had veiled the pole; In the morning glad I see My foe outstretched beneath the tree.

I saw the marriage of the trapper in the open air in the far west, the bride was a red girl, Her father and his friends sat near cross-legged and dumbly smoking, they had moccasins to their feet and large thick blankets hanging from their shoulders, On a bank lounged the trapper, he was drest mostly in skins, his luxuriant beard and curls protected his neck, he held his bride by the hand, She had long eyelashes, her head was bare, her coarse straight locks descended upon her voluptuous limbs and reach'd to her feet.

While everyone adjusted themselves and their packs, Donna sniffed curiously at Louie's nose. Her attitude suggested she might want to make friends with the giant dog; Lou couldn't resist the temptation. Once Donna lured Louie in, she slowly, cautiously, turned about to align her hooves with Louie's head. Perhaps she didn't like dogs. Perhaps she didn't want a rival for Monty's attentions. Perhaps she was merely an impish tarkus much like the Dane himself. Cody watched as the Dane failed to grasp the gravity of his predicament. At the last moment, Cody smacked Louie's hind end, scuttling the devious donkey's murderous trap.

Immense have been the preparations for me, Faithful and friendly the arms that have help’d me. Cycles ferried my cradle, rowing and rowing like cheerful boatmen, For room to me stars kept aside in their own rings, They sent influences to look after what was to hold me. Before I was born out of my mother generations guided me, My embryo has never been torpid, nothing could overlay it. For it the nebula cohered to an orb, The long slow strata piled to rest it on, Vast vegetables gave it sustenance, Monstrous sauroids transported it in their mouths and deposited it with care. All forces have been steadily employ’d to complete and delight me, Now on this spot I stand with my robust soul.

Yes, my friends, your hunger for history is still pretty segregated. Your knowledge of America often ends at the color line. You end up erasing the black story as the American story, black history as American history. You certainly have an insatiable thirst for history, but only if that history justifies whiteness. Most black folk can’t help but notice what many whites rarely wish, or are compelled, to see: you embrace history as your faithful flame when she kisses you, and yet you spurn her as a cheating mate when she nods or winks at others. You love history when it’s yet another book about, say, the Founding Fathers. No amount of minutia is too tedious. No new fact is too obscure to report. The curiosity about presidents is nearly inexhaustible. History is a friend to white America when it celebrates the glories of American exceptionalism, the beauty of American invention, the genius of the American soul. History is unrestrained bliss when it sings Walt Whitman’s body electric or touts the lyrical vision of the Transcendentalists. History that swings at the plate with Babe Ruth or slides into home with Joe DiMaggio is the American pastime at its best. History hovers low in solemn regard for the men who gave up the ghost at Appomattox and speaks with quiet reverence for the Confederate flags that gleefully waved to secession. Of course all of you don’t sing from the same hymnal. But American history, the collective force of white identity that picks up velocity across the centuries, mouths every note.

Whitman approached Friend. “Dorie?” she said. “Can we speak?” Whitman waited until everyone else left the room to say more. “I want to tell you, if Kurt sues the school, he will win,” she said. “And not only that—I’ll testify on his behalf.

On the weekend I looked after a baby. I didn’t do a very good job and the baby was eaten by a goat. Okay, not quite. This is what happened. The baby belonged to Ma’s friend, Mrs Whitman. Mrs Whitman and the baby came to our house to visit. I wanted to play outside so Mrs Whitman said the baby could stay outside with me while she had coffee inside with Ma.

On the weekend I looked after a baby. I didn’t do a very good job and the baby was eaten by a goat. Okay, not quite. This is what happened. The baby belonged to Ma’s friend, Mrs Whitman. Mrs Whitman and

Having studied the new and antique, the Greek and Germanic systems, Kant having studied and stated—Fichte and Schelling and Hegel, Stated the lore of Plato—and Socrates, greater than Plato, And greater than Socrates sought and stated—Christ divine having studied long, I see reminiscent to-day those Greek and Germanic systems, See the philosophies all—Christian churches and tenets see, Yet underneath Socrates clearly see—and underneath Christ the divine I see, The dear love of man for his comrade—the attraction of friend to friend,

If the American culture of movies, shopping males, and soft drinks cannot inspire us, there are other Americas that can: Americas of renegades and prisoners, of dreamers and outsiders. Something can be salvaged from the twisted wreck of the “democratic sprit” celebrated by Walt Whitman, something subverted from the sense that each person has worth and dignity: a spirit that can be sustained on self-reliance and initiative. These Americas are America of the alienated and marginalized: indigenous warriors, the freedom fighters of civil rights, the miners’ rebelling in the Appalachian Mountains. America’s past is full of revolutionary hybrids; our lists could stretch infinitely onwards towards undiscovered past or future. The monolith of a rich and plump America must be destroyed to make room for many Americas. A folk anarchist culture rising in the periphery of America, and can grow in the fertile ground that lies beneath the concrete of the great American wasteland. Anyone struggling today – living the hard life and fighting the even harder fight – is a friend even if he or she can never share a single meal with us, or speak our language. The anarchists of America, with our influence as wide as our prairies and dreams that could light those prairies on fire, can make entire meals on discarded food, live in abandoned buildings, and travel on the secret paths of lost highways and railroads, we are immensely privileged.

And among the prissiest. Gilder’s method of raising public standards of taste and morality required the production of bloodless pages. As custodian of genteel culture he sought out the delicate and the refined and stood guard against the vulgar and the vernacular. Walt Whitman, though a personal friend, was banned from the Century’s pages; a bit of Mark Twain’s Huckleberry Finn snuck in, but only after Gilder deleted references to nakedness, blasphemy, and smells and emended all improper phraseology (changing “in a sweat” to “worrying”).

I'd like to be the sort of friend that you have been to me; I'd like to be the help that you've been always glad to be; I'd like to mean as much to you each minute of the day As you have meant, old friend of mine, to me along the way. I'd like to do the big things and the splendid things for you, To brush the gray out of your skies and leave them only blue; I'd like to say the kindly things that I so oft have heard, And feel that I could rouse your soul the way that mine you've stirred. I'd like to give back the joy that you have given me, Yet that were wishing you a need I hope will never be; I'd like to make you feel as rich as I, who travel on Undaunted in the darkest hours with you to lean upon. I'm wishing at this Christmas time that I could but repay A portion of the gladness that you've strewn along the way; And could I have one wish this year, this only would it be: I'd like to be the sort of friend that you have been to me.

Ever since, he has routed his rivals in the competition for readers. Emerson, once regarded as a dangerous infidel, remarked in his journal that “I hate goodies,” but he strikes many readers as something of a goody himself. That other New England worthy, Emerson’s neighbor and friend Henry D. Thoreau, tells us in Walden that he is seized by the desire “to devour” a woodchuck raw, but it seems a good bet that Thoreau cooked his meat thoroughly. These writers are kept alive mainly as classroom assignments; but Melville is different: he is a living presence in the larger culture. Among his contemporaries, he is today by far the largest, having combined Whitman’s New York bluster with Hawthorne’s New England gravity into a sensibility that created, in Moby-Dick, the one nineteenth-century American classic (possibly along with Huckleberry Finn) that remains morally powerful without having come to seem moralistic.

Walt Whitman was a famous poet. But since his words bring me comfort, sure, let’s go with that. He’s a friend, too.

The man worried about what might fill the empty space left by these negative emotions. Would he become indifferent? What he discovered is that he felt full of positive energy. In ceasing to worry, he says, “Neither am I wasting any of this precious time formulating an idea of a future existence or a future Heaven. The Heaven I have within myself is as attractive as any that has been promised or that I can imagine; and I am willing to let the growth lead where it will, as long as their brood have no part in misguiding it” (145). This man embodies optimism as a living attitude. He welcomes possibility and growth with optimism. Heaven isn’t something Out There or separate from him. To the contrary, he sees the Heaven within himself. This Heaven he has within himself is one way to understand the Higher Power or something More to which he connects. In making and sustaining this connection, he has an expansive self that will say Yes to life’s possibilities. In many ways, this man is much like Walt Whitman, who sees the goodness of a more expansive order.

Many friends, many people he expressed love to, and for, mostly males. Was he homosexual? Surely, though later in his life some of his more narrow-minded admirers denied it, and he in an oft-quoted letter once did too, but there’s no question that in the poems his most emphatic erotic passion is for men, even if sometimes it was sublimated to a kind of exalted comradeship between males. And there’s certainly evidence that at least early in his life he had had homosexual experiences. Did he have affairs with women? He said so, and there’s one letter from a woman that seems to imply it, but it’s finally very unlikely.

He was very debilitated as time went on by the series of strokes that had come to him so prematurely, then near the end by bladder problems, constipation, failing eyesight. Near death, he was in a wheelchair, then mostly in the chair and bed in the bedroom of the small house he’d bought in Camden. He complained of becoming more sensitive to the cold. His room, though, was apparently knee-deep in paper, those unanswered letters, notes for poems, scribbled manuscripts—pleasant to think of him afloat on it all. He never had much money, and when contributions came to him from wealthy friends and admirers, of which he had quite a few, he saved it up for his grand cemetery monument.

Who has had a pig-headed father; I am old enough now to make friends. It was you that broke the new wood, Now is a time for carving. We have one sap and one root— Let there be commerce between us. That “commerce” found its fruition in the Cantos in the same kind of dissociative structure as Eliot’s and Whitman’s. Pound’s pact was in truth between both Whitman and Eliot,

Don’t come over all fucking superior with me, Gerald. You don’t even have balls, my friend,

The baby belonged to Ma’s friend, Mrs Whitman. Mrs Whitman and the baby came to our house to visit. I wanted to play outside so Mrs Whitman said the baby could stay outside with me while she had coffee inside with Ma. I climbed up a tree. The baby sat in its carriage and watched me. I climbed down the tree.

Thomas Merton struck me as someone I might like to have known—bright, funny, creative, a fellow who would have made a good friend. He struggled with some of the same things I did—pride, ambition, selfishness. And he struggled with the same questions I was wondering about: What are we made for? Who is God? What is the purpose of our lives? Merton seemed full of wonderful contradictions—a man who sought humility while struggling with an overweening ego, a man in love with the world who decided to, in a sense, flee it. To me Merton’s contradictions, his “multitudes,” as Whitman would say, revealed his deep humanity. As I read the book, his search became my search, and I longed to know where his life would lead.

Dear friend whoever you are take this kiss, I give it especially to you, do not forget me, I feel like one who has done work for the day to retire awhile, I receive now again of my many translations, from my avataras ascending, while others doubtless await me, An unknown sphere more real than I dream’d, more direct, darts awakening rays about me, So long! Remember my words, I may again return, I love you, I depart from materials, I am as one disembodied, triumphant, dead.