White Robe Quotes

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But listen, there will be more joy in heaven over the tears of a repentant sinner than over the white robes of a hundred just men.
Victor Hugo (Les Misérables)
He's twenty-nine. And what did you think he was going to look like?" She shrugged. "You know-old. Grizzled. Long white beard. Scruffy robes. Loveable, smart, a little absent minded." I bit back a grin. " I said 'sorcerer,' not 'Dumbledore.' So he's hot. It could be worse.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Because salvation is by grace through faith, I believe that among the countless number of people standing in front of the throne and in front of the Lamb, dressed in white robes and holding palms in their hands (see Revelation 7:9), I shall see the prostitute from the Kit-Kat Ranch in Carson City, Nevada, who tearfully told me that she could find no other employment to support her two-year-old son. I shall see the woman who had an abortion and is haunted by guilt and remorse but did the best she could faced with grueling alternatives; the businessman besieged with debt who sold his integrity in a series of desperate transactions; the insecure clergyman addicted to being liked, who never challenged his people from the pulpit and longed for unconditional love; the sexually abused teen molested by his father and now selling his body on the street, who, as he falls asleep each night after his last 'trick', whispers the name of the unknown God he learned about in Sunday school. 'But how?' we ask. Then the voice says, 'They have washed their robes and have made them white in the blood of the Lamb.' There they are. There *we* are - the multitude who so wanted to be faithful, who at times got defeated, soiled by life, and bested by trials, wearing the bloodied garments of life's tribulations, but through it all clung to faith. My friends, if this is not good news to you, you have never understood the gospel of grace.
Brennan Manning (The Ragamuffin Gospel)
Grave and thoughtful was her glance, as she looked on the king with cool pity in her eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings. Thus Aragorn for the first time in the full light of day beheld Eowyn, Lady of Rohan, and thought her fair; fair and cold, like a morning of pale spring that is not yet come to womanhood. And she now was suddenly aware of him: tall heir of kings, wise with many winters, grey cloaked, hiding a power that yet she felt. For a moment still as stone she stood, then turning swiftly she was gone.
J.R.R. Tolkien
For I am Saruman the Wise, Saruman Ring-maker, Saruman of Many Colours!' I looked then and saw that his robes, which had seemed white, were not so, but were woven of all colours, and if he moved they shimmered and changed hue so that the eye was bewildered. I liked white better,' I said. White!' he sneered. 'It serves as a beginning. White cloth may be dyed. The white page can be overwritten; and the white light can be broken.' In which case it is no longer white,' said I. 'And he that breaks a thing to find out what it is has left the path of wisdom.' - Gandalf
J.R.R. Tolkien
I have learned that real angels don't have gossamer white robes and Cherubic skin, they have calloused hands and smell of the days' sweat.
Richard Paul Evans (Lost December)
For over a thousand years Roman conquerors returning from the wars enjoyed the honor of triumph, a tumultuous parade. In the procession came trumpeteers, musicians and strange animals from conquered territories, together with carts laden with treasure and captured armaments. The conquerors rode in a triumphal chariot, the dazed prisoners walking in chains before him. Sometimes his children robed in white stood with him in the chariot or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering in his ear a warning: that all glory is fleeting.
George S. Patton Jr.
The tragedy of Dionysus: Wear a black robe at night, and white you’ll wear by morning; but wear a purple robe to the midnight feast, and when you wake you’ll dress in black to mourn your soul deceased.
Roman Payne (Crepuscule)
Angels don't exist. Flawless skin, perfect hair, flowing white robes, all topped off with an adorable set of fluffy pink wings. Yeah. If you see that wandering around, you've probably stumbled onto the set of a Victoria's Secret catalog shoot. Prepare to get your butt kicked by security.
Cecily White (Prophecy Girl (Angel Academy, #1))
Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings. Thus Aragon for the first time in the full light of day beheld Eowyn, lady of Rohan, and thought her fair, fair and cold, like a morning of pale spring that is not yet come to womanhood.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Six Buddhist monks in orange robes poured black coffee into small white cups from a large geyser coffee machine
Steph Osfor (Evening Fiction: Volume of short stories)
And here you will stay, Gandalf the Grey, and rest from journeys. For I am Saruman the Wise, Saruman the Ring-maker, Saruman of Many Colours!" "I looked then and saw that his robes, which had seemed white, were not so, but were woven of all colours, and if he moved they shimmered and changed hue so that the eye was bewildered.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
At that time my notions of nuclear power were utterly idyllic. At school and at the university we'd been taught that this was a magical factory that made "energy out of nothing," where people in white robes sat and pushed buttons. Chernobyl blew up when we weren't prepared.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I saw her, once. “She passed through our village, through fields littered with dead soldiers after her forces overwhelmed the nation of Dumor. Her other Elites followed and then rows of white-robed Inquisitors, wielding the white-and-silver banners of the White Wolf. Where they went, the sky dimmed and the ground cracked—the clouds gathered behind the army as if a creature alive, black and churning in fury. As if the goddess of Death herself had come. “She paused to look down at one of our dying soldiers. He trembled on the ground, but his eyes stayed on her. He spat something at her. She only stared back at him. I don’t know what he saw in her expression, but his muscles tightened, his legs pushing against the dirt as he tried in vain to get away from her. Then the man started to scream. It is a sound I shall never forget as long as I live. She nodded to her Rainmaker, and he descended from his horse to plunge a sword through the dying soldier. Her face did not change at all. She simply rode on. “I never saw her again. But even now, as an old man, I remember her as clearly as if she were standing before me. She was ice personified. There was once a time when darkness shrouded the world, and the darkness had a queen.” —A witness’s account of Queen Adelina’s siege on the nation of Dumor The Village of Pon-de-Terre 28 Marzien, 1402
Marie Lu (The Midnight Star (The Young Elites, #3))
Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of the fitness of things; and it suddenly occurred to her that simple little prayer, sacred to the white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
I am hyper alert to people turning away from me. I have a perennial sense of being an outsider.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might be the one little bite Of the apple her stepmother Gave to Snow White. It might be the veil of a bride Or a bottle with some evil genie inside. It might be a small tuft of hair On the big bouncy belly Of Bobo the Bear. It might be a bit of the cloak Of the Witch of the West As she melted to smoke. It might be a shadowy trace Of a tear that runs down an angel's face. Nothing has more possibilities Than one old wet picture puzzle piece.
Shel Silverstein
Patricius’ heart sank. He studied the druids and recognised a few from Antrim. They stood around the king in their white robes, their hair shaved from ear to ear, chewing their thumbnails and chanting curses. The king raised him arms to silence them. “Kill him! Kill him!” they demanded.
Rowena Kinread (The Missionary)
The pale whiteness of her upturned face as she choked on the smoke; the tangled length of her hair as she tried to shake the flames from it; the beauty of her cherry-blossom robe as it burst into flame: it was all so cruel, so terrible!
Ryūnosuke Akutagawa (Hell Screen)
Ala Moire let out a scream of agony, but as he fell he released a flame of white from his open hand. Armon was engulfed in a white brilliance and experienced a pain he had never felt before in all his dark life. His black robes fell to the floor, and the tattoos on his face faded to grey. Then Armon dissolved in a sheet of white, gone to join his ancestors.
Robert Reid (White Light Red Fire)
If God is real, I think he might be some kind of masochist. I imagine he sits there up on his cloud, long white robes flowing, drinking a forty of Mickey’s and smoking a Winston as he flips me the bird and plans what he’ll do next to piss me off.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Oft gay and honoured robes those tortures try: We think caged birds sing, when indeed they cry.
John Webster (The White Devil)
And you, Sarah Jacobi”—he pointed to a woman with white robes and spiky black hair—“you were sent to Antarctica for causing the tsunami in the Indian Ocean.
Rick Riordan (The Kane Chronicles (The Kane Chronicles #1-3))
In all your course, walk with God and follow Christ as a little, poor, helpless child, taking hold of Christ’s hand, keeping your eye on the mark of the wounds on his hands and side, whence came the blood that cleanses you from sin and hiding your nakedness under the skirt of the white shining robe of his righteousness.
Jonathan Edwards (Jonathan Edwards Resolutions: and Advice to Young Converts)
Be not ashamed, my brothers, to stand before the proud and the powerful With your white robe of simpleness. Let your crown be of humility, your freedom the freedom of the soul. Build God's throne daily upon the ample bareness of your poverty And know that what is huge is not great and pride is not everlasting.
Rabindranath Tagore (Nationalism)
There is nothing serious in mortality! Solomon in all his glory was Solomon with the elements of the contemptible lurking in every fold of his robes and in every corner of his palace.
Wilkie Collins (The Woman in White (Oxford Bookworms Library Level 6))
Just because a man is dressed in a clean white robe does not mean his heart and hands are clean. Any man who neglects his conscience is a dangerous animal. Never judge a man by his image. Images can be bought or produced by any Hollywood producer, marketing team or fleet of stylists. Even kids know how to wear amazing costumes for Halloween. Always judge a man by the coloring of his heart and only his heart. Truth can be found in his record of actions, not intentions.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Quasimodo then lifted his eye to look upon the gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!' The Hunchback of Notre Dame
Victor Hugo
A Halt Lie still, my soul, the Sun of Grace Is warm within this garden space Beneath tall kindly trees. The quiet light is green and fair; A fragrance fills the swooning air; Lie still, and take thine ease. This silent noon of Jesu's love Is warm about thee and above- A tender Lord is He. Lie still an hour- this place is His He has a thousand pleasaunces, And each all fair and fragrant is, And each is all for thee. Then, Jesu, for a little space I rest me in this garden place, All sweet to scent and sight. Here, from this high-road scarce withdrawn, I thrust my hot hands in the lawn Cool yet with dew of far-off dawn And saturate with light. But ah, dear Saviour, human-wise, I yearn to pierce all mysteries, To catch Thine Hands and see Thine Eyes When evening sounds begin. There, in Thy white Robe, Thou wilt wait At dusk beside some orchard gate, And smile to see me come so late, And, smiling, call me in.
Robert Hugh Benson
As an adult, it shatters me that the child parts of my mind froze at those ages, didn't develop, and continued to believe the outrageous deceptions the abusers used on me.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
And yet, death was still there, everywhere. We had adopted her. She lived in us and we in her. She’d emerge from our red eyes and our clenched fists for brief sallies. She’d walk in white robes on the ruins of our shanty town and return to curl up inside us. We were the house she rested in and we’d find peace leaning on her.
Mahi Binebine (Horses of God)
Blake, though? Blake takes it too far. He’s dressed as a Klansman. He’s got on the white robe with the circular red and white cross patch on the chest, and he even has the pointed hood with the eyeholes cut out. If Jus didn’t know it was a costume, he’d be a little scared.
Nic Stone (Dear Martin)
Yes," resumed the Bishop, "you have come from a very sad place. Listen. There will be more joy in heaven over the tear-bathed face of a repentant sinner than over the white robes of a hundred just men. If you emerge from that sad place with thoughts of hatred and of wrath against mankind, you are deserving of pity; if you emerge with thoughts of good-will and of peace, you are more worthy than any one of us.
Victor Hugo (Les Misérables)
You can't live on nothing." "I can live on sunlight falling across little bridges. I can live on the Botticelli-blue cornflower pattern on the out-billowing garments of the attendant to Aphrodite and the pattern of strawberry blossoms and the little daisies in the robe of Primavera. I can live on the doves flying (he says) in cohorts from the underside of the faded gilt of the balcony of Saint Mark's cathedral and the long corridors of the Pitti Palace. I can gorge myself on Rome and the naked Bacchus and the face like a blasted lightning-blasted white birch that is some sort of Fury.
H.D. (HERmione)
The concentration camps were a laboratory for the Nazis. They put the minorities and intellectuals in there because the general population wouldn't mind losing those people. The Nazi leaders knew people needed targets for their own self-hatred.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
The club also had the custom of sending robed members to kidnap visiting celebrities and steal them away in a black coach with covered windows, all without saying a word.
Erik Larson (The Devil in the White City)
I wanted my mother to love me. Despite all the torture and brutality.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
Jesus’s took his white robe of cheese off his body and showed off his erection. His cock was normal sized but it was a combo of exotic and exquisite cheeses. “I was born in Israel, but my cock is Moroccan, Greek, and French.
Mandy De Sandra (Kirk Cameron & The Crocoduck of Chaos Magick)
I imagine everyone wears layered masks, and parades around a variety or panoply of false selves depending on the occasion.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
Had I not been dissociative, I never would have survived.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
Mountains clothed in snow Robed in white against blue skies Mirrored in the lake.
Timothy Salter (Reflections in Short Poetry)
Robe him in white," said Shinyun, "so the mark of the crimson hand will show upon him." Magnus crossed his arms and raised his voice and his eyebrows. "You can poison me and throw me in a dungeon. You can beat me and even sacrifice me to a Greater Demon. But I draw the line at wearing a white suit for an evening event.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
I couldn’t believe it when I learned that people actually ‘practised the occult’. These freaks with white make-up and black robes would come up to us after our gigs and invite us to black masses at Highgate Cemetery in London. I’d say to them, ‘Look, mate, the only evil spirits I’m interested in are called whisky, vodka and gin.’
Ozzy Osbourne (I Am Ozzy)
The robe open just enough for me to see his beautiful saggy chest. A chest that would give Betty White a run for her money.
Elijah Daniel (Trump Temptations: The Billionaire & The Bellboy)
This book is not for the delicate or for people who are convinced the world is fine just the way it is.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
Jen and her best friends in fluffy white robes, loung­ing in a large suite, drink­ing wine, talk­ing in that way I’d some­times over­hear Jen and her friends talk­ing to each other when they came round to our flat. Each tak­ing turns to present an emo­tion they’ve felt and all of them putting it un­der the mi­cro­scope for in­spec­tion, as if it were a gem with a bil­lion faces.
Dolly Alderton (Good Material)
On the sly, you observe the adults whose childhood lies inside them, torn and full of holes like a used and moth-eaten rug no one thinks about anymore or has any use for. You can’t tell by looking at them that they’ve had a childhood, and you don’t dare ask how they managed to make it through without their faces getting deeply scarred and marked by it. You suspect that they’ve used some secret shortcut and donned their adult form many years ahead of time. They did it one day when they were home alone and their childhood lay like three bands of iron around their heart, like Iron Hans in Grimms’ fairy tale, whose bands broke only when his master was freed. But if you don’t know such a shortcut, childhood must be endured and trudged through hour by hour, through an absolutely interminable number of years. Only death can free you from it, so you think a lot about death, and picture it as a white-robed, friendly angel who some night will kiss your eyelids so that they never will open again.
Tove Ditlevsen (Childhood)
To psychotherapists, I say, don't just leave us abandoned because you think you don't know enough to help us, or because the world doesn't believe in what we went through, or because our trauma is too awful to hear about.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing bout God’s love, since she had never had it translated to her through the medium of human love.
L.M. Montgomery (Anne of Green Gables)
As in all sweetest music, a tinge of sadness was in every note. Nor do we know how much of the pleasures even of life we owe to the intermingled sorrows. Joy cannot unfold the deepest truths, although deepest truth must be deepest joy. Cometh white-robed Sorrow, stooping and wan, and flingeth wide the doors she may not enter. Almost we linger with Sorrow for very love.
George MacDonald (Phantastes)
She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.
Flannery O'Connor (The Complete Stories)
His blue-and-white striped robe ballooning out in the wind, he rode directly to me and fell off the donkey. Gasping theatrically, he handed me a note and then collapsed face down in the sand. Since the donkey had been doing all the work, I ignored this demonstration. While John bent over the fallen man with expressions of concern I opened the note.
Elizabeth Peters (The Mummy Case)
Every moment the patches of green grew bigger and the patches of snow grew smaller. Every moment more and more of the trees shook off their robes of snow. Soon, wherever you looked, instead of white shapes you saw the dark green of firs or the black prickly branches of bare oaks and beeches and elms. Then the mist turned from white to gold and presently cleared away altogether. Shafts of delicious sunlight struck down on to the forest floor and overhead you could see a blue sky between the tree tops. Soon there were more wonderful things happening. Coming suddenly round a corner into a glade of silver birch trees Edmund saw the ground covered in all directions with little yellow flowers- celandines. The noise of water grew louder. Presently they actually crossed a stream. Beyond it they found snowdrops growing.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Norma looked at him, puzzled. "Someone else to do the mathematics?" "Of course!" Holtzman brushed iron-gray hair away from his face and adjusted his white robe. "You're an *idea* person, like me. We want you to develop concepts, not bother with full-fledged implementation. You should not waste time performing tedious arithmetic. Any halfway-trained person can do that. It's what slaves are for.
Brian Herbert
Scientists, doctors, and trained ordinary citizens use drugs and torture to render children machines that do others' bidding. The commands these perpetrators put in the victims are called "programming". They take an isolated, barricaded piece from one stream in the mind and another and another and sometimes tie them together at the bottom and twist them together and tell them to act but not remember.
Wendy Hoffman (White Witch in a Black Robe: A True Story About Criminal Mind Control (Fiction / Poetry))
Sirs, I am but a nameless man, A rhymester without a home, Yet since I come of the Wessex clay And carry the cross of Rome, I will even answer the mighty earl That asked of Wessex men Why they be meek and monkish folk, And bow to the White Lord's broken yoke; What sign have we save blood and smoke? Here is my answer then. That on you is fallen the shadow, And not upon the Name; That though we scatter and though we fly, And you hang over us like the sky, You are more tired of victory, Than we are tired of shame. That though you hunt the Christian man Like a hare on the hill-side, The hare has still more heart to run Than you have heart to ride. That though all lances split on you, All swords be heaved in vain, We have more lust again to lose Than you to win again. Your lord sits high in the saddle, A broken-hearted king, But our king Alfred, lost from fame, Fallen among foes or bonds of shame, In I know not what mean trade or name, Has still some song to sing. Our monks go robed in rain and snow, But the heart of flame therein, But you go clothed in feasts and flames, When all is ice within; Nor shall all iron dooms make dumb Men wandering ceaselessly, If it be not better to fast for joy Than feast for misery. Nor monkish order only Slides down, as field to fen, All things achieved and chosen pass, As the White Horse fades in the grass, No work of Christian men. Ere the sad gods that made your gods Saw their sad sunrise pass, The White Horse of the White Horse Vale, That you have left to darken and fail, Was cut out of the grass. Therefore your end is on you, Is on you and your kings, Not for a fire in Ely fen, Not that your gods are nine or ten, But because it is only Christian men Guard even heathen things. For our God hath blessed creation, Calling it good. I know What spirit with whom you blindly band Hath blessed destruction with his hand; Yet by God's death the stars shall stand And the small apples grow.
G.K. Chesterton (The Ballad of the White Horse)
I walked her to her door and said good night, while Romeo waited. "I'll see you in the morning," I said, 'when the barking dogs arouse the sleeping tepee village and the smell of roasting coyote is in the air." "My sisters will prepare me," she said. "I shall come to your wickiup in my white doeskin dress and lose my innocence on your buffalo robe." "I will give you little ornaments to put in your hair, black as the crow's wing. I will give you red flannel and a looking-glass so that you may groom yourself." "I'd also like to have a little spending money and a charge account at Wormser's," she said. "Good night, Maiden Who Walks Like a Duck." "Good night, Warrior Who Chickens Out at the Least Sign of Trouble.
Richard Bradford (Red Sky at Morning)
WHEN A MAN WITH A LITTLE POINTED BEARD, robed in a white coat, came out into the waiting room of the renowned psychiatric clinic recently completed on a river bank outside Moscow, it was half-past one in the morning. Three hospital orderlies had their eyes glued to Ivan Nikolayevich, who was sitting on a couch.
Mikhail Bulgakov (The Master and Margarita (Oneworld Classics))
Alice's robes were seasonal. She hadn't exactly planned it that way, but that's how it evolved. In winter there was a long, warm, deep purple terry-cloth robe. In spring she changed to a new blue-and-white cotton kimono. In summer there was a white chenille bathrobe with a pattern on it, and in the fall she wore a cotton robe her husband had bought her as a surprise gift. They were useful, practical garments, but when she thought about it, she realized she wore them as much for the feelings and memories they evoked as much as their physical comfort. When I told her I thought her robes had become like temple garments, she smiled,"Yes.
Robert Fulghum
At the far end of the room, upon a moldering dais, a shabby man sat upon a battered thrown. A dingy rag bound his eyes, a tarnished crown rested upon his grey hair, and a grimy green robe edged in dirty white fur enshrouded his body. He looked like some homeless guy playing the part of a wise man in a soup kitchen Christmas pageant.
Brandon Mull (A World Without Heroes (Beyonders, #1))
He saw a figure in white robes near the bridge entrance and turned the tape over in his hand. He approached the woman and said, his tone respectful, "Your Highness. The transmission we received..." The woman looked toward him. He'd seen her face many times before, knew it well. She was young, seemed younger every day, even as her responsibilities grew and grew. He held out his hand. Childlike fingers took the tape. "What is it they've sent us?" he asked. Prince Leia Organa looked at him as if he'd placed another burden on her shoulders - another responsibility to add to a count of thousands - and she was proud to bear it. "Hope," she said. Raymus believed her.
Alexander Freed (Rogue One: A Star Wars Story (Star Wars Novelizations, #3.5))
Wren, in her sleeping robe, standing close to a tall wolf demon, her head craned back to face him. The wolf: Moon caste, marbled ash-gray fur flowing silkily over angular features, a diamond-shaped patch of white on his long, muzzlelike jaw. He’s dressed in soldier’s clothes. One pawed hand is lifted to cup Wren’s face, like the beginning of a kiss.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
Main Street is as dead as ever. There's a blinding white light at the water-tower end of it and Jesus standing in the centre of it in a pale blue robe with his arms out, palms up, like he's saying how the hell would I know? I'm just a carpenter.
Miriam Toews
The silver trumpets rang across the Dome; The people knelt upon the ground with awe; And borne upon the necks of men I saw, Like some great God, the Holy Lord of Rome. Priest-like, he wore a robe more white than foam, And, king-like, swathed himself in royal red, Three crowns of gold rose high upon his head; In splendour and in light the Pope passed home. My heart stole back across wide wastes of years To One who wandered by a lonely sea; And sought in vain for any place of rest: “Foxes have holes, and every bird its nest, I, only I, must wander wearily, And bruise my feet, and drink wine salt with tears.
Oscar Wilde
All his court were cast down in slumber, and all the fires faded and were quenched; but the Silmarils in the crown on Morgoth's head blazed forth suddenly with a radiance of white flame; and the burden of that crown and of the jewels bowed down his head, as though the world were set upon it, laden with a weight of care, of fear, and of desire, that even the will of Morgoth could not support. Then Lúthien catching up her winged robe sprang into the air, and her voice came dropping down like rain into pools, profound and dark. She cast her cloak before his eyes, and set upon him a dream, dark as the outer Void where once he walked alone.
J.R.R. Tolkien (The Silmarillion)
The black women of America have as much right to all rights as white women have, without putting on any foreign robes to get them. I love Africa, but I was born in Florida, U.S.A., America. Of my African blood I am proud, but I want American rights. Of my black face I have no shame, therefore I have the right to want the right to show my face anyplace in America any other folks show their face.
Langston Hughes (The Return of Simple)
But this august dignity I treat of, is not the dignity of kings and robes, but that abounding dignity which has no robed investiture. Thou shalt see it shining in the arm that wields a pick or drives a spike; that democratic dignity which, on all hands, radiates without end from God; Himself! The great God absolute! The centre and circumference of all democracy! His omnipresence, our divine equality!
Herman Melville (Moby Dick: or, the White Whale)
A rain of pebbles from overhead makes me glance up in time to see Ruthann step onto the lip of the cliff, another fifteen feet above me. Her body is wrapped tight in a pure white robe. "Ruthann!" I shout, my voice caroming off the rock walls, an obscenity. She looks down at me. Across the distance our eyes meet. "Ruthann, don't," I whisper, but she shakes her head. I'm sorry. In that half-second, I think about Wilma and Derek and me, all the people who do not want to beleft behind, who think we know what is best for her. I think about the doctors and the medicines Ruthann lied about taking. I think about how I could talk her down from that ledge like I have talked down a dozen potential suicide victims. Yet the right thing to do, here, is subjective. Ruthann's family, who wants her alive, will not be the one to lose hair from drugs, to have surgery to remove her breast, to die by degrees. It is easy to say that Ruthann should come down from that cliff, unless you are Ruthann. I know better than anyone what it feels like to have someone else make choices for you, when you deserve to be making them yourself. I look at Ruthann, and very slowly, I not. She smiles at me, and so I am her witness -- as she unwraps the wedding robe from her narrow shoulders and holds is across her back like the wide wings of a hawk. As she steps off the edge of the cliff and rises to the Spirit World. As the owls bear her body to the broken ground.
Jodi Picoult (Vanishing Acts)
He played with the idea, and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy, and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and Philosophy herself became young, and catching the mad music of Pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat’s black, dripping, sloping sides.
Oscar Wilde (The Picture of Dorian Gray and Other Writings)
Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
Charlotte Brontë (Shirley)
All his life, time had been passing in the only way he knew time to pass: uncrushed and uncrushable, as sands running through an hourglass grain by grain. And if the hourglass had been real, then in the bottom and neck-the past and the present-the sands of Lazlo's life would be as gray as his robes, as gray as his eyes, but the top-the future-would hold a brilliant storm of color: azure and cinnamon, blinding white and yellow gold and the shell pink of svytagor blood. So he hoped, so he dreamed: that, in the course of time, grain by grain, the gray would give way to the dream and the sands of his life would run bright.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
A long light robe, sulphur-coloured, clung to the sleeper from low throat to ankle; bands of narrow nolana-blue ribbon crossed her breast and were brought together in a loose cincture about her waist; her white, smooth feet were sandalled; one arm was curved beneath her lustrous head; the other lay relaxed and drooping. Chrysoberyls, the sea-virgins of stones, sparkled in her hair and lay in the bosom of her gown like dewdrops in an evening primrose. ("The Accursed Cordonnier")
Bernard Capes (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
His thought turned to the Ring, but there was no comfort there, only dread and danger. No sooner had he come in sight of Mount Doom, burning far away, than he was aware of a change in his burden. As it drew near the great furnaces where, in the deeps of time, it had been shaped and forged, the Ring's power grew, and it became more fell, untameable except by some mighty will. As Sam stood there, even though the Ring was not on him but hanging by its chain about his neck, he felt himself enlarged, as if he were robed in a huge distorted shadow of himself, a vast and ominous threat halted upon the walls of Mordor. He felt that he had from now on only two choices: to forbear the Ring, though it would torment him; or to claim it, and challenge the Power that sat in its dark hold beyond the valley of shadows. Already the Ring tempted him, gnawing at his will and reason. Wild fantasies arose in his mind; and he saw Samwise the Strong, Hero of the Age, striding with a flaming sword across the darkened land, and armies flocking to his call as he marched to the overthrow of Barad-dur. And then all the clouds rolled away, and the white sun shone, and at his command the vale of Gorgoroth became a garden of flowers and trees and brought forth fruit. He had only to put on the Ring and claim it for his own, and all this could be. In that hour of trial it was his love of his master that helped most to hold him firm; but also deep down in him lived still unconquered his plain hobbit-sense: he knew in the core of his heart that he was not large enough to bear such a burden, even if such visions were not a mere cheat to betray him. The one small garden of a free gardener was all his need and due, not a garden swollen to a realm; his own hands to use, not the hands of others to command. 'And anyway all these notions are only a trick, he said to himself.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
My prayers for these stressful days Have become sharpened. Unadorned. A single word to the bereaved and Wailing Mother God - mercy. Two words to The infant child God, on trial in an unjust system-- Tender love. And for the God who is not a White, robed, bearded father, but a migrant laborer Daddy, with a red baseball cap, who only cries When he thinks no one can see, not a word, but A silent squeeze of his calloused hand to telegraph Reconciliation, wholeness. There was a time when More words brought comfort, but now my heart Wants most to be true. Ready for resistance by Unapologetic clarity and fueled by moving toward A future in which we have made all of us free. -Holy Quiet
Theresa I. Soto (Spilling the Light: Meditations on Hope and Resilience)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Old Time heaved a moldy sigh from tomb and arch and vault; and gloomy shadows began to deepen in corners; and damps began to rise from green patches of stone; and jewels, cast upon the pavement of the nave from stained glass by the declining sun, began to perish. Within the grill-gate of the chancel, up the steps surmounted loomingly by the fast darkening organ, white robes could be dimly seen, and one feeble voice, rising and falling in a cracked monotonous mutter, could at intervals be faintly heard. In the free outer air, the river, the green pastures, and the brown arable lands, the teeming hills and dales, were reddened by the sunset: while the distant little windows in windmills and farm homesteads, shone, patches of bright beaten gold. In the Cathedral, all became gee, murky, and sepulchral, and the cracked monotonous mutter went on like a dying voice, until the organ and the choir burst forth, and drowned it in a sea of music. Then, the sea fell, and the dying voice made another feeble effort, and then the sea rose high, and beat its life out, and lashed the roof, and surged among the arches, and pierced the heights of the great tower; and then the sea was dry, and all was still.
Charles Dickens (The Mystery of Edwin Drood)
When he got his medical degree from Chicago, attending the ceremony only because of one of his teachers - a kind woman, who had said it would sadden her to have him not there - he sat beneath the full sun, listening to the president of the university say, in his final words to them, 'To love and be loved is the most important thing in life,' causing Kevin to feel an inward fear that grew and spread through him, as though his very soul were tightening. But what a thing to say - the man in his venerable robe, white hair, grandfatherly face - he must've had no idea those words could cause such an exacerbation of the silent dread in Kevin. Even Freud had said, 'We must love or we grow ill.' They were spelling it out for him. Every billboard, movie, magazine cover, television ad - it all spelled it out for him: We belong to the world of family and love. And you don't.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
There are our ghosts,' Smithers said. It was a word he liked to use, said Brewster. Like most of us Brewster had read a few ghost stories, and to him the word 'ghosts' summoned up the creaking floorboards of a haunted house, shrouded white figures gliding silently through darkness, fluttering robes moving of their own bodiless accord, strangely transparent coaches travelling swiftly down a midnight road, and other such images quite remote from the chanting and drumming of desert folk in gaudy garb, with jingling anklets and necklaces, under a hot fierce sun. But the sounds of the Thar came from some invisible source, and to Smithers they were sounds made by ghosts. ("Smithers And The Ghosts Of The Thar")
Robert Silverberg
Night fell. The full moon shone sweetly and tremulously, bewitching and foreboding with rays which were cold and funereally silent. The heart of the Youth was filled with an apprehensive fear as he went up to his window. His hand, clutching the edge of the yellow curtain, hesitated and vacillated for a long time before he resolved to draw the curtain slowly aside. The yellow linen rustled as it slowly gathered, and its rustle was like the barely audible hissing of a serpent in the forest's undergrowth; and the thin brass rings jingled and scraped against the brass curtain rod. The Beauty stood beneath the window and looked at the window and waited. And the heart of the Youth shuddered, and he could not make out whether his heart was seized by ecstasy or terror. The black braids of the Beauty were undone and fell on her naked shoulders. A sharply outlined shadow lay on the ground beside her. Illuminated from the side by the moon, she stood like some distinct and well-defined spectre. That half of her face which was illuminated by the moon, as well as her shoulders and her arms, were deathly white, as white as her robe. The folds of her white robe were severe and dark. Dark was the azure of her eyes, mysterious her frozen smile. A smooth, burnished clasp, fastened at the shoulder, gleamed dully against the strange tranquility of her body and garments. She began to speak softly, and her words, ringing like the fine silver chains of a lighted censer, gave forth a fragrance of ambergris, musk and lily. ("The Poison Garden
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future. Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted. He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain. He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe. He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other. He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony. He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross. He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star. He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain. He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold. And yet he died with voiceless lips. Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.” Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself? Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain? Why did he go dumbly to his death, leaving the world to misery and to doubt? I will tell you why. He was a man, and did not know.
Robert G. Ingersoll
When I was a child and heard about angels, I was both frightened and fascinated by the thought of these enormous, invisible presences in our midst. I conceived of them not as white-robed androgynes with yellow locks and thick gold wings, which was how my friend Matty Wilson had described them to me--Matty was the predecessor of all sorts of arcane knowledge--but as big, dark, blundering men, massive in their weightlessness, given to pranks and ponderous play, who might knock you over, or break you in half, without meaning to. When a child from Miss Molyneaux's infant school in Carrickdrum fell under the hoofs of a dray-horse one day and was trampled to death, I, a watchful six year old, knew who was to blame; I pictured his guardian angel standing over the child's crushed form with his big hands helplessly extended, not sure whether to be contrite or to laugh.
John Banville (The Untouchable)
Though in many natural objects, whiteness refiningly enhances beauty, as if imparting some special virtue of its own, as in marbles, japonicas, and pearls; and though various nations have in some way recognised a certain royal preeminence in this hue; even the barbaric, grand old kings of Pegu placing the title “Lord of the White Elephants” above all their other magniloquent ascriptions of dominion; and the modern kings of Siam unfurling the same snow-white quadruped in the royal standard; and the Hanoverian flag bearing the one figure of a snow-white charger; and the great Austrian Empire, Caesarian, heir to overlording Rome, having for the imperial color the same imperial hue; and though this pre-eminence in it applies to the human race itself, giving the white man ideal mastership over every dusky tribe; and though, besides, all this, whiteness has been even made significant of gladness, for among the Romans a white stone marked a joyful day; and though in other mortal sympathies and symbolizings, this same hue is made the emblem of many touching, noble things— the innocence of brides, the benignity of age; though among the Red Men of America the giving of the white belt of wampum was the deepest pledge of honor; though in many climes, whiteness typifies the majesty of Justice in the ermine of the Judge, and contributes to the daily state of kings and queens drawn by milk-white steeds; though even in the higher mysteries of the most august religions it has been made the symbol of the divine spotlessness and power; by the Persian fire worshippers, the white forked flame being held the holiest on the altar; and in the Greek mythologies, Great Jove himself being made incarnate in a snow-white bull; and though to the noble Iroquois, the midwinter sacrifice of the sacred White Dog was by far the holiest festival of their theology, that spotless, faithful creature being held the purest envoy they could send to the Great Spirit with the annual tidings of their own fidelity; and though directly from the Latin word for white, all Christian priests derive the name of one part of their sacred vesture, the alb or tunic, worn beneath the cassock; and though among the holy pomps of the Romish faith, white is specially employed in the celebration of the Passion of our Lord; though in the Vision of St. John, white robes are given to the redeemed, and the four-and-twenty elders stand clothed in white before the great-white throne, and the Holy One that sitteth there white like wool; yet for all these accumulated associations, with whatever is sweet, and honorable, and sublime, there yet lurks an elusive something in the innermost idea of this hue, which strikes more of panic to the soul than that redness which affrights in blood.
Herman Melville (Moby-Dick)
Harry had to crane his neck to look up into the giant face above: It was ancient and monkeyish, with a long, thin beard that fell almost to the bottom of the wizard's sweeping stone robes, where two enormous gray feet stood on the smooth Chamber floor. And between the feet, facedown, lay a small, black-robed figure with flaming-red hair. "Ginny!" Harry muttered, sprinting to her and dropping to his knees. "Ginny- don't be dead- please don't be dead-" He flung his wand aside, grabbed Ginny's shoulders, and turned her over. Her face was white as marble, and as cold, yet her eyes were closed, so she wasn't Petrified. But then she must be- "Ginny, please wake up," Harry muttered desperately, shaking her. Ginny's head lolled hopelessly from side to side. "She won't wake," said a soft voice. Harry jumped and spun around on his knees. A tall, black-haired boy was leaning against the nearest pillar, watching. He was strangely blurred around the edges, as though Harry were looking at him through a misted window. But there was no mistaking him- "Tom- Tom Riddle?" Riddle nodded, not taking his eyes off Harry's face. "What d'you mean, she won't wake?" Harry said desperately. "She's not- she's not-?" "She's still alive," said Riddle. "But only just.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes 'with collars of real emeralds growing on their backs.' There was a gem in the brain of the dragon, Philostratus told us, and 'by the exhibition of golden letters and a scarlet robe' the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her color. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspirates, that, according to Democritus, kept the wearer from any danger by fire.
Oscar Wilde (The Picture of Dorian Gray)
I had to watch my uncle get strung up when I was a child,” she finally said after she returned from the faraway place in her mind. “The white man would only sell us the rotten fruit and vegetables from their bug-infested baskets. We had to collect that mess from the back of the store like we were a pack of wild mutts picking through garbage. My uncle had had enough of his apples having maggots crawling out of them, so he started farming his own vegetables for us to eat. The white man didn’t like that. Not. One. Bit. It’s amazing how their minds work. The way their minds work is the reason we call them devils because only a devil could think the way they do. They were mad about the loss of profit because they no longer had us buying the filthy rot they peddled. “My uncle produced such a high quality of fruits and vegetables that he had white folks coming to buy from him. It wasn’t too long after this started, those devils came in their white hoods and burned his garden to ash. Then they strung him up. We were forced to watch my uncle dangle from the neck while he pissed and shit himself. God will forgive my mouth saying it because he knows I only speak the truth. The evilness that resides inside the mind of those devils still exists in the minds of the ones who wear cop’s uniforms and judge’s robes. This is what our boys are up against. Our boys are at war! They freed us from our chains, so that they could lock us in their jails.
D.E. Eliot (Own Son)
and in the midst of the lampstands one like a son of man,  l clothed with a long robe and with a golden sash around his chest. The hairs of his head were white, like white wool, like snow.  His eyes were like a flame of fire, his feet were like burnished bronze, refined in a furnace, and his voice was like the roar of many waters. In his right hand he held seven stars,  from his mouth came a sharp two-edged sword, and  his face was like the sun shining  in full strength. When I saw him, I fell at his feet as though dead. But  he laid his right hand on me, saying, “Fear not, I am the first and the last, and the living one. I died, and behold I am alive forevermore, and I have the keys of Death and Hades. Write therefore the things that you have seen, those that are and those that are to take place after this. As for the mystery of the seven stars that you saw in my right hand, and  the seven golden lampstands, the seven stars are the angels of the seven churches, and the seven lampstands are the seven churches.
Anonymous (The Holy Bible: English Standard Version)
Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.
J.B. West (Upstairs at the White House: My Life with the First Ladies)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
From harsh and shrill and clamant, the voices grew blurred and inarticulate. Bad sentences were helped out by worse gestures, and at one table, Scabius could only express himself with his napkin, after the manner of Sir Jolly Jumble in the first part of the Soldier’s Fortune of Otway. Basalissa and Lysistrata tried to pronounce each other’s names, and became very affectionate in the attempt; and Tala, the tragedian, robed in roomy purple and wearing plume and buskin, rose to his feet and with swaying gestures began to recite one of his favourite parts. He got no further than the first line, but repeated it again and again, with fresh accents and intonations each time, and was only silenced by the approach of the asparagus that was being served by satyrs dressed in white muslin. Clitor and Sodon had a violet struggle over the beautiful Pella, and nearly upset a chandelier. Sophie became very intimate with an empty champagne bottle, swore it had made her enceinte, and ended by having a mock accouchement on the top of the table; and Belamour pretended to be a dog, and pranced from couch to couch on all fours, biting and barking and licking. Mellefont crept about dropping love philtres into glasses. Juventus and Ruella stripped and put on each other’s things, Spelto offered a prize for who ever should come first, and Spelto won it! Tannhäuser, just a little grisé, lay down on the cushions and let Julia do whatever she liked.
Aubrey Beardsley (Salome/ Under the Hill: Oscar Wilde/Aubrey Beardsley (Creation Classics))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
And so, by means both active and passive, he sought to repair the damage to his self-esteem. He tried first of all to find ways to make his nose look shorter. When there was no one around, he would hold up his mirror and, with feverish intensity, examine his reflection from every angle. Sometimes it took more than simply changing the position of his face to comfort him, and he would try one pose after another—resting his cheek on his hand or stroking his chin with his fingertips. Never once, though, was he satisfied that his nose looked any shorter. In fact, he sometimes felt that the harder he tried, the longer it looked. Then, heaving fresh sighs of despair, he would put the mirror away in its box and drag himself back to the scripture stand to resume chanting the Kannon Sutra. The second way he dealt with his problem was to keep a vigilant eye out for other people’s noses. Many public events took place at the Ike-no-o temple—banquets to benefit the priests, lectures on the sutras, and so forth. Row upon row of monks’ cells filled the temple grounds, and each day the monks would heat up bath water for the temple’s many residents and lay visitors, all of whom the Naigu would study closely. He hoped to gain peace from discovering even one face with a nose like his. And so his eyes took in neither blue robes nor white; orange caps, skirts of gray: the priestly garb he knew so well hardly existed for him. The Naigu saw not people but noses. While a great hooked beak might come into his view now and then, never did he discover a nose like his own. And with each failure to find what he was looking for, the Naigu’s resentment would increase. It was entirely due to this feeling that often, while speaking to a person, he would unconsciously grasp the dangling end of his nose and blush like a youngster. And finally, the Naigu would comb the Buddhist scriptures and other classic texts, searching for a character with a nose like his own in the hope that it would provide him some measure of comfort. Nowhere, however, was it written that the nose of either Mokuren or Sharihotsu was long. And Ryūju and Memyoō, of course, were Bodhisattvas with normal human noses. Listening to a Chinese story once, he heard that Liu Bei, the Shu Han emperor, had long ears. “Oh, if only it had been his nose,” he thought, “how much better I would feel!
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
Are you a relative of her late husband?” the woman asked. His eyes widened. “I beg your pardon?” “It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?” Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!” He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic! As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance! He knocked on the door and waited. There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes. He managed to get inside the screen door and catch her before she passed out. She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks. He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition. “When did we make him?” he asked without preamble. She felt her world dissolve. He knew about the baby. Of course. That was why he was here. He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once. “The baby is mine.” “And mine.” “Audrey is not getting her avaricious little hands on my child…!
Diana Palmer (Paper Rose (Hutton & Co. #2))
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
The traumatic aspect of drinking ayahuasca is that in order to heal yourself, you must first confront the wound; by forcing you to deal with your own inner garbage, ayahuasca shows you things about yourself that you might not want to see. I wish that a whole country could drink ayahuasca—not merely every individual citizen of a country, but the country itself, the spirit of the country. I wish that a flag could drink ayahuasca, that we could just fold the Stars and Stripes into the shape of a cup, pour in the tea, and transport Uncle Sam into another dimension. He’d have to fight his way out of some nightmares, but he’d be cleansed. What would he find? William S. Burroughs wrote that when you drink ayahuasca, “The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian—new races as yet unconceived and unborn, combinations not yet realized—pass through your body.” When Burroughs drank, he actually saw himself transformed into both a black man and a black woman. What if some freedom-hating narcoterrorists snuck into the Fox News studios and put ayahuasca in Sean Hannity’s coffee, just before he went live? What would be the day’s fair and balanced news for America? If America drank ayahuasca and then withdrew into the filthy pit of its own heart, confronting all its fears and hate and finally purging itself of that negative energy, maybe America would come out Muslim: sucked through a black hole by the Black Mind, young Latter-Day Saint crackers with smooth cheeks, short-sleeved white shirts, and name tags confront nightmarish visions of getting swallowed whole by giant grotesque “Jolly Nigger” coin banks and then find themselves vomited back up as Nubian Islamic Hebrews in turbans and robes selling incense on the subways. The “God Hates Fags” pastor, eyes wild with a new passion for Allah, boards a helicopter to drop thousands of Qur’ans upon the small towns below. I want to see ayahuasca’s vine goddess clean out America’s poison. But what would happen if a religion could drink the vine? What if I poured ayahuasca into my Qur’an?
Michael Muhammad Knight (Tripping with Allah: Islam, Drugs, and Writing)
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.
Ian McDonald (Brasyl)