White Gloves Quotes

Of course you can have a true Shadowhunter name," Will said. "You can have mine." Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?" Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.

She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.

Funeral Blues Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message He is Dead, Put crêpe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood; For nothing now can ever come to any good.

Her butler opened it for her. His name was Boredom. She said, 'Boredom, fetch me a plaything.' He said 'Very good ma'am,' and putting on his white gloves so that fingerprints would not show he tapped at my heart and I thought he said his name was Love.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.

As he vomited, he felt, though did not see, V come over. Forcing his head up, Butch groaned, "Help me..." I'm going to, trahyner. Give me your hand." As Butch held his palm up in despair, Vishous whipped off his glove and grabbed on good and hard. V's energy, that beautiful, white light, poured down Butch's arm and ripped through him in a blast, cleansing, renewing. United by their clasped hands, they became again the two halves, the light and the dark. The Destroyer and the Savior. A whole.

I don't have a reason to lie to you. Not now.' Jace's gaze remained steady. 'And quit baring your fangs at me. It's making me nervous.' 'Good,' Simon said. 'If you want to know why it's because you smell like blood.' 'It's my cologne. Eau de Recent Injury.' Jace raised his left hand. It was a glove of white bandages, stained across the knucles where blood had seeped through.

When you have been with your partner for so many years, they become the glove compartment map that you've worn dog-eared and white-creased, the trail you recogonize so well you could draw it by heart and for this very reason keep it with you on journeys at all times. And yet, when you least expect it, one day you open your eyes and there is an unfamiliar turnoff, a vantage point taht wasn't there before, and you have to stop and wonder if maybe this landmark isn't new at all, but rather something you have missed all along.

Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.

Why don't you just kill me?" "That, my dear, would be a waste." He steps forward and I realize his hands are sheathed in white leather gloves. He tips my chin up with one finger. "Besides, it'd be a shame to lose such a pretty face.

He pulled away the glove, and at the first glimpse of her fragile, white hand, all thoughts of negotiation fled. "I don't see how matters could become worse," he muttered. "I am already besotted with a needle-tongued, conceited, provoking ape leader of a lady." Her head jerked up. "Besotted? You're nothing like it. Vengeful is more like it. Spiteful.

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.

She was a woman with a broom or a dust- pan or a washrag or a mixing spoon in her hand. You saw her cutting piecrust in the morning, humming to it, or you saw her setting out the baked pies at noon or taking them in, cool, at dusk. She rang porcelain cups like a Swiss bell ringer to their place. She glided through the halls as steadily as a vacuum machine, seeking, finding, and setting to rights. She made mirrors of every window, to catch the sun. She strolled but twice through any garden, trowel in hand, and the flowers raised their quivering fires upon the warm air in her wake. She slept quietly and turned no more than three times in a night, as relaxed as a White glove to which, at dawn, a brisk hand will return. Waking, she touched people like pictures, to set their frames straight.

Good,” Simon said. “If you want to know why, it’s because you smell like blood.” “It’s my cologne. Eau de Recent Injury.” Jace raised his left hand. It was a glove of white bandages, stained across the knuckles where blood had seeped through.

Dark girls, fair girls were patting their hair, tying ribbons again, tucking handkerchiefs down the fronts of their bodices, smoothing marble-white gloves. And because they were all laughing it seemed to Leila that they were all lovely.

You've scrubbed that kitchen within an inch of its life, haven't you?" "Actually, no. I don't have that kind of time anymore. So I hire people to do it for me. But they've passed my white glove inspection and that's all that matters to me.

We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.

It was shortly after this, when Evangeline’s arms were being measured for gloves, that she noticed the scar. It was on the underside of her right wrist, thin and white, shaped like a broken heart. And it had definitely not been there before.

Hey,” the other said, coming to life. “You’re supposed to be in jail.” Al grinned at him, his white-gloved grip tightening on the wooden handle, which was intricately carved in the shape of a naked, writhing woman. Nice. “And your momma wanted you to have a brain,” he said, yanking the door open and slamming it into the guy’s face.

I love the inconvenience the same way that I sneakingly love a bad cold: the irresistible disruption to mundane life, forcing you to stop for a while and step outside your normal habits. I love the visual transformation it brings about, that recolouring of the world into sparkling white, the way that the rules change so that everybody says hello as they pass. I love what it does to the light, the purplish clouds that loom before it descends, and the way it announces itself from behind your curtains in the morning, glowing a diffuse whiteness that can only mean snow. Heading out in a snowstorm to catch the flakes on my gloves, I love the feeling of it fresh underfoot. I am rarely childlike and playful except in snow. It swings me into reverse gear.

Pagan At home in the countryside I make the decision to leave your book --overdue at the library-- face up, 'promiscuous' out in the sun. Pagan. I laugh to see this was our religion all along. Hidden even from ourselves taught early not to touch the earth. Years of white gloves straight seamed hose. 'Being good girls.' Scripture like chains. Dogma like flies. Smiles like locks and lies.

Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the as**sembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.

Zoom out and what you see is one species--us--struggling to keep all others in their appropriate places, or at least in the places we've decided they ought to stay. In some areas, we want cows but not bison, or mule deer but not coyotes, or cars but not elk. Or sheep but not elk. Or bighorn sheep but not aoudad sheep. Or else we'd like wolves and cows in the *same* place. Or natural gas tankers swimming harmoniously with whales. We are everywhere in the wilderness with white gloves on, directing traffic.

Where did he go!” he bellowed, gloved hands clenching. “I had him in a snare that would take Alexander the Great a lifetime to untwist, and he did it in a week!” Al took a step, pinwheeling as his booted heel found an ice cube.

Horrid woman,” Lillian told me pleasantly. “Luckily, however…” She removed her gloves. “I’m much, much worse.

After getting her settled safely on the couch, I retrieved a sterile razor blade from the kit in the closet, along with alcohol swabs, gloves, and gauze. A fluffy white towel came from the bathroom.

As he drove up Wentworth Street, he thought he saw a clown grinning up at him from an open sewer manhole – a clown with shiny silver dollars for eyes and a clenched white glove filled with balloons.

Imagine that you are a pair of white gloves, Mama would say, pulling one of her gloves between her hands, too far apart. Any stain that falls on you becomes part of the fabric. No matter how much you wash, you will never be pure white again. And if the stain seems to fade on its own, it’s because it’s sunk into the thread; because it’s gone even deeper.

Loan me your lace of yellow, sister Lend me your fine kid gloves Tonight is the bridal ball, sister Tonight I'll meet my love Present me a sash of blue, sister Gift me a ribbon of white My love awaits me below, sister I am a bride tonight

As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she

The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking as it seemed from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coarch and Horses, more dead than alive as it seemed, and flung his portmanteau down. "A fire," he cried, "in the name of human charity! A room and a fire!" He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a ready acquiescence to terms and a couple of sovereigns flung upon the table, he took up his quarters in the inn.

She received fine silk gloves and music boxes and even a curled lock of prickly white hair tied with a red velvet ribbon. That particularly appalling gift had even come with a poem: Roses are red, violets are blue, I would even trim my mustache for you! She had memorized the short stanza against her will and the words had nauseated her on multiple occasions since.

Quoyle remembered purple-brown seckle pears the size and shape of figs, his father taking the meat off with pecking bites, the smell of fruit in their house, litter of cores and peels in the ashtrays, the grape cluster skeletons, peach stones like hens' brains on the windowsill, the glove of banana peel on the car dashboard. In the sawdust on the basement workbench galaxies of seeds and pits, cherry stones, long white date pits like spaceships. . . . The hollowed grapefruit skullcaps, cracked globes of tangerine peel.

The Rabbit started violently, dropped the white kid gloves and the fan, and scurried away into the darkness as hard as he could go.

My mom wore white gloves and a hat. I was in a sport coat and slacks. That’s how people traveled then. In their Sunday best.

We are everywhere in the wilderness with white gloves on, directing traffic.

and putting on his white gloves so that the fingerprints would not show he tapped at my heart and I thought he said his name was Love.

If you imagine a castle as bright and sparkly with glass slippers, singing mice, and servants with white gloves, this was the opposite.

Fans were whipping back and forth by women with white gloves on. Men had rags and washcloths to wipe the sweat from their face.

Not to be locked behind glass and handled with white gloves. Books want to live and breathe.’ Mirren smiled. ‘They do,’ she said

I stood there, listening. The wind blew snow from the branches. Snow blew out of the woods in eddies and sweeping gusts. I raised my collar, put my gloves back on. When the air was still again, I walked among the stones, trying to read the names and dates, adjusting the flags to make them swing free. Then I stood and listened. The power of the dead is that we think they see us all the time. The dead have a presence. Is there a level of energy composed solely of the dead? They are also in the ground, of course, asleep and crumbling. Perhaps we are what they dream. May the days be aimless. Let the seasons drift. Do not advance the action according to a plan.

Spare change. Can't imagine how it got there." She tipped her head in reproach. He exhaled, sounding resigned. "It's not what you think." She turned her hand palm-up between them, letting the coin serve as its own accusation. "I think I know a shilling when I see one." "Look again." She looked down at the coin in her gloved palm, where its embossed face stood out in sharp relief against white satin. Light glinted off the surface, revealing the color to be not the expected dull silver, but a coppery hue instead. Oh. A sharp pang of surprise caught her heart. He'd been telling the truth. It wasn't a shilling after all. It was a penny. A bright, newly minted penny. One he'd been keeping tucked in his breast pocket. Right next to his heart. She drew a shaky breath. "Gabriel." His hands went to her shoulders- but it was his low, husky voice that reached out and drew her close. "You know the squalor I was born to. And you know I promised myself I'd never be that barefoot, starving boy again." She nodded. "I have every luxury a man could desire. Hundreds of thousands of pounds in my accounts. I worked like hell to build a fortune, and yet..." His thumb met her cheek with a reverent caress. "Now I'd sell my soul for a Penny.

We’re off, Truda,” called Mama. “If you bring the children along after the interval it will be time enough.” She stood for a moment in the doorway, cool and detached, and she was dragging long white gloves onto her hands. Her smooth dark hair was parted in the middle, as always, with a low knot in the nape of her neck. To-night she wore the collar of pearls round her neck, because of the party afterwards, and pearl earrings

I now had the pleasure of her company 24/7. Joy. Kit broke the awkward silence. “This looks delicious, honey. You’ve done it again.” Grinning, he raised his fork in a mock salute. My dad, the dork. I suppressed a sigh. If this silly, white-gloved dingbat made my father happy—and I knew she did—it was my solemn duty as his progeny to suffer it.

Gannets I am watching the white gannets blaze down into the water with the power of blunt spears and a stunning accuracy-- even though the sea is riled and boiling and gray with fog and the fish are nowhere to be seen, they fall, they explode into the water like white gloves, then they vanish, then they climb out again, from the cliff of the wave, like white flowers-- and still I think that nothing in this world moves but as a positive power-- even the fish, finning down into the current or collapsing in the red purse of the beak, are only interrupted from their own pursuit of whatever it is that fills their bellies-- and I say: life is real, and pain is real, but death is an imposter, and if I could be what once I was, like the wolf or the bear standing on the cold shore, I would still see it-- how the fish simply escape, this time, or how they slide down into a black fire for a moment, then rise from the water inseparable from the gannets' wings.

The rain set early in tonight, The sullen wind was soon awake, It tore the elm-tops down for spite, And did its worst to vex the lake: I listened with heart fit to break. When glided in Porphyria; straight She shut the cold out and the storm, And kneeled and made the cheerless grate Blaze up, and all the cottage warm; Which done, she rose, and from her form Withdrew the dripping cloak and shawl, And laid her soiled gloves by, untied Her hat and let the damp hair fall, And, last, she sat down by my side And called me. When no voice replied, She put my arm about her waist, And made her smooth white shoulder bare, And all her yellow hair displaced, And, stooping, made my cheek lie there, And spread, o'er all, her yellow hair, Murmuring how she loved me — she Too weak, for all her heart's endeavor, To set its struggling passion free From pride, and vainer ties dissever, And give herself to me forever. But passion sometimes would prevail, Nor could tonight's gay feast restrain A sudden thought of one so pale For love of her, and all in vain: So, she was come through wind and rain. Be sure I looked up at her eyes Happy and proud; at last l knew Porphyria worshiped me: surprise Made my heart swell, and still it grew While I debated what to do. That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string l wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And l untightened next the tress About her neck; her cheek once more Blushed bright beneath my burning kiss: I propped her head up as before, Only, this time my shoulder bore Her head, which droops upon it still: The smiling rosy little head, So glad it has its utmost will, That all it scorned at once is fled, And I, its love, am gained instead! Porphyria's love: she guessed not how Her darling one wish would be heard. And thus we sit together now, And all night long we have not stirred, And yet God has not said aword!

He thinks of a litany of questions but none of them truly matter. He knows his answer already. His choice was made when he was ten years old, under a different tree, bound up in acorns and dares and a single white glove. He will always choose the circus.

When you have been with your partner for so many years, they become the glove compartment map that you’ve worn dog-eared and white-creased, the trail you recognize so well you could draw it by heart and for this very reason keep it with you on journeys at all times.

My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .

Rabbit came near her, she began, in a low, timid voice, 'If you please, sir--' The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept

One has given one's white-gloved hand to hands that were steeped in blood and conversed politely with men who have personally slaughtered children. One has waded through excrement and gore; to be Queen, I have often thought the one essential item of equipment a pair of thigh-length boots.

The lodger told Anfisa, Anna Frantsevna’s long-time and devoted housekeeper, to say, in case he received any telephone calls, that he would be back in ten minutes, and left together with the proper, white-gloved policeman. He not only did not come back in ten minutes, but never came back at all.

We humans like to make out we’re in charge of things even when we’re not. A good example is an orchestra conductor. Would the orchestra really not know what to do without the fella waving that stick about? It wouldn’t be so bad if he played the maracas or tambourine whilst he waved the stick but he does nothing. If he got hit by a bus on the way to the gig, would it all have to be cancelled because he wasn’t there? There’s a band called Polyphonic Spree that has over twenty members and they ain’t got a conductor. He’s as unnecessary as the bloke who wears white gloves on the national lottery programme.

One has met and indeed entertained many visiting heads of state, some of them unspeakable crooks and blackguards....One has given one's white-gloved hand to hands that were steeped in blood and conversed politely with men who have personally slaughtered children. One has waded through excrement and gore....Sometimes one has felt like a scented candle, sent in to perfume a regime, or aerate a policy, monarchy these days just a government-issue deoderant.

Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi

Boys got to do whatever they wanted, and girls got to sit around looking pretty. I wasn’t very pretty, but my parents still seemed to have lofty plans for me: white gloves, a proper school, and becoming a Lovely Bride someday. Maman had already told me that if I was lucky, I’d be engaged by the time I was twenty, just like her.

THERE IS NO such thing as magic. That was merely the word people used to explain something so cleverly done that there was no ready explanation for it, and the simplest technique employed by its practitioners was to distract the audience with one moving and obvious hand (usually in a white glove) while the other was doing something else.

He went with olive green, because it almost matched his borrowed coat, which was tan. He chose pants with flannel lining, a T-shirt a flannel shirt, and a sweater made of thick cotton. He added white underwear and a pair of black gloves and a khaki watch cap. Total damage was a hundred and thirty bucks. The store owner took a hundred and twenty cash. Four days wear, probably, at the rate of thirty dollars a day. Which added up to more than ten grand a year, just for clothes. Insane, some would say. But Reacher liked the deal. He knew that most folks spent much less than ten grand a year on clothes. They had a small number of good items that they kept in closets and laundered in basements. But the closets and basements were surrounded by houses, and houses cost a whole lot more than ten grand a year, to buy or rent, and to maintain and repair and insure. So who was really nuts ?

The white audiences thought I was white, my features being what they are, and at every performance I'd have to take off my gloves to prove I was a spade.

...while you've never heard of her, in my mind she's practically a celebrity.

I approach this love like a biologist pulling on my rubber gloves & white labcoat You flee from it like an escaped political prisoner, and no wonder

Don't you see?" she says. "I want your life to be better than mine. That's all any parent wants.

White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he

white and blue, Victorian-style dress with a bell skirt and puffed sleeves. Alister noticed that the rabbit was even wearing a pair of tiny, white, lace gloves, and smiled goofily. “How curious.

The wild notes of tuba and trumpet and trombone rattled and hummed through the trees. In the first group of musicians, there were kids as young as fourteen playing the tuba and one kid who probably couldn’t drive banging a bass drum. They stomped together in rhythm to the music. Two ladies had dressed up in what looked like princess outfits. They wore white gloves and socks with tassels.

The Princess Saralinda was tall, with freesias in her dark hair, and she wore serenity brightly like the rainbow. It was not easy to tell her mouth from the rose, or her brow from the white lilac. Her voice was faraway music, and her eyes were candles burning on a tranquil night. She moved across the room like wind in violets, and her laughter sparkled on the air, which, from her presence, gained a faint and undreamed fragrance. The Prince was frozen by her beauty, but not cold, and the Duke, who was cold but not frozen, held up the palms of his gloves, as if she were a fire at which to warm his hands.

I would like to be able to convey to you the sound of dead voices, to break open this unbearable tomb of sound, to wrest something more than silhouettes from vanished years and by some unimaginable trick let you hear the ha-ha-ha with which Catulle Mendès accompanied the slightest sentence, the muffled voice of Edmond Rostand or the laughter which Proust smeared over his face with his white-gloved hand and his beard.

The single flake that settled and melted over my glove just now was as close to a pristine six-armed snow crystal as one is likely to find. The one that settles next to it is partly crumbled, but the remaining four branches retain their delicate shape. These soft, deteriorating dendrites are the first to melt away. The tiny white center, the part that resembles a grain of salt, lingers for a breath before dissolving.

five chief beatitudes of the pukka sahib, namely: Keeping up our prestige, The firm hand (without the velvet glove), We white men must hang together, Give them an inch and they’ll take an ell, and Esprit de corps.

I gazed at Nina and Theodore standing now before the window about to say their vows, or as Nina had phrased it, whatever words their hearts gave them at the moment, and I thought it just as well Mother was not here. She would’ve expected Nina to be in ivory lace, perhaps blue linen, carrying roses or lilies, but Nina had dismissed all of that as unoriginal and embarked on a wedding designed to shock the masses. She was wearing a brown dress made from free-labor cotton with a broad white sash and white gloves, and she’d matched up Theodore in a brown coat, a white vest, and beige pantaloons. She clutched a handful of white rhododendrons cut fresh from the backyard, and I noticed she’d tucked a sprig in the button hole of Theodore’s coat. Mother wouldn’t have made it past the brown dress, much less the opening prayer, which had been delivered by a Negro minister.

And mother, handmaiden to the Lord, says wear this, do that, don't do that, don't say that, sit, close your legs, wear white gloves and don't get them dirty, girls don't climb trees, girls don't run, girls don't, girls don't, girls don't; wasn't nothing girls actually did do of any interest whatsoever. It's when they get you a doll that pees that you recognize the dimensions of conspiracy, its institutional reach, its metaphysical ambition.

Far from being tortured, the prisoners [at Guantanamo] are being handled literally with kid gloves (or simulated kid-effect gloves). The U.S. military hands each jihadist his complimentary copy of the Koran as delicately as white-gloved butlers bringing His Lordship the Times of London. It's not just unbecoming to buy in to Muslim psychoses; in the end, it's self-defeating. And our self-defeat is their surest shot at victory...Even a loser can win when he's up against a defeatist. A big chunk of Western Civilization, consciously or otherwise, has given the impression that it's dying to surrender to somebody, anybody. Reasonably enough, the jihadists figure: hey, why not us?

You choose to work». «For us!» «No, Tatiana, for you». «Well, who do you work for? Don’t you work for you?» «No,» said Alexander. «I work for you. I work so that I can build you a house that will please you. I work very hard so you don’t have to, because your life has been hard enough. I work so you can get pregnant; so you can cook and putter and pick Anthony up from school and drive him to baseball and chess club and guitar lessons and let him have a rock band in our new garage with Serge and Mary, and grow desert flowers in our backyard. I work so you can buy yourself whatever you want, all your stiletto heels and clingy clothes and pastry mixers. So you can have Tupperware parties and bake cakes and wear white gloves to lunch with your friends. So you can make bread every day for your family. So you will have nothing to do but cook and make love to your husband. I work so you can have an ice cream life.

Navy Cotillion was where officers’ children were supposed to learn the fine points of manners, dancing, white gloves, and other unrealities of life. It also was where children were supposed to learn, as if the preceding fourteen or fifteen years hadn’t already made it painfully clear, that generals outrank colonels who, in turn, outrank majors and captains and lieutenants, and everyone, but everyone, outranks children. Within the ranks of children, boys always outrank girls.

Two things were important to my mother. One was that I be independent, and the other – she called it – ‘being a lady’. And by that she didn’t mean wearing white gloves. She meant that a lady doesn’t give way to emotions that sap energy and do no good. Anger. Jealousy. Remorse. Those are emotions that don’t move you forward, they trap you. So ‘being a lady’ meant don’t snap back in anger, take a few deep breaths and respond in a way that helps educate people who don’t understand.

Captain Tervitt had been a real captain, for many years, on the lake boats. Now he had a job as a special constable. He stopped the cars to let the children cross the street in front of the school and kept them from sledding down the side street in winter. He blew his whistle and held up one big hand, which looked like a clown's hand, in a white glove. He was still tall and straight and broad-shouldered, though old and white-haired. Cars would do what he said, and the children, too.

You may be a serious writer if …. 10. your hard drive is littered with random notes and story ideas … but not nearly as littered as your head. 9. you keep pen and paper next to your bed. And in the glove compartment. And in your gym bag. Also on the rim of the bathtub. 8. a day without Roget’s Thesaurus is a day without sunshine. 7. your emotional landscape includes creativity, confidence, elation, frustration, and the occasional neurosis. 6. you’ve ever had to clean peanut butter and bread crumbs off your keyboard, because the work was going well, and you didn’t want to stop for lunch. 5. grammar and punctuation turn you on. 4. your interest in a new acquaintance is directly proportionate to his/her potential as a secondary character. 3. you’ve worn the white e, r, s, and t clean off your keyboard. 2. the search history on your web browser would raise red flags with the FBI, CIA, DEA, and mental health professionals everywhere. 1. you have stories to tell, and you just. Keep. Telling. Them.

She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“ Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver. She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.

Well…there’s only one glove. Right away, I wonder, where’s the other glove? How did it become separated from its mate? Does it feel lost and confused without its other half? It looks lonely. Cold. Like an outsider that has no one to turn to, nowhere to go. And the stark contrast of the white snow against the bright colors of the glove makes the lines crisp and clear. It makes that feeling of alienated loneliness crisp and clear. The purity of the snow gives the purity of the glove’s solitude a stronger effect.

One-fifth of Japan’s residents live in greater Tokyo, and 8.7 million people have to ride the metro every day. Rush hour is so crowded that white-gloved workers help shove people onto the trains, leading to another unique term, tsukin jigoku— commuting hell.

She doesn't respect me. She doesn't even love me, for God's sake. Basically--in the last analysis--I don't love her any more, either. I don't know. I do and I don't. It varies. It fluctuates. Christ! Every time I get all set to put my foot down, we have dinner out, for some reason, and I meet her somewhere and she comes in with these goddam white gloves on or something. I don't know. Or I start thinking about the first time we drove up to New Haven for the Princeton game. We had a flat right after we got off the Parkway, and it was cold as hell, and she held the flashlight while I fixed the goddam thing--You know what I mean. I don't know. Or I start thinking about--Christ, it's embarrassing--I start thinking about this goddam poem I sent her when we first started goin' around together. 'Rose my color is. and white, Pretty mouth and green my eyes.' Christ, it's embarrassing--it used to remind me of her. She doesn't have green eyes--she has eyes like goddam sea shells, for Chrissake--but it reminded me anyway ... I don't know.

If Grace Kelly’s pristine white bridal gown signified the Irish American fairy tale, then its Gothic inverse is the First Lady’s white leather gloves, so stiff with her husband’s dried blood in the wake of his assassination that she had to be assisted in their removal.

On the flat expanse of pancake ice, War stood by the Pale Rider’s side. Though their forms did not touch, their shadows intertwined, black on black, in a smoky caress. “Knew you’d come,” Death said cheerfully. She smiled, and that slow motion of her lips hinted at many things. “The White Rider divided, and the world on the brink of destruction. How could I stay away?” “I could set my watch by you.” “You don’t have a watch.” Her smile broadened into a grin. “An hourglass, maybe . . .” “Please, not another joke about a scythe . . .” She mimed zipping her mouth shut. A pause, as they listened to the sounds of the boy healing and the man summoning doom. “I like him,” War said. Even though she hadn’t specified whether she meant the boy or the man, Death smiled and nodded. “Me too.” “You like everyone.” “Well, yes.” The two shared a quiet laugh, their voices mingling in perfect harmony. A longer pause, and then War asked, “What of Famine?” “What of her? She’s not mine. Not yet, anyway. She will be soon enough.” The Red Rider slid him a look. “That’s cold, even for you.” “Eh, just practical.” A shrug. “Everyone comes to me eventually. It’s the journey that makes it interesting.” “Such a people person!” He flashed her a grin. “My best quality.” “Oh,” said War, sliding her gloved hand into his pale one, “I can think of others that are better.

O, never will I trust to speeches penn'd, Nor to the motion of a schoolboy's tongue, Nor never come in vizard to my friend, Nor woo in rhyme, like a blind harper's song! Taffeta phrases, silken terms precise, Three-piled hyperboles, spruce affectation, Figures pedantical; these summer-flies Have blown me full of maggot ostentation: I do forswear them; and I here protest, By this white glove;--how white the hand, God knows!-- Henceforth my wooing mind shall be express'd In russet yeas and honest kersey noes: Love’s Labour’s Lost Act V, Scene II

I had never been in a car by myself, at night. New York flowed and ebbed in perfect silence outside the thick windows. If I leaned back, the city disappeared behind the tasseled velvet curtains. Pedestrians, curious about the limousine’s passenger, peered in at every traffic light. This accentuated the oddity of the situation. I was out in the street while being, at the same time, in a secluded space. More than the mahogany panels, the cut-glass decanters, the embroidered upholstery and the capped, white-gloved driver on the other side of the partition, it was this strange paradox of being in private in public that felt so opulent—a feeling that was one with the illusion of suddenly having become untouchable and invulnerable, with the fantasy of being in total control of myself, of others and of the city as a whole.

Emptiness was an index. It recorded the incomprehensible chronicle of the metropolis, the demographic realities, how money worked, the cobbled-together lifestyles and roosting habits. The population remained at a miraculous density, it seemed to him, for the empty rooms brimmed with evidence, in the stragglers they did or did not contain, in the busted barricades, in the expired relatives on the futon beds, arms crossed over their chests in ad hoc rites. The rooms stored anthropological clues re: kinship rituals and taboos. How they treated their dead. The rich tended to escape. Entire white-glove buildings were devoid, as Omega discovered after they worried the seams of and then shattered the glass doors to the lobby (no choice, despite the No-No Cards). The rich fled during the convulsions of the great evacuation, dragging their distilled possessions in wheeled luggage of European manufacture, leaving their thousand-dollar floor lamps to attract dust to their silver surfaces and recount luxury to later visitors, bowing like weeping willows over imported pile rugs. A larger percentage of the poor tended to stay, shoving layaway bureaus and media consoles up against the doors. There were those who decided to stay, willfully uncomprehending or stupid or incapacitated by the scope of the disaster, and those who could not leave for a hundred other reasons - because they were waiting for their girlfriend or mother or soul mate to make it home first, because their mobility was compromised or a relative was debilitated, crutched, too young. Because it was too impossible, the enormity of the thought: This is the end. He knew them all from their absences.

Brook trailed a gloved hand along the door, cast one glance over her shoulder, and let herself in. She couldn't stop the grin as she gripped the wheel of the Rolls-Royce. And why should she? Only a fool would leave such a car running right outside her door and not except her to do something about it.

It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.

Want your boat, Georgie?” Pennywise asked. “I only repeat myself because you really do not seem that eager.” He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. “Yes, sure,” George said, looking into the stormdrain. “And a balloon? I’ve got red and green and yellow and blue. . . .” “Do they float?” “Float?” The clown’s grin widened. “Oh yes, indeed they do. They float! And there’s cotton candy. . . .” George reached. The clown seized his arm.

On the switchboard of my memory two pair of gloves have crossed wires - those leather gloves of Omi's and a pair of white ceremonial gloves. I never seem to be able to decide which memory might be real, which false. Perhaps the leather gloves were more in harmony with his coarse features. And yet again, precisely because of his coarse features, perhaps it was the white pair which became him more. Coarse features - even though I use the words, actually such a description is nothing more than that of the impression created by the ordinary face of one lone young man mixed in among boys. Unrivaled though his build was, in height he was by no means the tallest among us. The pretentious uniform our school required, resembling a naval officer's, could scarely hang well on our still-immature bodies, and Omi alone filled his with a sensation of solid weight and a sort of sexuality. Surely I was not the only one who looked with envious and loving eyes at the muscles of his shoulder and chest, that sort of muscle which can be spied out even beneath a blue-serge uniform. Something like a secret feeling of superiority was always hovering about his face. Perhaps it was that sort of feeling which blazes higher and higher the more one's pride is hurt. It seemed that, for Omi, such misfortunes as failures in examinations and expulsions were the symbols of a frustrated will. The will to what? I imagined vaguely that it must be some purpose toward which his 'evil genius' was driving him. And i was certain that even he did not yet know the full purport of this vast conspiracy against him.

Guest lists, I warned him, don’t apply to established family friends. The man smiled an apology—I was dealing with a professional. Sequined gaggle of mantled goslings streamed past me just then, and the butler unwisely let ’em pass me. Was halfway down the glittering hallway before the white-gloved hand clamped my shoulder.

A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders. She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.

All this wandering that you do," he said, leaning in the window, his face white as a cream cheese, his scar the carved zigzag of a snowmobile across a winter lake. Wind blew handsomely through his hair. "How will anyone ever get close to you?" "I don't know," she said. She shook his hand through the window and then put on her gloves.

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.

Facing these men, who were ferocious, we admit, and terrifying, but ferocious and terrifying for good ends, there are other men, smiling, embroidered, gilded, beribboned, starred, in silk stockings, in white plumes, in yellow gloves, in varnished shoes, who, with their elbows on a velvet table, beside a marble chimney-piece, insist gently on demeanor and the preservation of the past, of the Middle Ages, of divine right, of fanaticism, of innocence, of slavery, of the death penalty, of war, glorifying in low tones and with politeness, the sword, the stake, and the scaffold. For our part, if we were forced to make a choice between the barbarians of civilization and the civilized men of barbarism, we should choose the barbarians.

blue jeans by Armani, a white Polo shirt, an Armani sport coat, no tie, hair slicked back with Thompson mousse; since it’s drizzling, a pair of black waterproof lace-ups by Manolo Blahnik; three knives and two guns carried in a black Epi leather attaché case ($3,200) by Louis Vuitton; because it’s cold and I don’t want to fuck up my manicure, a pair of Armani deerskin gloves.

Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the assembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.

Yesterday I just felt like eating my ass off so I did. I ate two Chef Boyardee pizzas, a Fifth Avenue candy bar, an entire package of fun size Snickers (that was fun!), several cherry sours (not the entire package, there are still a few left), an apple (apples don’t taste as good as they used to), several Slim Jims, a slice of burnt garlic toast, white cheddar popcorn and microwave popcorn. Today I will drink black coffee, eat a bowl of oatmeal (old school, boiled on the stove but no butter but lots of cinnamon and brown sugar) and dance to various YouTubes. I need to buy a pair of gloves, get my ass to the boxing gym and learn to love protein shakes. Also, I want to run a marathon. Then I want to get a backpack, stuff it with trail mix and the like and take to the road like the chick in that Wild book.

The Ballad of Mac the Knife Fair in Soho. The beggars are begging, the thieves are stealing, the whores are whoring. A ballad singer sings a ballad. See the shark with teeth like razors. All can read his open face. And Macheath has got a knife, but Not in such an obvious place. See the shark, how red his fins are As he slashes at his prey. Mac the Knife wears white kid gloves which Give the minimum away.

In that day an educated rich man was acceptable. He might send his sons to college without comment, might wear a vest and white shirt and tie in the daytime of a weekday, might wear gloves and keep his nails clean. And since the lives and practices of rich men were mysterious, who knows what they could use or not use? But a poor man––what need had he for poetry or for painting or for music not fit for singing or dancing?

October 3, 2017 The clown, Hagarty said, looked like a cross between Ronald McDonald and that old TV clown, Bozo—or so he thought at first. It was the wild tufts of orange hair that brought such comparisons to mind. But later consideration had caused him to think the clown really looked like neither. The smile painted over the white pancake was red, not orange, and the eyes were a weird shiny silver. Contact lenses, perhaps . . . but a part of him thought then and continued to think that maybe that silver had been the real color of those eyes. He wore a baggy suit with big orange-pompom buttons; on his hands were cartoon gloves. “If you need help, Don,” the clown said, “help yourself to a balloon.” And it offered the bunch it held in one hand. “They float,” the clown said. “Down here we all float; pretty soon your friend will float, too.

On June 21, AIDS patients at George Washington University Hospital opened their eyes to see a woman in a white linen gown moving among them. She wore no mask or gloves and was not afraid to approach their beds and ask the young men about their illness. Mother Teresa came to visit the AIDS patients directly from the White House, where President Reagan, who had yet to acknowledge the disease, had awarded her the Medal of Freedom.

Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.

Sita closed her eyes and breathed into her cupped hands. Before she left, she had remembered to perfume her wrist with Muguet. The faint odor of that flower, so pure and close to the earth, was comforting. She had planted real lilies of the valley because she liked them so much as a perfume. Just last fall, before the hard freeze, when she was feeling back to normal, the pips had arrived in a little white box. Her order from a nursery company. She'd put on her deerskin gloves and, on her knees, using a hand trowel, dug a shallow trench along the border of her blue Dwarf iris. Then one by one she'd planted the pips. They looked like shelled acorns, only tinier. "To be planted points upward," said a leaflet in the directions. They came up early in the spring. The tiny spears of their leaves would be showing soon. Lying there, sleepless, she imaged their white venous roots, a mass of them fastening together, forming new shoots below the earth, unfurling their stiff leaves. She saw herself touching their tiny bells, waxed white, fluted, and breathing the ravishing fragrance they gave off because Louis had absently walked through her border again, dragging his shovel, crushing them with his big, careless feet. It seemed as though hours of imaginary gardening passed before Mrs. Waldvogel tiptoed in without turning on the light.

The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.

American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.

Last spring I was worried about what gloves to wear. What can I do against Keating?” “Always go with the white, and stay safe.” Holmes made a steeple of his fingers. “Arm yourself against every eventuality and survive. There is only one thing to do once you have such distinguished enemies. Wait and watch. And when your moment comes, you make them pay dearly. Difficult times do not last.” She finished his favorite piece of advice. “Difficult, obstinate, and impertinent people do.

Doudna deeply enjoyed being a bench scientist, a researcher who gets to the lab early, puts on latex gloves and a white coat, and begins working with pipettes and Petri dishes. For the first few years after setting up her lab at Berkeley, she was able to work at the bench half her time. “I didn’t want to give that up,” she says. “I think I was a pretty good experimenter. That’s how my mind works. I can see experiments in my mind, especially when I am working myself.” But by 2009, after her return from Genentech, Doudna realized that she had to spend more time cultivating her lab rather than her bacterial cultures. This transition from player to coach happens in many fields. Writers become editors, engineers become managers. When bench scientists become lab heads their new managerial duties include hiring the right young researchers, mentoring them, going over their results, suggesting new experiments, and offering up the insights that come from having been there.

The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried.

AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.

Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses. “I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.” The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills. Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him. “I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!” “You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’ “Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.

Noon. In the middle of Knoll Road. In it up to your waist, wearing your father’s old reindeer sweater, your mother’s fur-lined gloves. Squinting across an infinite ocean of white. Shivering. Breathing. Listening. To nothing. There are no cars, no mailboxes, no traffic islands, no sound. The triple-deckers are now double-deckers and everything’s muffled and buried and gone. You yell and you are the only one yelling. The only one breathing. The only one there. The faint chime of a city plow in the distance. The wail of one of Schoerner’s penned-up hounds. But no one is with you. No one to contradict you. And you dare to close your eyes and fill up your lungs with winter, your destiny before you like a map of the world. And the wind seems to whisper promises, and you, with arms outstretched and chin to the heavens, swear oaths back to the wind - little things, like fulfilling prophecies and charting new courses and going forth from this time and this place to do great and wondrous things. But first, of course, it will be necessary to get high.

In her white-gloved hand she brandished a long ball-topped staff which she pumped up and down in time with the martial strains. Her white blouse was surmounted by a crimson bolero jacket. She strutted and pranced like an Arabian mare on display, her gleaming knees, responding to the drum beat, shooting to a level equal with her chin, her tassled white kid boots contrasting with the healthy pink of her rounded calves, her pleated crimson and white skirt --lifted by her knees, fanned by the wind-- revealing smooth firm thighs.

Words, pictures, questions, and finally—dreams; it always begins with a dream, doesn’t it? Alice’s dream by the river, her head in her sister’s lap, dreaming of a rabbit, a white rabbit; my dream, also. My dreams. One of them—I remember one dream when I was small; a dream after a long walk on a summer day. A dream on a train, my head against Mr. Dodgson’s shoulder, as I dreamed of babies on flower stems; Papa walking along, crying; a man in a tall black hat, gray gloves, a stiff way about him. “May they be happy,” he whispered to me, and I smiled.

Savage. Let us explain this word. When these bristling men, who in the early days of the revolutionary chaos, tattered, howling, wild, with uplifted bludgeon, pike on high, hurled themselves upon ancient Paris in an uproar, what did they want? They wanted an end to oppression, an end to tyranny, an end to the sword, work for men, instruction for the child, social sweetness for the woman, liberty, equality, fraternity, bread for all, the idea for all, the Edenizing of the world. Progress; and that holy, sweet, and good thing, progress, they claimed in terrible wise, driven to extremities as they were, half naked, club in fist, a roar in their mouths. They were savages, yes; but the savages of civilization. They proclaimed right furiously; they were desirous, if only with fear and trembling, to force the human race to paradise. They seemed barbarians, and they were saviours. They demanded light with the mask of night. Facing these men, who were ferocious, we admit, and terrifying, but ferocious and terrifying for good ends, there are other men, smiling, embroidered, gilded, beribboned, starred, in silk stockings, in white plumes, in yellow gloves, in varnished shoes, who, with their elbows on a velvet table, beside a marble chimney-piece, insist gently on demeanor and the preservation of the past, of the Middle Ages, of divine right, of fanaticism, of innocence, of slavery, of the death penalty, of war, glorifying in low tones and with politeness, the sword, the stake, and the scaffold. For our part, if we were forced to make a choice between the barbarians of civilization and the civilized men of barbarism, we should choose the barbarians.

The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?

A girl sat neatly on a flat rock. Somehow he’d not seen her. She looked like she’d stepped through the screen of a 1950s movie. Her skin and blond hair were such pale shades they looked monochrome. Her long coat was tied at the waist by a fabric belt. She was probably a few years younger than him, in her early twenties, wearing a white hat with matching gloves. “Sorry,” she said, “If I surprised you.” Her irises were titanium gray, her most striking feature. Her lips were an afterthought and her cheekbones flat. But her eyes...He realized he was staring into them and quickly looked away.

I am here because I worked too hard and too long not to be here. But although I told the university that I would walk across the stage to take my diploma, I won’t. At age fifty-seven, I’m too damned old, and I’d look ridiculous in this crowd. From where I’m standing in the back of the hall, I can see that I am at least two decades older than most of the parents of these kids in their black caps and gowns. So I’ll graduate with this class, but I won’t walk across the stage and collect my diploma with them; I’ll have the school send it to my house. I only want to hear my name called. I’ll imagine what the rest would have been like. When you’ve had a life like mine, you learn to do that, to imagine the good things. The ceremony is about to begin. It’s a warm June day and a hallway of glass doors leading to the parking lot are open, the dignitaries march onto the stage, a janitor slams the doors shut, one after the other. That banging sound. It’s Christmas Day 1961 and three Waterbury cops are throwing their bulk against our sorely overmatched front door. They are wearing their long woolen blue coats and white gloves and they swear at the cold. They’ve finally come for us, in the dead of night, to take us away, just as our mother said they would.

Philippa Somerville slowed her horse to a trot, and, pulling off her right glove, held her hand high and flat, white palm outwards as she paced forward to Lymond and stopped. ‘Never again,’ Philippa said. ‘Never, never again.’ He sat still, breathing deeply as yet from the ride, with his face brushed and ridged with wet light from the rain. ‘No,’ he said. ‘I don’t deserve that. I think.’ Philippa looked down and then up again, her cheeks red with mortification. ‘It works with Austin,’ she said. His lips tightened, and Philippa sat, empty and braced for the stinging attack she deserved. ‘It works with me, too,’ he said. ‘But perhaps not quite in the same way.

The election of Barack Obama was the sign of the apocalypse for evangelicals. Because of the marriage of evangelical morality to the Republican Party — all in the service of maintaining white conservative male leadership — the election signaled a failure of the evangelical political machine. It also stripped the gloves off the carefully crafted racial reconciliations of the 1990s and moved evangelicals toward an alliance with outwardly racist movements. Evangelicals found themselves making friends with strange but like-minded conspirators who promoted their ideologies and took them down a bath toward embracing openly racist memes and themes to get their message out.

Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the assembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.

For years, the suspicion that Mr. Putin has a secret fortune has intrigued scholars, industry analysts, opposition figures, journalists and intelligence agencies but defied their efforts to uncover it. Numbers are thrown around suggesting that Mr. Putin may control $40 billion or even $70 billion, in theory making him the richest head of state in world history. For all the rumors and speculation, though, there has been little if any hard evidence, and Gunvor has adamantly denied any financial ties to Mr. Putin and repeated that denial on Friday. But Mr. Obama’s response to the Ukraine crisis, while derided by critics as slow and weak, has reinvigorated a 15-year global hunt for Mr. Putin’s hidden wealth. Now, as the Obama administration prepares to announce another round of sanctions as early as Monday targeting Russians it considers part of Mr. Putin’s financial circle, it is sending a not-very-subtle message that it thinks it knows where the Russian leader has his money, and that he could ultimately be targeted directly or indirectly. “It’s something that could be done that would send a very clear signal of taking the gloves off and not just dance around it,” said Juan C. Zarate, a White House counterterrorism adviser to President George W. Bush who helped pioneer the government’s modern financial campaign techniques to choke off terrorist money.

Even at a time when the Soviet regime was fighting for its survival during the civil war, many of its own supporters were sickened by the scale of the Cheka's brutality. A number of Cheka interrogators, some only in their teens, 3 employed tortures of scarcely believable barbarity. In Kharkhov the skin was peeled off victims' hands to produce "gloves" of human skin; in Voronezh naked prisoners were rolled around in barrels studded with nails; in Poltava priests were impaled; in Odessa, captured White officers were tied to planks and fed slowly into furnaces; in Kiev cages of rats were fixed to prisoners' bodies and heated until the rats gnawed their way into the victims' intestines.

As he and Serena walked toward the door to the church, he breathed in the crisp winter day and imagined Serena in a duchess's finery. A satin ball gown in green, to match her eyes. Jewels hanging from her ears and around her neck, dipping into the ivory hollow of her throat. White silken gloves that reached just above her elbows where the tender flesh of her upper arm would he bare until the slender lace of a sleeve began. With her hair artfully arranged and just a touch of pink on her lips... she would be devastating. And she had no idea, no idea the power she could wield. He pictured her dancing, close in his arms, whirling to the violins in one of the many grand ballrooms of his world.

a man glided out of the limo. He was tall, pale as a statue. Sable hair fell in tousled curls to his shoulders. He was dressed in a pair of opalescent butterfly wings that rose from his shoulders, fastened to him by some mysterious mechanism. He wore white leather gloves, their gauntlet cuffs decorated in winding silver designs, and similar designs were set around his calves, down to his sandals. At his side hung a sword, delicately made, the handle wrought as though out of glass. The only other thing he had on was a loincloth of some soft, white cloth. He had the body for it. Muscle, but not too much of it, good set of shoulders, and the pale skin wasn’t darkened anywhere by hair. Hell’s bells, I noticed how good he looked.

The front door of the BMW opened, and a man slid out from the driver’s seat. Elijah recognised him immediately. Risky Bizness was tall and slender, a good deal over six feet, his already impressive height accentuated by an unruly afro that added another three or four inches. His face was striking rather than handsome: his nose was crooked, his forehead a little too large, his skin marked with acne scars. His eyebrows, straight and manicured, sat above cold and impenetrable black eyes. He was wearing a thin designer windcheater, black fingerless gloves, and his white Nike hi-tops were pristine. He wore two chunky gold rings on his fingers, diamond earrings through the lobes of both ears, and a heavy gold chain swung low around his neck.

You bled on the Speaking Stars,” he said. Clary looked and saw that he was right: There was a smear of her blood on the white and silver marble. “I bet there’s a law somewhere about that.” He turned her arm over, more gently than she would have thought he was capable of. He caught his lower lip between his teeth and whistled; she glanced down and saw that a glove of blood covered her lower arm from the elbow to the wrist. The arm was throbbing, stiff, and painful. “Is this when you start tearing strips off your T-shirt to bind up my wound?” she joked. She hated the sight of blood, especially her own. “If you wanted me to rip my clothes off, you should have just asked.” He dug into his pocket and brought out his stele. “It would have been a lot less painful.

Nothing could have appealed more strongly to Miss Wantage's youthful taste, so as soon as she had changed the chip-straw hat for an Angouleme bonnet of white thread-net trimmed with lace, she sallied forth once more with Mr. Ringwood, tripping beside him with all the assurance of one who knew herself to be dressed in the pink of fashion. The Angouleme bonnet most becomingly framed her face; she had taken great pains to comb her curls into modish ringlets; and if the figured muslin gown was less dashing than a certain pomona green silk which Mr. Ringwood had assured her, in some agitation, Sherry wouldn't like at all, no fault could be found with her little blue kid shoes, or her expensive gloves and ridicule, or with the sophisticated sun-shade which she carried to the imminent danger of the passers-by.

Blake Hartt, if you touch me, your skin must be bare. Do you understand?” Livia looked into his green eyes. They seemed confused, but he nodded. Livia wished she’d worn something more romantic, but no matter. This wasn’t about clothes; it was about skin. She kicked off her sneakers and stepped away from him. Come get me, Livia said with her eyes. She pulled off her sweatpants and felt the cool air snap at her skin. She walked further and stopped in the center of the clearing next to the miraculous saplings. She now stood right where they’d been before when they’d failed. She took her jacket off and let it fall. She created a trail of clothes like little stepping stones to hope. Livia had always been shy about her body. But she could do this here, now. She was asking so much of him. She pulled her sweatshirt off and stood in her bra and panties. She shook a little from the cold and the risk. She willed him to take the chance as well. He hadn’t moved, just stood squeezing the handle of the cheerful umbrella and watching Livia like she was walking a tightrope without a net. Livia reached behind her and unlatched her bra. She added it to her trail of clothes. Blake flexed and closed a gloved hand. Livia slipped off her white panties. Now she was here—nude for him—if he could bring himself to walk across the meadow. She shivered and fought the need to cover her chilly skin. Blake kept his eyes on hers, not yet indulging in the sight before him. “You’re cold,” he said softly. Livia nodded. “I’m cold and alone out here.” I will stay put. I will not cry. Come to me. Come to me. And he did. He made slow, steady progress until he stood in front of her.

The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the “Coach and Horses” more dead than alive, and flung his portmanteau down. “A fire,” he cried, “in the name of human charity! A room and a fire!” He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a couple of sovereigns flung upon the table, he took up his quarters in the inn

The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the “Coach and Horses” more dead than alive, and flung his portmanteau down. “A fire,” he cried, “in the name of human charity! A room and a fire!” He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a couple of sovereigns flung upon the table, he took up his quarters in the inn.

The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)

Wait!’ cried a deep, ringing voice. All stood still. Mr. Baker, who had turned away yawning, spun round open-mouthed. At last, furious, he blurted out: — ‘What’s this? Who said “Wait”? What... ‘ But he saw a tall figure standing on the rail. It came down and pushed through the crowd, marching with a heavy tread towards the light on the quarter-deck. Then again the sonorous voice said with insistence: — ‘Wait!’ The lamplight lit up the man’s body. He was tall. His head was away up in the shadows of lifeboats that stood on skids above the deck. The whites of his eyes and his teeth gleamed distinctly, but the face was indistinguishable. His hands were big and seemed gloved. Mr. Baker advanced intrepidly. ‘Who are you? How dare you... ‘ he began. The boy, amazed like the rest, raised the light to the man’s face. It was black. A surprised hum — a faint hum that sounded like the suppressed mutter of the word ‘Nigger’ — ran along the deck and escaped out into the night.

The dragon's blood had changed him, he realized. Not in a magical way, like in one of Shem Horsegroom's old stones - he couldn't understand the speech of animals, or see a hundred leagues. Well, that was not quite true. When the snow had stopped for a moment today, the white valleys of the Waste had leaped into clarity, seeming as near as the folds ma blanket, but stretching all the way to the dark blur of faraway Aldheorte Forest. For a moment, standing quiet as a statue despite the wind biting his neck and face, he had felt as though he did possess magical vision. As in the days when he climbed Green Angel Tower to see all Erkynland spread below him like a carpet, he had felt as if he could reach out a hand and so change the world But moments like that were not what the dragon had brought him. Pondering as he waited for his damp gloves to dry, he looked to Binabik and Sisqi, saw the way they touched even when they did not touch, the long conversations that passed between the two of them in the shortest of glances. Simon realized that he felt and saw things differently than he had before Urmsheim. People and events seemed more clearly connected, each part of a much larger puzzle - just as Binabik and Sisqi were. They cared deeply for each other, but at the same time their world of two interlocked with many other worlds; with Simon's own, with their people's, with Prince Josua's, and Geloe's... It was really quite startling, Simon thought, how everything was part of something else! But though the world was vast beyond comprehension, still every mote of life in it fought for its own continued existence. And each mote mattered. That was what the dragon's blood had taught him, in some way. He was not great; he was, in fact, very small. At the same moment, though, he was important, just as any point of light in a dark sky might be the star that led a mariner to safety, or the star watched by a lonely child during a sleepless night

Why is it,” he asked instead, “that if I kept livestock in my home, people would say I was ignorant or daft, but if a pig wanders freely in the mansion of an earl, it’s called eccentric?” “There are three things that everyone expects of an aristocrat,” the valet replied, tugging firmly at the pig’s collar. “A country house, and a weak chin, and eccentricity.” He pushed and pulled at the pig with increasing determination, but the creature only sat more heavily. “I vow,” the valet wheezed, budging him only an inch at a time, “I’ll have you turned into sausage and collops by tomorrow’s breakfast!” Ignoring the determined valet, the pig stared up at Rhys with patient, hopeful eyes. “Quincy,” Rhys said, “look sharp.” He picked up a bread roll from his plate and tossed it casually in the air. The valet caught it deftly in a white-gloved hand. “Thank you, sir.” As he walked to the door with the bread in hand, the pig trotted after him. Rhys watched with a faint smile. “Desire,” he said, “is always better motivation than fear. Remember that, Quincy.

There was a difference between quality and mere showiness, he thought. That notion was reinforced immediately by the appearance of Lady Aline. She was dazzling, with strands of white pearls in her lustrous dark hair, her voluptuous body wrapped in a blue dress that molded tightly over the swell of her breasts. A double circlet of fresh white rosebuds was wrapped around one of her gloved wrists. Extending her hands in welcome, she went to a group of guests near the door of the ballroom. Her smile was a flash of magic. As he watched her, McKenna noticed something about her that had not registered during their earlier meeting... she walked differently than he remembered. Instead of exhibiting the impetuous grace she had possessed as a girl, Aline now moved with the leisurely deliberateness of a swan gliding across a still pond. Aline's entrance attracted many gazes, and it was obvious that McKenna was not the only man who appreciated her sparkling allure. No matter how tranquil her facade, there was no concealing the luminous sensuality beneath.

How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.

Laurel stood on stage. She was very still. Her lovely blue eyes were lowered modestly. Her silver blonde hair fell in disheveled curls around her face, white roses and strands of pearls woven artfully throughout. A necklace of what looked like diamonds clasped her slender throat while white kid gloves were drawn up to her elbow. She held a fan of frosted silver in one hand, dangling at her side. Her dress was a shimmering sapphire blue, and it fit her exquisitely, molding to her form, hugging her small bosom and lifting her breasts until they appeared ready to spill from the satin bodice. A silver braided sash cinched her waist, emphasizing its narrowness. And then, she lifted her head, raised the hand that held the fan, then the other one and, tipping her head back, opened her eyes. They were haunting and luminous, soft in the candlelight. Her skin was pale and smooth. The crowd was utterly quiet, watching her. And then, she began to sing. If Dare had thought Laurel Spencer beautiful before, now she became goddess-like to him in an instant as a melody so heart-wrenching and lovely spilled forth from her lips.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

The front door swung open and a gust of wind rushed inside. Boots scuffled along the floor, and Camille turned to see what pig had shown up at Daphne’s so early in the day. Her heart thumped as the door slammed. Stuart McGreenery tucked his arched captain’s hat under his arm and pulled off his white gloves. “A charming establishment,” he said. He turned up his nose, and sniffed the air. “Is that desperation I smell?” Oscar threw his fork and knife on the table and kicked back his chair. “Did you decide to join us for breakfast?” McGreenery lunged forward and Oscar rose to his feet. “I came to see what you know about the hole in the hull of my ship, you insolent whelp,” McGreenery said. Oscar’s cheek twitched with pleasure. “Why not just have me escorted down to it with a knife in my back?” Camille stood and inserted herself between the two men. Daphne sat in the corner of the parlor rolling cigars, her wide eyes darting from McGreenery to Oscar. “We heard the explosion,” Camille said. “What makes you think we had anything to do with it?” McGreenery retreated one small step and stared down the slope of his nose at her. This time he kept his icy stare level with her eyes. “Because it was not an accident. The explosion was set in a deliberate attempt to keep me from departing for Port Adelaide.” Camille tried to subdue the shake of her knees. “We certainly didn’t see it. Oscar and I were in our room.” McGreenery cocked his head. “I heard you were sharing a room.” He glanced at Oscar. “I doubt William would be fond of that.” “You don’t have the right to even speak his name,” Oscar said, strangling each word. McGreenery gracefully removed the hat out from under his arm and slipped it back on. “It doesn’t matter. Nothing will stop me from reaching the stone, least of all a little girl and her trained monkey.” Camille rushed forward, ready to smack McGreenery across the cheek. Oscar grabbed her around the waist and held her back. McGreenery bowed slightly, grinning with pleasure, and then whisked out the front door. She shrugged out form Oscar’s grasp and watched through the windows as McGreenery sauntered down the street toward the Stealth, where she could hear the echo of repairs already under way. “One day that prick is going to get what he deserves,” Oscar muttered. “I just hope I’m the one who gets to give it to him.

I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?

Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?

To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.

The book jolted loose from her arm and fell to the ground. Opening her mouth to apologize to the man she'd bumped into, Rose turned around. And stopped. "A History of the New World," he read, straightening with the book in his hands. Eyes black as pitch regarded her. She'd never seen eyes like that before. The effect of their direct, level gaze was... unsettling. Beside her, Maggie gave a small gasp. "Thank you for retrieving my book, sir," she said, finding that her voice wanted to quaver and fighting against it. "May I have it back?" His head tilted a little to one side, a strand of coal black hair falling forward across his forehead. He was all in black, she realized, from his beaver hat to his gloves to the soles of his boots. Only a white shirt collar and simply tied white cravat leavened his stark appearance. No, not stark, she amended as he glanced down at the book again. Predatory. All six lean feet of him. "Do the Americas interest you?" he asked, his voice a low, cultured drawl that seemed to resonate down her spine. "Learning things interests me," she replied, and held out her hand. The corner of his mouth quirked, and he slowly placed the book into her fingers. "Well, then. I could teach you such things, Lady Rosamund," he murmured.

Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.

I make a great fried egg sandwich. Want to try it?" Chloe stared at her with an encouraging smile until Josey finally laughed and nodded. "Okay." "Great!" Chloe put on a pair of disposable gloves, then she took butter and two eggs from the under-the-counter fridge. "Go ahead and take a business card. You can call me here if you want. And the bottom number is my cell." She plopped a pat of butter onto the grill. When the butter melted, she cracked the eggs into it, close enough for their whites to merge. While they sizzled, she buttered two slices of sourdough bread and put them on the grill. "I didn't know this place was called Red's," Josey said, reading the card. Chloe smiled when she thought of her great-grandfather. "Another family tradition. My great-grandfather had red hair. So did my mother." Chloe sprinkled the eggs with salt and pepper and a pinch of dill, then turned them over with her spatula. She flipped the quickly toasting bread too. She'd spent her childhood watching her great-grandfather do this, and here at the shop was the only time she felt him near anymore. "Do you want this for here or to go?" "To go." Chloe sprinkled a little more salt and pepper on the eggs, made sure the yolks had firmed ever so slightly, then topped them with cheese. She let the cheese melt before scooping the eggs up and putting them on the buttered sourdough.

Right when Marston and Peter must have been meeting with Gaines and Mayer to talk about what Wonder Woman ought to look like, a new superhero made his debut. Captain America.19 He quickly became Timely Comics’ most popular character. Captain America Comics #1 (March 1941) (illustration credit 23.7) Marston wanted his comic book’s “under-meaning,” about “a great movement now under way—the growth in the power of women,” to be embodied in the way Wonder Woman carried herself, how she dressed, and what powers she wielded. She had to be strong, and she had to be independent. Everyone agreed about the bracelets (inspired by Olive Byrne’s): it helped Gaines with his public relations problem that she could stop bullets with them; that was good for the gun problem. Also, this new superhero had to be uncommonly beautiful; she’d wear a tiara, like the crown awarded at the Miss America pageant. Marston wanted her to be opposed to war, but she had to be willing to fight for democracy. In fact, she had to be superpatriotic. Captain America wore an American flag: blue tights, red gloves, red boots, and, on his torso, red and white stripes and a white star. Like Captain America—because of Captain America—Wonder Woman would have to wear red, white, and blue, too. But, ideally, she’d also wear very little. To sell magazines, Gaines wanted his superwoman to be as naked as he could get away with.

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

The easel had a cloth draped over it. Ideally, he shouldn’t look at the painting at all tonight. The gaslight flickered, its bluish tinge changing every color and tone in the room. No, no, it would be a complete waste of time. But the painting seemed to call to him. At last he could stand it no longer. He jumped up and pulled off the cloth. My God. It looked as if it had been painted by somebody else. That was his first thought. It had an authority that he didn’t associate with his stumbling, uncertain, inadequate self. It seemed to stand alone. Really, to have nothing much to do with him. He’d painted the worst aspect of his duties as an orderly: infusing hydrogen peroxide or carbolic acid into a gangrenous wound. Though the figure by the bed, carrying out this unpleasant task, was by no means a self-portrait. Indeed, it was so wrapped up in rubber and white cloth: gown, apron, cap, mask, gloves—ah, yes, the all-important gloves—that it had no individual features. Its anonymity, alone, made it appear threatening. No ministering angel, this. A white-swaddled mummy intent on causing pain. The patient was nothing: merely a blob of tortured nerves. It shook him. He stood back from it, looked, looked away, back again. It must be the gaslight that was so transforming his view of it. And he was no nearer knowing if it was finished, though at the moment he felt he wouldn’t dare do anything else.

Neville’s mother had come edging down the ward in her nightdress. She no longer had the plump, happy-looking face Harry had seen in Moody’s old photograph of the original Order of the Phoenix. Her face was thin and worn now, her eyes seemed overlarge, and her hair, which had turned white, was wispy and dead-looking. She did not seem to want to speak, or perhaps she was not able to, but she made timid motions toward Neville, holding something in her outstretched hand. “Again?” said Mrs. Longbottom, sounding slightly weary. “Very well, Alice dear, very well — Neville, take it, whatever it is . . .” But Neville had already stretched out his hand, into which his mother dropped an empty Drooble’s Blowing Gum wrapper. “Very nice, dear,” said Neville’s grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, “Thanks Mum.” His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he’d ever found anything less funny in his life. “Well, we’d better get back,” sighed Mrs. Longbottom, drawing on long green gloves. “Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now . . .” But as they left, Harry was sure he saw Neville slip the wrapper into his pocket. The door closed behind them.

Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.

In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.

In the section with edible flowers I stopped short, a bright yellow-and-purple pansy in my hands, hearing my mother's voice from long ago. Pansies are the showgirls of the flower world, but they taste a little grassy, she'd confided to me once as we pulled the weeds in her herb and flower garden. I put a dozen pansies in my cart and moved on to carnations. Carnations are the candy of the flower world, but only the petals. The white base is bitter, she'd instructed, handing me one to try. In my young mind carnations had been in the same category as jelly beans and gumdrops. Treats to enjoy. "Impatiens." I browsed the aisles of Swansons, reading signs aloud. "Marigolds." Marigolds taste a little like citrus, and you can substitute them for saffron. My mother's face swam before my eyes, imparting her kitchen wisdom to little Lolly. It's a poor woman's saffron. Also insects hate them; they're a natural bug deterrent. I placed a dozen yellow-and-orange marigolds into my cart along with a couple different varieties of lavender and some particularly gorgeous begonias I couldn't resist. I had a sudden flash of memory: my mother's hand in her floral gardening glove plucking a tuberous begonia blossom and popping it in her mouth before offering me one. I was four or five years old. It tasted crunchy and sour, a little like a lemon Sour Patch Kid. I liked the flavor and sneaked a begonia flower every time I was in the garden for the rest of the summer.

A few minutes later Elizabeth watched Lucinda emerge from the cottage with Ian, but there was no way to guess from their closed expressions what they’d discussed. In fact, the only person betraying any emotion at all was Jake Wiley as he led two horses into the yard. And his face, Elizabeth noted with confusion-which had been stormy when he went off to saddle the horses-was now wreathed in a smile of unrestrained glee. With a sweep of his arm and a bow he gestured toward a swaybacked black horse with an old sidesaddle upon its back. “Here’s your mount, ma’am,” he told Lucinda, grinning. “His name’s Attila.” Lucinda cast a disdainful eye over the beast as she transferred her umbrella to her right hand and pulled on her black gloves. “Have you nothing better?” “No, ma’am. Ian’s horse has a hurt foot.” “Oh, very well,” said Lucinda, walking briskly forward, but as she came within reach the black suddenly bared his teeth and lunged. Lucinda struck him between the ears with her umbrella without so much as a pause in her step. “Cease!” she commanded, and, ignoring the animal’s startled grunt of pain, she continued around to his other side to mount. “You brought it on yourself,” she told the horse as Jake held Attila’s head, and Ian Thornton helped her into the sidesaddle. The whites of Attila’s eyes showed as he warily watched her land in his saddle and settle herself. The moment Jake handed Lucinda the reins Attila began to leap sideways and twist around in restless annoyance. “I do not countenance ill-tempered animals,” she warned the horse in her severest tone, and when he refused to heed her and continued his threatening antics she hauled up sharply on his reins and simultaneously gave him a sharp jab in the flank with her umbrella. Attila let out a yelping complaint, broke into a quick, animated trot, and headed obediently down the drive. “If that don’t beat all!” Jake said furiously, glowering after the pair, and then at Ian. “That animal doesn’t know the meaning of the word loyalty!” Without waiting for a reply Jake swung into his saddle and cantered down the lane after them. Absolutely baffled over everyone’s behavior this morning, Elizabeth cast a puzzled, sideways glance at the silent man beside her, then gaped at him in amazement. The unpredictable man was staring after Lucinda, his hands shoved into his pockets, a cigar clamped between his white teeth, his face transformed by a sweeping grin. Drawing the obvious conclusion that these odd reactions from the men were somehow related to Lucinda’s skillful handling of an obstinate horse, Elizabeth commented, “Lucinda’s uncle raised horses, I believe.” Almost reluctantly, Ian transferred his admiring gaze from Lucinda’s rigid back to Elizabeth. His brows rose. “An amazing woman,” he stated. “Is there any situation of which she can’t take charge?” “None that I’ve ever seen,” Elizabeth said with a chuckle; then she felt self-conscious because his smile faded abruptly, and his manner became detached and cool.

from the upcoming novel, Agent White: A figure dressed all in black ran across the rooftops in the rain. A black cloak fluttered behind him as he ran two and sometimes three stories above the sidewalk where Ezra Beckitt stood. Long silver hair tied back in a ponytail flew out behind him, exposing ears that came to sharp points. His left ear was pierced with a silver ring, high up in the cartilage. Like the old man, this black figure wore a sword; but this weapon was long and thin, slightly curved. The blade stuck out behind him for three and a half feet, almost seeming to glow against the grey backdrop of the rain-soaked cityscape. Suddenly, the figure in black looked down into the street and saw Ezra there. More, he saw Ezra seeing him. Startled, he lost his sure footing and slid down the steep incline of an older building’s metal roof, the busy street below waiting to catch him in an asphalt embrace. The figure in black got his feet under himself and pushed, flying out into space above the street. For an eternity Ezra watched him, suspended in the air and the rain with his cloak spread in midnight ripples around him, and then the figure in black flipped neatly and landed on the sidewalk half a block away. The pavement cracked, pushing up in twisted humps around the figure in black’s tall leather boots. Before the sound of this impact even reached Ezra the figure was up and gone, dashing through the morning throngs waiting for buses or headed to the ‘tram station. Ezra saw a girl’s hair blow back in the wind created by his passing, but she never noticed him. A young techie blinked his 20-20’s (Ezra’s own enhanced senses picked up the augmented eyes because of a strange, silvery glow in the pupils) and turned halfway around, almost seeing him. And then the figure in black darted into an alley, gone. Ezra drew his service weapon and ran after, pushing his way through the sidewalk traffic. Turning into the alley he skidded to a stop, stunned; the figure in black was still there. The alley was just wide enough to accommodate Ezra’s shoulders- he couldn’t have held his arms out at his sides. Dumpsters spilled their trash out onto the wet pavement. The alley ended in a fire door, the back exit of a store on the next street over. Even if it was locked, Ezra didn’t think it would pose a real problem for the figure in black. No, he was waiting for him. Ezra advanced with his gun out in front of him, and his eyes locked with the figure in black’s. His were completely black- no pupils, no corneas, only solid black that held no light. The figure in black smiled, exposing teeth that looked very sharp, and laid his hand on the hilt of his sword. He wore leather gloves with the fingers cut off. His fingers were very long and very white. “Don’t even think about it,” Ezra said, clicking the safety off his weapon. “I am a Hatis City Guard, an if you move I will put you down.” This only seemed to amuse the figure in black, whose smiled widened as he drew his sword. Ezra opened fire.

Noboru managed, while following his own dreamy thoughts, to pay scrupulous attention to the details. The kitten's dead pupils were purple flecked with white; the gaping mouth was stuffed with congealed blood, the twisted tongue visible between the fangs. As the fat-yellowed scissors cut them, he heard the ribs creak. And he watched intently while the chief groped in the abdominal cavity, withdrew the small pericardium, and plucked from it the tiny oval heart. When he squeezed the heart between two fingers, the remaining blood gushed onto his rubber gloves, reddening them to the tips of the fingers. *What is really happening here?* Noboru had withstood the ordeal from beginning to end. Now his half-dazed brain envisioned the warmth of the scattered viscera and the pools of blood in the gutted belly finding wholeness and perfection in the rapture of the dead kitten's large languid soul. The liver, limp beside the corpse, became a soft peninsula the squashed heart a little sun, the reeled-out bowels a white atoll, and the blood in the belly the tepid waters of a tropical sea. Death had transfigured the kitten into a perfect, autonomous world. *I killed it all by myself* - a distant hand reached into Noboru's dream and awarded him a snow-white certificate of merit - *I can do anything, no matter how awful.* The Chief peeled off the squeaky rubber gloves and laid one beautiful white hand on Noboru's shoulder. 'You did a good job. I think we can say this finally made a real man of you - and isn't all this blood a sight for sore eyes!

Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.

Jane and Mr. Nobley entered the great hall, the ceiling dazzling with thousands of real candles that put fire into the white dresses and cravats. Five musicians were seated on a dais--a cello and two violins (or maybe a viola?), a harpsichord, and some kind of wind instrument. From keys and strings, they coaxed a grand prelude to the minuet. Jane looked at everything, smiling at the amusement park novelty of it all. She looked at Mr. Nobley. He was beaming at her. At last. “You are stunning,” he said, and every inch of him seemed to swear that it was true. “Oh,” she said. He kissed her gloved fingers. He was still smiling. There was something different about him tonight, and she couldn’t place what it was. Some new plot twist, she presumed. She was eager to roll around in all the plot she could on her last night, though once or twice her eyes strayed to spot Martin. Mr. Nobley stood opposite her in a line of ten men. She watched Amelia and Captain East perform the figures. They held each other’s gazes, they smiled with the elation of new love. All very convincing. Poor Amelia, thought Jane. It was a bit cruel, now that she thought about it, all these actors who made women fall in love with them. Amelia seemed so tenderhearted, and Miss Charming and her heaving breasts so delighted with this world. Jane caught sight of a very striking Colonel Andrews who, now that she watched him dance, might just be gay. Jane felt a thrumming of foreboding. All the ladies were so happy and open-hearted and eager to love. What would happen to them in the dregs of tomorrow?

He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.

Instead there was a rush on me of people having to have immediate action; some hand-hacked old kitchen stiff as thickened with grease as a miner or sandhog would be with clay, wanting me to go and see his boss, subito; or an Indian would bring his grievances written in a poem on a paper bag soaked with doughnut oil.[….] There were Greek and Negro chambermaids from all the hotels, porters, doormen, checkroom attendants, waitresses, specialists [….]. All kinds were coming. The humanity of the under-galleries of pipes, storage, and coal made an appearance, maintenance men, short-order grovelers; or a ducal Frenchman, in homburg, like a singer, calling himself “the beauty cook,” who wrote down on his card without taking off his gloves. And then old snowbirds and white hound-looking faces, guys with Wobbly cards from an earlier time, old Bohunk women with letters explaining what was wanted, and all varieties of assaulted kissers, infirmity, drunkenness, dazedness, innocence, limping, crawling, insanity, prejudice, and from downright leprosy the whole way again to the most vigorous straight- backed beauty. So if this collection of people has nothing in common with what would have brought up the back of a Xerxes’ army or a Constantine’s, new things have been formed; but what struck me in them was a feeling of antiquity and thick crust. But I expect happiness and gladness have always been the same, so how much variation should there be in their opposite? Dealing with them, signing them into the organization and explaining what to expect, wasn’t all generous kindness. In large part it was rough, when I wanted to get out of the way. The demand was that fierce, the idea having gotten around that it was a judgment hour, that they wanted to pull you from your clerical side of the desk to go with them.

I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!

Dearly beloved... The president’s daughter and Cameron Roberts faced each other, hands lightly clasped, eyes locked. I, Blair Allison Powell, take you, Cameron Reed Roberts, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity. A willowy blonde stepped to Blair’s side, and Blair lifted a gleaming gold band from her palm. She lifted Cam’s left hand and slid the ring securely on her third nger. With this ring, I thee wed. Cameron Roberts’s gaze never wavered from Blair’s face, her voice ringing strong and clear. I, Cameron Reed Roberts, take you, Blair Allison Powell, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity. Roberts accepted the matching ring from a young dark-haired woman who leaned on a plain wood cane, and slipped it onto Blair’s nger. With this ring, I thee wed. An anticipatory breath shuddered through the crowd. Six uniformed of cers, the Guard of Honor, stepped in sync to form a path from the proceedings area, facing one another in a line, white-gloved hands on shining saber hilts. By the power vested in me by the United States Army, the President of the United States, and the Commonwealth of... The three male and three female of cers drew their swords with a slick of steel, their blades raised and touching to form the Arch of Sabers. ...I pronounce you wed. The couple kissed, the crowd clapped...

That all you got, Bert?” said Mary Poppins, and she said it so brightly you could hardly tell she was disappointed at all. “That’s the lot,” he said. “Business is bad today. You’d think anybody’d be glad to pay to see that, wouldn’t you?” And he nodded his head at Queen Elizabeth. “Well—that’s how it is, Mary,” he sighed. “Can’t take you to tea today, I’m afraid.” Mary Poppins thought of the raspberry-jam-cakes they always had on her Day Out, and she was just going to sigh, when she saw the Match-Man’s face. So, very cleverly, she turned the sigh into a smile—a good one with both ends turned up—and said: “That’s all right, Bert. Don’t you mind. I’d much rather not go to tea. A stodgy meal, I call it—really.” And that, when you think how very much she liked raspberry-jam-cakes, was rather nice of Mary Poppins. The Match-Man apparently thought so, too, for he took her white-gloved hand in his and squeezed it hard. Then together they walked down the row of pictures. “Now, there’s one you’ve never seen before!” said the Match-Man proudly, pointing to a painting of a mountain covered with snow and its slopes simply littered with grasshoppers sitting on gigantic roses. This time Mary Poppins could indulge in a sigh without hurting his feelings. “Oh, Bert,” she said, “that’s a fair treat!” And by the way she said it she made him feel that by rights the picture should have been in the Royal Academy, which is a large room where people hang the pictures they have painted. Everybody comes to see them, and when they have looked at them for a very long time, everybody says to everybody else: “The idea—my dear!” The next picture Mary Poppins and the Match-Man came to was even better. It was the country—all trees and grass and a little bit of blue sea in the distance, and something that looked like Margate in the background. “My word!” said Mary Poppins admiringly, stooping so that she could see it better. “Why, Bert, whatever is the matter?” For the Match-Man had caught hold of her other hand now, and was looking very excited.

Everything has already been caught, until my death, in an icefloe of being: my trembling when a piece of rough trade asks me to brown him (I discover that his desire is his trembling) during a Carnival night; at twilight, the view from a sand dune of Arab warriors surrendering to French generals; the back of my hand placed on a soldier's basket, but especially the sly way in which the soldier looked at it; suddenly I see the ocean between two houses in Biarritz; I am escaping from the reformatory, taking tiny steps, frightened not at the idea of being caught but of being the prey of freedom; straddling the enormous prick of a blond legionnaire, I am carried twenty yards along the ramparts; not the handsome football player, nor his foot, nor his shoe, but the ball, then ceasing to be the ball and becoming the “kick-off,” and I cease being that to become the idea that goes from the foot to the ball; in a cell, unknown thieves call me Jean; when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind's heaven. Some negroes are giving me food on the Bordeaux docks; a distinguished poet raises my hands to his forehead; a German soldier is killed in the Russian snows and his brother writes to inform me; a boy from Toulouse helps me ransack the rooms of the commissioned and non-commissioned officers of my regiment in Brest: he dies in prison; I am talking of someone–and while doing so, the time to smell roses, to hear one evening in prison the gang bound for the penal colony singing, to fall in love with a white-gloved acrobat–dead since the beginning of time, that is, fixed, for I refuse to live for any other end than the very one which I found to contain the first misfortune: that my life must be a legend, in other words, legible, and the reading of it must give birth to a certain new emotion which I call poetry. I am no longer anything, only a pretext.

The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!

But perhaps the best and most memorable way to explain the conflict that arose between honoring traditional honor, and honoring one’s individual psyche, can be conveyed in a story from World War II. In 1943, coming off his dazzling victories in the Sicily campaign, George S. Patton stopped by a medical tent to visit with the wounded. He enjoyed these visits, and so did the soldiers and staff. He would hand out Purple Hearts, pump the men full of encouragement, and offer rousing speeches to the nurses, interns, and their patients that were so touching in nature they sometimes brought tears to many of the eyes in the room. On this particular occasion, as Patton entered the tent all the men jumped to attention except for one, Private Charles H. Kuhl, who sat slouched on a stool. Kuhl, who showed no outward injuries, was asked by Patton how he was wounded, to which the private replied, “I guess I just can’t take it.” Patton did not believe “battle fatigue” or “shell-shock” was a real condition nor an excuse to be given medical treatment, and had recently been told by one of the commanders of Kuhl’s division that, “The front lines seem to be thinning out. There seems to be a very large number of ‘malingerers’ at the hospitals, feigning illness in order to avoid combat duty.” He became livid. Patton slapped Kuhl across the face with his gloves, grabbed him by his collar, and led him outside the tent. Kicking him in the backside, Patton demanded that this “gutless bastard” not be admitted and instead be sent back to the front to fight. A week later, Patton slapped another soldier at a hospital, who, in tears, told the general he was there because of “his nerves,” and that he simply couldn’t “stand the shelling anymore.” Enraged, Patton brandished his white-handled, single-action Colt revolver and bellowed: Your nerves, Hell, you are just a goddamned coward, you yellow son of a bitch. Shut up that goddamned crying. I won’t have these brave men here who have been shot seeing a yellow bastard sitting here crying…You’re a disgrace to the Army and you’re going back to the front lines and you may get shot and killed, but you’re going to fight. If you don’t I’ll stand you up against a wall and have a firing squad kill you on purpose. In fact I ought to shoot you myself, you God-damned whimpering coward.

Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.

Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her. “How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.” “It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!” “People saw you?” “I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.” “Jenny, that is absolutely amazing!” I said. “It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?” Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .” She raised an eyebrow skeptically. “You performed . . . quite adequately,” he said, “despite expectations.” Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t. “What in heaven’s name was all that?” said Jackaby. “Exquisite frustration, I believe, sir.” “Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.” “Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.

During our early years of medical school, my classmates and I were given a course in physical diagnosis. Usually, we practiced on one another. Each of us would percuss a classmate’s chest or listen to his heart with a stethoscope. But some procedures were considered too personal to practice on a classmate. For some of these, we were assigned a “model patient”—someone from the community who was “compensated” in exchange for undergoing an examination. This was how I performed my first rectal exam. A large group of us were led into a room where our model patient was bent over an examining table with his pants around his ankles. One by one, we approached him nervously from behind, inserted a gloved, lubricated finger into his rectum, and felt around for the prostate. “Thank you,” we all said politely to the model patient as we removed our index fingers from his anus. The model patient stared straight ahead, saying nothing. What made the experience oddly disturbing was not just the forced, pseudo normality of the instruction or the fact that the exam could have been done more privately, but the instrumentality of the encounter: a pretend patient bending over naked for anonymous strangers in exchange for money. The fact that the model patient had been paid did not make his work seem any less degrading. (Tipping him would have made it even worse.)

From an early age I helped my mother clean them. We used a special cloth provided by the government, which could not be used for cleaning anything else. Even as a toddler I knew that the portraits were not like other household items. Once, when I pointed a finger at them, my mother scolded me loudly. ‘Never do that.’ Pointing, I learned, was extremely rude. If we needed to gesture towards them, we did so with the palm of the hand facing upward, with respect. ‘Like this,’ she said, showing me. They had to be the highest objects in the room and perfectly aligned. No other pictures or clutter were permitted on the same wall. Public buildings, and the homes of high-ranking cadres of the Party, were obliged to display a third portrait – of Kim Jong-suk, a heroine of the anti-Japanese resistance who died young. She was the first wife of Kim Il-sung and the sainted mother of Kim Jong-il. I thought she was very beautiful. This holy trinity we called the Three Generals of Mount Paektu. About once a month officials wearing white gloves entered every house in the block to inspect the portraits. If they reported a household for failing to clean them – we once saw them shine a flashlight at an angle to see if they could discern a single mote of dust on the glass – the family would be punished.

There are three kinds of persons who practice discrimination against Indians and other Native people. First, the politician who wants to maintain an inferior minority group so he can always promise them something. Second, the Mr. and Mrs. Jones who aren't quite sure of their social position and who are nice to you on one occasion and can't see you on others, depending on who they are with. Third, the great superman who believes in the superiority of the white race. - Elizabeth Peratrovich

purpose of the memorial was to show their devotion to those rebel vets both dead and still living and to teach their increasingly irreverent sons the true meaning of the Lost Cause. This gave them, many of whom were college graduates, a sense of purpose; they were the teachers and it was in the schoolroom and the Sunday school room that the most important work of indoctrination took place. In addition, the women’s suffrage movement was making itself felt throughout the country and the men reckoned on Lost Cause activity keeping their women safe from that. At 10 a.m. the brass band blared Dixie and a bevy of white-gloved ladies pulled the velvet cord that removed the white satin cloak from the gleaming statue. A gasp ran through the crowd. Hamilton had no public

The four lights mounted on the roof of his open cab threw harsh white light on the matted grass in front of the machine. He dropped the outriggers on both sides of the backhoe and triggered the stabilizers. They bit into the soil with a hydraulic hiss and he could feel the backhoe sit back on its haunches and settle in. He placed his gloved hands on the two tall lollypop sticks between his knees. The left stick maneuvered the hinged hydraulic arm and the right stick controlled the bucket curl. The scarred steel teeth of the bucket plunged into the soft soil and the motor strained as he lifted the first big mouthful and dumped it to the left of the backhoe. The ground was dark and moist with a few large rocks, and he should be able to dig a square pit that was fifteen feet long, twelve feet wide, and six feet deep within a couple of hours. He knew this because it wasn’t the first excavation he’d performed in the narrow valley. In fact, if one looked closely, the valley floor was riddled with them. *

Throughout the first six decades of the twentieth century, hundreds of thousands of Americans and untold numbers of others were not permitted to continue their families by reproducing. Selected because of their ancestry, national origin, race or religion, they were forcibly sterilized, wrongly committed to mental institutions where they died in great numbers, prohibited from marrying, and sometimes even unmarried by state bureaucrats. In America, this battle to wipe out whole ethnic groups was fought not by armies with guns nor by hate sects at the margins Rather, this pernicious white-gloved war was prosecuted by esteemed professors, elite universities, wealthy industrialists, and government officials colluding in a racist, pseudoscientific movement called eugenics. The purpose: create a superior Nordic race.

golf shorts (pink), white shoes (Reeboks with pink ankleless socks), a white polo with some kind of gold crest (De Tocqueville no doubt), white golf glove, and a pair of red sunglasses stuck in her hair like a country-club divorcée. She now exudes—unlike thirty years ago, when I couldn’t get enough of her—a more muscular, broader-backed, stronger-armed, fuller-breasted, wider-hipped aura of athleticized sexlessness, which is still bluntly carnal but isn’t helped by her blonded hair being cut in a tail-less ducktail a prison matron might wear, and her pale Dutch-heritage skin looking

I thought of one of these moments as I sat there waiting for the hawk to eat from my hand. It was a black-and-white photograph my father had taken many years ago of an elderly street-cleaner with a white goatee beard, wrinkled socks and down-at-heel shoes. Crumpled work trousers, work gloves, a woollen beret. The camera is low, on the pavement: Dad must have crouched in the road to take it. The man is bending down, his besom of birch twigs propped against his side. He has taken off one of his gloves, and between the thumb and first finger of his bare right hand he is offering a crumb of bread to a sparrow on the kerbstone. The sparrow is caught midhop exactly at the moment it takes the crumb from his fingers. And the expression on the man’s face is suffused with joy. He is wearing the face of an angel.

The school stank of Lysol, and several times a day they all had to line up and wash their hands. Clean hands save lives was the message being hammered into them. When it came to spreading infection, they were informed, they themselves--school kids--were the biggest culprits. Even if you weren't sick yourself, you could shed germs and make other people sick. Cole was struck by the word shed. The idea that he could shed invisible germs the way Sadie shed dog hairs was awesome to him. He pictured the germs as strands of hair with legs like centipedes, invisible but crawling everywhere. Minibottles of sanitizer were distributed for use when soap and water weren't available. Everyone was supposed to receive a new bottle each day, but the supply ran out quickly--not just at school but all over. Among teachers this actually brought relief, because the white, slightly sticky lotion was so like something else that some kids couldn't resist. Gobs started appearing on chairs, on the backs of girls' jeans, or even in their hair, and one boy caused an uproar by squirting it all over his face. Never Sneeze into Your Hand, read signs posted everywhere. And: Keep Your Hands to Yourself (these signs had actually been there before but now had a double meaning). If you had to sneeze, you should do it into a tissue. If you didn't have a tissue, you should use the crook of your arm. "But that's vomitous," squealed Norris (one of the two whispering blondes). These rules were like a lot of other school rules: nobody paid much attention to them. Some school employees started wearing rubber gloves. Cafeteria servers, who already wore gloves, started wearing surgical masks as well. Cole lost his appetite. He couldn't stop thinking about hospitals. Flesh being cut open, flesh being sewn up. How could you tell if you had the flu? The symptoms were listed on the board in every room: Fever. Aches. Chills. Dry cough. What must you do if you had these symptoms? YOU MUST STAY HOME.

At dinner the waiter wore white gloves and served a lump of burnt lamb that bounced on the plate. Spread over the restaurant wall was an immense canvas of gauchos herding cattle into an orange sunset. An old-fashioned blonde gave up on the lamb and sat painting her nails. An Indian came in drunk and drank through three jugs of wine. His eyes were glittering slits in the red leather shield of his face. The jugs were of green plastic in the shape of penguins.

White-gloved footmen would bring out marvelous dishes... platters heaped with succulent red-and-white shrimp, called pandles by locals, still smoking-hot from the gridiron... tureens of bisque sprinkled with tender shreds of Chichester lobster... Amberley trout spangled with toast almond slices, served directly from the pan onto the plates. There were endless varieties of fresh vegetables, and salads chopped as fine as confetti, and bread served with newly churned butter, and platters of local cheese and hothouse fruit for dessert.

restraining him with a pair of long black leather reins which he held in his white gloved hands. The music changed now from the brisk clacking of Spanish castanets to the dramatic strains of a classical orchestra. The horses

The United States and its Western allies needed to be taught a lesson. In Yuri’s opinion, it was about time that the president went all in against them. Time to take the gloves off.

Alora,” Phillip said, testing out the sound of her name. It gave her splinters of shivers, and twinkling specks floated in her vision. She had never drunk alcohol before, but Alora surmised that being in his presence affected her much like spirits might affect one who had imbibed too much. “Would you care to dance with me, Alora?” Phillip held out his white-gloved hand, awaiting her response. “I mustn't. Not here.” She shook her head. “Where then? Perhaps the garden? The moon is bright tonight. The perfect chaperone for a stolen moment or two.

The facial stills that Mario lap-dissolves between are of Johnny Gentle, Famous Crooner, founding standard-bearer of the seminal new ‘Clean U.S. Party,’ the strange-seeming but politically prescient annular agnation of ultra-right jingoist hunt-deer-with-automatic-weapons types and far-left macrobiotic Save-the-Ozone, -Rain-Forests, -Whales, -Spotted-Owl-and-High-pH-Waterways ponytailed granola-crunchers, a surreal union of both Rush L.– and Hillary R.C.–disillusioned fringes that drew mainstream-media guffaws at their first Convention (held in sterile venue), the seemingly LaRoucheishly marginal party whose first platform’s plank had been Let’s Shoot Our Wastes Into Space, 150 C.U.S.P. a kind of post-Perot national joke for three years, until—white-gloved finger on the pulse of an increasingly asthmatic and sunscreen-slathered and pissed-off American electorate—the C.U.S.P. suddenly swept to quadrennial victory in an angry reactionary voter-spasm that made the U.W.S.A. and LaRouchers and Libertarians chew their hands in envy as the Dems and G.O.P.s stood on either side watching dumbly, like doubles partners who each think the other’s surely got it, the two established mainstream parties split open along tired philosophical lines in a dark time when all landfills got full and all grapes were raisins and sometimes in some places the falling rain clunked instead of splatted, and also, recall, a post-Soviet and -Jihad era when—somehow even worse—there was no real Foreign Menace of any real unified potency to hate and fear, and the U.S. sort of turned on itself and its own philosophical fatigue and hideous redolent wastes with a spasm of panicked rage that in retrospect seems possible only in a time of geopolitical supremacy and consequent silence, the loss of any external Menace to hate and fear.

I do show jumping—fancy white pants and horses imported from Europe—so while I know horses, cowboys are still a new ball game for me. But goddamn. What a ballgame it is. Cade sits on a dark horse, speckled with gray—a beautiful blue roan color with black mane and tail—which perfectly matches his black cowboy hat, signature bicep-hugging black T-shirt, and black leather chaps over worn jeans. He’s seated comfortably in the saddle. Leather-gloved hands on the horn of his saddle, hip popped comfortably, with a toothpick hanging out the side of his mouth and an amused smirk on his lips. He’s so fucking hot.

Then he opens it and takes out a picture. I recognize it as the one he showed me last year on our trip back to Earth on the Indianapolis—it’s his husband, Maksim, a broad-faced, smiling guy in an SRA marine uniform, lizard-pattern camo and an undershirt with blue and white stripes. He looks at the picture for a little while and then kisses the first two fingers of his right glove and touches it gently. I feel vaguely like a voyeur watching him, but Dmitry doesn’t seem to mind. He looks over at me and holds up the picture before stowing it in his document pouch again.

She was young, not so much older than me A career girl in a little soignée suit and hosiery Just recently engaged She'd leapt from the 86th-floor observation deck of the Empire State Building and crash-bam-slammed into the roof of a shiny black Cadillac Which now gathered her into its folds It looked like somebody popped open a ring box An expression of pure bliss gleaming on her face A nun's ecstasy, her first and final orgasm A perfect ending, handed to the world in white gloves.

Classic beauty is what many strive for. But how many times have we fallen into that trap, only to be bored too soon? Unique beauty is something different, and, in many cases, imperfection is what makes it so intriguing-and infatuating.

I think some things are worth fighting for. I don't know about you, but when you've found the one, you know she's the one, and no one could replace her.

In the South, where most people in the subordinate caste were long consigned, black children and white children studied from separate sets of textbooks. In Florida, the books for black children and white children could not even be stored together. African-Americans were prohibited from using white water fountains and had to drink from horse troughs in the southern swelter before the era of separate fountains. In southern jails, the bedsheets for the black prisoners were kept separate from the bedsheets for the white prisoners. All private and public human activities were segregated from birth to death, from hospital wards to railroad platforms to ambulances, hearses, and cemeteries. In stores, black people were prohibited from trying on clothing, shoes, hats, or gloves, assuming they were permitted in the store at all. If a black person happened to die in a public hospital, “the body will be placed in a corner of the ‘dead house’ away from the white corpses,” wrote the historian Bertram Doyle in 1937.

The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.

Jessica had gone to church all her life, in her frilly pinafores and white gloves, but when she was young it was only another place she had to go. Home, school, church. She didn’t really learn what faith was until after her father died, when she stood on her toes to see what was in the rose-colored casket. She didn’t know what to expect, why she’d been so anxious to take her place in the line at the front of the church, clinging to her mother’s hand. There, inside, was the grim, washed-out face of Daddy. Daddy was going to stay in this box? And they were going to bury this box in the ground? He had to be somewhere else, like her mother kept saying. That wasn’t him at all. On that day, Heaven kept Jessica’s world from caving in. David, somehow, lived without believing in a better place. And yet he could still wake up in the morning and carry out his day and go to sleep without being frozen awake with fears of death, of darkness, of nothing. She didn’t understand how he could do that. She tried, telling herself one night This is all, there is nothing after this, but she felt swallowed by the vast barrenness. She thought of her father’s bones, crumbling to black dust inside that beautiful casket beneath the ground. Maybe David had a point. Religion was a crutch, a way people rationalized away their pain in life, like the slaves yearning for a better existence. A denial. When there is no fear of death, David had told her once, there is no need for religion.

Those who could afford the resources to maintain bourgeois styles of cleanliness flaunted it. White shirts, white dresses, and white gloves were all powerful indications of wealth in turn-of-the-twentieth-century America. They said, “I don’t have to do my own laundry,” and they said it loudly.

I held it before me and put the others away, studying the blue eyes and the young, hard, slightly sharp features beneath a mass of pure white hair. He was dressed all in black, save for a bit of white collar and sleeve showing beneath the glossy tight-fitting jacket. He held three dark steel balls in his gloved hand.

When I speak It's from the holy spirit. The truth doesn't always wear white gloves when it's prophetic

It was a slice of life Eva thought only existed in movies, this idea that everything could be so perfect—the grass, the sun, the players in their crisp white uniforms, hitting home runs over the fence and into San Francisco Bay, where a cluster of people with baseball gloves in kayaks waited to catch one of them.

The Last Labrador Duck Thirteen days to Christmas. The boy’s little sister is loudly hungry, his mother silently, bent at the apron strings. The boy goes to the river wide with ice. He slips; his father’s gun knocks his knee. The hawthorns are scratchy lines as indecipherable to him as newspapers. He stops. There’s a block of grubby snow on the sleek ice. Brown and white, a noose of black. The ice creaks as the boy creeps close. The bird doesn’t stir. Its eyes look closed. Until now, he’s never wondered if birds sleep. The bill is orange at the base, the tip black as a bruised toe. He tugs a glove off with his teeth and raises the gun. He loaded the right shot and it goes straight through. He’s saved his mother a job. The wings aren’t even unfolded. He’s never seen black feet on a duck. Before he puts his glove back on, he touches the bill; it feels so soft, as if the bird is touching him back. He swings the grub home, gavels it on the table his mother just scrubbed. She smiles and he leaves her to it. He’ll go tell Bob on Maple. At supper, it’s awful. Bitter as bark. He’d spit it out if they weren’t so hungry. He coughs, a tiny feather drowned in his throat. That makes his sister giggle. His mother and his father laugh, until a knock at the door quiets them. A man, his hair oiled flat. Not scrawny, yet he’s come for their scraps. The boy’s mother hands him the garbage pail. The man takes out the duck’s head and neck. He’s brought a newspaper to wrap the decapitation in. The man can read, the boy can tell. Labrador duck, the man reckons. That flattened, tar-dipped bill. Rare as a unicorn. Don’t worry, says the boy. It tastes revolting. I’ll leave the next one I see alone.

Dark girls, fair girls were patting their hair, tying ribbons again, tucking handkerchiefs down the fronts of their bodices, smoothing marble-white gloves. And because they were all laughing it seemed to Leila that they were all lovely.