White Fungus Quotes

We've searched our database for all the quotes and captions related to White Fungus. Here they are! All 27 of them:

You familiar with prison rules, Ali-gator?" Stupid nicknames. They were the equivalent of verbal fungus. You couldn't ever get rid of them.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Caring about him was like trying to love a tree stump - a cold, mean-spirited paternalistic tree stump. With fungus.
Cecily White (Prophecy Girl (Angel Academy, #1))
What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big chunk of desert, no more maids, no field-hands, no laborers for the construction or the mining--wait, wait a minute there, yes it's Karl Marx, that sly old racist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Markets... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and the cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets....
Thomas Pynchon (Gravity’s Rainbow)
In the beginning his flesh was simply soft, so soft that he was cut to the bone by dust particles, air currents and brushing overcoats while direct contact with doors and chairs seemed to occasion no discomfort. No wound healed in his soft, tentative flesh... Long white tendrils of fungus curled round the naked bones.
William S. Burroughs (Naked Lunch)
Men are hungry fools. If they cannot eat it, wear it, or use it, they kill it anyway. They spread like fungus through the heart of the world. Lift a rock, and there: man. But that is not quite right. At least fungus grows and feeds other life. Men only devour. Everywhere they reshape in their image. To their needs. Forests are felled for their homes. Fields are forced to bear their fruits, their grains, their decisions. A fungus only kills. Men change. Men demand order from nature. Men melt rocks and form metal, biting iron to pierce and slay. What can she do against such poison?
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
There is a plant called the ghost pipe, because it is ghostly white, almost blue. Were you to cut open this flower and study it, you'd find no chlorophyll inside. It can grow in the dark, under the cover of fallen leaves and undergrowth in forests, under soil. It doesn't need to photosynthesize, because it is a parasite. It uses fungal networks to suck energy from photosynthesizing trees. Its roots look like clusters of tiny fingers that grope toward and connect with huge white webs of fungus that in turn connect with the thick roots of trees.
Claire Kohda (Woman, Eating)
Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in a softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the blight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts. . . . No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets. . . .
Thomas Pynchon (Gravity’s Rainbow)
I hate you. You are the reason fungus exists. You are the slime that grows in swamps that even acid can’t break down—” “How long do you plan to keep this up, Rhubarb?” “Why?” “Because I was going to hail down a bottle of beer and I figured you might get thirsty having your mouth open so much.” “Make it a white wine and I’ll keep it short.” “No, you won’t, but it might slow you down. Be right back.
Dee Tenorio (A Wedding Story)
A grotesque thought struck Benji: Humankind was a disease. The earth was the body. Climate change was the fever. And in that fever, in that rising of global temperature, the earth was able to release new defenses. White Mask was not here to kill the world. It was here to kill the people—the fungus would serve as a vicious defense mechanism to eradicate the infection of humanity. This epidemic represented antibodies to restore balance to the body. Kill the parasite and save the host.
Chuck Wendig (Wanderers)
Flapping down from the pale sky, in a flock which stank of caverns and worse, came wings. Their span was greater than the spread of his arms. They were the blotchy white of decay; between their bony fingers, skin fluttered lethargically as drowned sails. All this was frightful—but there was no body to speak of between each pair of wings, only a whitish rope of flesh thin as a child’s arm. Yet as a pair of wings sailed down near him, Ryre saw a mouth gape along the whole length of the scrawny object. Its lips resembled a split in fungus, and it was crammed with teeth.
Ramsey Campbell (Far Away and Never)
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
Becky Chambers (To Be Taught, If Fortunate)
In the underland of the hardwood forests of Oregon’s Blue Mountains there exists a honey fungus, Armillaria solidipes, that is two and a half miles in extent at its widest point, and covers a total lateral area of almost four square miles. The blue whale is to this honey fungus as an ant is to us. It is a deeply mysterious organism: the largest in the world that we know of, and one of the oldest. The best guess that US Forest Service scientists have been able to offer for the honey fungus’s age is between 1,900 and 8,650 years old. The fungus expresses itself above ground as mushrooms with white-flecked stems rising to tawny, gill-frilled cups. Below ground, where its true extent lies, Armillaria solidipes moves as rhizomorphs resembling black bootlaces, out of which reach the hyphal fingers of its mycelium, spreading in search both of new hosts which they might kill, and the mycelia of other parts of the colony with which they might fuse.
Robert Macfarlane (Underland: A Deep Time Journey)
Wait until the truffles hit the dining room---absolute sex," said Scott. When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone. The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office. "In a safe? Really?" "The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials. "They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding." "You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope." "What happened to the female pigs?" Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied." I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate. Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.
Stephanie Danler (Sweetbitter)
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
When it really boils down to it, evolution is just a spore creating the fungus of progress, feeding itself on a steaming pile of excess, ever-becoming history's paradoxically both finished and unfinished product.
Mike Hilbig (Judgment Day & Other White Lies)
it was easy enough to make them doubt that masks or other prophylactic measures worked against White Mask. They were already convinced of both their exceptionalism and the God-given right of their individual liberties, so it was simple enough to tell them that they shouldn’t have to give up anything, not one goddamn little thing, in order to fight this pandemic. And white Americans were bigoted as hell, too, so all you had to tell them was that the Chinese invented the fungus, that Mexicans were bringing it in, that the Blacks were gonna steal from them when the world went to shit, and that the Jews were bankrolling the whole goddamn thing.
Chuck Wendig (Wayward (Wanderers, #2))
They already feared doctors and thought Big Pharma was out to get them—so, it was easy enough to make them doubt that masks or other prophylactic measures worked against White Mask. They were already convinced of both their exceptionalism and the God-given right of their individual liberties, so it was simple enough to tell them that they shouldn’t have to give up anything, not one goddamn little thing, in order to fight this pandemic. And white Americans were bigoted as hell, too, so all you had to tell them was that the Chinese invented the fungus, that Mexicans were bringing it in, that the Blacks were gonna steal from them when the world went to shit, and that the Jews were
Chuck Wendig (Wayward (Wanderers, #2))
What's a colony without its dusky natives? Where's the fun if they're all going to die off? Just a big hunk of desert, no more maids, no field-hands, no laborers for the construction or the mining—wait, wait a minute there, yes it's Karl Marx, that sly old raxist skipping away with his teeth together and his eyebrows up trying to make believe it's nothing but Cheap Labor and Overseas Market... Oh, no. Colonies are much, much more. Colonies are the outhouses of the European soul, where a fellow can let his pants down and relax, enjoy the smell of his own shit. Where he can fall on his slender prey roaring as loud as he feels like, and guzzle her blood with open joy. Eh? Where he can just wallow and rut and let himself go in softness, a receptive darkness of limbs, of hair as woolly as the hair on his own forbidden genitals. Where the poppy, and cannabis and coca grow full and green, and not to the colors and style of death, as do ergot and agaric, the bllight and fungus native to Europe. Christian Europe was always death, Karl, death and repression. Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts... No word ever gets back. The silences down here are vast enough to absorb all behavior, no matter how dirty, how animal it gets...
Thomas Pynchon (Gravity’s Rainbow)
The area where I sat was slick with dampness. It wasn't just that the ground was moist - all around me, it felt like it was bursting: with the leaves on the trees, the undergrowth, the countless microorganisms under the ground, the flat bugs crawling over the surface, the winged insects flitting through the air, the birds perched on branches, even the breath of the larger animals that inhabited the deep forest. I could only see a small patch of sky, the part that was left open between the treetops of the forest around me. The branches seemed like a network that in some places almost obscured the sky. Once my eyes had adjusted to the faint light, I realized that the undergrowth was alive with all manner of things. Tiny orange mushrooms. Moss. Something that looked like coarse white veins in the underside of a leaf. What must be some kind of fungus. Dead beetles. Various kinds of ants. Centipedes. Moths on the back of leaves. It seemed strange to be surrounded by so many living things. When I was in Tokyo, I couldn't help but feel like I was always alone, or occasionally in the company of Sensei. It seemed like the only living things in Tokyo were big like us. But of course, if I really paid attention, there were plenty of other living things surrounding me in the city as well. It was never just the two of us, Sensei and me. Even when we were at the bar, I tended to only take notice of Sensei. but Satoru was always there, along with the usual crowd of familiar faces. And I never really acknowledged that any of them were alive in any way. I never gave any thought to the fact that they were leading the same kind of complicated life as I was.
Hiromi Kawakami (Strange Weather in Tokyo)
The area where I sat was slick with dampness. It wasn't just that the ground was moist - all around me, it felt like it was bursting: with the leaves on the trees, the undergrowth, the countless microorganisms under the ground, the flat bugs crawling over the surface, the winged insects flitting through the air, the birds perched on branches, even the breath of the larger animals that inhabited the deep forest. I could only see a small patch of sky, the part that was left open between the treetops of the forest around me. The branches seemed like a network that in some places almost obscured the sky. Once my eyes had adjusted to the faint light, I realized that the undergrowth was alive with all manner of things. Tiny orange mushrooms. Moss. Something that looked like coarse white veins in the underside of a leaf. What must be some kind of fungus. Dead beetles. Various kinds of ants. Centipedes. Moths on the back of leaves. It seemed strange to be surrounded by so many living things. When I was in Tokyo, I couldn't help but feel like I was always alone, or occasionally in the company of Sensei. It seemed like the only living things in Tokyo were big like us. But of course, if I really paid attention, there were plenty of other living things surrounding me in the city as well. It was never just the two of us, Sensei and me. Even when we were at the bar, I tended to only take notice of Sensei. but Satoru was always there, along with the usual crowd of familiar faces. And I never really acknowledged that any of them were alive in any way. I never gave any thought to the fact that they were leading the same kind of complicated life as I was.
Hiromi Kawakami (Strange Weather in Tokyo)
How? Next time you’re in a forest, dig into the duff, and you’re bound to find white, cobwebby threads attached to roots. These are the underground parts of special fungi that deliver phosphorus to trees in return for carbon. Textbooks once described the exchange as exclusive, one tree to one fungus, until the data begged to differ. Simard’s work was among the first to prove that fungi branch out from the roots of one tree to connect dozens of trees and shrubs and herbs—not only relatives but entirely different species. [This “wood-wide web” is an underground Internet through which water, carbon, nitrogen, phosphorus, and even defense compounds are exchanged.] When a pest troubles one tree, its alarm chemicals travel via fungi to the other members of the network, giving them time to beef up their defenses. Thanks to researchers like Simard, foresters are now encouraged to leave birch and large hub trees in the forest to give seedlings a fast connection to the network.
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
The people said there might be disease in the cave," said Gabby the seagull. "They seemed really worried. They kept talking about how people can give the bats something called COVID and how bad that would be because even if the bats don’t get sick they can pass it on to other animals or right back to people later. And also they talked about a fungus and white noses and feeble bats and bats flying off-kilter and about how bat colonies around the world have been wiped out.
Scott Bischke (Bat Cave: A Fable of Epidemic Proportions (Critter Chronicles, #2))
I pointed at some bright-orange little bells that looked lethal to me. "Are they all edible?" "I would not be serving them to the guests if they weren't," he said. "These chanterelles, they have exquisite taste. These are straw mushrooms." He pointed to a cluster of thin white stalks. "These we call cèpe. These big ones are trumpet royale. And these, morels- although you must never pick these for yourself. The false morels look very similar and can be fatal. Try the chanterelles. You must cook some for your queen. She will approve." "But that thing you were going to buy. How does one cook that?" It looked like a dirty ball of earth. He rolled his eyes. "That, chérie, is worth more per gram than gold. It is a truffle. You do not have truffles?" "No." "Then let me instruct you. The truffle is a fungus that grows on the roots of certain oak trees. Under the soil, you understand. They can only be located by specially trained dogs, oh, and by pigs if they can get at them. They have a deliciously different flavor. We make the truffle oil for cooking, or we use a small amount to raise the quality of the dish.
Rhys Bowen (Above the Bay of Angels)
Nail Fungus Nail fungus is typically characterized by thickening and yellowing, and usually begins as a single spot of white or yellow under a fingernail or toenail. As the fungus spreads, your nails may begin to crumble, and pain may develop. Treat nail fungus as soon as you notice it to prevent it from becoming a serious problem. See your doctor if essential oils fail to relieve symptoms. TEA TREE TREATMENT Tea tree essential oil is a powerful antifungal agent that has the ability to kill nail fungus rapidly. Apply 1 or 2 drops of tea tree essential oil to the affected area, making sure you coat the entire nail, the surrounding skin, and the area beneath the nail’s edge. Allow the tea tree oil to penetrate, then cover it with a few drops of a carrier oil. Repeat this treatment up to 3 times a day until symptoms subside. CLOVE TREATMENT Clove essential oil is an exceptional antifungal agent. It also stops itching associated with nail fungus. Apply 1 or 2 drops of clove essential oil to the affected area, making sure that you coat the entire nail, the surrounding skin, and the area beneath the nail’s edge. Allow the essential oil to penetrate, then cover it with a few drops of carrier oil. Repeat this treatment up to 3 times a day until symptoms subside.
Althea Press (Essential Oils Natural Remedies: The Complete A-Z Reference of Essential Oils for Health and Healing)
What are the main causes of Dandruff? Dandruff, a harmless, chronic condition, occurs when the scalp is dry or oily and produces thin patches of dead skin. These little white scales dot the hair and fall like snow on the shoulders. Although harmless, dandruff can be bothersome. They often appear between the ages of 10 or 20 and affect up to 40% of people over 30. What is dandruff caused by? There are several types with different causes. What are they and how to treat them? Answers from a dermatologist. Do you feel like your scalp is literally peeling? Is dandruff strewn on your shoulders ruining your life? Although very annoying, this desquamation is generally benign. However, it happens that it really is a pathology and requires appropriate treatment. What are the different types of Dandruff? The most common dandruff is pityriasis, a condition caused by a fungus that colonizes the scalp and disrupts its cell renewal system. Indeed, the skin of the skull permanently eliminates dead cells to produce new ones (as for all skin areas). Under the effect of pityriasis, the process tends to accelerate. The dead cells clump together and accumulate in the form of scales. Result: unsightly flakes on your shoulders. Does hot water cause dandruff? The hot water allows your shampoo to remove more easily grease, dirt and dust that accumulate and dirty scalp. However, do not risk increasing the temperature too much: water that is too hot can irritate or even damage your scalp. Local infection with Staphylococcus aureus can also suggest the presence of ringworms, without this being the case. This is why it is imperative to consult a dermatologist in the event of the appearance of oily and yellowish dandruff. Psoriasis (an autoimmune disease) is the excessive activity of the body's defense systems. Psoriasis and has an exaggerated response to environmental insults. The cells of the epidermis renewing themselves in too large a quantity, they cause excessive desquamation. On the scalp, the phenomenon, therefore, manifests itself in the form of dandruff. Does food cause dandruff? The most cited link between diet and dandruff is due to the yeast Malassezia. According to one theory, since dandruff is caused by yeast, eating yeast-based foods can make it worse. Internal causes of dandruff Stress - Infection, fever - Hormonal imbalance - In women: approaching menstruation and / or heavy menstruation - Excessive sweating - Digestive assimilation problems - Overly acidifying diet EXTERNAL FACTORS - Shampoos too aggressive for the scalp. Best dandruff treatment and prevention The diagnosis of dandruff is easy to do yourself: the scalp itches, it is dry and covered with scales. Seborrheic dermatitis is accompanied by reddish skin, a few yellowish and oily scales, and patches with indefinite contours. Although often chronic, dandruff can be treated. Try a non-medicated shampoo first, massaging the scalp vigorously and rinsing it well. Frequent application of shampoo removes dander, reduces the amount of oil, and prevents the build-up of dead skin cells. If there is no improvement, special anti-dandruff shampoos can give good results. The instructions for use depend on the shampoo used. Some are to be used daily, while others are used once or twice a week. Best products to use during dandruff When choosing an over-the-counter shampoo, look for anti-dandruff agents such as onion and caffeine. You may need Onion Caffeine Shampoo & Conditioner to help control dandruff, and try reducing the number of products you put in your hair (e.g., gels and sprays), or stop using them altogether and eat a balanced diet.
Good Hair
if there’s mold or fungus. I played The Last of Us; no one should breathe that shite in.
Kiersten White (Lucy Undying: A Dracula Novel)