Scoring Good Marks Quotes

You could see the signs of female aging as diseased, especially if you had a vested interest in making women too see them your way. Or you could see that a woman is healthy if she lives to grow old; as she thrives, she reacts and speaks and shows emotion, and grows into her face. Lines trace her thought and radiate from the corners of her eyes as she smiles. You could call the lines a network of 'serious lesions' or you could see that in a precise calligraphy, thought has etched marks of concentration between her brows, and drawn across her forehead the horizontal creases of surprise, delight, compassion and good talk. A lifetime of kissing, of speaking and weeping, shows expressively around a mouth scored like a leaf in motion. The skin loosens on her face and throat, giving her features a setting of sensual dignity; her features grow stronger as she does. She has looked around in her life and it shows. When gray and white reflect in her hair, you could call it a dirty secret or you could call it silver or moonlight. Her body fills into itself, taking on gravity like a bather breasting water, growing generous with the rest of her. The darkening under her eyes, the weight of her lids, their minute cross-hatching, reveal that what she has been part of has left in her its complexity and richness. She is darker, stronger, looser, tougher, sexier. The maturing of a woman who has continued to grow is a beautiful thing to behold.

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms: * Avoid run-on sentences they are hard to read. * Don't use no double negatives. * Use the semicolon properly, always use it where it is appropriate; and never where it isn't. * Reserve the apostrophe for it's proper use and omit it when its not needed. * Do not put statements in the negative form. * Verbs has to agree with their subjects. * No sentence fragments. * Proofread carefully to see if you any words out. * Avoid commas, that are not necessary. * If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. * A writer must not shift your point of view. * Eschew dialect, irregardless. * And don't start a sentence with a conjunction. * Don't overuse exclamation marks!!! * Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents. * Writers should always hyphenate between syllables and avoid un-necessary hyph-ens. * Write all adverbial forms correct. * Don't use contractions in formal writing. * Writing carefully, dangling participles must be avoided. * It is incumbent on us to avoid archaisms. * If any word is improper at the end of a sentence, a linking verb is. * Steer clear of incorrect forms of verbs that have snuck in the language. * Take the bull by the hand and avoid mixed metaphors. * Avoid trendy locutions that sound flaky. * Never, ever use repetitive redundancies. * Everyone should be careful to use a singular pronoun with singular nouns in their writing. * If I've told you once, I've told you a thousand times, resist hyperbole. * Also, avoid awkward or affected alliteration. * Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death. * Always pick on the correct idiom. * "Avoid overuse of 'quotation "marks."'" * The adverb always follows the verb. * Last but not least, avoid cliches like the plague; seek viable alternatives." (New York Times, November 4, 1979; later also published in book form)

Schoolmastering kept me busy by day and part of each night. I was an assistant housemaster, with a fine big room under the eaves of the main building, and a wretched kennel of a bedroom, and rights in a bathroom used by two or three other resident masters. I taught all day, but my wooden leg mercifully spared me from the nuisance of having to supervise sports after school. There were exercises to mark every night, but I soon gained a professional attitude towards these woeful explorations of the caves of ignorance and did not let them depress me. I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.

Not in the mood for pasta?” He narrowed those bold blue eyes to give her a critical study. “You must’ve hit your head harder than we thought.” “I was going to do it—get dinner, I mean. One of the fancy things you like, because—Hell.” She gave up, hurried to him to wrap her arms around him. “I’m sorry. I’m sorry. I was so pissed off at what happened, at myself, I didn’t think.” He stroked a hand down her hair first, then gave the choppy ends a quick tug. “I’m not angry with you.” “I know. You could be, but you’re not. So I have to be even sorrier.” “Your logic is fascinating, and elusive.” “I can’t pay you back with sex or salt-crusted sea bass or whatever because you’re too busy taking care of me. So now I’ve got this black mark in my column against the bright shiny star in yours, and—” He tipped her head up. “Are we keeping score?” “No. Maybe. Shit.” “How am I doing?” “Undisputed champ.” “Good. I like to win.” He brushed her bangs back to study the injury himself. “You’ll do. Let’s eat.

Should I come in early tomorrow?” I asked. Steven bumped shoulders with Mark. “You must’ve done something good in a past life to score this one.” “I think putting up with you in this life qualifies,” Mark said dryly. “Hey,” Steven protested , “I’m housebroken. I put the toilet seat down.” Mark shot me an exasperated look that was warm with affection for his partner. “And that’s helpful how?” Day, Sylvia (2012-05-24). Bared to You (Crossfire, Book 1) (p. 24). Penguin Publishing Group. Kindle Edition.

I’m sorry. I’m sorry. I was so pissed off at what happened, at myself, I didn’t think.” He stroked a hand down her hair first, then gave the choppy ends a quick tug. “I’m not angry with you.” “I know. You could be, but you’re not. So I have to be even sorrier.” “Your logic is fascinating, and elusive.” “I can’t pay you back with sex or salt-crusted sea bass or whatever because you’re too busy taking care of me. So now I’ve got this black mark in my column against the bright shiny star in yours, and—” He tipped her head up. “Are we keeping score?” “No. Maybe. Shit.” “How am I doing?” “Undisputed champ.” “Good. I like to win.” He brushed her bangs back to study the injury himself. “You’ll do. Let’s eat.

I haven't felt that good since Archie Gemmill scored against Holland in 1978" -Mark Renton

Oh, it is true enough. I may as well be hung for a sheep as a lamb (an old country saying, not of much account, but it will do for a rough soldier), and so I will speak my mind, regardless of your pleasure, and without hoping or intending to get your pardon. Why, Miss Everdene, it is in this manner that your good looks may do more harm than good in the world." The sergeant looked down the mead in critical abstraction. "Probably some one man on an average falls in love with each ordinary woman. She can marry him: he is content, and leads a useful life. Such women as you a hundred men always covet—your eyes will bewitch scores on scores into an unavailing fancy for you—you can only marry one of that many. Out of these say twenty will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in he world, because they have no ambition apart from their attachment to you; twenty more—the susceptible person myself possibly among them—will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race.

It turned out that the introverts who were especially good at acting like extroverts tended to score high for a trait that psychologists call “self-monitoring.” Self-monitors are highly skilled at modifying their behavior to the social demands of a situation. They look for cues to tell them how to act. When in Rome, they do as the Romans do, according to the psychologist Mark Snyder, author of Public Appearances, Private Realities, and creator of the Self-Monitoring Scale.

Oh well,' said Jack: and then, 'Did you ever meet Bach?' 'Which Bach?' 'London Bach.' 'Not I.' 'I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.' 'Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.' 'And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.' 'A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?' 'I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.

You know, you spend your childhood watching TV, assuming that at some point in the future everything you see there will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg — that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'. Now, with every day that passes, another door seems to close, the one marked PROFESSIONAL STUNTMAN, or FIGHT EVIL ROBOT, until as the weeks go by and the doors — GET BITTEN BY SNAKE, SAVE WORLD FROM ASTEROID, DISMANTLE BOMB WITH SECONDS TO SPARE — keep closing, you begin to hear the sound as a good thing, and start closing some yourself, even ones that didn't necessarily need to be closed.

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

They made it to Cyra’s room. She dropped Akos at the edge of her bed, then stormed around the room, gathering towels, ice, painkiller. Frantically, tears running down her face. The room still smelled malty from the potion he’d brewed earlier. “Cyra. Did she tell him anything?” “No. She’s a good liar,” she replied as she fought to uncork the vial of painkiller with trembling hands. “You’ll never be safe again. You know that? Neither of us will.” She got the stopper out, and touched it to his mouth, though he could easily have grabbed it himself. He didn’t point that out, just parted his lips to swallow it. “I was never safe. You were never safe.” He didn’t understand why she was so rattled. It wasn’t like Ryzek doing something terrible was a new thing. “I don’t understand why he made a point to use me--” Her legs brushed his as she came to stand between his knees. They were almost the same height this way, with him perched on her high bed. And she was close, like she sometimes was when they fought, laughing in his face because she’d knocked him down, but that was different. Completely different. She wasn’t laughing. She smelled familiar, like the herbs she burned to clear the room of food smells, like the spray she used in her hair to smooth its tangles. She brought a hand to his shoulder, than trailed trembling fingers along his collarbone, down his sternum. Pressed a gentle hand to his chest. Didn’t look at his face. “You,” she whispered, “are the only person he could possibly hold over me now.” She touched his chin to steady it as she kissed him. Her mouth was warm, and wet with tears. Her teeth scored his bottom lip as she pulled away. Akos didn’t breathe. He wasn’t sure he could remember how. “Don’t worry,” she said softly. “I won’t do that again.” She backed away, and shut herself in the bathroom.

In a section titled “Performance Factors,” Clint had been asked to indicate areas in which I’d exhibited significant strengths, as well as any areas needing development. There were only two areas in which he felt I needed development—organization (probably because he’d ridden in my car) and working more closely with third parties—but he had indicated six major strengths. The first three were creativity, achievement of objectives, and quality of work. No surprises there. The next three strengths—adaptability, communication, and autonomy—seemed a bit ironic. I scrolled down and saw my overall score: Very Good. By definition, this score meant that I had “exceeded objectives in several areas and required only occasional supervision.” I didn’t appreciate the real irony of Clint’s assessment until I looked at my stakeholder map and considered how I might have scored had Kristen conducted a similar evaluation at home. What score would I have received for adaptability? The review form defined this as “being open to change with new circumstances.” Going with the flow. We had just begun to work on my openness to change at home, and I was still learning how to adjust to this new mind-set. Meanwhile, at work, I presented myself as nothing if not adaptable. “Sure, I’ll take a new position on the marketing team.” “Of course I can stay until midnight tonight. Whatever it takes.” “Certainly, Clint, I’ll travel to customers every week. Anything else?” At home, Kristen asked me to help fold laundry and my head almost exploded. I guessed that I would receive Needs Development for that one. How about autonomy and initiative? Clint seemed to think that I was bursting with it, but Kristen would have offered a different opinion. “Initiative? Please. How is me having to remind you to turn off the television and play with the kids initiative? I’ll put you down for a Needs Development,” I imagined her saying. Achievement of objectives would have gotten me a high mark with Kristen, until I scrolled down farther and read the definition, which included the phrase “gets things done efficiently and in a timely manner.” I thought of the Christmas decorations drooping from our eaves. I thought of the countless times Kristen and I had been late for an engagement and she’d found me standing in my boxers in front of the mirror making faces.

We see this even more in Seven Brides For Seven Brothers (1954), with Mercer again at MGM, collaborating with composer Gene De Paul. This one has a real Broadway score, every number embedded in the characters’ attitudes. Ragged, bearded, buckskinned Howard Keel has come to town to take a wife, and a local belle addresses him as “Backwoodsman”: it’s the film’s central image, of rough men who must learn to be civilized in the company of women. The entire score has that flavor—western again, rustic, primitive, lusty. “Bless Yore Beautiful Hide,” treating Keel’s tour of the Oregon town where he seeks his bride, sounds like something Pecos Bill wrote with Calamity Jane. When the song sheet came out, the tune was marked “Lazily”—but that isn’t how Keel sings it. He’s on the hunt and he wants results, and, right in the middle of the number, he spots Jane Powell chopping wood and realizes that he has found his mate. But he hasn’t, not yet. True, she goes with him, looking forward to love and marriage. But her number, “Wonderful, Wonderful Day,” warns us that she is of a different temperament than he: romantic, vulnerable, poetic. They don’t suit each other, especially when he incites his six brothers to snatch their intended mates. Not court them: kidnap them. “Sobbin’ Women” (a pun on the Sabine Women of the ancient Roman legend, which the film retells, via a story by Stephen Vincent Benét) is the number outlining the plan, in more of Keel’s demanding musical tone. But the six “brides” are horrified. Their number, in Powell’s pacifying tone, is “June Bride,” and the brothers in turn offer “Lament” (usually called “Lonesome Polecat”), which reveals that they, too, have feelings. That—and the promise of good behavior—shows that they at last deserve their partners, whereupon each brother duets with each bride, in “Spring, Spring, Spring.” And we note that this number completes the boys’ surrender, in music that gives rather than takes. Isn’t

At a certain price point, one is paying not so much for the actual quality of the wine as “the scarcity, the story behind it, the critical scores,” Mark Oldman, author of How to Drink Like a Billionaire, explained to Forbes. “Or, it could simply be priced higher so we value it more—the luxury good effect.

Finding the Competitive Levers When there’s a battle between two networks, there are competitive levers that shift users from one into the other—what are they? The best place to focus in the rideshare market was the hard side of the network: drivers. More drivers meant that prices would be lower, attracting valuable high-frequency riders that often comparison shop for fares. Attract more riders, and it more efficiently fills the time of drivers, and vice versa. There was a double benefit to moving drivers from a competitor’s network to yours—it would push their network into surging prices while yours would lower in price. Uber’s competitive levers would combine financial incentives—paying up for more sign-ups, more hours—with product improvements to improve Acquisition, Engagement, and Economic forces. Drawing in more drivers through product improvements is straightforward—the better the experience of picking up riders and routing the car to their destination, the more the app would be used. Building a better product is one of the classic levers in the tech industry, but Uber focused much of its effort on targeted bonuses for drivers. Why bonuses? Because for drivers, that was their primary motivation for using the app, and improving their earnings would make them sticky. But these bonuses weren’t just any bonuses—they were targeted at quickly flipping over the most valuable drivers in the networks of Uber’s rivals, targeting so-called dual apping drivers that were active on multiple networks. They were given large, special bonuses that compelled them to stick to Uber, and every hour they drove was an hour that the other networks couldn’t utilize. There was a sophisticated effort to tag drivers as dual appers. Some of these efforts were just manual—Uber employees who took trips would just ask if the drivers drove for other services, and they could mark them manually in a special UI within the app. There were also behavioral signals when drivers were running two apps—they would often pause their Uber session for a few minutes while they drove for another company, then unpause it. On Android, there were direct APIs that could tell if someone was running Uber and Lyft at the same time. Eventually a large number of these signals were fed into a machine learning model where each driver would receive a score based on how likely they were to be a dual apper. It didn’t have to be perfect, just good enough to aid the targeting.

I haven't felt this good since Archie Gimmel scored against Holland in 1978

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Nice job, Marcus,” the bouncer said as he looked me over, checked my ID, and looked me over again. “Not even legal.” He held up his fist, and Mark bumped it. “Score.

Read all of this story because it is unbelievable Even I am still in shock writing this story. So 2 years ago, I made a joke to my bestie at that time. I was single and wasn’t in any relationship Firstly, I would like to thank Rhonda Byrne and the entire team of The Secret for the knowledge, hope, and happiness they have given to everyone who has ‘asked.’ My story is not about This guy that I really like and who likes me as well had told me two weeks ago that he was going to take me on a flashy and special date once he got to know me more. Since then, we were not really talking like we used to, and I 수원오피 didn’t understand why because we had had an incredible time together the last time we hung out, and he treated me like a gentleman does and kept telling me he really likes me. Anyway, I kept the faith that everything would work perfectly and the end result would be us together. Every day, I started visualizing us on faith and 수원출장샵 visualized us on a date yesterday, but it still did not happen. So, I decided to just let it go, put him to the side, and just focus on visualizing myself being in a romantic and perfect relationship with my perfect partner. Then, this morning, I asked well, you won’t believe what happened In the middle of my nail painting session, my phone rang, and guess who was calling ?? The guy that I liked I could not believe it. I was very happy Long story short: we had a great conversation, then he drove here, picked me up, and took me to his friend’s mansion party, where he introduced me to all his friends, treated me like his girlfriend, and was by my side the entire night. This girl at the party asked me how long we had been together, and one of his friends asked a similar question. This made me thought I might be a heartbreaker. We had a genuine conversation, and I told him I really liked him. After 수원오피 that, we went back to his house and spent a lovely night together. I fell asleep on his chest, and he romantically wrapped his hand around mine. In the morning, I cooked him breakfast, and he loved it. That made me so happy. He treated me so romantically, and this was by far the best weekend I’ve ever had in my life. Even though we didn’t go on a date, I’m still very grateful because what happened is way better than what I had wished for. I am very happy and grateful. I can’t wait to come back here and post the story about us finally being in a romantic and serious relationship together because we will. He is the guy I used ‘The Magic‘ for to attract to me, and he has exactly all the qualities I asked for. That week, My heart jumped when he uttered those words. I was beyond happy. Then, after the restaurant, he gave me the best kiss ever. I was truly happy, and my 수원op heart was filled remembering. ‘The Magic’ worked in every way, and I got everything I wanted. I am beyond happy, joyful, and grateful. Thank you, thank you, thank you Thank you so very much to God, to Rhonda Byrne, and to The Secret team. Thank you so very much to everyone out there who posts their inspiring stories on this website. During my 10th standard, I was faced with the challenge of scoring good marks in my board examinations. Although I 수원op was not exceptional in my studies, I was determined to achieve good results. 수원출장샵 I worked hard and put in a lot of effort, which paid off in the end. I managed to score good marks, which surprised everyone around me.

But when we retrace the addict's steps, it is clear that the trajectory leading to compulsive use was marked by scores of small, deliberate choices, made many times a day; whom to spend time with, which neighborhoods to visit, whether to allow himself to become bored. With each decision he made himself more vulnerable to continued use. These small decisions, then, are critical to becoming an addict - but the good news is that they are also critical to recovery. Which is why recovery programs universally stress the importance of learning to make safer choices, called 'relapse prevention' therapy.