White Bed Linen Quotes

I have seldom met an individual of literary tastes or propensities in whom the writing of love was not directly attributable to the love of writing. A person of this sort falls terribly in love, but in the end it turns out that he is more bemused by a sheet of white paper than a sheet of white bed linen. He would rather leap into print with his lady than leap into bed with her. (This first pleases the lady and then annoys her. She wants him to do both, and with virtually the same impulse.)

By the washing line, the crisp white bed linen in her hand, Ellen tilted her face up to the sun, drinking it in. Grace stared at her and smiled; moments like this, with Ellen – mundane as they were – were her favourite.

Her smile held–held and yet changed, the way freshness depart white linens once you unfold them and put them on the table or bed. Still clean, bright, but something departed.

Catherine's face was peaceful, her lips slightly parted. Curled among the white bed linens, a glimpse of her pink shoulder visible, that golden hair streaming everywhere, she looked like a confection placed amid swirls of whipped cream.

With deliberate titillating accuracy, she crawls up onto the luxurious white linen bed...

Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.

Anna’s attention was focused on a single patient. Ariadne Bridgestock lay quietly against the white pillows. Her eyes were shut, and her rich brown skin was ashen, stretching tightly over the branching black veins beneath her skin. Anna slipped in between the screens surrounding Ariadne’s cot, and Cordelia followed, feeling slightly awkward. Was she intruding? But Anna looked up, as if to assure herself that Cordelia was there, before she knelt down at the side of Ariadne’s bed, laying her walking stick on the floor. Anna’s bowed shoulders looked strangely vulnerable. One of her hands dangled at her side: she reached out the other, fingers moving slowly across the white linen sheets, until she was almost touching Ariadne’s hand. She did not take it. At the last moment, Anna’s fingers curled and dropped to rest, beside Ariadne but not quite touching. In a low and steady voice, Anna said, “Ariadne. When you wake up—and you will wake up—I want you to remember this. It was never a sign of your worth that Charles Fairchild wanted to marry you. It is a measure of his lack of worth that he chose to break it off in such a manner.” “He broke it off?” Cordelia whispered. She was stunned. The breaking off of a promised engagement was a serious matter, undertaken usually only when one of the parties in question had committed some kind of serious crime or been caught in an affair. For Charles to break his promise to Ariadne while she lay unconscious was appalling. People would assume he had found out something dreadful about Ariadne. When she awoke, she might be ruined. Anna did not reply to Cordelia. She only raised her head and looked at Ariadne’s face, a long look like a touch. “Please don’t die,” she said, in a low voice, and rose to her feet. Catching up her walking stick, she strode from the infirmary, leaving Cordelia staring after her in surprise.

On June 21, AIDS patients at George Washington University Hospital opened their eyes to see a woman in a white linen gown moving among them. She wore no mask or gloves and was not afraid to approach their beds and ask the young men about their illness. Mother Teresa came to visit the AIDS patients directly from the White House, where President Reagan, who had yet to acknowledge the disease, had awarded her the Medal of Freedom.

I took a step toward her, but she turned from me and stomped back to her car. I watched her drive off. After a moment, I walked up the limestone steps and through the phantom oak-and-glass front doors of the house where I grew up. I paced the hall, entered the long rectangle of dining room, rested a hand on the carved cherrywood mantel, then passed into the kitchen. The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother's cards on the table. I could see from the house of my dark mind the alley, from the alley the street leading to the end of town, its farthest boundary the lucid silence of the dead. Between the graves my path, and along that path her back door, her face, her timeless bed, and the lost architecture of her bones. I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.

Her newly revealed skin was white and luminous, her body tender and abundantly curved... He closed his eyes briefly, striving to subdue this violent passion. When he opened them again, Vivien had moved away from him and hastily climbed into bed, pulling the linens over her nakedness. Her bashfulness was so genuine, so... well, virginal, that he wondered if this was what she had been like long ago, before embarking on her career as a courtesan. "Don't cover yourself," he murmured. "Your body is too beautiful to be concealed." The bedsheets did not lower an in inch. "I'm cold," she said breathlessly, her cheeks flushed. "I'll warm you," he promised with a quick grin, stripping off his coat.

Ant then, opening her eyes, how fresh like frilled linen clean from a laundry, laid in wicker trays the roses looked; and dark and prim the red carnations, holding their heads up; and all the sweet peas spreading in their bowls, tinged violet, snow white, pale - as if it were the evening and girls in muslin frocks came out to pick sweet peas and roses after the superb summer's day, with its almost blue-black sky, its delphiniums, its carnations, its arum lilies was over; and it was the moment between six and seven when every flower - roses, carnations, irises, lilac - glows; white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961

There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.

Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.

Mrs. Barnstable took her to a beautiful room with windows overlooking the gardens. “This is yours,” the housekeeper said. “No one has occupied it before.” The bed was made of light blue upholstered panels, the bedclothes of white linen. There was a graceful lady’s writing desk in the corner, and a satin maple wardrobe with a looking glass set in the door. “Mr. Merripen personally selected the wallpaper,” Mrs. Barnstable said. “He nearly drove the interior architect mad with his insistence on seeing hundreds of samples until he found this pattern.” The wallpaper was white, with a delicate pattern of flowering branches. And at sparse intervals, there was the motif of a little robin perched on one of the twigs. Slowly Win went to one of the walls and touched one of the birds with her fingertips. Her vision blurred. During her long recuperation from the scarlet fever, when she had grown tired of holding a book in her hands and no one had been available to read to her, she had stared out the window at a robin’s nest in a nearby maple tree. She had watched the fledglings hatch from their blue eggs, their bodies pink and veined and fuzzy. She had watched their feathers grow in, and she had watched the mother robin working to fill their ravenous beaks. And Win had watched as, one by one, they had flown from the nest while she remained in bed. Merripen, despite his fear of heights, had often climbed a ladder to wash the second-floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her. “You’re fond of birds, Miss Hathaway?” the housekeeper asked. Win nodded without looking around, afraid that her face was red with unexpressed emotion. “Robins especially,” she half-whispered.

When Evie awakened alone in the large bed, the first thing she beheld was a scattering of pale pink splashes over the snowy white linens, as if someone had spilled blush-colored wine in bed. Blinking sleepily, she propped herself up on one elbow and touched one of the pink dabs with a single fingertip. It was a creamy pink rose petal, pulled free of a blossom and gently dropped to the sheet. Gazing around her, she discovered that rose petals had been sprinkled over her in a light rain. A smile curved her lips, and she lay back into the fragrant bed. The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. "We made up a list of potential suitors and wrote it on our empty dance cards," Evie had told him. "Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind." Sebastian had laughed huskily, tangling his bare legs intimately with hers. "I was waiting for you to ask me." "You never spared me a glance," Evie had replied wryly. "You weren't the sort of man to dance with wallflowers." Sebastian had smoothed her hair, and was silent for a moment. "No, I wasn't," he had admitted. "I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you'd never have escaped me." He had proceeded to seduce her as if she were still a virginal wallflower, coaxing her to let him make love to her by slow degrees, until he was finally sheathed in her trembling body.

He had moved closer to the fire and was turning his laced sleeves back when he saw her. Her red hair was a blaze across the white ermine lap throw in which she was wrapped. She was sound asleep, lying on the settee, and he could see the pinched white misery of her face, the paleness of her lips, the faint spattering of freckles against her skin. He wondered if he could redden those lips. Would she pay the logical price for rescue? She was in his house, in his power, and if she were even the slightest bit knowledgeable about the way the world worked, she'd know what was expected of her. She was probably lying naked beneath that soft white fur, expecting him. A sudden rush of desire washed over him, and he examined it, surprised. It had been a very long time since the thought of a soft, sweet body had aroused his interest, not to mention another, more demanding part of him. But Emma Brown, with her murderous ways, her soft, shy mouth, and her astonishing bravery, had done just that. He moved to stand over her. He considered unfastening his breeches and taking her there on the sofa. After all, she must be a doxy, despite that innocence. No one could look as she did, find herself in the situations she did untouched, and remain untouched. He reached out a hand, tugging the fur down, hoping to see exposed skin. Instead he saw that miserable gray serge that he'd wanted to rip off her when he'd unfastened it earlier. She wasn't made for gray serge. She was made for silks and satins and furs. And the pristine whiteness of bed linen and smooth skin. "What are you doing?" His damnable guest, Nathaniel, appeared in the doorway, his brown hair ruffled from sleep, a glowering expression on his face. "Admiring Miss Brown," Killoran said lazily, turning his gaze back to the sleeping woman.

But apparently it was the bed linen that changed her mind. Cool blue silk and cotton patchwork. When Dad laid the stitched pillowcase and duvet out for her on the sofa, the colours reminded her of something she’d never seen. She said to us, “Imagine everyone in the house—even people we don’t know—all wrapped up safe in blue, like fishes. What fun . . .

She remembered sitting on the edge of a white-sheeted bed, the muscles in her arms drawn taut as she gripped the linen and tried to contain her screams of pain, her teeth feeling like they’d crack from being clenched so hard, watching the seconds slowly drip off the clock.

Was that what this evening’s hubbub was about? Get the Verdantian woman, DeAlbero? Curious that he left you behind.” Narr walked up and stroked her cheek. “I wager that was unplanned. He seemed...enamored.” Steffania gathered the saliva in her mouth and spat in his face. Her head rang from his return blow. Her eyes streamed involuntary tears. The bastard had held nothing back. Narr pulled a pocket linen from the inside of his jacket and with icy composure, wiped his face. “Strip her. Put her in a bed.” He turned to the white-coated man at his side. “Nissler, I want her wiped. Don’t bother with the niceties – just leave her alive enough to know fear when I fuck her.” In

He felt Quirrell’s arm wrenched from his grasp, knew all was lost, and fell into blackness, down . . . down . . . down . . . Something gold was glinting just above him. The Snitch! He tried to catch it, but his arms were too heavy. He blinked. It wasn’t the Snitch at all. It was a pair of glasses. How strange. He blinked again. The smiling face of Albus Dumbledore swam into view above him. “Good afternoon, Harry,” said Dumbledore. Harry stared at him. Then he remembered: “Sir! The Stone! It was Quirrell! He’s got the Stone! Sir, quick —” “Calm yourself, dear boy, you are a little behind the times,” said Dumbledore. “Quirrell does not have the Stone.” “Then who does? Sir, I —” “Harry, please relax, or Madam Pomfrey will have me thrown out.” Harry swallowed and looked around him. He realized he must be in the hospital wing. He was lying in a bed with white linen sheets, and

My favorite was the one of her on horseback, dressed in armor, her hair streaming behind her. She held the reins in one hand and a spear in the other, and her mouth was open, urging all the troops behind her onward into battle. Both of the horse’s front legs were drawn up, as though about to rear, his eyes rolling back in his head. I got shivers whenever I looked at it. My least favorite was the one of Joan burning at the stake. The flames were made of these long shards of red and orange glass, and there were coils of smoke in black iron tracery all around her. But Joan looked different in that panel—her mouth closed, her hands bound before her, and her eyes looking up at heaven in this beatific way. Instead of her armor she was dressed in a white linen shift with a bow at the neck, like what a little girl would wear to bed. A crowd of people milled around her, their hands clasped in prayer, looking on with these fake sorrowful faces, as if they really wished they could do something but couldn’t be bothered. But Joan didn’t seem to mind. Her face was smooth and passive. It pissed me off. I hated seeing Joan look okay with being burned alive.

There are men in frock coats and top hats with the blood of the world on their hands, and they eat with silver forks and white napkins every day, and they will give up their last breath in a linen-made bed whilst the ones they sent out to die lie forgotten in the earth, mouldering bones with the poppies fat and red above ’em. Ah, mankind.

Dear Prudence, I’m sitting in this dusty tent, trying to think of something eloquent to write. I’m at wit’s end. You deserve beautiful words, but all I have left are these: I think of you constantly. I think of this letter in your hand and the scent of perfume on your wrist. I want silence and clear air, and a bed with a soft white pillow… Beatrix felt her eyebrows lifting, and a quick rise of heat beneath the high collar of her dress. She paused and glanced at Prudence. “You find this boring?” she asked mildly, while her blush spread like spilled wine on linen. “The beginning is the only good part,” Prudence said. “Go on.” …Two days ago in our march down the coast to Sebastopol, we fought the Russians at the Alma River. I’m told it was a victory for our side. It doesn’t feel like one. We’ve lost at least two thirds of our regiment’s officers, and a quarter of the noncommissioned men. Yesterday we dug graves. They call the final tally of dead and wounded the “butcher’s bill.” Three hundred and sixty British dead so far, and more as soldiers succumb to their wounds. One of the fallen, Captain Brighton, brought a rough terrier named Albert, who is undoubtedly the most badly behaved canine in existence. After Brighton was lowered into the ground, the dog sat by his grave and whined for hours, and tried to bite anyone who came near. I made the mistake of offering him a portion of a biscuit, and now the benighted creature follows me everywhere. At this moment he is sitting in my tent, staring at me with half-crazed eyes. The whining rarely stops. Whenever I get near, he tries to sink his teeth into my arm. I want to shoot him, but I’m too tired of killing. Families are grieving for the lives I’ve taken. Sons, brothers, fathers. I’ve earned a place in hell for the things I’ve done, and the war’s barely started. I’m changing, and not for the better. The man you knew is gone for good, and I fear you may not like his replacement nearly so well. The smell of death, Pru…it’s everywhere. The battlefield is strewn with pieces of bodies, clothes, soles of boots. Imagine an explosion that could tear the soles from your shoes. They say that after a battle, wildflowers are more abundant the next season--the ground is so churned and torn, it gives the new seeds room to take root. I want to grieve, but there is no place for it. No time. I have to put the feelings away somewhere. Is there still some peaceful place in the world? Please write to me. Tell me about some bit of needlework you’re working on, or your favorite song. Is it raining in Stony Cross? Have the leaves begun to change color? Yours, Christopher Phelan

Opening her eyes, Eva placed her palm in the center of William's chest. "You're next." With her wee push, he obliged her and sat on the edge of the bed. Kneeling, she untied his shoes and removed his hose. When she stood, William had already untied the lace of the arming doublet he wore atop his shirt. Eva held up her finger. "Tsk, tsk. You don't want to spoil my fun do you?" He shrugged out of the doublet with a look of defiance. "It canna hurt to help a bit." "Come here." She pulled him up by the cord of his chausses. Fingers working quickly, she untied them and his braies, and let them drop to the floor. Then, with a sultry giggle, she slowly tugged the tie on his linen shirt, staring at his eyes while she tortured him, pulling oh so very slowly. "This bit of linen is all that's left between us, William." He growled though straight white teeth. "And it will be torn to shreds if ye dunna haste to rip it from my torrid flesh.

By that time Mother was almost asleep from the accumulated tiredness after all the work that had gone into preparing the holiday and the hour was late. However, by the time he arrived, everything went into motion. He sat on a "hesse bed" - three chairs along which was spread a feather bed. Father put on a white "kittel" - a wide, white linen garment with wide sleeves and he began to read the Haggadah, the story of the Exodus. I, as the youngest child, enjoyed the privilege of sitting next to him and I asked the four questions.

Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. "What is that?" she murmured, drawing in the fragrance. "Cinnamon and wine..." Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. "Go and find out," he said. Curiously Lillian went to investigate. Taking hold of the cover's handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. "Since I couldn't obtain a pear from a bottle for you," came Marcus's voice from behind her, "this was the next best alternative." Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat.

Champagne mixes with salt. Rain mixes with sea. Am I dead myself? How long have I been here and gone at once? I feel something inside my heart, something that reminds me of someone I used to know, long ago, in a city no one remembers but me. I feel old things running around this place, like we’re in the center of the smoke of a burning book of wonders, as though all the pages have gotten stuck together and now it’s a world of everything at once, a pitcher of water in my hands, a stand of trees somewhere in the middle of a desert, a bed of white linen sheets, above me the moon crescented, stars I don’t know, wine in a cup, smooth wet sand around me packed down, a cave, a tomb, a room, a rock rolling across the entrance, a stick made of old wood. And here, a country of claws, a mob of monsters. Look at them as we fly and look at us, all of us, the desperate desiring humans of this place, no longer. The story is shifting, things are changing. All is well and will be well.

When the youngest son turned his head, he saw that on the other side of him, even whiter than the bed linen, was a beautiful white cat with emerald-green eyes. "Please don't be afraid," she said.

The main rectangular swimming pool ran perpendicular to the house, which you wouldn't know because it was almost completely covered in a cloud of white. I walked closer, stunned at the beautiful lotus and water lily blooms floating beneath my feet. A glass aisle was laid across the center. You felt like you were walking---or sitting--- in a Monet painting. Complementary flowers lined the sides of the aisles, with chairs extending on either side of the now-concealed pool deck. I had no idea what wizardry kept the central flowers from floating freely, but my sister would walk down the aisle above a lush bed of white blossoms. Beside it, the ornamental gardens had been tented for the reception. Cedric had managed to integrate the existing stone sculptures (French, Greek, and Italian antiques, of course) into the design. Tables dotted the scene, covered in custom cream linens with Italian lace overlays. Cut crystal stemware and antique silverware donned each place setting and would sparkle later that evening from the glow cast down from the crystal chandeliers overhead. And the flowers. The all-white flowers also created a table-runner effect that filled the entire length of each table and spilled over and down the sides. A backdrop and stage had been erected at the end opposite the house, then covered in a cascade of white peonies and roses and mirrored by florals draped around the doorframes and windows of the back of our house. It was an enchanted garden, rivaling that of a royal wedding.

know, Will,” Edmund said. “You needn’t worry. I won’t muck anything up.” He peeled back the duvet, climbed into the bed, and curled himself into a ball. At this, Mrs. Müller appeared in the doorway bearing a load of crisp white linens, patchwork quilts, and hot-water bottles wrapped in knitted cases the same dove gray as the blanket. On top of the teetering pile was a book. As she set her load down on the dressing table, she looked at Edmund. “Lord love you, child.” She went to the bedside, lifted the duvet, and tucked a hot-water bottle at Edmund’s feet. She tested his forehead once again with the palm of her hand. “Perhaps we’ll forgo the clean linens, just for tonight,” she said. “I hate to extract you, Edmund.” “Yes. I mean—thank you,” he murmured. The librarian smiled and looked at William and Anna. “If I had someplace else to put you two, I’d keep you out of the sick room, but short of making up beds on the floor somewhere…” She trailed off. “We’ll be fine,” William said. “Honestly.” Anna nodded in agreement. None of them wanted to be separated, anyhow. “In bed, then,” Mrs. Müller said. “All three of you.” She pulled back the duvet on the other side of the bed and laid down another hot-water bottle. Anna climbed into the middle, and William took his place beside her. The librarian tucked the duvet around the three of them and brushed each one’s cheek with a tenderness that even Edmund found acceptable. She retrieved the book she’d carried in with the linens and handed it to William. “Perhaps you’re all too old for bedtime stories, but what sort of librarian would I be if I didn’t provide you with some reading material?” For a long moment, the children only looked at one another. Mrs. Müller drew the wrong conclusion from their silence. “Oh, dear. You are entirely too old for bedtime stories, aren’t you?” She took a step back. “Not having children of my own, I’m sure to make a mess of these things—” “No,” Anna whispered. “We’re not too old.” Mrs. Müller looked at the boys. “We’re not too old,” William agreed. “Definitely not,” Edmund said, his voice cracking. Perhaps it was his head cold. But probably not. “Well”—the librarian gestured toward the book in William’s hands—“I hope that one will suit you.” “It will,” Anna said. “Good night, then,” the librarian whispered. As she headed for the door, all three children had the same wish. All three children were surprised that it was William who voiced it. “Would you read it to us?

After you have bathed and oiled her with the faintest hint of frankincense, use no other perfume. Apply only the lightest of the cosmetics. She is beautiful without them, so let us not mar her beauty." He studied her. "Dress her in a simple white, semi-sheer tunic. The king will enjoy the ability to see her well. But cover the tunic with a pale blue robe trimmed with purple." Parisa hurried to the garment room and returned with clothing that matched Hegai's description. "Do these suffice, my lord?" Hegai took the tunic and robe and nodded. "Soft and beautiful. Yes. This is perfect. Tie the robe with a purple sash. Place a golden pendant around her neck and hang golden earrings from her ears. Let me see her choice of sandals." Parisa hurried back to the room after laying the garments flat on the bed, which had already been stripped of its linens. She returned with an armful of sandals and set them on a chair. Heegai bent to examine them and pulled a pair of intricately carved leather devoid of jewels from the pile. "You will go as a virgin with hints of wealth to show off your character and your beauty. You may wear your mother's ring, but do not wear bracelets. The less distraction you give him, the better. The king, you shall see, likes simple pleasures, despite the ornate designs you find throughout the palace." "And my hair?" Esther's head spun with his quick choices. She sensed by his look that Hegai had planned this for some time, probably in the hopes that she would ask for his help. She breathed a silent prayer of thanks to Adonai, for she knew she could never have decided on her own. Hegai rubbed his chin and had her turn about. Her long dark hair fell to the middle of her back. To wear it down would be scandalous. Her heart beat faster at the thought, for she had no idea what Hegai would suggest or what the king would desire. "Wear it up. Hold it in place with combs that are easily removed. The king will enjoy removing them.

It was as if that distant bed were a stage and on the linen pillows of the little stage lay that boy, his black hair parted in the middle and curling about his ears, so that he looked now in his dream, fevered state like one of those lithe androgynous creatures of a Botticelli painting; and beside him, nestled against him, her tiny white hand stark against his flesh lay Claudia, her face buried in his neck.

Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.