Fitzgerald Best Quotes

I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.

He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

If I knew words enough, I could write the longest love letter in the world and never get tired

Don't let yourself feel worthless: often through life you will really be at your worst when you seem to think best of yourself; and don't worry about losing your "personality," as you persist in calling it: at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 p.m.

For what it’s worth... it’s never too late, or in my case too early, to be whoever you want to be. There’s no time limit. Start whenever you want. You can change or stay the same. There are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. I hope you see things that startle you. I hope you feel things you’ve never felt before. I hope you meet people who have a different point of view. I hope you live a life you’re proud of, and if you’re not, I hope you have the courage to start over again.

Well, you never knew exactly how much space you occupied in people's lives. Yet from this fog his affection emerged--the best contacts are when one knows the obstacles and still wants to preserve a relation.

the best contacts are when one knows the obstacles and still wants to preserve a relation.

The night you gave me my birthday party... you were a young Lieutenant and I was a fragrant phantom, wasn't I? And it was a radiant night, a night of soft conspiracy and the trees agreed that it was all going to be for the best.

The best of America drifts to Paris. The American in Paris is the best American. It is more fun for an intelligent person to live in an intelligent country. France has the only two things toward which we drift as we grow older—intelligence and good manners.

He snatched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his burred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

Aristocracy's only an admission that certain traits which we call fine - courage and honor and beauty and all that sort of thing - can best be developed in a favorable environment, where you don't have the warpings of ignorance and necessity.

It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

The night you gave me my birthday party… you were a young Lieutenant and I was a fragrant phantom, wasn’t I? And it was a radiant night, a night of soft conspiracy and the trees agreed that it was all going to be for the best.

First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and third---before long the best lines cancel out---and the secret is exposed at last; the planes of the picture have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true.

The track curved and now it was going away from the sun, which as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

She told me it was a girl, and so I turned my head away and wept. 'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool – that's the best thing a girl can be in this world, a beautiful little fool.

She told him in a dozen ways, of which the best was without words, how she had missed him. Her emotion reassured him, promised his anxious heart that everything would be all right".

I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘all right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool — that’s the best thing a girl can be in this world, a beautiful little fool.

The growth of intimacy is like that. First one gives off his best picture, the bight and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the panes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such famous accounts of ourselves as we make to our wives and children and business associates are accepted as true.

I’m afraid I’m in love with you and that’s not the best thing that could happen.

A word of advice. If, as a young man, student, you are tormented by a desire for women, it is best to get out into the fresh air as much as possible.

As he put in his studs he realized that he was enjoying life as he would probably never enjoy it again. Everything was hallowed by the haze of his own youth. He had arrived, abreast of the best in his generation at Princeton. He was in love and his love was returned.

the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true

If one can't be a great artist or a great soldier, the next best thing is to be a great criminal.

Something bright and alien flashed across the sky... and for a moment people set down their glasses in country clubs and speakeasies and thought of their old best dreams. Maybe there was a way out by flying, maybe our restless blood could find frontiers in the illimitable air. But by that time we were all pretty well committed; and the Jazz Age continued; we would all have one more.

Our best moral stories don’t tell us what is right or wrong in every situation, but they show us what one character did in one situation at one time. Readers, viewers, and listeners are supposed to extrapolate the moral meaning from the story. We’re not supposed to have it handed to us.

But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

You and I have been happy; we haven't been happy just once, we've been happy a thousand times. . . Forget the past-what you can of it, and turn about and swim back home to me, to your haven forever and ever-even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you-turn gently in the water through which you move and sail back.

You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…

I'm glad it's a girl. And I hope she'll be a fool--that's the best thing a girl can be in this world, a beautiful little fool.

don't understand why people think that every young man ought to go down-town and work ten hours a day for the best twenty years of his life at dull, unimaginative work,

I am definitely insulted that you don't remember me. I gave you some of my best stuff - Ian Fitzgerald

…that’s the best thing a girl can be in this world, a beautiful little fool.

I am reminded once again that the best things about America are the little things, the little freedoms that Americans don't think twice about.

Doctor Dougall was wrong. It was tempermentally impossible for Amory to get the best marks in school.

best contacts are when one knows the obstacles and still wants to preserve a relation.

The mortality rate of literary friendships is high. Writers tend to be bad risks as friends ~ probably for much the same reasons that they are bad matrimonial risks. They expend the best parts of themselves in their work. Moreover, literary ambition has a way of turning into literary competition; if fame is the spur, envy may be a concomitant.

I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.

But, knowing they had had the best of love, they clung to what remained. Love lingered – by way of long conversations at night into those stark hours when the mind thins and sharpens and the borrowings from dreams become the stuff of all life.

The compensation of a very early success is a conviction that life is a romantic matter. In the best sense one stays young.

When a girl tells the man she likes second best about the other one, then she's in love." --Cecelia Brady

On the contrary. When a man speaks he's merely tradition. He has at best a few thousand years back of him. But woman, why, she is the miraculous mouthpiece of posterity.

Gloria had been sorry for him but she had judged it best not to show it. In a final burst of kindness she had tried to make him hate her, there at the last.

I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.” ―F. Scott Fitzgerald, The Great Gatsby

Oscar had a straightforward, dimpled, happy smile. It was one of the hundreds of great things about him. And after that we were best friends. It had been as simple and inevitable as the striking of a match.

It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

Why? But I want to know just why it's impossible for an American to be gracefully idle"—his words gathered conviction—"it astonishes me. It—it—I don't understand why people think that every young man ought to go down-town and work ten hours a day for the best twenty years of his life at dull, unimaginative work, certainly not altruistic work.

I mean, what kind of literature do you think ants would make if they could read? Not F. Scott Fuckin’ Fitzgerald, not Joyce or D-D—D-Dostoyevsky, not even friggin’ Steinbeck. Wouldn’t make any sense to ’em. You ever read Nabokov’s Lolita? Best book of the twentieth century, but old-fashioned my friend, old fuckin’ fashioned. Same old story over and over again, one more guy mesmerized by his own dick, wandering around the wreckage of his life. Who the fuck cares about that? Give me the Knights of the Round Table! Give me Merlin! Or better, the “wine dark sea”! Much more interesting.

The decision as to when to quit, as to when one is merely floundering around and causing other people trouble, has to be made frequently in a lifetime. In youth we are taught the rather simple rule never to quit, because we are presumably following programmes made by people wiser than ourselves. My own conclusion is that when one has embarked on a course that grows increasingly doubtful and one feels the vital forces beginning to be used up, it is best to ask advice if decent advice is in range...

He stretched out his had desperately as if to snatch only a wisp of air, to save a fragment of the spot that she (Daisy) had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

I want to kill every best-seller list and encourage Americans to discover for themselves inspired new literature that will endure in perpetuity. Let’s pluck from squalid obscurity underground, and publish, the next Hemingways, Fitzgeralds, Morrisons, Bellows, Barths, Vonneguts and Faulkners.

That first day I asked my students what they thought fiction should accomplish, why one should bother to read fiction at all. It was an odd way to start, but I did succeed in getting their attention. I explained that we would in the course of the semester read and discuss many different authors, but that one thing these authors all had in common was their subversiveness. Some, like Gorky or Gold, were overtly subversive in their political aims; others, like Fitzgerald and Mark Twain, were in my opinion more subversive, if less obviously so. I told them we would come back to this term, because my understanding of it was somewhat different from its usual definition. I wrote on the board one of my favorite lines from the German thinker Theodor Adorno: “The highest form of morality is not to feel at home in one’s own home.” I explained that most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable. I told my students I wanted them in their readings to consider in what ways these works unsettled them, made them a little uneasy, made them look around and consider the world, like Alice in Wonderland, through different eyes.

I took the brooch because I was too overcome with irresistible temptation. I was imagining I was Lady Cordelia Fitzgerald, and I just had to wear the brooch over the footbridge of the Lake of Shining Waters, with the wind blowing my auburn hair over to Camelot. I thought I could put it back before you came home, but as I leaned over to look at my reflection in the lake, it slipped from my fingers and sank beneath the rippling waves. That's the best I can do at confessing. Now may I go to the picnic?

I think the best thing about being a writer is getting to dream. It's constantly viewing life through the "what if?" lens.

That's the best thing a girl can be in this world, a beautiful little fool

All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.

He borrowed somebody’s best suit to get married in and never even told me about it, and the man came after it one day when he was out.

I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.

And I hope she'll be a fool--- that's the best thing a girl can be in this world, a beautiful little fool.

that’s the best thing a girl can be in this world, a beautiful little fool.

This is your child, and you’ll have to make the best of it.

I hope she'll be a fool, that's the best thing a girl in this world can be. A beautiful little fool. All the bright precious things fade so fast, and they don't come back.

I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.

You’ve a place in my heart no one else ever could have, but tied down here I’d get restless. I’d feel I was—wastin’ myself. There’s two sides to me, you see. There’s the sleepy old side you love; an’ there’s a sort of energy—the feelin’ that makes me do wild things. That’s the part of me that may be useful somewhere, that’ll last when I’m not beautiful any more.” She

Don't let yourself feel worthless: often through life you will really be at your worst when you seem to think best of yourself; and don't worry about losing your "personality," as you persist in calling it: at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 p.m.

But, knowing they had had the best of love, they clung to what remained. Love lingered – by way of long conversations at night into those stark hours when the mind thins and sharpens and the borrowings from dreams become the stuff of all life, by way of deep and intimate kindnesses they developed toward each other, by way of their laughing at the same absurdities and thinking the same things noble and the same things sad.

The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture.

It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on YOU with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

I don’t know how to cure the source-itis except to tell you that I can discover a good many possible sources myself for Wise Blood but I am often embarrassed to find that I read the sources after I had written the book. I have been exposed to Wordsworth’s “Intimation” ode but that is all I can say about it. I have one of those food-chopper brains that nothing comes out of the way it went in. The Oedipus business comes nearer home. Of course Haze Motes is not an Oedipus figure but there are the obvious resemblances. At the time I was writing the last of the book, I was living in Connecticut with the Robert Fitzgeralds. Robert Fitzgerald translated the Theban cycle with Dudley Fitts, and their translation of the Oedipus Rex had just come out and I was much taken with it. Do you know that translation? I am not an authority on such things but I think it must be the best, and it is certainly very beautiful. Anyway, all I can say is, I did a lot of thinking about Oedipus.

It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on YOU with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

It's odd," Amory said to Tom one night when they had grown more amicable on the subject, "that the people who violently disapprove of Burne's radicalism are distinctly the Pharisee class—I mean they're the best-educated men in college—the editors of the papers, like yourself and Ferrenby, the younger professors.... The illiterate athletes like Langueduc think he's getting eccentric, but they just say, 'Good old Burne has got some queer ideas in his head,' and pass on—the Pharisee class—Gee! they ridicule him unmercifully.

The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third—before long the best lines cancel out—and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true. "It

I shall probably had visitors too - I'll harden up to it. We can't let such an inevitable thing as death stand in the way of enjoying life while we have it. Think how lonesome it'd be out here if we never had anyone. Why, father and mother have sacrificed some of their best friends just as we have.

She was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling. ... [The nurse] She told me it was a girl, an so I turned my head away and wept. ... And I hope she'll be a fool - that's the best thing a girl can be in this world, a beautiful little fool.

Don't you want to preserve old things? But you can't, Anthony. Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. That graveyard at Tarrytown, for instance. The asses who give money to preserve things have spoiled that too. Sleepy Hollow's gone; Washington Irving's dead and his books are rotting in our estimation year by year - then let the graveyard rot too, as it should, as all things should. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants. So you think that just as time goes to pieces its houses ought to go too? Of course! Would you value your Keats letter if the signature was traced over to make it last longer? It's just because I love the past that I want this house to look back on its glamorous moment of youth and beauty, and I want its stars to creak as if to the footsteps of women with hoop-skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty. It hasn't any right to look so prosperous. It might care enough for Lee to drop a brick now and then. How many of these - these animals - get anything from this, for all the histories and guide-books and restorations in existence? How many of them who think that, at best, appreciation is talking in undertones and walking on tiptoes would even come here if it was any trouble? I want it to smell of magnolias instead of peanuts and I want my shoes to crunch on the same gravel that Lee's boots crunched on. There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses - bound for dust - mortal-

With adolescent Nietzscheanism, she already planned to escape on the world's reversals from the sense of suffocation that seemed to her to be eclipsing her family, her sisters, and mother. She, she told herself, would move brightly along high places and stop to trespass and admire, and if the fine was a heavy one—well, there was no good in saving up beforehand to pay it. Full of these presumptuous resolves, she promised herself that if, in the future, her soul should come starving and crying for bread it should eat the stone she might have to offer without complaint or remorse. Relentlessly she convinced herself that the only thing of any significance was to take what she wanted when she could. She did her best.

I don’t remember now who took the photo of us, but I’ve had it in my room for years. We’re leaning out of our windows and we’re laughing at each other with joyfulness purer than anything to do with the polite smiling you get used to doing when you get older. The photo has the kind of proper smiles that happen when you’re looking straight into the face of someone who’s been your best friend for a long time.

The best that any education can do is to add understanding of the past and present, to gird one for the future, to sharpen the intelligence, to enable one to evaluate whatever comes along, to listen, to learn, to question, to be interested in what is going on, to be involved, to believe “this concerns me,” above all to keep the mind alive. This is what I believe Scott Fitzgerald did for me in his College of One.

Don’t let yourself feel worthless; often through life you will really be at your worst when you seem to think best of yourself; and don’t worry about losing your “personality,” as you persist in calling it; at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 P.M. If

It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

It was the best hour of the day now and Basil was terribly happy. This summer he and his mother and sister were going to the lakes and next fall he was starting away to school. Then he would go to Yale and be a great athlete, and after that-- if his two dreams had fitted onto each other chronologically instead of existing independently side by side-- he was due to become a gentleman burglar. Everything was fine. He had so many alluring things to think about that it was hard to fall asleep at night.

smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favour. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey.

Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.

Neither Xerxes nor Artabanus, therefore, would have passed F. Scott Fitzgerald’s test, from 1936, for a first-rate intelligence: “the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.” 21 Fitzgerald may have intended nothing more than a reproach to himself. His writing career had stalled by then, and four years later he would die, of alcoholism, heart disease, and an obscurity made all the more painful by his earlier fame. He was only forty-four. 22 But the cryptic capaciousness of his aphorism, like Berlin’s on foxes and hedgehogs, has made it immortal. The Delphic oracle would have been envious. 23 One possible meaning for Fitzgerald’s opposites could be taking the best from contradictory approaches while rejecting the worst: precisely the compromise that Xerxes and Artabanus failed to reach twenty-four centuries earlier. How, though, might you do that? It’s easy to see how two minds can reach opposite conclusions, but can opposites coexist peacefully within one? They certainly didn’t in Fitzgerald’s, whose life was as tortured as Tolstoy’s, and half the length.

[Bernard Malamud] told an interviewer: There's no one way--there's too much drivel about the subject. You're who you are, not Fitzgerald or Thomas Wolfe. You write by sitting down and writing. There's no particular time or place--you suit yourself, your nature. How one works, assuming he's disciplined, doesn't matter. If he or she is not disciplined, no sympathetic magic will help. The trick is to make time--not steal it--and produce the fiction. If the stories come, you get them written, you're on the right track. Eventually everyone learns his or her own best way. The real mystery to crack is you.

Isabelle and Amory were distinctly not innocent, nor were they particularly brazen. Moreover, amateur standing had very little value in the game they were playing, a game that would presumably be her principal study for years to come. She had begun as he had, with good looks and an excitable temperament, and the rest was the result of accessible popular novels and dressing-room conversation culled from a slightly older set. Isabelle had walked with an artificial gait at nine and a half, and when her eyes, wide and starry, proclaimed the ingenue most. Amory was proportionately less deceived. He waited for the mask to drop off, but at the same time he did not question her right to wear it. She, on her part, was not impressed by his studied air of blasé sophistication. She had lived in a larger city and had slightly an advantage in range. But she accepted his pose--it was one of the dozen little conventions of this kind of affair. He was aware that he was getting this particular favor now because she had been coached; he knew that he stood for merely the best game in sight, and that he would have to improve his opportunity before he lost his advantage. So they proceeded with an infinite guile that would have horrified her parents.

He smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey. Precisely at that point it vanished—and I was looking at an elegant young rough-neck, a year or two over thirty, whose elaborate formality of speech just missed being absurd.

Here's my question: What age are you when you're in Heaven? I mean, if it's Heaven, you should be at your beauty-queen best, and I doubt that all the people who die of old age are wandering around toothless and bald. It opens up a whole additional realm of questions, too. If you hang yourself, do you walk around all gross and blue, with your tongue spitting out of your mouth? If you are killed in a war, do you spend eternity minus the leg that got blown up by a mine? I figure that maybe you get a choice. You fill out the application form that asks you if you want a star view or a cloud view, if you like chicken or fish or manna for dinner, what age you'd like to be seen as by everyone else. Like me, for example, I might pick seventeen, in the hopes I grow boobs by then, and even if I'm a pruny centegenarian by the time I die, in Heaven, I'd be young and pretty. Once at a dinner party I heard my father say that even though he was old old old, in his heart he was twenty-one. So maybe there is a place in your life you ear out like a rut, or even better, like the soft spot on the couch. And no matter what else happens to you, you come back to that. The problem, I suppose, is that everyone's different. What happens in Heaven when all these people are trying to find each other after so many years spent apart? Say that you die and start looking around for your husband, who died five years ago. what if you're picturing him at seventy, but he hit his groove at sixteen and is wandering around suave as can be? Or what if you're Kate, and you die at sixteen, but in Heaven you choose to look thirty-five, an age you never got to be here on Earth. How would anyone ever be able to find you?

The magnitude of the satisfaction that a triathlete experiences upon crossing a finish line is directly proportional to the amount of suffering he has overcome to to get there. This reward knows no ability. Even the slowest of the slow can push themselves beyond existing limits and finish with tremendous satisfaction. But winning often demands and inspires the greatest suffering and thus confers the greatest sense of pride. Often, because of the nature of competition, it is precisely he who has the most guts who is the fastest and experiences the most intense fulfillment at the finish line. Theoretically, then, the most deeply satisfying experience a triathlete could have in the sport (and among the best in life) would occur at the finish line of a race in which he has overcome as much suffering as he could possibly ever endure, and knows it.

Rotten, rotten old world,' broke out Eleanor suddenly, 'and the wretchedest thing of all is me--oh, why am I a girl? Why am I not a stupid--? Look at you; you're stupider than I am, not much, but some, and you can lope about and get bored and then lope somewhere else, and you can play around with girls without being involved in meshes of sentiment and you can do anything and be justified--and here am I with the brains to do everything, yet tied to the sinking ship of future matrimony. If I were born a hundred years from now, well and good, but now what's in store for me--I have to marry, that goes without saying. Who? I'm too bright for most men, and yet I have to descend to their level and let them patronize my intellect in order to get their attention. every year that I don't marry I've got less chance for a first class man. At the best I can have my choice from one or two cities and, of course, I have to marry into a dinner-coat.

Deary me, boys, why? Why would someone with so much going for him have... have... ended it all in the way he appears to have done? 'Oh father, you see, it could be for any number of reasons ,' Andy said, serious and fluent, as if he was an expert on the subject. 'Personally I think it's a miracle that any of us survives.' What do you mean? said the Priest. 'I mean' continued Andy, 'there's this one moment as you're growing up when the world suddenly feels more or less pointless- when the terribleness of reality lands on you, like something falling from the sky.' 'Something falling? Like what? asked Father Frank, trying his best. 'Something big, like a piano, say, or a fridge. And when that happens, there's no going back to the time when it hadn't landed on you.' ‘But what about the pleasures and the joy and the purpose, like sport, music, girls and the like?’ Father Frank was nearly pleading now. ‘Fiction,’ sighed Andy. ‘Mirages in the desert of life, to make people feel like it might be worth it.’ ‘Oh,’ said Father Frank. ‘Oh I see, and do all you youngsters get this feeling?’ ‘Yes, I think so,’ said Andy, not even asking anyone else for their opinion, but most of us learn to live with it.’ ‘Well that’s a relief, I suppose.

He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty. He left feeling that if he had searched harder he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street. The track curved and now it was going away from the sun which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.

Studies have shown that recreational athletes who exercise less than 45 minutes a day, on average, get the best results when they spend 80 percent of that time at low intensity and 20 percent at moderate to high intensity, just like the elites.

[Fitzgerald's] latter work represents essentially best qualities of chivalry and decency now too often lacking in the English themselves.

I have remained true to my deepest convictions. I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy – for otherwise how can we manage to bear it?

This sense of control is the essence of what it feels like to be an ultrarealist. When you've cultivated the ability to fully accept, embrace, and address any situation, you are no longer dependent on external circumstances. While you still want things to go your way, it no longer really matters if they do or don't. In either case, you know you'll be able to make the best of the situation. You're in control of the only thing you truly can control, which is your mind, and it feels like freedom.

Asteria’s Ship’s Library Sailing Books Admiralty, NP 136, Ocean Passages of the World, 1973 (1895).  Admiralty, NP 303 / AP 3270, Rapid Sight Reduction Tables for Navigation Vol 1 & Vol 2 & Vol3. Admiralty, The Nautical Almanac 2018 & 2019. Errol Bruce: Deep Sea Sailing, 1954. K. Adlard Coles: Heavy Weather Sailing, 1967. Tom Cunliffe: Celestial Navigation, 1989. Andrew Evans: Single Handed Sailing, 2015. Rob James: Ocean Sailing, 1980. Robin Knox-Johnston: A World of my Own, 1969. Robin Knox-Johnston: On Seamanship & Seafaring, 2018. Bernard Moitessier: The Long Route, 1971. Hal Roth: Handling Storms at Sea, 2009. Spike Briggs & Campbell Mackenzie: Skipper's Medical Emergency Handbook, 2015 Essays Albert Camus: The Myth of Sisyphus & Other Essays, 1955. Biographies Pamela Eriksson: The Duchess, 1958. Olaf Harken: Fun Times in Boats, Blocks & Business, 2015. Martti Häikiö: VA Koskenniemi 1–2, 2009. Eino Koivistoinen: Gustaf Erikson – King of Sailing Ships, 1981. Erik Tawaststjerna: Jean Sibelius 1–5, 1989. Novels Ingmar Bergman: The Best Intentions, 1991. Bo Carpelan: Axel, 1986. Joseph Conrad: The End of the Tether, 1902. Joseph Conrad: Youth and Other Stories 1898–1910.  Joseph Conrad: Heart of Darkness, 1902. Joseph Conrad: Lord Jim, 1900. James Joyce: Ulysses, 1922, (translation Pentti Saarikoski 1982). Volter Kilpi: In the Alastalo Hall I – II, 1933. Thomas Mann: Buddenbrooks, 1925. Harry Martinson: The Road, 1948. Hjalmar Nortamo: Collected Works, 1938. Marcel Proust: In Search of Lost Time 1–10, 1922. Poems Aaro Hellaakoski: Collected Poems. Homer: Odysseus, c. 700 BC (translation Otto Manninen). Harry Martinson: Aniara, 1956. Lauri Viita: Collected Poems. Music Classic Jean Sibelius Sergei Rachmaninov Sergei Prokofiev Gustav Mahler Franz Schubert Giuseppe Verdi Mozart Carl Orff Richard Strauss Edvard Grieg Max Bruch Jazz Ben Webster Thelonius Monk Oscar Peterson Miles Davis Keith Jarrett Errol Garner Dizzy Gillespie & Benny Dave Brubeck Stan Getz Charlie Parker Ella Fitzgerald John Coltrane Other Ibrahim Ferrer, Buena Vista Social Club Jobim & Gilberto, Eric Clapton Carlos Santana Bob Dylan John Lennon Beatles Sting Rolling Stones Dire Straits Mark Knopfler Moody Blues Pink Floyd Jim Morrison The Doors Procol Harum Leonard Cohen Led Zeppelin Kim Carnes Jacques Brel Yves Montand Edit Piaf