Whistle Pig Quotes

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I regained consciousness after a big night at the Cock and Bull Inn, or it could’ve been The Weasel’s Way or The Badger’s Breath, who knows with these weird English pub names. Anyway, it was somewhere near The Pig and Whistle. Not far up from the Scotsman’s Kilt.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
Never in a pig’s whistle!’ cried the BFG.
Roald Dahl (The BFG)
The Jumblies I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, 'You'll all be drowned!' They called aloud, 'Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, 'O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, 'How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. 'O Timballo! How happy we are, When we live in a Sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, 'How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!' And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, 'If we only live, We too will go to sea in a Sieve,--- To the hills of the Chankly Bore!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
Edward Lear
She was the first to discover that wood, gone green with decay, can be made, at some expense, into little boxes; she went into the question of funguses; she painted on china; emblazoned heraldic arms, and, attaching whistles to the tails of pigeons, produced wonderful effects "as of an aerial orchestra" when they flew through the air. To the Duchess of Somerset belongs the credit of investigating the proper way of cooking guinea pigs; but Lady Dorothy was one of the first to serve up a dish of these little creatures at luncheon in Charles Street.
Virginia Woolf
I make my way back whistling. Gerry nods towards Mrs Brady who is standing beside the trolleys. Morning, Mrs Brady, I say cheerfully. I push her provisions out to the car. Things are something terrible, she says. You can't trust anybody. No. It's come to a sorry pass. It has. There's hormones in the beef and tranquillizers in the bacon. There's men with breasts and women with mickeys. All from eating meat. Now. I steer a path between a crowd of people while she keeps step alongside. Can you believe it - they're feeding the pigs Valium. If you boil a bit of bacon you have to lie down afterwards. Dear oh dear. Yes, I nod. The thought of food makes me ill. The pigs are getting depressed in those sheds. If they get depressed they lose weight. So they tranquillize them. Where will it end? I don't know, Mrs Brady, I say. I begin filling the boot. That's why I started buying lamb. Then along came Chernobyl. Now you can't even have lamb stew or you'll light up at night! I swear. And when they've left you with nothing safe to eat, next thing they come along and tell you you can't live in your own house. I haven't heard of that one, Mrs Brady. Listen to me. She took my elbow. It could all happen that you're in your own house and the next thing is there's radiation bubbling under the floorboards. What? It comes right at you through the foundations. Watch the yogurts. Did you hear of that? No. I saw it in the Champion. Did you not see it in the Champion? I might have. No wonder we're not right. I brought the lid of the boot down. She sits into the car very decorously and snaps her bag open on her lap. She winds down the window and gives me 50p for myself and £1 for the trolley.
Dermot Healy (Sudden Times)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
Pigs MAY whistle, but they've poor mouths for it," said Miss Cornelia.
L.M. Montgomery (Anne's House of Dreams)
Kogda rak na gore svistnet, when the crayfish whistle on the mountain, when pigs fly.
Jason Matthews (Palace of Treason (Red Sparrow Trilogy, #2))
dying pigs and the other gruesome goings on, there
C.C. Tillery (Whistling Woman (Appalachian Journey, #1))
Pigs MAY whistle, but they’ve poor mouths for it,
L.M. Montgomery (Anne's House of Dreams: Anne Shirley Series, Unabridged)
A friend once suggested that I paint my own blue boat and name her Thirteen Whistling Pigs. I might not be as superstitious as some, but I'm not crazy.
Linda Greenlaw (The Hungry Ocean: A Swordboat Captain's Journey)
and raised their eyebrows as if they were doing their best to make sense of everything I said. I picked up my instruction sheet and started to work my way through the house. First, I checked in the laundry room and made sure the cats’ food and water dishes were full. Ling-Ling ran to me as soon as she heard the dry food spilling into her bowl, and right behind her came an orange-y cat. “Crosby!” I said out loud. “How are ya?” He hardly glanced at me; he was headed straight for the food. By the time I had finished filling up the water bowls, all five cats were chomping away. I decided that I’d wait to feed the dogs until after I’d walked them, so my next stop was the hamsters and guinea pigs. Their cages were in the kitchen, and when I walked in, the first thing I heard was a funny whistling noise. “What is that?” I asked Cheryl, who was following along behind me. Of course she didn’t answer. I shrugged. “Oh, well,” I said. I checked the instruction sheet to see how much food to put out, and next to the guinea-pig notes I saw this: “Don’t worry about that whistling noise. It’s normal. Ricky does it more often than Lucy.” Well, that explained that. I put out food for the hamsters and for Lucy
Ann M. Martin (Dawn and the Disappearing Dogs (Baby-Sitters Club Mystery, #7))
But there was no avoiding it. Picking up the pig and nest, she held them in front of her and stepped into the water. Icy.   The water got deeper until it was just below her waist and tugging at the hem of her long Kitty underwear. If it got much deeper, her things and the pig would get wet. She was going to have to balance her knapsack and the nest of pig on top of her head.   She carefully lifted the whole bundle up, still keeping her fingers protectively wrapped around her weapons.   How had she come to this? How had she ended up a hungry, friendless fugitive in the middle of a frigid river wearing completely ridiculous lacy underthings?   With a pig balanced on top of her head?   At least there was no one around.   Just as she thought that, a piercing whistle cut through her thoughts.   No. Way.
Bridget Zinn (Poison)
«First Friday». Ha estudiado todo tipo de alcohol imaginable para esos eventos, y el que más le gusta en la actualidad es el whisky de centeno. El que me recomendó durante nuestra conversación fue el Whistle Pig. «Los whiskies de centeno son interesantes porque en realidad eran la variedad imperante de whisky estadounidense antes de la Ley Seca, porque la industria estaba más al norte (en Pensilvania, Vermont, Nueva York, etc.), donde se hacía realmente bien. Pero después, con la prohibición y el desplazamiento hacia el sur con el trigo, estalló el consumo del bourbon, que hoy aún sigue siendo, con mucho, el predominante. Pero el whisky de centeno está volviendo, y me encanta.»
Timothy Ferriss (Armas de titanes: Los secretos, trucos y costumbres de aquellos que han alcanzado el éxito (Deusto) (Spanish Edition))
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
Viet Thanh Nguyen (The Sympathizer)
If a woodchuck would chuck All the wood a woodchuck could chuck How much wood would a Woodchuck chuck If a woodchuck could chuck wood?
Jerry West (The Happy Hollisters and the Whistle-Pig Mystery (The Happy Hollisters, #28))
by afternoon was lost in a sea of Russian idioms. Kogda rak na goryeh svistnyet = When the crawfish whistles on a mountain = When pigs fly. Sdelatz slona iz mukha = Make an elephant out of a fly = Make a mountain out of a molehill. S dokhlogo kozla i shersti klok = Even from the dead goat, even a piece of wool is worth something =
Julia Quinn (What Happens in London (Bevelstoke, #2))