Whispering Corridors Quotes

You should know,” he says. His whisper is low enough that even angels probably couldn’t hear it beyond the background noise of conversations in the corridor. “I don’t even like you.

But you are crazy.” “I know.” She lifted a small box from the basket. “Do you know how I know?” Scarlet didn't answer. “Because the palace walls have been bleeding for years, and no one else sees it.” She shrugged, as if this were a perfectly normal thing to say. “No one believes me, but in some corridors, the blood has gotten so thick there's nowhere safe to step. When I have to pass through those places, I leave a trail of bloody footprints for the rest of the day, and then I worry that the queen's soldiers will follow the scent and eat me up while I'm sleeping. Some nights I don't sleep very well.” Her voice dropped to a haunted whisper, her eyes taking on a brittle luminescence. “But if the blood was real, the servants would clean it up. Don't you think?

What do you look at while you’re making up your mind? Ours is not a reflective culture, we do no raise our eyes up to the hills. Most of the time we decide the critical things while looking at the linoleum floor of an institutional corridor, or whispering hurriedly in a waiting room with a television blatting nonsense.

Hope was a sunrise, a friend in the alley, a whisper in an empty corridor.

Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.

Her Lips Are Copper Wire” whisper of yellow globes gleaming on lamp posts that sway like bootleg licker drinkers in the fog and let your breath be moist against me like bright beads on yellow globes telephone the power-house that the main wires are insulate (her words play up and down dewy corridors of billboards) then with your tongue remove the tape and press your lips to mine till they are incandescent

Where are we going?” Cordelia whispered, as they hurried along the corridors of the Institute. “Lucie. You cannot simply abduct me, you know.” “Nonsense,” said Lucie. “If I wished to abduct you, you can be sure that I would do it quite expertly, no doubt beneath the veil of silence and darkness.

After such knowledge, what forgiveness? Think now History has many cunning passages, contrived corridors And issues, deceives with whispering ambitions, Guides us by vanities. Think now She gives when our attention is distracted And what she gives, gives with such supple confusions That the giving famishes the craving. Gives too late What’s not believed in, or if still believed, In memory only, reconsidered passion. Gives too soon Into weak hands, what’s thought can be dispensed with Till the refusal propagates a fear. Think Neither fear nor courage saves us. Unnatural vices Are fathered by our heroism. Virtues Are forced upon us by our impudent crimes. These tears are shaken from the wrath-bearing tree.

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living?

I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now. I'm so afraid, I whimpered. Before Mel could respond, a heavy hand dropped on my shoulder from the darkness. "Going somewhere?" I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal. "Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you." "What are you doing here?" I demanded, still breathless. "Following you. I've been following you all night." "Well, stop it now." There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily. "You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit. "Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make." "I know. I'm on your side." It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away... "Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies. "I should come with you." "You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much." Another pause; his hand didn't loosen. "Wanda, I would come to be with you." The tears spilled over. I was grateful for the darkness. "It wouldn't feel that way," I whispered. "So there's no point.

Kaladin spun through the last motions of the kata, chasm forgotten, bridgemen forgotten, fatigue forgotten. For a moment, it was just him. Him and the wind. He fought with her, and she laughed. He snapped the spear back into place, holding the haft at the one-quarter position, spearhead down, bottom of the haft tucked underneath his arm, end rising back behind his head. He breathed in deeply, shivering. Oh, how I’ve missed that. He opened his eyes. Sputtering torchlight revealed a group of stunned bridgemen standing in a damp corridor of stone, the walls wet and reflecting the light. Moash dropped a handful of spheres in stunned silence, staring at Kaladin with mouth agape. Those spheres plopped into the puddle at his feet, causing it to glow, but none of the bridgemen noticed. They just stared at Kaladin, who was still in a battle stance, half crouched, trails of sweat running down the sides of his face. He blinked, realizing what he’d done. If word got back to Gaz that he was playing around with spears…Kaladin stood up straight and dropped the spear into the pile of weapons. “Sorry,” he whispered to it, though he didn’t know why. Then, louder, he said, “Back to work! I don’t want to be caught down here when night falls.

The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.

I was a tongue, a gazette. The bearer of "the truth of the whispers." I knew of hollowed books, trunks with false bottoms, and the meanders of secret corridors. I knew how to open hidden drawers in your escritoire, how to unseal your letter and make you think no one had touched it. If I had been in your room, I left the hair around your lock the way you had tied it. If you trusted the silence of the night, I had overheard your secrets.

Suddenly a sweet smell Lightened my heart With a pleasant air: But I was not in a flower garden In full bloom, And it was not springtime: Then I heard my soul whisper, As if saying: "Surely the one who knows your sorrows Was passing Through the dark corridors of your memory.

Hope was a sunrise, a friend in an alley, a whisper in an empty corridor.

We didn't have friends, because we didn't need them. We moved through the corridors like sharks, the other little fish parting around us, whispering behind our backs.

Hand in hand they whispered for a while. The girl nodded and the bear laughed. Together, they made their way down the corridor and to the foot of the stairs.

For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.

Corporations are great and appalling things. They take you and shape you in nearly nothing flat, twist and swivel you. And they do it without overt persuasion, they do it with smiles and nods, a collective inflection of the voice. You stand at the head of a corridor and by the time you walk to the far end you have adopted the comprehensive philosophy of the firm, the Weltanschauung. I use this grave and layered word because somewhere in its depths there is a whisper of mystical contemplation that seems totally appropriate to the subject of waste.

One, you are not stupid,” Nico says, pulling me forward and kissing my forehead softly. I blush when I notice a few girls walking by in the corridor spot us and whisper to each other with a giggle. “And two, I wouldn’t care if you were green. Me liking you…you liking me. That’s kind of our deal, and that’s all that matters, okay?

We each had black eyes and hair as white as milk. We each had enchanting four-letter names: Grey, Vivi, Iris. We walked to school together. We ate lunch together. We walked home together. We didn’t have friends, because we didn’t need them. We moved through the corridors like sharks, the other little fish parting around us, whispering behind our backs.

His life was over. The conflicts which tore his mind would no longer trouble him. His fears, his torments, his loves and his hatreds all lay in the past and only oblivion lay before him. .... Even when blackness overwhelmed him and his lungs filled with water, the words continued to whisper through the corridors of his brain. It was strange that he should be dead and still hear the incantation.

soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s

The only ghosts, I believe, who creep into this world, are dead young mothers, returned to see how their children fare. There is no other inducement great enough to bring the departed back. They glide into the acquainted room when day and night, their jailers, are in the grip, and whisper, "How is it with you, my child?" but always, lest a strange face should frighten him, they whisper it so low that he may not hear. They bend over him to see that he sleeps peacefully, and replace his sweet arm beneath the coverlet, and they open the drawers to count how many little vests he has. They love to do these things. What is saddest about ghosts is that they may not know their child. They expect him to be just as he was when they left him, and they are easily bewildered, and search for him from room to room, and hate the unknown boy he has become. Poor, passionate souls, they may even do him an injury. These are the ghosts that go wailing about old houses, and foolish wild stories are invented to explain what is all so pathetic and simple. I know of a man who, after wandering far, returned to his early home to pass the evening of his days in it, and sometimes from his chair by the fire he saw the door open softly and a woman's face appear. She always looked at him very vindictively, and then vanished. Strange things happened in this house. Windows were opened in the night. The curtains of his bed were set fire to. A step on the stair was loosened. The covering of an old well in a corridor where he walked was cunningly removed. And when he fell ill the wrong potion was put in the glass by his bedside, and he died. How could the pretty young mother know that this grizzled interloper was the child of whom she was in search? All our notions about ghosts are wrong. It is nothing so petty as lost wills or deeds of violence that brings them back, and we are not nearly so afraid of them as they are of us.

Come to my bedchamber now,' he whispered against her mouth ... 'I don't take -' 'Orders. I know.' He kissed her, over and over now, a delectable repetition that despite its simplicity made her cling to him tighter. 'Then your bedchamber.' ... 'It shares a wall with Madame Roche. I cannot -' He grabbed her hand and dragged her along the corridor. He opened the first door they came to. 'A linen cabinet?' But they had managed perfectly well on a staircase once. *Perfectly.* ... 'You are yanking me about a lot.' She was breathless. 'I am. Feel free to reciprocate.

night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than

Walt's father had been shopping with his son on a Sunday afternoon when he'd wandered into All Saints' Passage and found the bookshop. A silent boy, Walt still hadn't spoken, so there was no reason to think he'd be interested in reading yet. But when Walt snuck through the door, under his father's arm, he let out a gasp of delight. He had stepped into a kingdom: an oak labyrinth of bookshelves, corridors and canyons of literature beckoning him, whispering enchanting words Walt had never heard before. The air was smoky with the scent of leather, ink and paper, caramel-rich and citrus-sharp. Walt stuck out his small tongue to taste this new flavor and grinned, sticky with excitement. And he knew, all of a sudden and deep in his soul, that this was a place he belonged more than any other.

Into this dark truth which opens its cloak to shield us, dizzying, tidal; opens its sad wings to shoo us away, just to say yes, let that fine rain fall on the threshold; let it fall like wings beating, like a breaking-open. As a messenger from far away, drenched and burning with fever, carries his dispatch here, carries the word. But the patterns of the rain spread out and won’t let us hear, won’t let us see what happens. And that is what comes up to us, speaks to us and grabs us by the shoulders, what’s shaking and shouting at us is the rain, it’s the horizon dissolving. Now we shiver, we burn, facing that gateway, facing that drawbridge no-one will drop. No-one is going to listen. This dark truth, this swaying lightness like the whisper of endless bats, all sensing their way, all surging as one up the veins’ living corridors, all trying to flee the towers. To say yes, let that mist of rain fall against the threshold, let it fall on the walls; let it keep erasing them.

You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...

The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle

Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue. ‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached. ‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’ Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus. ‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’ ‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’ ‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’ ‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’ ‘Oh, no …’ ‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’ ‘KFC? Oh, God …’ ‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’ ‘Goodness …

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

Between concentric pavement ripples glide errant echoes originating from beyond the Puddled Metropolis. Windowless blocks and pickle-shaped monuments demarcate the boundaries of patternistic cycles from those wilds kissed neither by starlight nor moonlight. Lethal underbrush of razor-like excrescence pierces at the skins of night, crawls with hyperactive sprouts and verminous vines that howl with contempt for the wicked fortunes of Marshland Organizers armed with scythes and hoes and flaming torches who have only succeeded in crafting their own folly where once stood something of glorious and generous integrity. There are familiar whispers under leaves perched upon by flapping moths. They implore the spirit again to heed the warnings of the vines and to not be swayed by the hubris of these organizing opportunists. One is to stop moving at frantic zigzags through gridlocked streets, stop climbing ladders altogether, stop relying on drainage pipes where floods should prevail, stop tapping one’s feet in waiting rooms expecting to be seen and examined and acknowledged. Rather, one is to eschew unseemly fabrications and conceal oneself beneath the surface of leaves—perhaps even inside the droplets of dew—one is, after all, to feel shameful of the form, of all forms, and seek instead to merge with whispers which do not shun or excoriate, for they are otherwise occupied in the act of designating meaning. Yet, what meaning stands beyond the rectitude of angles and symmetry, but rather in wilds among agitated insects and resplendent bogs and malicious spiders and rippling mosses pronouncing doom upon their surroundings? One is said to find only the same degree of opportunism, and nothing greatly edifying that could serve to extend beyond the banalities of self-preservation. But no, surely there is something more than this—there absolutely must be something more, and it is to be found! Forget what is said about ‘opportunism’—this is just a word and, thusly, a distraction. The key issue is that there are many such campaigns of contrivance mounted by the taxonomic self-interest of categories and frameworks ‘who’ only seek primacy and authority over their consumers. The ascription of ‘this’ may thusly be ascribed also with that of ‘this other’ and so it cannot be ‘that precisely’ because ‘this’ contradicts another ‘that other’ with which ‘this other’ surely claims affiliation. Certainly, in view of such limiting factors, there is a frustration that one is bound to feel that the answers available are constrained and formulaic and insufficient and that one is simply to accept the way of things as though they are defined by the highest of mathematics and do not beget anything higher. One is, thusly, to cease in one’s quest for unexplored possibility. The lines have been drawn, the contradictions defined and so one cannot expect to go very far with these mathematical rules and boundaries in place. There are ways out: one might assume the value of an imaginary unit and bounce out of any restrictive quadrant as with the errant echoes against the rippling pavement of this Puddled Metropolis. One will then experience something akin to a bounding and rebounding leap—iterative, but with all subleaps constituting a more sweeping trajectory—outward to other landscapes and null landscapes, inward through corridors and toward the centroid of circumcentric chamber clusters, into crevices and trenches between paradigms and over those mountain peaks of abstruse calculation.

They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber. Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound. Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner- A hard body swung around the corner and plowed into her. She stumbled back. Hard hands grabbed her, holding her upright. Her heart leapt to her throat. She looked up,saw only darkness. She opened her mouth- A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm. Her senses scrambled. Strength, male heat, muscled hardness engulfed her. Then a virulent curse singed her ears. And she realized who'd captured her. Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again. He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?" His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it. With a muted oath, he pulled the hand away. She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?" "Coming to fetch you-of course." "You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!" Even to her ears they sounded like squabbling children. He didn't reply. Through the dark, he looked at her. She couldn't see his eyes, but his gaze was so intent, so intense that she could feel... her heart started thudding, beating heavier, deeper. Her senses expanded, alert in a wholly unfamiliar way. he looked at her...looked at her. Primitive instinct riffled the delicate hairs at her nape. Abruptly he raised his head, straightened, stepped back. "Come on." Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment. Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here." He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse. She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there." With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch. Immediately she'd sat, he flicked out the coverlet and swathed her in it. She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her. He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves. Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.

(So T. S. Eliot’s helpful reminder from “Gerontion”: “History has many cunning passages, contrived corridors / And issues, deceives with whispering ambitions, / Guides us by vanities.”)

The man in black from their dreams stood before them. This time Sam noticed the little white square at the front of his collar—he’s a priest! Gabriella said something apologetic to him as he protested, telling them off in Italian. But then Gabriella talked to him again, her tone soothing and calm, and he slowly nodded and replied, pointing down the corridor of bookcases from where he’d come. ‘What on earth did you say?’ Sam whispered, smiling at the priest in what he hoped was a winning way.

I’m looking for you in the bare corridor where my shadow is the only passerby harmonizing an unsettling whisper: echoed through my chiming thoughts From the poem 'Looking For You

I should let you retire.” He held the self-portrait a minute longer, gazing at it as she had sometimes felt him look at her--unblinking, curious, even urgent. She peeped through the keyhole to make sure no one was in the corridor before opening the door and letting him slip out. After a moment, she peered again and could see nothing, then Mr. Nobley’s face dropped into view. He was crouching outside her door, looking back. “Miss Erstwhile?” he whispered. “Yes, Mr. Nobley?” “Tomorrow evening, will you reserve for me the first two dances?” “Yes, Mr. Nobley.” She could hear how her voice was full of smile. “Miss Erstwhile, may I come back in a moment?” She yanked him back in and shut the door. Now he was going to grab her and kiss her and call her Jane, now she’d witness the pent-up passion that explodes behind Regency doors! But…he just stood with his back to the door and looked at her. And smiled in his way, the way that made her stare back and wish she could breathe. “I should not put you in danger of Mrs. Wattlesbrook by staying,” Mr. Nobley said, “but I suddenly had to see you again. I know that seems ridiculous, but I look at you, and I feel sure of something. Things are changing, aren’t they?” “Yes,” she said, and they were, right at that moment. He took her hand and looked at it a moment, then he turned it over. He lifted it to his mouth and kissed her palm. “Tomorrow, then.” And he left. If only he was real! She stood and pressed her palm to her chest and breathed her pulse back into submission and thought she’d rather fancy a swoon. To her self-portrait, Jane whispered, “This is the best therapy ever.

She didn’t worry that she was boring him, as Old Jane would’ve done. It didn’t matter, she reminded herself. He was paid to listen to her and make her feel like the most interesting person in the world, and so, by George, she would be. His lips pressed into a small smile that stayed. A very small smile. Sometimes almost imaginary. Jane wished that it might be bigger, that it might beam at her, but she supposed that wasn’t the Nobley way. Then when she’d decided that his smile was a figment, Mr. Nobley said--or whispered, rather-- “Let’s go look at your paintings.” What a delight, this man. How he kept surprising her, tossing aside his uptight propriety for her sake, murmuring plans for meeting in secret, fibbing to the others that he would withdraw early, then waiting upstairs for her to do the same. With a thrill to look around for watchers and scramble into her chamber, shutting the door behind them. Jane stood with her back to the door, her hands still on the knob, breathing hard and trying to laugh quietly. He was leaning against the wall, smiling. The moment was giddily awkward as she waited to see what he had in mind, if he would suddenly shed Mr. Nobley and become some other man entirely. If he would break any other rules. The wait was agonizing. She realized she didn’t know what she wanted him to do. “I would love to see those paintings,” he said, his voice still proper. “Of course,” she said. Of course he was still Mr. Nobley, of course the man, the actor, was not falling in love with her. And a relief it was, too, as she realized she wasn’t ready to let go of Pembrook Park yet. Somehow she had to be by the day after tomorrow. She presented the first painting, and he held it at arm’s length for some time before saying, “This is you,” though the portrayal was not photo-realistic. “I couldn’t quite get the eyes,” she said. “You got them just right.” He didn’t look away from the painting when he said, “They are beautiful.” Jane didn’t know whether to thank him or clear her throat, so she did neither and instead handed him the second painting or her window and the tree. “Ah,” was all he said for some time. He glanced back and forth between both paintings. “I like this second one best. Beside it, the portrait looks stiff, as though you were too cautious, measuring everything, taking away the spontaneity. The fearlessness of this window scene is a better style for you. I think, Miss Erstwhile, that you do very well when you loosen up and let the color fly.” He was right, and it felt good to admit it. Her next painting would be better. “I should let you retire.” He held the self-portrait a minute longer, gazing at it as she had sometimes felt him look at her--unblinking, curious, even urgent. She peeped through the keyhole to make sure no one was in the corridor before opening the door and letting him slip out. After a moment, she peered again and could see nothing, then Mr. Nobley’s face dropped into view. He was crouching outside her door, looking back. “Miss Erstwhile?” he whispered. “Yes, Mr. Nobley?” “Tomorrow evening, will you reserve for me the first two dances?” “Yes, Mr. Nobley.” She could hear how her voice was full of smile.

Muffled footsteps sounded in the distance. Goldie heard a shout, and the heavy clank of punishment chains. The footsteps came closer. A boy began to sing in a hoarse, adolescent voice. "Awa-a-a-y, across the ocean-a-an, awa-a-a-y, across the sea-a-a-a-." There was a slap, and a yell. The singing stopped, but only for a moment. When it started up again, there were a dozen or more voices, all caterwauling at the top of their lungs. "-I'll go-o-o-o where my heart takes me, where my-y-y-y love waits for me-e-e-e-e." A pause. A furious adult's voice said, "It's not your love that's waiting for you, you little villains, it's the House of Repentance! Deliberate destruction of property, putting the lives of others at risk, oh you're in for it, you are!" Clank clank clank, went the punishment chains. "I’ve be-e-e-e-en away so long, dear, I've tra-a-a-aveled far and wi-i-i-i-i-ide-" sang the voices. Goldie edged along the wall and eased the door open. There was a bustle and a shoving and a clanking, and suddenly the corridor in front of her was full of boys, milling backward and forward, rattling their chains and singing loudly. They were all older than Goldie, but they wore the same gray threadbare smock and leggings. Somewhere in the middle of them were two Blessed Guardians. The smell of burning hung over them all. There was no time to think. Goldie couldn't see Toadspit, but she was sure he must be there somewhere. She whispered a quick "thank you" to Bald Thoke, then she stepped out into the corridor and tucked herself between two of the boys. For a heart-stopping moment the song faltered. The boys on either side of Goldie shot incredulous glances at her- Then they closed smoothly around her and began to sing louder than ever, their voices bouncing off the high ceilings. "Three yea-a-a-a-ars I rowed the galley-y-y-ys, three year-a-a-a-ars I was a sla-a-a-a-ave-." They spilled out into the foyer, a laughing, shouting, singing rabble. The Guardians who led them were shouting too. Only Goldie was silent. She crouched between the tall, raucous boys, her smock blending with theirs, her pulse thundering in her ears. "What's this?" shouted the toad-like Guardian. "Where are you taking them at this time of night?" "Set fire to their beds?" shouted one of the other Guardians. "Don't know what's got into them! Marching them off to Repentance!" "I'll need their names!" "If I-I-I-I-I could turn back time, dea-a-a-a-ar, if I-I-I-I-I-I could start aga-a-a-a-a-in-" "For Great Wooden's sake, we'll give them to you when we come back. I can't bear this appalling racket a moment longer!" And with that, the boys, Goldie and the two Guardians spilled out the front door of Care, across the yard and through the gate.

Dasha introduced Alexander to Marina. They shook hands and both stared at each other for longer than was appropriate. Marina, embarrassed, stepped away, averting her gaze. Alexander smiled, putting his arm around Dasha. “Dasha,” he said, “so this is your cousin Marina.” Tatiana wanted to shake her head at him, while a perplexed Marina remained speechless. Later on in the kitchen, Marina said to Tatiana, “Tania, why did Dasha’s Alexander look at me as if he knew me?” “I have no idea.” “He is adorable.” “You think so?” said Dasha, who was heading past the girls to the bathroom, leaving Alexander in the corridor. “Well, keep your hands off him,” she added cheerfully. “He’s mine.” “Don’t you think?” Marina whispered to Tatiana. “He’s all right,” said Tatiana. “Help me wash this frying pan, will you?” Adorable Alexander stood in the doorway, smoking and grinning at Tatiana.

He rose early, spent his day in administrative duties, and his night in reading and writing. As he grew older he seemed to dispense with sleep altogether, as if he had become free from the common necessities of man’s nature. There was something strange and horrible in his cold-blooded, untiring energy; superstitious men whispered that he was inspired by a restless demon who gave him no peace, or that he was actually a demon himself Had not a belated courtier met him after midnight pacing the dark corridors of the palace with a fearful and changed countenance that was no longer human, or even — as the story grew — with no face at all, a shapeless monstrous shadow?

It was probably only a few intervals, though it seemed longer with Ryzven lurking and radiating impatience. At last Beryl and Kurr returned, markedly cleaner and fresher, and he heard Beryl telling the Greenspirit about the garden. His human hurried toward him, though her steps slowed when she spotted Ryzven nearby. Snaps squirmed in Zylar’s arms, so he set him down after checking the cord looped around his neck. Beryl reached for the leash as she eyed Ryzven, but she didn’t address him. Instead, she knelt and spoke nonsense words to the fur-person while rubbing him all over with her grabbers. Kurr filled the awkward silence with a stiff, formal greeting. “Honor to your kith and kin, renowned Ryzven. I am Kurr.” “A pleasure! Everyone who has been following the Choosing knows who you are, esteemed Greenspirit.” While Zylar would be pleased if Ryzven forgot his business with Beryl while dallying with Kurr, he doubted he’d be so lucky. And as Beryl rose, Ryzven turned to her, making sure she got the full impact of his rare colors. He even puffed out his thorax a little, and Beryl let out a breath, a sound Zylar identified as annoyance. She said something the translator couldn’t process. “I came to congratulate you on your—” Before Ryzven could finish his pompous sentence, Snaps ambled forward, lifted a leg, and eliminated on him. “I don’t like him,” Snaps said. “Beryl doesn’t like him. Let’s go!” “So sorry about that,” Beryl said in a flat tone. “Snaps is nervous around strangers.” Zylar had heard sincerity from her many times before, and on this occasion, she wasn’t remotely apologetic. In fact, her eyes were twinkling and she seemed to be having a hard time restraining herself from making the battle face, which she’d said indicated amusement or enjoyment. “You should clean that up,” he told Ryzven, who was sputtering incoherent outrage. Most likely, he would live to regret all of this, but it felt so good to get the best of his arrogant nest-mate for once that he didn’t even look back when Beryl grabbed his claw and led him toward the exit. It occurred to him that she was leading him like Snaps, only by the limb instead of using a cord, but it would have lessened the impact of their departure if he mentioned as much. Once they reached the public corridors, Kurr finally said, “I hope we have not given serious offense. I am…fearful.” The Greenspirit must know Ryzven’s reputation well. He wouldn’t accept such a humiliation without striking back. “Do not let it lessen your satisfaction in what you’ve achieved today. I will apologize more fully another time.” “Why would you apologize for something Snaps did?” Beryl cut in. “If anyone’s going to make amends, it should be me. Though for the record, I said ‘sorry’ already.” “It was insincere,” Kurr noted. Beryl stared for a long moment, then said, “That’s fair.” She took a step closer to the two of them and added in a whisper, “So when I apologize sincerely, I probably shouldn’t let on that I told Snaps to pee on him? I mean, theoretically.” The Greenspirit emitted a shocked rustling sound while Zylar simply could not contain his glee. He churred louder than he ever had in his life. “Truly? That’s what you said that the translator could not comprehend?” Then Beryl did show her fearsome aspect, displaying all her teeth. “I will neither confirm nor deny those allegations.” “Confirmed,” said Snaps. “I was promised extra snacks.” Still delighted with his intended, Zylar led the way to the garden, wondering how he should reward Beryl for improving his life in every conceivable way. 

I don’t want to stay here alone, the Bloody Baron’s been past twice already.” Ron looked at his watch and then glared furiously at Hermione and Neville. “If either of you get us caught, I’ll never rest until I’ve learned that Curse of the Bogies Quirrell told us about, and used it on you.” Hermione opened her mouth, perhaps to tell Ron exactly how to use the Curse of the Bogies, but Harry hissed at her to be quiet and beckoned them all forward. They flitted along corridors striped with bars of moonlight from the high windows. At every turn Harry expected to run into Filch or Mrs. Norris, but they were lucky. They sped up a staircase to the third floor and tiptoed toward the trophy room. Malfoy and Crabbe weren’t there yet. The crystal trophy cases glimmered where the moonlight caught them. Cups, shields, plates, and statues winked silver and gold in the darkness. They edged along the walls, keeping their eyes on the doors at either end of the room. Harry took out his wand in case Malfoy leapt in and started at once. The minutes crept by. “He’s late, maybe he’s chickened out,” Ron whispered. Then a noise in the next room made them jump. Harry had only just raised his wand when they heard someone speak — and it wasn’t Malfoy.

Magnificent trees, the legacy of Lord Ashbury's distant ancestors, lined the way, their highest boughs arching to meet, outermost branches lacing so that the road became a dark, whispering tunnel. As I burst into the light that afternoon, the sun had just slipped behind the roofline and the house was in eclipse, the sky behind glowing mauve and orange. I cut across the grounds, past the Eros and Psyche fountain, through Lady Violet's garden of pink cabbage roses and down into the rear entrance. The servants' hall was empty and my shoes echoed as I broke Mr. Hamilton's golden rule and ran along the stone corridor. Through the kitchen I went, past Mrs. Townsend's workbench covered with a panoply of sweet breads and cakes, and up the stairs.

Facing your fears can be a dangerous thing, because when you put yourself out there, there's always the chance, no matter how vanishingly slim, that your very worst fears could match the reality.

She was checking the ingredients—an interesting potpourri of words she’d need to look up—when she felt, actually felt, someone’s eyes on her. Still holding the box at eye level, she slowly shifted her gaze. Down the corridor, near the bologna and salami display, a man stood and openly stared at her. There was no one else in the aisle. He was average height, maybe five-ten or so. A razor hadn’t glided across his face in at least two days. He wore blue jeans, a maroon T-shirt, and a shiny black Members Only windbreaker. His baseball cap had a Nike swoosh on it. Grace had never seen the man before. He stared at her for another moment before he spoke. His voice was barely a whisper. “Mrs. Lamb,” the man said to her. “Room 17.” For

She stepped toward the gap; one slipper slid on crumbling masonry. Stifling a gasp, Patience leapt forward onto the corridor flags. And collided with a man. She opened her mouth to scream- a hard hand clamped over her lips. An arm like steel locked about her waist, trapping her against a long, hard frame. Patience relaxed; her panic flowed out of her. There was only one body within ten miles like the one she was pressed against. Reaching up, she pulled Vane's hand from her lips. She drew breath to speak, opened her lips- He kissed her. When he eventually consented to stop, he only lifted his lips a bare fraction from hers. And breathed: "Quiet- sound travels very well in the fog." Patience gathered her wits. And breathed back: "I saw the Spectre- there was a light bobbing about." "I think it's a lantern, but it's gone or shielded now." His lips touched hers again, then settled, not cool but warm against hers. The rest of him was warm, too, an oasis of heat in the chilly night. Her hands trapped against his chest, Patience fought an urge to snuggle closer. When he next lifted his head, she forced herself to ask, her words still no more than a whispered breath: "Do you think he'll come back?" "Who knows? I thought I'd wait for a while." He followed up the tantalizing brush of his breath against her lips with a much more satisfying caress. Patience's head spun. "Maybe I'll wait, too." "Hmmm.

In the palm tree courtyard of the Villa Vinea, Nubia finished telling Aristo about her adventures in North Africa and Egypt. ‘Amazing,’ he kept saying. ‘That’s amazing.’ The jasmine-scented courtyard was dimly lit by bronze hanging lamps, some of them were reflected in the mirror smooth pool beside them. The silver light of the rising moon illuminated the tops of the four palm trees. ‘Tomorrow,’ said Aristo softly, ‘I am going to gather all the children together and begin to teach them. It’s what I know how to do, and it will keep them busy and occupied. Do you think that’s a good idea?’ ‘Yes,’ said Nubia. ‘That is a very good idea. You are a wonderful teacher, Aristo.’ The air was filled with the scent of jasmine, but as he moved a little closer she caught a subtle whiff of his musky lavender scent. It made her dizzy. ‘Nubia,’ he said softly. ‘I want to tell you something.’ The tone of his voice made her heart begin to pound. ‘Something you said a few days ago . . . about being old enough for love . . . For a long time I thought . . . But then Flavia said . . . and I couldn’t bear to think . . . I’ve been such a fool . . .’ Nubia couldn’t understand what he was saying. So she willed the pulsing roar in her ears to be quiet and when it was, she heard him say: ‘I loved Miriam so much!’ Nubia felt sick. How could she compete with the most beautiful girl in the Roman Empire? A girl whose beauty would never fade or grow wrinkled? She had been right not to tell Aristo her feelings. He would laugh at her. Or despise her. Or worst of all: pity her. In the darkness she felt him take her hand in his. The shock of his touch was so powerful that she almost cried out. ‘You’re trembling again,’ he said. ‘Are you cold?’ ‘No,’ she whispered. She wanted to cry out: Why do you still love Miriam? She never loved you. But I do. I will always love you. But she knew it would be the worst thing she could do. So instead she snatched her hand from his and ran upstairs and groped her way along the dim corridor to the bedroom and threw herself onto the bed. And in the lonely darkness, she wept.

Eurydice He is here, come down to look for you. It is the song that calls you back, a song of joy and suffering equally: a promise: that things will be different up there than they were last time. You would rather have gone on feeling nothing, emptiness and silence; the stagnant peace of the deepest sea, which is easier than the noise and flesh of the surface. You are used to these blanched dim corridors, you are used to the king who passes you without speaking. The other one is different and you almost remember him. He says he is singing to you because he loves you, not as you are now, so chilled and minimal: moving and still both, like a white curtain blowing in the draft from a half-opened window beside a chair on which nobody sits. He wants you to be what he calls real. He wants you to stop light. He wants to feel himself thickening like a treetrunk or a haunch and see blood on his eyelids when he closes them, and the sun beating. This love of his is not something he can do if you aren’t there, but what you knew suddenly as you left your body cooling and whitening on the lawn was that you love him anywhere, even in this land of no memory, even in this domain of hunger. You hold love in your hand, a red seed you had forgotten you were holding. He has come almost too far. He cannot believe without seeing, and it’s dark here. Go back, you whisper, but he wants to be fed again by you. O handful of gauze, little bandage, handful of cold air, it is not through him you will get your freedom.

A girl a few feet away suddenly gasped, jumping up and down. “Ohmagod it’s Caleb Altair.” I glanced over my shoulder in the direction she was pointing, pulling away from my friends. Caleb headed a line of Juniors as he strode down the corridor like he owned every ounce of oxygen in it. His friends pointed us out and my gut tightened as his stony gaze slid over us. His fan club were eyeing him hopefully and I knew in the depths of my heart he wasn’t going to pass us by without comment. He slowed his pace, breathing in deeply. “Do you smell that guys?” He sniffed the air and my scowl grew. “Smells like a bunch of Orderless Fae pretending they deserve a place in our prestigious Academy.” “Is it raining assholes today?” Tory commented, turning away from him and for a moment it almost looked like he was going to crack a smile. “I have an Order,” Sofia muttered under her breath but Caleb’s Vampire hearing didn’t let her get away with it. “I wouldn’t go around reminding people of that, blondie. Being a Pegasus is worse than not having an Order.” His friend fist bumped him, nodding his agreement as he laughed. He was a tall guy with red hair and cold eyes. “Yeah I dunno how there are so many of them on campus,” the redhead jibed. “Only a freak would want to screw a horse.” Caleb chuckled at that, nodding firmly. “I think I’d rather give up my claim first.” His shitbag friends laughed their heads off as Caleb swept off down the hall to a stream of excited hoots. “God he’s awful,” I growled. “Ignore him Sofia.” “If I ever bump into him as a Pegasus, I’ll introduce him to my left hoof,” Sofia hissed and I raised my brows at the fire in her eyes. “I would so love to see that,” Tory laughed, then lowered her voice as she looked to me. “I wonder if we can use his Pegasus hate against him?” “Yeah, you should spread a rumour that he likes Pegasus ass,” Sofia whispered, a manic gleam in her eyes. I kinda liked this crazy side to her and couldn’t stop the laugh that bubbled from my throat. Diego stared at her in shock, then nodded keenly. “That would be fantastico, Sofia. I doubt anyone would believe us freaks though.” He winked at her and she blushed at his insinuation. (Darcy)

I’ll take care of it.” I snatched the offending bottle from the counter. “Are her sister and mother with her?” “Frankie, yeah. Natasha went to sleep in a guest room. Guess she felt like she could take a break because Dal’s feeling better.” I took the stairs two at a time. With each step I climbed, my spirits lifted. The lilt of Shortbread’s sweet, bell-like voice filled the corridor. Quiet, but unmistakably her. Why did it take me until today to realize I enjoyed her voice? Her sound? Her general existence? Maybe because it marked the one thing that wasn’t complete silence that my ears cherished. When I reached her door, I raised my fist, intending to knock. I couldn’t wait to show her the book. Childish pride filled me. I supposed this was what kids felt when they did something they knew would grant them their parents’ approval. I wouldn’t know. My parents rarely paid attention to my existence. “…can’t believe you didn’t tell me you two were having S-E-X.” Franklin abbreviated the last word, whisper-shouting in excitement. A chuckle lodged in my throat. I wasn’t one to eavesdrop, but staying back for a few moments to hear Dallas’s response wouldn’t enter the list of top ten-thousand worst things I’d done in my life. “How’s the sex?” Franklin demanded. “It’s okay, I guess.” Dallas coughed, still weak. “I’m not suffering.” Understatement of the generation, sweetheart. “Does that mean that you like him?” Frankie gasped, holding her breath. For an odd reason, I did the same. There was no pause, no hesitation, in Dallas’s response. (chapter 58)

A subtle twist in the corridors of perception, I am not what the mirror reflects or the thoughts insist. Neither my own echo, nor the orders of others, I am a shadow of thoughts, the dance is yet to come. In the theater of the mind, perceptions come together, I am not what I claim to be or your judgments define me. A fleeting mirage, a game of illusion, I am shaped by reflections, a profound fusion. I am not my own thinker, nor a projection of your mind, I am a silent echo, a complex reflection. In a kaleidoscope of perspectives, I find, I am what I see in your eyes, connected. Yet beneath this mask, one truth stands clear, I am more than the whispers others can hear. Beyond the veils of grandeur of perception, I am the essence of myself, the splendor of the soul.

earned Hunt a nickname whispered down every corridor and street in Crescent City: the Umbra Mortis. The Shadow of Death.

Stay here for a second – the rooms are down the next corridor. I want to scout it. Anna, teach Quinn the hand signal for wait-in-place.” “He’s just kidding,” Quinn whispered to Anna. “No, he’s not, you’re awful at them,” Anna said. “Sometimes I remember different hand signals that Brand might have used. It’s hard to sort through all the possibilities because his most popular hand signal isn’t really an instruction.

Then, in the corridors outside, in the noisy confusion of leave-taking, a boy had thrown an arm about Keating’s shoulders and whispered: “Run on home and get out of the soup-and-fish, Pete, and it’s Boston for us tonight, just our own gang; I’ll pick you up in an hour.” Ted Shlinker had urged: “Of course you’re coming, Pete. No fun without you. And, by the way, congratulations and all that sort of thing. No hard feelings. May the best man win.” Keating had thrown his arm about Shlinker’s shoulders; Keating’s eyes had glowed with an insistent kind of warmth, as if Shlinker were his most precious friend; Keating’s eyes glowed like that on everybody. He had said: “Thanks, Ted, old man. I really do feel awful about that A.G.A. medal—I think you were the one for it, but you never can tell what possesses those old fogies.” And now Keating was on his way home through the soft darkness, wondering how to get away from his mother for the night.

He ran toward the light. When he passed the corpse of his dead friend, he began to weep again. He picked up his sword. He tried to smash a crystal window with its hilt. The corridor oppressed him. Beyond the windows, the dead brains drifted. He ran on. 'You should have done it,'whispered Birkin Grif in the soft spaces of his skull; and, 'OUROBUNDOS!'giggled the insane door, as he fell through it and in to the desert wind. His cloak cracking and whipping about him, so that he resembled a crow with broken wings, he stumbled toward the black air-boat. His mind mocked him. His face was wet. He threw himself into the command-bridge. Green light swam about him, and the dead Northmen stared blindly at him as he turned on the power. He did not choose a direction, it chose him. Under full acceleration, he fled out into the empty sky.

As they opened the door, Maia heard Mrs. Carter’s voice raised loudly in the corridor. “Just remember this, Miss Minton: I shall always know. Always.” The twins looked at each other and giggled. “She’s warning her not to remove her corset,” they whispered. “Some of the other governesses tried to do it, but Mama can always tell!

What are we doing here?” Kat whispered. Stacy started down the corridor. “You don’t have to whisper. We’re alone.” Stacy stopped in front of the door with a keypad. She typed in a code and the door unlocked with an audible click. Kat entered. It was a corner office with a pretty great view up Park Avenue. Stacy flicked on the lights. The office was done in early American Elitism. Rich burgundy leather chairs with gold buttons sat atop a forest-green oriental carpet. Paintings of foxhunts hung on dark wood paneling. The expansive desk was pure oak. A large antique globe rested next to it. “Someone

Usually royals believed that going down to shop or eat in the lower part of the city was beneath their station. That’s why Talis and Mara almost always went there to escape prying eyes. Especially now, since if they were seen together, it would mean trouble for the both of them.   As they strolled down the freshly-washed cobblestone street, Mara whispered to Talis that her mother was still upset and they had to be careful.  “I told her it was my fault, but she still feels you were partially to blame. I feel awful, Talis.” Mara studied him, her eyes filled with apprehension. “You warned me not to go after that boar. I should have listened to you. I’m sorry.” “It’s alright. You’re safe, that’s all that matters to me.” Mara reached out and took his hand, eyes warm and tender. They continued walking together and took the trader’s way to Fiskar’s Market. Around the upper shops, down an alleyway stacked with crates, inside a warehouse door, past workers loading crates, until they reached the dark warehouse room that led to a corridor winding around and down to a lift.  The workers averted their eyes when they used the lift, as if they thought it wasn’t their business to notice a few royal kids stalking around in the building. Talis and Mara hopped on the lift. She grabbed his hand as the lift jolted, starting their descent several hundred feet down into the darkness.  Talis always felt a thrill from the descent as if uncertain whether they would ever arrive at the bottom. It was pitch black without a source of light. Mara cuddled close to Talis, her arms snaking around his waist, the soft exhalations of her breath landing on his neck. He felt uncomfortable and his heart raced. Her small fingers felt along his chest and she wormed her way even closer and started to whisper something in his ear.  The lift suddenly jolted as they reached the bottom. What was she going to say? She jumped out of the lift and dashed down the passageway until they reached Shade’s Gate next to the upper part of Fiskar’s Market. Talis frowned and wondered if he ever would understand the minds of girls. Today was Hanare, the sacred day of the Goddess Nacrea, eighth day of the week—a day free from study and work. At least for the royals. In Fiskar’s Market, most commoners still toiled, preparing for Magare, the first day of the week and market day. But still, children chased chickens lazily through the market stalls and old men played Chano, staring at the chipped granite pieces as if waiting for a mystery to unfold. 

Usually royals believed that going down to shop or eat in the lower part of the city was beneath their station. That’s why Talis and Mara almost always went there to escape prying eyes. Especially now, since if they were seen together, it would mean trouble for the both of them. As they strolled down the freshly-washed cobblestone street, Mara whispered to Talis that her mother was still upset and they had to be careful. “I told her it was my fault, but she still feels you were partially to blame. I feel awful, Talis.” Mara studied him, her eyes filled with apprehension. “You warned me not to go after that boar. I should have listened to you. I’m sorry.” “It’s alright. You’re safe, that’s all that matters to me.” Mara reached out and took his hand, eyes warm and tender. They continued walking together and took the trader’s way to Fiskar’s Market. Around the upper shops, down an alleyway stacked with crates, inside a warehouse door, past workers loading crates, until they reached the dark warehouse room that led to a corridor winding around and down to a lift. The workers averted their eyes when they used the lift, as if they thought it wasn’t their business to notice a few royal kids stalking around in the building. Talis and Mara hopped on the lift. She grabbed his hand as the lift jolted, starting their descent several hundred feet down into the darkness. Talis always felt a thrill from the descent as if uncertain whether they would ever arrive at the bottom. It was pitch black without a source of light. Mara cuddled close to Talis, her arms snaking around his waist, the soft exhalations of her breath landing on his neck. He felt uncomfortable and his heart raced. Her small fingers felt along his chest and she wormed her way even closer and started to whisper something in his ear. The lift suddenly jolted as they reached the bottom. What was she going to say? She jumped out of the lift and dashed down the passageway until they reached Shade’s Gate next to the upper part of Fiskar’s Market. Talis frowned and wondered if he ever would understand the minds of girls. Today was Hanare, the sacred day of the Goddess Nacrea, eighth day of the week—a day free from study and work. At least for the royals. In Fiskar’s Market, most commoners still toiled, preparing for Magare, the first day of the week and market day. But still, children chased chickens lazily through the market stalls and old men played Chano, staring at the chipped granite pieces as if waiting for a mystery to unfold.

Usually royals believed that going down to shop or eat in the lower part of the city was beneath their station. That’s why Talis and Mara almost always went there to escape prying eyes. Especially now, since if they were seen together, it would mean trouble for the both of them. As they strolled down the freshly-washed cobblestone street, Mara whispered to Talis that her mother was still upset and they had to be careful. “I told her it was my fault, but she still feels you were partially to blame. I feel awful, Talis.” Mara studied him, her eyes filled with apprehension. “You warned me not to go after that boar. I should have listened to you. I’m sorry.” “It’s alright. You’re safe, that’s all that matters to me.” Mara reached out and took his hand, eyes warm and tender. They continued walking together and took the trader’s way to Fiskar’s Market. Around the upper shops, down an alleyway stacked with crates, inside a warehouse door, past workers loading crates, until they reached the dark warehouse room that led to a corridor winding around and down to a lift. The workers averted their eyes when they used the lift, as if they thought it wasn’t their business to notice a few royal kids stalking around in the building. Talis and Mara hopped on the lift. She grabbed his hand as the lift jolted, starting their descent several hundred feet down into the darkness. Talis always felt a thrill from the descent as if uncertain whether they would ever arrive at the bottom. It was pitch black without a source of light. Mara cuddled close to Talis, her arms snaking around his waist, the soft exhalations of her breath landing on his neck. He felt uncomfortable and his heart raced. Her small fingers felt along his chest and she wormed her way even closer and started to whisper something in his ear. The lift suddenly jolted as they reached the bottom. What was she going to say? She jumped out of the lift and dashed down the passageway until they reached Shade’s Gate next to the upper part of Fiskar’s Market. Talis frowned and wondered if he ever would understand the minds of girls. Today was Hanare, the sacred day of the Goddess Nacrea, eighth day of the week—a day free from study and work. At least for the royals. In Fiskar’s Market, most commoners still toiled, preparing for Magare, the first day of the week and market day. But still, children chased chickens lazily through the market stalls and old men played Chano, staring at the chipped granite pieces as if waiting for a mystery to unfold. Old women

Something sticky slapped across her cheek and she fought to keep from screaming. She flailed her free hand out in front of her face. “Spiderweb,” Falco said. “It got me too.” His voice was calm, reassuring. They crept farther down the corridor. The hair on the back of Cass’s neck pricked up. She could swear they weren’t alone, that someone else was walking alongside them, toying with them. “Do you hear that?” she whispered. “I hear someone breathing.” “All I hear is you huffing and puffing,” he answered. Cass paused and held her breath. Sure enough, the hallway was silent except for Falco’s smooth, even exhalations. How could he be so calm when she was panting like a dying animal?

The journey through the house becomes a journey through time; with its small rooms and hidden corridors, its whispered asides and sudden revelations, it resembles a pilgrimage through life itself.

Usually royals believed that going down to shop or eat in the lower part of the city was beneath their station. That’s why Talis and Mara almost always went there to escape prying eyes. Especially now, since if they were seen together, it would mean trouble for the both of them. As they strolled down the freshly-washed cobblestone street, Mara whispered to Talis that her mother was still upset and they had to be careful. “I told her it was my fault, but she still feels you were partially to blame. I feel awful, Talis.” Mara studied him, her eyes filled with apprehension. “You warned me not to go after that boar. I should have listened to you. I’m sorry.” “It’s alright. You’re safe, that’s all that matters to me.” Mara reached out and took his hand, eyes warm and tender. They continued walking together and took the trader’s way to Fiskar’s Market. Around the upper shops, down an alleyway stacked with crates, inside a warehouse door, past workers loading crates, until they reached the dark warehouse room that led to a corridor winding around and down to a lift. The workers averted their eyes when they used the lift, as if they thought it wasn’t their business to notice a few royal kids stalking around in the building. Talis and Mara hopped on the lift. She grabbed his hand as the lift jolted, starting their descent several hundred feet down into the darkness. Talis always felt a thrill from the descent as if uncertain whether they would ever arrive at the bottom. It was pitch black without a source of light. Mara cuddled close to Talis, her arms snaking around his waist, the soft exhalations of her breath landing on his neck. He felt uncomfortable and his heart raced. Her small fingers felt along his chest and she wormed her way even closer and started to whisper something in his ear. The lift suddenly jolted as they reached the bottom. What was she going to say? She jumped out of the lift and dashed down the passageway until they reached Shade’s Gate next to the upper part of Fiskar’s Market. Talis frowned and wondered if he ever would understand the minds of girls. Today was Hanare, the sacred day of the Goddess Nacrea, eighth day of the week—a day free from study and work. At least for the royals. In Fiskar’s Market, most commoners still toiled, preparing for Magare, the first day of the week and market day. But still, children chased chickens lazily through the market stalls and old men played Chano, staring at the chipped granite pieces as if waiting for a mystery to unfold.

Usually royals believed that going down to shop or eat in the lower part of the city was beneath their station. That’s why Talis and Mara almost always went there to escape prying eyes. Especially now, since if they were seen together, it would mean trouble for the both of them.   As they strolled down the freshly-washed cobblestone street, Mara whispered to Talis that her mother was still upset and they had to be careful.  “I told her it was my fault, but she still feels you were partially to blame. I feel awful, Talis.” Mara studied him, her eyes filled with apprehension. “You warned me not to go after that boar. I should have listened to you. I’m sorry.” “It’s alright. You’re safe, that’s all that matters to me.” Mara reached out and took his hand, eyes warm and tender. They continued walking together and took the trader’s way to Fiskar’s Market. Around the upper shops, down an alleyway stacked with crates, inside a warehouse door, past workers loading crates, until they reached the dark warehouse room that led to a corridor winding around and down to a lift.  The workers averted their eyes when they used the lift, as if they thought it wasn’t their business to notice a few royal kids stalking around in the building. Talis and Mara hopped on the lift. She grabbed his hand as the lift jolted, starting their descent several hundred feet down into the darkness.  Talis always felt a thrill from the descent as if uncertain whether they would ever arrive at the bottom. It was pitch black without a source of light. Mara cuddled close to Talis, her arms snaking around his waist, the soft exhalations of her breath landing on his neck. He felt uncomfortable and his heart raced. Her small fingers felt along his chest and she wormed her way even closer and started to whisper something in his ear.  The lift suddenly jolted as they reached the bottom. What was she going to say? She jumped out of the lift and dashed down the passageway until they reached Shade’s Gate next to the upper part of Fiskar’s Market. Talis frowned and wondered if he ever would understand the minds of girls. Today was Hanare, the sacred day of the Goddess Nacrea, eighth day of the week—a day free from study and work. At least for the royals. In Fiskar’s Market, most commoners still toiled, preparing for Magare, the first day of the week and market day. But still, children chased chickens lazily through the market stalls and old men played Chano, staring at the chipped granite pieces as if waiting for a mystery to unfold.

Whispers of the Sou In the quiet realm where shadows play, A restless mind lost in the endless fray. No respite was found in the arms of sleep, Just wandering thoughts, in silence, deep. No words exist to capture the ache, The soul's turmoil, a relentless quake. In this vast expanse of unspoken pain, A heart's echo, a lone refrain. I walk the corridors of my own mind, A ceaseless journey, no rest to find. Words falter to describe the unknown, A symphony of thoughts in a world of their own. If emotion had language, would it speak of woe? Of dreams deferred and seeds that never grow. A paradox unfolds, reality's bitter twist, In the paradox of existence, a mystery persist. I am, yet why not, a question unanswered, In the tapestry of life, a thread unmastered. The universe weaves its cosmic design, Yet, in waiting, I linger, in the labyrinth of time. Thoughts dance like shadows, elusive, untamed, Yet consciousness binds, a truth unclaimed. A grand plan unfolds in the cosmic scheme, Yet, in the unfolding, reality may seem. I ponder the grandeur of the universe's art, Yet reality echoes, tearing worlds apart. For in the waiting, a patience wears thin, A relentless yearning for a destiny to begin. In the symphony of silence, a poet's plea, To articulate the ineffable, set emotions free. No language coined, no verse complete, In the corridors of thought, where echoes repeat. And as the stars bow to the night's embrace, A revelation dawns, a celestial grace. For in the quiet realm where shadows play, A serenade of hope whispers, lighting the way. In the tapestry of silence, a new verse is spun, A symphony of resilience, a battle not yet won. As the echoes fade, a metamorphosis takes flight, In the dance of shadows, emerges the eternal light.

In the silent cloister of the self, where intentions bloom profound, Like whispers of thoughts, soft as breezes ‘mongst leaves found. Nurturing, they do, the seeds of purpose, ever so deep, In this sacred communion, secrets of being, quietly they keep. Echoes ancient, resonate through the corridor of time, “As you sow, so shall you reap,” in rhythmic, eternal rhyme. A truth ageless, a guiding star in the night’s deep sweep, Teaching us, in the mind’s garden, what we sow, we’re destined to reap. For in this fabric, woven of dreams and thoughts so bright, Lies the landscape of our lives, bathed in inner light. Each seed of thought, a promise, in the soul’s keep, On this journey we traverse, sow with care, for ‘tis what we’ll reap.

Our house, throughout the ages, may always have been a place of secrets. Among the curtains, whispering, all the long corridors rustling with the confidences of unseen lips. We that lived there eventually got to hear everything. We were close knit, and at that time, Forever was our only world.

I’d like to fuck you right here in the corridor,” I murmur. “I’d happily take your little virgin pussy up against the wall, or in that big bed you’ll sleep in tonight.” I whisper the filthy words into her ear. “I’d delight in making all your dreams come true. However taboo, however dirty, whatever you need. I’d love to hold you down and defile you. Make you take my cock in every wicked position you can think of, and some you can’t begin to imagine.

While further exploring the first floor of the hospital, the friends discovered a dusty room filled with old photographs and crumbling letters; the room was labeled “Archives”. One picture caught their attention — a group of children in tattered school uniforms, their faces frozen in time. The letters spoke of longing and loneliness, and the pain of separation. “These kids do not look like they were at this school according to their own will. They look very sad, almost disturbed.” Emily said as she looked around, cautious of what may be in the basement of this place. Continuing on the main floor, a second room also had file cabinets in it but had no name on the door. Inside the room was an article from the Mountainside times of a time when the hospital had its own tale of tragedy and despair. During the war, the medical facility had been overwhelmed with wounded soldiers, and the staff struggled to provide adequate care. Rumors circulated of a nurse who, unable to cope with the constant death and suffering, succumbed to madness, killing 3 interns and one patient before being shot. It went on to say that since this incident, patients reported she still wandered the desolate corridors, her soft footsteps and distant sobs haunting those who dared to stay overnight. The war department cited an increase in transfer requests out of the hospital citing the interactions with “the inhabitants” that haunt the place. As the friends explored the hospital's abandoned wards and empty rooms, they could almost feel the weight of the past pressing down on them the whole time. Shadows danced along the peeling wallpaper, and the air was filled with an otherworldly chill and the dampness of a bog. Every creak and groan of the building seemed to whisper the stories of those who had lived and died within its walls. Its decrepit walls and shattered windows bathed in the ghostly light of the full moon.