“
If you want to know what's in motherhood for you, as a woman, then - in truth - it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whisky with revolutionaries; learning to do close-hand magic; swimming in a river in winter; growing foxgloves, peas and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a moment that childless men have missed out on a vital aspect of their existence, and were the poorer, and crippled by it.
”
”
Caitlin Moran (How to Be a Woman)
“
I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
”
”
Daphne Gottlieb (Final Girl)
“
You can never rouse Harris. There is no poetry about Harris- no wild yearning for the unattainable. Harris never "weeps, he knows not why." If Harris's eyes fill with tears, you can bet it is because Harris has been eating raw onions, or has put too much Worcester over his chop.
If you were to stand at night by the sea-shore with Harris, and say:
"Hark! do you not hear? Is it but the mermaids singing deep below the waving waters; or sad spirits, chanting dirges for white corpses held by seaweed?" Harris would take you by the arm, and say:
"I know what it is, old man; you've got a chill. Now you come along with me. I know a place round the corner here, where you can get a drop of the finest Scotch whisky you ever tasted- put you right in less than no time."
Harris always does know a place round the corner where you can get something brilliant in the drinking line. I believe that if you met Harris up in Paradise (supposing such a thing likely), he would immediately greet you with:
"So glad you've come, old fellow; I've found a nice place round the corner here, where you can get some really first-class nectar.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
I couldn’t believe it when I learned that people actually ‘practised the occult’. These freaks with white make-up and black robes would come up to us after our gigs and invite us to black masses at Highgate Cemetery in London. I’d say to them, ‘Look, mate, the only evil spirits I’m interested in are called whisky, vodka and gin.’
”
”
Ozzy Osbourne (I Am Ozzy)
“
. . . you know who Polworth is?"
"Your best mate," said Robin.
"He's my oldest mate," Strike corrected her. "My best mate . . . "
For a split second he wondered whether he was going to say it, but the whisky had lifted the guard he usually kept upon himself: why not say it, why not let go?
" . . . is you."
Robin was so amazed, she couldn't speak. Never, in four years, had Strike come close to telling her what she was to him. Fondness had had to be deduced from offhand comments, small kindnesses, awkward silences or gestures forced from him under stress. She'd only once before felt as she did now, and the unexpected gift that had engendered the feeling had been a sapphire and diamond ring, which she'd left behind when she walked out on the man who'd given it to her.
She wanted to make some kind of return, but for a moment or two, her throat felt too constricted.
"I . . . well, the feeling's mutual," she said, trying not to sound too happy.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Becoming a writer is a polite way of saying you've chosen alcoholism as a career.
”
”
Joe Ducie
“
His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
I had zero idea of what I was doing.. I honestly had no idea where to start. All I knew was I had something I craved to say.. I wanted to create art that lived on longer than I do. Perseverance and teaching yourself, every day through stress and hard work proves shit really does progress without you realizing. One minute you're an amateur, knowing nothing, not even the basics. The next you can put pen to paper, write a song, and create art in such little time! It's crazy beautiful.
”
”
scott mcgoldrick
“
GONE TO STATIC
it sounds better than it is,
this business of surviving,
making it through
the wrong place
at the wrong time
and living
to tell.
when the talk shows and movie credits
wear off, it's just me and my dumb
luck. this morning
I had that dream again:
the one where I'm dead.
I wake up and nothing's
much different. everything's gone
sepia, a dirty bourbon glass
by the bed, you're
still dead.
I could stumble
to the shower,
scrub the luck of breath off my skin
but it's futile.
the killer always wins.
it's just a matter
of time.
and I have
time. I have grief and liquor to
fill it. tonight, the liquor and I are
talking to you. the liquor says, 'remember'
and I fill in the rest, your hands, your smile.
all those times. remember.
tonight the liquor and I
are telling you about our day.
we made it out of bed. we miss you.
we were surprised by the blood between
our legs. we miss you. we made it to the video
store, missing you. we stopped
at the liquor store
hoping the bourbon would stop
the missing. there's always more
bourbon, more missing
tonight, when we got home,
there was a stray cat
at the door.
she came in.
she screams to be touched.
she screams
when I touch her.
she's right
at home.
not me.
the whisky is open
the vcr is on.
I'm running
the film backwards
and one by one
you come back to me,
all of you.
your pulses stutter to a begin
your eyes go from fixed to blink
the knives come out of your chests, the chainsaws
roar out
from your legs
your wounds seal over
your t-cells multiply, your tumors shrink
the maniac killer
disappears
it's just you and me
and the bourbon and the movie
flickering together
and the air breathes us and I
am home, I am
lucky
I am right
before everything
goes black
”
”
Daphne Gottlieb (Final Girl)
“
I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.
”
”
Iain Banks (The Crow Road)
“
Ordering drinks always floored me. I didn't know whisky from gin and
never managed to get anything I really liked the taste of. Buddy Willard and
the other college boys I knew were usually too poor to buy hard liquor or
they scorned drinking altogether. It's amazing how many college boys don't
drink or smoke. I seemed to know them all. The farthest Buddy Willard ever
went was buying us a bottle of Dubonnet, which he only did because he was
trying to prove he could be aesthetic in spite of being a medical student.
"I'll have a vodka," I said.
The man looked at me more closely. "With anything?"
"Just plain," I said. "I always have it plain."
I thought I might make a fool of myself by saying I'd have it with ice
or gin or anything. I'd seen a vodka ad once, just a glass full of vodka
standing in the middle of a snowdrift in a blue light, and the vodka looked
clear and pure as water, so I thought having vodka plain must be all right.
My dream was someday ordering a drink and finding out it tasted wonderful.
”
”
Sylvia Plath (The Bell Jar)
“
I’d say he’s about 5’12,” Sebastian said.
“That’s 6’,” Whisky said.
“Yeah, same thing.
”
”
J.S. Mason (Whisky Hernandez)
“
How could he say, look, I've tried not to fancy you since you first took your coat off in this office. I try not to give names to what I feel for you, because I already know it's too much, and I want peace from the shit that love brings in its wake. I want to be alone, and unburdened, and free.
But I don't want you to be with anyone else. I don't want some other bastard to persuade you into a second marriage. I like knowing the possibility's there, for us to, maybe . . .
Except, it'll go wrong, of course, because it always goes wrong, because if I were the type for permanence, I'd already be married. And when it goes wrong, I'll lose you for good, and this thing we've built together, which is literally the only good part of my life, my vocation, my pride, my greatest achievement, will be forever fucked, because I won't find anyone I enjoy running things with, the way I enjoy running them with you, and everything afterward will be tainted by the memory of you.
If only she could come inside his head and see what was there, Strike thought, she'd understand that she occupied a unique place in his thoughts and in his affections. He felt he owed her that information, but was afraid that saying it might move this conversation into territory from which it would be difficult to retreat.
But from second to second, sitting here, now with more than half a bottle of neat whisky inside him, a different spirit seemed to move inside him, asking himself for the first time whether determined solitude was what he really wanted, for evermore.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
You talk to the night
I was her first, you say.
And you'll say
You knew me once
When my dress was made of autumn leaves
And my hair a smoldering fire
As you smoke your cigar
Sip whisky with its peaty smoke.
Memory fades, but never that.
A kiss among furs,
Another kind of fire.
”
”
Janet Fitch (The Revolution of Marina M. (The Revolution of Marina M. #1))
“
He got up from the floor and reached for the whisky bottle. Nick held out his glass. His eyes fixed on it while Bill poured. Bill poured the glass half full of whisky. “Put in your own water,” he said. “There’s just one more shot.” “Got any more?” Nick asked. “There’s plenty more but dad only likes me to drink what’s open.” “Sure,” said Nick. “He says opening bottles is what makes drunkards,” Bill explained. “That’s right,” said Nick. He was impressed. He had never thought of that before. He had always thought it was solitary drinking that made drunkards.
”
”
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
“
Gavin meets us outside the cottage. I notice he’s carrying weapons, as if he’s been training for this.
He glances at my sword and his lips quirk up. “Now this sight brings back fond memories. Though I admit, I miss the torn dresses. Trousers just don’t have the same touch of reckless insanity.”
I roll my eyes. “Trust you to flirt with me right before a battle. What happened to Brooding Gavin?”
“Brooding Gavin had a city to protect,” he says. “All I have now is my own arse. Oh, and this whisky.” He pulls open his coat and the bottle is right there in the inside pocket. He’s actually determined to save that shite single malt.
“You’re ridiculous,” I tell him.
Aithinne, however, brightens when she sees it. “Thank god,” she says. “Save a dram for me. I always like a spot of whisky after I murder things.”
God help me. Or kill me now. Just put me out of my misery.
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
It seems that Good Time Charley always keeps a stock of rock candy and rye whisky on hand for touches of the grippe, and he gives me a few doses immediately, and in fact Charley takes a few doses with me, as he says there is no telling but what I am scattering germs of my touch of the grippe all around the joint, and he must safe-guard his health.
”
”
Damon Runyon (Runyon on Broadway)
“
Alcohol, the drug of choice in professional life, puts us to sleep, but then we wake and can't get back to sleep. 'Do you take a nip of whisky or not? Or do you put up with it? There are penalty clauses to all of these sleep-inducers,' [Former Australian Greens Leader Bob Brown] says. I knew this from medical school. It turns on you in the middle of the night.'
”
”
Fleur Anderson (On Sleep)
“
You have been going on about pride like it was a bad thing, and I disagree with you. A man’s pride is about the only thing he has that’s worth having, and is what sets him apart from the pack. We have argued this before, Judge, and I guess I will say this time that a man that doesn’t have it is a pretty poor specimen and apt to take to whisky for the lack. For all whisky is, is pride you can pour in your belly.
”
”
Oakley Hall (Warlock (Legends West, #1))
“
"Will you, as they say, say when?" he asked, standing at Eustace's elbow with the whisky decanter and a glass.
"Stop, stop I've got to sit up and do some work when I get back."
"Work, work, the word is always on your lips, Eustace, but I never see you doing any, I'm glad to say."
"I put it away when you come, of course," said Eustace. "I take it out when Hilda comes."
"I think I shall send for her."
”
”
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
“
'I try to give 'em a reason, you see. It helps folks if they can latch on to a reason. When I come to town, which is seldom, if I weave a little and drink out of this sack, folks can say Dolphus Raymond's in the clutches of whisky - that's why he won't change his ways. He can't help himself, that's why he lives the way he does . . . it ain't honest but it's mighty helpful to folks.'
'You mean all you drink in that sack's Coca Cola? Just plain Coca Cola?'
'Yes, ma'am. . .'
”
”
Harper Lee (To Kill a Mockingbird)
“
If you can't tell from my rap lyrics already, yes I am a feminist. And when I'm saying "hoe" or "bitch" I am actually referring to men. ...That sounded bad, in someway. But at the end of the day, I'm sick of rappers using "bitches" and "hoes" as terms towards women. Feminists are NOT a hate group. Feminists are not all female. Nor has it got an anti-male agenda. It's about equality! I've had a weird, special bond with women since I was a kid. And it's just a shame really that I'm gay.
”
”
scott mcgoldrick
“
For what is this sea, this atmosphere, doing within the eight-inch diameter of your skull? (I say nothing of the sun and the galaxy which are also there.) At the center of the beholder there must be space for the whole, and this nothing-space is not an empty nothing but a nothing reserved for everything. You can feel this nothing-everything capacity with ecstasy and this was what I actually felt in the jet. Sipping whisky, feeling the radiant heat that rose inside, I experienced a bliss that I knew perfectly well was not mad.
”
”
Saul Bellow (Humboldt's Gift)
“
It would be boring to say how much we laughed. He lay in his bed, and told stories, and would go quiet - asleep? - and then he would giggle, and then I would giggle, and he would say, 'You put the phone down,' and I would say, 'No, you put the phone down.'
At one point, he staggered in for a piss, three feet from where I lay - a thunderous unloading of whisky, Guinness and gin.
'You put the phone down,' he said.
'No - you put the phone down.'
'Love you, babe.'
He flushed, and went back to bed
We were like two kids on a camping holiday.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
Tell me, Mar,” she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—“Tell me, Mar,” she would say, “about Cape Horn.” Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two. “Here’s the north,” he would say. “There’s the south. The wind’s coming from hereabouts. Now the Brig is sailing due west; we’ve just lowered the top-boom mizzen; and so you see—here, where this bit of grass is, she enters the current which you’ll find marked—where’s my map and compasses, Bo’sun?—Ah! thanks, that’ll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—” and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves, the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say and so when she replied, Yes, negresses are seductive, aren’t they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning. “Are you positive you aren’t a man?” he would ask anxiously, and she would echo, “Can it be possible you’re not a woman?” and then they must put it to the proof without more ado.
”
”
Virginia Woolf (Orlando: A Biography)
“
I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very
hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood
and asked:
‘God?’
‘Yeah.’
‘S’pose it’s time someone finished that hypocritical little punk, always bragging about
his old man’s power…’
He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied
weakly:
‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and
shit, like one of those dogs that try to fuck your leg. Something in me snapped, the
whingeing had ground me down too low. I really hated that sanctimonious little creep.’
‘So you snuffed him?’
‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was
an ecstasy, I never knew I could hate so much.’
I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my
throat. We were silent for a few moments. The barman looked at me levelly, the edge of
his eyes twitching slightly with anxiety:
There’ll be trouble though, don’tcha think?’
‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’
‘You know what they say about his old man? Ruthless bastard they say. Cruel…’
‘I just hope I’ve hurt him, if he even exists.’
‘Woulden wanna cross him merself,’ he muttered.
I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there.
The fan rotated languidly, casting spidery shadows across the room. We sat in silence a
little longer. The barman broke first:
‘So God’s dead?’
‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’
The barman worked at one of his teeth with his tongue, uneasily:
‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops
goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not
just breaking a law, your breaking LAW.’
I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot
of blood fell down into my whisky, and dissolved. I smiled:
‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we
have killed him’ writes Nietzsche, but—destituted of community—I crave a little time
with him on my own.
In perfect communion I lick the dagger foamed with God’s blood.
”
”
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
“
Don't you drink? I notice you speak slightingly of the bottle. I have drunk since I was fifteen and few things have given me more pleasure. When you work hard all day with your head and know you must work again the next day what else can change your ideas and make them run on a different plane like whisky? When you are cold and wet what else can warm you? Before an attack who can say anything that gives you the momentary well-being that rum does?... The only time it isn't good for you is when you write or when you fight. You have to do that cold. But it always helps my shooting. Modern life, too, is often a mechanical oppression and liquor is the only mechanical relief.
”
”
Charles River Editors (American Legends: The Life of Ernest Hemingway)
“
Before Keir MacRae arrived, everything was normal. Now there's been stabbings, explosions, and debauchery, and my sensible older sister is engaged to a Scottish whisky distiller. What's happened to you? You're supposed to be level-headed!"
Merritt tried to sound dignified. "Just because one is usually level-headed doesn't mean one is always level-headed."
"You won't be comprised if no one knows about it," Luke said. "And God knows none of us are going to say anything."
The duke intervened, his voice so dry one could have struck a match off it. "My boy, you're missing the point. Your sister wants to be compromised."
Ethan Ransom, who had been inching toward the stairs, ventured, "I don't need to be part of this conversation. I'm going up to see my wife.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Weak and trembling from passion, Major Flint found that after a few tottering steps in the direction of Tilling he would be totally unable to get there unless fortified by some strong stimulant, and turned back to the club-house to obtain it. He always went dead-lame when beaten at golf, while Captain Puffin was lame in any circumstances, and the two, no longer on speaking terms, hobbled into the club-house, one after the other, each unconscious of the other's presence. Summoning his last remaining strength Major Flint roared for whisky, and was told that, according to regulation, he could not be served until six. There was lemonade and stone ginger-beer. You might as well have offered a man-eating tiger bread and milk. Even the threat that he would instantly resign his membership unless provided with drink produced no effect on a polite steward, and he sat down to recover as best he might with an old volume of Punch. This seemed to do him little good. His forced abstemiousness was rendered the more intolerable by the fact that Captain Puffin, hobbling in immediately afterwards, fetched from his locker a large flask of the required elixir, and proceeded to mix himself a long, strong tumblerful. After the Major's rudeness in the matter of the half-crown, it was impossible for any sailor of spirit to take the first step towards reconciliation.
Thirst is a great leveller. By the time the refreshed Puffin had penetrated half-way down his glass, the Major found it impossible to be proud and proper any longer. He hated saying he was sorry (no man more) and he wouldn't have been sorry if he had been able to get a drink. He twirled his moustache a great many times and cleared his throat--it wanted more than that to clear it--and capitulated.
"Upon my word, Puffin, I'm ashamed of myself for--ha!--for not taking my defeat better," he said. "A man's no business to let a game ruffle him."
Puffin gave his alto cackling laugh.
"Oh, that's all right, Major," he said. "I know it's awfully hard to lose like a gentleman."
He let this sink in, then added:
"Have a drink, old chap?"
Major Flint flew to his feet.
"Well, thank ye, thank ye," he said. "Now where's that soda water you offered me just now?" he shouted to the steward.
The speed and completeness of the reconciliation was in no way remarkable, for when two men quarrel whenever they meet, it follows that they make it up again with corresponding frequency, else there could be no fresh quarrels at all. This one had been a shade more acute than most, and the drop into amity again was a shade more precipitous.
”
”
E.F. Benson
“
A Feegle Glossary, adjusted for those of a delicate disposition Bigjobs: Human beings. Blethers: Rubbish, nonsense. Carlin: Old woman. Cludgie: The privy. Crivens!: A general exclamation that can mean anything from “My goodness!” to “I’ve just lost my temper and there is going to be trouble.” Dree your/my/his/her weird: Face the fate that is in store for you/me/him/her. Geas: A very important obligation, backed up by tradition and magic. Not a bird. Eldritch: Weird, strange. Sometimes means oblong, too, for some reason. Hag: A witch of any age. Hagging/Haggling: Anything a witch does. Hiddlins: Secrets. Mudlin: Useless person. Pished: I am assured that this means “tired.” Scunner: A generally unpleasant person. Scuggan: A really unpleasant person. Ships: Wooly things that eat grass and go baa. Easily confused with the other kind. Spavie: See Mudlin. Special Sheep Liniment: Probably moonshine whisky, I am very sorry to say. No one knows what it’d do to sheep, but it is said that a drop of it is good for shepherds on a cold winter’s night and for Feegles at any time at all. Do not try to make this at home. Waily: A general cry of despair.
”
”
Terry Pratchett (A Hat Full of Sky (Discworld, #32))
“
Because he’d talked to her about Catriona Bruce. He must be a lonely man. Living all on his own in that house since his mother died. Suddenly he had company, someone sympathetic, wanting him to talk, listening to him. Perhaps she had her own reasons for encouraging him to speak. She wanted his stories for her film. Perhaps she was just a nice kid who felt sorry for him. And the temptation was too much for him. Perhaps he’d had a whisky or two and that loosened his tongue. Whatever.’ ‘I can see that,’ Perez said. ‘I can even see him killing her afterwards to keep the whole thing quiet. But I can’t see him going into the Ross house, searching her room and finding the disk, finding the script and wiping all trace of it from the PC. I don’t get that.’ They sat looking at each other for a moment in silence. Taylor stretched, shuffled in his chair. He’d told Perez he had a bad back, disc trouble, that was why he couldn’t sit still, but Perez wasn’t convinced. It was the man’s mind that didn’t know how to rest, not his body. ‘So what do we do about it?’ Taylor said. ‘Time’s running out for me. I’ve promised I’ll be back at the end of the week. Any longer than that and they’ll start talking about a disciplinary.’ ‘I’m going to take another trip to the Anderson,’ Perez said. ‘Check she didn’t hand the film in early, give it to a friend to look at. If the film is safe we have to let the whole thing go. Like you said, the note on the back of the receipt incriminates Magnus. It shows he talked to her about Catriona. Euan says there’s no other way she could have known about the girl.’ Taylor stood up, lifting the plan with both hands on his way.
”
”
Ann Cleeves (Raven Black (Shetland Island, #1))
“
You... you were telling me about your diet?"
"Well, mostly I was raised on milk, potatoes, dulse, fish-"
"I beg your pardon, did you say 'dulse'? What is that, exactly?"
"A kind of seaweed," MacRae said. "As a lad, it was my job to go out at low tide before supper and cut handfuls of it from the rocks on shore." He opened a cupboard to view a small store of cooking supplies and utensils. "It goes in soup, or you can eat it raw." He glanced at her over his shoulder, amusement touching his lips as he saw her expression.
"Seaweed is the secret to good health?" Merritt asked dubiously.
"No, milady, that would be whisky. My men and I take a wee dram every day." Seeing her perplexed expression, her continued, "Whisky is the water of life. It warms the blood, keeps the spirits calm, and the heart strong."
"I wish I liked whisky, but I'm afraid it's not to my taste."
MacRae looked appalled. "Was it Scotch whisky?"
"I'm not sure," she said. "Whatever it was, it set my tongue on fire."
"It was no' Scotch, then, but rotgut. Islay whisky starts as hot as the devil's whisper... but then the flavors come through, and it might taste of cinnamon, or peat, or honeycomb fresh from the hive. It could taste of a long-ago walk on a winter's eve... or a kiss you once stole from your sweetheart in the hayloft. Whisky is yesterday's rain, distilled with barley into a vapor that rises like a will-o'-the-wisp, then set to bide its time in casks of good oak." His voice had turned as soft as a curl of smoke. "Someday we'll have a whisky, you and I. We'll toast health to our friends and peace to our foes... and we'll drink to the loves lost to time's perishing, as well as those yet to come.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Dear Jon,
A real Dear Jon letter, how perfect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one paragraph in and I’ve already fucked this.
I’m writing this because I can’t say any of this to you face-to-face. I’ve spent the last few months questioning a lot of my friendships and wondering what their purpose is, if not to work through big emotional things together. But I now realize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the literal sense, but I know you all would have done anything to fix me other than listening to me talk and allowing me to be sad without solutions. And now I am writing this letter rather than picking up the phone and talking to you because, despite every thing I know, I just don’t want to, and I don’t think you want me to either.
I lost my mind when Jen broke up with me. I’m pretty sure it’s been the subject of a few of your WhatsApp conversations and more power to you, because I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt.
If you do a high-fat, high-protein, low-carb diet and join a gym, it will be a good distraction for a while and you will lose fat and gain muscle, but you will run out of steam and eat normally again and put all the weight back on. So maybe don’t bother. Drunkenness is another idea. I was in blackout for most of the first two months and I think that’s fine, it got me through the evenings (and the occasional afternoon). You’ll have to do a lot of it on your own, though, because no one is free to meet up any more. I think that’s fine for a bit. It was for me until someone walked past me drinking from a whisky miniature while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only person I’ve ever told this story.
None of your mates will be excited that you’re single again. I’m probably your only single mate and even I’m not that excited. Generally the experience of being single at thirty-five will feel different to any other time you’ve been single and that’s no bad thing.
When your ex moves on, you might become obsessed with the bloke in a way that is almost sexual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do sometimes.
If you open up to me or one of the other boys, it will feel good in the moment and then you’ll get an emotional hangover the next day. You’ll wish you could take it all back. You may even feel like we’ve enjoyed seeing you so low. Or that we feel smug because we’re winning at something and you’re losing. Remember that none of us feel that.
You may become obsessed with working out why exactly she broke up with you and you are likely to go fully, fully nuts in your bid to find a satisfying answer. I can save you a lot of time by letting you know that you may well never work it out. And even if you did work it out, what’s the purpose of it? Soon enough, some girl is going to be crazy about you for some undefinable reason and you’re not going to be interested in her for some undefinable reason. It’s all so random and unfair – the people we want to be with don’t want to be with us and the people who want to be with us are not the people we want to be with.
Really, the thing that’s going to hurt a lot is the fact that someone doesn’t want to be with you any more. Feeling the absence of someone’s company and the absence of their love are two different things. I wish I’d known that earlier. I wish I’d known that it isn’t anybody’s job to stay in a relationship they don’t want to be in just so someone else doesn’t feel bad about themselves.
Anyway. That’s all. You’re going to be okay, mate.
Andy
”
”
Dolly Alderton (Good Material)
“
He was so very gentle, despite his power and size, his fingertips sliding over her in light, beguiling patterns. His focus on her, his awareness of every sound, pulse, shiver, was absolute. His low voice tickled her ear as he murmured how beautiful she was, how good she felt, how hard she made him... and all the while, the thick shaft kept sinking deeper and deeper.
By the time he filled her completely, she was feverish with need. A little sob of anticipation escaped her as he began to move. But every thrust was long and agonizingly slow, withholding the last bit of stimulation she needed. He held her more closely now, his weight on her from pelvis to breasts, while his hips rolled and circled, drawing up new surges of feeling. His mouth lowered to one of her breasts, licking and gently gnawing at the erect nipple. Squirming in frustration, she pushed her hips upward, but he pulled back reflexively.
"No, love. I could hurt you."
"You won't. Please... Keir..."
"Please what?"
"I need more."
His laugh, a smolder of a sound, could have come from the devil himself. "I dinna think you can take more than this, darlin'."
"I can." She strained against him.
"This deep?" he asked, reaching places in her that had never been touched before.
She shook at the pleasure of it. "Oh, God. Yes."
His hands grasped her hips, keeping them angled firmly upward as he pumped in a steady rhythm. Slow in... slow out...
"Faster," she said desperately.
"No' yet," he whispered.
"Please," she begged.
His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt."
She whimpered as he rolled his hips gently, his hardness caressing everywhere inside. The deliberate pace didn't alter, no matter how she tried to drive herself harder onto the rigid length of him. Every time she began to plead for more, his mouth came to hers in another one of those obliterating kisses.
None of this was what she'd expected. Her husband had been a considerate lover, doing everything she liked and giving her exactly what she wanted. Keir, however, was doing the exact opposite. He delighted in tormenting her until she didn't recognize herself in the frantic creature she'd become. He was absolutely wicked, shameless, making love to her in ways that felt unimaginably good, always holding satisfaction just out of reach.
"You give me so much pleasure, darlin'... more than a body can stand. The way you hold me so tight inside... like that... I can feel you pulling at me. Your wee, hungry body wants me deeper, aye? Put your hands on me... anywhere... ah, how I love your sweet touch...
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Your grandmother always used to say that we’re all on the same dancefloor, but we all dance to different songs and some of us dance to shorter songs than others.”
Some of us don’t even stay for the duration of the song, Rowan thought bitterly. He did remember his granny saying that, that the world was a big dancefloor.
“Well, your song is a beautiful composition. Any woman with a bit of common sense will see that.” His grandfather squeezed Rowan’s arm again, took a sip of his whisky and moved to the safer topic of the following week’s football games. An interest in football was a trait Rowan had missed from both sides of his family.
”
”
Pamela Harju (Sympathetic Strings)
“
I think everyone has that voice that says they aren't enough. Some people just hear it louder than others.
”
”
Elliot Fletcher (Whisky Business (The Macabe Brothers, #1))
“
Since when do you care, Cam?” I set my whisky glass down and stepped up to her, meeting her toe to toe. Her breath hitched as she met my gaze, our bodies almost touching. “I care about you,” I whispered. “It may be crazy. I may not have a single shot in hell with you. But I care, Hal. I care a lot. And I like you more than I should.” She swallowed hard, her gaze dancing with something I couldn’t quite read. “It is crazy. Because if I didn’t know any better, I’d say you want me.” “I do want you. I want you like a garden wants the sun. When I see you, I can’t see anything else. I want you and no one else. Maybe I’ve always wanted you.” I didn’t care if I sounded like some crazy country poet saying those things, I meant every word. “So you bullied me? Because you liked me?” “I wasn't raised to express my emotions in a healthy way, I was terrible to you for a lot of reasons, Haley. Reasons it took me years of therapy to figure out. Some of those reasons had nothing to do with you. One of those reasons was that I liked you but I also felt threatened by you. And my teenage, dumbass, hormone-riddled brain didn't know how to process more than one feeling at a time. I'm not that guy anymore, though. I've grown up.” “Threatened by me? What did I ever do to threaten you?” I sucked in a breath. This conversation had gone through my head a thousand times, and now it was here. Being honest fucking sucked sometimes, but I was going to be truthful. “You didn't do anything. It was more that you represented change. Nothing ever changes in Citrus Cove. People are born, live, and die here. But one day the Bently girls show up out of nowhere. And, let me tell you it took dozens of hours and thousands of dollars of therapy to figure out why it was only ever you I was terrible to, but you coming to town, it meant that things don't stay the same forever. I didn't know that was why at the time, but you represented the possibility of more, but also the possibility of loss. And we had just lost my grandmother and I couldn't deal with something new. All that, and I had a stupid boyhood crush on you. But I'm not a boy anymore.” “No, you’re not,” she said, the corner of her mouth tugging. “You’ve grown up.
”
”
Clio Evans (Broken Beginnings (Citrus Cove, #1))
“
I love single malts. Especially the old Islay whiskies. They say age removes the fire but leaves the warmth. I like that.” You
”
”
Barry Eisler (A Lonely Resurrection (John Rain #2))
“
Is D looking out for you?” he wanted to know. “Making sure you don’t get into trouble?” “What do you mean?” “You always had your own rules about things. Like that boy you ran around with when I first met you.” “Kibii?” “That’s right.” He tipped his cocktail glass back and pulled the whisky along the rim through his teeth. “You were always a bit of a savage here, weren’t you?” “I can’t think what you’re implying. And anyway, you seemed to admire my hunting with Kibii when we first met. Now I’m a savage?” “I’m only saying that what you do reflects on me. The way you were brought up out here, running around with God knows who doing God knows what…and now you’re off at D’s, a woman alone surrounded by men. It smacks of trouble.” “I’m working, not taking dozens of lovers.” “I’d hear of it in an instant if you were,” he said flatly. His eyes flicked away and returned. “You’ve already put me in quite a position.” “I’ve put you in a position? Just give me the damned divorce and let’s have done with it.” Before
”
”
Paula McLain (Circling the Sun)
“
Yesterday evening Mickey and I and other deluded WAAFs went through the blackout and into the wilds of Hammersmith enduring the journey with the thought of the rollicking, witty West End show, Broadway Follies, studded with stars, to which we WAAFs had been invited free. I might say frightful, I might say terrible, awful, boring, tedious, but they only reveal the inadequacy of words. After the third hour, or so it seemed, I was convinced that I had died and was in hell, watching turn after turn in unending procession, each longer, each less funny, each more unbelievably bad than the last. During the interval, Hendon WAAFs rushed to the bar, scruffy WAAFs, obviously from West Drayton, sat still rollicking with mirth in the Stalls. We tossed back whisky and ginger beer and watched in a stupor the longer, duller, apparently unending second half. After came the journey back in the blackout made blue by our opinions of the evening.
”
”
Joan Rice (Sand In My Shoes: Coming Of Age In The Second World War: A WAAF's Diary)
“
Look, sorry to almost take you out. I thought you were his soon-to-be ex, too.” Syn walked over to the couch to get his jacket.
“Sure. Whatever, Captain America,” Doug quipped angrily.
Syn barked a laugh, putting his coat on. Furi walked over to him, keeping his back to his friend. Wanting to say something, anything to Syn before he left.
“You talked to him about me?” Syn didn’t know if he was upset or not about that. He guessed it depended what Furi said.
“A couple days back. When I left upset after those college bastards took a cheap shot at me.” Furi huffed. “I was pissed, okay. I didn’t know what you wanted from me. I thought it was just–”
Syn moved in close, looking directly at him. “Just what? That you thought I only wanted to play around and experiment with you? Is that what you think?"
“Not after what just happened tonight, no. But at that time, I thought so, yes. I only called Doug for a little comfort.” Furi’s voice was deep and raspy, his tight body pressed up close against Syn's.
“I’m sure he comforts you damn good, too,” Syn hissed before he could think better of blurting that out. Wow. Really?
"It’s not like that. Doug is my friend.”
“A friend who just happened to come by after one in the morning and bust through the door to get to you.”
“Stop cutting me off. Doug is straight and not my type even if he weren't. I don’t do jealousy, Syn. So knock it off.” Furi leaned in and brushed Syn’s neck with his lips.
“Well, he pops up and it’s late as fuck, so what am I to think?” Syn whispered.
“Hey, I’m not gonna fuck around with you if I’m already fucking around with someone else. I’m not that type of guy.”
Furi moaned in Syn’s ear when he buried his thick palm in Furi's hair, soothingly massaging his scalp. Syn’s deep whisky-rough voice penetrated his brain. “I’m sorry. I’m just all screwed up right now; with you and me, what happened tonight. I just really wish we hadn’t been interrupted.”
“Me too.”
Syn wrapped his arms around Furi’s narrow waist. “I want to spend more time with you. I need to spend more time with you.”
“We will.”
“Why do you look upset?" Syn asked.
“I’m nervous about the call you just got.” Furi released a shaky breath.
“It’s okay. We’ll catch this person soon.” Syn held Furi’s hand, making his way to the door.
“Yeah. Sounds like someone is after Illustra’s entertainers,” Doug piped up from his position on the arm of the couch.
“My team is good. We’ll catch 'em.” Syn turned to Doug, “I’ll need you to come back to the precinct first thing tomorrow.”
“Why?” the man asked with an exaggerated huff.
“Because I said so. You were at Illustra not long ago, right?” Syn pulled out his keys while talking, not letting Doug answer. “That means the murder may’ve happened while you were there. So, like I said, I’ll need you to come back in the morning. For now. Stay here with Furi.”
Syn took Furi by the shoulders, turning him to face him. “Any shit comes up, you call me on my cell.” Syn handed Furi a card from his inside jacket pocket. “If you have any problems; and I mean any at all, you call me immediately. I’m going to have the beat officer for this area do regular drive-bys to check for activity. Especially since your door is broken now.” Syn glared in Doug’s direction.
Furi nodded his head. “Okay.”
“I mean it.”
Syn smiled and kissed Furi’s cheek like a perfect gentlemen. He leaned in and inhaled his hair one more time, whispering into it, causing Furi to quiver. “Call me later.”
Furi nodded again. “Sure thing, Sergeant.
”
”
A.E. Via
“
Habits The word “habit” comes from the Old French abit, habit, from Latin habitus “condition, appearance,” from habere “have, consist of.” The term originally meant “dress, attire,” and the noun “habit” meant a monk’s outfit. The habit was an external sign of a monk’s internal constitution, which defined their whole life. Later the meaning of this word drifted to denote physical or mental constitution. Constitution, consisting of, consistency. Habits just scream consistency.[iv] Habits get things done because your mind does not have to focus as much on semiautomatic routines and can therefore conserve energy. It also will spend less time debating with itself about whether to do something. When routines turn into habits, they become the “status quo,” and the rightness of them isn’t debated any more. On the other hand, one-off activities easily generate excuses because it is easier not to do something new than it is to do it. Your mind will think of many reasons for inactivity: Listen to what it is saying . . . • It’s hard, don’t tire yourself. • It’s new, you don’t know the effect or result, so better not risk something bad. • You’ll make a jerk out of yourself, better stay low and enjoy what you’ve got so far. • It’s a lot of fuss, why don’t drink a glass of whisky/play the computer/eat pizza instead? • You have no chance to achieve anything meaningful in a reasonable time (a few minutes); give up, stop wasting the energy. • What? Do you want to do it for years, with no guarantee of success? Are you out of your mind? That’s a lot of energy to commit! • Hey, I love the couch and the TV and there will be less time for that if you commit to this new venture. I protest! You do not consciously think about habits. They are just a part of your constitution. And your mind cannot abandon them once they are a part of you. Any time you install a new activity into your life in the form of a habit, your mind not only accepts it but becomes its guard. Whenever the time or circumstances indicate that the habit should be done, your mind reminds you about it, gently or otherwise.
”
”
Michal Stawicki (The Art of Persistence: Stop Quitting, Ignore Shiny Objects and Climb Your Way to Success)
“
I received this premonition — a spiritual experience, you could even describe it as. A nun quietly opened the door behind me. As soft as air, she walked around and looked straight into my eyes. Then, without saying a word, she placed a bottle of Queen Ann whisky and one glass in front of me, walked out and closed the door behind her.
”
”
Bill "Swampy" Marsh (The Complete Book of Australian Flying Doctor Stories)
“
Now I do not mind a sweet, and do not think the eating of such unmanly. Is there more robustness in whisky and the gutter than in a golden pie, thick with the apples of Eden? And your German can bake a cake, too. I used to think chocolate a queer thing. But one does grow accustomed to the way it paints up a fine, three-layered cake. And who does not admire the gentle springing back of a fine cake under the fork, and the delight of it in the mouth, and the last lick of frosting on the lips? I would say that a well-wrought cake makes children of us all, but my own youth was never as sweet as this. Yet, I must not favor the cake unfairly. That pie would not be slighted, with its apples soft as clotted cream in the mouth and a crackling crust to tame the wanton sugar. I had two pieces of each to show my appreciation.
”
”
Owen Parry (Shadows of Glory)
“
Ha-ha, thanks Yankee Nine but I am sure the November Whisky boys will have something to say about that!” said the Controller.
”
”
Casey Christie (Night (Night #1))
“
Maybe.” “You can’t retire.” I paused. When I spoke, my voice was quiet, not much more than a whisper. “I hope you’re not saying you might interfere.” He didn’t flinch. “There would be no need for me to interfere,” he said. “You don’t have retirement in you. I wish you could recognize that. What will you do, find an island somewhere, spend time on the beach catching up on all the books you’ve been missing? Join a go club? Anesthetize yourself with whisky when your restless memories refuse to permit sleep?
”
”
Barry Eisler (A Lonely Resurrection (John Rain #2))
“
Mrs. Mayfield’s bakery still filled the streets with the smell of fresh bread, the barbershop still seemed empty, and the Dundurn Gazette building still looked dilapidated and about to crumble. Maybe this is what I need, Gen thought. She craved stability right now. Recently she had felt lost and overwhelmed, hating life at university and struggling with her course, but desperate to please her mother. Every Isherwood woman attended the University of Toronto; Gen couldn’t be the exception. There was only one major road entering and leaving Dundurn, and it quickly took them away from the bustle. Soon they could see the arch boldly displaying the farm’s name etched into the metal: The Triple 7 Ranch. Nothing about the ranch seemed to have changed: the barn behind the house, the farmland beyond it, or the wheat fields arranged in neat lines stretching into the distance. Gen waited to hear Whisky, their German shepherd, as they pulled in. She always came out of wherever she was and barked loudly when cars arrived. “Where’s Whisky?” she asked after a couple of seconds. “Oh, Whisky passed on last year, honey,” her mum said. “No! What happened?” “Some hooligans from Saskatoon ran her over, honey.” “Sheriff Liam says we have to be extra careful now that some new businesses have settled out there.” “Who would do such a thing?” It seemed some things changed after all. ><>< Gen turned the knob of the bedroom door, which creaked as it swung open. Peering into her old bedroom, memories flooded her senses; she travelled to a time when the world made sense. She heard giggling and the patter of running feet as she recalled a time when all that mattered was finding the best place to hide while playing with her grandfather. She had been an only child but had never felt the loneliness others in her position described. Her grandfather had been her friend, confidante,
”
”
A.K. Howard (Genesis Awakens (Footnail, #1))
“
Kenji says, “Bro, I think she drank, like, I don’t know, a whole glass of this stuff. Maybe half a pint? And at her weight?” He swears under his breath. “That much whisky would destroy me.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
Thus it was probably inevitable that Los Lobos would approach the members of the Blasters and attempt to get their music to the more established band. Memories of their first meeting have dimmed over time: both the Alvins recall it taking place backstage after a show they played at the Whisky a Go Go on the Sunset Strip, while the Lobos remember it as happening at a date somewhere in the San Fernando Valley, possibly at the Country Club in Reseda. Rosas says, “At the end of the show, Dave and Louie were walking out to the car in the parking lot, and Phil Alvin was walking right there next to them. Their cars weren’t that far from each other. Everybody looked at each other. And I guess Dave and Louie said, ‘Hey, man, we’re fans. You guys were great tonight.’ Then Phil does a double take. He says, ‘Hey, where do I know you guys from? . . . Did you guys do a documentary or something?’ You know how Phil is—he’s a walking library. So Dave and Louie go, ‘Yeah, we did do a documentary, way back, some years ago.’ That’s how the connection got made, right there.
”
”
Chris Morris (Los Lobos: Dream in Blue)
“
Valdez said "hey, you hear the one about the Scottish guy? He's sitting at a bar, drowning his sorrows in whisky." "Everybody got a good grip on it?" I asked. "Lift with your legs, not your back." Cornpone snorted. "Damn, Bish, you sound like my mother. We got this." "So he says to the bartender," Valdez grunted with the effort, "he says, so, you build thirty houses, and when you walk down the street, do people say 'there goes MacDougal, the home builder? No, they don't'." We got the wall up on top of our knees, and I told the team to get under it, and lift it to our shoulders. The extra gravity was killing me. "Then he says 'you save five children from a burning building, and when you walk down the street, do people say there goes MacDougal, the rescuer’? No, they don't." "Valdez, will you shut up a minute? All right, people, lift!" I said in my best US Army voice of authority. We got that bitch of a wall unit up above our shoulders, and were winning the fight against gravity, when Valdez gasped "'Then MacDougal says, ‘but you fuck one sheep’-.
”
”
Craig Alanson (Columbus Day (Expeditionary Force, #1))
“
Honestly? I’m flicking through it all in my head, all the things you’re supposed to say. But, listen. It might be here in this chair, with my mate, drinking his whisky, dark outside, with something to talk about.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
As he spoke and she listened, the sounds of people talking, of children playing, became faint. The girl and he were alone under the great sailing moon. . . He told a story he was amazed to hear. What he had to say about horses seemed to have meanings pertinent to the whole world. He was clearing up mysteries for himself as he went along.
If you got to the bottom of one subject, did the truth about all other subjects lie there, too? If you knew one thing fully, did you, in a way, know all? Was that the reason old farmers and coon hunters were so wise?
Once before in his life he had been drunk. At the age of sixteen, he had sampled a jug of raw corn whisky. He had felt a kind of power at the time: as if he had transcended himself, were suspended above himself. This enabled him to see a lot of the world ordinarily not visible; he saw also his own smallness in this world.
Now he was drunk again, but in an entirely different way. He was more himself than he had ever been before; and this was happening at the very minute when he was also more aware of another person than he had ever been before. How could this be? It contradicted all the rules of arithmetic. To give himself away and to have more left. He felt like saying his own name over and over again. . .that was who he had been, but might never be again; for this girl was making him over by listening to him. . . .it was not a one-sided conversation. . .he could never have done it without her. She taught him all his powers, showed him all his meanings. Until she asked her questions, he didn't know his answers. He had never in his life felt so radiant. She looked at him, she asked. He spoke. Something towered upward out of the interchange; together they opened up meaning he had never glimpsed before. . .
”
”
Jessamyn West (South of the Angels)
“
This is the ordinary Scottish recipe for toddy; an alternative interpretation is that of my old Russian friend, the late M Baleiev, who founded the famouse Chauve-Souris cabaret show in Moscow and, after the Russian revolution, brought it to London and New York. Here is his version: 'First you put in whisky to make it strong; then you add water to make it weak; next you put in lemon to make it sour, then you put in sugar to make it sweet. You put in more whisky to kill the water. Then you say "Here's to you" - and you drink it yourself.
”
”
R.H. Bruce Lockhart (Scotch: The Whisky of Scotland in Fact and Story)
“
…American men actually engage most in hunting and fishing. The desire of men in wealthy societies to re-create the food-gathering conditions of very primitive people appears to be an appropriate comment on the power of the hunting drives discussed earlier. Not only is hunting expensive in many places – think of the European on safari in Africa – but it is also time-consuming, potentially dangerous, and frequently involves considerable personal discomfort. Men do it because it is ‘fun’. So they say, and so one must conclude from their persistent rendition of the old pattern. What is relevant from our point of view is that hunting, and frequently fishing, are group activities. A man will choose his co-hunters very carefully. Not only does the relative intimacy of the hunt demand some congeniality, but there is also danger in hunting with inept or irresponsible persons. It is a serious matter, and even class barriers which normally operate quite rigidly may be happily breached for the period of the hunt. Some research on hunters in British Columbia suggests the near-piety which accompanies the hunt; hunting is a singular and important activity. One particular group of males takes along bottles of costly Crown Royal whisky for the hunt; they drink only superior whisky on this poignant re-creation of an ancient manly skill. But when their wives join them for New Year's celebrations, they drink an ordinary whisky: the purely formal and social occasion does not, it seems, merit the symbolic tribute of outstanding whisky.
Gambling is another behaviour which, like hunting and sport, provides an opportunity in countless cultures for the weaving of and participation in the web of male affiliation. Not the gambling of the London casino, where glamorous women serve drinks, or the complex hope, greed, fate-tempting ritual, and action of the shiny American palaces in Nevada, and not the hidden gambling run by racketeers. Rather, the card games in homes or small clubs, where men gather to play for manageable stakes on a friendly basis; perhaps – like Jiggs and his Maggie – to avoid their women, perhaps to seek some money, perhaps to buy the pleasant passage of time. But also to be with their friends and talk, and define, by the game, the confines of their intimate male society.
Obviously females play too, both on their own and in mixed company. But there are differences which warrant investigation, in the same way that the drinking of men in groups appears to differ from heterosexual or all-female drinking; the separation of all-male bars and mixed ones is still maintained in many places despite the powerful cultural pressures against such flagrant sexual apartheid. Even in the Bowery, where disaffiliated outcast males live in ways only now becoming understood, it has been noted that, ‘There are strong indications that the heavy drinkers are more integrated and more sociable than the light. The analytical problem lies in determining whether socialization causes drinking or drinking results in sociability when there is no disapproval.’ In the gentleman's club in London, the informally segregated working man's pub in Yorkshire, the all-male taverns of Montreal, the palm-wine huts of west Africa, perhaps can be observed the enactment of a way of establishing maleness and maintaining bonds which is given an excuse and possibly facilitated by alcohol. Certainly, for what they are worth in revealing the nature of popular conception of the social role of drinking, advertisements stress the manly appeal of alcohol – particularly whisky – though it is also clear that there are ongoing changes in the socio-sexual implications of drinking. But perhaps it is hasty to regard the process of change as a process of female emancipation which will culminate in similarity of behaviour, status, and ideals of males and females. The changes are still too recent to warrant this. Also, they have been achieved under sufficiently self-conscious pressure...
”
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Lionel Tiger (Men in Groups)
“
The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!” So I sat in one of his broken-down easy chairs, after he had cleared the books out, and drank his whisky, and waited for the moment when I was going to say, “Now, listen here, I’m going to tell you something and don’t you start yelling till I finish.
”
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Robert Penn Warren (All The King's Men)
“
Let's no' make this langsome, MacTaggart. Lady Merritt is weary, and as you know, I'm no' one to stand on ceremony."
"'Tis a haisty affair, aye?" the sheriff observed, some of his good cheer fading as he looked around the room. "No flowers? No candles?"
"No, and also no ring," Keir informed him. "Let us say our pledge, give us the certificate, and we'll have done with it in time for supper."
MacTaggart clearly didn't appreciate the younger man's cavalier attitude. "You'll be having no signed paper until I make certain 'tis done legal," he said, squaring his shoulders. "First... do ye ken there's a fine if you've no' posted banns?"
"'Tis no' a church wedding," Keir said.
"The law says without the banns, 'tis a fine of fifty pounds." As Keir gave him an outraged glance, the sheriff added firmly, "No exceptions."
"What if I give you a bottle of whisky?" Keir asked.
"Fine is waived," MacTaggart said promptly. "Now, then... do the rest of you agree to stand as witnesses?"
Ethan and the Slorachs all nodded.
"I'll start, then," Keir said briskly, and took Merritt's hand. "I, Keir MacRae, do swear that I--"
"No' yet," the sheriff interrupted, now scowling. "'Tis my obligation to ask a few questions first."
"MacTaggart, so help me---" Keir began in annoyance, but Merritt squeezed his hand gently. He heaved a sigh and clamped his mouth shut.
The sheriff resumed with great dignity. "Are the both of you agreeable to be wed?"
"Aye," Keir said acidly.
"Yes," Merritt replied.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
When are you going to join us, Vera? History is done. It’s time for stories.’ […] It was during one of these exchanges that Seymour called me. And he was the one who came out of the nightclub and took me in. He spoke to me amidst the clatter of glasses and shouting revellers. I only understood half of what he was saying. The same went for him I’m sure. He’d been drinking, passed me his whisky, ordered another, chatted me up for a bit, gesticulated and sketched out the years to come: ‘No more blood, toil, tears and sweat,’ Churchill’s words at the start of the war, and I wondered whether, perhaps it was true, a page was turning – Winston’s, left in his war room with his fingers in a victory sign and a cigar in his mouth.
”
”
Jean-Pierre Orban (The Ends of Stories)
“
that’s my boy. “Look—” Henry is saying. “I know you felt this was your due right now—” “It’s why we moved back,” Jon says quietly as he raises his hand to call for yet another whisky. “It’s why Daisy and I relocated from Colorado. It’s why I slaved all those years for TerraWest at the resort in Japan. It was all in preparation for this next step.” “Times are a-changing, Jonno.” Jon sits back as the server brings more drinks and takes his plate of barely touched food. What
”
”
Loreth Anne White (The Maid's Diary)