While Collecting Stones Quotes

You don't fall in love like you fall in a hole. You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.) And you can bring your friends to visit. And read your favourite stories to each other. And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it. PS You have to be brave.

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

The planet Venus, a circle of silver in a green sky, pierced the edge of the evening while the wintry woods darkened about me and in the stillness the regular sound of my footsteps striking the pavement was like a the rhythmic beating of a giant stone heart.

WHERE ONCE THE WATERS ON YOUR FACE Where once the waters of your face Spun to my screws, your dry ghost blows, The dead turns up its eye; Where once the mermen through your ice Pushed up their hair, the dry wind steers Through salt and root and roe. Where once your green knots sank their splice Into the tided cord, there goes The green unraveller, His scissors oiled, his knife hung loose To cut the channels at their source And lay the wet fruits low. Invisible, your clocking tides Break on the lovebeds of the weeds; The weed of love’s left dry; There round about your stones the shades Of children go who, from their voids, Cry to the dolphined sea. Dry as a tomb, your coloured lids Shall not be latched while magic glides Sage on the earth and sky; There shall be corals in your beds, There shall be serpents in your tides, Till all our sea-faiths die.

Is it possible, I wonder, to study a bird so closely, to observe and catalogue its peculiarities in such minute detail, that it becomes invisible? Is it possible that while fastidiously calibrating the span of its wings or the length of its tarsus, we somehow lose sight of its poetry? That in our pedestrian descriptions of a marbled or vermiculated plumage we forfeit a glimpse of living canvases, cascades of carefully toned browns and golds that would shame Kandinsky, misty explosions of color to rival Monet? I believe that we do. I believe that in approaching our subject with the sensibilities of statisticians and dissectionists, we distance ourselves increasingly from the marvelous and spell binding planet of imagination whose gravity drew us to our studies in the first place. That is not to say that we should cease to establish facts and verify our information, but merely to suggest that unless those facts can be imbued with the flash of poetic insight then they remain dull gems; semi-precious stones scarcely worth the collecting.

PITHOS Climb into a jar and live for a while. Chill earth. No stars in this stone sky. You have ceased to ache. Your spine is a flower.

Collins was in the space capsule all alone. While his partners were down there collecting rocks, Collins was manning the wheel. Twenty-six times he circled the moon—solo. Imagine? He was completely out of radio contact. Couldn’t talk to his partners. Couldn’t talk to NASA. He was cut off from every living soul in the universe. If he panicked, if he fucked up, if he pushed the wrong button, he’d strand Armstrong and Aldrin. Or if they did something wrong, if their lunar car broke down, if they couldn’t restart the thing, if they couldn’t blast off and reconnect with Collins forty-five miles above the moon, he’d have to head back to earth all by himself. Leave his partners to die. Slowly running out of air. While watching earth in the distance. It was such a real possibility, Collins returning to earth by himself, that Nixon wrote up a speech to the nation. Collins—now that’s one stone-cold wheelman. That’s the guy you want sitting at the wheel of a gassed-up Ford while you’re inside a bank.

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers [...], they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

A train was nearly due, and intending passengers were sitting in front of the hotels drinking beer while they waited, and various conveyances had stopped there on their way to Göhren or Sellin, and the Lonely One seemed a very noisy, busy one to me as we rattled by over the stones, and I was glad to turn off to the left at a sign-post pointing towards Göhren and get on to the deep, sandy, silent forest roads. The forest,

Arms they had none, nor scarcely any who knew the use of them: but desperate resolution, when every hope is at stake, supplies, for a while, the want of arms. Near where the Prince de Lambesc was drawn up, were large piles of stones collected for building the new bridge, and with these the people attacked the cavalry. A party of the French guards, upon hearing the firing, rushed from their quarters and joined the people; and the night coming on, the cavalry retreated.

The Dream" I met her as a blossom on a stem Before she ever breathed, and in that dream The mind remembers from a deeper sleep: Eye learned from eye, cold lip from sensual lip. My dream divided on a point of fire; Light hardened on the water where we were; A bird sang low; the moonlight sifted in; The water rippled, and she rippled on. She came toward me in the flowing air, A shape of change, encircled by its fire. I watched her there, between me and the moon; The bushes and the stones danced on and on; I touched her shadow when the light delayed; I turned my face away, and yet she stayed. A bird sang from the center of a tree; She loved the wind because the wind loved me. Love is not love until love’s vulnerable. She slowed to sigh, in that long interval. A small bird flew in circles where we stood; The deer came down, out of the dappled wood. All who remember, doubt. Who calls that strange? I tossed a stone, and listened to its plunge. She knew the grammar of least motion, she Lent me one virtue, and I live thereby. She held her body steady in the wind; Our shadows met, and slowly swung around; She turned the field into a glittering sea; I played in flame and water like a boy And I swayed out beyond the white seafoam; Like a wet log, I sang within a flame. In that last while, eternity’s confine,

A Forge, and a Scythe" One minute I had the windows open and the sun was out. Warm breezes blew through the room. (I remarked on this in a letter.) Then, while I watched, it grew dark. The water began whitecapping. All the sport-fishing boats turned and headed in, a little fleet. Those wind-chimes on the porch blew down. The tops of our trees shook. The stove pipe squeaked and rattled around in its moorings. I said, "A forge, and a scythe." I talk to myself like this. Saying the names of things -- capstan, hawser, loam, leaf, furnace. Your face, your mouth, your shoulder inconceivable to me now! Where did they go? It's like I dreamed them. The stones we brought home from the beach lie face up on the windowsill, cooling. Come home. Do you hear? My lungs are thick with the smoke of your absence.

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

In this very life may they possess longevity, good health, and abundant wealth and excellence! May all their sickness and evil influences, misdeeds and obscurations, transgressions, mistakes and misfortunes, their outer and inner obstacles, and all evil and discordant forces be pacified! May they abide by the Dharma in thought, word and deed, and, while enjoying the flawless words of the victorious ones, may they have all their wishes fulfllled, just as if they possessed the wishfulfllling powerful king of precious stones! When the time of death arrives, may they not suffer the misety of the life-force being interrupted, but may all conceptual states of disturbing emotions subside, and may they joyfully and delightfully remember their guru and the Three Jewels! May they be completely protected by the wisdom mind of all noble beings endowed with great compassion who are the unsurpassable objects of refuge! May they not undergo the fear and terror of the bardo, and may all the doors to the lower realms of existence be closed! As the ultimate, may they soon attain the precious state of unexcelled, true and complete enlightenment! (p. 123)

Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.

But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.

All seizures of power, no matter how ‘strong or well-meaning’ the seizers, will go the same way. That’s what power does. Meanwhile, at exactly the same time as the publication of The Lord of the Rings William Golding was bringing out his fables, Lord of the Flies (1954), and The Inheritors (1955), the meaning of which Golding conveniently summarized for commentators in a later essay, ‘Fable’, in his collection The Hot Gates: I must say that anyone who passed through those years [of World War II] without understanding that man produces evil as a bee produces honey, must have been blind or wrong in the head. (Hot Gates, p. 87) So the English choirboys, marooned on an idyllic desert island, invent murder and human sacrifice and create the ‘lord of the flies’ himself, Beelzebub; in The Inheritors our ancestors, Cro-Magnon men, exterminate the gentle and friendly Neanderthals and create an entirely false legend of ogres and cannibals to justify their actions. A very similar if more complex argument was put forward, one might add, by the other great fantasy of the 1950s, T.H. White’s The Once and Future King, a work which began like Tolkien’s with a children’s book, The Sword in the Stone (1937), but took even longer than Tolkien’s to reach termination, appearing as a whole (though still unfinished) in 1958. White’s points are too many and too self-doubting to summarize readily, but there is at least no doubt that White saw in humanity a basic urge to destruction, expressed in a work written like The Lord of the Rings, nationibus in diro bello certantibus, ‘while the nations were striving in fearful war’. Orwell, Golding, White (and several other post-war authors of fantasy and fable): the thought that they expressed in their highly different ways was that people could never be trusted, least of all if they expressed a wish for the betterment of humanity. The major disillusionment of the twentieth century has been over political good intentions, which have led only to gulags and killing fields. That is why what Gandalf says has rung true to virtually everyone who reads it – though it is, I repeat, yet one more anachronism in Middle-earth, and the greatest of them, an entirely modern conviction.

One smiles often when reading incidents in their labors. A string of packhorses is so driven as to break up a congregation, and a fire-engine is brought out and played over the throng to achieve the same purpose. Hand-bells, old kettles, marrowbones and cleavers, trumpets, drums, and entire bands of music were engaged to drown the Preachers' voices. In one case the parish bull was let loose, and in others dogs were set to fight. The preachers needed to have faces set like flints, and so indeed they had. John Furz says,: "As soon as I began to preach, a man came straight forward, and presented a gun at my face; swearing that he would blow my brains out, if I spake another word. However, I continued speaking, and he continued swearing, sometimes putting the muzzle of the gun to my mouth, sometimes against my ear. While we were singing the last hymn, he got behind me, fired the gun, and burned off part of my hair." After this, my brethren, We ought never to speak of petty interruptions or annoyances. The proximity of a blunderbuss in the hands of a son of Belial is not very conducive to collected thought and clear utterance, but the experience of Furz was probably no worse than that of John Nelson, who coolly says, "But when I was in the middle of my discourse, one at the outside of the congregation threw a stone, which cut me on the head: however, that made the people give -greater attention, especially when they saw the blood run down my face; so that all was quiet till I had done, and was Singing a hymn.

Cultures are organisms," Spengler explains, "and world-history is their collective biography." Like any other vital organism, then, each culture goes through the stages of youth, maturity, and decline. "Culture is the prime phenomenon of all past and future world-history." "Every Culture has its own Civilization...The Civilization is the inevitable destiny of the Culture....Civilizations are the most external and artificial states of which a species of developed humanity is capable. They are a conclusion, the thing-become succeeding the thing-becoming, death following life, rigidity following expansion, intellectual age and the stone-built, petrifying world-city following mother-earth and the spiritual childhood of Doric and Gothic. They are an end, irrevocable, yet by inward necessity reached again and again." Thus, while the culture is a period of ebullient creativity, the civilization that inevitably follows is a period of reflection, organization, and search for material comfort and convenience. For example, classical Greece was the culture; imperial Rome the civilization. From the beauties of Greek poetry to the imperialism of Roman law, we now live in the civilization of Western ("Faustian") culture and cannot avoid the consequences. Among these Spengler foresaw the "megalopolis," the city of faceless masses, the omnipotence of money, and a new Caesarism.

He knew he was not making enough of an effort. Margaret, with her news, her reports and small jokes, her flying starts at conversation, was trying so much harder. Every evening she had some disastrous item to offer up. Tonight the dog, but often it was a story from the news online: “Did you hear about—?” a tornado carrying away a trailer park in Nebraska, pirates kidnapping a family off their sailboat, the stoning of schoolgirls in Kabul, as if to say, “See? What’s happening to us is not so bad.” Then again she might offer something she’d heard on the radio while making dinner, a little mystery explained, how habits are formed or why people applaud after theater performances. She was trying, he realized with a stab of grief, to be interesting. Candles on the table, a vase of flowers, something baked for dessert. It was graceful of her, it was valiant. And all he wanted was for her to stop. The lawn mower from down the street quit and he could hear the cricket again. Margaret was gazing up at the oak trees, leaves dark now but trunks banded with gold. “You know”—he stood up to collect their glasses—“I was thinking I might mow the grass tonight. I might really enjoy something like that.” “Oh, I wish I’d known, Bill. It’s already done. The landscape guys were here yesterday. I got them to put more mulch around the hydrangeas.” Mulch. That explained the smell. Another fusillade of acorns hit car roofs along the street. This time Margaret had her hand on Binx’s collar, holding him back as he lunged forward, toenails scratching the patio slates.

ALTHOUGH writers and publishers like to grumble about the proliferation of libel lawsuits in this country, few would seriously propose that anything be done to reverse the trend. The Ayatollah’s death sentence on Salman Rushdie brings into relief the primitive feeling that lies behind every libel suit, and makes the writer only too grateful for the mechanism the law provides for transforming the displeased subject’s impulse to kill him into the move civilized aim of extracting large sums of money from him. Although the money is rarely collected—most libel suits end in defeat for the plaintiff or in a modest settlement—the lawsuit itself functions as a powerful therapeutic agent, ridding the subject of his feelings of humiliating powerlessness and restoring to him his cheer and amour propre. From the lawyer who takes him into his care he immediately receives the relief that a sympathetic hearing of one’s grievances affords. Conventional psychotherapy would soon veer off into an unpleasurable examination of the holes in one’s story, but the law cure never ceases to be gratifying; in fact, what the lawyer says and writes on his client’s behalf is gratifying beyond the latter’s wildest expectations. The rhetoric of advocacy law is the rhetoric of the late-night vengeful brooding which in life rarely survives the skeptical light of morning but in a lawsuit becomes inscribed, as if in stone, in the bellicose documents that accrue while the lawsuit takes its course, and proclaims with every sentence “I am right! I am right! I am right!” On the other side, meanwhile, the same orgy of self-justification is taking place. The libel defendant, after an initial anxious moment (we all feel guilty of something, and being sued stirs the feeling up), comes to see, through the ministrations of his lawyer-therapist, that he is completely in the right and has nothing to fear. Of pleasurable reading experiences there may be none greater than that afforded by a legal document written on one’s behalf. A lawyer will argue for you as you could never argue for yourself, and, with his lawyer’s rhetoric, give you a feeling of certitude that you could never obtain for yourself from the language of everyday discourse. People who have never sued anyone or been sued have missed a narcissistic pleasure that is not quite like any other.

Kim thought about all the reasons she did it. The fact that the process took her back to the happiest three years of her life, when she’d spent hours with her foster father, Keith, while Erica had cooked in the next room, listening to her collection of classical music.

Tony anchored the Napoli in a scallop-shaped cove, and the young people waded ashore, carrying the baskets of food with them. “This is an ideal spot for a beach party,” Callie said enthusiastically. She and Iola took charge and gave orders. Frank and Tony were asked to collect driftwood, while Chet and Joe gathered plenty of seaweed. In a few minutes they returned. “Those stones over there will make a good place for the fire,” said Callie. She had found a natural pit among the rocks. In it the boys piled the driftwood, then lighted it. Soon there was a roaring blaze. Frank heaped more rocks into the fire. When the stones were red-hot and the flames had died out, they placed a layer of seaweed over them. Then the girls laid the lobsters, clams, and corn on the cob in rows and piled on several more layers of seaweed. “I can hardly wait,” Chet groaned hungrily as he sniffed the tantalizing aroma of the clams.

I straddle his hips. “You kept this from me for a year?” I lean down and lick his nipple while rolling my hips forward, allowing me to control how deep he is. “I have a lot to make up for,” he agrees while latching onto my hips with a punishingly tight grip. “You should collect your due.” He runs his teeth over his bottom lip, then forces me down, so I sink farther onto his shaft. While I adjust to the invasion, he rolls his hips forward, shattering any notion I might have had about being in control. He’s dominating me from the bottom while muttering words of surrender.

That necklace," he said. Polly looked down to where her silver cat was hanging on the long chain. It needed a polish, she realized. She told him the story about the Victorian rattle, but when she'd finished he said, "I meant the little bird. Where did you find it?" Polly smiled. "Actually," she said, "I really did find it. Today, just before I met Kurt. I spotted it on the ground while I was walking. The sunlight caught on a piece of silver ribbon that must once have been tied to it and drew my eye." He was nodding. "Near the water hole?" She wondered how he knew, and then realized that of course Kurt must have told him where they'd met. "I like to collect things from nature. I'm always on the lookout. It's a hobby; my daughter and I used to beachcomb when she was small... I thought it was a stone at first, or a smooth seedpod. But it wasn't. It was this most perfect little bird. A wren, I think." "A fairy wren. We have a lot of them around here." "A fairy wren," said Polly, liking the name very much. "There was something almost magical about it. It was just lying there, as if it had been waiting for me to find it. I suppose that sounds silly." "Not at all." "I can be a bit of a romantic." "A fine trait. We'd have no books or music or paintings if not for the romantics among us.

The oldest is near tall as me already and could strangle a yethik with his bare hands. And yours? I'll bet my horse he's a stone-cold killer, same as his father." Clay stifled a shudder while plastering on as smile of his own. "A girl actually. She collects frogs." . (p. 102-103)

The oldest is near tall as me already and could strangle a yethik with his bare hands. And yours? I'll bet my horse he's a stone-cold killer, same as his father." Clay stifled a shudder while plastering on a smile of his own. "A girl actually. She collects frogs.

Echoes of my mother’s voice reverberated in my mind as I tossed and turned, fighting away the demons who taunted me. I chiseled away at memories made of stone and flesh and bone until I walked down a pathway alone. I could picture sadness crawling beneath my mother’s skin, though her eyes were without tears. Her hands rested in her lap with nothing to do because “in her lap with nothing to do because there were no shoeboxes of photographs to sort through, and no memories of me remained. Thousands of black wings filled the sky until they covered it in darkness. Endless shadows serenaded the emptiness. Tears were the only currency I possessed, but they weren’t for sale, so I couldn’t “pay the piper.” My mother repeated this phrase a lot to me while growing up—meaning I had to accept the consequences of my actions. The only way she could justify knowing her father abused me was by convincing herself it was all my fault. I had to pay some imaginary piper for all my evil deeds and wrongdoings. I woke up realizing it was time for me to let the piper know I owed him nothing. The piper owed me plenty, though, and I intended to collect.” Excerpt From: Samantha Hart. “Blind Pony.” iBooks.

Suddenly I thought that I did not want these moments to end: the decaying garden, the earnestness of the young woman from the quiet town below, the frail glow of the late noon, the cracked stone flags, the slow flowing of the countryside beyond, the cool lustre of the little flagon in my hand, the merest possibility of some lingering presence of the thoughts, the whimsical meditations of Hugh Kerwyn: all these things seemed so finely, so perfectly poised before me; I did not want to emerge from them. I would gladly have stayed all the while that the long day dwindled into dusk, trying to stem its ebbing, to seize some moments of it, some few fragments, to try fiercely to prevent it all from disappearing into the darkness.

Pessimism for Beginners When you’re waiting for someone to e-mail, When you’re waiting for someone to call – Young or old, gay or straight, male or female – Don’t assume that they’re busy, that’s all. Don’t conclude that their letter went missing Or they must be away for a while; Think instead that they’re cursing and hissing – They’ve decided you’re venal and vile, That your eyes should be pecked by an eagle. Oh, to bash in your head with a stone! But since this is unfairly illegal They’ve no choice but to leave you alone. Be they friend, parent, sibling or lover Or your most stalwart colleague at work, Don’t pursue them. You’ll only discover That your once-irresistible quirk Is no longer appealing. Far from it. Everything that you are and you do Makes them spatter their basin with vomit. They loathe Hitler and herpes and you. Once you take this on board, life gets better. You give no one your hopes to destroy. The most cursory phone call or letter Makes you pickle your heart in pure joy. It’s so different from what you expected! They do not want to gouge out your eyes! You feel neither abused nor rejected What a stunning and perfect surprise. This approach I’m endorsing will net you A small portion of boundless delight. Keep believing the world’s out to get you. Now and then you might not be proved right.

Hear now with regard to the stones which are in the building. Those square white stones which fitted exactly into each other, are apostles, bishops, teachers, and deacons, who have lived in godly purity, and have acted as bishops and teachers and deacons chastely and reverently to the elect of God. Some of them have fallen asleep, and some still remain alive. And they have always agreed with each other, and been at peace among themselves, and listened to each other. On account of this, they join exactly into the building of the tower.” “But who are the stones that were dragged from the depths, and which were laid into the building and fitted in with the rest of the stones previously placed in the tower?” “They are those who suffered for the Lord’s sake.” “But I wish to know, O Lady, who are the other stones which were carried from the land.” “Those,” she said, “which go into the building without being polished, are those whom God has approved of, for they walked in the straight ways of the Lord and practiced His commandments.” “But who are those who are in the act of being brought and placed in the building?” “They are those who are young in faith and are faithful. But they are admonished by the angels to do good, for no iniquity has been found in them.” “Who then are those whom they rejected and cast away?” “These are they who have sinned, and wish to repent. On this account they have not been thrown far from the tower, because they will yet be useful in the building, if they repent. Those then who are to repent, if they do repent, will be strong in faith, if they now repent while the tower is building. For if the building be finished, there will not be more room for any one, but he will be rejected. This privilege, however, will belong only to him who has now been placed near the tower.

Not-withstanding the fact that cutting granite with copper chisels is an impossibility, Egyptologists have asserted that the pyramid builders predated the Bronze Age, and, therefore, were limited in their choice of metals with which to make their tools. Therefore, they say that copper was the only metal that the ancient Egyptians used to fashion the stones with which they built the Great Pyramid. They say this while evidence of prehistoric iron—proving that the ancient Egyptians had developed and used it when building the Great Pyramid—is in the keeping of the British Museum. The discoverers of this piece of iron go to great lengths to argue for and document its authenticity, as John and Morton Edgar point out in their book Great Pyramid Passages. […] Despite the [...] testimonials, because the chronology for the development of metals did not include wrought iron in the age of the pyramids, the specialists at the British Museum concluded that this wrought-iron artifact could not be genuine and must have been introduced in modern times. […] The profession as a whole has been unable to cope with the idea of a piece of wrought iron being contemporary with the Great Pyramid. Such a notion goes completely against the grain of every preconception that Egyptologists internalize throughout their careers concerning the ways in which civilizations evolve and develop. […] Egyptologists have a vested interest in continuing their teachings as they have taught them for the past century. To do otherwise would be to admit that they have been wrong. The iron plate is just a small, though significant, item in a large collection of anomalies that have been ignored or misinterpreted by many academics because they contradict their orthodox beliefs.

I take her to the rocks that Zeke, Shauna, and I go to sometimes, late at night. Tris and I sit on a flat stone suspended over the water, and the spray soaks my shoes, but it’s not so cold that I mind. Like all initiates, she’s too focused on the aptitude test, and I’m struggling with talking to her about it. I thought that when I spilled one secret, the rest would come tumbling after, but openness is a habit you form over time, and not a switch you flip whenever you want to, I’m finding. “These are things I don’t tell people, you know. Not even my friends.” I watch the dark, murky water and the things it carries--pieces of trash, discarded clothing, floating bottles like small boats setting out on a journey. “My result was as expected. Abnegation.” “Oh.” She frowns. “But you chose Dauntless anyway?” “Out of necessity.” “Why did you have to leave?” I look away, not sure I can give voice to my reasons, because admitting them makes me a faction traitor, makes me feel like a coward. “You had to get away from your dad,” she says. “Is that why you don’t want to be a Dauntless leader? Because if you were, you might have to see him again?” I shrug. “That, and I’ve always felt that I don’t quite belong among the Dauntless. Not the way they are now, anyway.” It’s not quite the truth. I’m not sure this is the moment to tell her what I know about Max and Jeanine and the attack--selfishly, I want to keep this moment to myself, just for a little while. “But…you’re incredible,” she says. I raise my eyebrows at her. She seems embarrassed. “I mean, by Dauntless standards. Four fears is unheard of. How could you not belong here?

Acting from instinct he angled his body so it would shield Lydia's, sweeping her back into the recession of a doorway that, while closed, would give her shelter. Pressing close, he wrapped himself around her so the blows would strike him first. They did. Repeatedly. A clump of mud and small stones that had missed its target struck and shattered on the doorframe and he felt her jump and start to tremble, so he bent his head and murmured words of reassurance, low and calm over the wailing of the injured man, and all the ugly shouts of his tormentors. Fear, he knew, was mostly in the mind, and he would spare her that. He'd long since learned to channel his own fear to action, so it was surprising to him now to feel it twist within his chest- a fear not for himself, his safety, but for hers. It lingered even when the mob had passed them by, the angry tumult growing fainter down the street, and there was no more danger. Stepping back, he gave them both the space to breathe. Her face was pale, and she appeared to still be shaking but she only drew her cloak a little tighter as though wanting him to think it was the cold, and he had seen enough cadets who did not wish to show him weakness that he recognized her brave attempt to seem more strong in front of him, and though he was not fooled by it he understood her need to make the effort. Having satisfied himself she was unharmed, he wanted for her to collect herself sufficiently to leave the sheltered doorway, then he offered her his arm again, and once again she took it, holding tighter to him this time, and they crossed the street in silence. But the feeling, strange and new, stayed firmly lodged beneath his ribs, as though once having taken hold it was now part of him, and he had no idea what to do with it. We always fear what we don't know, he'd told the young de Joncourt boy. And walking now with Lydia's gloved hand upon his arm, her warmth beside him, Jean-Philippe admitted there was truth in what he'd said. Because in all his twenty-seven years, with all that life had dealt him, he had not known anything like this.

When a traveller in north central Massachusetts takes the wrong fork at the junction of the Aylesbury pike just beyond Dean’s Corners he comes upon a lonely and curious country. The ground gets higher, and the brier-bordered stone walls press closer and closer against the ruts of the dusty, curving road. The trees of the frequent forest belts seem too large, and the wild weeds, brambles, and grasses attain a luxuriance not often found in settled regions. At the same time the planted fields appear singularly few and barren; while the sparsely scattered houses wear a surprisingly uniform aspect of age, squalor, and dilapidation. Without knowing why, one hesitates to ask directions from the gnarled, solitary figures spied now and then on crumbling doorsteps or on the sloping, rock-strown meadows. Those figures are so silent

That’s how ye do it,” his brother Ian had told him, as they leant together on the rail of their mother’s sheep pen, the winter’s wind cold on their faces, waiting for their da to find his way through dying. “Ye find a way to live for that one more minute. And then another. And another.” Ian had lost a wife, too, and knew. He’d wiped his face—he could weep before Ian, while he couldn’t with his elder brother or the girls, certainly not in front of his mother—and asked, “And it gets better after a time, is that what ye’re telling me?” His brother had looked at him straight on, the quiet in his eyes showing through the outlandish Mohawk tattoos. “No,” he’d said softly. “But after a time, ye find ye’re in a different place than ye were. A different person than ye were. And then ye look about and see what’s there with ye. Ye’ll maybe find a use for yourself. That helps.” “Aye, fine,” he said, under his breath, and squared his shoulders. “We’ll see, then.

GRINGOTTS BREAK-IN LATEST Investigations continue into the break-in at Gringotts on 31 July, widely believed to be the work of Dark wizards or witches unknown. Gringotts goblins today insisted that nothing had been taken. The vault that was searched had in fact been emptied the same day. “But we’re not telling you what was in there, so keep your noses out if you know what’s good for you,” said a Gringotts spokesgoblin this afternoon. Harry remembered Ron telling him on the train that someone had tried to rob Gringotts, but Ron hadn’t mentioned the date. “Hagrid!” said Harry, “that Gringotts break-in happened on my birthday! It might’ve been happening while we were there!” There was no doubt about it, Hagrid definitely didn’t meet Harry’s eyes this time. He grunted and offered him another rock cake. Harry read the story again. The vault that was searched had in fact been emptied earlier that same day. Hagrid had emptied vault seven hundred and thirteen, if you could call it emptying, taking out that grubby little package. Had that been what the thieves were looking for? As Harry and Ron walked back to the castle for dinner, their pockets weighed down with rock cakes they’d been too polite to refuse, Harry thought that none of the lessons he’d had so far had given him as much to think about as tea with Hagrid. Had Hagrid collected that package just in time? Where was it now? And did Hagrid know something about Snape that he didn’t want to tell Harry?

Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.

This idea is part of a compelling argument that it was honey and bee larvae, as much as meat, that made the human brain larger and helped us to outcompete all other species. Meat eating gets all the glory, the argument goes, because stone tools used in hunting turn up in the archaeological record, while evidence of eating honey does not. But there are plenty of other clues. Our closest relatives in the animal kingdom – chimpanzees, bonobos, gorillas and orangutans – all eagerly gorge on honey and bee larvae, nature’s most energy-dense food. And in the earliest rock art discovered, inside caves in Spain, India, Australia and South Africa, there are depictions of honey collecting dating back at least 40,000 years.