β
sometimes no matter how many eyelashes or dandelion seeds you blow, no matter how much of your heart you tear out and slap on your sleeve, it just ain't gonna happen.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
Marie Caroline Jensen, will you do me the honor of being my permanent bitch?
β
β
Joanna Wylde (Reaper's Property (Reapers MC, #1))
β
Those in power have made it so we have to pay simply to exist on the planet. We have to pay for a place to sleep, and we have to pay for food. If we don't, people with guns come and force us to pay. That's violent.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
I think it is our nature to believe evil always has an ugly face,β he said, ignoring my question. βBeauty is supposed to be good and kind, and to discover it otherwise is like a betrayal of trust. A violation of the nature of things.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Even if I'm a goddamned fool for it, there will never be anyone but you.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Saving people, hunting things, the family business.
β
β
Dean Winchester Jensen Ackles
β
Two drowning people can't save each other. All they can do is drag each other down.
β
β
Carsten Jensen (We, the Drowned)
β
I cannot stop the world from moving. All I can do is be prepared for when it does.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
This man might be a hunter. But he was mistaken if he believed she was prey.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Dying was and easy thing to accomplish, effortless in its agony. It was living that was hard, requiring endless toil and labor, and for all one's efforts, it could be stolen in an instant.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
They aren't ugly." I bit my lip, trying to find the right words. "more like beautiful things that have had the misfortune of being broken.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Within this culture wealth is measured by one's ability to consume and destroy.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Alive isn't living.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Awake or asleep, all I see is your face. All I hear is your voice. All I feel is you in my arms. All I want is you.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Surely by now there can be few here who still believe the purpose of government is to protect us from the destructive activities of corporations. At last most of us must understand that the opposite is true: that the primary purpose of government is to protect those who run the economy from the outrage of injured citizens.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Even the most
beautiful
of the stars
are taken
for granted
night after
night.
β
β
Veronika Jensen
β
For us to maintain our way of living, we must tell lies to each other and especially to ourselves. The lies are necessary because, without them, many deplorable acts would become impossibilities.
β
β
Derrick Jensen (The Culture of Make Believe)
β
A primary purpose of the police is to enforce the delusions of those with lots of green paper.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
You are my goddamned damnation, but there will never be anyone but you.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
The world does not need white people to civilize others. The real White People's Burden is to civilize ourselves.
β
β
Robert Jensen (The Heart of Whiteness: Confronting Race, Racism, and White Privilege)
β
Like the layers of an onion, under the first lie is another, and under that another, and they all make you cry.
β
β
Derrick Jensen (A Language Older Than Words)
β
We cannot hope to create a sustainable culture with any but sustainable souls.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
To be bound is a burden, but it is the actions we freely take that cause us the most pain.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Reading is an addiction that I adore.
β
β
Vianka Van Bokkem (Elina Jensen's Double Curse (Vampire by Day Werewolf by Night, #1))
β
Needless to say, Virgin Val Jensen is no longer a virgin. I made sure of that.... many, many times.
β
β
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
β
Love is one of two things worth dying for. I have yet to decide on the second.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
I think it is in our nature to be selfish, and in our capacity to do a great many evil things.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Since the moment I set eyes on you in Southwatch, there's been no one but you. Even if I'm a goddamned fool for it, there will never be anyone but you."
You are a fool, she thought as darkness took her.
And that made two of them.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Contrary to popular belief, going shopping is really about stopping afterward for cheesecake.
β
β
Bonnie Jensen
β
To pretend that civilization can exist without destroying its own landbase and the landbases and cultures of others is to be entirely ignorant of history, biology, thermodynamics, morality, and self-preservation.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
But in his heart, he knew that even if he never saw her again for the rest of his life, it would never be over.
She would always be his queen.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.
β
β
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
β
Writing is really very easy. Tap a vein and bleed onto the page. Everything else is just technical.
β
β
Derrick Jensen
β
It's no wonder we don't defend the land where we live. We don't live here. We live in television programs and movies and books and with celebrities and in heaven and by rules and laws and abstractions created by people far away and we live anywhere and everywhere except in our particular bodies on this particular land at this particular moment in these particular circumstances.
β
β
Derrick Jensen (Endgame, Vol. 2: Resistance)
β
You died in the end, but you fought first.
β
β
Carsten Jensen (We, the Drowned)
β
Aren't we bold now that we believe we are untouchable.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
I cringed, though; for as much as I did not want to marry a troll, I was just as certain the troll didnβt want to marry me.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Why?β I slammed my fists down on the table. βWhy canβt you believe me? Why donβt you trust me?β
βBecause youβre human, CΓ©cile. You can lie, even to yourself.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
I'm fine Aren."
"I know you are. And I know you can do it yourself. But let me do it for you anyway.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
I will be at your back until I cross the threshold to Valhalla, Born-in-Fire, whether you want me there or not.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Forgive her. She loves you."
He dropped the old woman's arm, feeling Lara's gaze on him. Knowing she was listening. "She doesn't know what love is."
"That's why you should forgive her.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Qui craint de souffrir, il souffre deja de ce qu'il craint."
"Who fears to suffer, already suffers what he fears.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
Life had taught him about something far more complicated than justice. Its name was balance.
β
β
Carsten Jensen (We, the Drowned)
β
To reverse the effects of civilization would destroy the dreams of a lot of people. There's no way around it. We can talk all we want about sustainability, but there's a sense in which it doesn't matter that these people's dreams are based on, embedded in, intertwined with, and formed by an inherently destructive economic and social system. Their dreams are still their dreams. What right do I -- or does anyone else -- have to destroy them.
At the same time, what right do they have to destroy the world?
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Hmmm,' the King said, making a face. 'I'm not sure this is what we bargained for, boy. We expected the girl to be attractive.'
If I hadn't been so terrified, I would have been insulted.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
I wish I was not who I am. I wish I had met you in different circumstances, in a place far away from here, where there was no magic, politics and deception. Somewhere where things could be different between us. I wish I was someone else. But I am what and who I am, and all the wishes in the world will not change that.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
We thought we knew everything about him. But that's not how life is. When all's said and done, we can never truly know one another.
β
β
Carsten Jensen (We, the Drowned)
β
Kings and queens make decisions, but it is the common folk who pay the price.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
We have a need for enchantment that is as deep and devoted as our need for food and water.
β
β
Derrick Jensen (The Culture of Make Believe)
β
I love you," he said, his lips grazing against hers. "And I will love you, no matter what the future brings. No matter how hard I need to fight. I will always love you."
The words undid her, broke her apart completely, then forged her into something new. Something stronger. Something better.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
If there's one thing I've learned, it's that God is a very creative author, and He writes a different story for every person. No two lives or stories alike.
β
β
Robin Jones Gunn (With This Ring (Sierra Jensen, #6))
β
Beauty can be created, knowledge learned, but talent can neither be purchased nor taught.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Love does not imply pacifism.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
So long as we only believe in the justice of the state, of the law-made by those in power, to serve those in power-so long will we continue to be exploited by those in power.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
What is it about those two words - I'm sorry - that makes otherwise articulate guys into babbling idiots?
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
Actions speak louder than words
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Premise Eight: The needs of the natural world are more important than the needs of the economic system.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
You are mine, Born-in-Fire. Even if only the two of us know it.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Now that your speech impediment has been rectified, perhaps you might say something. It would be best if it were humorous. I enjoy a good jest.'
'You are dreadfully rude,' I said to him.
He sighed. 'That wasn't the slightest bit funny.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Is there anything more heartbreaking than drowning in sight of land? Is there a single one of us who hasn't at least once felt haunted by the fear of slipping away within sight of a safe haven?
β
β
Carsten Jensen (We, the Drowned)
β
What the hell is going on in here?β
Hannah jumps in surprise when Coach Jensen appears in the shower area.
Oh, hey, Coach,β I call out. βNot what it looks like.β
His dark brows knit in a displeased frown. βIt looks like youβre taking a shower in front of your girlfriend. In my locker room.β
βOkay, then yeah, itβs what it looks like. But I promise, itβs all very PG. Well, except for the fact that Iβm naked. But donβt worry, no kinky shit is going to happen.β I grin at him. βIβm trying to win her back.β
Coachβs mouth opens, then closes, then opens again. I canβt tell if heβs amused or pissed or ready to wash his hands of this whole thing. Finally, he nods and opts for option number three. βCarry on.
β
β
Elle Kennedy (The Deal (Off-Campus, #1))
β
That's the strange thing about a good story. No pleasure if you can't share it.
β
β
Carsten Jensen (We, the Drowned)
β
If I am distracted, it is your fault. You have been my undoing since the day we met.
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
You looked ridiculous walking around the city carrying an empty wineglass. I don't care to be associated with a drunk. Particularly one who damages glassware.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Marie Caroline Jensen, will you marry me?β he asked suddenly, looking right into my eyes. I bit my lip, trying to decide how long to drag it out. Maybe a little longerβ¦heβd used the βbβ word, I should probably make him suffer. I looked away, refusing to meet his eyes as he stopped laughing and grew still.
βMarie?β he asked, his voice suddenly strained. βOh fuck, donβt do this to me, please. Iββ
βYes,β I said, catching his eye and smirking. βIβll marry your big, dumb ass but only because you said the magic word.β
βFuck? Youβre right, that is a magic word. Letβs test it out.
β
β
Joanna Wylde (Reaper's Property (Reapers MC, #1))
β
Learning has to come from doing, not intellectualizing.
β
β
Derrick Jensen (The Culture of Make Believe)
β
A culture that values production over life values the wrong things, because it will produce things at the expense of living beings, human or otherwise.
β
β
Derrick Jensen (A Language Older Than Words)
β
She was everything. Mind, body, and soul, she was everything he wanted. Everything he needed. The queen Ithicana needed.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
In order to maintain our way of living, we must tell lies to each other, and especially to ourselves.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Many Indians have told me that the most basic difference between Western and indigenous ways of being is that Westerners view the world as dead, and not as filled with speaking, thinking, feeling subjects as worthy and valuable as themselves.
β
β
Derrick Jensen
β
I prayed to you, Cas. Every night.
β
β
Dean Winchester Jensen Ackles
β
Promise me this: ... you will stand for yourself, especially in the times when no one seems interested in standing for you.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
And like I said, I didn't know him very well, but my ears perked up whenever I heard his name. I guess I wanted to hear something - anything - juicy. Not because I wanted to spread gossip. I just couldn't believe someone could be that good.
If he was actually that good... wonderful. Great! But it became a personal game of mine. How long could I go on hearing nothing but good things about Clay Jensen?
Normally, when a person has a stellar image, another person's waiting in the wings to tear them apart. They're waiting for that one fatal flaw to expose itself.
But not with Clay.
β
β
Jay Asher (Thirteen Reasons Why)
β
forgive her. She loves you."
He dropped the old woman's arm, feeling Lara's gaze on him. Knowing she was listening. "she doesn't know what love is."
"That's why you should forgive her.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
How do you explain to a nonreader that books aren't just things but treasured friends? Companions?
β
β
Laura Jensen Walker (Daring Chloe (Getaway Girls, #1))
β
Hope can be like a plant that sprouts and grows and keeps people alive. But it can also be a wound that refuses to heal.
β
β
Carsten Jensen (We, the Drowned)
β
You can count the seeds in an apple, but you can't count the apples in a seed. When you teach, you never know how many lives you will influence...you are teaching for eternity
β
β
Karen Jensen
β
Truth (according to Edward Willing): People who rely on first sight are either lazy or deluded.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
Grades are a problem. On the most general level, they're an explicit acknowledgment that what you're doing is insufficiently interesting or rewarding for you to do it on your own. Nobody ever gave you a grade for learning how to play, how to ride a bicycle, or how to kiss. One of the best ways to destroy love for any of these activities would be through the use of grades, and the coercion and judgment they represent. Grades are a cudgel to bludgeon the unwilling into doing what they don't want to do, an important instrument in inculcating children into a lifelong subservience to whatever authority happens to be thrust over them.
β
β
Derrick Jensen
β
We only tell the secrets we secretly want not to be secret, right? And learn as much from what isn't told.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
A lifetime wouldn't be enough. Eternity wouldn't be enough. Not when I want to map every star in the sky with you in my arms.
β
β
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
β
What if the point of life has nothing to do with the creation of an ever-expanding region of control? What if the point is not to keep at bay all those people, beings, objects and emotions that we so needlessly fear? What if the point instead is to let go of that control? What if the point of life, the primary reason for existence, is to lie naked with your lover in a shady grove of trees? What if the point is to taste each other's sweat and feel the delicate pressure of finger on chest, thigh on thigh, lip on cheek? What if the point is to stop, then, in your slow movements together, and listen to the birdsong, to watch the dragonflies hover, to look at your lover's face, then up at the undersides of leaves moving together in the breeze? What if the point is to invite these others into your movement, to bring trees, wind, grass, dragonflies into your family and in so doing abandon any attempt to control them? What if the point all along has been to get along, to relate, to experience things on their own terms? What if the point is to feel joy when joyous, love when loving, anger when angry, thoughtful when full of thought? What if the point from the beginning has been to simply be?
β
β
Derrick Jensen (A Language Older Than Words)
β
So many indigenous people have said to me that the fundamental difference between Western and indigenous ways of being is that even the most open-minded westerners generally view listening to the natural world as a metaphor, as opposed to the way the world really is. Trees and rocks and rivers really do have things to say to us.
β
β
Derrick Jensen (What We Leave Behind)
β
A kiss-goodnight
Can last for hours
Moaning into your mouth
Licking the sweetness
Of my lips
Biting softly
Holding on
To the taste of yours
Never wanting
To let go
Asking you
To kiss me forever
Asking the goodnight-kiss
To become
A kiss-good-morning
A kiss-I-love-you
An entwined faith
Of two souls
Becoming one
In a single moment's kiss...
β
β
Veronika Jensen
β
Yes, it's vital to make lifestyle choices to mitigate damage caused by being a member of industrialized civilization, but to assign primary responsibility to oneself, and to focus primarily on making oneself better, is an immense copout, an abrogation of responsibility.
β
β
Derrick Jensen
β
I should have made you go when I had the chance.β
βIt wasnβt your decision to make.β I kissed him hard, clinging to him with what little strength I had left. βI would never choose to leave you.β
βIsnβt that what dying means?β Bitterness echoed through me.βLeaving?
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Eyes of blue and hair of fire
Are the keys to your desire.
Angel's voice and will of steel
Shall force the dark witch to kneel.
Death to bind and bind to break
Sun and moon for all our sake.
Prince of night, daughter of day,
Bound as one the witch they'll slay.
Same hour they their first breath drew,
On her last, the witch will rue.
Join the two named in this verse
And see the end of the curse.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Go!" He shouted the word at her, leveling the arrow at her forehead even as tears poured down his cheeks. "I never want to see your face. I never want to hear your name. If there were a way to scour you from my life, I'd do it. But until I find the strength to put you in a goddamned grave, this is all I have. Now run!"
His fingers quivered on the bowstring. He would do it. And it would kill him.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Behind my closed lids, my eyes stung, and I bit my lip. Tristan stroked my hair and I opened my eyes, staring into his soul, which was filled with all the sympathy, sorrow, and longing that I felt in my heart. For what I had lost. For what he had never had. And for what he never would have, if I did what he'd asked and abandoned my quest to break the curse.
"I love you, CΓ©cile," he said, and my breath caught. It was one thing to feel it, and quite another to hear the words from his lips.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
If we hope to stem the mass destruction that inevitably attends our economic system (and to alter the sense of entitlement - the sense of contempt, the hatred - on which it is based), fundamental historical, social, economic, and technological forces need to be pondered, understood, and redirected. Behavior won't change much without a fundamental change in consciousness. The question becomes: How do we change consciousness?
β
β
Derrick Jensen (The Culture of Make Believe)
β
One of the fables we live by is that some day the killing will stop. If only we rid ourselves of Chinese, white men will have jobs and white women will have virtue, and then we can stop killing. If only we rid ourselves of Indians, we will fulfill our Manifest Destiny, and then we can stop killing. If only we rid ourselves of Canaanites, we will live in the Promised Land, and then we can stop killing. If only we rid ourselves of Jews, we can build and maintain a Thousand Year Reich, and then we can stop killing. If only we stop the Soviet Union, we can stop the killing (remember the Peace Dividend that never materialized?). If only we can take out the worldwide terrorist network of bin Laden and others like him. If only. But the killing never stops. Always a new enemy to be hated is found.
β
β
Derrick Jensen (The Culture of Make Believe)
β
I take it that's where you met Todd.'
'Yep. Almost five years ago. Can you believe it?'
'Five years! You and Todd should be the poster couple for the 'Love Waits' campaign.'
Christy laughed. 'It didn't seem that long. A lot has happened during those five years. But I do agree that true love is worth the wait. I'd wait another five years for Todd if I had to. He's the only man for me. Ever.
β
β
Robin Jones Gunn (Don't You Wish (Sierra Jensen, #3))
β
Sierra felt full of hope and confidence in God. She knew who she was. And she knew Whose she was.
Whatever mysterious plan God had for her life, it would be an interesting one. As Christy had said earlier, God writes a different story for each person. Sierra decided hers might not be a bestseller or even a thriller. It certainly wasn't a romance. But it was turning into a fine mystery. And she could live with that.
β
β
Robin Jones Gunn (Sierra Jensen Collection, Vol. 2 (Sierra Jensen, #4-6))
β
One of the problems with all of this is that not all narratives are equal. Imagine, to take a silly example, that someone told you story after story extolling the virtues of eating dog shit. You've been told these stories since you were a child. You believe them. You eat dog shit hotdogs, dog shit ice cream, General Tso's dog shit. Sooner or later, if you are exposed to some other foods, you might figure out that dog shit really doesn't taste good. Or if you cling too tightly to these stories (or if your enculturation is so strong that dog shit actually does taste good to you), the diet might make you sick or kill you. To make this example a little less silly, substitute the word pesticides for dog shit. Or, for that matter, substitute Big Mac, Whopper, or Coca Cola.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
We were not meant for this. We were meant to live and love and play and work and even hate more simply and directly. It is only through outrageous violence that we come to see this absurdity as normal, or to not see it at all. Each new child has his eyes torn out so he will not see, his ears removed so he will not hear, his tongue ripped out so he will not speak, his mind juiced so he will not think, and his nerves scraped so he will not feel. Then he is released into a world broken in two: others, like himself, and those to be used. He will never realize that he still has all of his senses, if only he will use them. If you mention to him that he still has ears, he will not hear you. If he hears, he will not think. Perhaps most dangerously of all, if he thinks he will not feel. And so on, again.
β
β
Derrick Jensen (The Culture of Make Believe)
β
Christy said. "It's just weird, your seeing him like that. What are you going to do?"
"Nothing. What can I do?"
"Maybe he'll call you to see if you're okay," Katie said.
"No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea."
Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella."
"Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot--"
"Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us.
β
β
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
β
I have heard people suggest that because humans are natural that everything humans do or create is natural. Chainsaws are natural. Nuclear bombs are natural. Our economics is natural. Sex slavery is natural. Asphalt is natural. Cars are natural. Polluted water is natural. A devastated world is natural. A devasted phyche is natural. Unbridled exploitation is natural. Pure objectification is natural. This is, of course, nonsense. We are embedded in the natural world. We evolved as social creatures in this natural world. We require clean water to drink, or we die. We require clean air to breathe, or we die. We require food, or we die. We require love, affection, social contact in order to become our full selves. It is part of our evolutionary legacy as social creatures. Anything that helps us to understand all of this is natural: Any ritual, artifact, process, action is natural, to the degree that it reinforces our understanding of our embeddedness in the natural world, and any ritual, artifact, process, action is unnatural, to the degree that it does not
β
β
Derrick Jensen (The Culture of Make Believe)
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I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts mad in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.
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Derrick Jensen (The Culture of Make Believe)
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There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine.
I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry.
The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
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Derrick Jensen