β
sometimes no matter how many eyelashes or dandelion seeds you blow, no matter how much of your heart you tear out and slap on your sleeve, it just ain't gonna happen.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
Marie Caroline Jensen, will you do me the honor of being my permanent bitch?
β
β
Joanna Wylde (Reaper's Property (Reapers MC, #1))
β
Those in power have made it so we have to pay simply to exist on the planet. We have to pay for a place to sleep, and we have to pay for food. If we don't, people with guns come and force us to pay. That's violent.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Even if I'm a goddamned fool for it, there will never be anyone but you.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
I think it is our nature to believe evil always has an ugly face,β he said, ignoring my question. βBeauty is supposed to be good and kind, and to discover it otherwise is like a betrayal of trust. A violation of the nature of things.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Two drowning people can't save each other. All they can do is drag each other down.
β
β
Carsten Jensen (We, the Drowned)
β
Saving people, hunting things, the family business.
β
β
Dean Winchester Jensen Ackles
β
I cannot stop the world from moving. All I can do is be prepared for when it does.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
This man might be a hunter. But he was mistaken if he believed she was prey.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Dying was and easy thing to accomplish, effortless in its agony. It was living that was hard, requiring endless toil and labor, and for all one's efforts, it could be stolen in an instant.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Alive isn't living.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
They aren't ugly." I bit my lip, trying to find the right words. "more like beautiful things that have had the misfortune of being broken.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Within this culture wealth is measured by one's ability to consume and destroy.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Awake or asleep, all I see is your face. All I hear is your voice. All I feel is you in my arms. All I want is you.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
You are my goddamned damnation, but there will never be anyone but you.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Surely by now there can be few here who still believe the purpose of government is to protect us from the destructive activities of corporations. At last most of us must understand that the opposite is true: that the primary purpose of government is to protect those who run the economy from the outrage of injured citizens.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Even the most
beautiful
of the stars
are taken
for granted
night after
night.
β
β
Veronika Jensen
β
A primary purpose of the police is to enforce the delusions of those with lots of green paper.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
For us to maintain our way of living, we must tell lies to each other and especially to ourselves. The lies are necessary because, without them, many deplorable acts would become impossibilities.
β
β
Derrick Jensen (The Culture of Make Believe)
β
The world does not need white people to civilize others. The real White People's Burden is to civilize ourselves.
β
β
Robert Jensen (The Heart of Whiteness: Confronting Race, Racism, and White Privilege)
β
Like the layers of an onion, under the first lie is another, and under that another, and they all make you cry.
β
β
Derrick Jensen (A Language Older Than Words)
β
We cannot hope to create a sustainable culture with any but sustainable souls.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Since the moment I set eyes on you in Southwatch, there's been no one but you. Even if I'm a goddamned fool for it, there will never be anyone but you."
You are a fool, she thought as darkness took her.
And that made two of them.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
To be bound is a burden, but it is the actions we freely take that cause us the most pain.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Reading is an addiction that I adore.
β
β
Vianka Van Bokkem (Elina Jensen's Double Curse (Vampire by Day Werewolf by Night, #1))
β
Needless to say, Virgin Val Jensen is no longer a virgin. I made sure of that.... many, many times.
β
β
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
β
Love is one of two things worth dying for. I have yet to decide on the second.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
But in his heart, he knew that even if he never saw her again for the rest of his life, it would never be over.
She would always be his queen.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
I think it is in our nature to be selfish, and in our capacity to do a great many evil things.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
I will be at your back until I cross the threshold to Valhalla, Born-in-Fire, whether you want me there or not.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.
β
β
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
β
Contrary to popular belief, going shopping is really about stopping afterward for cheesecake.
β
β
Bonnie Jensen
β
To pretend that civilization can exist without destroying its own landbase and the landbases and cultures of others is to be entirely ignorant of history, biology, thermodynamics, morality, and self-preservation.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
It's no wonder we don't defend the land where we live. We don't live here. We live in television programs and movies and books and with celebrities and in heaven and by rules and laws and abstractions created by people far away and we live anywhere and everywhere except in our particular bodies on this particular land at this particular moment in these particular circumstances.
β
β
Derrick Jensen (Endgame, Vol. 2: Resistance)
β
Writing is really very easy. Tap a vein and bleed onto the page. Everything else is just technical.
β
β
Derrick Jensen
β
I'm fine Aren."
"I know you are. And I know you can do it yourself. But let me do it for you anyway.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
You died in the end, but you fought first.
β
β
Carsten Jensen (We, the Drowned)
β
It is hard to keep one's wits when faced with a woman as beautiful as the sight of shore to a man who has been lost at sea.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Forgive her. She loves you."
He dropped the old woman's arm, feeling Lara's gaze on him. Knowing she was listening. "She doesn't know what love is."
"That's why you should forgive her.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
You are mine, Born-in-Fire. Even if only the two of us know it.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
I love you," he said, his lips grazing against hers. "And I will love you, no matter what the future brings. No matter how hard I need to fight. I will always love you."
The words undid her, broke her apart completely, then forged her into something new. Something stronger. Something better.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
Why?β I slammed my fists down on the table. βWhy canβt you believe me? Why donβt you trust me?β
βBecause youβre human, CΓ©cile. You can lie, even to yourself.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Aren't we bold now that we believe we are untouchable.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
I cringed, though; for as much as I did not want to marry a troll, I was just as certain the troll didnβt want to marry me.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Kings and queens make decisions, but it is the common folk who pay the price.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Qui craint de souffrir, il souffre deja de ce qu'il craint."
"Who fears to suffer, already suffers what he fears.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
We thought we knew everything about him. But that's not how life is. When all's said and done, we can never truly know one another.
β
β
Carsten Jensen (We, the Drowned)
β
Life had taught him about something far more complicated than justice. Its name was balance.
β
β
Carsten Jensen (We, the Drowned)
β
To reverse the effects of civilization would destroy the dreams of a lot of people. There's no way around it. We can talk all we want about sustainability, but there's a sense in which it doesn't matter that these people's dreams are based on, embedded in, intertwined with, and formed by an inherently destructive economic and social system. Their dreams are still their dreams. What right do I -- or does anyone else -- have to destroy them.
At the same time, what right do they have to destroy the world?
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
If there's one thing I've learned, it's that God is a very creative author, and He writes a different story for every person. No two lives or stories alike.
β
β
Robin Jones Gunn (With This Ring (Sierra Jensen, #6))
β
We have a need for enchantment that is as deep and devoted as our need for food and water.
β
β
Derrick Jensen (The Culture of Make Believe)
β
Hmmm,' the King said, making a face. 'I'm not sure this is what we bargained for, boy. We expected the girl to be attractive.'
If I hadn't been so terrified, I would have been insulted.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
I wish I was not who I am. I wish I had met you in different circumstances, in a place far away from here, where there was no magic, politics and deception. Somewhere where things could be different between us. I wish I was someone else. But I am what and who I am, and all the wishes in the world will not change that.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Beauty can be created, knowledge learned, but talent can neither be purchased nor taught.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Love does not imply pacifism.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
What the hell is going on in here?β
Hannah jumps in surprise when Coach Jensen appears in the shower area.
Oh, hey, Coach,β I call out. βNot what it looks like.β
His dark brows knit in a displeased frown. βIt looks like youβre taking a shower in front of your girlfriend. In my locker room.β
βOkay, then yeah, itβs what it looks like. But I promise, itβs all very PG. Well, except for the fact that Iβm naked. But donβt worry, no kinky shit is going to happen.β I grin at him. βIβm trying to win her back.β
Coachβs mouth opens, then closes, then opens again. I canβt tell if heβs amused or pissed or ready to wash his hands of this whole thing. Finally, he nods and opts for option number three. βCarry on.
β
β
Elle Kennedy (The Deal (Off-Campus, #1))
β
Premise Eight: The needs of the natural world are more important than the needs of the economic system.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
What is it about those two words - I'm sorry - that makes otherwise articulate guys into babbling idiots?
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
So long as we only believe in the justice of the state, of the law-made by those in power, to serve those in power-so long will we continue to be exploited by those in power.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
She was everything. Mind, body, and soul, she was everything he wanted. Everything he needed. The queen Ithicana needed.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Not all scars we earn are skin-deep, Freya Born-in-Fire. There is no less honor in them.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
forgive her. She loves you."
He dropped the old woman's arm, feeling Lara's gaze on him. Knowing she was listening. "she doesn't know what love is."
"That's why you should forgive her.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Now that your speech impediment has been rectified, perhaps you might say something. It would be best if it were humorous. I enjoy a good jest.'
'You are dreadfully rude,' I said to him.
He sighed. 'That wasn't the slightest bit funny.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Is there anything more heartbreaking than drowning in sight of land? Is there a single one of us who hasn't at least once felt haunted by the fear of slipping away within sight of a safe haven?
β
β
Carsten Jensen (We, the Drowned)
β
A culture that values production over life values the wrong things, because it will produce things at the expense of living beings, human or otherwise.
β
β
Derrick Jensen (A Language Older Than Words)
β
Actions speak louder than words
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
You looked ridiculous walking around the city carrying an empty wineglass. I don't care to be associated with a drunk. Particularly one who damages glassware.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
That's the strange thing about a good story. No pleasure if you can't share it.
β
β
Carsten Jensen (We, the Drowned)
β
If I am distracted, it is your fault. You have been my undoing since the day we met.
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
Marie Caroline Jensen, will you marry me?β he asked suddenly, looking right into my eyes. I bit my lip, trying to decide how long to drag it out. Maybe a little longerβ¦heβd used the βbβ word, I should probably make him suffer. I looked away, refusing to meet his eyes as he stopped laughing and grew still.
βMarie?β he asked, his voice suddenly strained. βOh fuck, donβt do this to me, please. Iββ
βYes,β I said, catching his eye and smirking. βIβll marry your big, dumb ass but only because you said the magic word.β
βFuck? Youβre right, that is a magic word. Letβs test it out.
β
β
Joanna Wylde (Reaper's Property (Reapers MC, #1))
β
Many Indians have told me that the most basic difference between Western and indigenous ways of being is that Westerners view the world as dead, and not as filled with speaking, thinking, feeling subjects as worthy and valuable as themselves.
β
β
Derrick Jensen
β
Hope can be like a plant that sprouts and grows and keeps people alive. But it can also be a wound that refuses to heal.
β
β
Carsten Jensen (We, the Drowned)
β
Learning has to come from doing, not intellectualizing.
β
β
Derrick Jensen (The Culture of Make Believe)
β
In order to maintain our way of living, we must tell lies to each other, and especially to ourselves.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
I prayed to you, Cas. Every night.
β
β
Dean Winchester Jensen Ackles
β
A lifetime wouldn't be enough. Eternity wouldn't be enough. Not when I want to map every star in the sky with you in my arms.
β
β
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
β
And like I said, I didn't know him very well, but my ears perked up whenever I heard his name. I guess I wanted to hear something - anything - juicy. Not because I wanted to spread gossip. I just couldn't believe someone could be that good.
If he was actually that good... wonderful. Great! But it became a personal game of mine. How long could I go on hearing nothing but good things about Clay Jensen?
Normally, when a person has a stellar image, another person's waiting in the wings to tear them apart. They're waiting for that one fatal flaw to expose itself.
But not with Clay.
β
β
Jay Asher (Thirteen Reasons Why)
β
Promise me this: ... you will stand for yourself, especially in the times when no one seems interested in standing for you.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
Truth (according to Edward Willing): People who rely on first sight are either lazy or deluded.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
How do you explain to a nonreader that books aren't just things but treasured friends? Companions?
β
β
Laura Jensen Walker (Daring Chloe (Getaway Girls, #1))
β
Grades are a problem. On the most general level, they're an explicit acknowledgment that what you're doing is insufficiently interesting or rewarding for you to do it on your own. Nobody ever gave you a grade for learning how to play, how to ride a bicycle, or how to kiss. One of the best ways to destroy love for any of these activities would be through the use of grades, and the coercion and judgment they represent. Grades are a cudgel to bludgeon the unwilling into doing what they don't want to do, an important instrument in inculcating children into a lifelong subservience to whatever authority happens to be thrust over them.
β
β
Derrick Jensen
β
We only tell the secrets we secretly want not to be secret, right? And learn as much from what isn't told.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
You can count the seeds in an apple, but you can't count the apples in a seed. When you teach, you never know how many lives you will influence...you are teaching for eternity
β
β
Karen Jensen
β
Its in your nature to survive
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
What if the point of life has nothing to do with the creation of an ever-expanding region of control? What if the point is not to keep at bay all those people, beings, objects and emotions that we so needlessly fear? What if the point instead is to let go of that control? What if the point of life, the primary reason for existence, is to lie naked with your lover in a shady grove of trees? What if the point is to taste each other's sweat and feel the delicate pressure of finger on chest, thigh on thigh, lip on cheek? What if the point is to stop, then, in your slow movements together, and listen to the birdsong, to watch the dragonflies hover, to look at your lover's face, then up at the undersides of leaves moving together in the breeze? What if the point is to invite these others into your movement, to bring trees, wind, grass, dragonflies into your family and in so doing abandon any attempt to control them? What if the point all along has been to get along, to relate, to experience things on their own terms? What if the point is to feel joy when joyous, love when loving, anger when angry, thoughtful when full of thought? What if the point from the beginning has been to simply be?
β
β
Derrick Jensen (A Language Older Than Words)
β
Some people treat
loyalty as a lamp:
they think, they can
just switch it on/off
and believe,
you won't notice
the difference...
β
β
Veronika Jensen
β
Guys generally need us to come with subtitles, cue cards, and liability waivers.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
I wanted you the moment I first set eyes on you. I wanted you in Fjalltindr. I want you now, and tomorrow, and all the tomorrows, Freya.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
So many indigenous people have said to me that the fundamental difference between Western and indigenous ways of being is that even the most open-minded westerners generally view listening to the natural world as a metaphor, as opposed to the way the world really is. Trees and rocks and rivers really do have things to say to us.
β
β
Derrick Jensen (What We Leave Behind)
β
Sometimes, one must do the unthinkable," I said, "for it is the only way to accomplish the impossible.
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
ΩΩ
ΩΩ ΩΩΨ₯ΩΨ³Ψ§Ω Ψ£Ω ΩΩΨ²Ω
Ψ§ΩΨ£Ψ±ΨΆ ΩΩΩΨ§ Ψ ΩΩΩ ΩΨ¨Ω Ψ°ΩΩ ΨΉΩΩΩ Ψ£Ω ΩΩΨͺΨ΅Ψ± Ψ«Ψ§ΩΩΨ© ΩΩ Ψ§ΩΩ
ΩΨ§Ω Ψ§ΩΨ°Ω Ψ΄ΩΨ― ΩΨ²ΩΩ
ΨͺΩ Ψ ΩΩΨ¨Ω Ψ°ΩΩ ΩΩ ΩΨΉΨ±Ω ΩΩΨ₯ΩΨͺΨ΅Ψ§Ψ± Ψ·ΨΉΩ
ΩΨ§
β
β
Johannes V. Jensen (Kongens fald)
β
She was right, and he knew it. But in his heart, he knew that even if he never saw her again for the rest of his life, it would never be over. She would always be his queen.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
All of me is yours, Freya. It may not be equal measure to your value, but it's all I have.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
I used to dream only of fire and ash," he whispered, running a thumb over my cheek as I lifted my face to meet his gaze. "Now when I close my eyes, all I see is your face.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
A kiss-goodnight
Can last for hours
Moaning into your mouth
Licking the sweetness
Of my lips
Biting softly
Holding on
To the taste of yours
Never wanting
To let go
Asking you
To kiss me forever
Asking the goodnight-kiss
To become
A kiss-good-morning
A kiss-I-love-you
An entwined faith
Of two souls
Becoming one
In a single moment's kiss...
β
β
Veronika Jensen
β
Everyone in our town has a story--but it's not the one he tells himself. Its author has a thousand eyes, a thousand ears, and five hundred pens that never stop scribbling.
β
β
Carsten Jensen (We, the Drowned)
β
Here lay the gateway between worlds, the divide between reality and fantasy. A dream or, depending on who waited, a nightmare.
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
Ella. If you donβt learn to carpe the diem, you will be, while most certainly not Nobody, something less than a Somebody.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
I swore to fight by your side, to defend you to my dying breath, to cherish your body and none other, and to be loyal to you as long as I live.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
All she had ever known was violence. It was nothing to her. And everything.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
I heard you call my name," she whispered. "I heard you order me to fight."
"First damned time you ever listened."
She smiled, but sadness swelled in her chest. "Don't get used to it.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
The only real job of a teacher, especially a writing teacher, is to help students find themselves.
β
β
Derrick Jensen (Walking on Water: Reading, Writing, and Revolution)
β
I had broken the most basic commandment of our culture: Thou shalt pretend there is nothing wrong.
β
β
Derrick Jensen (A Language Older Than Words)
β
And when a whisper
became a begging
it was time to
move on.
β
β
Veronika Jensen
β
Now I remembered a captain's honor and his only duty: to bring his crew back alive.
β
β
Carsten Jensen (We, the Drowned)
β
She was so painfully beautiful, and even knowing that she'd used it against him didn't lessen how powerfully he was drawn to her.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
One may hide cruel. One may even hide a certain amount of madness. One can never hide stupidity.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
The global industrial economy is the engine for massive environmental degradation and massive human (and nonhuman) impoverishment.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Loved. Past tense. Because sheβd never deserved his love, and now sheβd lost it for good.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
wishes were the dreams of fools
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
It has been said that it's hard to stop a man who knows he's in the right and just keeps on coming. Smoke knew he was right - and he kept on coming.
β
β
William W. Johnstone (Matt Jensen, the Last Mountain Man (Matt Jensen: The Last Mountain Man, #1))
β
I'm also a book nerd so aside from my life and my opinions, you could say my lyrics are inspired in some sense by the writings of Guy Debord, John Berryman, Georges Bataille, T.S. Eliot, Albert Camus, Bukowski, Artaud, Derrick Jensen and bunch of other people.
β
β
Dominic Owen Mallary
β
Go!" He shouted the word at her, leveling the arrow at her forehead even as tears poured down his cheeks. "I never want to see your face. I never want to hear your name. If there were a way to scour you from my life, I'd do it. But until I find the strength to put you in a goddamned grave, this is all I have. Now run!"
His fingers quivered on the bowstring. He would do it. And it would kill him.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
They changed the way I thought - once I could read, especially, it seemed the world grew in leaps and bounds with every passing day. There was so much I wanted to talk about, but no one wanted to listen
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
Yes, it's vital to make lifestyle choices to mitigate damage caused by being a member of industrialized civilization, but to assign primary responsibility to oneself, and to focus primarily on making oneself better, is an immense copout, an abrogation of responsibility.
β
β
Derrick Jensen
β
Our mother sticks a knife in our heart when we say goodbye on the wharf. And we stick a knife in hers when we go. And that's how we're connected: through the hurt we inflict on one another.
β
β
Carsten Jensen (We, the Drowned)
β
Children must find not only their happiest fantasies, but their most violent and terrible nightmares. They must face their demons and laugh at them. That is the key to growing up.
β
β
Lisa Jensen (Alias Hook)
β
We were familiar with the line that separates grief from madness, and we know that sometimes the only way to stay on the right side of it is to scream.
β
β
Carsten Jensen (We, the Drowned)
β
He that lies with the dogs, riseth with the fleas.
β
β
William W. Johnstone (Matt Jensen, the Last Mountain Man (Matt Jensen: The Last Mountain Man, #1))
β
Relationships are like Whack-a-Mole. You squash one annoying deformity and another one pops up in no time.
β
β
Melissa Jensen (The Fine Art of Truth or Dare)
β
Is love meant to make us feel like fools?
β
β
Melissa Jensen (Falling in Love with English Boys)
β
The key is to integrate our art into our life, not the other way around.
β
β
Brooks Jensen (Letting Go of the Camera: Essays on Photography and the Creative Life)
β
We can save the naked sprints for storm season. Itβs far more exciting if thereβs lightning biting at your ass.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
No one can predict the future, Your Grace. Fate favors the strong. God rewards the good. And the stars never abandon those who dream of more.
β
β
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
β
I should have made you go when I had the chance.β
βIt wasnβt your decision to make.β I kissed him hard, clinging to him with what little strength I had left. βI would never choose to leave you.β
βIsnβt that what dying means?β Bitterness echoed through me.βLeaving?
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
I Didn't Ask to Be a Senior Citizen (I Was Drafted)
β
β
Doug Jensen (Looking in the Rear View Mirror)
β
We don't sail because the sea is there. We sail because there's a harbour. We don't start by heading for distant shores. We seek protection first.
β
β
Carsten Jensen (We, the Drowned)
β
Peace is like a dance. It only works if both partners are listening to the same music.
β
β
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
β
It's been said that the role of the artist is to teach us to see and that's true. However, the role of other artists is to teach me how they see. To learn how I see is somethig that cannot be taught but must be learned.
β
β
Brooks Jensen (Letting Go of the Camera: Essays on Photography and the Creative Life)
β
No oath is worth your life. No amount of vengeance is worth your happiness. I'll let the past burn to ash, Freya, because you are my present. My future. My destiny." He lifted his other hand to cup my face. "I love you.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Eyes of blue and hair of fire
Are the keys to your desire.
Angel's voice and will of steel
Shall force the dark witch to kneel.
Death to bind and bind to break
Sun and moon for all our sake.
Prince of night, daughter of day,
Bound as one the witch they'll slay.
Same hour they their first breath drew,
On her last, the witch will rue.
Join the two named in this verse
And see the end of the curse.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
It's okay to be happy, it's okay to live your life exactly the way you want it... It's okay to find what makes you happy and then to fight for it. To dedicate your life to discovering who you are.
β
β
Derrick Jensen (Walking on Water: Reading, Writing, and Revolution)
β
You're mine, Born-in-Fire," he answered, reaching out to take my hand. "And I'm yours, even if only the two of us know it.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Kindness freely offered that asks for no reward, love that values another above yourself, the wisdom to live without fear. That is the best of life
β
β
Lisa Jensen (Alias Hook)
β
There was, Aren thought, nothing the Great Beyond could offer that would be more perfect than her.
β
β
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
β
The task we all face as human beings ... is to find and become who we are. The task teachers face is to find their own way of teaching, one that manifests who they are.
β
β
Derrick Jensen
β
Then Circled by the golden light of God's Presence and His promise, Paul and Sierra walked side by side along the trail that lead tward the campus and on tward their Future
β
β
Robin Jones Gunn (Take My Hand (Sierra Jensen, #12))
β
I see you growing older, silver hair, face marked from smiles rather than worry, more beautiful with every passing day.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Where you go, I go, Born-in-Fire. Even if it's to the gates of Valhalla.
β
β
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
β
Behind my closed lids, my eyes stung, and I bit my lip. Tristan stroked my hair and I opened my eyes, staring into his soul, which was filled with all the sympathy, sorrow, and longing that I felt in my heart. For what I had lost. For what he had never had. And for what he never would have, if I did what he'd asked and abandoned my quest to break the curse.
"I love you, CΓ©cile," he said, and my breath caught. It was one thing to feel it, and quite another to hear the words from his lips.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
The Top Ten Things Every Girl Should Have the First Time
5. A guy who realizes it's a big deal for you, this time.
6. A guy who understands that it's a big deal every time.
7. A guy who tries to make it special. Every time.
β
β
Melissa Jensen (Falling in Love with English Boys)
β
If Iβm going to be ruled by a high-minded pretty-faced troll, it might as well be you.β
βIβm glad to hear it,β I said, trying not to smile. βWho knows what would happen to my ego if you decided to abandon me.
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
A depressed Mormon kid kills himself after having gay sex?" Chris sighs. "Jensen, I hate to break your bubble of self-importance but you and your dick, however magical I'm sure it is, did not do that. He could have had sex with Johnny-next-door and it would have done the same thing. Believe me. So please, no more 'I kill people with my dick' guilt, ok?
β
β
Felisblanco (The Doors of Time (The Doors of Time #1))
β
If we hope to stem the mass destruction that inevitably attends our economic system (and to alter the sense of entitlement - the sense of contempt, the hatred - on which it is based), fundamental historical, social, economic, and technological forces need to be pondered, understood, and redirected. Behavior won't change much without a fundamental change in consciousness. The question becomes: How do we change consciousness?
β
β
Derrick Jensen (The Culture of Make Believe)
β
That's how it is, he told himself. If you dread something enough, even your worst fears coming true brings comfort.
β
β
Carsten Jensen (We, the Drowned)
β
Though I had no respect for Jack Lewis, I respected the hole in his chest. He was dying, and you owe the dying your attention.
β
β
Carsten Jensen (We, the Drowned)
β
Nature was neither fair nor unfair. Those terms belonged to the world of men.
β
β
Carsten Jensen (We, the Drowned)
β
There will always be sadness, child, but until you're dead life goes on. Don't waste it lying in bed.
β
β
Megg Jensen (Anathema (Cloud Prophet Trilogy, #1))
β
Ivy held no claim over me," he said softly. "You, on the other hand, you claimed me from the moment I first saw you.
β
β
Megg Jensen (Anathema (Cloud Prophet Trilogy, #1))
β
a real partnership in which all parties help all others to be more fully themselves
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
Now if you'll excuse me, I'm going to get my wife back.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Trusting you was my mistake. Loving you was my mistake.
β
β
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom, #2))
β
Matters of the heart do not bow to logic or reason. Anyone who does not understand that has either never lived or is devoid of a heart themselves.
β
β
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
β
One of the fables we live by is that some day the killing will stop. If only we rid ourselves of Chinese, white men will have jobs and white women will have virtue, and then we can stop killing. If only we rid ourselves of Indians, we will fulfill our Manifest Destiny, and then we can stop killing. If only we rid ourselves of Canaanites, we will live in the Promised Land, and then we can stop killing. If only we rid ourselves of Jews, we can build and maintain a Thousand Year Reich, and then we can stop killing. If only we stop the Soviet Union, we can stop the killing (remember the Peace Dividend that never materialized?). If only we can take out the worldwide terrorist network of bin Laden and others like him. If only. But the killing never stops. Always a new enemy to be hated is found.
β
β
Derrick Jensen (The Culture of Make Believe)
β
Sierra felt full of hope and confidence in God. She knew who she was. And she knew Whose she was.
Whatever mysterious plan God had for her life, it would be an interesting one. As Christy had said earlier, God writes a different story for each person. Sierra decided hers might not be a bestseller or even a thriller. It certainly wasn't a romance. But it was turning into a fine mystery. And she could live with that.
β
β
Robin Jones Gunn (Sierra Jensen Collection, Vol. 2 (Sierra Jensen, #4-6))
β
I take it that's where you met Todd.'
'Yep. Almost five years ago. Can you believe it?'
'Five years! You and Todd should be the poster couple for the 'Love Waits' campaign.'
Christy laughed. 'It didn't seem that long. A lot has happened during those five years. But I do agree that true love is worth the wait. I'd wait another five years for Todd if I had to. He's the only man for me. Ever.
β
β
Robin Jones Gunn (Don't You Wish (Sierra Jensen, #3))
β
A heart is not just an organ. The heart stores secrets and lies. Hopes and dreams. Itβs more than a muscle. I know it is. The heart remembers.
β
β
Louise Jensen (The Gift)
β
But tonight we danced with the drowned. And they were us.
β
β
Carsten Jensen (We, the Drowned)
β
Freedom had a thousand faces. But so did crime. The thought of what a man might do made me dizzy.
β
β
Carsten Jensen (We, the Drowned)
β
Even terror needs a yardstick, and surely the yardstick for the unknown is the known?
β
β
Carsten Jensen (We, the Drowned)
β
There are as many paths as there are travelers.
β
β
Danielle L. Jensen (Dark Shores (Dark Shores, #1))
β
No one is more vulnerable to fear than a man who keeps another in bondage. He will do anything to prevent justice from rearing its head β for he knows well what he deserves at the hands of those he subjugates.
β
β
Jane Jensen (Sins of the Fathers (Gabriel Knight, #1))
β
One of the problems with all of this is that not all narratives are equal. Imagine, to take a silly example, that someone told you story after story extolling the virtues of eating dog shit. You've been told these stories since you were a child. You believe them. You eat dog shit hotdogs, dog shit ice cream, General Tso's dog shit. Sooner or later, if you are exposed to some other foods, you might figure out that dog shit really doesn't taste good. Or if you cling too tightly to these stories (or if your enculturation is so strong that dog shit actually does taste good to you), the diet might make you sick or kill you. To make this example a little less silly, substitute the word pesticides for dog shit. Or, for that matter, substitute Big Mac, Whopper, or Coca Cola.
β
β
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
β
It seems to me, that no matter what we do, no matter what choices we make, there isnβt a happy ending waiting for us at the end of the long road.β
βBut that doesnβt mean we give up. It doesnβt mean we stop fighting.
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
But too often men react to women in positions of power with misogyny, often in sexualized terms. I have heard men in such situations talk about how "I'd like to fuck that bitch and teach her a lesson," for example. That kind of reaction demonstrates that no matter what the class position of a man and woman, men can use the weapon of sexualized violence to attempt to assert their dominance.
β
β
Robert Jensen
β
Violence, and evil, doesn't always come dressed in black, and it doesn't always look like Charles Manson. Nor does it always come to us as obvious and arrogant[...]. Often it comes to us with the simple plea to be reasonable.
β
β
Derrick Jensen (A Language Older Than Words)
β
But that's how it is on a sailing ship, and in this respect its journey parallels that of life: simply knowing where you want to go isn't enough, because life is a windblown voyage, consisting mainly of the detours imposed by alternating calm and storm.
β
β
Carsten Jensen (We, the Drowned)
β
It was almost habit now for me to seek her out whenever I heard her singing - her voice was my only respite. The one moment in the day when I allowed myself to forget the growing pressures of my life. The one moment when I allowed myself to forget who I was.
β
β
Danielle L. Jensen
β
Should the discovery of fire have been avoided because arsonists can misuse it? Any kind of information can be misused by those who are determined to do so. The place to stop the misuse of knowledge is not at the point of inquiry, but at the point of misuse.
β
β
Arthur R. Jensen (Straight Talk About Mental Tests)
β
But now I saw the real problem with chasing after a man. It wasn't a matter of being unseemly or socially unacceptable or not playing the game right. It was just this: if I chase him, I'll never really know if he cares enough to chase me.
β
β
Laura Jensen Walker (Dreaming in Technicolor (Phoebe Grant, #2))
β
Think about it. These guys have far more reasons to pull a prank on Doug than they do me. I kind of wished we had changed clothes, though.'
'There wasn't time,' Katie said. 'Your true love is in desperate need of your assistance. How can you think of changing into the appropriate attire for a rescue?
β
β
Robin Jones Gunn (With This Ring (Sierra Jensen, #6))
β
Itβs unavoidable: so long as we value money more highly than living beings and more highly than relationships, we will continue to see living beings as resources, and convert them to cash; objectifying, killing, extirpating. This is true whether weβre talking about fish, fur-bearing mammals, Indians, day-laborers, and so on. If monetary value is attached to something it will be exploited until itβs gone.
β
β
Derrick Jensen (A Language Older Than Words)
β
Memories of the past year came tumbling down on me. The recent changes and reverses were almost overwhelming. I was learning that life flowed like a river. When the run-off was normal, the water ran smoothly. But if there came a downpour, it gushed. In the likeness to a flooding river, life events were caught up in the course of the devouring stream.
β
β
Mary Margaret Jensen (Against the Grain)
β
Sounds a little like my quote for the week. Do you want to hear it? This is by Augustine: O soul, He only who created thee can satisfy thee. If thou ask for anything else, it is thy misfortune, for He alone made thee in His image can satisfy thee. That's rich, isn't it?
β
β
Robin Jones Gunn (With This Ring (Sierra Jensen, #6))
β
Iβd admired him, and yes, lusted after him, but then Iβd fallen. Fallen for a man who felt too much and took on too much, who believed if only he worked tirelessly and ceaselessly enough, that he could improve the lives of an entire race of people. And Iβd had that depth of passion turned on me β seen it in his eyes, felt it in my heart. He loved me, and I loved him. And Iβd love him as long as I lived, and if my soul endured, Iβd love him for eternity
β
β
Danielle L. Jensen (Hidden Huntress (The Malediction Trilogy, #2))
β
Pointed teeth would give one an appearance of ferocity," he said, tapping a straight white tooth. "Although that might require one to follow through with biting someone from time to time, and the thought is enough to make one feel ill. I don't even like my meat cooked rare.
β
β
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
β
I wondered what it does to each of us to spend the majority of our waking hours doings things we'd rather not do, wishing we were outside or simply elsewhere, wishing we were reading, thinking, making love, fishing, sleeping, or simply having time to figure out who the hell we are and what the hell we're doing.
β
β
Derrick Jensen (A Language Older Than Words)
β
We were not meant for this. We were meant to live and love and play and work and even hate more simply and directly. It is only through outrageous violence that we come to see this absurdity as normal, or to not see it at all. Each new child has his eyes torn out so he will not see, his ears removed so he will not hear, his tongue ripped out so he will not speak, his mind juiced so he will not think, and his nerves scraped so he will not feel. Then he is released into a world broken in two: others, like himself, and those to be used. He will never realize that he still has all of his senses, if only he will use them. If you mention to him that he still has ears, he will not hear you. If he hears, he will not think. Perhaps most dangerously of all, if he thinks he will not feel. And so on, again.
β
β
Derrick Jensen (The Culture of Make Believe)
β
I do want to remake the world so that I can be with you. So that I can get down on my knees and ask you to be my wife. So that I can put a crown on your head and make you my queen. So I can build a shrine and worship you as my goddess. I want all of these things, yet I face a future with none of them, and I don't know whether I want to fall on my own blade or burn everything to ash because I do not want to let you go.
β
β
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
β
Does anyone really believe that a pattern of exploitation old as our civilization can be halted legislatively, judicially, or through any means other than an absolute rejection of the mindset that engineers the exploitation in the first place, followed by actions based on that rejection? This means if we want to stop the destruction, we have to root out the mindset.
β
β
Derrick Jensen (A Language Older Than Words)
β
And I loved you
I loved you so
There were times
I forgot to breathe
Waiting for the phone call
For the sound of your voice
Touching me places
You couldn't touch
For the miles between us.
And I loved you
Like a forest loves the spring
Waiting for the smallest signs
Of you coming back
And breathing life back into me
Warming me up
On my brightest fields
And my darkest valleys
But you stayed away.
And I loved you
But fate seemed to have
Different plans for us.
I guess now I see that
It was a one-sided love
Peeking through
The large glasses of a binocular
I am here, so very close
But you are far-far-away...
β
β
Veronika Jensen
β
Women, porn assets, whether they know it or not, are objects They are whores. These whores deserve to be dominated and abused. And once men have had their way with them, these whores are to be discarded. Porn glorifies the cruelty and domination of sexual exploitation in the same way popular culture, as Jensen points out, glorifies the domination and cruelty of war. It is the same disease. It is the belief that βbecause I have the ability to use force and control to make others do as I please, I have the right to use this force and control.β It is the disease of corporate and imperial power. It extinguishes the sacred and the human to worship power, control, force, and pain. It replaces empathy, eros, and compassion with the illusion that we are gods. Porn is the glittering faΓ§ade, like the casinos and resorts of Las Vegas, like the rest of the fantasy that is America, of a culture seduced by death.
β
β
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
β
Christy said. "It's just weird, your seeing him like that. What are you going to do?"
"Nothing. What can I do?"
"Maybe he'll call you to see if you're okay," Katie said.
"No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea."
Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella."
"Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot--"
"Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us.
β
β
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
β
Hide the miles between us
Run to me
Like you run your
Fingers through my hair
Desire in every digit, in every touch.
Run to me
Like rivers run in springtime
Filled with renewing love
As they do with the melting snow.
Fly to me
As the birds fly the continents
Committed to build their nests.
Fly to me
As a cottonwood fluff in the air
All over me, head to toe, gently
Come here.
β
β
Veronika Jensen
β
Question four: What book would you give to every child?
Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads.
That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside.
β
β
Derrick Jensen
β
I wish that my childhood would have been different. I do not, however, regret what happened. This does not mean tht I would gladly go through it again. But mythologies of all times and all places tell us that those who enter the abyss and survive can bring back important lessons. I have no need to merely imagine the unimaginable. And I will no longer forget. I have learned that whether I choose to feel or not, pain exists, and whether we choose to acknowledge them or not, atrocities continue. I have grown to understand that in the shadow of the unspeakable I can and must speak and act against our culture's tangled web of destructiveness, and stop the destruction at its roots.
β
β
Derrick Jensen
β
Last December I saw an advertisement outside an electronics store. There was a little boy, delirious with delight, surrounded by computers, stereos, and other gadgets. The text read: βWe know what your child wants for Christmas.β I stared at the poster, then said to no one in particular, βWhat your child wants for Christmas is your love, but if he canβt get that, heβll settle for a bunch of electronic crap.
β
β
Derrick Jensen (A Language Older Than Words)
β
Death is, and must be, deeply emotional. To intentionally cause death is to engender a form of intimacy, one that weβre not used to thinking about. To kill without emotion and without respect, or to ignore the intimacy inherent in the act, is to rob it of its dignity, and to rob the life that you are ending of its significance. By robbing death and life of significance we reduce ourselves to the machines Descartes dreamed about. And we deny our own significance.
β
β
Derrick Jensen (A Language Older Than Words)
β
I have heard people suggest that because humans are natural that everything humans do or create is natural. Chainsaws are natural. Nuclear bombs are natural. Our economics is natural. Sex slavery is natural. Asphalt is natural. Cars are natural. Polluted water is natural. A devastated world is natural. A devasted phyche is natural. Unbridled exploitation is natural. Pure objectification is natural. This is, of course, nonsense. We are embedded in the natural world. We evolved as social creatures in this natural world. We require clean water to drink, or we die. We require clean air to breathe, or we die. We require food, or we die. We require love, affection, social contact in order to become our full selves. It is part of our evolutionary legacy as social creatures. Anything that helps us to understand all of this is natural: Any ritual, artifact, process, action is natural, to the degree that it reinforces our understanding of our embeddedness in the natural world, and any ritual, artifact, process, action is unnatural, to the degree that it does not
β
β
Derrick Jensen (The Culture of Make Believe)
β
Does anyone beside me experience a deep sorrow that someone called a "Hero for the Planet" and a "star of the sustainability movement" is designing truck factories and Nike headquarters? Ninety percent of the large fish in the ocean are gone. Ninety-seven percent of the world's native forests have been cut. There are 2 million dams just in the United States. Once-mighty flocks of passenger pigeons are gone. Islands full of great aucks, gone. Rich runs of salmon, gone. Gone. Gone. Gone. The oceans are filled with plastic. Every stream in the United States is contaminated with carcinogens. The world is being killed, and this is the respond? Not only am I angry, not only am I disgusted, I am also deeply, deeply sorrowful.
And I am deeply ashamed.
We need to act differently.
β
β
Derrick Jensen (What We Leave Behind)
β
When the rain is on my lips
And I shiver from the cold
Thinking about life
Its ups and downs
And being a melancholic
I take a note
Of the nature's crying its tears
Making the day seem gray
And unexcited
But how much life the rain brings
To what is hidden beneath the surface
So whenever I cry
And the cold of people's words
Or actions
Causing me shiver
I vision myself standing in the rain
Bringing my roots to life
I am not afraid anymore
Of getting soaking wet
I stand my ground!
But please nature
Don't let me drown, make me beautiful!
β
β
Veronika Jensen
β
I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts mad in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.
β
β
Derrick Jensen (The Culture of Make Believe)
β
This is the key to understanding the difference between indigenous and civilized warfare: Even in warfare the indigenous maintain relationships with their honored enemy. This is the key to understanding the difference between indigenous and civilized ways of living. This is only one of many things those we enslave could tell us, if only we asked: They, too, are alive, and present another way of living, a way of living that is not - in contradistinction to our God and our Science and our Capitalism and everything else in our lives - jealous. It is an inclusive way of living. They could tell us that things don't have to be the way they are.
β
β
Derrick Jensen (The Culture of Make Believe)
β
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine.
I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry.
The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
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Derrick Jensen
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So while this is a book about fighting back, in the end this is a book about love. The songbirds and the salmon need your heart, no matter how weary, because even a broken heart is still made of love. They need your heart because they are disappearing, slipping into that longest night of extinction, and the resistance is nowhere in sight. We will have to build that resistance from whatever comes to hand: whispers and prayers, history and dreams, from our bravest words and braver actions. It will be hard, there will be a cost, and in too many implacable dawns it will seem impossible. But we will have to do it anyway. So gather your heart and join with every living being. With love as our First Cause, how can we fail?
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Derrick Jensen (Deep Green Resistance: Strategy to Save the Planet)
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Tristan?β
He turned his face to me, and it was streaked with tears. I wanted to wipe them away, tell him that everything would be all right, but my body was locked stiff with pain.
βPromise me youβll get better,β he whispered. βTell me youβll grow strong again. That youβll gallop on horseback through summer meadows. Dance in spring rains and let snowflakes melt on your tongue in winter. That youβll travel wherever the wind takes you. That youβll live.β He stroked my hair. βPromise me.β
Confusion crept over me. βYouβll be with me, though. Youβll do those things too?β
He kissed my lips, silencing my questions. βPromise me.β
βNo,β I said, struggling against him.. βNo, you said you were coming with me. You said. You promised.β He had to be coming with me - he said he was and Tristan couldnβt lie. Wouldnβt lie.
He got to his feet and stepped into the water. I tried to struggle, but he was too strong. βTristian, no, no, no!β I tried to scream, but I couldnβt. I tried to hold on to him, but my fingers wouldnβt work. The cold of the water bit into my skin and I sobbed, terrified. βYou said you would never leave me!β
He stopped, the weight of his sorrow greater than any mountain. βAnd if I had the choice, I never would. I love you, CΓ©cile. I will love you until the day I take my last breath and that is the truth. β He kissed me hard. βForgive me.
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Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
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Let's be honest. The activities of our economic and social system are killing the planet. Even if we confine ourselves merely to humans, these activities are causing an unprecedented privation, as hundreds of millions of people-and today more than yesterday, with probably more tomorrow-go their entire lives with never enough to eat. Yet curiously, none of this seems to stir us to significant action. And when someone does too stridently point out these obvious injustices, the response by the mass of the people seems so often to be . . . a figurative if not physical blow to the gut, leading inevitably to a destruction of our common future. Witness the enthusiasm with which those native nations that resisted their conquest by our culture have been subdued, and the eagerness with which this same end is today brought to those-native or not-who continue to resist too strongly. How does this come to happen, in both personal and social ways?
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Derrick Jensen (The Culture of Make Believe)
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The fundamental metaphor of National Socialism as it related to the world around it was the garden, not the wild forest. One of the most important Nazi ideologists, R.W. DarrΓ©, made clear the relationship between gardening and genocide: βHe who leaves the plants in a garden to themselves will soon find to his surprise that the garden is overgrown by weeds and that even the basic character of the plants has changed. If therefore the garden is to remain the breeding ground for the plants, if, in other words, it is to lift itself above the harsh rule of natural forces, then the forming will of a gardener is necessary, a gardener who, by providing suitable conditions for growing, or by keeping harmful influences away, or by both together, carefully tends what needs tending and ruthlessly eliminates the weeds which would deprive the better plants of nutrition, air, light, and sun. . . . Thus we are facing the realization that questions of breeding are not trivial for political thought, but that they have to be at the center of all considerations, and that their answers must follow from the spiritual, from the ideological attitude of a people. We must even assert that a people can only reach spiritual and moral equilibrium if a well-conceived breeding plan stands at the very center of its culture.
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Derrick Jensen (The Culture of Make Believe)
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Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me.
"Oh,God. Don't look at that!"
It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect.
"Nice stripes," Alex said casually, straightening up.
That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either.
"Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute."
"You're insane," I muttered, insanely pleased.
"Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful.
The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space.
Then he started singing.
"You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song.
And just like that, I was officially In Deep
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Melissa Jensen (The Fine Art of Truth or Dare)