Where The Library Hides Quotes

You, my dear, should spend more time in a library. It's not just a hiding place, but also the place where the chases happen.

I myself grew up to be not only a Hero, but also a Writer. When I was an adult, I rewrote A Hero's Guide to Deadly Dragons, and I included not only some descriptions of the various deadly dragon species, and a useful Dragonese Dictionary, but also this story of how the book came to be written in the first place. This is the book that you are holding in your hands right now. Perhaps you even borrowed it from a Library? If so, thank Thor that the sinister figure of the Hairy Scary Librarian is not lurking around a corner, hiding in the shadows, Heart-Slicers at the ready, or that the punishment for your curiosity is not the whirring whine of a Driller Dragon's drill. You, dear reader, I am sure cannot imagine what it might to be like to live in a world in which books are banned. For surely such things will never happen in the Future? Thank Thor that you live in a time and a place where people have the right to live and think and write and read their books in peace, and there are no need for Heroes anymore ... And spare a thought for those who have not been so lucky.

A library is many things. It’s a place to go, to get in out of the rain. It’s a place to go if you want to sit and think. But particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books. If you want to find out about something, the information is in the reference books — the dictionaries, the encyclopedias, the atlases. If you like to be told a story, the library is the place to go. Books hold most of the secrets of the world, most of the thoughts that men and women have had. And when you are reading a book, you and the author are alone together — just the two of you. A library is a good place to go when you feel unhappy, for there, in a book, you may find encouragement and comfort. A library is a good place to go when you feel bewildered or undecided, for there, in a book, you may have your question answered. Books are good company, in sad times and happy times, for books are people — people who have managed to stay alive by hiding between the covers of a book.

When I had no books and had to learn everything I needed off by heart, and when I had to hide what books I had, I promised myself a library filled with the best editions I could afford. I have it now. Books bought out of books. A red room with deep chairs and a fireplace lit. Books of every kind, but no paperbacks, and certain shelves where First Editions are. This is not my study, where there are plenty of paperbacks, it is a contemplative island cut off from busyness, set outside of time.

I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.” His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.” “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.

You and your flowers," I mused. "Do you ever miss your garden?" "I've spent the last decade living half my life in Egypt," she said. "After so much desert, of course I miss the green. I miss a lot of things whenever I leave Argentina. Té de maté, empanadas. The way I could smell the ocean from the balcony of my bedroom.

Fairy tales, fantasy, legend and myth...these stories, and their topics, and the symbolism and interpretation of those topics...these things have always held an inexplicable fascination for me," she writes. "That fascination is at least in part an integral part of my character — I was always the kind of child who was convinced that elves lived in the parks, that trees were animate, and that holes in floorboards housed fairies rather than rodents. You need to know that my parents, unlike those typically found in fairy tales — the wicked stepmothers, the fathers who sold off their own flesh and blood if the need arose — had only the best intentions for their only child. They wanted me to be well educated, well cared for, safe — so rather than entrusting me to the public school system, which has engendered so many ugly urban legends, they sent me to a private school, where, automatically, I was outcast for being a latecomer, for being poor, for being unusual. However, as every cloud does have a silver lining — and every miserable private institution an excellent library — there was some solace to be found, between the carved oak cases, surrounded by the well–lined shelves, among the pages of the heavy antique tomes, within the realms of fantasy. Libraries and bookshops, and indulgent parents, and myriad books housed in a plethora of nooks to hide in when I should have been attending math classes...or cleaning my room...or doing homework...provided me with an alternative to a reality I didn't much like. Ten years ago, you could have seen a number of things in the literary field that just don't seem to exist anymore: valuable antique volumes routinely available on library shelves; privately run bookshops, rather than faceless chains; and one particular little girl who haunted both the latter two institutions. In either, you could have seen some variation upon a scene played out so often that it almost became an archetype: A little girl, contorted, with her legs twisted beneath her, shoulders hunched to bring her long nose closer to the pages that she peruses. Her eyes are glued to the pages, rapt with interest. Within them, she finds the kingdoms of Myth. Their borders stand unguarded, and any who would venture past them are free to stay and occupy themselves as they would.

The person outside the library probably had nothing to do with the king, Celaena told herself as she walked—still not sprinting—down the hall to her room. There were plenty of strange people in a castle this large, and even though she rarely saw another soul in the library, perhaps some people just . . . wished to go to the library alone. And unidentified. In a court where reading was so out of fashion, perhaps it was merely some courtier trying to hide a passionate love of books from his or her sneering friends. Some animalistic, eerie courtier. Who had caused her amulet to glow.

In the West he’d spent a third of his time in the poolhall, a third in jail, and a third in the public library. They’d seen him rushing eagerly down the winter streets, bareheaded, carrying books to the poolhall, or climbing trees to get into the attics of buddies where he spent days reading or hiding from the law.

Tax Forms, Hidden MAN: Where are you hiding the tax forms? ME: They’re right over here! Let me walk you over. MAN: Last time they were out in the lobby. ME: Last year? Oh, well, this year they are over here. MAN: I don’t know why things always have to change. ME: I know what you mean. Is there anything else I can do for you? MAN: Move them back. ME: Well, have a good day.

O where will you go when the blinding flash Scatters the seed of a million suns? And what will you do in the rain of ash? I'll draw the blinds and pull down the sash, And hide from the sight of so many noons. But how will it be when the blinding flash Disturbs your body's close-knit mesh Bringing to light your lovely bones? What will you wear in the rain of ash? I will go bare without my flesh, My vertebrae will click like stones. Ah. But where will you dance when the blinding flash Settles the city in a holy hush? I will dance alone among the ruins. Ah. And what will you say to the rain of ash? I will be charming. My subtle speech Will weave close turns and counter-turns- No. What will you say to the rain of ash? Nothing, after the blinding flash - Terminal Colloquy

Books, however, are just one part of a library. A proper library has at least one fantastic librarian, preferably more than one, so if the fantastic librarian goes out to lunch or falls into a tar pit, there will be a spare. A fantastic librarian can help you find what you are looking for, and not just if it is a book. A fantastic librarian can help you find a hobby or an occupation, a cure or a challenge, a quiet fact or a loud opinion, or a small town where you might hide for months. A fantastic librarian knows more about what you are looking for than you do, the way a cookie in a bakery knows you want to eat it before you even know it is out of the oven, and like a good cookie, a fantastic librarian doesn't show off about it, just waits silently for you to open your mouth.

I did become homesick, and whenever that happened, I'd hide away in the school library, where the books filled rows and rows of shelves. I'd find a chair and study my lesson books in geography, social studies, biology, and math. I'd lose myself in American and African history, and within the colorful maps of the world. No matter how foreign and lonely the world was outside, the books always reminded me of home, sitting under the mango tree.

He smiled, and some of the knots in my stomach loosened. He would keep my secret. Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching. “Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.” “Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?” I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets. “How do you know about my mom?” I croaked out. “I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.” I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears. “It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.” His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him. “I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.” “Do you really mean that?” he whispered. “I do.” Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat. Then I pulled my hand out from under his and stepped away. Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him. But I couldn’t. Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.

Arin watched the fire flare crimson. Then he went outside and surveyed the grounds, saw through leafless trees that no one was near. He could steal a few minutes. When he stepped back inside the forge, he leaned against the anvil. With one hand he pulled a book from its hiding place behind the kindling box, and in the other he held a hammer so that, if in danger of being caught, he could more quickly pretend to have been working. He began to read. It was a book he had seen in Kestrel’s possession, one on the history of the Valorian empire. He had taken it from the library after she had returned it, weeks ago. What would she say, if she saw him reading a book about his enemy, in his enemy’s tongue? What would she do? Arin knew this: her gaze would measure him, and he would sense a shift of perception within her. Her opinion of him would change as daylight changed, growing or losing shadow. Subtle. Almost indiscernible. She would see him differently, though he wouldn’t know in what way. He wouldn’t know what it meant. This had happened, again and again, since he had come here. Sometimes he wished he had never come here. Well. Kestrel couldn’t see him in the forge, or know what he read, because she couldn’t leave her rooms. She couldn’t even walk. Arin shut the book, gripped it between rigid fingers. He nearly threw it into the fire. I will have you torn limb from limb, the general had said. That wasn’t why Arin stayed away from her. Not really. He forced his thoughts from his head. He hid the book where it had been. He busied himself with quiet work, heating iron and charcoal in a crucible to produce steel. It took some time before Arin realized he was humming a dark tune. For once, he didn’t stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive, on his mouth. For a moment, he imagined it wasn’t the melody that touched his lips, but Kestrel. The thought stopped his breath, and the music, too.

The problem is there’s no evidence that it ever happened, and an enormous amount of evidence suggesting that it did not. For centuries now, explorers have been trying to find this fabled land of barter—none with success. Adam Smith set his story in aboriginal North America (others preferred Africa or the Pacific). In Smith’s defense, at least it could be said that in his time, reliable information on Native American economic systems was unavailable in Scottish libraries. His successors have no excuse. By mid-century, Lewis Henry Morgan’s descriptions of the Six Nations of the Iroquois, among others, were widely published—and they made clear that the main economic institution among the Iroquois nations were longhouses where most goods were stockpiled and then allocated by women’s councils, and no one ever traded arrowheads for slabs of meat. Economists simply ignored this information.15 Stanley Jevons, for example, who in 1871 wrote what has come to be considered the classic book on the origins of money, took his examples straight from Smith, with Indians swapping venison for elk and beaver hides, and made no use of actual descriptions of Indian life that made it clear that Smith had simply made this up.

Thrasher" They were hiding behind hay bales, They were planting in the full moon They had given all they had for something new But the light of day was on them, They could see the thrashers coming And the water shone like diamonds in the dew. And I was just getting up, hit the road before it's light Trying to catch an hour on the sun When I saw those thrashers rolling by, Looking more than two lanes wide I was feelin' like my day had just begun. Where the eagle glides ascending There's an ancient river bending Down the timeless gorge of changes Where sleeplessness awaits I searched out my companions, Who were lost in crystal canyons When the aimless blade of science Slashed the pearly gates. It was then I knew I'd had enough, Burned my credit card for fuel Headed out to where the pavement turns to sand With a one-way ticket to the land of truth And my suitcase in my hand How I lost my friends I still don't understand. They had the best selection, They were poisoned with protection There was nothing that they needed, Nothing left to find They were lost in rock formations Or became park bench mutations On the sidewalks and in the stations They were waiting, waiting. So I got bored and left them there, They were just deadweight to me Better down the road without that load Brings back the time when I was eight or nine I was watchin' my mama's T.V., It was that great Grand Canyon rescue episode. Where the vulture glides descending On an asphalt highway bending Thru libraries and museums, galaxies and stars Down the windy halls of friendship To the rose clipped by the bullwhip The motel of lost companions Waits with heated pool and bar. But me I'm not stopping there, Got my own row left to hoe Just another line in the field of time When the thrasher comes, I'll be stuck in the sun Like the dinosaurs in shrines But I'll know the time has come To give what's mine. Neil Young, Rust Never Sleeps (1979)

That, for a while, seemed like life. And if I was really being honest with myself, I wasn’t into it. The only option was to sit in the pews every Sunday at church and casually wonder if I was going to go to hell because of who I was? No, thank you. Or to understand that the structures on which the country was built were engineered against me? Hard pass. What choice did I have besides constantly code-switching between identities as a means of hiding in plain sight? And wasn’t it just normal to feel like such a mistake as an adult that every time I walked over a bridge or stood on a subway platform, I had to talk myself out of stepping over the edge? I came to believe I was a monster and that I deserved to feel the way I felt. And I didn’t want to turn the page. But through it all there was a constant tethering me to the idea of a future: the library. The library is the place where I could borrow first Grover’s philosophical tome, then a couple of Choose Your Own Adventures I could cheat at, and later a stack of mysteries I could spoil for myself, all attempts to look for some other way of understanding who I was. In the book stacks, I found The Bluest Eye and The Color Purple and Giovanni’s Room and David Rakoff’s Fraud and more. I saw a new vision of Otherness in those books, and the pages kept turning. At the end of every one was a wall waiting to be broken down—a lurch toward becoming—a new paragraph in a story with an ending far different from what I’d ever dared imagine. Every story, whether truth or fiction, is an invitation to imagination, but even more so, it’s an invitation to empathy. The storyteller says, “I am here. Does it matter?” The words that I found in these books were a person calling out from a page, “I am worthy of being heard and you are worthy of hearing my story.” It seems simple but it’s a bold declaration. How many times in life do we receive the message, implicit or explicit, that what we’ve experienced or what we feel isn’t noteworthy or remarkable? The books that I found in the library, ones that I deeply understood and ones that seemed so outside of my experience they might as well have been written in Klingon, all carried the same hopes: to be seen, to be heard, to exist.

went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.

Kate McDermott taught pie making around the world; I had taken her class several years before. It hadn't made me a baker, but it had given me some perspective on the art of pies. Mostly I had been taken by her attitude. "I make ugly pies," she told me. "They don't have to look perfect." That day Kate had ably patched ripped piecrust, shoring up weak spots where the dough had been rolled too thin. She didn't think it needed to be perfect. "Just fix any mistakes you make," she said without concern. "It doesn't matter." Kate's approach was breezy and relaxed. She barely followed a recipe. "See how it feels," she told me. "Trust yourself." As I ran my hands through the butter cut into flour, I felt emboldened. Things didn't have to be perfect. Kate seemed at peace with imperfections, her pies beautiful in their rustic uniqueness, no two ever the same. Perhaps the secret was finding comfort in the way things were: a process of accepting rather than hiding. The irony was that I liked it when other people let me see them as they truly were: less-than-perfect houses, disordered garages, overdue library books. The imperfections in my friends' lives didn't make me like them any less—they made me like them more. I felt more comfortable with the flaws in my own life, more intimately connected to them; it made me feel like family. I knew this intellectually, but it was harder to apply. I might be able to appreciate rustic charm in a pie, to enjoy the comfortable clutter of a friend's house, but I held myself to a higher standard—one I never managed to achieve. I just couldn't give myself that same compassion. But rolling out and patching the rips in my pie dough that afternoon, as Kate had shown me, I began to wonder if there might not be another way. And when I pulled the pie out of the oven, bumpy, irregular, burnished and glossy and smelling like raspberry heaven, for a moment I thought it was beautiful. My beautifully imperfect pie.

You,” said Henrietta, regarding the Gardener with the sort of venom usually reserved for people who ignore the queue at lending libraries. “What are you doing here?” The Gardener doffed his hat. “Lady Henrietta. How lovely to see you again.” Jane couldn’t echo the sentiment. It wasn’t that she didn’t love Henrietta; Henrietta was like a sister to her, or at least the closer kind of cousin. But she wasn’t exactly the person Jane would have chosen for a sensitive mission to a French-occupied country. And where Henrietta was . . . “Hullo! Did I hear voices?” Miles careened into his wife’s back. Catching sight of the Gardener and his wife’s Medusa stare, Miles prudently backed up a step. “Does anyone have any port on hand?” Miles inquired of no one in particular. “And perhaps a biscuit.” Lady Henrietta plunked her hands on her hips. “You’re going to feed him?” “No,” said Miles, hiding behind his floppy hair. “For me. I feel in need of fortification.

We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with thickset gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them. “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too whose leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.

Orion said I shouldn’t just accept getting bitten any more. If Caleb can’t catch me, he can’t bite me,” I reasoned as my heart rate picked up a notch. “I don’t think this was what he had in mind...” Sofia frowned. “Whatever. Caleb is the most powerful Vampire in Solaria. This is the best chance I’ve got to avoid a bite. And my headstart is going to run out if I don’t go now.” “Class starts in ten minutes,” Darcy said half heartedly. “Cover for me. I’ll be there!” I promised before turning and running for the exit. I glanced back at the red couch in the centre of the room just before I ducked outside and found all four Heirs looking my way. Caleb was saying something to the others with a smile playing around his lips. Max and Seth seemed mildly interested but Darius looked pretty damn pissed. As his heated gaze met with mine, my heart leapt a little at the anger I found there. I hadn’t spoken to him properly since we’d fought together against the Nymphs and I really wasn’t sure what I’d have to say anyway. In the moment, we’d been weirdly united. I’d saved his life and he’d saved mine. I’d even cried while he lay dying in my arms. But then Orion had appeared and healed him and the momentary insanity which had come over me, making me think I cared about him had gone in an instant. I only had to remember the way he’d tossed me into that pit to know all I needed to about him and who he was. And he was my enemy. The look he was giving me right then said he felt exactly the same. I ducked out of The Orb and looked around quickly, wondering where the best place to hide would be. I didn’t have many options and I didn’t really have a good headstart either so I crossed the path and headed straight into Venus Library. The librarian wasn’t at her desk as I entered and I hurriedly shot down the closest aisle, racing between texts on Fae biology before swinging left at the end. ... “Got ya.” Before I could respond, Caleb shot forward, lifting me into his arms and propelling me through the library with his Vampire speed until we ended up inside one of the private study rooms at the back of the building. I gasped in surprise as he kicked the door shut behind us and pushed me back against the wall before sinking his teeth into my neck. His grip on my waist tightened to the point of discomfort and I tried to push him back a step but he held on tight, releasing a growl. “Ow,” I protested irritably and he finally released me with a sheepish grin. “Sorry, I’ve been running on empty since the fight with the Nymphs and I don’t wanna bite anyone else.” “Orion thinks I should be putting more effort into fighting you off,” I said, touching the tender skin where his teeth had pierced my skin. “I’m thinking he has a point.” Caleb stepped forward slowly, reaching out for me and I let him. His fingers brushed against my neck and his magic slid through the wound as he healed it. He stayed there, his hand on my skin as he held my eye. (tory)

Roger-Charles Meyer is a pure Jew, well as pure as that race can be, and I will not hide the fact that I would be delighted if he were taken away… It is quite simply what this individual deserves. I would be ever so grateful if you could facilitate his fall. I went on to the next. You aren’t going to tell me that you approve of those dirty Jews. We have had more than enough. While our loved ones are getting killed or taken prisoner, the Jews run their businesses. We poor imbecile Frenchmen are dying of hunger. And it’s not enough to die of hunger. When there are provisions, they’re for the Jews. And the next. Sir, I write to inform you about a case you should know about at 49 rue Du Couédic, where a certain Maurice Reichmann, a Communist of Jewish origins, is living with a Frenchwoman. Often, we witness terrible scenes at their door. I think that you will deign to do what must be done, and in advance, the businessmen of the street say Merci.

Is this illithid hive mind your god, Oblodran?” Kimmuriel paused and considered that. “It is not all-knowing, but more knowing than most, for what we hide with spoken words we cannot hide within ourselves. A god? No. But it and its illithid limbs comprise a library of truth, where no lie can exist without it being known as a lie.

He placed his hands on my shoulders, bending his knees so that he could meet my eyes. His breath brushed against my mouth. “Sweetheart, I know.

Part of me wanted to jump to my feet, just so I could scream at him, for my anger to fill up the entire room so that he might feel it in his bones.

For centuries now, explorers have been trying to find this fabled land of barter- none with success. Adam Smith set his story in aboriginal North America (others preferred Africa or the Pacific). In Smith’s time, at least it could be said that reliable information on Native American economic systems was available in Scottish libraries. But by mid-century, Lewis Henry Morgan’s descriptions of the six nations of the Iroquois, among others, were widely published- and they made clear that the main economic institution among the Iroquois nations were longhouses where most goods were stockpiled and then allocated by women’s councils, and no one ever traded arrowheads for slabs of meat. Economists simply ignored this information. Stanley Jevons, for example, who in 1871 wrote what has come to be considered the classic book on the origins of money, took his examples straight from Smith, with Indians swapping venison for elk and beaver hides, and made no use of actual descriptions of Indian life that made it clear that Smith had simply made this up. Around that same time, missionaries, adventurers, and colonial administrators were fanning out across the world, many bringing copies of Smith’s book, expecting to find the land of Barter. None ever did. They discovered and almost endless variety of economic systems. But to this day, no one has been able to locate a part of the world where the ordinary mode of economic transition between neighbours takes the form of “I’ll give you twenty chickens for that cow.

We’re learning about paper boats today!” Mg. Thane’s cheery voice said from the other side of the door. “Bright and early! Up we go!” Ceony’s pulse pounded in her neck. Pulling the top blanket off her bed and hiding her nightgown with it, she cracked open the door. Mg. Thane stood there just as he had left, fully dressed and wearing that indigo coat. “I . . . when did you get back?” she asked. He shrugged. “Just now. Where did you put Jonto?” “In the . . . ,” she began, but instead said, “How did things go? Did you see this friend of yours?” “Things went, at least,” he answered. “And thank you for doing my laundry, but you didn’t need to, as I wasn’t here to wear it. Library in ten minutes.” He clapped his hands once and strode down the hallway. Six days. The man had been gone six days, and that was all he had to say about it?

One of the things Clovis had been most afraid of was being forced to ride. He had seen the horses in the stables, and they looked large and twitchy. If Sir Aubrey put him in the saddle, Clovis meant to confess straightaway and take the money Finn had given him to run away to his foster mother. But the week after he arrived at Westwood, Sir Aubrey asked Clovis to come into the library because he had some bad news for him. “Now I want you to be brave about this, my boy. I want you to take this like a man and a Taverner.” Clovis’s heart began to thump. Could someone have died--Maia perhaps, or his foster mother--and if so, how did Sir Aubrey know? Or was it just that he had been found out?” “I won’t hide from you the fact that the Basher--your aunt Joan, I mean--disagrees with me. She was all ready to teach you. She had picked out a fine mettlesome filly to start you on; nothing sluggish or second rate. A real Thoroughbred. You’d be going over jumps in a couple of weeks. But I’m afraid I cannot allow it.” “Can’t allow what, sir?” asked Clovis. “Can’t allow you to ride. Can’t allow you to go on a horse. You can imagine what it cost me to come to this decision; the Taverner children have always been up in the saddle from when they were two years old. But after Dudley’s terrible accident…” Tears came into Sir Aubrey’s eyes. He turned away. “If there was anyone else to inherit Westwood, I would let you take your chance, but with Bernard and Dudley both gone…” He pressed Clovis’s shoulder. “You’re taking this very well, my boy. Very well indeed. You’re taking it like a man. I confess I expected arguments, even tantrums.” “Well, it is a disappointment,” said Clovis, wondering whether to break down and cry, a thing all actors learn to do at the drop of a hat. But in the end he just gave a brave gulp instead. “I had, of course, been looking forward…” He looked out of the window to where the Basher, mounted on a bruising chestnut, was galloping across a field. “But I do understand. One must always think of Westwood.

The person outside the library probably had nothing to do with the king, Celaena told herself as she walked—still not sprinting—down the hall to her room. There were plenty of strange people in a castle this large, and even though she rarely saw another soul in the library, perhaps some people just … wished to go to the library alone. And unidentified. In a court where reading was so out of fashion, perhaps it was merely some courtier trying to hide a passionate love of books from his or her sneering friends. Some animalistic, eerie courtier. Who had caused her amulet to glow. Celaena entered her bedroom just as the lunar eclipse was beginning, and groaned. “Of course there’s an eclipse,” she grumbled, turning from the balcony doors and approaching the tapestry along the wall. And even though she didn’t want to, even though she’d hoped to never see Elena again … she needed answers. Maybe the dead queen would laugh at her and tell her it was nothing. Gods above, she hoped Elena would say that. Because if she didn’t …

Today the cloud is the central metaphor of the internet: a global system of great power and energy that nevertheless retains the aura of something noumenal and numnious, something almost impossible to grasp. We connect to the cloud; we work in it; we store and retrieve stuff from it; we think through it. We pay for it and only notice it when it breaks. It is something we experience all the time without really understanding what it is or how it works. It is something we are training ourselves to rely upon with only the haziest of notions about what is being entrusted, and what it is being entrusted to. Downtime aside, the first criticism of this cloud is that it is a very bad metaphor. The cloud is not weightless; it is not amorphous, or even invisible, if you know where to look for it. The cloud is not some magical faraway place, made of water vapor and radio waves, where everything just works. It is a physical infrastructure consisting of phone lines, fibre optics, satellites, cables on the ocean floor, and vast warehouses filled with computers, which consume huge amounts of water and energy and reside within national and legal jurisdictions. The cloud is a new kind of industry, and a hungry one. The cloud doesn't just have a shadow; it has a footprint. Absorbed into the cloud are many of the previously weighty edifices of the civic sphere: the places where we shop, bank, socialize, borrow books, and vote. Thus obscured, they are rendered less visible and less amenable to critique, investigation, preservation and regulation. Another criticism is that this lack of understanding is deliberate. There are good reasons, from national security to corporate secrecy to many kinds of malfeasance, for obscuring what's inside the cloud. What evaporates is agency and ownership: most of your emails, photos, status updates, business documents, library and voting data, health records, credit ratings, likes, memories, experiences, personal preferences, and unspoken desires are in the cloud, on somebody else's infrastructure. There's a reason Google and Facebook like to build data centers in Ireland (low taxes) and Scandinavia (cheap energy and cooling). There's a reason global, supposedly post-colonial empires hold onto bits of disputed territory like Diego Garcia and Cyprus, and it's because the cloud touches down in these places, and their ambiguous status can be exploited. The cloud shapes itself to geographies of power and influence, and it serves to reinforce them. The cloud is a power relationship, and most people are not on top of it. These are valid criticisms, and one way of interrogating the cloud is to look where is shadow falls: to investigate the sites of data centers and undersea cables and see what they tell us about the real disposition of power at work today. We can seed the cloud, condense it, and force it to give up some of its stories. As it fades away, certain secrets may be revealed. By understanding the way the figure of the cloud is used to obscure the real operation of technology, we can start to understand the many ways in which technology itself hides its own agency - through opaque machines and inscrutable code, as well as physical distance and legal constructs. And in turn, we may learn something about the operation of power itself, which was doing this sort of thing long before it had clouds and black boxes in which to hide itself.

You don’t want to understand the design of a car to drive it. You don’t need to understand chemistry to clean teeth. In a similar way, you don’t need to understand Windows’ code to write a simple Win32 application. You can become pretty efficient in programming for Windows just by having a working knowledge of the APIs (in this case the Win32 API) and knowing where to find the appropriate documentation. This is true for almost all systems. To code for Linux, Java, and the Web, you can learn just a tip of an iceberg and that is enough to get most of the coding done. The reason for this is the abstraction that wraps around every library or framework. This abstraction—the API—hides all the complexities.

know where these ‘singing’ giants are. So there isn't a certain immediate threat." "Just the existence of the giants is a threat," Brenna said. The harshness of her words reminded me she had grown up in this palace and been trained to look in every crevice for danger. Though, these giants were too big to hide in any crevice. "The existence of dragons is a threat, too," I said. "To the giants. And to mortals." "So you are refusing this mission?" she asked. Her voice was neutral. "I am not a dragon, as you know," I said. "Nor am I a citizen of this beautiful and dangerous land. And I am here with Brax. So my loyalties are with him." "And what if we paid you?" Brenna asked. "Once an assassin is paid, they have to complete the assigned mission, correct?" "We are paid to assassinate targets." I crossed my arms. "Not to work as spies. It would be better to find a spy." "Well, at least I know where you stand," she said. Her face was so calm it was hard to tell whether she was angry at me. "I thank you for your thoughts on the situation." "You're welcome," I said. "You've given me much food for thought and even a few ideas about what we can do." She glanced around the library. "Well, I can only spend so much time reading about the past. It makes

You need to know that your being in the world is a witness, and it "counts for something." Your existence testifies. There is no mitigating this fact. There is nowhere you can hide where your life will not speak something to the world. All we can do sometimes is to decide what our existence is a witness to, what it speaks of, and how we can share the burden of witnessing with one another.