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A preference for broad strokes, for the distortion and flattening of character and the reduction of events to narrative, has been for well over a hundred years the heart of the way the city presents itself: Lady Liberty, huddled masses, ticker-tape parades, heroes, gutters, bright lights, broken hearts, 8 million stories in the naked city; 8 million stories and all the same story, each devised to obscure not only the city's actual tensions of race and class but also, more significantly, the civic and commercial arrangements that rendered those tensions irreconcilable.
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