“
When I stand before God at the end of my life, I would hope that I would not have a single bit of talent left, and could say, 'I used everything you gave me.
”
”
Erma Bombeck
“
I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
”
”
Philip Pullman (His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
“
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would. He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
I hurt myself deeply, though at the time I had no idea how deeply. I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centred, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Dogs are minor angels, and I don't mean that facetiously. They love unconditionally, forgive immediately, are the truest of friends, willing to do anything that makes us happy, etcetera. If we attributed some of those qualities to a person we would say they are special. If they had ALL of them, we would call them angelic. But because it's "only" a dog, we dismiss them as sweet or funny but little more. However when you think about it, what are the things that we most like in another human being? Many times those qualities are seen in our dogs every single day-- we're just so used to them that we pay no attention.
”
”
Jonathan Carroll
“
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you just feel we’re becoming more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it would mean that such a thing is still possible? I want to believe that.
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
”
”
Frank O'Hara
“
You give a lot of great advice about what to do. Do you have any advice of what not to do?
Don’t do what you know on a gut level to be the wrong thing to do. Don’t stay when you know you should go or go when you know you should stay. Don’t fight when you should hold steady or hold steady when you should fight. Don’t focus on the short-term fun instead of the long-term fall out. Don’t surrender all your joy for an idea you used to have about yourself that isn’t true anymore. Don’t seek joy at all costs. I know it’s hard to know what to do when you have a conflicting set of emotions and desires, but it’s not as hard as we pretend it is. Saying it’s hard is ultimately a justification to do whatever seems like the easiest thing to do—have the affair, stay at that horrible job, end a friendship over a slight, keep loving someone who treats you terribly. I don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
In the Kamigata area, they have a sort of tiered lunchbox they use for a single day when flower viewing. Upon returning, they throw them away, trampling them underfoot. The end is important in all things.
”
”
Yamamoto Tsunetomo (Hagakure: The Book of the Samurai)
“
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-"
-"What little bird?" said Aziraphale suspiciously.
-"This little bird I'm talking about. And every thousand years-"
-"The same bird every thousand years?"
-Crowley hesitated. "Yeah," he said.
-"Bloody ancient bird, then."
-"Okay. And every thousand years this bird flies-"
-"-limps-"
-"-flies all the way to this mountain and sharpens its beak-"
-"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy."
-"But it gets there anyway," Crowley persevered.
-"How?"
-"It doesn't matter!"
-"It could use a space ship," said the angel.
Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-"
-"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have
they got to do?"
-"Sharpen its beak on the mountain," said Crowley. "And then it flies back-"
-"-in the space ship-"
-"And after a thousand years it goes and does it all again," said Crowley quickly.
There was a moment of drunken silence.
-"Seems a lot of effort just to sharpen a beak," mused Aziraphale.
-"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-"
Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly.
-"-then you still won't have finished watching The Sound of Music."
Aziraphale froze.
-"And you'll enjoy it," Crowley said relentlessly. "You really will."
-"My dear boy-"
-"You won't have a choice."
-"Listen-"
-"Heaven has no taste."
-"Now-"
-"And not one single sushi restaurant."
A look of pain crossed the angel's suddenly very serious face.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I’ll drift about forever, all my atoms, till I find you again… I’ll be looking for you, every moment, every single moment. And when we do find each other again, we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you… We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams… And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight…
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
If the difference between guys and men is still unclear, here are a few examples that apply to dating:
A guy uses women to build his self-esteem. A man already has it.
A guy likes to "hang out" with a woman he's interested in. A man asks her out.
A guy doesn't make a move until he's sure there's no risk. A man is bold and clear with his intentions.
A guy plays games with a woman. A man has no time for games because they keep him from getting to know the woman.
A guy will become bitter and angry with a woman when she denies him. A man accepts that dating involves risk.
A guy fears and worships women. A man respects and adores them but fears and worships only God.
Guys are cool and indifferent. Men are hot and passionate.
”
”
Stephen W. Simpson (What Women Wish You Knew about Dating: A Single Guy'S Guide To Romantic Relationships)
“
That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion.
You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world.
You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue.
That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
”
”
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
“
Don’t be offended when people tell you you’re crazy. Use it as an excuse to do whatever you want!
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
I'm going to ask you to remember the prostituted, the homeless, the battered, the raped, the tortured, the murdered, the raped-then-murdered, the murdered-then-raped; and I am going to ask you to remember the photographed, the ones that any or all of the above happened to and it was photographed and now the photographs are for sale in our free countries. I want you to think about those who have been hurt for the fun, the entertainment, the so-called speech of others; those who have been hurt for profit, for the financial benefit of pimps and entrepreneurs. I want you to remember the perpetrator and I am going to ask you to remember the victims: not just tonight but tomorrow and the next day. I want you to find a way to include them -- the perpetrators and the victims -- in what you do, how you think, how you act, what you care about, what your life means to you.
Now, I know, in this room, some of you are the women I have been talking about. I know that. People around you may not. I am going to ask you to use every single thing you can remember about what was done to you -- how it was done, where, by whom, when, and, if you know -- why -- to begin to tear male dominance to pieces, to pull it apart, to vandalize it, to destabilize it, to mess it up, to get in its way, to fuck it up. I have to ask you to resist, not to comply, to destroy the power men have over women, to refuse to accept it, to abhor it and to do whatever is necessary despite its cost to you to change it.
”
”
Andrea Dworkin
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
I want first of all... to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact--to borrow from the language of the saints--to live "in grace" as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony. I am seeking perhaps what Socrates asked for in the prayer from the Phaedrus when he said, "May the outward and inward man be one." I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.
”
”
Anne Morrow Lindbergh (Gift from the Sea)
“
If I were asked to give what I consider the single most useful bit of advice for all humanity, it would be this: Expect trouble as an inevitable part of life, and when it comes, hold your head high. Look it squarely in the eye, and say, 'I will be bigger than you. You cannot defeat me.
”
”
Ann Landers
“
In truth, we will only perform any action a certain number of times, and to know that can never be helpful. There is, in my opinion, no use in demanding to know the number, in demanding to know upon waking the number of boxes to be ticked off every single day. After all, why would it help to be shown the mathematics of things, when instead we could simply imagine that whatever time we have is limitless.
”
”
Julia Armfield (Our Wives Under the Sea)
“
Cosby, 60. Weinstein, 87. Nassar, 169. The news used phrases like avalanche of accusations, tsunami of stories, sea change. The metaphors were correct in that they were catastrophic, devastating. But it was wrong to compare them to natural disasters, for they were not natural at all, solely man-made. Call it a tsunami, but do not lose sight of the fact that each life is a single drop, how many drops it took to make a single wave. The loss is incomprehensible, staggering, maddening—we should have caught it when it was no more than a drip. Instead society is flooded with survivors coming forward, dozens for every man, just so that one day, in his old age, he might feel a taste of what it was like for them all along.
”
”
Chanel Miller (Know My Name: A Memoir)
“
Tikkun olam.”
Exactly. Basically, it says that the world has been broken into pieces. All this chaos, all this discord. And our job - everyone’s job - is to try to put the pieces back together. To make things whole again.”
And you believe that?”
I guess I do. I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you feel we’re becoming more and more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.”
Do you really think it’s getting worse? I mean, aren’t we better off than we were twenty years ago? Or a hundred?”
We’re better off. But I don’t know if the world’s better off. I don’t know if the two are the same thing.”
You’re right.”
Excuse me?”
I said, ‘You’re right.’”
But nobody ever says, ‘You’re right.’ Just like that.”
Really?”
Really.”
…Then it hits me.
Maybe we’re the pieces,”
What?”
Maybe that’s it. With what you were talking about before. The world being broken. Maybe it isn’t that we’re supposed to find the pieces and put them back together. Maybe we’re the pieces. Maybe, what we’re supposed to do is come together. That’s how we stop the breaking.”
Tikkun olam.
”
”
David Levithan (Nick & Norah's Infinite Playlist)
“
When I stand before God at the end of my life, I would hope that I would not have a single bit of talent left and could say, I used everything you gave me.
”
”
Erma Bombeck
“
Relax, I won’t say it again for a while. I just want you to get used to the fact that one day, when you’re comfortable with it, I’ll tell you every day, multiple times a day. I want you to know how much I love you every single damn day, but for now, I’ll just let you soak it in.
”
”
Kimberly Lauren (Beautiful Broken Rules (Broken, #1))
“
But that's always a certain way to recognise a facist: when he's more powerful he kills everything that's different from him, he uses only brute force while law breaks like glass under his boots. And then, when he loses and when he's weak, he invokes the law and tolerance of differences. All of a sudden, he knows by heart every single human rights convention he broke so many times before.
”
”
Andrej Nikolaidis
“
When you showed someone how you felt, it was fresh and honest. When you told someone how you felt, there might be nothing behind the words but habit or expectation. Those three words were what everyone used; simple syllables couldn't contain something as rare as what I felt for Sean. I wanted him to feel what I felt when I was with him: that incredible combination of comfort, decadence, and wonder; the knowledge that, with just a single taste of him, I was addicted.
”
”
Jodi Picoult (Handle with Care)
“
Michael Pollan likens consumer choices to pulling single threads out of a garment. We pull a thread from the garment when we refuse to purchase eggs or meat from birds who were raised in confinement, whose beaks were clipped so they could never once taste their natural diet of worms and insects. We pull out a thread when we refuse to bring home a hormone-fattened turkey for Thanksgiving dinner. We pull a thread when we refuse to buy meat or dairy products from cows who were never allowed to chew grass, or breathe fresh air, or feel the warm sun on their backs.
The more threads we pull, the more difficult it is for the industry to stay intact. You demand eggs and meat without hormones, and the industry will have to figure out how it can raise farm animals without them. Let the animals graze outside and it slows production. Eventually the whole thing will have to unravel.
If the factory farm does indeed unravel - and it must - then there is hope that we can, gradually, reverse the environmental damage it has caused. Once the animal feed operations have gone and livestock are once again able to graze, there will be a massive reduction in the agricultural chemicals currently used to grow grain for animals. And eventually, the horrendous contamination caused by animal waste can be cleaned up. None of this will be easy.
The hardest part of returning to a truly healthy environment may be changing the current totally unsustainable heavy-meat-eating culture of increasing numbers of people around the world. But we must try. We must make a start, one by one.
”
”
Jane Goodall (Harvest for Hope)
“
Humanity is not an aggregate of individuals, a community of thinkers, each of whom is guaranteed from the outset to be able to reach agreement with the others because all participate in the same thinking essence. Nor, of course, is it a single Being in which the multiplicity of individuals are dissolved and into which these individuals are destined to be reabsorbed. As a matter of principle, humanity is precarious: each person can only believe what he recognizes to be true internally and, at the same time, nobody thinks or makes up his mind without already being caught up in certain relationships with others, which leads him to opt for a particular set of opinions. Everyone is alone and yet nobody can do without other people, not just because they are useful (which is not in dispute here) but also when it comes to happiness.
”
”
Maurice Merleau-Ponty (The World of Perception)
“
All authority is quite degrading. It degrades those who exercise it, and degrades those over whom it is exercised. When it is violently, grossly, and cruelly used, it produces a good effect by creating, or at any rate bringing out, the spirit of revolt and individualism that is to kill it. When it is used with a certain amount of kindness, and accompanied by prizes and rewards, it is dreadfully demoralising. People, in that case, are less conscious of the horrible pressure that is being put on them, and so go through their lives in a sort of coarse comfort, like petted animals, without ever realising that they are probably thinking other people's thoughts, living by other people's standards, wearing practically what one may call other people's second-hand clothes, and never being themselves for a single moment.
”
”
Oscar Wilde (The Soul of Man Under Socialism)
“
I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities.
At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.
”
”
David Nicholls (Starter for Ten)
“
Some of us find our way with a single light to guide us; others lose themselves even when the star field is as sharp as a neon ceiling. Ethics may not be situational, but feelings are. We learn to adjust, and, over time, the stars we use to guide ourselves come to reside within rather than without.
”
”
Robert Crais (L.A. Requiem (Elvis Cole, #8))
“
What was really needed was a fundamental change in our attitude toward life. We had to learn ourselves and, furthermore, we had to teach the despairing men, that it did not really matter what we expected from life, but rather what life expected from us. We needed to stop asking about the meaning of life, and instead to think of ourselves as those who were being questioned by life--daily and hourly. Our answer must consist, not in talk and meditation, but in right action and in right conduct. Life ultimately means taking the responsibility to find the right answer to its problems and to fulfill the tasks which it constantly sets for each individual.
These tasks, and therefore the meaning of life, differ from man to man, and from moment to moment. Thus it is impossible to define the meaning of life in a general way. Questions about the meaning of life can never be answered by sweeping statements. “Life” does not mean something vague, but something very real and concrete, just as life’s tasks are also very real and concrete. They form man’s destiny, which is different and unique for each individual. No man and no destiny can be compared with any other man or any other destiny. No situation repeats itself, and each situation calls for a different response. Sometimes the situation in which a man finds himself may require him to shape his own fate by action. At other times it is more advantageous for him to make use of an opportunity for contemplation and to realize assets in this way. Sometimes man may be required simple to accept fate, to bear his cross. Every situation is distinguished by its uniqueness, and there is always only one right answer to the problem posed by the situation at hand.
When a man finds that it is his destiny to suffer, he will have to accept his suffering as his task; his single and unique task. He will have to acknowledge the fact that even in suffering he is unique and alone in the universe. No one can relieve him of his suffering or suffer in his place. His unique opportunity lies in the way in which he bears his burden.
”
”
Viktor E. Frankl
“
I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I'll drift about for ever, all my atoms, till I find you again...
I'll be looking for you, Will, every moment, every single moment. And when we do find each other again we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Mr. Constant," he said, "right now you’re as easy for the Bureau of Internal Revenue to watch as a man on a street corner selling apples and pears. But just imagine how hard you would be to watch if you had a whole office building jammed to the rafters with industrial bureaucrats—men who lose things and use the wrong forms and create new forms and demand everything in quintuplicate, and who understand perhaps a third of what is said to them; who habitually give misleading answers in order to gain time in which to think, who make decisions only when forced to, and who then cover their tracks; who make perfectly honest mistakes in addition and subtraction, who call meetings whenever they feel lonely, who write memos whenever they feel unloved; men who never throw anything away unless they think it could get them fired. A single industrial bureaucrat, if he is sufficiently vital and nervous, should be able to create a ton of meaningless papers a year for the Bureau of Internal Revenue to examine.
”
”
Kurt Vonnegut Jr. (The Sirens of Titan)
“
For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain.
But was a woman's heart any purer, in the end?
That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed.
Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price.
But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?
”
”
Chitra Banerjee Divakaruni (The Palace of Illusions)
“
A single raised eyebrow. "You've defected, sweetheart. No use worrying about the big, bad wolf now."
She was aware of Judd speaking, but her attention never shifted off the man who was a predator, for all that he wore human skin. When he peeled open and held out a bar of some kind, she took it, aware low energy levels could be dangerous when it came to her ability to keep a handle on the cold fire.
"Thank you."
A faint smile, a strange amusement in those icy eyes. "You're welcome."
It was the most polite interaction they'd ever had.
”
”
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
“
That's why I wanted to use Supper at Six to teach chemistry. Because when women understand chemistry, they begin to understand how things work."
Roth looked confused.
"I'm referring to atoms and molecules, Roth," she explained. "The real rules that govern the physical world. When women understand these basic concepts, they can begin to see the false limits that have been created for them."
"You mean by men."
"I mean by artificial cultural and religious policies that put men in the highly unnatural role of single-sex leadership. Even a basic understanding of chemistry reveals the danger of such a lopsided approach."
"Well," he said, realizing he'd never seen it that way before, "I agree that society leaves much to be desired, but when it comes to religion, I tend to think it humbles us--teaches us our place in the world."
"Really?" she said, surprised. "I think it lets us off the hook. I think it teachers us that nothing is really our fault; that something or someone else is pulling the strings; that ultimately, we're not to blame for the way things are; that to improve things, we should pray. But the truth is, we are very much responsible for the badness of the world. And we have the power to fix it.
”
”
Bonnie Garmus (Lessons in Chemistry)
“
Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it.
”
”
Alex Flinn (Beastly (Beastly, #1))
“
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies.
Take care!
Love,
Francis.
Title: Letter to Abigail
Scene: "Death-bed"
Chapter: The Road To Awe
”
”
Huseyn Raza
“
The decision-making part of the brain of an individual who has been using crystal meth is very interesting. When Carly and Andy were in their apartment, they ran out of drugs. They sold every single thing they had except two things: a couch and a blow torch. They had to make a decision because something had to be sold to buy more drugs. A normal person would automatically think, Sell the blow torch. But Andy and Carly sat on the couch, looking at the couch and looking at the blow torch, and the choice brought intense confusion. The couch? The blow torch? I mean, we may not need the blow torch today, but what about tomorrow? If we sell the couch, we can still sit wherever we want. But the blow torch? A blow torch is a very specific item. If you’re doing a project and you need a blow torch, you can’t substitute something else for it. You would have to have a blow torch, right? In the end, they sold the couch.
”
”
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
“
It reminds me of that saying: “The apple doesn’t fall far from the tree.” I guess that means we’re just products of whoever made us and we don’t have much control. The thing is, when people use that phrase, they ignore the most critical part: the falling. Within the logic of that saying, the apple falls every single time. Not falling isn’t an option. So, if the apple has to fall, the most important question in my mind is what happens to it upon hitting the ground? Does it touch down with barely a scratch? Or does it smash on impact? Two vastly different fates. When you think about it, who cares about its proximity to the tree or what type of tree spawned it? What really makes all the difference, then, is how we land.
”
”
Val Emmich (Dear Evan Hansen)
“
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
”
”
Tom Stoppard (The Real Thing)
“
White hair.
She remembers one of her bosses, a middle-aged man who used to say how he longed to see a former lover again in old age, when her hair would be feather-white. When we’re really old... when every single strand of our hair has gone white, I want to see her then, absolutely.
If there was a time when he would want to see her again, it would certainly be then.
When both young and flesh would have fallen away.
When there would be no time left for desire.
When only one thing would remain to be done once that meeting was over: to separate. To part from their own bodies, and thus to part forever.
”
”
Han Kang (The White Book)
“
WAKE
Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn’t need more problems. But inexplicably, since she was eight years old, she has been pulled in to people’s dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel’s covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters.
”
”
Lisa McMann
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Do you see that man in the black Porsche?" I asked the women.
They squinted out at Ranger. "Yes," they said."Your partner."
"He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room."
Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?"
"Nope. He's single. He's a real catch."
Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.:
"Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly.
"Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car."....
He leaned into me and his lips brushed the shell of my ear. "Feeling playful?"
"I don't know what you're talking about."
"Watch your back babe. I will get even."
-Ranger and Stephanie
”
”
Janet Evanovich (To the Nines (Stephanie Plum, #9))
“
Truly effective negotiators are conscious of the verbal, paraverbal (how it’s said), and nonverbal communications that pervade negotiations and group dynamics. And they know how to employ those subtleties to their benefit. Even changing a single word when you present options—like using “not lose” instead of “keep”—can unconsciously influence the conscious choices your counterpart makes.
”
”
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
“
The thing about trees is that they know what to do. When a leaf loses its colour, it's not because its time is up and it's dying, it's because the tree is taking back into itself the nutrients the leaf's been holding in reserve for it, out there on the twig, and why leaves change colour in autumn is because the tree is preparing for winter, it's filling itself with its own stored health so it can withstand the season. Then, clever tree, it literally pushes the used leaf off with the growth that's coming behind it. But because that growth has to protect itself through winter too, the tree fills the little wound in its branch or twig where the leaf was with a protective corky stuff which seals it against cold and bacteria.
Otherwise every leaf lost would be an open wound on a tree and a single tree would be covered in thousands of little wounds.
Clever trees.
”
”
Ali Smith (Artful)
“
I’ll be looking for you, Will, every moment, every single moment. And when we do find each other again we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you . . . We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams . . . And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight . . .
”
”
Philip Pullman (His Dark Materials)
“
It's hard to admit that a marriage might be over when the love is still there. People are led to believe that a marriage ends only when the love has been lost; when anger replaces happiness when contempt replaces bliss. But Graham and I aren't angry with each other, we're just not the same people we used to be.
”
”
Colleen Hoover
“
If you’re an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you’re focused on a project that you care about, you probably find that your energy is boundless.
So stay true to your own nature. If you like to do things in a slow and steady way, don’t let others make you feel as if you have to race. If you enjoy depth, don’t force yourself to seek breadth. If you prefer single-tasking to multitasking, stick to your guns. Being relatively unmoved by rewards gives you the incalculable power to go your own way. It’s up to you to use that independence to good effect.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
They keep telling you, when you’re older, you’ll have experience—and that’s supposed to be so great. What would you say about that, sir? Is it really any use, would you say?"
"What kind of experience?”
“Well—places you’ve been to, people you’ve met. Situations you’ve been through already, so you know how to handle them when they come up again. All that stuff that’s supposed to make you wise, in your later years.”
“Let me tell you something, Kenny. For other people, I can’t speak—but, personally, I haven’t gotten wise on anything. Certainly, I’ve been through this and that; and when it happens again, I say to myself, Here it is again. But that doesn’t seem to help me. In my opinion, I, personally, have gotten steadily sillier and sillier and sillier—and that’s a fact.”
“No kidding, sir? You can’t mean that! You mean, sillier than when you were young?”
“Much, much sillier.”
“I’ll be darned. Then experience is no use at all? You’re saying it might just as well not have happened?”
“No. I’m not saying that. I only mean, you can’t use it. But if you don’t try to—if you just realize it’s there and you’ve got it—then it can be kind of marvelous.
”
”
Christopher Isherwood (A Single Man)
“
His spiritual energy was completely drained. He was no different from an ordinary person at that time. He couldn't use a single technique, not even a simple communication spell. He could only carry you on his back and climb up the stairs of Sisheng Peak, step by step.
And when he couldn't do that anymore, when he couldn't even stand, he had crawled on the ground, on his knees, dragging him until his fingers were torn and his hands covered in blood.
All to bring him home.
”
”
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 3)
“
But perhaps the most damning argument came from nature herself. Had David followed his own advice to look to nature for truth, he would have seen it. This dazzling, feathery, squawking, gurgling mound of counterevidence. Animals can outperform humans on nearly every measure supposedly associated with our superiority. There are crows that have better memories than us, chimps with better pattern-recognition skills, ants that rescue their wounded, and blood flukes with higher rates of monogamy. When you actually examine the range of life on Earth, it takes a lot of acrobatics to sort it into a single hierarchy with humans at the top. We don’t have the biggest brain or the best memory. We’re not the fastest or the strongest or the most prolific. We’re not the only ones that mate for life, that show altruism, use tools, language. We don’t have the most copies of genes in circulation. We aren’t even the newest creation on the block.
”
”
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
“
When I stand before God at the end of my life, I would hope that I would not have a single bit of talent left, and could say, "I used everything you gave me.
”
”
Erma Bombeck
“
When you must flee and can carry only one thing, what will it be? What single seed from your old life will be the most useful in helping you sow a new one?
”
”
Chantha Nguon (Slow Noodles: A Cambodian Memoir of Love, Loss, and Family Recipes)
“
I miss the snow. I miss looking at it, walking in it, tasting it. I used to love those days when it was so cold everyone else would be tucked away inside trying to stay warm. I would be the only one out walking, so I could look across the fields and see miles of snow without a single footprint in it. It would be completely silent -- no cars, no birds singing, no doors slamming. Just silence and snow. God, I miss snow. The stars, the moon, the wind, and blankets of pure, pristine snow.
”
”
Damien Echols (Life After Death)
“
This is a Lucent PBX with Audix voice mail, right? I used this kind at all of my old jobs, so I'm pretty familiar with them."
Completely ignoring me, Pat continues to demonstrate every single one of the phone's features, half of which she describes incorrectly. I don't bother taking notes because I've used this system a thousand times. I have no need to transcribe an erroneous refresher course. "Hey, you should be writing this down."
Like I said, I've used this system extensively and--"
WRITE IT DOWN," Pat growls. "If you screw up the phone, Jerry's gonna be on my ass."
No problem." I'm slowly learning to choose my battles and figure this isn't the hill I want to die on. I pull a portfolio out of my briefcase and begin to take notes.
When the phone rings and Jerry isn't there to answer, you pick it up and hold it to your mouth like this. You say, 'Hello, Jerry Jenkins' office.'"
I write: When phone rings, place receiver next to your word hole and not your hoo-hoo or other bodily aperature, and say, "Shalom.
”
”
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
“
When we feel discouraged, it is so easy to feel more discouraged; when we feel dissatisfied, it is only a step to that condition that is practically intolerable. It is therefore necessary to stop all detrimental feeling in the beginning. Do not permit a single adverse feeling to continue for a second. Change the mind at once by turning your attention upon something that will make you feel better. Resolve to feel the way you want to feel under all circumstances, and you will gradually develop the power to do so.
”
”
Christian D. Larson (Your Forces and How to Use Them)
“
Imagine the terrestrial timespan as an outstretched arm: a single swipe of an emery-board, across the nail of the third finger, erases human history. We haven't been around for very long. And we've turned the earth's hair white. Sh e seemed to have eternal youth but now she's ageing awful fast, like an addict, like a waxless candle. Jesus, have you seen her recently? we used to live and die without any sense of the planet getting older, of mother earth getting older, living and dying. We used to live outside history. But now we're all coterminous. We're inside history now all right, on its leading edge, with the wind ripping past our ears. Hard to love, when you're bracing yourself for impact. And maybe love can't bear it either, and flees all planets when they reach this condition, when they get to the end of their twentieth centuries.
”
”
Martin Amis (London Fields)
“
The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioning our characters in the wrong way. Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never so little scar. The drunken Rip Van Winkle, in Jefferson’s play, excuses himself for every fresh dereliction by saying, “I won’t count this time!” Well! He may not count it, and a kind Heaven may not count it; but it is being counted none the less. Down among his nerve-cells and fibers the molecules are counting it, registering and storing it up to be used against him when the next temptation comes. Nothing we ever do is, in strict scientific literalness, wiped out. Of course this has its good side as well as its bad one. As we become permanent drunkards by so many separate drinks, so we become saints in the moral, and authorities and experts in the practical and scientific spheres, by so many separate acts and hours of work. Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keeps faithfully busy each hour of the working-day, he may safely leave the final result to itself. He can with perfect certainty count on waking up some fine morning, to find himself one of the competent ones of his generation, in whatever pursuit he may have singled out.
”
”
William James (The Principles of Psychology)
“
Worrying is often triggered by wanting to make the perfect choice or by trying to maximize everything. When buying a used car, you want one that is cheap, reliable, safe, sexy, the right color, and fuel efficient. Unfortunately, no single option is likely to be the best in all those dimensions. If you try to have the best of everything, you’re likely to be paralyzed by indecision or dissatisfied with your choice. In fact, this kind of “maximizing” has been proven to increase depression.
”
”
Alex Korb (The Upward Spiral: Using Neuroscience to Reverse the Course of Depression, One Small Change at a Time)
“
When it is mid week, pause and ponder! The very single days we disregard are what become the very years we wished to have used effectively and efficiently. If we disregard today, we shall remember our had I know tomorrow. Time changes therefore think of the changing times.
”
”
Ernest Agyemang Yeboah
“
Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me.
Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down.
The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway.
Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing.
And then rising from within me is a single thought:
I don’t want to die.
All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no.
Burning and boiling inside me is the desire to live.
I don’t want to die I don’t want to die I don’t want to!
Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes.
Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live.
Jeanine holds my head steady with one hand and inserts the needle into my neck with the other.
I’m not done! I shout in my head, and not at Jeanine. I am not done here!
She presses the plunger down. Peter leans forward and looks into my eyes.
“The serum will go into effect in one minute,” he says. “Be brave, Tris.”
The words startle me, because that is exactly what Tobias said when he put me under my first simulation.
My heart begins to race.
Why would Peter tell me to be brave? Why would he offer any kind words at all?
All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move.
Then the heart monitor stops beeping.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I drove by all the places we used to hang out getting wasted
I thought about our last kiss, how it felt the way you tasted
And even though your friends tell me you're doing fine
Are you somewhere feeling lonely even though he's right beside you?
When he says those words that hurt you, do you read the ones I wrote you?
Sometimes I start to wonder, was it just a lie?
If what we had was real, how could you be fine?
'Cause I'm not fine at all
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
'Cause I'm not fine at all
The pictures that you sent me they're still living in my phone
I'll admit I like to see them, I'll admit I feel alone
And all my friends keep asking why I'm not around
It hurts to know you're happy, yeah, it hurts that you've moved on
It's hard to hear your name when I haven't seen you in so long
It's like we never happened, was it just a lie?
If what we had was real, how could you be fine?
'Cause I'm not fine at all
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
If today I woke up with you right beside me
Like all of this was just some twisted dream
I'd hold you closer than I ever did before
And you'd never slip away
And you'd never hear me say
I remember the day you told me you were leaving
I remember the make-up running down your face
And the dreams you left behind you didn't need them
Like every single wish we ever made
I wish that I could wake up with amnesia
And forget about the stupid little things
Like the way it felt to fall asleep next to you
And the memories I never can escape
'Cause I'm not fine at all
No, I'm really not fine at all
Tell me this is just a dream
'Cause I'm really not fine at all
”
”
5 Seconds of Summer
“
You will go through your life thinking there was a day in second grade that you must have missed, when the grown-ups came in and explained, everything important to other kids. they said, 'Look, you're human, you're going to feel isolated and afraid a lot of the time, nad have bad self-esteem, and feel uniquely ruined, but here is the magic phrase that will take this feeling away. It will be like a feather that will lift you out of that fear and self-consciousness every single time, all through your life.' And then they told the cildren who were there that day the magic phrase that everyone else in the world knows about and uses when feeling blue, which only you don't know, because you were home sick the day the grown-ups told the children the way the whole world works.
But there was not such a day in school. No one got the instructions. That is the secret of life. Everyone is flailing around, winging it most of the time, trying to find the way out, or through, or up, without a map. This lack of instruction manual is how most people develop compassion, and how they figure out to show up, care, help and serve, as the only way of filling up and being free. Otherwise you gorw up to be someone who needs to dominate and shame others so no one will know that you weren't there the day the instructions were passed out.
”
”
Anne Lamott
“
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.
Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed—maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
A pause. Then she said: "Tell me, Noah, what do you remember most from the summer we spent together?"
"All of it."
"Anything in particular?"
"No," he said.
"You don't remember?"
He answered quietly. "No, it's not that. It's not what you're thinking. I was serious when I said 'all of it.' I can remember every moment we were together, and in each or them there was something wonderful. I can't pick any one time that meant more than any other.
The entire summer was perfect, the kind of summer everyone should have. How could I pick one moment over another?
"Poets often describe love as an emotion that we can't control, one that overwhelms logic and common sense. That's what it was like for me. I didn't plan on falling in love with you, and I doubt if you planned on falling in love with me. But once we met, it was clear that neither of use could control what was happening to us. We fell in love, despite our differences, and once we did, something rare and beautiful was created. For me, love like that has happened only once, and that's why every minute we spent together has been seared in my memory.
I'll never forget a single moment of it."
Allie stare at him. No one had ever said anything lik that to her before. Ever. She didn't know what to say and stayed silent, her face hot.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
The French fairy tale writers were so popular and prolific that when their stories were eventually collected in the 18th century, they filled forty–one volumes of a massive publication called the Cabinet des Fées. Charles Perrault is the French fairy tale writer whom history has singled out for attention, but the majority of tales in the Cabinet des Fées were penned by women writers who ran and attended the leading salons: Marie–Catherine d’Aulnoy, Henriette Julie de Murat, Marie–Jeanne L'Héritier, and numerous others. These were educated women with an unusual degree of social and artistic independence, and within their use of the fairy tale form one can find distinctly subversive, even feminist subtext.
”
”
Terri Windling (Black Swan, White Raven)
“
Sugar leans her chin against the knuckles of the hand that holds the pen. Glistening on the page between her silk-shrouded elbows lies an unfinished sentence. The heroine of her novel has just slashed the throat of a man. The problem is how, precisely, the blood will flow. Flow is too gentle a word; spill implies carelessness; spurt is out of the question because she has used the word already, in another context, a few lines earlier. Pour out implies that the man has some control over the matter, which he most emphatically doesn’t; leak is too feeble for the savagery of the injury she has inflicted upon him. Sugar closes her eyes and watches, in the lurid theatre of her mind, the blood issue from the slit neck. When Mrs Castaway’s warning bell sounds, she jerks in surprise.
Hastily, she scrutinises her bedroom. Everything is neat and tidy. All her papers are hidden away, except for this single sheet on her writing-desk.
Spew, she writes, having finally been given, by tardy Providence, the needful word.
”
”
Michel Faber (The Crimson Petal and the White)
“
A funny thing happens when more than one knitter gathers in a public place. A solo knitter, presuming she is a woman, quickly fades into the backdrop like a potted palm or a quietly nursing mother. ... A single knitter is shorthand for "nothing to see here, move on."
But when knitters gather, we become incongruously conspicuous. We are a species that other people aren't used to seeing in flocks, like a cluster of Corgis, a dozen Elvis impersonators waiting for the elevator.
”
”
Clara Parkes (Knitlandia: A Knitter Sees the World)
“
Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.
”
”
Frédéric Gros (A Philosophy of Walking)
“
These are the real puzzles that will face humanity. There is, he claims, a single theory that will explain not only why the queue you choose at a supermarket is always the slowest but why trains always leave on time when you are late and leave late when you are on time.” “There isn’t an answer to those,” murmured Madeleine doubtfully. “It just happens.” “That’s what they used to say about lightning,” replied Pandora, “and rainbows.
”
”
Jasper Fforde (The Big Over Easy (Nursery Crime, #1))
“
Nicotine, in fact, is an unusual drug because it does very little except trigger compulsive use. According to researcher Roland R. Griffiths, PhD, professor of psychiatry and behavioral sciences at the Johns Hopkins University School of Medicine, “When you give people nicotine for the first time, most people don’t like it. It’s different from many other addictive drugs, for which most people say they enjoy the first experience and would try it again.” Nicotine doesn’t make you high like marijuana or intoxicated like alcohol or wired up like speed. Some people say it makes them feel more relaxed or more alert, but really, the main thing it does is relieve cravings for itself. It’s the perfect circle. The only point of smoking cigarettes is to get addicted so one can experience the pleasure of relieving the unpleasant feeling of craving, like a man who carries around a rock all day because it feels so good when he puts it down.
”
”
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
“
I look at sex differently than most people. It’s an exchange, and it should be good for both parties. I don’t want you to spread your legs and let me have you because you want someone to hold you. If you want me to hold you, ask me. I want you to spread your legs because you can’t wait another single second for my cock. I want that pussy ripe and ready and weeping for a big dick to split it wide and have its way. I want your nipples to peak because I walk into a room and you remember every dirty thing I can do to them. I want you to want me. I can make you crave me. I don’t want some drive-by fucking that gets me off and I forget it five minutes later. I want to fuck all night long. I want to feel it all the next day because my cock got so used to being deep inside your body. If that’s what you want, then get dressed in the sexiest thing you own and agree that I’m the boss when it comes to sex.
”
”
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
“
meander, v.
"...because when it all comes down to it, there's no such thing as a two-hit wonder. So it's better just to have that one song that everyone knows, instead of diluting it with a follow-up that only half succeeds. I mean, who really cares what Soft Cell's next single was, as long as we have 'Tainted Love'?"
I stop. You're still listening.
"Wait," I say. "What was I talking about? How did we get to 'Tainted Love'?"
"Let's see," you say, "I believe we started roughly at the Democratic gains in the South, then jumped back to the election of 1948, dipping briefly into northern constructions of the South, vis-a-vis Steel Magnolias, Birth of a Nation, Johnny Cash, and Fried Green Tomatoes. Which landed you on To Kill a Mockingbird, and how it is both Southern and universal, which -- correct me if I'm wrong -- got us to Harper Lee and her lack of a follow-up novel, intersected with the theory, probably wrong, that Truman Capote wrote the novel, then hopping over to literary one-hit wonders, and using musical one-hit wonders to make a point about their special place in our culture. I think."
"Thank you," I say. "That's wonderful.
”
”
David Levithan (The Lover's Dictionary)
“
Nothing can be rightly known, if God be not known; nor is any study well managed, nor to any great purpose, if God is not studied. We know little of the creature, till we know it as it stands related to the Creator: single letters, and syllables uncomposed, are no better than nonsense. He who overlooketh him who is the 'Alpha and Omega, the beginning and the ending,' and seeth not him in all who is the All of all, doth see nothing at all. All creatures, as such, are broken syllables; they signify nothing as separated from God. Were they separated actually, they would cease to be, and the separation would be annhiliation; and when we separate them in our fancies, we make nothing of them to ourselves. It is one thing to know the creatures as Aristotle, and another thing to know them as a Christian. None but a Christian can read one line of his Physics so as to understand it rightly. It is a high and excellent study, and of greater use than many apprehend; but it is the smallest part of it that Aristotle can teach us.
”
”
Richard Baxter (The Reformed Pastor (The Practical Works of Richard Baxter, Vol. 4))
“
The apple doesn't fall far from the tree." I guess that means we're just products of whoever made us and we don't have much control. The thing is, when people use that phrase, they ignore the most critical part: the falling. Within the logic of that saying, the apple falls every single time. Not falling isn't an option. So, if the apple has to fall, the most important question in my mind is what happens to it upon hitting the ground? Does it touch down with barely a scratch? Or does it smash on impact? Two vastly different fates. When you think about it, who cares about its proximity to the tree or what type of tree spawned it? What really makes all the difference, then, is how we land.
”
”
Val Emmich (Dear Evan Hansen)
“
He said he ate his food out of our big refrigerators, drove our eight-cylinder American cars, un-hesitatingly used our medicines when he was sick, and relied on the U.S. Army to protect his parents and sisters from Hitler's Germany, and nothing, not one single thing in all his poems, reflected these realities.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
He’d always loved this: a woman’s elemental effect on him, as a man. He used to live for these moments of raw, instinctual attraction. When a source of celestial-grade femininity wandered into the room, and his internal compass recalibrated. It was a sublime shift from internal chaos to single-minded determination. The difference between Ye gods, what next? and . . .
Her. I’ll take her.
”
”
Tessa Dare (Any Duchess Will Do (Spindle Cove, #4))
“
The Fawn and His Mother A YOUNG FAWN once said to his Mother, "You are larger than a dog, and swifter, and more used to running, and you have your horns as a defense; why, then, O Mother! do the hounds frighten you so?" She smiled, and said: "I know full well, my son, that all you say is true. I have the advantages you mention, but when I hear even the bark of a single dog I feel ready to faint, and fly away as fast as I can." No arguments will give courage to the coward.
”
”
Aesop (Aesop's Fables)
“
A happy love is a single story, a disintegrating one is two or more competing, conflicting versions, and a disintegrated one lies at your feet like a shattered mirror, each shard reflecting a different story, that it was wonderful, that it was terrible, if only this had, if only that hadn't. The stories don't fit back together, and it's the end of stories, those devices we carry like shells and shields and blinkers and occasionally maps and compasses. The people close to you become mirrors and journals in which you record your history, the instruments that help you know yourself and remember yourself, and you do the same for them. When they vanish so does the use, the appreciation, the understanding of those small anecdotes, catchphrases, jokes: they become a book slammed shut or burnt.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
I was in the local shop today, getting something to eat for lunch, when I suddenly had the strangest sensation—a spontaneous awareness of the unlikeliness of this life. I mean, I thought of all the rest of the human population—most of whom live in what you and I would consider abject poverty—who have never seen or entered such a shop. And this, this, is what all their work sustains! This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries—this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show—and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for—that was the great experiment. I thought I would throw up. Of course, a feeling like that can’t last. Maybe for the rest of the day I feel bad, even for the rest of the week—so what? I still have to buy lunch. And in case you’re worrying about me, let me assure you, buy lunch I did.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
The main skill is to keep from getting lost. Since the roads are used only by local people who know them by sight nobody complains if the junctions aren’t posted. And often they aren’t. When they are it’s usually a small sign hiding unobtrusively in the weeds and that’s all. County-road-sign makers seldom tell you twice. If you miss that sign in the weeds that’s your problem, not theirs. Moreover, you discover that the highway maps are often inaccurate about county roads. And from time to time you find your “county road” takes you onto a two-rutter and then a single rutter and then into a pasture and stops, or else it takes you into some farmer’s backyard. So we navigate mostly by dead reckoning, and deduction from what clues we find. I keep a compass in one pocket for overcast days when the sun doesn’t show directions and have the map mounted in a special carrier on top of the gas tank where I can keep track of miles from the last junction and know what to look for. With those tools and a lack of pressure to “get somewhere” it works out fine and we just about have America all to ourselves.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
“
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely.
Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems.
In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal.
Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death.
For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age.
At least you used to.
But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
”
”
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
“
Henrietta was a black woman born of slavery and sharecropping who fled north for prosperity, only to have her cells used as tools by white scientists without her consent. It was a story of white selling black, of black cultures “contaminating” white ones with a single cell in an era when a person with “one drop” of black blood had only recently gained the legal right to marry a white person. It was also the story of cells from an uncredited black woman becoming one of the most important tools in medicine. This was big news.
”
”
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
“
I’m reminded of a long-standing debate at my childhood dinner table. Whenever we’d eat steak, I would use my knife in my left hand and my fork in my right, which would infuriate my mother. She’d remind me to cut with my right hand since I was right-handed and to switch my fork to my right hand for each bite. When pressed for a reason, she’d reply “because that’s how to cut”. Dissatisfied, I’d press further. She’d reply “because that’s proper manners”.
As a six-year old, I found this to be the most pointless and inefficient process in the world, and I’d voice this opinion. Why would I switch hands every single bite to maintain some arbitrary convention? The final reply: “One day you’re going to meet a nice girl, and when you go out to dinner with her you’ll need to use proper manners”. My response then, and still a fundamental belief to this day, is that anyone who cares about something so small and insignificant, is maybe not someone I want to spend my time with.
”
”
Luigi Mangione
“
The terror that took Baru came from the deepest part of her soul. It was a terror particular to her, a fundamental concern—the apocalyptic possibility that the world simply did not permit plans, that it worked in chaotic and unmasterable ways, that one single stroke of fortune, one well-aimed bowshot by a man she had never met, could bring total disaster. The fear that the basic logic she used to negotiate the world was a lie. Or, worse, that she herself could not plan: that she was as blind as a child, too limited and self-deceptive to integrate the necessary information, and that when the reckoning between her model and the pure asymbolic fact of the world came, the world would devour her like a cuttlefish snapping up bait.
”
”
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
“
Four Spells to Keep Inside Your Mouth
‘I respect myself’—the most powerful incantation that will change your whole life
if you believe it when you say it.
‘My heart is too valuable for you’—the spell that will set you free from any
destructive soul.
‘I believe in you’—the best gift you can ever give anyone else.
‘No’—a single, commanding, two-letter spell with the ability to liberate you if
only you learn to use it unapologetically and cast it without fear.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
Algorithm’ is arguably the single most important concept in our world. If we want to understand our life and our future, we should make every effort to understand what an algorithm is, and how algorithms are connected with emotions. An algorithm is a methodical set of steps that can be used to make calculations, resolve problems and reach decisions. An algorithm isn’t a particular calculation, but the method followed when making the calculation. For example, if you want to calculate the average between two numbers, you can use a simple algorithm. The algorithm says: ‘First step: add the two numbers together. Second step: divide the sum by two.’ When you enter the numbers 4 and 8, you get 6. When you enter 117 and 231, you get 174.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
But what these men chant Nick half grasps, and when the songs are finished, he adds, Amen, if only because it may be the single oldest word he knows. The older the word, the more likely it is to be both useful and true. In fact, he read once, back in Iowa, the night the woman came to trouble him into life, that the word tree and the word truth come from the same root.
”
”
Richard Powers (The Overstory)
“
However, not only are fortunes equal in America, equality extends to some degree to intelligence itself. I do not think that there is a single country in the world where, in proportion to the population, there are so few ignorant and, at the same time, so few educated individuals as in America. Primary education is available to all; secondary is within reach of no one, which can be explained quite easily as the inevitable result, so to speak, of my argument above. Almost all Americans enjoy a life of comfort and can, therefore, obtain the first elements of human knowledge. In America there are few rich people; therefore, all Americans have to learn the skills of a profession which demands a period of apprenticeship. Thus America can devote to general learning only the early years of life. At fifteen, they begin a career; their education ends most often when ours begins. If education is pursued beyond that point, it is directed only towards specialist subjects with a profitable return in mind. Science is studied as if it were a job and only those branches are taken up which have a recognized and immediate usefulness.
”
”
Alexis de Tocqueville (Democracy in America)
“
I decided I would put off the novel until I had gone to Europe and had a lover, and that I would never learn a word of shorthand. If I never learned shorthand I would never have to use it. I thought I would spend the summer reading "Finnegan's Wake" and writing my thesis. Then I would be way ahead when college started at the end of September, and able to enjoy my last year instead of swotting away with no make up and stringy hair, on a diet of Benzedrine, the way most of the seniors taking honors did, until they finished their thesis. Then I thought I might put off college for a year and apprentice myself to a pottery maker.
Or work my way to Germany and be a waitress, until I was bilingual.
Then plan after plan started leaping through my head, like a family of scatty rabbits. I saw the years of my life spaced along a road in the form of telephone poles, threaded together by the wires. I counted one, two, three.... nineteen telephone poles dangled in space, and try as I would, I couldn't see a single pole beyond the nineteenth.
”
”
Sylvia Plath (The Bell Jar)
“
Two- to four-finger waves are commonly used between fast-moving vehicles, but the nicely executed single-finger wave is a thing of beauty and a joy forever. To me, it perfectly sums up the Minnesota character that I love so much. The finger wave from the steering wheel: when you get it right, you'll know you've arrived and you don't ever have to leave again if you don't want to.
”
”
Howard Mohr (How to Talk Minnesotan: A Visitor's Guide)
“
Don’t think that when you come with the injection they won’t already know what’s going to happen. But you needn’t feel sorry for a single one. Being put down is more merciful than being cast out and going stray, with all its perils. Feed them full of meat before you finish them off. None of them are used to meat, and if you add a little sedative, you won’t even have to chase them.
”
”
Magda Szabó (The Door)
“
It may be that a woman's creative process is misunderstood or disrespected by those around her. It is up to her to inform them that when she has 'that look' in her eyes, it does not mean she is a vacant lot waiting to be filled.It means she is balancing a big cardhouse of ideas on a single fingertip, and she is carefully connecting all the cards using tiny crystalline bones and ....
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
It is easier, I guess, to believe that life is inexhaustible. Not so much that its opportunities are vast or that one’s personal dreams can be reached at any age or season, but rather to believe that every dull or daily thing you do will happen again any number of times over. To stamp a limit on even the most tedious of things—the number of
times you have left to buy a coffee, the number of times you will defrost the fridge—is to acknowledge reality in a way that amounts to torture. In truth, we will only perform any action a certain number of times, and to know that can never be helpful. There is, in my opinion, no use in demanding to know the number, in demanding to know upon waking the number of boxes to be ticked off every single day. After all, why would it help to be shown the mathematics of things, when instead we could simply imagine that whatever time we have is limitless.
”
”
Julia Armfield (Our Wives Under the Sea)
“
When you find yourself in philosophical difficulties, the first line of defense is not to define your problematic terms, but to see whether you can think without using those terms at all. Or any of their short synonyms. And be careful not to let yourself invent a new word to use instead. Describe outward observables and interior mechanisms; don’t use a single handle, whatever that handle may be.
”
”
Eliezer Yudkowsky (Rationality: From AI to Zombies)
“
You wanna come into town, give me lip for a bitch being friendly with me when I’m a single man and free to talk and fuck who I want.” Even hearing it curdled bile in his lower stomach. “Then climb all over my cock and disappear as quick as you came and came and came. Though, this is my own goddamn fault, isn’t it, baby? I asked for this, for you to use me and my dick as your own fuck toy. So, you’re gonna come home with me and you can get what you came looking for by fucking the shit out of me.
”
”
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
“
Go for good enough. Worrying is often triggered by wanting to make the perfect choice or by trying to maximize everything. When buying a used car, you want one that is cheap, reliable, safe, sexy, the right color, and fuel efficient. Unfortunately, no single option is likely to be the best in all those dimensions. If you try to have the best of everything, you’re likely to be paralyzed by indecision or dissatisfied with your choice. In fact, this kind of “maximizing” has been proven to increase depression. So don’t try to make the most amazing dinner; start out by just making a good dinner. Don’t try to be the perfect parent; just be a good one. Don’t try to be your happiest; just be happy.
”
”
Alex Korb (The Upward Spiral: Using Neuroscience to Reverse the Course of Depression, One Small Change at a Time)
“
All you need do is refrain from smoking, drinking and the use of drugs. Eat only wholesome,low-fat foods, with the emphasis on vegetables, grains and fish. Seek work. Work hard. Show up on time. Do more than is expected. Think of ways to make the job efficient. Don't complain. Shave, bathe and wear clean clothes. Be cheerful. Don't gamble. Live within your means. Save. And then, when you have all this in balance, study things of substance. Read to satisfy your curiosity. Don't father children out of wedlock or bear them as a single mother. Exercise. You will find that you will be promoted - perhaps not knighted, but promoted. Is that doesn't happen, look quietly for a better position. Find a husband or a wife whom you love and who has the same good habits. Invest. Assume a mortgage if you must. Teach your children the virtues. And then, having become the means of production, you will own your share of the means of production, and if you do those things, all of which are within your power, you will live your own lives."
They looked at him as if he were an armadillo that has just spoken to them in Chinese. Not having assimilated a single phrase, they all got up and went to the bus.
”
”
Mark Helprin (Freddy and Fredericka)
“
I brought you here tonight to remind you of when we were happy. When we were inseparable, best friends and more. But— [...] “What?” I asked. “Please, tell me. I promise I’m okay.” [...] “But what if this is the last time we ever get to do this?” [...] “Then we had tonight. We’ve had this memory. We’ve had this cherished moment.” [...] “I used to know a boy, a boy I loved with my whole heart, who lived for a single moment. Who told me that a single moment could change the world. It could change someone’s life. That one moment could make someone’s life, in that brief second, infinitely better or infinitely worse.” [...] “This, tonight, being at this creek with you again, … it has made my life infinitely better. This moment, given to me by you, I will remember always. I will take it with me to … wherever I go.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him:
1. I’m sorry that I forgot to water your ferns while you were away that time.
2. When you said that I reminded you of your mother, was that a good thing?
3. I never really liked your friends all that much.
4. None of my friends ever really liked you.
5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway.
6. I never liked your mother.
7. After you left, I didn’t water your plants on purpose. They’re all dead.
8. Goodbye.
9. Were you ever really in love with me?
10. Was I good in bed, or just average?
11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound?
12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once.
13. So maybe I’m an idiot, but I used to be in love with you.
14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know.
15. My feet hurt, and it’s all your fault.
16. I mean it this time, goodbye.
”
”
Kelly Link (Stranger Things Happen)
“
Educated children walked in single file on the right side of the hallway, raised their hands to use the lavatory, and carried the lavatory pass when en route. Educated children never offered excuses—certainly not childhood itself. The world had no time for the childhoods of black boys and girls. How could the schools? Algebra, Biology, and English were not subjects so much as opportunities to better discipline the body,
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
I picked up scallop shells in diverse colors and sizes — warm reds and yellows; cool, stippled grays — and reflected on the diversity of God’s creation, and what might be the use and meaning of his making so many varieties of a single thing. If he created scallops simply for our nourishment, why paint each shell with delicate and particular colors? And why, indeed, trouble making so many different things to nourish us, when in the Bible we read that a simple manna fed the Hebrews day following day? It came to me then that God must desire us to use each of our senses, to take delight in the varied tastes and sights and textures of his world.
”
”
Geraldine Brooks
“
Logan couldn’t remember when a few drinks became a bottle and then two bottles every night. He couldn’t point to one single moment or event as the cause. From his first drink at fourteen, alcohol began soaking into his skin, the moisture rotting him on the inside. Every few years he’d use a chisel to hack away all the wet, unsound wood without trying to find the source of the moisture. The rot always came back, stronger than before.
”
”
J.D. Ruskin (When One Door Opens)
“
I used to believe, when I was 'just' a reader, that writers, because they wrote books where truth was found, because they described the world, because they saw into the human heart, because they grasped both the particular and the general and were able to re-create both in free yet structured forms, because they understood, must therefore be more sensitive- also less vain, less selfish- than other people. Then I became a writer, and started meeting other writers, and studied them, and concluded that the only difference between them and other people, the only, single way in which they were better, was that they were better writers. They might indeed be sensitive, perceptive, wise, generalizing and particularizing- but only at their desks and in their books. When they venture out into the world, they regularly behave as if they have left all their comprehension of human behaviour stuck in their typescripts. It's not just writers either. How wise are philosophers in their private lives?
”
”
Julian Barnes (Nothing to Be Frightened Of)
“
Joan felt, so acutely, that the incurable problem with life was that nothing was ever in balance. That she could not have toddler Frances and fifth-grade Frances at the same time. She could not meet adult Frances and have a moment to hold baby Frances all at once. You could not have a little of everything you wanted.
Joan tried to remind herself that when Frances had been younger, she had held France's little hand every single chance she got. When Frances has been a baby, she had smelled hair sometimes for whole minutes at a time. She had been present for all of it. Didn't that mean that she would not grieve its loss, since she had voraciously and self-indulgently taken all of it that was offered?
No. It did not.
She still ached for every version of Frances.
But to love Frances was to be always saying goodbye to the girl Frances used to be and falling in love again with the girl Frances was becoming.
She missed every Frances she known. But oh, this Frances. This lanky, gangly, whip-smart Frances, with her ears pierced and a Cyndi Lauper T-shirt on, this Frances was a gift Joan would one day miss, too.
”
”
Taylor Jenkins Reid (Atmosphere)
“
But should a sensation from the distant past-like those musical instruments that record and preserve the sound and style of the various artists who played them-enable our memory to make us hear that name with the particular tone it then had for our ears, even if the name seems not to have changed, we can still feel the distance between the various dreams which its unchanging syllables evoked for us in turn. For a second, rehearing the warbling from some distant springtime, we can extract from it, as from the little tubes of color used in painting, the precise tint-forgotten, mysterious, and fresh-of the days we thought we remembered when, like bad painters, we were in fact spreading our whole past on a single canvas and painting it with the conventional monochrome of voluntary memory.
”
”
Marcel Proust (The Guermantes Way)
“
Mike used to say: how life happens is a letting in. When he was trying to convince me about the baby. He said every time it was an act of ridiculous trust. The sperm buries itself in the egg and stops being able to move. The egg lets down all its defenses and allows a foreign object in. That’s how it happens, every time. An absolutely unjustified leap of faith. Open up, let in, be let in. Opening is dangerous, every single time. But that’s how we’re here.
”
”
Naomi Alderman (The Future)
“
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
I have brought peace to this land, and security," he began.
"And what of your soul, when you use the cleverness of argument to cloak such acts? Do you think that the peace of a thousand cancels out the unjust death of one single person? It may be desirable, it may win you praise from those who have happily survived you and prospered from your deeds, but you have committed ignoble acts, and have been too proud to own them. I have waited patiently here, hoping that you would come to me, for if you understood, then some of your acts would be mitigated. But instead you send me this manuscript, proud, magisterial, and demonstrating only that you have understood nothing at all."
"I returned to public life on your advice, madam," he said stiffly.
"Yes; I advised it. I said if learning must die it should do so with a friend by its bedside. Not an assassin.
”
”
Iain Pears (The Dream of Scipio)
“
If you're an introvert, find your flow by using your gifts. You have the power of persistence, the tenacity to solve complex problems, and the clear-sightedness to avoid pitfalls that trip others up. You enjoy relative freedom from the temptations of superficial prizes like money and status. Indeed, your biggest challenge may be to fully harness your strengths. You may be so busy trying to appear like a zestful, reward-sensitive extrovert that you undervalue your own talents, or feel underestimated by those around you. But when you're focused on a project you care about, you probably find that your energy is boundless.
So stay true to your own nature. If you like to do things in a slow, steady way, don't let others make you feel as if you have to race. If you enjoy depth, don't force yourself to seek breadth. If you prefer single-tasking to multi-tasking, stick to your guns. Being relatively unmoved by rewards gives you the incalculable power to go your own way. It's up to you to use that independence to good effect.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Imagine a day in which you feel generally fine. After waking up, you spend a few minutes in bed lightly thinking ahead about some of the people you will see and the things you will do. You hit traffic on the way to work, but you don’t fight it; you just listen to the radio and don’t let the other drivers bother you. You may not be excited about your job, but today you’re focusing on the sense of accomplishment you feel as you complete each task. On the way home, your partner calls and asks you to stop at the store; it’s not your favorite thing to do after work, but you remind yourself it’s just fifteen extra minutes. In the evening, you look forward to a TV show and you enjoy watching it. Now let’s look at the same day, but imagine approaching it in a different way. After waking up, you spend a few minutes in bed pessimistically anticipating the day ahead and thinking about how boring work will be. Today, the traffic really gets under your skin, and when a car cuts you off, you get angry and honk your horn. You’re still rankled by the incident when you start work, and to make matters worse, you have an unbelievable number of rote tasks to get through. By the time you’re driving home, you feel fried and don’t want to do a single extra thing. Your partner calls to ask you to stop at the store. You feel put upon but don’t say anything and go to the store. Then you spend much of the evening quietly seething that you do all the work around the house. Your favorite show is on, but it’s hard to enjoy watching it, you feel so tired and irritated. Over these two imaginary days, the same exact things happened. All that was different was how your brain dealt with them—the setting that it used.
”
”
Rick Hanson (Hardwiring Happiness: The New Brain Science of Contentment, Calm, and Confidence)
“
These are lines from my asteroid-impact novel, Regolith:
Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished.
I haven’t faced rejection this brutal since I was single.
He smelled trouble like a fart in the shower.
If this was a kiss of gratitude, then she must have been very grateful.
Not since Bush and Cheney have so few spent so much so fast for so long for so little.
As a nympho for mind-fucks, Lisa took to politics like a pig to mud.
She began paying men compliments as if she expected a receipt.
Like the Aerosmith song, his get-up-and-go just got-up-and-went.
“You couldn’t beat the crap out of a dirty diaper!”
He embraced his only daughter as if she was deploying to Iraq.
She was hotter than a Class 4 solar flare!
If sex was a weapon, then Monique possessed WMD
I haven’t felt this alive since I lost my virginity.
He once read that 95% of women fake organism, and the rest are gay.
Beauty may be in the eyes of the beholder, but ugly is universal.
Why do wives fart, but not girlfriends?
Adultery is sex that is wrong, but not necessarily bad.
The dinosaurs stayed drugged out, drooling like Jonas Brothers fans.
Silence filled the room like tear gas.
The told him a fraction of the truth and hoped it would take just a fraction of the time.
Happiness is the best cosmetic,
He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait.
Cheap hookers are less buck for the bang,
Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect.
During sex, men want feedback while women expect mind-reading.
Cooper looked like a cow about to be tipped over.
His father warned him to never do anything he couldn’t justify on Oprah.
The poor are not free -- they’re just not enslaved. Only those with money are free.
Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus.
The crater looked alive, like Godzilla was about to leap out and mess up Tokyo.
Bush follows the Bible until it gets to Jesus.
When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy.
Cheney called the new Miss America a traitor – apparently she wished for world peace.
Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’
Bush fought a war on poverty – and the poor lost.
Bush thinks we should strengthen the dollar by making it two-ply.
Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris.
America and Iraq fought a war and Iran won.
Bush hasn’t choked this much since his last pretzel.
Some wars are unpopular; the rest are victorious.
So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks.
If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded.
It’s hard for Bush to win hearts and minds since he has neither.
In Iraq, you are a coward if you leave and a fool if you stay.
Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon.
In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans.
With great power comes great responsibility – unless you’re Republican.
”
”
Brent Reilly
“
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
”
”
Toni Morrison (Tar baby)
“
I remember once when I had been giving a talk to the R.A.F., an old, hard-bitten officer got up and said, ‘I’ve no use for all that stuff. But, mind you, I’m a religious man too. I know there’s a God. I’ve felt Him: out alone in the desert at night: the tremendous mystery. And that’s just why I don’t believe all your neat little dogmas and formulas about Him. To anyone who’s met the real thing they all seem so petty and pedantic and unreal!’
Now in a sense I quite agreed with that man. I think he had probably had a real experience of God in the desert. And when he turned from that experience to the Christian creeds, I think he really was turning from something real to something less real. In the same way, if a man has once looked at the Atlantic from the beach, and then goes and looks at a map of the Atlantic, he also will be turning from something real to something less real: turning from real waves to a bit of coloured paper. But here comes the point. The map is admittedly only coloured paper, but there are two things you have to remember about it. In the first place, it is based on what hundreds and thousands of people have found out by sailing the real Atlantic. In that way it has behind it masses of experience just as real as the one you could have from the beach; only, while yours would be a single glimpse, the map fits all those different experiences together. In the second place, if you want to go anywhere, the map is absolutely necessary. As long as you are content with walks on the beach, your own glimpses are far more fun than looking at a map. But the map is going to be more use than walks on the beach if you want to get to America.
”
”
C.S. Lewis (Mere Christianity)
“
When the internal critic puts you down using such comparisons, here's how it operates:
First, it selects a single, arbitrary domain of comparison ( fame, maybe, or power).
Then it acts as if that domain is the only one that is relevant. Then it contrasts you unfavorably with someone truly stellar, within that domain.
It can take that final step even further, using the unbridgeable gap between you and its target of comparison as evidence for the fundamental injustice of life. That way your motivation to do anything at all can be most effectively undermined.
”
”
Jordan B. Peterson
“
I melt and swell at the moment of landing when one wheel thuds on the runway but the plane leans to one side and hangs in the decision to right itself or roll. For this moment, nothing matters. Look up into the stars and you’re gone. Not your luggage. Nothing matters. Not your bad breath. The windows are dark outside and the turbine engines roar backward. The cabin hangs at the wrong angle under the roar of the turbines, and you will never have to file another expense account claim. Receipt required for items over twenty-five dollars. You will never have to get another haircut.
A thud, and the second wheel hits the tarmac. The staccato of a hundred seat-belt buckles snapping open, and the single-use friend you almost died sitting next to says:
I hope you make your connection.
Yeah, me too.
And this is how long your moment lasted. And life goes on.
”
”
Chuck Palahniuk (Fight Club)
“
At present, a good many men engaged in scientific pursuits, and who have signally failed in gaining recognition among their fellows, are endeavoring to make reputations among the churches by delivering weak and vapid lectures upon the 'harmony of Genesis and Geology.' Like all hypocrites, these men overstate the case to such a degree, and so turn and pervert facts and words that they succeed only in gaining the applause of other hypocrites like themselves. Among the great scientists they are regarded as generals regard sutlers who trade with both armies.
Surely the time must come when the wealth of the world will not be wasted in the propagation of ignorant creeds and miraculous mistakes. The time must come when churches and cathedrals will be dedicated to the use of man; when minister and priest will deem the discoveries of the living of more importance than the errors of the dead; when the truths of Nature will outrank the 'sacred' falsehoods of the past, and when a single fact will outweigh all the miracles of Holy Writ.
Who can over estimate the progress of the world if all the money wasted in superstition could be used to enlighten, elevate and civilize mankind?
When every church becomes a school, every cathedral a university, every clergyman a teacher, and all their hearers brave and honest thinkers, then, and not until then, will the dream of poet, patriot, philanthropist and philosopher, become a real and blessed truth.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
There are, as we know, three modes of cognition: analytical, intuitive, and the mode that was known to the biblical prophets: revelation. What distinguishes poetry from other forms of literature is that it uses all three of them at once (gravitating primarily toward the second and the third). For all three of them are given in the language; and there are times when, by means of a single word, a single rhyme, the writer of a poem manages to find himself where no one has ever been before him, further, perhaps, than he himself would have wished to go. The one who writes a poem writes it above all because verse writing is an extraordinary accelerator of consciousness, of thinking, of comprehending the universe. Having experienced this acceleration once, one is no longer capable of abandoning the chance to repeat this experience; one falls into dependency on this process, the way others fall into dependency on drugs or alcohol. One who finds himself in this sort of dependency on language is, I suppose, what they call a poet.
”
”
Joseph Brodsky (On Grief And Reason: Essays)
“
You’re wonderful. You’re the reason for the word wonderful. It really shouldn’t be used for anything else. You make me want to see the best in everyone. You’re the person I want to be with when everything’s going wrong, instead of just wanting to skip over those times entirely. I love that you’re so present that you always forget to keep track of your phone, and I love that when you’re late, you never make excuses but you always have a good reason. “You’re the most generous person I’ve ever met, even to people who’ve given you no reason to be generous, and you always come through for the people you care about. I honestly can’t totally figure out why someone as good as you would love me, when I can be kind of a pessimistic asshole. But I do feel like the luckiest person in the world, to be who you want. Because I want you too. I love you too. I love you in a way that feels brand-new. You make every single thing that went wrong feel like it was just a step in the right direction, and it—it makes me excited. For life to keep surprising me. “You aren’t what I pictured,” I say. “You are so, so, so much better than what my cynical little brain could’ve ever come up with.
”
”
Emily Henry (Funny Story)
“
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
Vincent van Gogh committed suicide when he was only thirty-three. It was impossible to live; he could not earn a single cent. His brother used to give him money, but just enough to exist, to survive. He needed money to paint—for the canvas and the colors and the brushes. So this was his arrangement: He used to get money every Sunday for one week, so every week for three days he would eat and for four days he would fast, so that money could be saved to purchase canvases, colors, and other things that he needed. To me, van Gogh’s fasting is far more significant than all the fasts that have been done by your so-called saints. This fasting has something beautiful in it, something spiritual in it. When your so-called saints go on a fast, it is a means; they are fasting so that they can reach heaven and enjoy all the heavenly joys. But van Gogh’s fasting has a totally different quality to it: It is his love to create. And
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”
Osho (Living on Your Own Terms: What Is Real Rebellion?)
“
When something glows from being heated, it emits light in all parts of the spectrum, but will always peak somewhere. For household lamps that still use glowing metal filaments, the bulbs all peak in the infrared, which is the single greatest contributor to their inefficiency as a source of visible light. Our senses detect infrared only in the form of warmth on our skin. The LED revolution in advanced lighting technology creates pure visible light without wasting wattage on invisible parts of the spectrum. That’s how you can get crazy-sounding sentences like: “7 Watts LED replaces 60 Watts Incandescent” on the packaging.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
But I want first of all—in fact, as an end to these other desires—to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact—to borrow from the language of the saints—to live “in grace” as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony. I am seeking perhaps what Socrates asked for in the prayer from the Phaedrus when he said, “May the outward and inward man be at one.” I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.
”
”
Anne Morrow Lindbergh (Gift from the Sea: 70th Anniversary Edition)
“
But I don't like it, okay? I don't like how everything is changing. It's like when you're a kid, you think that things like the holidays are meant to show you how things always stay the same, how you have the same celebration year after year, and that's why it's so special. But the older you get, the more you realize that, yes, there are all these things that link you to the past, and you're using the same words and singing the same songs that have always been there for you, but each time, things have shifted, and you have to deal with that shift. Because maybe you don't notice it every single day. Maybe it's only on days like today that you notice it a lot. And I know I'm supposed to be able to deal with that, but I'm not sure I can deal with that.--David Levithan (p. 201 in galley)
”
”
David Levithan (The Twelve Days of Dash & Lily (Dash & Lily, #2))
“
There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.
”
”
Brandon Scott Gorrell
“
A few quotes to entice you:
"I never used to do this, dwelling on things and getting myself all worked up, but every single part of my life is delicate now. I feel a sudden fondness for the old man in the mirror. It's not bloody easy, being human."
“Young folks today just aren’t right; they race about like they’ve only got a week left to live.”
“Abandon her? Which of us has been abandoned, I want to ask. You’re not the one stuck with a lifetime’s worth of memories in a body that’s slowly withering away.”
“How can it be better for me when it’s not what I want?’ My voice breaks. I’m so damn tired of everyone else deciding what’s best for me.”
“No one has ever told me that it’s normal for a person’s eyes to well up so easily as they age, for the tears to find a foothold in virtually every memory.
”
”
Lisa Ridzén (When the Cranes Fly South)
“
Failure to put the relationship on a slower timetable may result in an act that was never intended in the first place. Another important principle is to avoid the circumstances where compromise is likely. A girl who wants to preserve her virginity should not find herself in a house or dorm room alone with someone to whom she is attracted. Nor should she single-date with someone she has reason not to trust. A guy who wants to be moral should stay away from the girl he knows would go to bed with him. Remember the words of Solomon to his son, “Keep to a path far from her, do not go near the door of her house” (Proverbs 5:8). I know this advice sounds very narrow in a day when virginity is mocked and chastity is considered old-fashioned. But I don’t apologize for it. The Scriptures are eternal, and God’s standards of right and wrong do not change with the whims of culture. He will honor and help those who are trying to follow His commandments. In fact, the apostle Paul said, “He will not let you be tempted beyond what you can bear” (1Corinthians 10:13). Hold that promise and continue to use your head. You’ll be glad you did.
”
”
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
“
How can we distinguish what is biologically determined from what people merely try to justify through biological myths? A good rule of thumb is ‘Biology enables, culture forbids.’ Biology is willing to tolerate a very wide spectrum of possibilities. It’s culture that obliges people to realise some possibilities while forbidding others. Biology enables women to have children – some cultures oblige women to realise this possibility. Biology enables men to enjoy sex with one another – some cultures forbid them to realise this possibility. Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition. No culture has ever bothered to forbid men to photosynthesise, women to run faster than the speed of light, or negatively charged electrons to be attracted to each other. In truth, our concepts ‘natural’ and ‘unnatural’ are taken not from biology, but from Christian theology. The theological meaning of ‘natural’ is ‘in accordance with the intentions of the God who created nature’. Christian theologians argued that God created the human body, intending each limb and organ to serve a particular purpose. If we use our limbs and organs for the purpose envisioned by God, then it is a natural activity. To use them differently than God intends is unnatural. But evolution has no purpose. Organs have not evolved with a purpose, and the way they are used is in constant flux. There is not a single organ in the human body that only does the job its prototype did when it first appeared hundreds of millions of years ago. Organs evolve to perform a particular function, but once they exist, they can be adapted for other usages as well. Mouths, for example, appeared because the earliest multicellular organisms needed a way to take nutrients into their bodies. We still use our mouths for that purpose, but we also use them to kiss, speak and, if we are Rambo, to pull the pins out of hand grenades. Are any of these uses unnatural simply because our worm-like ancestors 600 million years ago didn’t do those things with their mouths?
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.”
Peter smiled. “He’s not going to stop liking you over one little argument. I don’t think he’s the type to just fall for someone and then hate them the next day. We don’t live in that kind of world anymore, anyway.”
“What do you mean?”
“Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from. You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby. But now, there’s no candy store. There’s a single jawbreaker that you found in the gutter. And there are no more jawbreaker factories. No more candy stores. No more refined sugar. That one jawbreaker you found could be the only one you’ll ever have again. You aren’t going to just eat it and say goodbye.”
His analogy wasn’t perfect but I saw where he was going with it. “So I’m like a jawbreaker. A dirty one you find in the gutter.”
“Yeah. And he likes that candy. It’s his favorite. So he doesn’t care that it has smelly feet.”
I scowled at him. “How do you know he likes jawbreakers so much?”
“I just know. I can tell a good match when I see one. He needs someone spunky and tough, someone different than other girls. That’s you.”
I smiled, liking how Peter had described me. “But what if he just decides to eat it real quick and then move on? I mean, there are other jawbreakers out there. They’re just more rare.”
“That’s not how he is. He’s methodical. A thinking person. He’s not rash. And he knows his odds of finding a jawbreaker of this flavor? Are pretty slim.”
“I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.”
“That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker. He wants to keep the candy happy. Keep it sweet.”
I rolled my eyes. “Ugh. Your analogy is making me want to eye gouge you right now.
”
”
Elle Casey (Kahayatle (Apocalypsis, #1))
“
Get up with the alarm, shower, get dressed, and have breakfast. Without much effort, you’ve already put yourself in a good position for the rest of the day. If you have to struggle to get out of bed and decide every single day about showering and breakfast and what to wear, you’ve put yourself in a depleted state before the day has really started. The person who’s taking care of herself without thinking about it, getting to work on time without procrastinating, has much more will power left in reserve when important decisions come up. This is why people with high self-control consistently report less stress in their lives; they use their will power to take care of business semiautomatically, so they have fewer crises and calamities. When there is a real crisis, they have plenty of discipline left in reserve.
”
”
Richard O'Connor (Rewire: Change Your Brain to Break Bad Habits, Overcome Addictions, Conquer Self-Destructive Behavior)
“
The majority of things in life are about picking your battles. You'll learn that too. And that will never be clearer than when you're at IKEA. You'd have to visit a Danish vacation village after two weeks of pouring rain and no beer to come across as many couples arguing as you'll hear in the IKEA section for changeable sofa covers on any given Tuesday. People take this whole interior design thing really seriously these days. It's become a national pastime to over interpret the symbolism of the fact that "he wants frosted glass, that just proves he never listens to my FEELINGS." "Ahhhhh! She wants beech veneer. Do you hear me? Beech veneer! Sometimes, it feels like I've woken up next to a stranger!" That's how it is, every single time you go there. And I'm not going to lecture you, but if there's just one thing I can get across then let it be this: no one has ever, in the history of the world, had an argument in IKEA that really is about IKEA. People can say whatever they life, but when a couple who has been married for ten years walks around the bookshelves section calling one another words normally only used by alcoholic crime fiction detectives, they might be arguing about a number of things, but trust me: cupboard doors is not one of them. Believe me. You're a Backman. Regardless of how many shortcomings the person you fall in love with might have, I can guarantee that you still come out on top of that bargain. So find someone who doesn't love you for the person you are, but despite the person you are. And when you're standing there, in the storage section at IKEA, don't focus too much on the furniture. Focus on the fact that you've actually found someone who can see themselves storing their crap in the same place as your crap. Because, hand on heart: you have a lot of crap.
”
”
Fredrik Backman (Saker min son behöver veta om världen)
“
A Checklist is an Externalized, predefined Standard Operating Procedure for completing a specific task. Creating a Checklist is enormously valuable for two reasons. First, Checklisting will help you define a System for a process that hasn’t yet been formalized—once the Checklist has been created, it’s easier to see how to improve or Automate the system. Second, using Checklists as a normal part of working can help ensure that you don’t forget to handle important steps that are easily overlooked when things get busy.
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”
Josh Kaufman (The Personal MBA: A World-Class Business Education in a Single Volume)
“
This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it´s not working)
but birds singing a full tone higher in the sunshine.
I´m going to call them Honest Eyes until I know if they are,
in the interval called slam clicker, Realm of Pacific,
because the second language wouldn´t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,
anti-showmanship, anti-showmanship, anti-showmanship.
I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what´s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.
Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.
Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,
and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men´s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,
anti-showmanship, anti-showmanship, anti-showmanship.
”
”
David Berman
“
when another German scientist, Werner Heisenberg, formulated his famous uncertainty principle. In order to predict the future position and velocity of a particle, one has to be able to measure its present position and velocity accurately. The obvious way to do this is to shine light on the particle. Some of the waves of light will be scattered by the particle and this will indicate its position. However, one will not be able to determine the position of the particle more accurately than the distance between the wave crests of light, so one needs to use light of a short wavelength in order to measure the position of the particle precisely. Now, by Planck’s quantum hypothesis, one cannot use an arbitrarily small amount of light; one has to use at least one quantum. This quantum will disturb the particle and change its velocity in a way that cannot be predicted. Moreover, the more accurately one measures the position, the shorter the wavelength of the light that one needs and hence the higher the energy of a single quantum. So the velocity of the particle will be disturbed by a larger amount. In other words, the more accurately you try to measure the position of the particle, the less accurately you can measure its speed, and vice versa.
”
”
Stephen W. Hawking (A Brief History of Time)
“
Sherlock Holmes closed his eyes and placed his elbows upon the arms of his chair, with his finger-tips together. “The ideal reasoner,” he remarked, “would, when he had once been shown a single fact in all its bearings, deduce from it not only all the chain of events which led up to it but also all the results which would follow from it. As Cuvier could correctly describe a whole animal by the contemplation of a single bone, so the observer who has thoroughly understood one link in a series of incidents should be able to accurately state all the other ones, both before and after. We have not yet grasped the results which the reason alone can attain to. Problems may be solved in the study which have baffled all those who have sought a solution by the aid of their senses. To carry the art, however, to its highest pitch, it is necessary that the reasoner should be able to utilise all the facts which have come to his knowledge; and this in itself implies, as you will readily see, a possession of all knowledge, which, even in these days of free education and encyclopaedias, is a somewhat rare accomplishment. It is not so impossible, however, that a man should possess all knowledge which is likely to be useful to him in his work, and this I have endeavoured in my case to do.
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”
Arthur Conan Doyle (The Adventures of Sherlock Holmes (Sherlock Holmes, #3))
“
Shakespeare was not even able to perform a function that we consider today as perfectly normal and ordinary a function as reading itself. He could not, as the saying goes, “look something up.” Indeed the very phrase—when it is used in the sense of “searching for something in a dictionary or encyclopedia or other book of reference”—simply did not exist. It does not appear in the English language, in fact, until as late as 1692, when an Oxford historian named Anthony Wood used it. Since there was no such phrase until the late seventeenth century, it follows that there was essentially no such concept either, certainly not at the time when Shakespeare was writing—a time when writers were writing furiously, and thinkers thinking as they rarely had before. Despite all the intellectual activity of the time there was in print no guide to the tongue, no linguistic vade mecum, no single book that Shakespeare or Martin Frobisher, Francis Drake, Walter Raleigh, Francis Bacon, Edmund Spenser, Christopher Marlowe, Thomas Nash, John Donne, Ben Jonson, Izaak Walton, or any of their other learned contemporaries could consult.
”
”
Simon Winchester (The Professor and the Madman)
“
When you have a “gut instinct” about someone, it is after interacting with them. When you know whether or not a job is right for you, it is only after having done it for a while. The problem is that we are trying to use our instincts as fortune-telling mechanisms, our brain’s creative way of trying to manipulate our body to help us avoid pain and increase pleasure in the future. But that’s not what happens. We end up stuck because we are literally trusting every single thing that we feel instead of discerning what’s an actual reaction and what’s a projection.
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”
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
“
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call
the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END."
footnote ("Good Old Neon")
”
”
David Foster Wallace (Oblivion)
“
secularism is not neutral, though it often claims to be. In relation to the biblical God, secularists may be skeptics. But in relation to their own god substitutes, they are true believers. To adapt an observation from C. S. Lewis, their skepticism is only on the surface. It is for use on other people’s beliefs. “They are not nearly skeptical enough” about their own beliefs.83 And when they enforce secular views in the realm of law, education, sexuality, and health care, they are imposing their own beliefs on everyone else across an entire society. The consequence of those secular views is inevitably dehumanizing. The reason is that secularism in all its forms is reductionistic. A worldview that does not start with God must start with something less than God—something within creation—which then becomes the category to explain all of reality. Think back to Walker Percy’s metaphor of a box. Empiricism puts everything in the box of the senses. Rationalism puts everything into the box of human reason. Anything that does not fit into the box is denied, denigrated, or declared to be unreal. The diverse and multi-faceted world God created is reduced to a single category.
”
”
Nancy R. Pearcey (Saving Leonardo: A Call to Resist the Secular Assault on Mind, Morals, and Meaning)
“
Understanding your own culture and the ways it interacts with others, particularly the power dynamics of it, is far more appreciated. My reading of Germane Greer when I was a young lad was a lot more conducive to forming relationships with European females than my reading of Dante was--and that was more about my understanding of my male privilege and controlling its excess than being an export on women's literature or issues. This kind of cultural humility is a useful exercise in understanding your role as an agent of sustainability in a complex system. It is difficult to relinquish the illusions of power and delusions of exceptionalism that come with privilege. But it is strangely liberating to realise your true status as a node in a single network. There is honour to be found in this role, and a certain dignified agency. You won't be swallowed up by a hive mind or individuality--you will retain your autonomy while simultaneously being profoundly interdependent and connected.
”
”
Tyson Yunkaporta (Sand Talk: How Indigenous Thinking Can Save the World)
“
The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book.
The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them.
The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.
”
”
Jaron Lanier (You Are Not a Gadget)
“
When I was finding my way as a young psychotherapy student, the most useful book I read was Karen Horney’s Neurosis and Human Growth. And the single most useful concept in that book was the notion that the human being has an inbuilt propensity toward self-realization. If obstacles are removed, Horney believed, the individual will develop into a mature, fully realized adult, just as an acorn will develop into an oak tree. “Just as an acorn develops into an oak …” What a wonderfully liberating and clarifying image! It forever changed my approach to psychotherapy by offering me a new vision of my work: My task was to remove obstacles blocking my patient’s path. I did not have to do the entire job; I did not have to inspirit the patient with the desire to grow, with curiosity, will, zest for life, caring, loyalty, or any of the myriad of characteristics that make us fully human. No, what I had to do was to identify and remove obstacles. The rest would follow automatically, fueled by the self-actualizing forces within the patient.
”
”
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
“
In 2010, the psychiatrist Thomas Insel, then director of NIMH, called for the research community to redefine schizophrenia as “a collection of neurodevelopmental disorders,” not one single disease. The end of schizophrenia as a monolithic diagnosis could mean the beginning of the end of the stigma surrounding the condition. What if schizophrenia wasn’t a disease at all, but a symptom? “The metaphor I use is that years ago, clinicians used to look at ‘fever’ as one disease,” said John McGrath, an epidemiologist with Australia’s Queensland Centre for Mental Health Research and one of the world’s authorities on quantifying populations of mentally ill people. “Then they split it into different types of fevers. And then they realized it’s just a nonspecific reaction to various illnesses. Psychosis is just what the brain does when it’s not working very well.
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Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
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As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
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Anne Frank (The Diary of a Young Girl)
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Such are the problems with nontriune gods and creation. Single-person gods, having spent eternity alone, are inevitably self-centered beings, and so it becomes hard to see why they would ever cause anything else to exist. Wouldn’t the existence of a universe be an irritating distraction for the god whose greatest pleasure is looking in a mirror? Creating just looks like a deeply unnatural thing for such a god to do. And if such gods do create, they always seem to do so out of an essential neediness or desire to use what they create merely for their own self-gratification. God’s Ecstasy Everything changes when it comes to the Father, Son and Spirit. Here is a God who is not essentially lonely, but who has been loving for all eternity as the Father has loved the Son in the Spirit. Loving others is not a strange or novel thing for this God at all; it is at the root of who he is.
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Michael Reeves (Delighting in the Trinity: An Introduction to the Christian Faith)
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Ownership shatters ecology. For the land to survive, for us to survive, it must cease to be property. It cannot continue to sustain us for much longer under the weight of such merciless use. We know this. We know the insatiable hunger for profit that drives that use and the dismpowerment that accommodates us. We don't yet know how to make it stop.
But where ecology meets culture there is another question. How do we hold in common not only the land, but all the fragile, tenacious rootedness of human beings to the ground of our histories, teh cultural residues of our daily work, the invidual and tribal longings for place? How do we abolish ownership of land and respect people's ties to it? How do we shift the weight of our times from the single-minded nationalist drive for a piece of territory and the increasingly barricaded self-interest of even the marginally privileged towards a rich and multilayered sense of collective heritage? I don't have the answer. But I know that only when we can hold each people's particular memories and connections with land as a common treasure can the knowledge of our place on it be restored.
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Aurora Levins Morales
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I’m often asked about my generation, which some people call the Greatest Generation but which I also call the Hardy Generation. What made us hardy? The Depression years. We were not spoiled with money, that’s for sure. When we had disputes we didn’t use attorneys; we settled them on the street, even got broken bones and noses from fighting. In all ways we helped one another. We shared, we had neighborhood picnics, we made our own toys. (There were no toy stores; I built racing cars.) I also rode one of the first skateboards, with a box on the front. We had a single soccer ball for four or five blocks’ worth of kids; you were lucky if you got to kick it once. We had free time to burn. Distractions? Radio, yes, but no TV. Movies were only once a week. We were happier than people are today, despite the hard times. We overcame adversity and each time we did we enhanced our hardiness. We also knew how to win and lose gracefully.
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Louis Zamperini (Devil at My Heels)
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The world – whatever we might think when terrified by its vastness and our own impotence, or embittered by its indifference to individual suffering, of people, animals, and perhaps even plants, for why are we so sure that plants feel no pain; whatever we might think of its expanses pierced by the rays of stars surrounded by planets we've just begun to discover, planets already dead? still dead? we just don’t know; whatever we might think of this measureless theater to which we've got reserved tickets, but tickets whose lifespan is laughably short, bounded as it is by two arbitrary dates; whatever else we might think of this world – it is astonishing.
But ‘astonishing’ is an epithet concealing a logical trap. We’re astonished, after all, by things that deviate from some well-known and universally acknowledged norm, from an obviousness we've grown accustomed to. Now the point is, there is no such obvious world. Our astonishment exists per se and isn't based on comparison with something else.
Granted, in daily speech, where we don’t stop to consider every word, we all use phrases like ‘the ordinary world,’ ‘ordinary life,’ ‘the ordinary course of events’ … But in the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.
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Wisława Szymborska
“
The Battle of Good and Evil Polytheism gave birth not merely to monotheist religions, but also to dualistic ones. Dualistic religions espouse the existence of two opposing powers: good and evil. Unlike monotheism, dualism believes that evil is an independent power, neither created by the good God, nor subordinate to it. Dualism explains that the entire universe is a battleground between these two forces, and that everything that happens in the world is part of the struggle. Dualism is a very attractive world view because it has a short and simple answer to the famous Problem of Evil, one of the fundamental concerns of human thought. ‘Why is there evil in the world? Why is there suffering? Why do bad things happen to good people?’ Monotheists have to practise intellectual gymnastics to explain how an all-knowing, all-powerful and perfectly good God allows so much suffering in the world. One well-known explanation is that this is God’s way of allowing for human free will. Were there no evil, humans could not choose between good and evil, and hence there would be no free will. This, however, is a non-intuitive answer that immediately raises a host of new questions. Freedom of will allows humans to choose evil. Many indeed choose evil and, according to the standard monotheist account, this choice must bring divine punishment in its wake. If God knew in advance that a particular person would use her free will to choose evil, and that as a result she would be punished for this by eternal tortures in hell, why did God create her? Theologians have written countless books to answer such questions. Some find the answers convincing. Some don’t. What’s undeniable is that monotheists have a hard time dealing with the Problem of Evil. For dualists, it’s easy to explain evil. Bad things happen even to good people because the world is not governed single-handedly by a good God. There is an independent evil power loose in the world. The evil power does bad things. Dualism has its own drawbacks. While solving the Problem of Evil, it is unnerved by the Problem of Order. If the world was created by a single God, it’s clear why it is such an orderly place, where everything obeys the same laws. But if Good and Evil battle for control of the world, who enforces the laws governing this cosmic war? Two rival states can fight one another because both obey the same laws of physics. A missile launched from Pakistan can hit targets in India because gravity works the same way in both countries. When Good and Evil fight, what common laws do they obey, and who decreed these laws? So, monotheism explains order, but is mystified by evil. Dualism explains evil, but is puzzled by order. There is one logical way of solving the riddle: to argue that there is a single omnipotent God who created the entire universe – and He’s evil. But nobody in history has had the stomach for such a belief. Dualistic
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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Admittedly, I made several stupid mistakes which I wish could be amended: for instance, when I composed the story of Odysseus’s escape from Polyphemus the Cyclops, I put a rudder at the prow of his ship as well as at the stern. This was because, misled by the equestrian metaphor “turning her head about,” frequently used by our sailors, I presumed a prow-rudder, which I had never noticed. And I have since discovered that one cannot cut seasoned timber from a growing tree as Odysseus does in Ogygia, and that hawks do not eat their prey on the wing, even in prodigies, and that it takes more than two or three men to hang a dozen women simultaneously from the same rope. Alas, a verse once sent on its travels can never be overtaken or recalled; nor can I fairly blame Phemius for not pointing out these mistakes to me. They all occur in passages which he criticized on other grounds, and I had threatened him with a diet of bread and water if he changed a single word of them.
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Robert Graves (Homer's Daughter)
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Let's take another look at that awful word 'desperate.' As Stephanie Coontz points out, the fact that we throw this label on women who have refrained from marrying is absurd. 'It's understandable that many women are anxious about the prospect of finding a good husband,' Coontz wrote in Marriage, a History. 'But few modern women are actually desperate to marry. Historically, desperate is agreeing to marry a much older man whom you find physically repulsive. Desperate is closing your eyes to prostitutes and mistresses and praying you don't get a venereal disease. Desperate is having child after child because your husband won't let you use birth control or covering the bruises you got last night when you hurry to the market to shop for the evening meal. Women today may be anxious about finding a mate, but most could not even imagine being that desperate.'
You didn't rush back to that mediocre relationship. You didn't grit your teeth and enter some passionless union with a perfectly nice guy who doesn't get you. There are people who are afraid to be alone, who head for the nearest warm body after each breakup, or who stay in miserable relationships because the alternative is so terrifying. But that's not you, is it?
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Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
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Do you know what always runs out first in my supermarket whenever there’s a crisis? Toilet paper! Do you know why? Because it gives us a feeling of being in control of the chaos. When the world doesn’t feel safe, people go and do a big shop, because it makes them feel like they’re DOING something. But they don’t know what they should buy. Milk? You can’t buy a hundred gallons of milk, it’ll just go bad. Cans? Pasta? People rush around like headless chickens buying thousands of different things, but do you know what every single one of them buys? Toilet paper! Because that’s the sort of thing you buy every time you go shopping, and the whole family uses it every day. Can we live without it? Of course we can! But it has been imprinted on us as an everyday item, as normality, so when we get scared we drag great bundles of the stuff home with us, not because we need it but because it feels like we’re taking control of the situation. Do you get what I mean? People need normality in a crisis.
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Fredrik Backman (The Winners (Beartown, #3))
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When I first went to Rwanda, I was reading a book called Civil War, which had been receiving great critical acclaim. Writing from an immediate post-Cold War perspective, the author, Hans Magnus Enzensberger, a German, observed, “The most obvious sign of the end of the bipolar world order are the thirty or forty civil wars being waged openly around the globe,” and he set out to inquire what they were all about. This seemed promising until I realized that Enzensberger wasn’t interested in the details of those wars. He treated them all as a single phenomenon and, after a few pages, announced: “What gives today’s civil wars a new and terrifying slant is the fact that they are waged without stakes on either side, that they are wars about nothing at all.” In the old days, according to Enzensberger—in Spain in the 1930s or the United States in the 1860s—people used to kill and die for ideas, but now “violence has separated itself from ideology,” and people who wage civil wars just kill and die in an anarchic scramble for power. In these wars, he asserted, there is no notion of the future; nihilism rules; “all political thought, from Aristotle and Machiavelli to Marx and Weber, is turned upside down,” and “all that remains is the Hobbesian ur-myth of the war of everyone against everyone else.” That such a view of distant civil wars offers a convenient reason to ignore them may explain its enormous popularity in our times. It would be nice, we may say, if the natives out there settled down, but if they’re just fighting for the hell of it, it’s not my problem. But it is our problem. By denying the particularity of the peoples who are making history, and the possibility that they might have politics, Enzensberger mistakes his failure to recognize what is at stake in events for the nature of those events. So he sees chaos—what is given off, not what’s giving it off—and his analysis begs the question: when, in fact, there are ideological differences between two warring parties, how are we to judge them? In the case of Rwanda, to embrace the idea that the civil war was a free-for-all—in which everyone is at once equally legitimate and equally illegitimate—is to ally oneself with Hutu Power’s ideology of genocide as self-defense.
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Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed With Our Families)
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When weight loss is conflated with veganism, it falls into dangerous area of body shaming and misogyny. Mainstream media loves to make women feel inferior when it comes to their bodies and unfortunately veganism has recently become another weapon and this sexist war on our society. Thin white women are used to sell veganism as a quick fix to a more desirable body at the expense of anyone who doesn't fit the cookie cutter idea of female perfection. In addition, these images and messages work to oppress women of colour and people living with disabilities. Selling veganism as anything other than caring for animals often leads to oppression, plain and simple. We need to resist this approach to promoting veganism by drawing the fight back to animals. Every single time.
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Sean O'Callaghan (Fat, Gay Vegan - Eat, Drink and Live Like You Give a Sh!t)
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Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
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Robert Jordan
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When every link to the outside world is severed, time has no meaning. It ceases to exist other than as a dull memory, a vague recollection of what a minute used to be, an hour, a day. Sealed up tight so far beneath the ground, every single second was stretched out almost to infinity—each one a vast and empty abyss where time used to reign, an ageless aeon barren of significance and consequence.
When every scrap of light and sound has been taken away, reality has no meaning. It too ceases to exist, for what is reality other than the cumulation of senses—images witnessed by our own eyes and the noises that enter through our ears? But when all those senses are starved, then the real world fades away like the last frantic gasp of a television program when the set is switched off.
And when reality goes, sanity has no reason. How can your ability to behave in a normal and rational way still exist when nothing normal or rational remains? As soon as reality breaks, as soon as we are separated from the physical world, the cracks begin to appear in our minds. And through them seeps the madness that has always been there, flowing into your skull like a liquid nightmare.
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Alexander Gordon Smith (Solitary (Escape from Furnace, #2))
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See that stream over there?" I stretch an arm to point out the small branch coming off the lake. "It's fed off the mountain thaw. So is this lake. There's kind of a funny story to it. the stream runs all the way down into our neighbors property. Our neighbor, Mr Fitzgerald-he's gone now- didn't like it so close to their barn. For years, he'd try to stop it. My granddad would hep him. they'd dump gravel and dirt. One year, they built a dam. But every single spring, the water would find it's way onto the Fitzgerald property." I chuckle, remembering the two old men standing over the stream, scratching their beards in wonder. "finally they just gave up and let it be. Realized there was no stopping it. The water was going to go where it was meant to go." I feel a smile touch my lips. "My granddad used to tell us that story every spring, when we came out here after the thaw. Of course, it wasn't just a story to him. He turned it into a life lesson about telling the truth. I had a problem with lying when I was little," I admit, sheepishly. "He said the truth is like water: it doesn't matter how hard you try to bury it; it'll always find someway back to the surface. It's resilient.
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K.A. Tucker (Burying Water (Burying Water, #1))
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It’s an heirloom, isn’t it?”
... “I got it from my father.”
The tutor ran his hand along the sheathed blade. “This is a remarkable weapon—a knight’s sword—tarnished with time and travel. You don’t use it as often as the others. The bastard and short sword are tools to you, but this—ah—this is something else—something revered. It lays concealed in a paltry sheath, covered in clothes not its own. It doesn’t belong there. This sword belongs to another time and place. It is part of a grand and glorious world where knights were different, loftier—virtuous. It rests in this false scabbard because the proper one has been lost, or perhaps, it waits for a quest yet to be finished. It longs for that single moment when it can shine forth in all its brilliance. When dream and destiny meet on a clear field, then and only then will it find its purpose. When it faces that honorable cause—that one worthy and desperate challenge for which it was forged and on which so much depends—it will find peace in the crucible of struggle. For good or ill, it will ring true or break. But the wandering, the waiting, the hiding will at last be over. This sword waits for the day when it can save the kingdom and win the lady.
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Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
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When an artist is asked to speak about form, you expect something different than when a critic talks about it. Because you think that somewhere between sentences and words, the secret will slip out. I am trying to give you that secret; it isn't a secret at all, but it is building solidly, not using secrets. I had been trying to extend into metaphysical extension; that film is changing, metamorphic; that is, infinite; the idea that the movement of life is totally important rather than a single life. My films were built on an incline, an increase in intensity. I hoped to make a form which was infinite, the changingness of things. I thought I would want to find a total form which conveyed that sense, particularly in reference to an Oriental subject. My impression was: one is walking down a corridor of a hotel. One hears a sound, opens a door and a man is playing; one listens for three minutes and closes the door. The music went on before you opened the door and it continues after you close the door. There was neither beginning nor end. Western music increases in intensity to a climax and then resolves itself. Oriental music is infinite; it goes on and on. The Chinese theater goes on for hours and hours with time for lunch moving scenery, etc.
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Maya Deren
“
Dear lady,' says a faerie, coming toward us from a shop that sells jewels. He has the eyes of a snake and forked tongue that darts out when he speaks. 'This hairpin looks as though it were made for you.'
It's beautiful, woven gold and silver in the shape of a bird, a single green bead in its mouth. Had it been in a display, my eyes would have passed over it as one of a dozen unobtainable things. But as he holds it out, I can't help imaging it as as mine.
'I have no money and little to trade,' I tell him regretfully, shaking my head.
The shopkeeper's gaze goes to Oak. I think he believes the prince is my lover.
Oak plays the part, reaching out his hand for the pin. 'How much is it? And will you take silver, or must it be the last wish of my heart?'
'Silver is excellent.' The shopkeeper smiles as Oak fishes through his bag for some coins.
Part of me wants to demur, but I let him buy it, and then I let him use it to pin back my hair. His fingers on my neck are warm. It's only when he lets go that I shiver.
He gives me a steady look. 'I hope you're not about to tell me that you hate it and you were just being polite.'
'I don't hate it,' I say softly. 'And I am not polite.'
He laughs at that. A delightful quality.
I admire the hairpin in every reflective surface we pass.
”
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Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
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He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
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Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Socrates tried to soothe us, true enough. He said there were only two possibilities. Either the soul is immortal or, after death, things would be again as blank as they were before we were born. This is not absolutely comforting either. Anyway it was natural that theology and philosophy should take the deepest interest in this. They owe it to us not to be boring themselves. On this obligation they don’t always make good. However, Kierkegaard was not a bore. I planned to examine his contribution in my master essay. In his view the primacy of the ethical over the esthetic mode was necessary to restore the balance. But enough of that. In myself I could observe the following sources of tedium: 1) The lack of a personal connection with the external world. Earlier I noted that when I was riding through France in a train last spring I looked out of the window and thought that the veil of Maya was wearing thin. And why was this? I wasn’t seeing what was there but only what everyone sees under a common directive. By this is implied that our worldview has used up nature. The rule of this view is that I, a subject, see the phenomena, the world of objects. They, however, are not necessarily in themselves objects as modern rationality defines objects. For in spirit, says Steiner, a man can step out of himself and let things speak to him about themselves, to speak about what has meaning not for him alone but also for them. Thus the sun the moon the stars will speak to nonastronomers in spite of their ignorance of science. In fact it’s high time that this happened. Ignorance of science should not keep one imprisoned in the lowest and weariest sector of being, prohibited from entering into independent relations with the creation as a whole. The educated speak of the disenchanted (a boring) world. But it is not the world, it is my own head that is disenchanted. The world cannot be disenchanted. 2) For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and its power to remain unaffected by anything whatsoever — by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn. It is asked to give a damn, and we often urge it to give a damn but the curse of noncaring lies upon this painfully free consciousness. It is free from attachment to beliefs and to other souls. Cosmologies, ethical systems? It can run through them by the dozens. For to be fully conscious of oneself as an individual is also to be separated from all else. This is Hamlet’s kingdom of infinite space in a nutshell, of “words, words, words,” of “Denmark’s a prison.
”
”
Saul Bellow (Humboldt's Gift)
“
There isn’t a word for walking out of the grocery store
with a gallon jug of milk in a plastic sack
that should have been bagged in double layers
—so that before you are even out the door
you feel the weight of the jug dragging
the bag down, stretching the thin
plastic handles longer and longer
and you know it’s only a matter of time until
bottom suddenly splits.
There is no single, unimpeachable word
for that vague sensation of something
moving away from you
as it exceeds its elastic capacity
—which is too bad, because that is the word
I would like to use to describe standing on the street
chatting with an old friend
as the awareness grows in me that he is
no longer a friend, but only an acquaintance,
a person with whom I never made the effort—
until this moment, when as we say goodbye
I think we share a feeling of relief,
a recognition that we have reached
the end of a pretense,
though to tell the truth
what I already am thinking about
is my gratitude for language—
how it will stretch just so much and no farther;
how there are some holes it will not cover up;
how it will move, if not inside, then
around the circumference of almost anything—
how, over the years, it has given me
back all the hours and days, all the
plodding love and faith, all the
misunderstandings and secrets
I have willingly poured into it.
”
”
Tony Hoagland
“
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/needs/schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/train operators/tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
Zoe returned her attention to the map of southern Argentina on the computer. “What on earth could possibly be worth using that much nuclear power on? There’s nothing around there but mountains and sea.” “There’s guanacos,” Murray said helpfully. “What the heck’s a guanaco?” Zoe asked. “It’s a relative of the camel,” Murray explained. “It kind of looks like an anorexic llama. From what I understand, the pampas down there are full of them.” “And you think SPYDER wants to nuke them all?” Zoe said. “What good is a whole bunch of vaporized guanacos?” “Suppose they only nuked one,” Murray said ominously. “What if they focused all that nuclear energy on it? If a single irradiated iguana could turn into Godzilla, just imagine what a giant guanaco would look like. It’d be terrifying!” Zoe gave him a withering look. “The only terrifying thing about this plan is that you actually think it’s possible. Godzilla never existed!” “But maybe he could,” Murray countered. “Or worse . . . Guanacazilla!” He gave a roar that was probably supposed to be half llama, half monster, but it sounded more like an angry hamster. We all considered him for a moment. “Moving on,” Erica said. “Does anyone have a suggestion that isn’t completely idiotic?” “Ha ha,” Murray said petulantly. “You mock me now, but we’ll see who’s laughing when there’s a thirty-story guanaco running rampant through Buenos Aires.
”
”
Stuart Gibbs (Spy School Goes South)
“
[The Chinese here is tricky and a certain key word in the context it is used defies the best efforts of the translator. Tu Mu defines this word as “the measurement or estimation of distance.” But this meaning does not quite fit the illustrative simile in ss. 15. Applying this definition to the falcon, it seems to me to denote that instinct of SELF RESTRAINT which keeps the bird from swooping on its quarry until the right moment, together with the power of judging when the right moment has arrived. The analogous quality in soldiers is the highly important one of being able to reserve their fire until the very instant at which it will be most effective. When the “Victory” went into action at Trafalgar at hardly more than drifting pace, she was for several minutes exposed to a storm of shot and shell before replying with a single gun. Nelson coolly waited until he was within close range, when the broadside he brought to bear worked fearful havoc on the enemy’s nearest ships.] 14. Therefore the good fighter will be terrible in his onset, and prompt in his decision. [The word “decision” would have reference to the measurement of distance mentioned above, letting the enemy get near before striking. But I cannot help thinking that Sun Tzu meant to use the word in a figurative sense comparable to our own idiom “short and sharp.” Cf. Wang Hsi’s note, which after describing the falcon’s mode of attack, proceeds: “This is just how the ‘psychological moment’ should be seized in war.”]
”
”
Sun Tzu (The Art of War)
“
It seems very straightforward when I say “I.” At the time, “I” meant Justice of Toren, the whole ship and all its ancillaries. A unit might be very focused on what it was doing at that particular moment, but it was no more apart from “me” than my hand is while it’s engaged in a task that doesn’t require my full attention. Nearly twenty years later “I” would be a single body, a single brain. That division, I–Justice of Toren and I–One Esk, was not, I have come to think, a sudden split, not an instant before which “I” was one and after which “I” was “we.” It was something that had always been possible, always potential. Guarded against. But how did it go from potential to real, incontrovertible, irrevocable? On one level the answer is simple—it happened when all of Justice of Toren but me was destroyed. But when I look closer I seem to see cracks everywhere. Did the singing contribute, the thing that made One Esk different from all other units on the ship, indeed in the fleets? Perhaps. Or is anyone’s identity a matter of fragments held together by convenient or useful narrative, that in ordinary circumstances never reveals itself as a fiction? Or is it really a fiction? I don’t know the answer. But I do know that, though I can see hints of the potential split going back a thousand years or more, that’s only hindsight. The first I noticed even the bare possibility that I–Justice of Toren might not also be I–One Esk, was that moment that Justice of Toren edited One Esk’s memory of the slaughter in the temple of Ikkt. The moment I—“I”—was surprised by it.
”
”
Ann Leckie (Ancillary Justice (Imperial Radch, #1))
“
In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and on our children. In reality, the feminist movement could be said to be trying to visualize and make way for a world in which abortion would not be necessary; a world free from poverty and rape, in which young girls would grow up with intelligent regard for and knowledge of their bodies and respect for their minds, in which the socialization of women into heterosexual romance and marriage would no longer be the primary lesson of culture; in which single women could raise children with a less crushing cost to themselves, in which female creativity might or might not choose to express itself in motherhood. Yet, when radical feminists and lesbian/feminists begin to speak of such a world, when we begin to sketch the conditions of a life we have collectively envisioned, the first charge we are likely to hear is a charge of violence: that we are “man-haters.” We hear that the women’s movement is provoking men to rape; that it has caused an increase in violent crimes by women; and when we demand the right to rear our children in circumstances where they have a chance for more than mere physical survival, we are called fetus-killers. The beating of women in homes across this country, the rape of daughters by fathers and brothers, the fear of rape that keeps old—as well as young—women off the streets, the casual male violence that can use a car to run two jogging women off a country road, the sadistic exploitation of women’s bodies to furnish a multibillion-dollar empire of pornography, the decision taken by powerful white males that one-quarter of the world’s women shall be sterilized or that certain selected women—poor and Third World—shall be used as subjects for psychosurgery and contraceptive experiments—these ordinary, everyday events inevitably must lead us to ask: who indeed hates whom, who is killing whom, whose interest is served, and whose fantasies expressed, by representing abortion as the selfish, willful, morally contagious expression of woman’s predilection for violence?
”
”
Adrienne Rich (On Lies, Secrets, and Silence: Selected Prose 1966-1978)
“
Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles.
At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness.
At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.
”
”
H.P. Lovecraft
“
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
”
”
Imperial War Museum
“
People in grief think a great deal about self-pity. We worry it, dread it, scourge our thinking for signs of it. We fear that our actions will reveal the condition tellingly described as 'dwelling on it.' We understand the aversion most of us have to ‘dwilling on it.’ Visible mourning reminds us of death, which is construed as unnatural, a failure to manage the situation. ‘A single person is missing for you, and the whole world is empty,’ Philippe Aries wrote to the point of this aversion in Western Attitudes toward Death. ‘But one no longer has the right to say so aloud.’ We remind ourselves repeatedly that our own loss is nothing compared to the loss experienced (or, the even worse thought, not experienced) by he or she who died; this attempt at corrective thinking serves only to plunge us deeper into the self-regarding deep. (Why didn’t I see that, why am I so selfish.) The very language we use when we think about self-pity betrays the deep abhorrence in which we hold it: self-pity is feeling sorry for yourself, self0pity is thumb-sucking, self0pity is boo hoo poor me, self-pity is the condition in which those feeling sorry for themselves indulge, or even wallow. Self-pity remains both the most common and the most universally reviled of our character defects, its pestilential destructiveness accepted as given…In fact the grieving have urgent reasons, even an urgent need, to feel sorry for themselves. Husbands walk out, wives walk out, divorces happen, but these husbands and wives leave behind them webs of intact associations, however acrimonious. Only the survivors of a death are truly left alone.
”
”
Joan Didion (The Year of Magical Thinking)
“
He closed his eyes. This bed was a wedding gift from friends he had not seen in years. He tried to remember their names, but they were gone. In it, or on it, his marriage had begun and, six years later, ended. He recognized a musical creak when he moved his legs, he smelled Julie on the sheets and banked-up pillows, her perfume and the close, soapy essence that characterized her newly washed linen. Here he had taken part in the longest, most revealing, and, later, most desolate conversations of his life. He had had the best sex ever here, and the worst wakeful nights. He had done more reading here than in any other single place - he remembered Anna Karenina and Daniel Deronda in one week of illness. He had never lost his temper so thoroughly anywhere else, nor had been so tender, protective, comforting, nor, since early childhood, been so cared for himself. Here his daughter had been conceived and born. On this side of the bed. Deep in the mattress were the traces of pee from her early-morning visits. She used to climb between then, sleep a little, then wake them with her chatter, her insistence on the day beginning. As they clung to their last fragments of dreams, she demanded the impossible: stories, poems, songs, invented catechisms, physical combat, tickling. Nearly all evidence of her existence, apart from photographs, they had destroyed or given away. All the worst and the best things that had ever happened to him had happened here. This was where he belonged. Beyond all immediate considerations, like the fact that his marriage was more or less finished, there was his right to lie here now in the marriage bed.
”
”
Ian McEwan (The Child in Time)
“
Organisms are Algorithms How can we be sure that animals such as pigs actually have a subjective world of needs, sensations and emotions? Aren’t we guilty of humanising animals, i.e. ascribing human qualities to non-human entities, like children believing that dolls feel love and anger? In fact, attributing emotions to pigs doesn’t humanise them. It ‘mammalises’ them. For emotions are not a uniquely human quality – they are common to all mammals (as well as to all birds and probably to some reptiles and even fish). All mammals evolved emotional abilities and needs, and from the fact that pigs are mammals we can safely deduce that they have emotions.16 In recent decades life scientists have demonstrated that emotions are not some mysterious spiritual phenomenon that is useful just for writing poetry and composing symphonies. Rather, emotions are biochemical algorithms that are vital for the survival and reproduction of all mammals. What does this mean? Well, let’s begin by explaining what an algorithm is. This is of great importance not only because this key concept will reappear in many of the following chapters, but also because the twenty-first century will be dominated by algorithms. ‘Algorithm’ is arguably the single most important concept in our world. If we want to understand our life and our future, we should make every effort to understand what an algorithm is, and how algorithms are connected with emotions. An algorithm is a methodical set of steps that can be used to make calculations, resolve problems and reach decisions. An algorithm isn’t a particular calculation, but the method followed when making the calculation.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
I hadn't told him the news yet, but in that same preternatural way he was always aware of what I was feeling or thinking, he could smell my lies a mile away. He was just giving me time to come to him.
To tell him I'd be baking his bun for the next seven and a half months.
''I'm okay."
Dex's chuckle filled my ears as he wrapped his arms around my chest from behind, his chin resting on the top of my head. "Just okay?"
He was taunting me, I knew it.
This man never did anything without a reason. And this reason had him resembling a mama bear. A really aggressive, possessive mama bear. Which said something because Dex was normally that way. I couldn't even sit around Mayhem without him or Sonny within ten feet.
I leaned my head back against his chest and laughed. "Yeah, just okay."
He made a humming noise deep in his throat. "Ritz," he drawled in that low voice that reached the darkest parts of my organs. "You're killin' me, honey."
Oh boy.
Did I want to officially break the news on the side of the road with chunks of puke possibly still on my face? Nah. So I went with the truth. "I have it all planned out in my head. I already ordered the cutest little toy motorcycle to tell you, so don't ruin it."
A loud laugh burst out of his chest, so strong it rocked my body alongside his. I friggin' loved this guy. Every single time he laughed, I swear it multiplied. At this rate, I loved him more than my own life cubed, and then cubed again.
"All right," he murmured between these low chuckles once he'd calmed down a bit. His fingers trailed over the skin of the back of my hand until he stopped at my ring finger and squeezed the slender bone. "I can be patient."
That earned him a laugh from me. Patience? Dex? Even after more than three years, that would still never be a term I'd use to describe him. And it probably never would. He'd started to lose his shit during our layover when Trip had called for instructions on how to set the alarm at the new bar.
"Dex, Ris, and Baby Locke, you done?" Sonny yelled, peeping out from over the top of the car door.
"Are you friggin' kidding me?" I yelled back. Did everyone know?
That slow, seductive smile crawled over his features. Brilliant and more affectionate than it was possible for me to handle, it sucked the breath out of me. When he palmed my cheeks and kissed each of my cheeks and nose and forehead, slowly like he was savoring the pecks and the contact, I ate it all up. Like always, and just like I always would.
And he answered the way I knew he would every single time I asked him from them on, the way that told me he would never let me down. That he was an immovable object. That he'd always be there for me to battle the demons we could see and the invisible ones we couldn't.
"Fuckin' love you, Iris," he breathed against my ear, an arm slinking around my lower back to press us together. "More than anything.
”
”
Mariana Zapata (Under Locke)
“
Reading while listening to the sounds of birds and the rush of water. This is the way of life that has come to be idealized.
Don't think of unpleasant things right before bed. A five minute "bed zazen" before going to sleep.
People who do their best to enjoy what is before them have the greatest chance to discover inner peace. Often, whatever it is they are enjoying - the thing before them - has the potential to turn into an opportunity.
Stop dismissing whatever it is that you are doing and start living.
Seek not what you lack. Be content with the here and now.
When you are uncertain, simplicity is the best way to go.
Conscientious living begins with early to bed, early to rise. This is the secret to a life of ease and contentment.
Don't be bound by a single perspective. There is more than just "the proper way".
Possibility springs from confidence.
When someone criticizes us, we immediately feel wounded. When something unpleasant happens, we cannot get it out of our head. What can we do to bounce back? One way to strengthen the mind is though cleaning. When we clean, we use both our head and our body.
Recognize the luxury of not having things.
Desire feeds upon itself and the mind becomes dominated by boundless greed. This is not happiness.
The three poisons are greed, anger and ignorance.
Be grateful for every day, even the most ordinary. The happiness to be found in the unremarkable.
Your mind has the power to decide whether or not you are happy.
There is not just one answer. The meaning behind Zen koans.
When there are things we want to do, we must do them as if our lives depend on it. Time spent out of character is empty time.
”
”
Shunmyō Masuno (Zen: The Art of Simple Living)
“
Over the past few decades, we have developed euphemisms to help us forget how we, as a nation, have segregated African American citizens. We have become embarrassed about saying ghetto, a word that accurately describes a neighborhood where government has not only concentrated a minority but established barriers to its exit. We don’t hesitate to acknowledge that Jews in Eastern Europe were forced to live in ghettos where opportunity was limited and leaving was difficult or impossible. Yet when we encounter similar neighborhoods in this country, we now delicately refer to them as the inner city, yet everyone knows what we mean. (When affluent whites gentrify the same geographic areas, we don’t characterize those whites as inner city families.) Before we became ashamed to admit that the country had circumscribed African Americans in ghettos, analysts of race relations, both African American and white, consistently and accurately used ghetto to describe low-income African American neighborhoods, created by public policy, with a shortage of opportunity, and with barriers to exit. No other term succinctly describes this combination of characteristics, so I use the term as well.† We’ve developed other euphemisms, too, so that polite company doesn’t have to confront our history of racial exclusion. When we consider problems that arise when African Americans are absent in significant numbers from schools that whites attend, we say we seek diversity, not racial integration. When we wish to pretend that the nation did not single out African Americans in a system of segregation specifically aimed at them, we diffuse them as just another people of color. I try to avoid such phrases.
”
”
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
“
Both men had talked of their intentions to commit suicide. Both used the typical argument —they had nothing more to expect from life. In both cases it was a question of getting them to realize that life was still expecting something from them; something in the future was expected of them. We found, in fact, that for the one it was his child whom he adored and who was waiting for him in a foreign country. For the other it was a thing, not a person. This man was a scientist and had written a series of books which still needed to be finished. His work could not be done by anyone else, any more than another person could ever take the place of the father in his child’s affections. This uniqueness and singleness which distinguishes each individual and gives a meaning to his existence has a bearing on creative work as much as it does on human love. When the impossibility of replacing a person is realized, it allows the responsibility which a man has for his existence and its continuance to appear in all its magnitude. A man who becomes conscious of the responsibility he bears toward a human being who affectionately waits for him, or to an unfinished work, will never be able to throw away his life. He knows the “why” for his existence, and will be able to bear almost any “how.” The
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
In the first case it emerges that the evidence that might refute a theory can often be unearthed only with the help of an incompatible alternative: the advice (which goes back to Newton and which is still popular today) to use alternatives only when refutations have already discredited the orthodox theory puts the cart before the horse. Also, some of the most important formal properties of a theory are found by contrast, and not by analysis. A scientist who wishes to maximize the empirical content of the views he holds and who wants to understand them as clearly as he possibly can must therefore introduce other views; that is, he must adopt a pluralistic methodology. He must compare ideas with other ideas rather than with 'experience' and he must try to improve rather than discard the views that have failed in the competition. Proceeding in this way he will retain the theories of man and cosmos that are found in Genesis, or in the Pimander, he will elaborate them and use them to measure the success of evolution and other 'modern' views. He may then discover that the theory of evolution is not as good as is generally assumed and that it must be supplemented, or entirely replaced, by an improved version of Genesis. Knowledge so conceived is not a series of self-consistent theories that converges towards an ideal view; it is not a gradual approach to truth. It is rather an ever increasing ocean of mutually incompatible alternatives, each single theory, each fairy-tale, each myth that is part of the collection forcing the others in greater articulation and all of them contributing, via this process of competition, to the development of our consciousness. Nothing is ever settled, no view can ever be omitted from a comprehensive account. Plutarch or Diogenes Laertius, and not Dirac or von Neumann, are the models for presenting a knowledge of this kind in which the history of a science becomes an inseparable part of the science itself - it is essential for its further development as well as for giving content to the theories it contains at any particular moment. Experts and laymen, professionals and dilettani, truth-freaks and liars - they all are invited to participate in the contest and to make their contribution to the enrichment of our culture. The task of the scientist, however, is no longer 'to search for the truth', or 'to praise god', or 'to synthesize observations', or 'to improve predictions'. These are but side effects of an activity to which his attention is now mainly directed and which is 'to make the weaker case the stronger' as the sophists said, and thereby to sustain the motion of the whole.
”
”
Paul Karl Feyerabend (Against Method)
“
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world. This is how Newton Pulsifer looked as a man: if he went into a phone booth and changed, he might manage to come out looking like Clark Kent.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Local Girl Missing, Feared Dead.
Beneath it was a photo of me-my most recent school photo.
“Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?”
Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.”
He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did.
But what I wanted to do was burst into tears.
“Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before.
“Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?”
My gaze flicked down the page. I wanted to throw up.
“One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.”
This was all so very, very bad.
“One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?”
“That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“
Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort.
“You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
think of climate change as slow, but it is unnervingly fast. We think of the technological change necessary to avert it as fast-arriving, but unfortunately it is deceptively slow—especially judged by just how soon we need it. This is what Bill McKibben means when he says that winning slowly is the same as losing: “If we don’t act quickly, and on a global scale, then the problem will literally become insoluble,” he writes. “The decisions we make in 2075 won’t matter.” Innovation, in many cases, is the easy part. This is what the novelist William Gibson meant when he said, “The future is already here, it just isn’t evenly distributed.” Gadgets like the iPhone, talismanic for technologists, give a false picture of the pace of adaptation. To a wealthy American or Swede or Japanese, the market penetration may seem total, but more than a decade after its introduction, the device is used by less than 10 percent of the world; for all smartphones, even the “cheap” ones, the number is somewhere between a quarter and a third. Define the technology in even more basic terms, as “cell phones” or “the internet,” and you get a timeline to global saturation of at least decades—of which we have two or three, in which to completely eliminate carbon emissions, planetwide. According to the IPCC, we have just twelve years to cut them in half. The longer we wait, the harder it will be. If we had started global decarbonization in 2000, when Al Gore narrowly lost election to the American presidency, we would have had to cut emissions by only about 3 percent per year to stay safely under two degrees of warming. If we start today, when global emissions are still growing, the necessary rate is 10 percent. If we delay another decade, it will require us to cut emissions by 30 percent each year. This is why U.N. Secretary-General António Guterres believes we have only one year to change course and get started. The scale of the technological transformation required dwarfs any achievement that has emerged from Silicon Valley—in fact dwarfs every technological revolution ever engineered in human history, including electricity and telecommunications and even the invention of agriculture ten thousand years ago. It dwarfs them by definition, because it contains all of them—every single one needs to be replaced at the root, since every single one breathes on carbon, like a ventilator.
”
”
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
“
Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.
”
”
Ingeborg Bachmann (Malina)
“
You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm.
“You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching?
“You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished.
“And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost.
“If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...)
“You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well.
“The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra.
“When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve.
“ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer.
“ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’
“And you vowed to support Phaethon’s effort, and you died in order that his dream might live.
”
”
John C. Wright (The Golden Transcendence (Golden Age, #3))
“
I understand, intellectually, that the death of a parent is a natural, acceptable part of life. Nobody would call the death of a very sick eighty-year-old woman a tragedy. There was soft weeping at her funeral and red watery eyes. No wrenching sobs. Now I think that I should have let myself sob. I should have wailed and beaten my chest and thrown myself over her coffin. I read a poem. A pretty, touching poem I thought she would have liked. I should have used my own words. I should have said: No one will ever love me as fiercely as my mother did. I should have said: You all think you’re at the funeral of a sweet little old lady, but you’re at the funeral of a girl called Clara, who had long blond hair in a heavy thick plait down to her waist, who fell in love with a shy man who worked on the railways, and they spent years and years trying to have a baby, and when Clara finally got pregnant, they danced around the living room but very slowly, so as not to hurt the baby, and the first two years of her little girl’s life were the happiest of Clara’s life, except then her husband died, and she had to bring up the little girl on her own, before there was a single mother’s pension, before the words “single mother” even existed. I should have told them about how when I was at school, if the day became unexpectedly cold, Mum would turn up in the school yard with a jacket for me. I should have told them that she hated broccoli with such a passion she couldn’t even look at it, and that she was in love with the main character on the English television series Judge John Deed. I should have told them that she loved to read and she was a terrible cook, because she’d try to cook and read her latest library book at the same time, and the dinner always got burned and the library book always got food spatters on it, and then she’d spend ages trying to dab them away with the wet corner of a tea towel. I should have told them that my mum thought of Jack as her own grandchild, and how she made him a special racing car quilt he adored. I should have talked and talked and grabbed both sides of the lectern and said: She was not just a little old lady. She was Clara. She was my mother. She was wonderful.
”
”
Liane Moriarty (The Hypnotist's Love Story)
“
All the same,” I said, “when you read the prints in the snow and the evidence of the branches, you did not yet know Brunellus. In a certain sense those prints spoke of all horses, or at least all horses of that breed. Mustn’t we say, then, that the book of nature speaks to us only of essences, as many distinguished theologians teach?”
“Not entirely, dear Adso,” my master replied. “True, that kind of print expressed to me, if you like, the idea of ‘horse,’ the verbum mentis, and would have expressed the same to me wherever I might have found it. But the print in that place and at that hour of the day told me that at least one of all possible horses had passed that way. So I found myself halfway between the perception of the concept ‘horse’ and the knowledge of an individu?al horse. And in any case, what I knew of the universal horse had been given me by those traces, which were singular. I could say I was caught at that moment between the singularity of the traces and my ignorance, which assumed the quite diaphanous form of a univer?sal idea. If you see something from a distance, and you do not understand what it is, you will be content with defining it as a body of some dimension. When you come closer, you will then define it as an animal, even if you do not yet know whether it is a horse or an ass. And finally, when it is still closer, you will be able to say it is a horse even if you do not yet know whether it is Brunellus or Niger. And only when you are at the proper distance will you see that it is Brunellus (or, rather, that horse and not another, however you decide to call it). And that will be full knowledge, the learning of the singular. So an hour ago I could expect all horses, but not because of the vastness of my intellect, but because of the paucity of my deduction. And my intellect’s hunger was sated only when I saw the single horse that the monks were leading by the halter. Only then did I truly know that my previous reasoning, had brought me close to the truth. And so the ideas, which I was using earlier to imagine a horse I had not yet seen, were pure signs, as the hoofprints in the snow were signs of the idea of ‘horse’; and sins and the signs of signs are used only when we are lacing things.
”
”
Umberto Eco (The Name of the Rose)
“
Multiple-model agnosticism, then, is a way out of postmodernism which doesn't lead into the belief that, out of all the billions of people in the world, you are the only one who really gets it and everyone else are idiots. The problem is, however, that our models are too damned convincing, and it is a struggle to remember that they are models and not reality. Hence much of the work of the Discordians - bar the stuff included purely for shits and giggles - is aimed at shocking people into realising the extent to which they confuse their models with the actuality. The 23 Enigma is a good case in point. Wilson was basically training his readers to notice 23s everywhere and, as any Discordian will tell you, he did this very well indeed. The point is, however, that there is nothing special about the number in itself. It is the fact that it has been singled out and had meaning applied to it, and that Discordians have been trained to recognise it, which is significant. Had it been the number 47, or 18, or 65, the effect would have been the same. Indeed, in his later years Wilson admitted that it would have been much better if he had trained his readers to spot quarters on the ground instead of number 23s. Of course, Multiple-model agnosticism also allows you to consider the model which states that the above paragraph is mistaken, and that the number 23 is significant. Many Discordians have explored this model at length. As I understand it, that model doesn't lead to anywhere pleasant, but the curious are encouraged to explore it for themselves to see if that's true. The reason that the 23 Enigma is useful is because it demonstrates the amount of information that our models filter out. In actuality, the coincidental and synchronistic appearances of the number 23 are matched by coincidental and synchronistic appearances of every other number, even though our models fail to react to these. They are just models, after all, and models are significantly less detailed than what they represent. Reality itself is ablaze with infinite connections: every particle in the cosmos affects every other particle. It's Too Much, it really is, and seeing reality in all its innate finery would be so overpowering that you'd be in no state to nip down the shops when you need a pint of milk.
”
”
J.M.R. Higgs (KLF: Chaos Magic Music Money)
“
That something I cannot yet define completely but the feeling comes when you write well and truly of something and know impersonally you have written in that way and those who are paid to read it and report on it do not like the subject so they say it is all a fake, yet you know its value absolutely; or when you do something which people do not consider a serious occupation and yet you know, truly, that it is as important and has always been as important as all th things that are in fashion, and when, on the sea, you are alone with it and know that this Gulf Stream you are living with, knowing, learning about, and loving, has moved, as it moves, since before man and that it has gone by the shoreline of that long, beautiful, unhappy island since before Columbus sighted it and that the things you find out about it, and those that have always lived in it are permanent and of value because that stream will flow, as it has flowed, after the Indians, after the Spaniards, after the British, after the Americans and after all the Cubans and all the systems of governments, the richness, the poverty, the martyrdom, the sacrifice and the venality and the cruelty are all gone as the high-piled scow of garbage, bright-colored, white-flecked, ill-smelling, now tilted on its side, spills off its load into the blue water, turning it a pale green to a depth of four or five fathoms as the load spreads across the surface, the sinkable part going down and the flotsam of palm fronds, corks, bottles, and used electric light globes, seasoned with an occasional condom or a deep floating corset, the torn leaves of a student's exercise book, a well-inflated dog, the occasional rat, the no-longer-distinguished cat; well shepherded by the boats of the garbage pickers who pluck their prizes with long poles, as interested, as intelligent, and as accurate as historians; they have the viewpoint; the stream, with no visible flow, takes five loads of this a day when things are going well in La Habana and in ten miles along the coast it is as clear and blue and unimpressed as it was ever before the tug hauled out the scow; and the palm fronds of our victories, the worn light bulbs of our discoveries and the empty condoms of our great loves float with no significance against one single, lasting thing - the stream.
”
”
Ernest Hemingway
“
Do you have any cheese preferences?” Jack asked.
“All cheese is good cheese, Lend said.
“True dat.” I nodded solemnly.
“You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.”
“Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’”
“No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.”
“But on Easton Heights—”
“You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack.
He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.”
“Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.”
“No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.”
“True dat,” Arianna said, nodding.
“How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged.
“Because I’m dead, and none of the rules apply anymore.”
Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks.
Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.”
“I kind of wish they’d shut up,” Jack said.
“Dude, true dat,” Lend answered.
Jack nodded solemnly. “For serious.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
We cannot pick and choose whom among the oppressed it is convenient to support. We must stand with all the oppressed or none of the oppressed. This is a global fight for life against corporate tyranny. We will win only when we see the struggle of working people in Greece, Spain, and Egypt as our own struggle. This will mean a huge reordering of our world, one that turns away from the primacy of profit to full employment and unionized workplaces, inexpensive and modernized mass transit, especially in impoverished communities, universal single-payer health care and a banning of for-profit health care corporations. The minimum wage must be at least $15 an hour and a weekly income of $500 provided to the unemployed, the disabled, stay-at-home parents, the elderly, and those unable to work. Anti-union laws, like the Taft-Hartley Act, and trade agreements such as NAFTA, will be abolished. All Americans will be granted a pension in old age. A parent will receive two years of paid maternity leave, as well as shorter work weeks with no loss in pay and benefits. The Patriot Act and Section 1021 of the National Defense Authorization Act, which permits the military to be used to crush domestic unrest, as well as government spying on citizens, will end. Mass incarceration will be dismantled. Global warming will become a national and global emergency. We will divert our energy and resources to saving the planet through public investment in renewable energy and end our reliance on fossil fuels. Public utilities, including the railroads, energy companies, the arms industry, and banks, will be nationalized. Government funding for the arts, education, and public broadcasting will create places where creativity, self-expression, and voices of dissent can be heard and seen. We will terminate our nuclear weapons programs and build a nuclear-free world. We will demilitarize our police, meaning that police will no longer carry weapons when they patrol our streets but instead, as in Great Britain, rely on specialized armed units that have to be authorized case by case to use lethal force. There will be training and rehabilitation programs for the poor and those in our prisons, along with the abolition of the death penalty. We will grant full citizenship to undocumented workers. There will be a moratorium on foreclosures and bank repossessions. Education will be free from day care to university. All student debt will be forgiven. Mental health care, especially for those now caged in our prisons, will be available. Our empire will be dismantled. Our soldiers and marines will come home.
”
”
Chris Hedges (America: The Farewell Tour)
“
Roosevelt fought hard for the United States to host the opening session [of the United Nations]; it seemed a magnanimous gesture to most of the delegates. But the real reason was to better enable the United States to eavesdrop on its guests. Coded messages between the foreign delegations and their distant capitals passed through U.S. telegraph lines in San Francisco. With wartime censorship laws still in effect, Western Union and the other commercial telegraph companies were required to pass on both coded and uncoded telegrams to U.S. Army codebreakers. Once the signals were captured, a specially designed time-delay device activated to allow recorders to be switched on. Devices were also developed to divert a single signal to several receivers. The intercepts were then forwarded to Arlington Hall, headquarters of the Army codebreakers, over forty-six special secure teletype lines. By the summer of 1945 the average number of daily messages had grown to 289,802, from only 46,865 in February 1943. The same soldiers who only a few weeks earlier had been deciphering German battle plans were now unraveling the codes and ciphers wound tightly around Argentine negotiating points.
During the San Francisco Conference, for example, American codebreakers were reading messages sent to and from the French delegation, which was using the Hagelin M-209, a complex six-wheel cipher machine broken by the Army Security Agency during the war. The decrypts revealed how desperate France had become to maintain its image as a major world power after the war. On April 29, for example, Fouques Duparc, the secretary general of the French delegation, complained in an encrypted note to General Charles de Gaulle in Paris that France was not chosen to be one of the "inviting powers" to the conference. "Our inclusion among the sponsoring powers," he wrote, "would have signified, in the eyes of all, our return to our traditional place in the world." In charge of the San Francisco eavesdropping and codebreaking operation was Lieutenant Colonel Frank B. Rowlett, the protégé of William F. Friedman. Rowlett was relieved when the conference finally ended, and he considered it a great success. "Pressure of work due to the San Francisco Conference has at last abated," he wrote, "and the 24-hour day has been shortened. The feeling in the Branch is that the success of the Conference may owe a great deal to its contribution."
The San Francisco Conference served as an important demonstration of the usefulness of peacetime signals intelligence. Impressive was not just the volume of messages intercepted but also the wide range of countries whose secrets could be read. Messages from Colombia provided details on quiet disagreements between Russia and its satellite nations as well as on "Russia's prejudice toward the Latin American countries." Spanish decrypts indicated that their diplomats in San Francisco were warned to oppose a number of Russian moves: "Red maneuver . . . must be stopped at once," said one. A Czechoslovakian message indicated that nation's opposition to the admission of Argentina to the UN.
From the very moment of its birth, the United Nations was a microcosm of East-West spying. Just as with the founding conference, the United States pushed hard to locate the organization on American soil, largely to accommodate the eavesdroppers and codebreakers of NSA and its predecessors.
”
”
James Bamford (Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century)
“
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
The Dying Man"
in memoriam W.B. Yeats
1. His words
I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.
“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.
“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.
2. What Now?
Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.
Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.
I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.
In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.
3. The Wall
A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.
Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.
The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.
4. The Exulting
Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.
Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.
Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.
All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.
5. They Sing, They Sing
All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.
Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.
I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.
The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.
”
”
Theodore Roethke (The Collected Poems)
“
About a block away from them there lived another Lithuanian family, consisting of an elderly widow and one grown son; their name was Majauszkis, and our friends struck up an acquaintance with them before long. One evening they came over for a visit, and naturally the first subject upon which the conversation turned was the neighborhood and its history; and then Grandmother Majauszkiene, as the old lady was called, proceeded to recite to them a string of horrors that fairly froze their blood. She was a wrinkled-up and wizened personage--she must have been eighty--and as she mumbled the grim story through her toothless gums, she seemed a very old witch to them. Grandmother Majauszkiene had lived in the midst of misfortune so long that it had come to be her element, and she talked about starvation, sickness, and death as other people might about weddings and holidays. The thing came gradually. In the first place as to the house they had bought, it was not new at all, as they had supposed; it was about fifteen years old, and there was nothing new upon it but the paint, which was so bad that it needed to be put on new every year or two. The house was one of a whole row that was built by a company which existed to make money by swindling poor people. The family had paid fifteen hundred dollars for it, and it had not cost the builders five hundred, when it was new. Grandmother Majauszkiene knew that because her son belonged to a political organization with a contractor who put up exactly such houses. They used the very flimsiest and cheapest material; they built the houses a dozen at a time, and they cared about nothing at all except the outside shine. The family could take her word as to the trouble they would have, for she had been through it all--she and her son had bought their house in exactly the same way. They had fooled the company, however, for her son was a skilled man, who made as high as a hundred dollars a month, and as he had had sense enough not to marry, they had been able to pay for the house. Grandmother Majauszkiene saw that her friends were puzzled at this remark; they did not quite see how paying for the house was "fooling the company." Evidently they were very inexperienced. Cheap as the houses were, they were sold with the idea that the people who bought them would not be able to pay for them. When they failed--if it were only by a single month--they would lose the house and all that they had paid on it, and then the company would sell it over again. And did they often get a chance to do that? Dieve! (Grandmother Majauszkiene raised her hands.) They did it--how often no one could say, but certainly more than half of the time. They might ask any one who knew anything at all about Packingtown as to that; she had been living here ever since this house was built, and she could tell them all about it. And had it ever been sold before? Susimilkie! Why, since it had been built, no less than four families that their informant could name had tried to buy it and failed.
”
”
Upton Sinclair (The Jungle)
“
We must consider also whether soul is divisible or is without parts, and whether it is everywhere homogeneous or not; and if not homogeneous, whether its various forms are different specifically or generically; up to the present time those who have discussed and investigated soul seem to have confined themselves to the human soul. We must be careful not to ignore the question whether soul can be defined in a single account, as is the case with animal, or whether we must not give a separate account of each sort of it, as we do for horse, dog, man, god (in the latter case the universal, animal—and so too every other common predicate—is either nothing or posterior). Further, if what exists is not a plurality of souls, but a plurality of parts of one soul, which ought we to investigate first, the whole soul or its parts? It is also a difficult problem to decide which of these parts are in nature distinct from one another. Again, which ought we to investigate first, these parts or their functions, mind or thinking, the faculty or the act of sensation, and so on? If the investigation of the functions precedes that of the parts, the further question suggests itself: ought we not before either to consider the correlative objects, e.g. of sense or thought? It seems not only useful for the discovery of the causes of the incidental proprieties of substances to be acquainted with the essential nature of those substances (as in mathematics it is useful for the understanding of the property of the equality of the interior angles of a triangle to two right angles to know the essential nature of the straight and the curved or of the line and (the plane) but also conversely, for the knowledge of the essential nature of a substance is largely promoted by an acquaintance with its properties: for, when we are able to give an account conformable to experience of all or most of the properties of a substance, we shall be in the most favourable position to say something worth saying about the essential nature of that subject: in all demonstration a definition of the essence is required as a starting point, so that definitions which do not enable us to discover the incidental properties, or which fail to facilitate even a conjecture about them, must obviously, one and all, be dialectical and futile.
”
”
Aristotle
“
If government had declined to build racially separate public housing in cities where segregation hadn’t previously taken root, and instead had scattered integrated developments throughout the community, those cities might have developed in a less racially toxic fashion, with fewer desperate ghettos and more diverse suburbs. If the federal government had not urged suburbs to adopt exclusionary zoning laws, white flight would have been minimized because there would have been fewer racially exclusive suburbs to which frightened homeowners could flee. If the government had told developers that they could have FHA guarantees only if the homes they built were open to all, integrated working-class suburbs would likely have matured with both African Americans and whites sharing the benefits. If state courts had not blessed private discrimination by ordering the eviction of African American homeowners in neighborhoods where association rules and restrictive covenants barred their residence, middle-class African Americans would have been able gradually to integrate previously white communities as they developed the financial means to do so. If churches, universities, and hospitals had faced loss of tax-exempt status for their promotion of restrictive covenants, they most likely would have refrained from such activity. If police had arrested, rather than encouraged, leaders of mob violence when African Americans moved into previously white neighborhoods, racial transitions would have been smoother. If state real estate commissions had denied licenses to brokers who claimed an “ethical” obligation to impose segregation, those brokers might have guided the evolution of interracial neighborhoods. If school boards had not placed schools and drawn attendance boundaries to ensure the separation of black and white pupils, families might not have had to relocate to have access to education for their children. If federal and state highway planners had not used urban interstates to demolish African American neighborhoods and force their residents deeper into urban ghettos, black impoverishment would have lessened, and some displaced families might have accumulated the resources to improve their housing and its location. If government had given African Americans the same labor-market rights that other citizens enjoyed, African American working-class families would not have been trapped in lower-income minority communities, from lack of funds to live elsewhere. If the federal government had not exploited the racial boundaries it had created in metropolitan areas, by spending billions on tax breaks for single-family suburban homeowners, while failing to spend adequate funds on transportation networks that could bring African Americans to job opportunities, the inequality on which segregation feeds would have diminished. If federal programs were not, even to this day, reinforcing racial isolation by disproportionately directing low-income African Americans who receive housing assistance into the segregated neighborhoods that government had previously established, we might see many more inclusive communities. Undoing the effects of de jure segregation will be incomparably difficult. To make a start, we will first have to contemplate what we have collectively done and, on behalf of our government, accept responsibility.
”
”
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)