“
there is a loneliness in this world so great
that you can see it in the slow movement of
the hands of a clock.
people so tired
mutilated
either by love or no love.
people just are not good to each other
one on one.
the rich are not good to the rich
the poor are not good to the poor.
we are afraid.
our educational system tells us
that we can all be
big-ass winners.
it hasn't told us
about the gutters
or the suicides.
or the terror of one person
aching in one place
alone
untouched
unspoken to
watering a plant.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Kindness. The only possible method when dealing with a living creature. You'll get nowhere with an animal if you use terror, no matter what its level of development may be. That I have maintained, do maintain and always will maintain. People who think you can use terror are quite wrong. No, no, terror is useless, whatever its colour – white, red or even brown! Terror completely paralyses the nervous system.
”
”
Mikhail Bulgakov (Heart of a Dog)
“
Nobody should be whipped. Remember that, once and for all. Neither man nor animal can be influenced by anything but suggestion.
”
”
Mikhail Bulgakov (Heart of a Dog)
“
terror finally becomes almost
bearable
but never quite
terror creeps like a cat
crawls like a cat
across my mind
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Fire can warm or consume, water can quench or drown, wind can caress or cut. And so it is with human relationships: we can both create and destroy, nurture and terrorize, traumatize and heal each other.
”
”
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
“
There are some dogs which, when you meet them, remind you that, despite thousands of years of man-made evolution, every dog is still only two meals away from being a wolf. These dogs advance deliberately, purposefully, the wilderness made flesh, their teeth yellow, their breath a-stink, while in the distance their owners witter, "He's an old soppy really, just poke him if he's a nuisance," and in the green of their eyes the red campfires of the Pleistocene gleam and flicker.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
...out from the door of the farmhouse came a long file of pigs, all walking on their hind legs...out came Napoleon himself, majestically upright, casting haughty glances from side to side, and with his dogs gambolling round him.
He carried a whip in his trotter.
There was a deadly silence. Amazed, terrified, huddling together, the animals watched the long line of pigs march slowly round the yard. It was as though the world had turned upside-down. Then there came a moment when the first shock had worn off and when, in spite of everything-in spite of their terror of the dogs, and of the habit, developed through long years, of never complaining, never criticising, no matter what happened-they might have uttered some word of protest. But just at that moment, as though at a signal, all the sheep burst out into a tremendous bleating of-
"Four legs good, two legs better! Four legs good, two legs better! Four legs good, two legs better!"
It went on for five minutes without stopping. And by the time the sheep had quieted down, the chance to utter any protest had passed, for the pigs had marched back into the farmhouse.
”
”
George Orwell (Animal Farm)
“
Success"
If you want a thing bad enough
To go out and fight for it,
Work day and night for it,
Give up your time and your peace and your sleep for it
If only desire of it
Makes you quite mad enough
Never to tire of it,
Makes you hold all other things tawdry and cheap for it
If life seems all empty and useless without it
And all that you scheme and you dream is about it,
If gladly you'll sweat for it,
Fret for it,
Plan for it,
Lose all your terror of God or man for it,
If you'll simply go after that thing that you want.
With all your capacity,
Strength and sagacity,
Faith, hope and confidence, stern pertinacity,
If neither cold poverty, famished and gaunt,
Nor sickness nor pain
Of body or brain
Can turn you away from the thing that you want,
If dogged and grim you besiege and beset it,
You'll get it!
”
”
Berton Braley
“
People who think you can use terror are quite wrong. No, no, terror is useless, whatever its colour – white, red or even brown! Terror completely paralyses the nervous system.
”
”
Mikhail Bulgakov (Heart of a Dog)
“
The street is no longer measured by meters but by corpses ... Stalingrad is no longer a town. By day it is an enormous cloud of burning, blinding smoke; it is a vast furnace lit by the reflection of the flames. And when night arrives, one of those scorching howling bleeding nights, the dogs plunge into the Volga and swim desperately to gain the other bank. The nights of Stalingrad are a terror for them. Animals flee this hell; the hardest stones cannot bear it for long; only men endure.
”
”
Max Hastings (Inferno: The World at War, 1939-1945)
“
She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
As Clover looked down the hillside her eyes filled with tears. If she could have spoken her thoughts, it would have been to say that this was not what they had aimed at when they had set themselves years ago to work for the overthrow of the human race. These scenes of terror and slaughter were not what they had looked forward to on that night when old Major first stirred them to rebellion. If she herself had had any picture of the future, it had been of a society of animals set free from hunger and the whip, all equal, each working according to his capacity, the strong protecting the weak, as she had protected the lost brood of ducklings with her foreleg on the night of Major's speech. Instead--she did not know why--they had come to a time when no one dared speak his mind, when fierce, growling dogs roamed everywhere, and when you had to watch your comrades torn to pieces after confessing to shocking crimes. There was no thought of rebellion or disobedience in her mind. She knew that, even as things were, they were far better off than they had been in the days of Jones, and that before all else it was needful to prevent the return of the human beings. Whatever happened she would remain faithful, work hard, carry out the orders that were given to her, and accept the leadership of Napoleon. But still, it was not for this that she and all the other animals had hoped and toiled.
”
”
George Orwell (Animal Farm)
“
She looked into the distance, and the old terror flamed up for an instant, then sank again. Edna heard her father's voice and her sister Margaret's. She heard the barking of an old dog that was chained to the sycamore tree. The spurs of the cavalry officer clanged as he walked across the porch. There was the hum of bees, and the musky odor of pinks filled the air. (last lines)
”
”
Kate Chopin (The Awakening)
“
Imagine that the country is like a dog. The terrorist attacks are like fleas biting the dog, but what the terrorists are really after is not to bite the dog. It’s to have the dog, in an attempt to get the fleas on him, chew himself to pieces.
”
”
Dan Carlin
“
Let me adapt some of Nietzsche's words and say this to you: "To become wise, you must learn to listen to the wild dogs barking in your cellar.
”
”
Irvin D. Yalom (Staring at the Sun: Overcoming the Terror of Death)
“
There are roughly 1,200 dogs trained to detect bombs and bomb making materials in the US - and over 40,000 trained to detect marijuana. Some of the bomb-dogs are also cross trained as drug-dogs which accounts for their ability to sleep well at night.
”
”
T. Rafael Cimino (Mid Ocean)
“
The good folks mostly win, courage usually triumphs over fear, the family dog hardly ever contracts rabies: these are things I knew at twenty-five, and things I still know now, at the age of 25 x 2. But I know something else as well: there's a place in most of us where the rain is pretty much constant, the shadows are always long, and the woods are full of monsters. It is good to have a voice in which the terrors of such a place can be articulated and its geography partially described, without denying the sunshine and clarity that fill so much of our ordinary lives. (viii)
”
”
Stephen King (The Long Walk)
“
In this passionately social world, loneliness dogged the spirit. People were constantly “getting together,” but they never really got there. Everyone was terrified of being alone with himself; yet in company, in spite of the universal assumption of comradeship, these strange beings remained as remote from one another as the stars. For everyone searched his neighbour’s eyes for the image of himself, and never saw anything else. Or if he did, he was outraged and terrified.
”
”
Olaf Stapledon (Star Maker)
“
Mommy, he told me he’s going to take me away for some candy and I can pet his fat dog.
”
”
Karina Halle (Into the Hollow (Experiment in Terror, #6))
“
Sonia, every dog does not bite, nor does each bee sting. For each schoolmate who insults you, there must be fifty who do not. And for every Muslim terrorist, there are thousands of us who oppose violence. Tell those who are cruel to you that in their cruelty, they are the terror. Then inform them that they are forgiven, for such forgiveness may shame some toward kindness.
”
”
E.R. Frank (Life Is Funny)
“
I couldn’t even masturbate without fearing I’d cry out his name and scare the damn dog.
”
”
Karina Halle (Into the Hollow (Experiment in Terror, #6))
“
And here's a story you can hardly believe, but it's true, and it's funny and it's beautiful. There was a family of twelve and they were forced off the land. They had no car. They built a trailer out of junk and loaded it with their possessions. They pulled it to the side of 66 and waited. And pretty soon a sedan picked them up. Five of them rode in the sedan and seven on the trailer, and a dog on the trailer. They got to California in two jumps. The man who pulled them fed them. And that's true. But how can such courage be, and such faith in their own species? Very few things would teach such faith.
The people in flight from the terror behind - strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.
”
”
John Steinbeck (The Grapes of Wrath)
“
Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour.
”
”
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
“
Creation is built upon the promise of hope, that things will get better, that tomorrow will be better than the day before.
But it's not true. Cities collapse. Populations expand. Environments decay. People get ruder. You can't go to a movie without getting in a fight with the guy in the third row who won't shut up.
Filthy streets. Drive-by shootings. Irradiated corn. Permissible amounts of rat-droppings per hot dog. Bomb blasts, and body counts. Terror in the streets, on camera, in your living room. Aids and Ebola and Hepatitis B and you can't touch anyone because you're afraid you'll catch something besides love and nothing tastes as good anymore and Christopher Reeve is [dead] and love is statistically false.
Pocket nukes and subway anthrax. You grow up frustrated, you live confused, you age frightened, you die alone. Safe terrain moves from your city to your block to your yard to your home to your living room to the bedroom and all you want is to be allowed to live without somebody breaking in to steal your tv and shove an ice-pick in your ear.
That sound like a better world to you? That sound to you like a promise kept?
”
”
J. Michael Straczynski (Midnight Nation)
“
Because whatever has happened to humanity, whatever is currently happening to humanity, it is happening to all of us. No matter how hidden the cruelty, no matter how far off the screams of pain and terror, we live in one world. We are one people. My illness proved that. As well as my understanding that Generose's lost daughter belongs to all of us. It is up to all of us to find her; it is up to us to do our best to make her whole again. There is only one daughter, one father, one mother, one son, one aunt or uncle, one dog, one cat, donkey, monkey, or goat in the universe, after all: the one right in front of you.
”
”
Alice Walker (Overcoming Speechlessness: A Poet Encounters the Horror in Rwanda, Eastern Congo, and Palestine/Israel)
“
There is an emotion that operates on a register above sheer terror. It lives on a mindless dog-whistle frequency. Its existence is in itself a horrifying discovery: like scanning a shortwave radio in the dead of night and tuning in to an alien wavelength—a heavy whisper barely climbing above the static, voices muttering in a brutal language that human tongues could never speak.
”
”
Nick Cutter (The Troop)
“
In the modern world all terrors could be gutted by simple use of the transitive axiom of quality. Some fears were justified, of course (you don't drive when you're too plowed to see, don't extend the hand of friendship to snarling dogs, don't go parking with boys you don't know - how did the old joke go? Screw or walk?), but until now she had not believed that some fears were larger than comprehension, apocalyptic and nearly paralyzing. This equation was insoluble. The act of moving forward at all became heroism.
”
”
Stephen King (’Salem’s Lot)
“
A well-trained dog is like religion, it sets the deserving at their ease and is a terror to evildoers.
”
”
Elizabeth Goudge (The Rosemary Tree)
“
...I can. And there's your first marvel, that I can. You have made your magic now, for now I do think I see some shred of goodness in John Proctor. Not enough to weave a banner with, but white enough to keep it from such dogs.
(Elizabeth, in a burst of terror, rushes to him and weeps against his hand.)
Give them no tear! Tears pleasure them. Show honor now, show a stony heart and sink them with it!
”
”
Arthur Miller (The Crucible)
“
In Germany, Dodd had noticed, no one ever abused a dog, and as a consequence dogs were never fearful around men and were always plump and obviously well tended. "Only horses seem to be equally happy, never children or the youth," he wrote. ... He called it "horse happiness" and had noticed the same phenomenon in Nuremburg and Dresden. In part, he knew this happiness was fostered by German law, which forbade cruelty to animals and punished violators with prison.
"At a time when hundreds of men have been put to death without trial or any sort of evidence of guilt, and when the population literally trembles with fear, animals have rights guaranteed them which men and women cannot think of expecting."
He added, "One might easily wish he were a horse!
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
One often hears of a horse that shivers with terror, or a dog that howls at something a man's eyes cannot see, and men who live primitive lives where instinct does the work of reason are fully conscious of many things that we cannot perceive at all. As life becomes more orderly, more deliberate, the supernatural world sinks farther away.
”
”
W.B. Yeats
“
the crunch too much too little too fat too thin or nobody. laughter or tears haters lovers strangers with faces like the backs of thumb tacks armies running through streets of blood waving winebottles bayoneting and fucking virgins. or an old guy in a cheap room with a photograph of M. Monroe. there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn’t told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don’t ask them to be. but sometimes I think about it. the beads will swing the clouds will cloud and the killer will behead the child like taking a bite out of an ice cream cone. too much too little too fat too thin or nobody more haters than lovers. people are not good to each other. perhaps if they were our deaths would not be so sad. meanwhile I look at young girls stems flowers of chance. there must be a way. surely there must be a way we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say “no.
”
”
Charles Bukowski (Love is a Dog from Hell)
“
It breaks my heart. Better than your words, your eye tells me all your peril.
You are not yet free, you still search for freedom. Your search has fatigued you and made you too wakeful.
You long for the open heights, your soul thirsts for the stars. But your bad instincts too thirst for freedom.
Your fierce dogs long for freedom; they bark for joy in their cellar when your spirit aspires to break open all prisons.
To me you are still a prisoner who imagines freedom: ah, such prisoners of the soul become clever, but also deceitful and base.
The free man of the spirit, too, must still purify himself. Much of the prison and rottenness still remain within him: his eye still has to become pure.
Yes, I know your peril. But, by my love and hope I entreat you: do not reject your love and hope!
You still feel yourself noble, and the others, too, who dislike you and cast evil glances at you, still feel you are noble. Learn that everyone finds the noble man an obstruction.
The good, too, find the noble man an obstruction: and even when they call him a good man they do so in order to make away with him.
The noble man wants to create new things and a new virtue. The good man wants the old things and that the old things shall be preserved.
But that is not the danger for the noble man — that he may become a good man — but that he may become an impudent one, a derider, a destroyer.
Alas, I have known noble men who lost their highest hope. And henceforth they slandered all high hopes.
Henceforth they lived impudently in brief pleasures, and they had hardly an aim beyond the day.
‘Spirit is also sensual pleasure’ — thus they spoke. Then the wings of their spirit broke: now it creeps around and it makes dirty what it feeds on.
Once they thought of becoming heroes: now they are sensualists. The hero is to them an affliction and a terror.
But, by my love and hope I entreat you: do not reject the hero in your soul! Keep holy your highest hope!
Thus spoke Zarathustra.
”
”
Friedrich Nietzsche
“
Fear-Dog told me . . . we must return to our camp,” he growled, his voice throaty with drool. “Now?” whimpered the little brown dog. “Now. Immediately.” Terror swiped a trembling paw at her face, though this time he missed. “He says . . . we are to kill any strange dogs. Kill them all. Kill them on sight. Now go!
”
”
Erin Hunter (The Broken Path (Survivors, #4))
“
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: "Stick to the Devil you know."
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."
Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool's bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
”
”
Rudyard Kipling
“
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes.
Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer.
Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp.
But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do.
If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws.
Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
”
”
Caitlin Moran
“
Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce . . . Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.
”
”
Sarah Waters
“
Every dog deserves a place to live.
Every dog deserves a place in your heart.
Every dog deserves a place to walk.
Every dog deserves a place to run.
John Duncan.
”
”
John Duncan (Terror Pit Bulls Born Into a World of Violence)
“
I could do such things, what they are I yet know not, but they would be the terror of the Earth.
”
”
Adrian Tchaikovsky (Bear Head (Dogs of War, #2))
“
The two “idiots” Ginger and Zach, both golden retrievers, both beautiful-looking dogs—and both thicker than bricks when it came to brains—had been out sunning on the bedroom deck. They stood up and barked madly, as if he were an invader. Though if he were a real invader they’d have cowered in terror and stained the carpet as they fled into Jennifer’s room to hide.
”
”
William R. Forstchen (One Second After)
“
He had been one of the officials who kept the illegal list of homosexuals in that region with the same good conscience as when he ticketed store owners for neglecting dog turds on their sidewalks.
”
”
Pierre Seel (I, Pierre Seel, Deported Homosexual: A Memoir of Nazi Terror)
“
Now the terror is beginning. Now taking her lump 0£ chalk she draws figures, six, seven, eight, and then a cross and then a line on the blackboard. What is the answer? The others look; they look with understanding. Louis writes; Susan writes; Neville writes; Jinny writes; even Bernard has now begun to write. But I cannot write. I see only figures. The others are handing in their answers, one by one. Now it is my turn. But I have no answer. The others are allowed to go. They slam the door. Miss Hudson goes. I am left alone to find an answer. The figures mean nothing now. Meaning has gone. The clock ticks. The two hands are convoys marching through a desert. The black bars on the clock face are green oases. The long hand has marched ahead to find water. The other painfully stumbles among hot stones in the desert. It will die in the desert. The kitchen door slams. Wild dogs bark far away. Look, the loop 0£ the figure is beginning to fill with time; it hole rorld in it. I begin to draw a figure and the world is looped in it, and I myself am outside the loop; which I now join-and seal up, and make entire.
”
”
Virginia Woolf (The Waves)
“
Keto wasn’t just any dog. He was vicious, trained to be a killing machine when called on. Pack had invested much time and effort into training Keto. He hadn’t barked before attacking the murderer. It was close to a stealth attack. Probably flew through the air the final eight or ten feet. Mouth open wide, upper and lower incisors ready to rip the prey apart painfully, efficiently.
And the killer’s screams weren’t just any screams. They were shrieks, the kind arising from sheer terror. Knowing your means of defense are dead, as dead as you soon will be.
”
”
John M Vermillion (Packfire (Simon Pack, #9))
“
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
”
”
Robert Louis Stevenson (Treasure Island)
“
Once unpacked, I saw my family downstairs. Each step released something spidery inside me: the sick-making terror of need. Needing the accumulative, impervious love of being forced to eat all your broccoli even when it is making you retch and gag to put it in your mouth. The love of the TV being turned off past eleven. The love of being asked to say hello to the dog over the telephone. I’d always seen my mum and aunt from knee height, never quite managed to meet them as equals. It occurred to me how ludicrous it was that families slept in separate bedrooms, not piled on top of one another like lazily sunbathing lions.
”
”
Lara Williams (Supper Club)
“
I think we have two choices in the face of such big beauty: terror or awe. And this is precisely why we attempt to chart God, because we want to be able to predict Him, to dissect Him, to carry Him around in our dog and pony show. We are too proud to feel awe and too fearful to feel terror. We reduce Him to math so we don’t have to fear Him, and yet the Bible tells us fear is the appropriate response, that it is the beginning of wisdom. Does this mean God is going to hurt us? No. But I stood on the edge of the Grand Canyon once, behind a railing, and though I was never going to fall off the edge, I feared the thought of it. It is that big of a place, that wonderful of a landscape.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
I am leaving this tower and returning home. When I speak with family, and comments are always the same, 'Won't you be glad to get back to the real world?'
This is my question after two weeks of time, only two weeks, spent with prairie dogs, 'What is real?'
What is real? These prairie dogs and the lives they live and have adapted to in grassland communities over time, deep time?
What is real? A gravel pit adjacent to one of the last remaining protected prairie dog colonies in the world? A corral where cowboys in an honest day's work saddle up horses with prairie dogs under hoof for visitors to ride in Bryce Canyon National Park?
What is real? Two planes slamming into the World Trade Center and the wake of fear that has never stopped in this endless war of terror?
What is real? Forgiveness or revenge and the mounting deaths of thousands of human beings as America wages war in Afghanistan and Iraq?
What is real? Steve's recurrence of lymphoma? A closet full of shoes? Making love? Making money? Making right with the world with the smallest of unseen gestures?
How do we wish to live And with whom?
What is real to me are these prairie dogs facing the sun each morning and evening in the midst of man-made chaos.
What is real to me are the consequences of cruelty.
What is real to me are the concentric circles of compassion and its capacity to bring about change.
What is real to me is the power of our awareness when we are focused on something beyond ourselves. It is a shaft of light shining in a dark corner. Our ability to shift our perceptions and seek creative alternatives to the conundrums of modernity is in direct proportion to our empathy. Can we imagine, witness, and ultimately feel the suffering of another.
”
”
Terry Tempest Williams
“
Touch not the fighting-dog without a glove.
Give me a fighting-dog and I come alive.
Fighting-dogs always meant more to Tom Mitchell than people.
”
”
John Duncan (Terror Pit Bulls Born Into a World of Violence)
“
Thanks for agreeing to watch Fat Rabbit. Hope you're prepared for lots of farts in your future. From the dog, of course.
”
”
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
“
The U.S. government has in recent years fought what it termed wars against AIDS, drug abuse, poverty, illiteracy and terrorism. Each of these wars has budgets, legislation, offices, officials, letterhead—everything necessary in a bureaucracy to tell you something is real. —Bruce Jackson Keynote address “Media and War” symposium, University of Buffalo November 17–18, 2003
”
”
Don Winslow (The Cartel (Power of the Dog #2))
“
It wouldn't bother me in the least if all the dogs in the world weere placed in a large sack and taken to some distant island - Greenland springs attractively to mind - where they could romp around and sniff each other's anuses to their hearts' content and would never bother or terrorize me again. The only kind of dog I would excuse from this roundup is poodles. Poodles I would shoot.
To my mind, the only possible pet is a cow. Cows love you. They are harmless, they look nice, they don't need a box to crap in, they keep the grass down, and they are so trusting and stupid that you can't help but lose your heart to them. Where I live in Yorkshire, there's a herd of cows down the lane. You can stand by the wall at any hour of the day or night, and after a minute the cows will all waddle over and stand with you, much too stupid to know what to do next, but happy just to be with you. They will stand there all day, as far as I can tell, possibly till the end of time. They will listen to your problems and never ask a thing in return. They will be your friends forever. And when you get tired of the, you can kill them and eat them. Perfect.
”
”
Bill Bryson
“
can warm or consume, water can quench or drown, wind can caress or cut. And so it is with human relationships: we can both create and destroy, nurture and terrorize, traumatize and heal each other.
”
”
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
“
In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet, who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were out of date, but there was a good deal to be said for his prejudices.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
To an American Negro living in the northern part of the United States the word South has an unpleasant sound, an overtone of horror and of fear. For it is in the South that our ancestors were slaves for three hundred years, bought and sold like cattle. It is in the South today that we suffer the worst forms of racial persecution and economic exploitation--segregation, peonage, and lynching. It is in the Southern states that the color line is hard and fast, Jim Crow rules, and I am treated like a dog. Yet it is in the South that two-thirds of my people live: A great Black Belt stretching from Virginia to Texas, across the cotton plantations of Georgia and Alabama and Mississippi, down into the orange groves of Florida and the sugar cane lands of Louisiana. It is in the South that black hands create the wealth that supports the great cities--Atlanta, Memphis, New Orleans, where the rich whites live in fine houses on magnolia-shaded streets and the Negroes live in slums restricted by law. It is in the South that what the Americans call the "race problem" rears its ugly head the highest and, like a snake with its eyes on a bird, holds the whole land in its power. It is in the South that hate and terror walk the streets and roads by day, sometimes quiet, sometimes violent, and sleep n the beds with the citizens at night.
”
”
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
“
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near.
What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
”
”
Paul Auster (Timbuktu)
“
He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it.
'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")
”
”
William Mudford (Reign of Terror: Great Victorian Horror Stories)
“
She had always consciously or unconsciously formed fear into a simple equation: fear = unknown. And to solve the equation, one simply reduced the problem to simple algebraic terms, thus: unknown = creaky board (or whatever), creaky board = nothing to be afraid of. In the modern world all terrors could be gutted by simple use of the transitive axiom of equality. Some fears were justified, of course (you don’t drive when you’re too plowed to see, don’t extend the hand of friendship to snarling dogs, don’t go parking with boys you don’t know – how did the old joke go? Screw or walk?), but until now she had not believed that some fears were larger than comprehension, apocalyptic and nearly paralyzing. This equation was insoluble. The act of moving forward at all became heroism.
”
”
Stephen King (’Salem’s Lot)
“
Ahead in the distance we could see the main gate, but there was a sea of cars, none moving, people standing, milling around, waiting nervously, perhaps fearfully, as heavily armed MPs and military working dogs searched every square inch of every vehicle, searched every bag on every person, all the while keeping a vigilant eye on the long alley we were stuck in, and on the hundreds of rooftops that overlooked that alley, wary but aware that there were people out there who would gladly hurt us again if given the chance.
”
”
Tucker Elliot (The Day Before 9/11)
“
A woman who may report on a neighbor for disloyalty and jeopardize his life, even cause his death, takes her big kindly-looking dog in the Tiergarten for a walk. She talks to him and coddles him as she sits on a bench and he attends to the requirements of nature.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
He is going to die, Tyrion realized. He felt curiously calm, though pandemonium raged all about him. They were pounding Joff on the back again, but his face was only growing darker. Dogs were barking, children were wailing, men were shouting useless advice at each other. Half the wedding guests were on their feet, some shoving at each other for a better view, others rushing for the doors in their haste to get away. Ser Meryn pried the king’s mouth open to jam a spoon down his throat. As he did, the boy’s eyes met Tyrion’s. He has Jaime’s eyes. Only he had never seen Jaime look so scared. The boy’s only thirteen. Joffrey was making a dry clacking noise, trying to speak. His eyes bulged white with terror, and he lifted a hand . . . reaching for his uncle, or pointing . . . Is he begging my forgiveness, or does he think I can save him? “Noooo,” Cersei wailed, “Father help him, someone help him, my son, my son . . .” Tyrion found himself thinking of Robb Stark. My own wedding is looking much better in hindsight. He looked to see how Sansa was taking this, but there was so much confusion in the hall that he could not find her. But his eyes fell on the wedding chalice, forgotten on the floor. He went and scooped it up. There was still a half-inch of deep purple wine in the bottom of it. Tyrion considered it a moment, then poured it on the floor.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I look at the white woman’s cards and listen to her bold English words—dog, cat, house—and there is all the evidence of what is to come in my life. I am not to go the way of the two people I long for in the thick terror of the night. The first man I love and the first woman I adore, my father and my mother with their Spanish words, are not in these cards. The road before me is English and the next part too awful to ask aloud or even silently: What is so wrong with my parents that I am not to mimic their hands, their needs, not even their words?
”
”
Daisy Hernández
“
We have not thoroughly assessed the bodies snatched from dirt and sand to be chained in a cell. We have not reckoned with the horrendous, violent mass kidnapping that we call the Middle Passage.
We have not been honest about all of America's complicity - about the wealth the South earned on the backs of the enslaved, or the wealth the North gained through the production of enslaved hands. We have not fully understood the status symbol that owning bodies offered. We have not confronted the humanity, the emotions, the heartbeats of the multiple generations who were born into slavery and died in it, who never tasted freedom on America's land.
The same goes for the Civil War. We have refused to honestly confront the fact that so many were willing to die in order to hold the freedom of others in their hands. We have refused to acknowledge slavery's role at all, preferring to boil things down to the far more palatable "state's rights." We have not confessed that the end of slavery was so bitterly resented, the rise of Jim Crow became inevitable - and with it, a belief in Black inferiority that lives on in hearts and minds today.
We have painted the hundred-year history of Jim Crow as little more than mean signage and the inconvenience that white people and Black people could not drink from the same fountain. But those signs weren't just "mean". They were perpetual reminders of the swift humiliation and brutal violence that could be suffered at any moment in the presence of whiteness. Jim Crow meant paying taxes for services one could not fully enjoy; working for meager wages; and owning nothing that couldn't be snatched away. For many black families, it meant never building wealth and never having legal recourse for injustice. The mob violence, the burned-down homes, the bombed churches and businesses, the Black bodies that were lynched every couple of days - Jim Crow was walking through life measuring every step.
Even our celebrations of the Civil Rights Movement are sanitized, its victories accentuated while the battles are whitewashed. We have not come to grips with the spitting and shouting, the pulling and tugging, the clubs, dogs, bombs, and guns, the passion and vitriol with which the rights of Black Americans were fought against. We have not acknowledged the bloodshed that often preceded victory. We would rather focus on the beautiful words of Martin Luther King Jr. than on the terror he and protesters endured at marches, boycotts, and from behind jail doors. We don't want to acknowledge that for decades, whiteness fought against every civil right Black Americans sought - from sitting at lunch counters and in integrated classrooms to the right to vote and have a say in how our country was run.
We like to pretend that all those white faces who carried protest signs and batons, who turned on their sprinklers and their fire hoses, who wrote against the demonstrations and preached against the changes, just disappeared. We like to pretend that they were won over, transformed, the moment King proclaimed, "I have a dream." We don't want to acknowledge that just as Black people who experienced Jim Crow are still alive, so are the white people who vehemently protected it - who drew red lines around Black neighborhoods and divested them of support given to average white citizens. We ignore that white people still avoid Black neighborhoods, still don't want their kids going to predominantly Black schools, still don't want to destroy segregation.
The moment Black Americans achieved freedom from enslavement, America could have put to death the idea of Black inferiority. But whiteness was not prepared to sober up from the drunkenness of power over another people group. Whiteness was not ready to give up the ability to control, humiliate, or do violence to any Black body in the vicinity - all without consequence.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me.
December 97
My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself.
Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect.
Afterwards, I was ashamed.
I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish.
Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love.
Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird!
Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and...
It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
”
”
Jean Lorrain (Monsieur De Phocas)
“
And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! '''In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!
”
”
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
“
Harry had felt the gnawing ache for alcohol from the moment he woke up that morning. First as an instinctive physical craving, then as a panic-stricken fear because he had put a distance between himself and his medicine by not taking his hip flask or any money with him to work. Now the ache was entering a new phase in which it was both a wholly physical pain and a feeling of blank terror that he would be torn to pieces. The enemy below was pulling and tugging at the chains, the dogs were snarling up at him from the pit, somewhere in his stomach beneath his heart. God, how he hated them. He hated them as much as they hated him.
”
”
Jo Nesbø (The Devil's Star (Harry Hole, #5))
“
screened by a young beech. Where the two walls joined, several bricks had been loosened, and the crevices left were worn down and rounded upon the lower side, as though they had frequently been used as a ladder. Holmes clambered up, and taking the dog from me he dropped it over upon the other side. “There’s the print of Wooden-leg‘s
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes and Tales of Terror and Mystery)
“
One of my heroes is Dr. Jane Goodall. Her life’s work with animals and her compassion for those who cannot speak for themselves and for the good earth itself often nudge me in the right direction. When she speaks, I listen, and in turn I find myself becoming more human. She wrote: “Thousands of people who say they love animals sit down once or twice a day to enjoy the flesh of creatures who have been utterly deprived of everything that could make their lives worth living and who endured the awful suffering and the terror of the abattoirs.” I realized that through my ignorance and my decision not to look at what I was eating more closely, I was part of the problem she addressed.
”
”
Tom Ryan (Will's Red Coat: The Story of One Old Dog Who Chose to Live Again)
“
. . .biographers tend to regard as character those elements of personality that remain constant, or nearly so, throughout. . .Like practitioners of fractal geometry, biographers seek patterns that persist as one moves from micro- to macro-levels of analysis, and back again.
. . .
It follows from this that the scale across which we seek similarity need not be chronological. Consider the following incidents in the life of Stalin between 1929 and 1940, arranged not by dates but in terms of ascending horror. Start with the parrot he kept in a cage in his Kremlin apartment. The dictator had the habit of pacing up and down for long periods of time, smoking his pipe, brooding, and occasionally spitting on the floor. One day the parrot tried to mimic Stalin's spitting. He immediately reached into the cage with his pipe and crushed the parrot's head. A very micro-level event, you might well say, so what?
But then you learn that Stalin, while on vacation in the Crimea, was once kept awake by a barking dog. It turned out to be a seeing-eye dog that belonged to a blind peasant. The dog wound up being shot, and the peasant wound up in the Gulag. And then you learn that Stalin drove his independently minded second wife, who tried to talk back to him, into committing suicide. And that he arranged for Trotsky, who also talked back, to be assassinated halfway around the world. And that he arranged as well the deaths of as many of Trotsky's associates that he could reach, as well as the deaths of hundred of thousands of other people who never had anything to do with Trotsky. And that when his own people began to talk back by resisting the collectivization of agriculture, he allowed some fourteen million of them to die from the resulting starvation, exile, or imprisonment.
Again, there's self-similarity across scale, except that the scale this time is a body count. It's a fractal geometry of terror. Stalin's character extended across time and space, to be sure, but what's most striking about it is its extension across scale: the fact that his behavior seemed much the same in large matters, small matters, and most of those that lay in between.
”
”
John Lewis Gaddis (The Landscape of History: How Historians Map the Past)
“
It’s terrible to confirm that a system born to rescue human dignity has resorted to rewards, glorification, the encouragement of denunciations, and feeds on everything that is humanly vile. I feel the nausea rise in my throat when I hear people say: they’ve shot M., they’ve shot P., shot, shot, shot. The words, after hearing them so much, lose their meaning. The people say them with greater calm, as if they were saying: we’re going to the theater. I, who lived these years in fear and felt the compulsion to denounce (I confess so with terror, but without any feeling of guilt), have lost in my mind the brutal semantics of the verb ‘to shoot’ … I feel that we’ve reached the end of justice on earth, the limits of human dignity.
”
”
Leonardo Padura (The Man Who Loved Dogs)
“
BESTIARY "
charybdis:
when i suck in / i make deadly / whirlpools / ask anyone
who’s managed / to climb out / alive
dragon:
patrol or pillage / he exhales and a whole village / burns / iron scaled
sentry / guardian of the ivory / tower i wrap my legs around / everyone
thinks / he’s a brute / but for me / he lifts his breast plate / for me
he welcome the quiver / and the arrow’s teeth.
golem:
take his hair in your hands / his dead / skin cells / his discarded
undergarments / take them / and make of them a new boy
this effigy / his likeness and nothing / like him / breathe life
into its clenched carapace // my god / i think i saw it / move
medusa:
when i saw / my face / reflected in terror / in his eyes / i turned
to stone / or a pillar of salt watching my village burn / he was the village
burning / maybe that’s a different story / maybe in the end
only the snakes wept
siren:
he cries / and i / lashed to the mast of a ship / steer my body
toward the sound / sheets bound around wrists and ankles
tears make grief / a lighthouse you wear / when i hear him
a huge wood wheel turns in my stomach / and i break / open
on / his jagged coast
werewolf:
there are many words for transformation / metamorphosis
metaphor / medication / go to sleep / beside the man you love
wake up next to a dog / maybe the moon brought it out of him
hound hungry for blood / maybe its your fault / or maybe
it was there inside him / howling all along
”
”
Sam Sax
“
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
”
”
Paul Feig (Kick Me: Adventures in Adolescence)
“
IT IS IMPOSSIBLE to think about literary seclusion without thinking of Dickinson writing, “I had a terror—since September—I could tell to none—and so I sing, as the Boy does by the Burying Ground—because I am afraid—” People like to speculate about the cause of this terror, assuming it came from outside her own body. Emily Dickinson: Scared by a Big Dog in Her Prime? Emily Dickinson: She Saw One Penis and Renounced Human Society.
”
”
Patricia Lockwood (Priestdaddy: A Memoir)
“
Lucy was frightened, frightened near to death. Her voice choked, she could not breath, her limbs went numb. "This is not happening", she said to herself as the men forced her down; "it is just a dream, a nightmare". While the men, for their part, drank up her fear, revelled in it, did all they could to hurt her, to menace her, to heighten her terror. "Call your dogs!" they said to her. "Go on, call your dogs! No dogs? Then let us show you dogs!
”
”
J.M. Coetzee (Disgrace)
“
Even more confused than before, I started backing up. I’d go around and get in through the kitchen; David and Raquel had to know what was going on. Unfortunately for all of us, that was when Lend came out the front door, immediately collapsed with a thunk that made me cringe, and—perfect—went completely transparent.
The police officers stopped fighting, every eye glued on my boyfriend, now essentially invisible other than this T-shirt and flannel pajama pants.
“Okay,” I said, putting my hands on my hips. “No. This is unacceptable. I don’t care what the bleep is going on, we’re going to get it settled immediately or I swear I will give you all to the Dark Queen and let her feed on your dreams for the rest of eternity.”
Every head turned my direction, their faces a portrait of shock and disbelief.
“What, you’ve never seen a boy made of water before? Yawn. Go down to the pond—it’ll really blow your mind.”
One close to the front—barrel-chested, middle-aged man with salt-and-pepper hair and a thick mustache—shook his head as though trying to clear it. “Are you Evelyn Green?”
“Sort of. Mostly. I mean, legally. Again, sort of.”
He tried to look at me, but his eyes kept drifting back to Lend. “You’re under—We’re here to—Could you please come with us?”
I rolled my eyes. “No, I couldn’t. You’re last place in a very long line of people who want me right now. Besides, I haven’t done anything.”
“Actually,” said a painfully tall and thin officer with a voice that struggled between tenor and bass but really sounded like a dog with something caught in its throat, “you’re wanted for terrorism.” He shrugged apologetically. “We’re supposed to take you into NSA headquarters.”
“I think you have the wrong acronym there,” I said. This had Anne-Whatever Whatever written all over it.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
She felt very lonely, and was quite sure she should begin to cry before long; the gypsies didn’t seem to mind her at all, and she felt quite weak among them. But the springing tears were checked by new terror, when two men came up, whose approach had been the cause of the sudden excitement. The elder of the two carried a bag, which he flung down, addressing the women in a loud and scolding tone, which they answered by a shower of treble sauciness; while a black cur ran barking up to Maggie, and threw her into a tremor that only found a new cause in the curses with which the younger man called the dog off, and gave him a rap with a great stick he held in his hand. Maggie felt that it was impossible she should ever be queen of these people, or ever communicate to them amusing and useful knowledge.
”
”
George Eliot (Complete Works of George Eliot)
“
TRIBUTE TO A DOG The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —Senator George Vest, 1870
”
”
Dean Koontz (Watchers: A thriller of both heart-stopping terror and emotional power)
“
There is, in Peanuts, an underlying and profound sadness which reflects not only Schulz's own struggles with depression but his sensitivity to the quiet terrors of human loneliness. "The most terrifying loneliness is not experienced by everyone and can be understood by only a few," Schulz said. "I compare the panic in this kind of loneliness to the dog we see running frantically down the road pursuing the family car. He is not really being left behind, for the family knows it is to return, but for that moment in his limited understanding, he is being left alone forever, and he has to run and run to survive." It is this heart-stopping poignancy which gives indisputable credibility to Schulz's work. The great artists, wrote the poet Edward Thomas, have seen what they have imagined. Surely this is true of Schulz.
”
”
Kay Redfield Jamison (Exuberance: The Passion for Life)
“
The few remaining men can exist out their puny days dropped out on drugs or
strutting around in drag or passively watching the high-powered female in action,
fulfilling themselves as spectators, vicarious liver*, or breeding in the cow pasture
with the toadies, or they can go off to the nearest friendly suicide center where
they will be quietly, quickly, and painlessly gassed to death.
Prior to the institution of automation, to the replacement of males by machines,
the male should be of use to the female, wait on her, cater to her slightest whim,
obey her every command, be totally subservient to her, exist in perfect obedience
to her will, as opposed to the completely warped, degenerate situation we have
now of men, not only not only not existing at all, cluttering up the world with their
ignominious presence, but being pandered to and groveled before by the mass of
females, millions of women piously worshiping the Golden Calf, the dog leading
the master on a leash, when in fact the male, short of being a drag queen, is least
miserable when his dogginess is recognized – no unrealistic emotional demands are
made of him and the completely together female is calling the shots. Rational men
want to be squashed, stepped on, crushed and crunched, treated as the curs, the
filth that they are, have their repulsiveness confirmed.
The sick, irrational men, those who attempt to defend themselves against their
disgustingness, when they see SCUM barreling down on them, will cling in terror
to Big Mama with her Big Bouncy Boobies, but Boobies won’t protect them
against SCUM; Big Mama will be clinging to Big Daddy, who will be in the corner
shitting in his forceful, dynamic pants. Men who are rational, however, won’t kick
or struggle or raise a distressing fuss, but will just sit back, relax, enjoy the show
and ride the waves to their demise.
”
”
Valerie Solanas
“
Cansrel could sit with Fire and do something no one else could: give her lessons to improve the skill of her mind. They could communicate without saying a word, they could touch each other from opposite ends of the house. Fire’s true father was like her—was, in fact, the only person in the world like her. He always asked the same question when he first arrived: “My darling monster girl! Was anyone mean to you while I was gone?” Mean? Children threw stones at her in the road. She was tripped sometimes, slapped, taunted. People who liked her hugged her, but they hugged her too hard and were too free with their hands. And still, Fire learned very young to answer no to his question—to lie, and to guard her mind from him so he wouldn’t know she was lying. This was the beginning of another of her confusions, that she would want his visits so much but fall immediately to lying once he came. When she was four she had a dog she’d chosen from a litter born in Brocker’s stables. She chose him, and Brocker let her have him, because the dog had three functional legs and one that dragged, and would never be any use as a worker. He was inky gray and had bright eyes. Fire called him Twy, which was short for Twilight. Twy was a happy, slightly brainless fellow with no idea he was missing something other dogs had. He was excitable, he jumped around a lot, and had a tendency on occasion to nip his favorite people. And nothing worked him into a greater frenzy of excitement, anxiety, joy, and terror than the presence of Cansrel. One day in the garden Cansrel burst upon Fire and Twy unexpectedly. In confusion, Twy leapt against Fire and bit her more than nipped her, so hard that she cried out. Cansrel ran to her, dropped to his knees, and took her into his arms, letting her fingers bleed all over his shirt. “Fire! Are you all right?” She clung to him, because for just a moment Twy had scared her. But then, as her own mind cleared, she saw and felt Twy throwing himself against a pitch of sharp stone, over and over. “Stop, Father! Stop it!” Cansrel pulled a knife from his belt and advanced on the dog. Fire shrieked and grabbed at him. “Don’t hurt him, Father, please! Can’t you feel that he didn’t mean it?
”
”
Kristin Cashore (Fire)
“
One Sunday in the fall of 1898, thirty-three years after the end of the Civil War, the Reverend Francis Grimké stood before his church in Washington, DC, and preached a sermon titled “The Negro Will Never Acquiesce as Long as He Lives.” After a period of federal intervention in the South, Jim Crow violence had returned with a vengeance, and Grimké, like so many other black Christians, looked on in horror as a white, supposedly Christian, nation violently oppressed its African-American citizens. After describing the discouragement and horrors faced by black people, the pastor turned his attention to white churches, saying, “Another discouraging circumstance is to be found in the fact that the pulpits of the land are silent on these great wrongs. The ministers fear to offend those to whom they minister.” He then noted the sorts of sins that white Christians were comfortable calling out—alcohol, gambling, breaking the sabbath—before wondering at their silence in response to so much visible racial terror. I can almost hear the anger and confusion in his voice as he revealed the hypocrisy of the white churches and their pastors. “They are eloquent in their appeals to wipe out these great wrongs, but when it comes to Southern brutality, to the killing of Negroes and despoiling them of their civil and political rights, they are, to borrow an expression from Isaiah, ‘dumb dogs that cannot bark.
”
”
David W. Swanson (Rediscipling the White Church: From Cheap Diversity to True Solidarity)
“
Trying to trick the creature, hoping that it would react without hesitation to the first sign of movement in the door way, Travis tucked the revolver under his belt, quietly picked up one of the dining-room chairs, eased to within six feet of the kitchen, and pitched the chair through the open door. He snatched the revolver out of his waistband and, as the chair sailed into the kitchen, assumed a shooter's stance. The chair crashed into the Formica-topped table, clattered to the floor, and banged against the dishwasher.
The lantern-eyed enemy did not go for it. Nothing moved. When the chair finished tumbling, the kitchen was again marked by a hushed expectancy .
Einstein was making a curious sound, a quiet shuddery huffing, and after a moment Travis realized the noise was a result of the dog's uncontrollable shivering.
No question about it: the intruder in the kitchen was the very thing that had pursued them through the woods more than three months ago. During the intervening weeks, it had made its way north, probably traveling mostly in the wildlands to the east of the developed part of the state, relentlessly tracking the dog by some means that Travis could not understand and for reasons he could not even guess.
In response to the chair he had thrown, a large white-enameled canister crashed to the floor just beyond the kitchen doorway, and Travis jumped back in surprise, squeezing off a wild shot before he realized he was only being taunted. The lid flew off the container when it hit the floor, and flour spilled across the tile.
Silence again.
By responding to Travis's taunt with one of its own, the intruder had displayed unnerving intelligence. Abruptly Travis realized that, coming from the same research lab as Einstein and being a product of related experiments, the creature might be as smart as the retriever. Which would explain Einstein's fear of it. If Travis had not already accommodated himself to the idea of a dog with humanlike intelligence, he might have been unable to credit this beast with more than mere animal cleverness; however, events of the past few months had primed him to accept-and quickly adapt to-almost anything.
”
”
Dean Koontz (Watchers)
“
The man's horrible curses; the howls of the dogs in the cellar; the wailing of the puppies in cages ; the sight of the blood and the torture; the shrieks of the animal that he kicked or beat, or forced into some wretched hole too small for it to turn in; the sad filmy eyes of the poor birds sitting moping with their feathers all in disarray; the piteous terrors of the woman every time her husband's savage glance lit on her, as though with every look she feared a blow,—all this was more dreadful to me than I can ever describe.
”
”
Ouida (Puck)
“
Maybe it was always that way and everyone has always been forever waking in a flustered confusion deep at night trying to believe that the awful sound they think woke them was nothing, or was the nervous bark of a dog, not the sound of violence or of a child weeping in the kind of desolation or terror that demands intervention
”
”
China Miéville (Three Moments of an Explosion)
“
There are some sleeping dogs that should be left to lie; there are some questions that should not be asked.
”
”
Stanley Ellin (Masterpieces of Terror and the Supernatural)
“
It is quite idle (...) to insist so much on bodily strength, as a necessary qualification to military employments. And it is full as idle to imagine that Women are not naturally as capable of courage and resolution as the Men. We are indeed charged, without any exception, with being timorous, and incapable of defence; frighted at our own shadows; alarm'd at the cry of an infant, the bark of a dog, the whistling of the wind, or a tale of hob-goblins. But is this universally true? Are there not Men as void of courage as the most heartless of our sex? And yet it is known that the most timorous Women (...) often behave more courageously than the Men under pains, sickness, want, and the terrors of death itself.
”
”
Sophia Fermor (Woman Not Inferior to Man)
“
The revolution is led by pigs with a vision of an egalitarian utopia free from tyrannical human beings, but their ideals are gradually abandoned as power goes to their heads and they become cruel and greedy. They decree that only pigs are allowed to eat the apples grown in the orchard (nutritionally essential for a pig’s brain, they claim), and they breed a terror squad of dogs to police the hens, sheep, cows and horses living on the farm. As the pigs take on the luxuries of the humans they fought to overthrow—sleeping in the farmhouse and swilling whisky—the other animals die of overwork and starvation. Orwell had based Animal Farm on the Russian Revolution of 1917 and Stalin’s fearsome drive to collectivize the Soviet Union’s farmland, resulting in the death of millions of peasants.
”
”
Emma Larkin (Finding George Orwell in Burma)
“
Eyes closed, I conjured the great Churchill. You ask, What is our aim? I can answer in one word. It is victory, victory at all costs, victory in spite of all terror, victory . . . without victory, there is no survival. I wanted desperately to hop a bus to Stratford, to see Shakespeare’s house. (Elizabethan women wore
”
”
Phil Knight (Shoe Dog)
“
So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor.
Then the dog, standing beside him, threw back his head and howled.
“What is it?” asked Finn.
But now he, too, smelled the choking, lingering smoke.
And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing.
He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged…
He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze.
But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there.
He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest.
There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame.
What would it be like, Finn wondered, going on living and knowing that he had killed his friend?
The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.
”
”
Eva Ibbotson (Journey to the River Sea)
“
One of my heroes is Dr. Jane Goodall. Her life’s work with animals and her compassion for those who cannot speak for themselves and for the good earth itself often nudge me in the right direction. When she speaks, I listen, and in turn I find myself becoming more human. She wrote: “Thousands of people who say they love animals sit down once or twice a day to enjoy the flesh of creatures who have been utterly deprived of everything that could make their lives worth living and who endured the awful suffering and the terror of the abattoirs.” I realized that through my ignorance and my decision not to look at what I was eating more closely, I was part of the problem she addressed. I love animals, and yet I
”
”
Tom Ryan (Will's Red Coat: The Story of One Old Dog Who Chose to Live Again)
“
Merlin stepped forward until he was standing not more than an arm's length from Megan. He gestured toward the wolf.
"Please, do not be afraid. He is harmless as any hunting dog. Only those who would threaten me need fear of him."
The animal got up and loped to its master's side, where it nuzzled his hand. Megan watched in wonder.
"Can I... can I touch him?" she asked. When Merlin nodded she moved cautiously toward the animal, then reached out a trembling hand. The wolf sniffed her palm, then sneezed as the garlic burned his nostrils. Megan laughed, and looked up to see Merlin laughing silently, too, his face animated and softened by his smile. She reached forward once more and touched the wolf's dense coat. "Oh," she said, "it is softer than a lamb's wool! Who would have believed such a thing?"
The wolf seemed to enjoy the attention and was happy to let her make a fuss of him. Megan found herself so fascinated by the creature she all but forgot Merlin until he spoke again.
"It is often true that being close to the object of our fears is not as terrifying as we had supposed it to be. It is the threat of terror that controls a man more than the terror itself.
”
”
Paula Brackston (Lamp Black, Wolf Grey)
“
we often neglect to tell about those who go on in their dogged way to keep the world afloat and who seek to endure in the face of great trials.
”
”
Teofilo F. Ruiz (The Terror of History: On the Uncertainties of Life in Western Civilization)
“
A few days later, when the terror caused by the executions had died down, some of the animals remembered - or thought they remembered - that the Sixth Commandment decreed: 'No animal shall kill any other animal.' And though no one cared to mention it in the hearing of the pigs or the dogs, it was felt that the killings which had taken place did not square with this. Clover asked Benjamin to read her the Sixth Commandment, and when Benjamin, as usual, said that he refused to meddle in such matters, she fetched Muriel. Muriel read the Commandment for her. It ran: 'No animal shall kill any other animal without cause'. Somehow or other, the last two words had slipped out of the animals' memory.
”
”
George Orwell (Animal Farm)
“
I have been a long time bringing myself to set down this strange story of Etta Farnsworth and the phantom hound of Hardhack Hill because I have doubted my ability to make it credible. It is not the sort of thing that happens to highly civilized communities where people are born, marry, and die without tragedy and without superstitious terrors.
”
”
Walter Alden Dyer (Many Dogs There Be (Short Story Index Reprint Series))
“
The Denial of Death essentially makes two points: 1. Humans are unique in that we’re the only animals that can conceptualize and think about ourselves abstractly. Dogs don’t sit around and worry about their career. Cats don’t think about their past mistakes or wonder what would have happened if they’d done something differently. Monkeys don’t argue over future possibilities, just as fish don’t sit around wondering if other fish would like them more if they had longer fins. As humans, we’re blessed with the ability to imagine ourselves in hypothetical situations, to contemplate both the past and the future, to imagine other realities or situations where things might be different. And it’s because of this unique mental ability, Becker says, that we all, at some point, become aware of the inevitability of our own death. Because we’re able to conceptualize alternate versions of reality, we are also the only animal capable of imagining a reality without ourselves in it. This realization causes what Becker calls “death terror,” a deep existential anxiety that underlies everything we think or do. 2. Becker’s second point starts with the premise that we essentially have two “selves.” The first self is the physical self—the one that eats, sleeps, snores, and poops. The second self is our conceptual self—our identity, or how we see ourselves.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
A mystic is a man who surrendered his mind at its first encounter with the minds of others. Somewhere in the distant reaches of his childhood, when his own understanding of reality clashed with the assertions of others, with their arbitrary orders and contradictory demands, he gave in to so craven a fear of independence that he renounced his rational faculty. At the crossroads of the choice between ‘I know’ and ‘They say,’ he chose the authority of others, he chose to submit rather than to understand, to believe rather than to think. Faith in the supernatural begins as faith in the superiority of others. His surrender took the form of the feeling that he must hide his lack of understanding, that others possess some mysterious knowledge of which he alone is deprived, that reality is whatever they want it to be, through some means forever denied to him. “From then on, afraid to think, he is left at the mercy of unidentified feelings. His feelings become his only guide, his only remnant of personal identity, he clings to them with ferocious possessiveness—and whatever thinking he does is devoted to the struggle of hiding from himself that the nature of his feelings is terror. “When a mystic declares that he feels the existence of a power superior to reason, he feels it all right, but that power is not an omniscient super-spirit of the universe, it is the consciousness of any passer-by to whom he has surrendered his own. A mystic is driven by the urge to impress, to cheat, to flatter, to deceive, to force that omnipotent consciousness of others. ‘They’ are his only key to reality, he feels that he cannot exist save by harnessing their mysterious power and extorting their unaccountable consent. ‘They’ are his only means of perception and, like a blind man who depends on the sight of a dog, he feels he must leash them in order to live. To control the consciousness of others becomes his only passion; power-lust is a weed that grows only in the vacant lots of an abandoned mind.
”
”
Ayn Rand (Atlas Shrugged)
“
A mystic is a man who surrendered his mind at its first encounter with the minds of others. Somewhere in the distant reaches of his childhood, when his own understanding of reality clashed with the assertions of others, with their arbitrary orders and contradictory demands, he gave in to so craven a fear of independence that he renounced his rational faculty. At the crossroads of the choice between ‘I know’ and ‘They say,’ he chose the authority of others, he chose to submit rather than to understand, to believe rather than to think. Faith in the supernatural begins as faith in the superiority of others. His surrender took the form of the feeling that he must hide his lack of understanding, that others possess some mysterious knowledge of which he alone is deprived, that reality is whatever they want it to be, through some means forever denied to him. “From then on, afraid to think, he is left at the mercy of unidentified feelings. His feelings become his only guide, his only remnant of personal identity, he clings to them with ferocious possessiveness—and whatever thinking he does is devoted to the struggle of hiding from himself that the nature of his feelings is terror. “When a mystic declares that he feels the existence of a power superior to reason, he feels it all right, but that power is not an omniscient super-spirit of the universe, it is the consciousness of any passer-by to whom he has surrendered his own. A mystic is driven by the urge to impress, to cheat, to flatter, to deceive, to force that omnipotent consciousness of others. ‘They’ are his only key to reality, he feels that he cannot exist save by harnessing their mysterious power and extorting their unaccountable consent. ‘They’ are his only means of perception and, like a blind man who depends on the sight of a dog, he feels he must leash them in order to live. To control the consciousness of others becomes his only passion; power-lust is a weed that grows only in the vacant lots of an abandoned mind. “Every dictator is a mystic, and every mystic is a potential dictator. A mystic craves obedience from men, not their agreement. He wants them to surrender their consciousness to his assertions, his edicts, his wishes, his whims—as his consciousness is surrendered to theirs. He wants to deal with men by means of faith and force—he finds no satisfaction in their consent if he must earn it by means of facts and reason. Reason is the enemy he dreads and, simultaneously, considers precarious: reason, to him, is a means of deception, he feels that men possess some power more potent than reason—and only their causeless belief or their forced obedience can give him a sense of security, a proof that he has gained control of the mystic endowment he lacked. His lust is to command, not to convince: conviction requires an act of independence and rests on the absolute of an objective reality.
”
”
Ayn Rand (Atlas Shrugged)
“
people just are not good to each other
one on one.
the rich are not good to the rich
the poor are not good to the poor.
we are afraid.
our educational system tells us
that we can all be
big-ass winners.
it hasn't told us
about the gutters
or the suicides.
or the terror of one person
aching in one place
alone
untouched
unspoken to
watering a plant.
people are not good to each other.
people are not good to each other.
people are not good to each other.
I suppose they never will be.
I don't ask them to be.
but sometimes I think about
it.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Two hundred and fifty thousand people over the road. Fifty thousand old cars––wounded, steaming. Wrecks along the road, abandoned. Well, what happened to them? What happened to the folks in that car? Did they walk? Where are they? Where does the courage come from? Where does the terrible faith come from?
And here’s a story you can hardly believe, but it’s true, and it’s funny and it’s beautiful. There was a family of twelve and they were forced off the land. They had no car. They built a trailer out of junk and loaded it with their possessions. They pulled it to the side of 66 and waited. And pretty soon a sedan picked them up. Five of them rode in the sedan and seven on the trailer, and a dog on the trailer. They got to California in two jumps. The man who pulled them fed them. And that’s true. But how can such courage be, and such faith in their own species? Very few things would teach such faith.
The people in flight from the terror behind––strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.
”
”
John Steinbeck (The Grapes of Wrath)
“
But the truth about the need for heroism is not easy for anyone to admit, even the very ones who want to have their claims recognized. There's the rub. As we shall see from our subsequent discussion, to become conscious of what one is doing to earn his feeling of heroism is the main self-analytic problem of life. Everything painful and sobering in what psychoanalytic genius and religious genius have discovered about man revolves around the terror of admitting what one is doing to earn his self-esteem. This is why human heroics is a blind drivenness that burns people up; in passionate people, a screaming for glory as uncritical and reflexive as the howling of a dog. In the more passive masses of mediocre men it is disguised as they humbly and complainingly follow out the roles that society provides for their heroics and try to earn their promotions within the system: wearing the standard uniforms-but allowing themselves to stick out, but ever so little and so safely, with a little ribbon or a red boutonniere, but now with head and shoulders.
”
”
Ernest Becker (The Denial of Death)
“
Dressed in their red suits and fake beards, they rang their bells like they were going for dog-spit gold at the Pavlov Olympics.
”
”
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))