“
Something always dies when the lion feeds – and yet there is meat for those that follow him.
”
”
Wilbur Smith (When the Lion Feeds (Courtney, #1))
“
You've been a bitch, goddess. That's over. From now on, you step when I say walk. You eat when I feed you...
”
”
C.D. Reiss (Monica (Songs of Submission, #7.5; Songs of Dominance, #4))
“
I have a lion inside me, and I had to feed it words every few days; when I don't, it begins to eat me instead.
”
”
Sophy Burnham
“
Play the game without mercy, play to win
”
”
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
“
Simon told me I should take you home and start making kits. What do you think?” Max looked down at her, love and lust glowing equally in his brilliant smile. “Max?” “What?” His tone was wary; he’d come to expect the unexpected when she used that particular tone of voice. “Will I give birth to a baby or a litter?” “Emma,” he groaned. “I mean, will we be feeding them baby formula or Kitten Chow?” “Emma!” “If they get stuck in a tree, who do we call? Does the fire department do kitten rescues anymore? This is important stuff to know, Lion-O!” “God save me.
”
”
Dana Marie Bell (The Wallflower (Halle Pumas, #1))
“
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion.
It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
”
”
Susan Griffin (Woman and Nature: The Roaring Inside Her)
“
„Ако сълзите могат да изплатят нашите грехове, бих плакал, за да купя опрощение за всички твои мъки в бъдещия ти живот, ако можех сега да изплача всичко вместо теб, бих плакал, докато изтекат очите ми.
”
”
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
“
When the lion feeds, many animals eat.
”
”
Sadhguru (Mystic’s Musings)
“
When a traveller gets a thorn in his foot,’ Mbejane went on softly, ‘and he is wise he plucks it out – and he is a fool who leaves it and says “I will keep this thorn to prick me so that I will always remember the road upon which I have travelled.” Nkosi, it is better to remember with pleasure than with pain.
”
”
Wilbur Smith (When the Lion Feeds (Courtney, #1))
“
Life is a great big beautiful three-ring circus. There are those on the floor making their lives among the heads of lions and hoops of fire, and those in the stands, complacent and wowed, their mouths stuffed with popcorn.
I know less now than ever about life, but I do know its size. Life is enormous. Much grander than what we’ve taken for ourselves, so far.
When the show is over and the tent is packed, the elephants, lions and dancing poodles are caged and mounted on trucks to caravan to the next town. The clown’s makeup has worn, and his bright, red smile has been washed down a sink. All that is left is another performance, another tent and set of lights. We rest in the knowledge: the show must go on.
Somewhere, behind our stage curtain, a still, small voice asks why we haven’t yet taken up juggling. My seminars were like this. Only, instead of flipping shiny, black bowling balls or roaring chainsaws through the air, I juggled concepts.
The world is intrinsically tied together. All things march through time at different intervals but move ahead in one fashion or another.
Though we may never understand it, we are all part of something much larger than ourselves—something anchoring us to the spot we have mentally chosen. We sniff out the rules, through spiritual quests and the sciences. And with every new discovery, we grow more confused.
Our inability to connect what seems illogical to unite and to defy logic in our understanding keeps us from enlightenment. The artists and insane tiptoe around such insights, but lack the compassion to hand-feed these concepts to a blind world.
The interconnectedness of all things is not simply a pet phrase. It is a big “T” truth that the wise spend their lives attempting to grasp.
”
”
Christopher Hawke (Unnatural Truth)
“
They forgot to feed them for a few days and, when they remembered, both lions lay limp in their cage, as if dead. A juggler and a clown went in to check - the clown had nicked himself shaving and was bleeding. Anyway, to cut a long story short, the lions weren't dead: they'd merely been sleeping and woke to find two men in their cage and the door wide open." "Gosh," I said. "That must have been very scary, especially for the bleeding clown." "Language, Andy. As it happens, the lions, ignoring the clown, went straight for the juggler..
”
”
Wilkie Martin (Inspector Hobbes and the Curse (Unhuman, #2))
“
The Drunken Gnat
You are the soul of the soul,
a door that opens into existence.
When separation makes us angry,
you strike with a sword.
When union becomes vague,
you feed it with a vast nothing.
Old civilizations start to flourish again.
The March sun warms the world with singing.
Tambourine and harp, branches covered with buds.
Is anyone sober enough to speak with the king?
No one. All right. Remember how a gnat
once got drunk and walked into the ear
of a terrible tyrant, then from there
into his brain and killed him?
Grape-wine can do that to a gnat.
What will the wine of infinity do for us?
A cave dog watched over the sleepers.
If a dog can be a shepherd,
what could the spirit-lion of a human being become?
Sparks from a fire lift in the sky
and turn to stars.
Shams is now a depth of truth
that rises every morning in the east.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
Then she looked at his eyes and her panic smoothed away. With those eyes watching over her she was never to feel frightened again, not until the very end and that was a long time away. Going into his love was like going into a castle, a thick-walled place. A safe place where no one else could enter. The first feeling of it was so strong that she could only stand quietly and let the warmth wrap her.
”
”
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
Pagans were not impressed by the torture of Christians merely because it showed that they honestly held their opinion; they knew that millions of people honestly held all sorts of opinions. The point of such extreme martyrdom is much more subtle. It is that it gives an appearance of a man having something quite specially strong to back him up, of his drawing upon some power. And this can only be proved when all his physical contentment is destroyed; when all the current of his bodily being is reversed and turned to pain. If a man is seen to be roaring with laughter all the time that he is skinned alive, it would not be unreasonable to deduce that somewhere in the recesses of his mind he had thought of a rather good joke. Similarly, if men smiled and sang (as they did) while they were being boiled or torn in pieces, the spectators felt the presence of something more than mere mental honesty: they felt the presence of some new and unintelligible kind of pleasure, which, presumably, came from somewhere. It might be a strength of madness, or a lying spirit from Hell; but it was something quite positive and extraordinary; as positive as brandy and as extraordinary as conjuring. The Pagan said to himself: "If Christianity makes a man happy while his legs are being eaten by a lion, might it not make me happy while my legs are still attached to me and walking down the street?" The Secularists laboriously explain that martyrdoms do not prove a faith to be true, as if anybody was ever such a fool as to suppose that they did. What they did prove, or, rather, strongly suggest, was that something had entered human psychology which was stronger than strong pain. If a young girl, scourged and bleeding to death, saw nothing but a crown descending on her from God, the first mental step was not that her philosophy was correct, but that she was certainly feeding on something.
”
”
G.K. Chesterton (All Things Considered)
“
We killed them all when we came here.
The people came and burned their land
The forests where they used to feed
We burned the trees that gave them shade
And burned to bush, to scrub, to heath
We made it easier to hunt.
We changed the land, and they were gone.
Today our beasts and dreams are small
As species fall to time and us
But back before the black folk came
Before the white folk’s fleet arrived
Before we built our cities here
Before the casual genocide,
This was the land where nightmares loped
And hopped and ran and crawled and slid.
And then we did the things we did,
And thus we died the things we died.
We have not seen Diprotodon
A wombat bigger than a room
Or run from Dromornithidae
Gigantic demon ducks of doom
All motor legs and ripping beaks
A flock of geese from hell’s dark maw
We’ve lost carnivorous kangaroo
A bouncy furrier T Rex
And Thylacoleo Carnifex
the rat-king-devil-lion-thing
the dropbear fantasy made flesh.
Quinkana, the land crocodile
Five metres long and fast as fright
Wonambi, the enormous snake
Who waited by the water-holes
and took the ones who came to drink
who were not watchful, clever, bright.
Our Thylacines were tiger-wolves
until we drove them off the map
Then Megalania: seven meters
of venomous enormous lizard...
and more, and more. The ones whose bones
we’ve never seen. The megafauna haunt
our dreams.
This was their land before mankind
Just fifty thousand years ago.
Time is a beast that eats and eats
gives nothing back but ash and bones
And one day someone else will come
to excavate a heap of stones
And wonder, What were people like?
Their teeth weren’t sharp. Their feet
were slow.
They walked Australia long ago
before Time took them into tales
We’re transients. The land remains.
Until its outlines wash away.
While night falls down like dropbears don’t
to swallow up Australia Day.
”
”
Neil Gaiman
“
She was a new world - a place of endless mysteries and unexpected delights, an enchanting mixture of woman and child. She supervised the domestic routine with deceptive lack of fuss. With her there, suddenly his clothes were clean and had their full complement of buttons; the stew of boots and books and unwashed socks in his wagon vanished. There were fresh bread and fruit preserves on the table; Kandhla's eternal grilled steaks gave way to a variety of dishes. Each day she showed a new accomplishment. She could ride astride, though Sean had to turn his back when she mounted and dismounted. She cut Sean's hair and made as good a job of it as his barber in Johannesburg. She had a medicine chest in her wagon from which she produced remedies for every ailing man or beast in the company. She handled a rifle like a man and could strip and clean Sean's Mannlicher. She helped him load cartridges, measuring the charges with a practised eye. She could discuss birth and procreation with a clinical objectivity and a minute later blush when she looked at him that way. She was as stubborn as a mule, haughty when it suited her, serene and inscrutable at times and at others a little girl. She would push a handful of grass down the back of his shirt and run for him to chase her, giggle for minutes at a secret thought, play long imaginative games in which the dogs were her children and she talked to them and answered for them. Sometimes she was so naive that Sean thought she was joking until he remembered how young she was. She could drive him from happiness to spitting anger and back again within the space of an hour. But, once he had won her confidence and she knew that he would play to the rules, she responded to his caresses with a violence that startled them both. Sean was completely absorbed in her. She was the most wonderful thing he had ever found and, best of all, he could talk to her.
”
”
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
“
The Robot With Human Hair Pt2"
Said it's the coming of man
And I forget when you went away
Like a kick to the face
Not winning the race
(Lion, I've seen you from afar)
I've seen her in the car
Knowing that you deserve such more
Deserved to know you're free
Leave, I'm the director
Agree to the role of the pilot inspector
Breathe, pilot inspector
Feed off the role of the radar detector
Leave, I'm the director
Agree to the role of the pilot inspector
Breathe, pilot inspector
Feed off the role of the radar detector
Well, then, you said you could do this on your own
I'm sorry baby, I can't aid you
(And then you say, hands down, right now, I'll let this go)
You...
Well, now it's up to god to save you
Save you from all of those bruised,
bruised and battered wounds
(Wave right with a gun in his hand wave right)
Can you taste this blood
Dripping sweeter than...?
And over your eyes
And I, and I fall to both knees
Not to beg for your forgiveness
But to hate the word
And you speak
Take a right off these cliffs
The ground is staring at your wounded weapons
Wounded weapons
(And I can't believe that you're right)
You can bank the night on this its round
And glaring at your well
I get hyphy
Tell 'em I get hyphy
And this is where it ends
Well, then, you said you could do this on your own
I'm sorry baby, I can't aid you
(And then you say, hands down, right now, I'll let this go)
You...
Well, now it's up to god to save you
Save you, save you
Save you, save you
I can't believe these long words
Come from many national absurd
This is a line cut across
Hope, defeat, the line, the loss
I can never be this lone wolf
You can never see me across this earth
This will be a light that I run from
You thought you were so strong
You pleaded to never be wrong
(Brace yourself, fasten belts)
Well, now that you go
(Close the hatch, flip the latch)
I sit here and wonder
(They're not dead, speed ahead)
Times have changed
It's like we've been trashing silos
(Well, now that you go)
In the time bomb aisle
(I sit here and wonder)
Maybe they'll dodge the spill
Oil kills, sure it will
And I can't breathe the air
(Hide your daughter 'cause I'm coming over)
To reach for this light
(You know I'm not lying about)
(Trashing silos in the time bomb aisle)
And you can't breathe the air
(About trashing silos in the time bomb aisle)
Not leaving her to reach
The line, the work, the rope, the love
And I have seen such worse for you
It's a no, I'm not coming back
It's a no, I'm not coming back
It's a no, I'm not coming back
And now you see the sky has turned black
Why do think everyone has turned back?
It's cause he's gone
And now you see the sky has turned black
Why do think everyone has turned back?
It's cause he's gone
And now you see the sky has turned black
Why do think everyone has turned back?
It's cause he's gone
”
”
Dance Gavin Dance
“
The Branch From Jesse
11 A shoot will come up from the stump of Jesse;
from his roots a Branch will bear fruit.
2 The Spirit of the Lord will rest on him—
the Spirit of wisdom and of understanding,
the Spirit of counsel and of might,
the Spirit of the knowledge and fear of the Lord—
3 and he will delight in the fear of the Lord.
He will not judge by what he sees with his eyes,
or decide by what he hears with his ears;
4 but with righteousness he will judge the needy,
with justice he will give decisions for the poor of the earth.
He will strike the earth with the rod of his mouth;
with the breath of his lips he will slay the wicked.
5 Righteousness will be his belt
and faithfulness the sash around his waist.
6 The wolf will live with the lamb,
the leopard will lie down with the goat,
the calf and the lion and the yearling[f] together;
and a little child will lead them.
7 The cow will feed with the bear,
their young will lie down together,
and the lion will eat straw like the ox.
8 The infant will play near the cobra’s den,
and the young child will put its hand into the viper’s nest.
9 They will neither harm nor destroy
on all my holy mountain,
for the earth will be filled with the knowledge of the Lord
as the waters cover the sea.
10 In that day the Root of Jesse will stand as a banner for the peoples; the nations will rally to him, and his resting place will be glorious. 11 In that day the Lord will reach out his hand a second time to reclaim the surviving remnant of his people from Assyria, from Lower Egypt, from Upper Egypt, from Cush,[g] from Elam, from Babylonia,[h] from Hamath and from the islands of the Mediterranean.
12 He will raise a banner for the nations
and gather the exiles of Israel;
he will assemble the scattered people of Judah
from the four quarters of the earth.
13 Ephraim’s jealousy will vanish,
and Judah’s enemies[i] will be destroyed;
Ephraim will not be jealous of Judah,
nor Judah hostile toward Ephraim.
14 They will swoop down on the slopes of Philistia to the west;
together they will plunder the people to the east.
They will subdue Edom and Moab,
and the Ammonites will be subject to them.
15 The Lord will dry up
the gulf of the Egyptian sea;
with a scorching wind he will sweep his hand
over the Euphrates River.
He will break it up into seven streams
so that anyone can cross over in sandals.
16 There will be a highway for the remnant of his people
that is left from Assyria,
as there was for Israel
when they came up from Egypt.
Songs of Praise
12 In that day you will say:
“I will praise you, Lord.
Although you were angry with me,
your anger has turned away
and you have comforted me.
2 Surely God is my salvation;
I will trust and not be afraid.
The Lord, the Lord himself, is my strength and my defense[j];
he has become my salvation.”
3 With joy you will draw water
from the wells of salvation.
4 In that day you will say:
“Give praise to the Lord, proclaim his name;
make known among the nations what he has done,
and proclaim that his name is exalted.
5 Sing to the Lord, for he has done glorious things;
let this be known to all the world.
6 Shout aloud and sing for joy, people of Zion,
for great is the Holy One of Israel among you.
”
”
Logos
Wilbur Smith (When the Lion Feeds: The book that started it all (Courtney series 1))
“
Candella Rautenbach.
”
”
Wilbur Smith (When the Lion Feeds: The book that started it all (Courtney series 1))
“
We live, he [Gandhi] felt, not in order to feed, clothe, shelter and pamper the body; we provide for the body in order to live. Life begins after the needs of the body have been met, yet how many people ruin life for the sake of rich living. The soul, alas, needs a temporary abode, but a clean mud hut will do as well as a palace, indeed better, for when the physical absorbs the lion's share of a man's effort the spirit languishes, life loses content, and discontent appears.
”
”
Louis Fischer (Gandhi: His Life and Message for the World)
“
reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. A CIP catalogue record for this book is available from the
”
”
Wilbur Smith (When the Lion Feeds (The Courtneys Series Book 1))
“
The lion is often a symbol of the “ravening beast.” But what about him? Unless he has been very much warped by contact with humans, he has a number of the qualities I have been describing. To be sure, he kills when he is hungry, but he does not go on a wild rampage of killing, nor does he overfeed himself. He keeps his handsome figure better than some of us. He is helpless and dependent in his puppyhood, but he moves from that to independence. He does not cling to dependence. He is selfish and self-centered in infancy, but in adulthood he shows a reasonable degree of cooperativeness, and feeds, cares for, and protects his young. He satisfies his sexual desires, but this does not mean that he goes on wild and lustful orgies. His various tendencies and urges have a harmony within him. He is, in some basic sense, a constructive and trustworthy member of the species felis leo. And what I am trying to suggest is that when one is truly and deeply a unique member of the human species, this is not something which should excite horror. It means instead that one lives fully and openly the complex process of being one of the most widely sensitive, responsive, and creative creatures on this planet.
”
”
Carl R. Rogers (On Becoming a Person: A Therapist's View of Psychotherapy)
“
People are important. They are more important than gold or places or – or anything.
”
”
Wilbur Smith (When the Lion Feeds (Courtney, #1))
“
My conclusion at the time was that finalizing the story before production began was still a worthy goal—we just hadn’t achieved it yet. As we continued to make films, however, I came to believe that my goal was not just impractical but naïve. By insisting on the importance of getting our ducks in a row early, we had come perilously close to embracing a fallacy. Making the process better, easier, and cheaper is an important aspiration, something we continually work on—but it is not the goal. Making something great is the goal. I see this over and over again in other companies: A subversion takes place in which streamlining the process or increasing production supplants the ultimate goal, with each person or group thinking they’re doing the right thing—when, in fact, they have strayed off course. When efficiency or consistency of workflow are not balanced by other equally strong countervailing forces, the result is that new ideas—our ugly babies—aren’t afforded the attention and protection they need to shine and mature. They are abandoned or never conceived of in the first place. Emphasis is placed on doing safer projects that mimic proven money-makers just to keep something—anything!—moving through the pipeline (see The Lion King 1½, a direct-to-video effort that came out in 2004, six years after The Lion King 2: Simba’s Pride). This kind of thinking yields predictable, unoriginal fare because it prevents the kind of organic ferment that fuels true inspiration. But it does feed the Beast.
”
”
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
“
But, my lady, you seem to have an altogether different admirer who can’t take his eyes off you. And, at this particular moment, he doesn’t appear at all pleased that you are enjoying yourself in my arms.” She started to look to see to whom he was referring, when he stopped her quickly. “Don’t look, kitten. Then he’ll know we’re discussing him.” “Who?” “You mean you don’t know? You haven’t noticed him watching you all evening? All season?” “Freddie, WHO?” “Blackmoor, of course.” “You’re touched.” Alex laughed, shaking her head. “He’s not been watching me all season, and if he has been watching me tonight, it’s only because he feels obligated to. He’s my chaperone for the evening.” Freddie laughed shortly. “Really? Your chaperone? It seems to me that your family are the ones who are touched, Alex. They’re practically feeding you to the lion.” “You don’t know what you’re talking about, Freddie. Blackmoor has no interest in me other than pseudobrotherly admiration.” “Oh? I’ve two sisters myself, if you’ll remember, Alex. And I’ve never looked at one of them quite the way he’s looking at you right now.” It took all of Alex’s strength not to look. “Which is how, precisely?” “As though he doesn’t know if he wants to kiss you or kill you.” She gasped, a blush coming to her cheeks. “Freddie!” “Don’t shoot the messenger, sweet.” “You’re sorely mistaken.” “Perhaps.
”
”
Sarah MacLean (The Season)
“
MARCH 5 YOU WILL DESTROY ALL ANIMALISTIC DEMONS DO NOT FEAR when the enemy comes after you disguised in the animalistic characteristics of wild beasts and dangerous vipers. If you fight in My power and strength, you will tread on the lion and the cobra, and you will trample the great lion and the serpent. The wild boars from the forest will not be able to ravage you, nor will insects from the field be able to feed on you. I will protect you from the prowling of beast in the darkness, when lions roar for their prey and seek their food. Though the leopard lies in wait near your home to tear to pieces those who venture out, it will not do you harm, for My power in you is greater than all the power of the enemy. PSALMS 91:13; 104:2–21; JEREMIAH 5:6; LUKE 10:19 Prayer Declaration I tread upon serpents and scorpions and over all the power of the enemy, and nothing shall by any means hurt me. I tread down the wicked; they are ashes under my feet. I rebuke every spirit that creeps forth from the forest. In the name of Jesus I close the door to every demonic rat that would attempt to come into my life.
”
”
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
“
How do you ever manage to feed so many? You must grow crops.” “We move around so much we don’t have time to plant any crops. But we raise animals—sheep and goats and cows. So we have plenty of meat and milk. And we have manna.” “Manna?” Rahab lifted her eyebrows. “What is manna?” “It’s bread that falls from heaven.” Rahab stared at him. “I never heard of such a thing.” “I guess I’ve gotten used to the miracle,” Othniel said with a shrug. “When our God delivered us out of slavery, we were out in the desert with nothing to eat. We would have starved. But our leader Moses prayed and God sent bread from heaven. Every morning when we come out, it’s on the ground.” “You just pick up bread from the ground?” “It’s very tiny and it spoils quickly. You have to gather it every morning. I’ve been doing it all my life.
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Gilbert Morris (Daughter of Deliverance (Lions of Judah Book #6))
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Rahab was smitten with astonishment. “A god that feeds his people by raining bread from heaven.” “Oh, that’s only one of the miracles that God has given to us.” Othniel went on to tell about how water flowed from a solid rock in the desert when the people were thirsty and there was no water. He told about how God had miraculously cared for Israel during its long wanderings. “It’s been forty years now, and God’s taken care of us.” “Tell me about yourself,” Rahab said. “About me? Well, there’s nothing much to tell. My parents are dead. Ardon up there on the roof, he’s my cousin.” He laughed shortly and said, “He’s the good one. I’m the bad one.
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Gilbert Morris (Daughter of Deliverance (Lions of Judah Book #6))
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A feeding vampire is as natural and simple as a wolf or lion. It's only when the human mind is in control that any creature has the desire to give pain.
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Amelia Atwater-Rhodes (Midnight Predator (Den of Shadows, #4))
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One story deserves another
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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, because he was rich my father consented to our marriage, and they became partners in their business. Afterwards, within a month indeed, the Apostles came to Tyre, and we attended their preaching—at first, because we were curious to learn the truth of this new faith against which my father railed, for, as you know, he is of the strictest sect of the Jews; and then, because our hearts were touched. So in the end we believed, and were baptised, both on one night, by the very hand of the brother of the Lord. The holy Apostles departed, blessing us before they went, and Demas, who would play no double part, told my father of what we had done. Oh! mother, it was awful to see. He raved, shouted and cursed us in his rage, blaspheming Him we worship. More, woe is me that I should have to tell it: When we refused to become apostates he denounced us to the priests, and the priests denounced us to the Romans, and we were seized and thrown into prison; but my husband's wealth, most of it except that which the priests and Romans stole, stayed with my father. For many months we were held in prison here in Cæsarea; then they took my husband to Berytus, to be trained as a gladiator, and murdered him. Here I have stayed since with this beloved servant, Nehushta, who also became a Christian and shared our fate, and now, by the decree of Agrippa, it is my turn and hers to die to-day." "Child, you should not weep for that; nay, you should be glad who at once will find your husband and your Saviour." "Mother, I am glad; but, you see my state. It is for the child's sake I weep, that now never will be born. Had it won life even for an hour all of us would have dwelt together in bliss until eternity. But it cannot be—it cannot be." Anna looked at her with her piercing eyes. "Have you, then, also the gift of prophecy, child, who are so young a member of the Church, that you dare to say that this or that cannot be? The future is in the hand of God. King Agrippa, your father, the Romans, the cruel Jews, those lions that roar yonder, and we who are doomed to feed them, are all in the hand of God, and that which He wills shall befall, and no other thing. Therefore, let us praise Him and rejoice,
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H. Rider Haggard (Pearl-Maiden)
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We get the idea from books and television that the courthouse is a theater, the trial a play. The better analogy is a huge tent with a three-ring circus inside. The judge is the ringmaster, wielding his chair, cracking his whip, forcing the lions onto their haunches in mock-serious poses of respect. We rise when the judge enters and exits, and we beg for permission before we speak. The judge feeds us when we are good, chastises us when we are bad, and either way we bow our heads in meek gratitude.
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Paul Levine (Flesh and Bones (Jake Lassiter #7))
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leaned over and whispered to Aiden, “How long do you think he’s been in there?” Aiden answered without giving it much thought. “It’s difficult to tell. Based on the rot and decomposition along the jaw line, I’d say maybe a few months. But don’t quote me on that.” I looked hard at the torn skin and exposed bone. There was no way Aiden was right. This one had been in there much longer than a couple of months. In fact, it wouldn’t have surprised me if our tour guide let us know that this particular zombie was the first zombie to ever be held in captivity and put on display. Looking along the edge of the guard rail that separated us from the ‘State of the Art’ Zombie display at the zoo, I couldn’t help but think that there wasn’t a whole lot separating us from the flesh eating lot. And that if they somehow managed to get out of the ten foot deep pit they were in, it would be utter terror and devastation for the rest of us. The part that was most frightening was that the pit was completely open on the top. No barrier at all. None. I raised my hand and asked the tour guide, “How do you know we’re safe?” He took a second, startled that anybody would even dare ask such a question. He hoisted his belt buckle above his overly extended belly and gave the lapels of his coat a quick jerk before answering. “Son, this here display was designed completely with safety in mind. The pit has been measured precisely and this guard rail is completely reinforced with the strongest steel mesh imaginable. Not to mention the concrete barrier has been poured to triple the required thickness.” He gave a quick snort and nervously touched his hand to his name tag, giving it a quick downward tug before finishing his response. “So you see, it’s quite safe.” Everyone nodded, showing their approval at the guide’s explanation. But not me. I looked over the edge of the enclosure, staring at the collection of zombies that were gathered below. They looked up at me, making eye contact with their cold, blue eyes. There must’ve been ten or fifteen of them. One of them jumped up, attempting to climb out of the pit, its finger tips just missing the top of the super thick concrete wall. I felt a chill go up my spine. The thought of one of them managing to get loose gave me a quick shudder as we moved on with the tour, in the direction of the lions. “Are you okay?” Aiden asked, sunflower seeds sticking to his lips as he attempted to spit them out on the ground. He spat and sputtered for a few seconds before he realized I was looking at him. “What?” He asked. “I’m fine.” “You are a lot of things Darren. But fine is not one of them.” He was right. I hated it when he was right. “Alright, you got me. I’m a little nervous, that’s all.
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Justin Johnson (Do Not Feed the Zombies)
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There was also a feeling of release. That was another part of it. To go on his way: north to a new land. He felt the tingle of anticipation. 'Not a whore or a stock broker within 500 miles,' he said aloud and grinned. He gave up trying to find words for his feeling. Emotion was so damned elusive: as soon as you cornered it, it changed its shape and the net of words which you had ready to throw over it was no longer suitable. He let it go free to range through his body, accepting and enjoying it. He ran down the stairs, out through the kitchens and into the stableyard.
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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They smiled at each other and leaned back against the rock face behind them. They watched their wagons, far below them, coil into the tight circle of the laager and the cattle turned free move out to graze. The sun sank and the shadows stretched out longer and longer across the land. At last they went down the hill and found their horses. That night they stayed later than usual next to the fire and though they talked little there was the old feeling between them again. They had discovered a new reef that was rich with the precious elements of space and time. Out here there was more of those two treasures than a man could use in a dozen lifetimes. Space to move, to ride or to fire a rifle; space spread with sunlight and wind, grass and trees, but not filled with them. There was also time. This was where time began: it was a quiet river, moving but not changed by movement; draw on it as much as you would and still it was always full.
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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It was like explaining colour to a blind man, describing the lust of the hunter to someone who was born without it. Duff listened in agonized silence as Sean tried to find the words for the excitement that makes a man's blood sing through his body, that heightens his senses and allows him to lose himself in an emotion as old as the urge to mate. Sean tried to show him how the nobler and more beautiful was the quarry, the stronger was the compulsion to hunt and hill it, that it had no conscious cruelty in it but was rather an expression of love: a fierce possessive love. A devouring love that needed the complete and irrevocable act of death for its consummation. By destroying something, a man could have it always as his own: selfish perhaps, but then instinct knows no ethics. It was all very clear to Sean, so much a part of him that he had never tried to voice it before and now he stumbled over the words, gesticulating in helpless inarticulateness, repeating himself, coming at last to the end and knowing by the look on Duff's face that he had failed to show it to him.
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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You're tired. Sleep well tonight and tomorrow we'll see how far this reef runs - then we'll start some scheming.
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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And so their partnership crystallized; their relationship was established over the weeks that followed. Duff with his magic tongue and his charming, lopsided grin was the one who negotiated, who poured the oil on the storm waters churned up by impatient creditors. He was the storehouse of mining knowledge which Sean tapped daily, he was the conceiver of schemes, some wild, others brilliant. But his fleeting nervous energy was not designed to bring them to fruition. He lost interest quickly and it was Sean who finally rejected the least likely Charleywood brain children and adopted the others that were more deserving; once he had made himself stepfather to them he reared them as though they were his own. Duff was the theorist, Sean the practician.
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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We send for him, laddie, we make him come to us. We play him on the home ground.'
'How does that help?' Sean asked.
'It gives us an advantage immediately - it makes him remember that he's the one doing the asking.
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Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
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When we say, 'it is well'; it is actually the hovering bird with no sense of direction on how to feed her chicks. The fear tearing the heart of the lion if his meal will ever appear. It is the flower at the mercy of the sleeping sun. The lonely mountain without a climber. Sometimes, it is the strength envisage even when the night falls. The tears of a helpless lost soul... it is saying to my soul "It is well".
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Victor Vote
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I don’t think any single experience is enough to change a person’s way of thinking. It’s like building a wall brick by brick. You add to it a little at a time until at last it’s finished. I’ve told you before, Sean, that you have a strength in you. I think one day you’ll finish building your wall – and when you do, it will have no weak spots.’ 28
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Wilbur Smith (When the Lion Feeds: The book that started it all (Courtney series 1))