When Someone Says Funny Quotes

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I sat on the bed. Neither of us said anything. I wasn't slick and sophisticated enough for this. What do you say to boyfriend A when he finds you naked in the bed of boyfriend B? Especially if boyfriend A turned into a monster the night before and ate someone. I bet Miss Manners didn't cover this at all.
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
Turgenev was a very serious fellow but he could make me laugh because a truth first encountered can be very funny. When someone else's truth is the same as your truth, and he seems to be saying it just for you, that's great.
Charles Bukowski (Ham on Rye)
It’s funny how we say a person ‘made’ us when they actually broke us. Sort of like how I say ‘funny’... but I actually mean sad.
Ranata Suzuki
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
Funny, transformative events were not always scheduled and not always expected. Yeah, sure, your change turned you into a male. And when you went through the mating ceremony, you were part of a whole. No longer just yourself. And the deaths and the births around you made you view the world differently. But every once in a while, from out of the blue, someone reaches the quiet place where you spend your private time and changes the way you see yourself. If you’re lucky it’s your mate…the transformation reminds you once again that you are absolutely, positively with the right person: because what they say doesn’t touch you because of who they are to you, but because of the content of their message.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Sure you can be a coward and hope somone else changes the wrld for you. You can hide up in that attic of yours until someone knocks on the door and says, 'Oh, hey, they freed the hidden. Want to come out?' Is that what you want" Luke didnt answer "You've got to come, Luke, or you'll hate yourself the rest of your life. When you dont have to hide anymore, even years from now, there'll always be some small part of you whispering 'I don't deserve this. I didnt fight for it. I'm not worth it.' And you are, Luke, you are. You're smart and funny and nice, and you should be living life, instead of being buried alive in that old house of yours
Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
On Instagram, I want to change my name to "Nobody" so when someone post something really stupid I can like there post and it will say... "Nobody likes this.
Skylar Blue
...she's leaving now. ... Janis attacks the back door of the school gym and finds herself in a heavy cloud of smoke. She realizes she's found the Goths' hangout. Who knew? "Oof," someone says. She keeps walking, muttering, "sorry" to whomever it was she hit with the flying door. *** Cabel: ... That was the Goth stage where I decided I'd never get the girl of my dreams because of my scars. Not to mention the hairstyle. (pause) But then she slammed a door handle into my gut. And, when a girl does that to a boy, it means she likes him.
Lisa McMann (Wake (Wake, #1))
It's that thing when you're with someone, and you love them and they know it, and they love you and you know it... but it's a party... and you're both talking to other people, and you're laughing and shining... and you look across the room and catch each other's eyes... but - but not because you're possessive, or it's precisely sexual... but because... that is your person in this life. And it's funny and sad, but only because this life will end, and it's this secret world that exists right there in public, unnoticed, that no one else knows about. It's sort of like how they say that other dimensions exist all around us, but we don't have the ability to perceive them. That's - That's what I want out of a relationship. Or just life, I guess.
Greta Gerwig (Frances Ha: A Noah Baumbach Picture)
It's funny the things people say when someone dies. He's in a better place. How do you know that? Life goes on. That's supposed to comfort me? I'm excruciatingly aware that life goes on. It hurts every damned second. How lovely to know it's going to continue like this. Thank you for reminding me. Time heals. No, it doesn't. At best, time is the great leveler, sweeping us all into coffins. We find ways to distract ourselves from the pain. Time is neither scalpel nor bandage. It is indifferent. Scar tissue isn't a good thing. It's merely the wound's other face.
Karen Marie Moning (Shadowfever (Fever, #5))
teenagers are never joking. when seeking to prove a point, principals and teachers should remember that teenagers are never, ever sarcasic or ironic. if they say "I wish someone would drop a bomb on this school right now," that means they have arranged for a nuclear arsenal to be emptied onto the school and should be immediately suspended and ridiculed. if they say they were merely coming up with a joking excuse to postpone a bio test, reply that all jokes are funny, and that since dropping a bomb on a school is not funny, it is therefore not a joke.
David Levithan (The Realm of Possibility)
When someone hits you, just calmly get back up and say "You hit meh how dare you.
Skylar Blue
Some words have multiple meanings. Scholastic, aware that I'm allergic to preservatives, kindly got someone to translate the phrase "I can only eat food without preservatives" into Italian. They warned me, however, as they taught me how to say it, that the Italian word for "preservatives" is the same as the word for "condom." So that I should be careful how I look when I say it.
Maggie Stiefvater
It’s funny how you can think you’ve said something when you never really did.” I giggled, feeling that the words were coming in his very next breath. “It’s also funny how you can think you’ve heard something when you didn’t either,” he said instead. All the humor vanished from the moment. “I know what you mean.” I swallowed and watched as his hand moved from my cheek to lace his fingers through mine, knowing that he and I were both watching them. “Maybe, for some people, it would be hard to confess that. Like, if they worried they might not make it to the end.” He sighed. “Or it would be hard to say if you worried that someone might not want to make it to the end . . . maybe never quite gave up on someone else.
Kiera Cass (The One (The Selection, #3))
I remember the first time I saw you,” Allie said. “I thought you smelled me first.” “Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?” “Not as funny as the way I always complained, and the way you always bossed me around!” They embraced and held each other for a long time. “Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.” “I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.” “And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!” Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all. Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
It is a very strange feeling when one is loving a clock that is to every one of your class of living an ugly and a foolish one and one really likes such a thing and likes it very much and liking it is a serious thing, or one likes a colored handkerchief that is very gay and every one of your kind of living thinks it a very ugly or a foolish thing and thinks you like it because it is a funny thing to like it and you like it with a serious feeling, or you like eating something that is a dirty thing and no one can really like that thing or you write a book and while you write it you are ashamed for every one must think you a silly or a crazy one and yet you write it and you are ashamed, you know you will be laughed at or pitied by every one and you have a queer feeling and you are not very certain and you go on writing. Then someone says yes to it, to something you are liking, or doing or making and then never again can you have completely such a feeling of being afraid and ashamed that you had then when you were writing or liking the thing and not any one had said yes about the thing.
Gertrude Stein
No,' Dahlia said, 'because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?' 'No, please elaborate.' 'Okay, say you go into the break room,' she said, 'and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life.
Emily St. John Mandel (Station Eleven)
Responding to a moderator at the Sydney Writers Festival in 2008 (video), about the Spanish words in his book: When all of us are communicating and talking when we’re out in the world, we’ll be lucky if we can understand 20 percent of what people say to us. A whole range of clues, of words, of languages escape us. I mean we’re not perfect, we’re not gods. But on top of that people mis-speak, sometimes you mis-hear, sometimes you don’t have attention, sometimes people use words you don’t know. Sometimes people use languages you don’t know. On a daily basis, human beings are very comfortable with a large component of communication, which is incomprehensibility, incomprehension. We tend to be comfortable with it. But for an immigrant, it becomes very different. What most of us consider normative comprehension an immigrant fears that they’re not getting it because of their lack of mastery in the language. And what’s a normal component in communication, incomprehension, in some ways for an immigrant becomes a source of deep anxiety because you’re not sure if it’s just incomprehension or your own failures. My sense of writing a book where there is an enormous amount of language that perhaps everyone doesn’t have access to was less to communicate the experience of the immigrant than to communicate the experience that for an immigrant causes much discomfort but that is normative for people. which is that we tend to not understand, not grasp a large part of the language around us. What’s funny is, will Ramona accept incomprehension in our everyday lives and will greet that in a book with enormous fury. In other words what we’re comfortable with out in the outside world, we do not want to encounter in our books. So I’m constantly, people have come to me and asked me… is this, are you trying to lock out your non-Dominican reader, you know? And I’m like, no? I assume any gaps in a story and words people don’t understand, whether it’s the nerdish stuff, whether it’s the Elvish, whether it’s the character going on about Dungeons and Dragons, whether it’s the Dominican Spanish, whether it’s the sort of high level graduate language, I assume if people don’t get it that this is not an attempt for the writer to be aggressive. This is an attempt for the writer to encourage the reader to build community, to go out and ask somebody else. For me, words that you can’t understand in a book aren’t there to torture or remind people that they don’t know. I always felt they were to remind people that part of the experience of reading has always been collective. You learn to read with someone else. Yeah you may currently practice it in a solitary fashion, but reading is a collective enterprise. And what the unintelligible in a book does is to remind you how our whole, lives we’ve always needed someone else to help us with reading.
Junot Díaz
When I introduced you to Mary Ann, I wanted to call you my girlfriend, Elli,” he looked up at her to see her eyes were wide, “I’ve never had a girlfriend, so I’m not sure if I’ll do the boyfriend/girlfriend thing right, but the thought of you being with someone else, or me with someone else, actually hurts my gut, so I guess what I’m trying to say is,” he took a deep breath, this was huge, and he thought he sounded stupid but with the way her eyes were glazing over, maybe he was doing this right. “I was wondering if you wanted to be my girlfriend.” She smiled at him lovingly, cupping his face in her hands. “Are you sure? I’m kinda crazy.” He laughed, kissing her palm. “I’m sure.” “Then, yes, Shea, I would love to be your girlfriend.
Toni Aleo (Taking Shots (Assassins, #1))
It's a funny thing when someone says something you've been waiting to hear for a good portion of your life. It's like suddenly it doesn't feel like it took so look for them to say it, because in some way you always knew that they meant to and eventually one day they would get around to it.
Carmen Rodrigues (Not Anything)
Listen," I say, "funny is the best thing I am." Faith says, "Making jokes is your way of saying 'Do you love me?' and when someone laughs you think they've said yes.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
The plan, which I really hope I fulfilled, is that the reader, like Harry, would gradually discover Ginny as pretty much the ideal girl for Harry. She’s tough, not in an unpleasant way, but she’s gutsy. He needs to be with someone who can stand the demands of being with Harry Potter, because he’s a scary boyfriend in a lot of ways. He’s a marked man. I think she’s funny, and I think that she’s very warm and compassionate. These are all things that Harry requires in his ideal woman…. Initially, she’s terrified by his image. I mean, he’s a bit of a rock god to her when she sees him first, at 10 or 11, and he’s this famous boy. So Ginny had to go through a journey… I didn’t want Ginny to be the first girl that Harry ever kissed. That’s something I meant to say, and it’s kind of tied in…. And I feel that Ginny and Harry, in this book, they are total equals. They are worthy of each other. They’ve both gone through a big emotional journey, and they’ve really got over a lot of delusions together. So, I enjoyed writing that. I really like Ginny as a character.
J.K. Rowling
Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
scientific development often begins by someone noticing an anomaly and saying, “That’s funny…”50 The discovery of quantum mechanics, X-rays, DNA, oxygen, penicillin, and others, all occurred when the scientists embraced, rather than disregarded, anomalies.
Ozan Varol (Think Like a Rocket Scientist: Simple Strategies You Can Use to Make Giant Leaps in Work and Life)
It's funny. We meet hundreds of people. We stop to remember them sometimes and they're so far away and we're not a part of them anymore. Makes you realise how important it is to be a part of someone. And stay that way with them. And we have visions of going out into the open world and treating it as our oyster... but it takes a small, mindful moment to make us realise that doesn't really mean anything when you don't have someone to call home.
C. JoyBell C.
It’s not a matter of Dad sitting down with his preadolescent son and incorporating 'Don’t be a criminal!' into the 'birds and the bees' talk. (I mean, that couldn’t hurt, probably. But it’s not the point.) It’s about teaching our boys to actively oppose sexual violence. It’s all well and good to say you’re against rape and would never rape anyone, end of story. But somewhere in that crowd of guys laughing about an unconscious girl getting 'a wang in the butthole, dude'—and the one listening to Daniel Tosh say, 'Wouldn’t it be funny if she got gang-raped right now?' and the one reading an op-ed in the Washington Post that puts 'sexual assault' in quotation marks, as though it exists only in the eye of the beholder—somewhere in all of those crowds is the guy who would rape someone. The guy who will rape someone. The guy who has raped someone. And could you blame any of those guys for thinking that rape is not a serious crime, or even something to be particularly ashamed of, when so many 'good' guys around them are laughing at the same jokes?
Kate Harding
New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
A funny thing happens when someone asks 'How are you?' coupled with a meaningful head tilt. The reflexive, safe answer to give is 'Good, thanks.' But then again we say "good" only because it makes the question go away. Tell someone 'I'm doing horribly ' and the conversation gets knocked off its axis into a marsh of soggy discomfort.
Meichi Ng (Barely Functional Adult: It’ll All Make Sense Eventually)
Our sages say burying someone is considered the truest form of kindness and respect, as the deceased will not be able to thank you for it." That’s kind of funny, actually, since Dad was not exactly prone to expressing gratitude to his children when he was still alive. You were either screwing up, or you were invisible. He was quiet and stern in a way that led you to expect an Eastern European accent. He had soft blue eyes and unusually thick forearms, and when he made a fist it looked like he could punch through anything. He mowed his own lawn, washed his own car, and painted his own house. He did all these things capably, painstakingly, and in a way that silently passed judgment on anyone who paid for someone else to do it. He rarely laughed at jokes, just nodded his understanding, as if it was all pretty much what he’d expected. Of course, there was a lot more to him that that, it’s just that none of it is coming to me right now. At some point you lose sight of your actual parents; you just see a basketful of history and unresolved issues.
Jonathan Tropper (This is Where I Leave You)
It's funny how, when you really want to say something bitchy and cutting to someone who's been bitchy to you, you can't think of anything till afterwards. When there's no real call for it, you come suddenly out with a piece of 9-carat bitchery that shakes even you.
Lynne Reid Banks
It’s funny,’ Rado says, ‘I can only be Bulgarian when I’m in France. Here, I’m semi-French. Everything is funny and bizarre, and I laugh like someone watching a Beckett play. Except I am a Frenchman with Bulgarian memories. […] But I’ll never be one of them. Ah, the filthy French!
Kapka Kassabova (Street without a Name: Childhood and Other Misadventures in Bulgaria)
Remember at the junior picnic, when someone whipped that dog at Jennifer's head? And Jennifer was laughing, like it was funny? Ted never copped to it, but I know he did it. I saw him. A-hole.' Rachel shakes her head in disgust. 'She probably deals with that kind of crap every day...' 'That's it. I'm going to ask Jennifer if she wants to sit with us today... I don't like those little turds thinking they can make fun of her because she's on the list. Don't they have any respect for the fact that she's a senior? If she's with us, they wouldn't dare say anything.
Siobhan Vivian (The List)
He made a noise that sounded like a strangled laugh, and then said: Ah, I like your style. I’ll give you that. You’re not easy to get the upper hand on, are you? Obviously I’m not going to manage it. It’s funny, because you carry on like you’d let me walk all over you, answering my texts at two in the morning, and then telling me you’re in love with me, blah blah blah. But that’s all your way of saying, just try and catch me, because you won’t. And I can see I won’t. You’re not going to let me have it for a minute. Nine times out of ten you’d have someone fooled with the way you go on. They’d be delighted with themselves, thinking they were really the boss of you. Yeah, yeah, but I’m not an idiot. You’re only letting me act badly because it puts you above me, and that’s where you like to be. Above, above. And I don’t take it personally, by the way, I don’t think you’d let anyone near you. Actually, I respect it. You’re looking out for yourself, and I’m sure you have your reasons. I’m sorry I was so harsh on you with what I said, because you were right, I was just trying to hurt you. And I probably did hurt you, big deal. Anyone can hurt anyone if they go out of their way. But then instead of getting mad with me, you go saying I’m welcome to stay over and you still love me and all this. Because you have to be perfect, don’t you? No, you really have a way about you, I must say. And I’m sorry, alright? I won’t be trying to take a jab at you again. Lesson learned. But from now on you don’t need to act like you’re under my thumb, when we both know I’m nowhere near you. Alright? Another long silence fell. Their faces were invisible in darkness. Eventually, in a high and strained voice, straining perhaps for an evenness or lightness it did not attain, she replied: Alright. If I ever do get a hold of you, you won’t need to tell me, he said. I’ll know. But I’m not going to chase too much. I’ll just stay where I am and see if you come to me. Yes, that’s what hunters do with deer, she said. Before they kill them.
Sally Rooney (Beautiful World, Where Are You)
When I think of the books I love, there’s always a little laughter in the dark. I love Jane Eyre; I don’t love Wuthering Heights. I love Tolstoy; I don’t love Dostoevsky. I love Joyce; I don’t love Proust. I love Nabokov; I don’t love Pasternak. I don’t think I’m a funny person, but the fiction I grew up on was leavened with humor—I understand the other tradition and I admire it, but I just don’t love it. It never occurs to me to write as, say, A. S. Byatt writes, as I’m sure she would never dream in a squillion years of writing like me. The ironic theme in English writing—and I don’t mean po-mo irony, I mean the irony of someone like Defoe or Dickens—is either in you or it isn’t. Those who find Austen arch and cold and ironical, lacking the kind of intimate and metaphysical commitment of a writer like Emily Brontë cannot be convinced otherwise and vice versa. I appreciate both schools, but I can’t get out of the side I’m on. I don’t think I’d want to, though occasionally I have wet dreams about turning into Iris Murdoch.
Zadie Smith
When you say someone is stubborn and irrational because they're black, that's racism. When you say someone is stubborn and irrational because they're female, that's sexism. When you say someone is stubborn and irrational because they're a leo, that's astrology. Notice a pattern? It's all nonsense.
Oliver Markus Malloy (Inside The Mind of an Introvert: Comics, Deep Thoughts and Quotable Quotes (Malloy Rocks Comics Book 1))
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Atticus said someone must have lost it, and had we asked around? Jem camel-kicked me when I tried to say where we had found it.
Harper Lee (To Kill a Mockingbird)
It's funny the decisions you make when you like someone, he says, and then your whole life is different
Sally Rooney (Normal People)
That old if you 'need anything, let me know,' is a total crock. You hear people say it all the time, but you never see anyone actually call up the person who said it and say, "Hey, remember when you said to let you know if i needed anything? Well, I'm feeling really overwhelmed. Could you please come clean my kitchen, I'd feel like I had a bit of a head start." You will never hear someone say that, because then the person asking the other person to clean their kitchen is seen as a helpless, incompetent dick. -Diana Rowland (My life as a white trash zombie)
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What's this about slippers?" Stephanie's mom said, walking in. "Dad's just saying he could never lead the resistance against a robot army because he wears slippers." "This is very true," her mum said. "Then it's decided," Stephanie's father said. "When the robot army makes itself known, I will be one of the first traitors to sell out the human race." "Wow," said Stephanie. "Now that's an about-turn," said her mum. "It's the only way," said her dad. "I have to make sure my family survives. The two of you and that other one, the small one--" "Alice." "That's her. You're all that matter to me. You're all I care about. I will betray the human race so that the robot army spares you. And then later, I will betray you so that the robot army spares me. It's a dangerous ploy, but someone has to be willing to take the big risks, and I'll be damned if I'm about to let anyone else gamble with my family's future." "You're so brave," Stephanie's mum said. "I know," said her dad, and then quieter, "I know.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
During those days before the girl from the lake was finally buried in her hometown, Jay had been the one who kept Violet sane. He slipped candy bars into her backpack for her to find and left little notes in her locker just to let her know he was thinking about her. She leaned on him every step of the way, and he never once complained. And afterward, when she felt back to her old self again, at least mostly anyway, he was still there. She wondered what she’d done to deserve a friend like him, someone who never wavered and never questioned. Someone who was always there . . . being supportive, and funny, and thoughtful. Violet stood in the hallway and watched him. He was digging through his locker looking for his math book, and even though she knew it wasn’t there, Violet just let him search, smiling to herself. Crumpled wads of paper fell out onto the floor at his feet. He seemed to sense that she was staring and he looked back at her. “What?” he asked. “Nothing,” she responded, the smile finding her lips. He narrowed his eyes, realizing that he was the butt of some private joke. “What?” She sighed and kicked a toe at his backpack, which was lying crookedly against the wall of lockers. “Your book’s in your bag, dumbass,” she announced as she turned away and started walking toward class. She heard him groan, followed by the sound of his locket slamming, before he finally caught up with her. “Why didn’t you say anything? Sometimes you really piss me off.” It was easy to ignore the harsh words when his tone was anything but scolding. She shrugged. “It’s fun to watch you scramble.” “Yeah, fun. That’s what I was thinking.
Kimberly Derting (The Body Finder (The Body Finder, #1))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?” “No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.” “Right,” Clark said. He was filled in that moment with an inexpressible longing. The previous day he’d gone into the break room and spent five minutes laughing at a colleague’s impression of a Daily Show bit. “That’s what passes for a life, I should say. That’s what passes for happiness, for most people. Guys like Dan, they’re like sleepwalkers,” she said, “and nothing ever jolts them awake.
Emily St. John Mandel (Station Eleven)
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
Like when you see a celebrity in a cafe and instinctively burst out, "Oh, hi there!" before you realize that your brain has had time to tell you, "Hey, that's probably someone you know, say hi!" but not, "No wait, it's just that guy from the TV!" Because your brain likes to make you look like an idiot.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
You've come to give me a piece of your mind, I repeated, looking at her. "You know that phrase is really beautiful. The mind is the most powerful thing in the body, you know, whatever the mind believes, the body can achieve. So to give someone a piece of it...well, thank you, Elizabeth. Funny how people are always intent on giving it to the people they dislike when it really should be for the ones they love. There's another funny thing. But a piece of your mind...what a gift that would be." I looped the last stalk and formed a chain. "I'll give you a daisy chain in return for a piece of your mind." I slid the bracelet onto her arm. She sat on the grass. Didn't move, didn't say anything, just looked at her daisy chain. Then she smiled and when she spoke her voice was soft. "Has anyone ever been mad at you for more than five minutes." I looked at my watch. "Yes. You, from the o'clock this morning until now.
Cecelia Ahern
He was, he realized, comforted by her presence. They didn’t need to talk. They didn’t even need to touch (although he wasn’t about to let go just then). Simply put, he was a happier man— and quite possibly a better man— when she was near. He buried his face in her hair, inhaling her scent, smelling . . . Smelling . . . He drew back. “Would you care for a bath?” Her face turned an instant scarlet. “Oh, no,” she moaned, the words muffled into the hand she’d clapped over her mouth. “It was so filthy in jail, and I was forced to sleep on the ground, and—” “Don’t tell me any more,” he said. “But—” “Please.” If he heard more he might have to kill someone. As long as there had been no permanent damage, he didn’t want to know the details. “I think,” he said, the first hint of a smile tugging at the left corner of his mouth, “that you should take a bath.” “Right.” She nodded as she rose to her feet. “I’ll go straight to your mother’s—” “Here.” “Here?” The smile spread to the right corner of his mouth. “Here.” “But we told your mother—” “That you’d be home by nine.” “I think she said seven.” “Did she? Funny, I heard nine.” “Benedict . . .” He took her hand and pulled her toward the door. “Seven sounds an awful lot like nine.” “Benedict . . .” “Actually, it sounds even more like eleven.” “Benedict!” He deposited her right by the door. “Stay here.” “I beg your pardon?” “Don’t move a muscle,” he said, touching his fingertip to her nose. Sophie watched helplessly as he slipped out into the hall, only to return two minutes later. “Where did you go?” she asked. “To order a bath.” “But—” His eyes grew very, very wicked. “For two.” She gulped. He leaned forward. “They happened to have water heating already.” “They did?” He nodded. “It’ll only take a few minutes to fill the tub.” She glanced toward the front door. “It’s nearly seven.” “But I’m allowed to keep you until twelve.” “Benedict!” He pulled her close. “You want to stay.” “I never said that.” “You don’t have to. If you really disagreed with me, you’d have something more to say than, ‘Benedict’!” She had to smile; he did that good an imitation of her voice. His mouth curved into a devilish grin. “Am I wrong?” She looked away, but she knew her lips were twitching. “I thought not,” he murmured.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
Forget bringing the troops home from Iraq. We need to get the troops home from World War II. Can anybody tell me why, in 2009, we still have more than sixty thousand troops in Germany and thirty thousand in Japan? At some point, these people are going to have to learn to rape themselves. Our soldiers have been in Germany so long they now wear shorts with black socks. You know that crazy soldier hiding in the cave on Iwo Jima who doesn’t know the war is over? That’s us. Bush and Cheney used to love to keep Americans all sphinctered-up on the notion that terrorists might follow us home. But actually, we’re the people who go to your home and then never leave. Here’s the facts: The Republic of America has more than five hundred thousand military personnel deployed on more than seven hundred bases, with troops in one hundred fifty countries—we’re like McDonald’s with tanks—including thirty-seven European countries—because you never know when Portugal might invade Euro Disney. And this doesn’t even count our secret torture prisons, which are all over the place, but you never really see them until someone brings you there—kinda like IHOP. Of course, Americans would never stand for this in reverse—we can barely stand letting Mexicans in to do the landscaping. Can you imagine if there were twenty thousand armed Guatemalans on a base in San Ber-nardino right now? Lou Dobbs would become a suicide bomber. And why? How did this country get stuck with an empire? I’m not saying we’re Rome. Rome had good infrastructure. But we are an empire, and the reason is because once America lands in a country, there is no exit strategy. We’re like cellulite, herpes, and Irish relatives: We are not going anywhere. We love you long time!
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
That made her smile. She said in a rush, as though she’d been wanting to say it, “It’s funny how lonely you can be when you’re with a lot of people, isn’t it? And how lonely you can be when you’re all alone. Yet when it’s just one nice person, someone with whom you instantly feel like you’ve known forever, you’re not lonely anymore, because you’re two.
Bobby Underwood (City of Angels)
Temperance pursed her lips, her eyes firmly fixed on the growing mound of chopped turnip roots. “Do you think anyone really likes turnips?” “Temperance…” Temperance poked the tip of her knife into a white cube and held it up. “They are very filling, of course, but really, when was the last time you heard someone say, ‘Oh, I’m so very fond of turnips’?
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
I'll lean over your crib, lift your squalling form out, and sit in the rocking chair to nurse you. The word 'infant' is derived from the Latin word for 'unable to speak,' but you'll be perfectly capable of saying one thing: 'I suffer.,' and you'll do it tirelessly and without hesitation. I have to admire your utter commitment to that statement; when you cry, you'll become outrage incarnate, every fiber of your being employed in expressing that emotion. It's funny: when you're tranquil, you will seem to radiate light, and if someone were to paint a portrait of you like that, I'd insist they include the halo. But when you're unhappy, you will become a klaxon, built for radiating sound; a portrait of you then could simply be a fire alarm bell. At that stage of your life, there'll be no past or future for you; until I give you my breast, you'll have no memory of contentment in the past nor expectation of relief in the future. Once you begin nursing, everything will reverse, and all will be right with the world. NOW is the only moment you'll perceive; you'll live in the present tense. In many ways, it's an enviable state.
Ted Chiang (Stories of Your Life and Others)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
You told me that I didn’t know what I had done You said I don’t know who I am But I do know who I am. I love Rose Gardens I buy violets every time someone leaves me I love the great sequoias of Yosemite and if you asked my sister to describe the first thing she thinks of when she thinks of me she would say woodsmoke I’m gentle I’m funny when I’m drunk though I haven’t been drunk for 14 years
Lana Del Rey (Violet Bent Backwards Over the Grass)
Run. Eat. Drink. Eat more. Don't throw up. Instead, take a piss. Then take a crap. Wipe your butt. Make a phone call. Open a door. Rid your bik. Ride in a car. Ride in a subway. Talk. Talk to people. Read. Read maps. Make maps. Make art. Talk about your art. Sell your art. Take a test. Get into a school. Celebrate. HAve a party. Write a thank-you note to someone. Hug your mom. Kiss your dad. Kiss your little sister. Make out with Noelle. Make out with her more. Touch her. HOld her hand. Take her out somewhere. Meet her friends. Run down a street with her. Take her on a picnic. Eat with her. See a movie with her. See a move with Aaron. Heck, see a movie with Nia, once you're cool with her. Get cool with more people.. Drink coffee in little coffee-drinking places. Tell people your story. Volunteer. Go back to Six North. Walk in as a volunteer and say hi to everyone who waited on you as a patient. Help people. Help people like Bobby. Get people books and music that they want when they're in there. Help people like Muqtada. Show them how to draw. Draw more. Try drawing a landscape. Try drawing a person. Try drawing a naked person. Try drawing Noelle naked. Travel. Fly. Swim. Meet. Love. Dance. Win. Smile. Laugh. Hold. Walk. Skip. Okay, it's gay, whatever, skip. Ski. Sled. Play basketball. Jog. Run. Run. Run. Run home. Run home and enjoy. Enjoy. Take these verbs and enjoy them. They're yours, Craig. You deserved them because you chose them. You could have left the all behind but you chose to stay here. So now live for real, Craig. Live. Live. Live. Live. Live.
Ned Vizzini (It's Kind of a Funny Story)
Spider?” I’d said, with a question mark in my voice. “Yeah.” “You know at school . . . what did you do that for? Wade in like that?” Spider frowned. “He was disrespectful, Jem. What you said—I could tell it was real. It was what you were really feeling. He had no right to make a joke of it.” “Yeah, I know, he’s a tosser, but it’s nothing to do with you. You made a right show of yourself. You made a show of me.” “I didn’t want him to get away with it.” “Yeah, but I don’t need a knight in shining armor. I can look after myself.” He was smiling a bit now. I paused. “It’s not funny, man. It’s made everything worse,” I said quietly. “I’ve got comments all the time now, ‘bout you and me. Sly comments.” He looked away, studied his hands. The knuckles on the right one were nearly healed up now. My mouth had gone dry, but I had to get this clear with him. “You do know there’s no ‘you and me,’ don’t you, Spider?” He looked up. “What?” “We’re not like . . . together. Just mates.” There was something about his sullenness when he said, “Yeah, ‘course. Just mates. Mates is good,” that made me think he felt the exact opposite. I was churning inside, cursing that day under the bridge. People were so bloody difficult. Why had I ever got involved? He stood up, came toward me, putting an arm out. I thought, Shit, he’s going to hug me. Hasn’t he listened to anything? But his hand formed a fist, and he lightly punched my arm. “Listen, man, I know what you’re like. I’ve told you I’ll never say nothing nice to you. And now you’ve put my straight, I’ll never do nothing nice for you, either. OK? If someone disrespects you, I’ll let them. If you’re being mugged on the street, I’ll walk on by. If I see you on fire, I won’t even piss on you. OK?
Rachel Ward (Numbers (Numbers, #1))
Jennette..." Laura says, pausing to rub her lips together, which she does everytime she feels like she's about to say something important. "This is what recovery looks like". One of the more excruciating emotionnal disconnects for me is when someone says something they think is poignant and I receive it as complete bullshit. This is one of those disconnects. To make the disconnect even worse , Laure SHUTS HER EYES and repeats herself. "This..." NO Laura, please don't give me that dramatic pause for emphasis. DO NOT give me that dramati- "...is what recovery looks like.
Jennette McCurdy (I'm Glad My Mom Died)
When things are serious and either Amy Eleni or I need to beat our personal hysteric, the informal code is to seize your head and twist coils of your hair around your fingers and groan, "I'm not mad! I'm not mad! I don't want to die!" And if you have a friend who knows, then the friend grabs her head too and replies, "There's someone inside of me, and she says I must die!" That way it is stupid, and funny, and serious. Our hysteric is the revelation that we refuse to be consoled for all this noise, for all this noise and for the attacks on our softnesses, the loss of sensitivity to my scalp with every batch of box braids. Sometimes we cannot see or hear or breathe because of our fright that this is all our bodies will know. We're scared by the happy, hollow disciple that lines our brains and stomachs if we manage to stop after one biscuit. We need some kind of answer. We need to know what that biscuit-tin discipline is, where it comes from. We need to know whether it's a sign that our bones are turning against the rest of us, whether anyone will help us if our bones win out, or whether the people who should help us will say "You look wonderful!" instead.
Helen Oyeyemi
But if my father could stand up to schoolmasters and if he inherited some of his own father's gifts as a teacher, he himself could never have become one. He could teach and loved teaching. He could radiate enthusiasm, but he could never impose discipline. He could never have taught a dull subject to a dull boy, never have said: "Do this because I say so." Enthusiasm spread knowledge sideways, among equals. Discipline forced it downwards from above. My father's relationships were always between equals, however old or young, distinguished or undistinguished the other person. Once, when I was quite little, he came up to the nursery while I was having my lunch. And while he was talking I paused between mouthfuls, resting my hands on the table, knife and fork pointing upwards. "You oughtn't really to sit like that," he said, gently. "Why not?" I asked, surprised. "Well..." He hunted around for a reason he could give. Because it's considered bad manners? Because you mustn't? Because... "Well," he said, looking in the direction my fork was pointing, "Suppose somebody suddenly fell through the ceiling. They might land on your fork and that would be very painful." "I see," I said, though I didn't really. It seemed such an unlikely thing to happen, such a funny reason for holding your knife and fork flat when you were not using them... But funny reason or not, it seems I have remembered it. In the same sort of way I learned about the nesting habits of starlings. I had been given a bird book for Easter (Easter 1934: I still have the book) and with its help I had made my first discovery. "There's a blackbird's nest in the hole under the tiles just outside the drawing-room window," I announced proudly. "I've just seen the blackbird fly in." "I think it's probably really a starling," said my father. "No, it's a blackbird," I said firmly, hating to be wrong, hating being corrected. "Well," said my father, realizing how I felt but at the same time unable to allow an inaccuracy to get away with it, "Perhaps it's a blackbird visiting a starling." A blackbird visiting a starling. Someone falling through the ceiling. He could never bear to be dogmatic, never bring himself to say (in effect): This is so because I say it is, and I am older than you and must know better. How much easier, how much nicer to escape into the world of fantasy in which he felt himself so happily at home.
Christopher Milne (The Enchanted Places)
Doubts, then. “I’m not--” “No,” he growled. “You don’t get to say that. You don't get to say you're not anything.” Of course he knew. Those residual fears that I couldn’t ever be rid of, a holdover from when I didn’t think I’d amount to much. Maybe I could see now that I meant something to someone. Or someones. Maybe I could see it in their eyes when they looked at me. But that didn’t mean I didn't feel like I was still a kid playing dress-up. Or a sheep in wolves’ clothing. It was a mask, this thing I was, and I wore it well. Funny thing was, I almost believed it. “Ox,” Joe said, sounding frustrated. “How can you not see it?
T.J. Klune (Wolfsong (Green Creek, #1))
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
It's that thing when you are with someone, and you love them and they know it and they love you, you know it. But it's a party, you're both talking to other people and you're laughing and shining ... You look across the room and catch each other's eyes... but-but not because you are possessive or it's precisely sexual .. but because .. that's your person in this life. And it's funny and sad, but only because this life will end, and it's this secret world that exists right there in public, unnoticed, that no one else knows about. It's sort of like how they say that other dimensions exist all around us, but we don't have the ability to perceive them. That's that's what I want out of a relationship. Or just life, I guess
Greta Gerwig (Frances Ha: A Noah Baumbach Picture)
I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get
Holly Bourne (Girl Friends: the unmissable, thought-provoking and funny new novel about female friendship)
Do you think he’d describe himself as unhappy in his work?” “No,” Dahlia said, “because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?” “No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.
Emily St. John Mandel (Station Eleven)
You have got to be—” Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier. “Huh, would you look at that?” I glance around the small room, wondering what’s wrong. “No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button. When nothing happens, she presses all the other buttons. “That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.” She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal. “It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.” “Damn it,” she mutters, stuffing her phone back in her purse. “Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.” “I’d rather lick the elevator floor.” “There’s a disgusting visual. Suit yourself.” I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger. Low blood sugar does crazy things to me. I bring the term hangry to a new level. There’s only— “Why are you smiling like that?” I look up at her. “Smiling like what? I’m just being normal.” “No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.” How would she know that? “Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
Meghan Quinn (The Lineup)
Grom greets him with a smile full of nausea. "I'm not ready for this, little brother," he confesses. "Sure you are," Galen laughs, slapping his brother's back. Grom shakes his head. "It feels like...like I'm betraying her. Nalia." Galen stiffens. Oh. He doesn't feel qualified to talk Grom out of this kind of mood. "I'm sure she would understand," he offers. Grom studies him thoughtfully. "I'd like to think she would. But you didn't know Nalia. She had an amazing temper." He chuckles. "I keep looking over my shoulder, expecting to see her ready to bludgeon me with something for mating with someone else." Galen frowns, unsure of what to say. Grom chuckles. "I'm joking, of course." Then he shrugs. "Well, half joking, anyway. I swear I've been sensing her lately, Galen. It feels so real. It takes all I've got not to follow the pulse. Do you think I'm losing my mind?" Galen shakes his head out of obligation. Secretly though, he thinks he might be. "I'm sure you're just feeling guilty. Er...not that you have a reason to feel guilty. Uh, it's just natural that you feel that way before your mating ceremony. Nerves and all." Galen runs a hand through his hair. "I'm sorry. I'm not very good at this sort of thing." "What sort of thing? Being mature?" Grom smirks. "Funny." "Maybe you should spend some more time on land, then come back and talk to me. Being on land ages you, you know. Might do you some good." Galen snorts. Now you tell me. "I heard." Out of nowhere, Grom grabs Galen's face and wrestles him into a hold. Galen hates it when he does this. "Let me see that cute little face of yours, minnow. Yep, just like I thought. Your eyes are turning blue. How much time have you been spending on land? Please tell me you're not head over fin for a human?" Then he laughs and releases him just as suddenly. Galen stares at him. "What do you mean?" "I was just teasing, minnow. Giving you a hard time." "I know but...why did you say my eyes are turning blue? What does that have to go with the humans?" Grom waves a dismissive hand at him. "Forget it. I think you might be more uptight than me right now. I said I was just kidding.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
probably encounter people like him all the time. High-functioning sleepwalkers, essentially.” What was it in this statement that made Clark want to weep? He was nodding, taking down as much as he could. “Do you think he’d describe himself as unhappy in his work?” “No,” Dahlia said, “because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?” “No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.
Emily St. John Mandel (Station Eleven (Picador Collection))
Some people prescribe God for depression or self-harm, and I think that can be really helpful for some people who aren't me. Some claim that depression can be "prayed away" or is caused when you don't have enough God in your life. I tried God once but it didn't work well so I cut the dose by a third and just had "Go." Go where? I asked. No one answered. Probably because I didn't have enough God in my life. Someone else told me that capitulating to my depression made me seem ungrateful because Jesus died for that I wouldn't have to suffer, but frankly Jesus seemed to have more than his fair share of bullshit in his life too. That guy got nailed to death. I bet people walking past Jesus were like, "Wow. That guy should have had more God in his life." Or maybe they just sent him those e-mails that say, "Let Go and Let God," or "God listens to knee-mail." Probably not though because e-mail wasn't popular yet, but I think that's for the best because there is nothing more annoying than having someone tell you that everything would be fine if you were just a better pray-er. Or if you just smiled more, or stopped drinking Diet Coke.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
Eleanor is one of the most unusual protagonists in recent fiction, and some of her opinions and actions are very funny. What were your favorite moments in the novel? “Did men ever look in the mirror, I wondered, and find themselves wanting in deeply fundamental ways? When they opened a newspaper or watched a film, were they presented with nothing but exceptionally handsome young men, and did this make them feel intimidated, inferior, because they were not as young, not as handsome?” (p. 74). Eleanor’s question is rhetorical and slightly tongue-in-cheek, but worth answering. What are your thoughts? If men don’t have this experience, why not? If they do, why is it not more openly discussed? Eleanor is frightened that she may become like her mother. Is this a reasonable fear? What is the balance of nature and nurture? Is it possible to emerge from a traumatic childhood unscathed? Eleanor says, “If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn’t spoken to another person for two consecutive days. FINE is what you say” (p. 226–227). Why is this the case?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
It was simply the way with Harry, like waiting for sunrise. But once you made clear that you wouldn't be going to bed with him, he'd look oddly relieved and calm down. And the matter once raised would not be revisited, I will say that for him. He didn't make a nuisance of himself. Funny old skellum. Never dull. There are men whom it is important not to take the slightest notice of when they're talking, if it's after ten o'clock at night and they've had a glass of beer. Harry was one such mammal. They really and truly don't mean to be idiots. But it's like a Roman Catholic person not wanting to feel guilt. Might as well ask water to run uphill. Except that might conceivably be contrived. With a pump. Once, he asked my sister to run away with him, to Rotterdam I think it was. She said no and he asked my brother. That was the most important thing to understand about Harry. Essentially, what he wanted--darling, who wouldn't--was someone to run away with him to Rotterdam. It's what all of us want, isn't it? Of course, nobody gets it. Probably not even those misfortunates who are in Rotterdam already. One wonders where they want to run away to. Crouch End?
Joseph O'Connor (Shadowplay)
You’re wonderful. You’re the reason for the word wonderful. It really shouldn’t be used for anything else. You make me want to see the best in everyone. You’re the person I want to be with when everything’s going wrong, instead of just wanting to skip over those times entirely. I love that you’re so present that you always forget to keep track of your phone, and I love that when you’re late, you never make excuses but you always have a good reason. “You’re the most generous person I’ve ever met, even to people who’ve given you no reason to be generous, and you always come through for the people you care about. I honestly can’t totally figure out why someone as good as you would love me, when I can be kind of a pessimistic asshole. But I do feel like the luckiest person in the world, to be who you want. Because I want you too. I love you too. I love you in a way that feels brand-new. You make every single thing that went wrong feel like it was just a step in the right direction, and it—it makes me excited. For life to keep surprising me. “You aren’t what I pictured,” I say. “You are so, so, so much better than what my cynical little brain could’ve ever come up with.
Emily Henry (Funny Story)
I Never Knew What They Meant by Flyover Country until the first time someone put me on a plane, windowed me into the congregation looking down on our fields stretched out endless in orderly blanks, redactions in the transcripts of the trial of man versus nature. All this holy squinting at scrimshaw country roads draped with power lines - trip wires lying in wait for the giants we just sort of mice around. I watched the others look down on our Fridays racing Opal Road to hit the tiny hill that drops stomachs like a roller coaster, headlights off for cops. Eighty; Ninety. Ninety-five in a fifty-five, how Kyle's brother talked about defusing IEDs on tour - snip whichever wire you want, you'll only find out if you're a hero. We learned a word for this, its reckless in court, predestination in church. Funny how a thing gets a different name there. Robe becomes vestment. Bench becomes pew. Truth grows a capital letter. Anything to help believe, Mom says, though when it comes to theology we are Presbyterian in casseroles only. This is the word of God, says the pastor into the microphone. See you at the picnic after. See you at the finish, says Kyle's Honda Civic. See you never says his brother's IED.
Robert Wood Lynn (Mothman Apologia)
We wanted Penny to work somewhere that was pedestrian and wonderfully quotidian. Here are these guys who are trying to unravel the secrets of the universe, and Penny introduces herself by saying, “I work at The Cheesecake Factory.” The juxtaposition of scientists working in the quantum field, perhaps changing the world with their work, and “I work at The Cheesecake Factory” seemed to be a funny dichotomy. And the cheesecake is great! I personally really love their chocolate chip cheesecake. And the menu went on for days—it was like a book! There was a lot going for it, and the company was very gracious about letting us use their name. Surprisingly, the California Institute of Technology (abbreviated as Caltech) wasn’t as enthusiastic when it came to establishing Sheldon and Leonard’s workplace. Chuck Lorre: Caltech wasn’t keen on us using their name or likeness early on, so we obliged for a while, and then when the show took off, they communicated with us again and said something along the lines of, “Please feel free to use the word Caltech in your show,” because it was a good promotion for Caltech! [Laughs] Someone over there recognized that being associated with this burgeoning hit show was not going to damage their reputation.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
My mouth dropped open. 'You're naked!' 'I am,' Kieran replied. And he was. Like completely naked, and I saw way too much tawny-hued skin. Way too much. I quickly spun around, my wide eyes clashing with Casteel's. 'You should see your face right now,' Casteel gripped the arrow in his stomach. 'It looks like you've been sunbathing.' 'Because he's naked,' I hissed. 'Like, super naked.' 'What do you think happens when he shifts forms?' 'The last time his pants actually stayed on!' 'And sometimes they don't.' Casteel shrugged. 'Those pants were looser, I suppose,' Kieran stated. 'There's no need to be embarrassed. It's only skin.' What I saw was not only skin. He was... well, his body was a lot like Casteel's. Lean, hard muscle and... I wasn't going to think about what I saw. At a loss for what to say, I blurted out in a whisper. 'He has to be cold!' 'Wolven body temperatures run higher than normal. I'm just a little chilled,' Kieran commented. 'As I'm sure you noticed.' Casteel smirked. 'I doubt she knows what you're referencing.' I inhaled deeply through my nose and exhaled slowly. 'I know exactly what you're referencing, thank you very much!' 'How do you know that?' Casteel lifted his brows, and I noticed that his pupils seemed to have returned to their normal size. 'If you know what that means, than someone has been very naughty.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Are you angry when someone’s armpits stink or when their breath is bad? What would be the point? Having such a mouth and such armpits, there’s going to be a smell emanating. You say, they must have sense, can’t they tell how they are offending others? Well, you have sense too, congratulations! So, use your natural reason to awaken theirs, show them, call it out. If the person will listen, you will have cured them without useless anger. No drama nor unseemly show required.” —MARCUS AURELIUS, MEDITATIONS, 5.28 The person sitting next to you on the plane, the one who is loudly chattering and knocking around in your space? The one you’re grinding your teeth about, hating from the depth of your soul because they’re rude, ignorant, obnoxious? In these situations, you might feel it takes everything you have to restrain yourself from murdering them. It’s funny how that thought comes into our heads before, you know, politely asking them to stop, or making the minor scene of asking for a different seat. We’d rather be pissed off, bitter, raging inside than risk an awkward conversation that might actually help this person and make the world a better place. We don’t just want people to be better, we expect it to magically happen—that we can simply will other people to change, burning holes into their skull with our angry stare. Although when you think about it that way, it makes you wonder who the rude one actually is.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living: Featuring new translations of Seneca, Epictetus, and Marcus Aurelius)
You said she works at an ice-cream shop around here, right?” He made a big show of wiping the sweat off his brow. “Come to think of it, a nice double cone would really hit the spot in this heat.” Zach’s expression was one of pure teenage mortification. “Yeah, because that’s exactly what will help my inability to talk to her—my older brother watching and critiquing all my moves.” “I thought we’d already established that you don’t have any moves.” “Now that’s funny. Picking on someone half your age. Hey, here’s an idea: I’ll introduce you to Paige as soon as I meet this so-called smart, witty, and hot woman you’re supposedly seeing. Sounds a lot like one of those made-up girlfriends who live in Niagara Falls.” “She’s real. I’m seeing her tonight, in fact.” They hadn’t decided their specific plans yet, but Brooke had texted him last night, asking if he was free. “Wow. You actually, like, beamed when you said that.” “Get out of here,” Cade scoffed. “I did not.” “What’s her name?” Cade opened his mouth to answer, then paused. Zach grinned. “Worried you can’t say it without beaming again?” Ridiculous. “Her name is Brooke.” He deliberately maintained a straight face Zach made a big show of studying him, presumably looking for any sign of this alleged “beaming.” He stepped closer and then, with a comically scrutinizing face, slowly looked at one side of Cade’s face, and then the other. Cade never cracked once. Finally, Zach gave up. “Dude, I’m impressed. You need to show me that trick.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Jude never loved Locke.” My face feels hot, but my shame is an excellent cover to hide behind. “She loved someone else. He’s the one she’d want dead.” I am pleased to see Cardan flinch. “Enough,” he says before I can go on. “I have heard all I care to on this subject—” “No!” Nicasia interrupts, causing everyone under the hill to stir a little. It is immense presumption to interrupt the High King. Even for a princess. Especially for an ambassador. A moment after she speaks, she seems to realize it, but she goes on anyway. “Taryn could have a charm on her, something that makes her resistant to glamours.” Cardan gives Nicasia a scathing look. He does not like her undermining his authority. And yet, after a moment, his anger gives way to something else. He gives me one of his most awful smiles. “I suppose she’ll have to be searched.” Nicasia’s mouth curves to match his. It feels like being back at lessons on the palace grounds, conspired against by the children of the Gentry. I recall the more recent humiliation of being crowned the Queen of Mirth, stripped in front of revelers. If they take my gown now, they will see the bandages on my arms, the fresh slashes on my skin for which I have no good explanation. They will guess I am not Taryn. I can’t let that happen. I summon all the dignity I can muster, trying to imitate my stepmother, Oriana, and the way she projects authority. “My husband was murdered,” I say. “And whether or not you believe me, I do mourn him. I will not make a spectacle of myself for the Court’s amusement when his body is barely cold.” Unfortunately, the High King’s smile only grows. “As you wish. Then I suppose I will have to examine you alone in my chambers.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Is this weird?" she asked with a satisfied sigh. Jay shook his head. "Nah," he answered, rubbing his hand along the sensitive skin of her arm. "It was gonna happen eventually. I'm just glad it's finally out there...I was getting tired of waiting." Violet was confused. Out there? What the hell was that supposed to mean? It was going to happen eventually? How could he have known what was going to happen? She wiggled out from beneath him. "What do you mean, you were tried of waiting? Waiting for what, exactly?" She propped herself back up on her elbow as she interrogated him, waiting for an answer. He let the question linger between them for longer than he needed to, deliberately teasing Violet as she waited impatiently. But when he finally did answer her, it proved to be well worth the minor annoyance. "I was just waiting for you to want me as much as I wanted you." His words were quiet but carried one hell of an impact. "I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you're a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you'd get pissed enough to finally admit how you felt about me." Lissie Adams. Just hearing the other girl's name made Violet bristle enviously, causing her to shiver. She rubbed her arms protectively and hoped that Jay didn't notice. "What makes you think I was feeling anything?" she asked him suspiciously, as if he'd somehow read her mind. If she had been the kind of girl who kept a diary, she would have sworn that he'd picked the lock and read it word for word. He grinned at her. "Because you did," he stated matter-of-factly. "I know, because I did, and there was just no way that you didn't feel it too." She didn't bother denying it and instead asked, "So you used Lissie to make me jealous?" She tried to sound indignant, but it was difficult when what she really wanted to do was dance around her room triumphantly. She wondered what Lissie would think if she could see them now, together on Violet's bed. "No, I tried to use Lissie. But apparently you're more pigheaded than I gave you credit for. I thought for sure that would do it. Instead, it backfired on me, and you agreed to go to the dance with...someone else." He gritted his teeth, probably without even realizing it, as he choked out the words, unable to actually say Grady's name. "And when I realized you were going with him, I figured the only way I was going to get to see you that night was to ask Lissie to go with me. I figured I could sneak in at least one dance with you." Violet couldn't help it-she giggled. Just a little. It was just too much. The whole thing. Jay trying to trick her into revealing her feelings for him. Grady trying to kiss her last night. And then this...now...she and Jay cuddled up together on her bed...making out. It was crazy. "You think that's funny, huh?" He seemed a little bent that she was laughing at him. "Joke's on me, I guess," she said, serious now. "I get to sit at home, while you and Lissie Adams go to Homecoming." She tried to sound like it was no big deal, but the truth was that it stung more than she wanted it to. Jay reached up and wrapped his hand around the back of her neck. He pulled her toward him, staring her in the eye as they closed the distance between them. Violet felt an agonizing thrill at just being so hear him again. "I called her last night to cancel after I dropped you off." His voice was thick and husky, giving her chills. "I told her I was going to the dance with you instead.
Kimberly Derting (The Body Finder (The Body Finder, #1))
She’s smart, but it’s not just that she’s smart. She works harder than anyone I know, yet she’s too hard on herself. Everyone likes Mia. From the geeks to the jocks to the stoners, every single group of kids in our class has nothing but the best to say about her because she never judges. She’s not petty like other people. She doesn’t gossip, but instead, she gives people the benefit of the doubt. I’ve seen her put others first, one too many times because she hates confrontation. Unless it’s with me, of course, and then she’s brutal.” Carson’s voice grew soft as he turned me around in his arms to face him. “But she puts too much pressure on herself to be perfect. And I hate that. It eats away at me when I see it.” My heart pounded like a drum in my chest until I thought it might burst. All I could do was stare up at him, my lashes fluttering as I blinked away my shock. He reached up to my hair and smoothed a hand through my locks, and for a moment, I wondered if he remembered we weren’t alone, that there was someone—a stranger—standing only feet away from us, but he just continued, dragging his fingers through the length of my locks as he said, “Her hair. . .it reminds me of the sunset—both orange, and fiery pink, and pale yellow at the same time. She’s a good friend—loyal to the core and trustworthy, the kind who will be on your side through anything. And her laugh. . .She has this laugh. The one where she doesn’t think someone’s funny, but she’s pretending anyway. That laugh doesn’t reach her eyes. But her real laugh, now that’s something to see because her whole face gets into it. It’s uncontrollable. It sounds like wind chimes, and she crinkles her nose and eyes.” Reaching up, he touched the bridge of my nose, making me gasp. “And every time I hear it, I think, I want to be the one to make her laugh like that because it’s impossible to hear and not smile. It pulls you in, that laugh.
Tia Souders (Falling For My Nemesis (Sweet Water High #6))
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
He fakes a smile and then turns to unlock the door. I follow him inside; he stops me at the kitchen island. “I found it right here.” He points to the countertop. “You found what right where?” I ask, feeling my face scrunch up in bewilderment. “The crossword puzzle from today.” He pulls it out of his pocket. “I found it here when I was making breakfast this morning.” “Wait, you didn’t get it in the mail?” “I’m sorry; I thought I mentioned that.” “No,” I say, holding back from whacking him in the head. “I think I would’ve remembered if someone had broken into your apartment. “I’m sorry,” he repeats, and then lets out a stress-filled sigh. “So, someone broke in here last night while you were asleep?” “I’m not sure. I was thinking that, too, but then . . . what if I just didn’t see it last night when I got home?” “Are you sure you didn’t set your mail down here, maybe even for a second, and then leave this piece behind?” “What difference does it makes?” “It makes a huge difference.” My voice gets louder. “The difference between someone breaking in or not.” I peer around the kitchen and living room, trying to see if anything looks off. “I don’t know.” He reaches for a box of cereal. “I mean, I’m pretty sure I would’ve noticed getting another puzzle in the mail, especially since we’ve been talking so much about this stuff.” “Who has a key to your apartment?” “No one that I know of.” “None of your friends? Did you leave a spare under the doormat, maybe?” “No, and no.” “Then what?” I ask, completely frustrated. “Look,” he says, running his fingers through his shaggy brown hair. “I don’t have all the answers. That’s why it’s a puzzle.” “This isn’t funny,” I tell him. “Someone’s sending you threatening notes, writing twisted messages on your door, and possibly breaking into your apartment. Worrying isn’t an option. It’s an order.” “So what do you order me to do?” “Call the police.” “And tell them what? That someone’s sending me crossword puzzles? That I got an angry message on my door, but I didn’t even feel the need to save it? They’ll give me a Breathalyzer test and ask me what I’ve been drinking.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
I see many so-called conservative commentators, including some faith leaders, focusing on favorable policy initiatives or court appointments to justify their acceptance of this damage, while de-emphasizing the impact of this president on basic norms and ethics. That strikes me as both hypocritical and wrong. The hypocrisy is evident if you simply switch the names and imagine that a President Hillary Clinton had conducted herself in a similar fashion in office. I've said this earlier but it's worth repeating: close your eyes and imagine these same voices if President Hillary Clinton had told the FBI director, 'I hope you will let it go,' about the investigation of a senior aide, or told casual, easily disprovable lies nearly every day and then demanded we believe them. The hypocrisy is so thick as to be almost darkly funny. I say this as someone who has worked in law enforcement for most of my life, and served presidents of both parties. What is happening now is not normal. It is not fake news. It is not okay. Whatever your politics, it is wrong to dismiss the damage to the norms and traditions that have guided the presidency and our public life for decades or, in many cases, since the republic was founded. It is also wrong to stand idly by, or worse, to stay silent when you know better, while a president so brazenly seeks to undermine public confidence in law enforcement institutions that were established to keep our leaders in check...without these checks on our leaders, without those institutions vigorously standing against abuses of power, our country cannot sustain itself as a functioning democracy. I know there are men and women of good conscience in the United States Congress on both sides of the aisle who understand this. But not enough of them are speaking out. They must ask themselves to what, or to whom, they hold a higher loyalty: to partisan interests or to the pillars of democracy? Their silence is complicity - it is a choice - and somewhere deep down they must know that. Policies come and go. Supreme Court justices come and go. But the core of our nation is our commitment to a set of shared values that began with George Washington - to restraint and integrity and balance and transparency and truth. If that slides away from us, only a fool would be consoled by a tax cut or different immigration policy.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
When it’s all said and done, how would you like to be remembered? It’s sort of a funny question, isn’t it? Asking how you want to be remembered after you’re gone. No one ever knows how they’re remembered after they’re gone, nor does anyone ever experience it. And yet, for some reason, we still ask ourselves these sorts of questions. It’s a paradox, really; to want something after I’m dead, but only be able to want anything while I’m alive. The question is really more about what I want to imagine while I’m alive then, isn’t it? What I want to convince myself my life can be for beyond my own life; seeing as how I can only imagine beyond my own life while my own life still exists? If I were to humor the question, though, I don’t think I would want to claim any sort of banal, grandiose answers. I don’t think I would want to say that I want to be remembered as significant, or influential, or smart, or famous, or wealthy, or powerful, or successful, or that I changed the world in some way. All of that would suggest that I can know what any of that even means in the bigger picture. In truth, I don’t know what it means to be influential in a world that lacks clear direction. I don’t know what it means to be wealthy in a world filled with poverty. I don’t know what it means to be powerful in a universe that trumps everyone and everything. And I don’t know what it means to be smart or successful or to change the world as a member of a species that’s restricted from understanding what anything might really mean or cause. I suppose I am attracted to these things as much as the next person, but I cannot say with certain honesty that I believe that in the end, any of these things are worth being remembered for. I guess the next answer would be that I want to be remembered as someone who tried. Someone who tried their best to care. To help. To love. To be ok. To air on the side of sympathy and compassion as best I could. To be a good friend, good son, father, and husband. Someone who lived honestly, with both conviction and a willingness to adapt in what they think and believe. Someone who contributed towards something they enjoyed and believed in simply because they could. But the truth is, history is coated with innumerable amounts of people who lived with these qualities, and mostly none of them are remembered by anyone at all. Perhaps being remembered isn’t all that important then, if most people aren’t remembered for what’s important.
Robert Pantano
Matt takes some time to settle himself before he speaks. When he does, he shares an anecdote about how Julie had written a book for him to have after she was gone, and she titled it, The Shortest Longest Romance: An Epic Love and Loss Story. He loses it here, then slowly composes himself and keeps going. He explains that in the book, he was surprised to find that near the end of the story—their story—Julie had included a chapter on how she hoped Matt would always have love in his life. She encouraged him to be honest and kind to what she called his “grief girlfriends”—the rebound girlfriends, the women he’ll date as he heals. Don’t mislead them, she wrote. Maybe you can get something from each other. She followed this with a charming and hilarious dating profile that Matt could use to find his grief girlfriends, and then she got more serious. She wrote the most achingly beautiful love letter in the form of another dating profile that Matt could use to find the person he’d end up with for good. She talked about his quirks, his devotion, their steamy sex life, the incredible family she inherited (and that, presumably, this new woman would inherit), and what an amazing father he’d be. She knew this, she wrote, because they got to be parents together—though in utero and for only a matter of months. The people in the crowd are simultaneously crying and laughing by the time Matt finishes reading. Everyone should have at least one epic love story in their lives, Julie concluded. Ours was that for me. If we’re lucky, we might get two. I wish you another epic love story. We all think it ends there, but then Matt says that he feels it’s only fair that Julie have love wherever she is too. So in that spirit, he says, he’s written her a dating profile for heaven. There are a few chuckles, although they’re hesitant at first. Is this too morbid? But no, it’s exactly what Julie would have wanted, I think. It’s out-there and uncomfortable and funny and sad, and soon everyone is laugh-sobbing with abandon. She hates mushrooms, Matt has written to her heavenly beau, don’t serve her anything with mushrooms. And If there’s a Trader Joe’s, and she says that she wants to work there, be supportive. You’ll also get great discounts. He goes on to talk about how Julie rebelled against death in many ways, but primarily by what Matt liked to call “doing kindnesses” for others, leaving the world a better place than she found it. He doesn’t enumerate them, but I know what they are—and the recipients of her kindnesses all speak about them anyway.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and 'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
Alice Oseman (Solitaire)
What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book!  I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand
Jenson Publishing (Super Mario: The Funniest Super Mario Jokes & Memes Volume 3)
Well, I’d better see if Luke’s here and let you get back to … your stuff.” He looked down, scratching the back of his head. “Yeah, my dad wasn’t a collector or any sort of packrat, but my parents were divorced. I’m his only child and my grandparents live in Portland, so I guess it’s my responsibility to decide what to do with everything. It’s all mine now, including the house. The funny part? I don’t want any of it.” “My brother’s fiancée died a year ago. Her stuff still hangs in his closet. It’s just stuff, but there has to be a finality to get rid of it. I bet you’ll feel it when the last thing is removed from here and someone else buys the place. The ‘stuff’ is the epilogue. The story is over, but part of it lives on like a ghost for just a few more pages. What’s left at the end of the epilogue?” “Nothing.” Lake cocked her head to the side and narrowed her eyes. “Depends on how you look at it.” “And how would you look at it?” “I’m not sure yet. My boyfriend died in the accident that took my leg. When I came out of my coma the funeral was over, his parents had cleaned out his apartment, and some other person lived there. I turned the page after the final chapter only to find no epilogue. The author of my life sucker punched me.” “Some would say the author of your life is God.” “And I’d agree. But no amount of faith can truly comfort a grieving heart that can’t make sense of such tragedy. I didn’t lose my faith, but I did feel like God sucker punched me. No epilogue. But he’s God so I’ll probably forgive him some day.” Cage chuckled. “I’m sure he’ll be grateful.” She tore her eyes away from his smile and those dimples. “I’m sure he’s waiting.
Jewel E. Ann (Dawn of Forever (Jack & Jill, #3))
I like planned parenthood. I support the woman's right to choose if she wants to murder her future baby. I do feel for the janitor though, this one time he was taking out the trash filled with all of the dead baby bodies... (I mean let's face it, that's where they put them. So let's be mature about this please. No laughter or funny comments. These are dead babies we’re talking about,) Anyways, the bag ripped, and squish! All the heads, torsos, everything oozed out of the bag. He was trying to mop up all the placenta juices and bodies when he slipped. It looked like a 3-Stooges bit. He had stepped on one skull for traction, and had another foot jammed so far up a stillborn's ribcage, it looked like he was wearing a shoe. He was mopping it up when someone's dog broke its leash and came running to slurp up the mess. Oh the horror! That dog must have ate at least 3 or 4 babies that day. Talk about a sticky situation! Rape is bad... But... Sometimes girls rape guys too. I'll give you an example. Anytime a guy wants to have sex, and the girl says no, she's raping the guy into not having sex. See if you can follow me here, the guy doesn't want to not have sex, but he's forced... Against his will... To not fuck her. If that's not reverse rape I don't know what is. And nobody is talking about it! Obviously it is a less extreme form of rape, but it's equal because it's much more common. You know who I feel sorry for? You guessed it: White men.
Mike Sov (I Like Poop)
We have realized a disheartening reaction from people who will abandon a life long relationship when someone develops an impaired memory. They sometimes actually say something like, "Well, if they don't know who I am, there's no use visiting them."  Memo to those people: This isn't about you. Your friend is still your friend, and your family member is still your family member, even in an impaired state. If you can still bring a moment of companionship, it is worth your time. If you can hold their hand or read them a story or a favorite Psalm or show them some funny videos on your phone, do it. This is about your friend or loved one in their time of need. This isn't about your feeling "uncomfortable" and therefore running away. This is about sacrifice. About giving. About doing something for someone else, even when your emotions are urging you to flee.
Dave Meurer (New Every Day: Navigating Alzheimer's with Grace and Compassion)
Questions When she asked me out for coffee, I knew she was different. Her words were funny but lonely. Her eyes nervously asked questions. I was looking into a murky well, but I couldn't turn away. Sometimes I wish I could take her away. We could walk a beach sipping coffee, and she'd laugh and feel really well and not start crying. She'd be different. No one would ask me questions about being with someone so weird, lonely. 'Save me,' she whispers. It makes me lonely. My life before that first day seems far away. Her cutting habit scares me. I ask questions so maybe she can say what hurts. I offer coffee with lots of sugar and milk, something different. She dries her smudged eyes, sighs, 'Oh, well.' I wish we could hold hands by a rock well and fling in her thorny wounds, fears, loneliness. Maybe things with her will never be different. Maybe I need to pack up and run far away, but then tomorrow, alone, she'd drink bitter coffee again, and I'd be asking myself what-if questions. My counselor asks me confusing questions about whether I can cure her, make her well, and what if I hadn't gone out for that first coffee, can I really save anyone but me. 'But she's so lonely,' I say, 'and I love her and can't just turn away.' I even pray that she'll wake up smiling, different. My family says, 'Think of college, a new different life, a clean start.' Maybe a roommate will question my politics, sign us up for a trip to the mountains far away. Can, should I, forget her, and focus just on me? Well, I'd miss her too, digging into my skin, lonely for what I provide, warmth and not just in the coffee. People say I don't look well, I stopped coffee, but the broken questions just replay, won't go away. I want to be different even if I'm lonely.
Pat Mora (Dizzy in Your Eyes: Poems about Love)