Lend Me A Tenor Quotes

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Even more confused than before, I started backing up. I’d go around and get in through the kitchen; David and Raquel had to know what was going on. Unfortunately for all of us, that was when Lend came out the front door, immediately collapsed with a thunk that made me cringe, and—perfect—went completely transparent. The police officers stopped fighting, every eye glued on my boyfriend, now essentially invisible other than this T-shirt and flannel pajama pants. “Okay,” I said, putting my hands on my hips. “No. This is unacceptable. I don’t care what the bleep is going on, we’re going to get it settled immediately or I swear I will give you all to the Dark Queen and let her feed on your dreams for the rest of eternity.” Every head turned my direction, their faces a portrait of shock and disbelief. “What, you’ve never seen a boy made of water before? Yawn. Go down to the pond—it’ll really blow your mind.” One close to the front—barrel-chested, middle-aged man with salt-and-pepper hair and a thick mustache—shook his head as though trying to clear it. “Are you Evelyn Green?” “Sort of. Mostly. I mean, legally. Again, sort of.” He tried to look at me, but his eyes kept drifting back to Lend. “You’re under—We’re here to—Could you please come with us?” I rolled my eyes. “No, I couldn’t. You’re last place in a very long line of people who want me right now. Besides, I haven’t done anything.” “Actually,” said a painfully tall and thin officer with a voice that struggled between tenor and bass but really sounded like a dog with something caught in its throat, “you’re wanted for terrorism.” He shrugged apologetically. “We’re supposed to take you into NSA headquarters.” “I think you have the wrong acronym there,” I said. This had Anne-Whatever Whatever written all over it.
Kiersten White (Endlessly (Paranormalcy, #3))
The rocks are craggy/unmanageable without sufficiently lacerating my Self ~ scarcely solid ground, but more accurately a foothold. Yet in smoothness, the rocks are even less effective against the sweep of the tides than the sands of the shore. I sit here, not terribly concerned about the bruises and scrapes the jagged rocks lend in the moment, but concerned nevertheless by the waves that sweep back so effortlessly over the catchstones and eternally beyond reach—evading capture, leaving only a dissipating froth upon the black ridges to signal, at the very least, that 'it' happened: for whatever 'it' is worth. There is a distinctive tenor to this declaration of presence, this collapsing flow—Something that reminds me of...?—the reverberations of which remain beyond the span of cognition. Reverberations: there exists a memory of a memory of a dream I had once, but never an authentic rendering of the essential Moment. Still I can hear it in dreams of memories of memories of dreams. In dreams: a faint voice. A persona, a belief system distinctly its own, yet for now, the roar of the tides are a whisper ears strain to grasp. Seemingly a clue to a memory locked within. Or it’s all imagination: perhaps the sound of the ocean causes me to assume I’m remembering something. Gives the memory a sentience of its own and a vessel allowing it to surge in and ebb out. Yes, I’ve heard such things mentioned before: the stimulus that reverse engineers the very memory it is presumed to trigger. Still, it bothers me: this evasive, timeless notion.
Ashim Shanker (trenches parallax leapfrog)