“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.
”
”
Nicholas Sparks (Safe Haven)
“
I am glad you are no relation of mine. I will never call you aunt again as long as I live. I will never come to visit you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty. . . . You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back . . . into the red-room. . . . And that punishment you made me suffer because your wicked boy struck me—knocked me down for nothing. I will tell anybody who asks me questions this exact tale. ’Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty. . . .
”
”
Charlotte Brontë (Jane Eyre)
“
What would you have me do?
Seek for the patronage of some great man,
And like a creeping vine on a tall tree
Crawl upward, where I cannot stand alone?
No thank you! Dedicate, as others do,
Poems to pawnbrokers? Be a buffoon
In the vile hope of teasing out a smile
On some cold face? No thank you! Eat a toad
For breakfast every morning? Make my knees
Callous, and cultivate a supple spine,-
Wear out my belly grovelling in the dust?
No thank you! Scratch the back of any swine
That roots up gold for me? Tickle the horns
Of Mammon with my left hand, while my right
Too proud to know his partner's business,
Takes in the fee? No thank you! Use the fire
God gave me to burn incense all day long
Under the nose of wood and stone? No thank you!
Shall I go leaping into ladies' laps
And licking fingers?-or-to change the form-
Navigating with madrigals for oars,
My sails full of the sighs of dowagers?
No thank you! Publish verses at my own
Expense? No thank you! Be the patron saint
Of a small group of literary souls
Who dine together every Tuesday? No
I thank you! Shall I labor night and day
To build a reputation on one song,
And never write another? Shall I find
True genius only among Geniuses,
Palpitate over little paragraphs,
And struggle to insinuate my name
In the columns of the Mercury?
No thank you! Calculate, scheme, be afraid,
Love more to make a visit than a poem,
Seek introductions, favors, influences?-
No thank you! No, I thank you! And again
I thank you!-But...
To sing, to laugh, to dream
To walk in my own way and be alone,
Free, with a voice that means manhood-to cock my hat
Where I choose-At a word, a Yes, a No,
To fight-or write.To travel any road
Under the sun, under the stars, nor doubt
If fame or fortune lie beyond the bourne-
Never to make a line I have not heard
In my own heart; yet, with all modesty
To say:"My soul, be satisfied with flowers,
With fruit, with weeds even; but gather them
In the one garden you may call your own."
So, when I win some triumph, by some chance,
Render no share to Caesar-in a word,
I am too proud to be a parasite,
And if my nature wants the germ that grows
Towering to heaven like the mountain pine,
Or like the oak, sheltering multitudes-
I stand, not high it may be-but alone!
”
”
Edmond Rostand (Cyrano de Bergerac)
“
Still perfect,” he said. “Read to me.”
“This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said.
“You just named two of my favorite pastimes,” he said. “Okay, read me something else then?”
“Um,” I said. “I don’t have anything else?”
“That’s too bad. I am so in the mood for poetry. Do you have anything memorized?”
“‘Let us go then, you and I,’” I started nervously, “‘When the evening is spread out against the sky / Like a patient etherized upon a table.’”
“Slower,” he said.
I felt bashful, like I had when I’d first told him of An Imperial Affliction. “Um, okay. Okay. ‘Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question . . . / Oh, do not ask, “What is it?” / Let us go and make our visit.’”
“I’m in love with you,” he said quietly.
“Augustus,” I said.
“I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.”
“Augustus,” I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn’t say it back. I
”
”
John Green
“
our lives, thanks to their finitude, are inevitably full of activities that we’re doing for the very last time. Just as there will be a final occasion on which I pick up my son—a thought that appalls me, but one that’s hard to deny, since I surely won’t be doing it when he’s thirty—there will be a last time that you visit your childhood home, or swim in the ocean, or make love, or have a deep conversation with a certain close friend. Yet usually there’ll be no way to know, in the moment itself, that you’re doing it for the last time. Harris’s point is that we should therefore try to treat every such experience with the reverence we’d show if it were the final instance of it. And indeed there’s a sense in which every moment of life is a “last time.” It arrives; you’ll never get it again—and once it’s passed, your remaining supply of moments will be one smaller than before. To treat all these moments solely as stepping-stones to some future moment is to demonstrate a level of obliviousness to our real situation that would be jaw-dropping if it weren’t for the fact that we all do it, all the time.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
You don't need to pity me. I'm here. And I'm alive. So there's your answer, Chase. When am I giving up? I'm not. I did not give up on myself then. I am not giving up on you now." She smoothed her apron. "Now I'm going to tidy myself up, take the girls for ices, eat two of them myself, and not bring you any. When we return, I'll send Rosamund and Daisy in to visit you, and you will behave. Treat me as you like. But you will not belittle those girls for loving you. I won't allow it. And do not ever waste your breath again with more of that 'lost cause' nonsense. Consider yourself found.
”
”
Tessa Dare (The Governess Game (Girl Meets Duke, #2))
“
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers.
One day, a woman saw this bird and fell in love with him.
She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird.
But then she thought: He might want to visit far-off mountains!
And she was afraid, afraid that she would never feel the same way about any other bird.
And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.”
The bird, who was also in love, returned the following day, fell into the trap and was put in a cage.
She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.”
However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest.
The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage.
One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds.
If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body.
Without the bird, her life too lost all meaning, and Death came knocking at her door.
“Why have you come?” she asked Death.
“So that you can fly once more with him across the sky,” Death replied.
“If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
”
”
Paulo Coelho (Eleven Minutes)
“
The love that I believe in is something that goes beyond the physical aspects of this world. The love that I believe is one that extends its energy and power through the beautiful souls that I encounter along the way, a love that can be seen in the eyes of a little dog or in the confusion of a cute lost cat who wants to be worshiped like a Goddess. This kind of love goes through a divine crafting of a person's inner self, through personal experience and thousands of years of tears and strength, that can only be seen in the familiar eyes of old souls, the eyes that recognize each other even after long times of separation, the eyes that find themselves familiar with places they have probably been to before, but that nevertheless bring great memories with every visit. This kind of love sees hope in the eyes of new-born children that know way much more than they are capable of putting into words and that bring with their innocence a smile on each person's face who'd wish they could start again. The love that I see when I look at you is a love which has roots deep inside each of us, but that needs care and light to grow and unfold its branches so that they can reach outside of ourselves and even further beyond the skies.
”
”
Virgil Kalyana Mittata Iordache
“
Eventually my mother suffered a complete breakdown, and the court orders were finally signed. They took her to the State Mental Hospital at Kalamazoo. My mother remained in the same hospital at Kalamazoo for about 26 years.
My last visit, when I knew I would never come to see her again-there-was in 1952. I was twenty-seven. My brother Philbert had told me that on his last visit, she had recognized him somewhat. "In spots" he said.
But she didn't recognize me at all.
She stared at me. She didn't know who I was.
Her mind, when I tried to talk, to reach her, was somewhere else. I asked, "Mama, do you know what day it is?"
She said, staring, "All the people have gone."
I can't describe how I felt. The woman who had brought me into the world, and nursed me, and advised me, and chastised me, and loved me, didn't know me.
It was as if I was trying to walk up the side of a hill of feathers."
-Malcolm X, The Autobiography of Malcolm X
”
”
Malcolm X (The Autobiography of Malcolm X)
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
We're only given one life, and it's the one we live, she thought; how painful now, to realize that wasn't true, that you would have different lives, depending on how brave you were, and how ready. Love came to her that day - she was twenty-two - and wanted to take her, and she said no.
Why are we asked to make the most important decisions of our lives when we are so young, and so prone to mistakes? Happiness came that day - she knew nothing - and asked her to say yes and she did not. Why did she assume it would come back again, when there were so many others waiting for it to visit?
”
”
Samuel Park (This Burns My Heart)
“
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care."
Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it.
So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
”
”
Carl Sagan
“
We were approaching the Louvre, but he paused to lean on the parapet, and we both stood there contemplating the passing boats, which dazzled us with their spotlights. ‘Look at them,’ I said, because I needed to talk about something, afraid that he might get bored and go home. ‘They only see what the spotlights show them. When they go home home, they’ll say they know Paris. Tomorrow they’ll go and see the Mona Lisa and claim they’ve visited the Louvre. But they don’t know Paris and have never really been to the Louvre. All they did was go on a boat and look at a painting, one painting, instead of looking at a whole city and trying to find out what’s happening in it, visiting the bars, going down the streets that don’t appear in any of the tourist guides, and getting lost in order to find themselves again. It’s the difference between watching a porn movie and making love.
”
”
Paulo Coelho (The Zahir)
“
I don’t want to freeze my eggs. I don’t want to visit a sperm bank. I don’t want to be a single parent, if I have any choice in the matter. I want a nuclear family. I want to put down roots, to let my seeds germinate, to watch them bloom and flourish. Not one day, if and when I ever fall in love again, but now. While I still have my youth, damn it.
”
”
Monica Pradhan (The Hindi-Bindi Club)
“
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God.
When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God.
While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend.
It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
”
”
Alice Sebold
“
Todd:I had him!
His throat was there beneath my hand.
No, I had him!
His throat was there and now he'll never come again.
Mrs. Lovett: Easy now, hush love hush
I keep telling you, Whats your rush?
Todd: When? Why did I wait?
You told me to wait -
Now he'll never come again.
There's a hole in the world like a great black pit
And it's filled with people who are filled with shit
And the vermin of the world inhabit it.
But not for long...
They all deserve to die.
Tell you why, Mrs. Lovett, tell you why.
Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There's the one staying put in his proper place
And the one with his foot in the other one's face
Look at me, Mrs Lovett, look at you.
No, we all deserve to die
Even you, Mrs Lovett, even I!
Because the lives of the wicked should be made brief
For the rest of us death will be a relief
We all deserve to die.
And I'll never see Johanna
No I'll never hug my girl to me - finished!
Alright! You sir, how about a shave?
Come and visit your good friend Sweeney.
You sir, too sir? Welcome to the grave.
I will have vengenance.
I will have salvation.
Who sir, you sir?
No ones in the chair, Come on! Come on!
Sweeney's. waiting. I want you bleeders.
You sir! Anybody!
Gentlemen now don't be shy!
Not one man, no, nor ten men.
Nor a hundred can assuage me.
I will have you!
And I will get him back even as he gloats
In the meantime I'll practice on less honorable throats.
And my Lucy lies in ashes
And I'll never see my girl again.
But the work waits!
I'm alive at last!
And I'm full of joy!
ps. love the movie the performance that Johnny Depp did was amazing and he sang amazing.
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
My Dearest,
I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away.
I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.”
I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again.
I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life.
I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be.
But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us.
I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible.
And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
”
”
Nicholas Sparks (Message in a Bottle)
“
Jenna, you have Vix, and Archer, you have…Actually, what do you have?”
“You,” he said firmly. “And a whole bunch of holy knights who want to kill me.”
“Vix can visit,” Jenna said. “And the school will be a good place now, so it’s not like one more year will be torture. Although,” she said, frowning, “I will admit the place is pretty awful to look at. I don’t know how we’re going to fix that.”
Facing the pond, staring at that green, green grass, I gave a shuddery laugh. “I don’t think we have to worry about the island,” I said, wiping stray tears with the back of my hand. “It’s being healed.”
“Well, there you have it, then,” Archer said. “Vix can come for a visit, the island will eventually be a heck of a lot less depressing, and I’m not leaving you ever again.”
“Yeah, and we still have to deal with The Eye being…Eyeish, and me learning to be Head of the Council, which will probably involve lots of boring books and-“
Archer pressed his mouth to mine, effectively shutting me up and kissing the hell out of me. When he pulled back, he was grinning. “And you have an arrogant, screwed-up former demon hunter who is stupidly in love with you.”
“And an angsty vampire who will walk into hell with you. Actually, who has walked into hell with you,” Jenna added, coming around to my other side.
“And parents who love you, and who are probably making out back at the car,” Archer said, and I laughed.
“So, really,” Jenna said, and looped her arm through mine, “what more do you need?”
I looked back and forth between them, these two people I loved so much. The breeze ruffled the tall grass around the pond, and I thought I could hear Elodie’s laugh.
“Nothing,” I told them, squeezing both their hands. “Nothing.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Why didn't you tell me?"
"I know you won't believe it, but I thought it would be best for you. You were doing so well until I came back. I thought you could go back to how it was. You still can."
"Don't say that,Becks.We're going to figure something out."
"I know.Even so,I understand that it would've been easier for you if I'd never come back.Maybe you and Jules..."
His grip on my arm tightened,and when he spoke,his voice wavered. "Becks. I crashed when you left.Jules held together the pieces,and I will love her forever for that.But if I was with her, it wouldn't be right." He grimaced. "She told me so herself, right before I left with Will. She knew." Jack pushed my hair out of my eyes and off my forehead.
"Um,she knew what?" I could barely hear my own voice.
"It's always been you,Becks. Nothing will change that,no matter how much time has passed." He glanced down. "No matter if you feel the same way or not. You know what,right?"
I shook my head slowly,wanting desperately to believe him, but not sure if I could.
"How can you not see that? Everyone sees it." He slid his hand down my arm and grabbed my fingers, holding them in his lip,tracing them. Staring at them. "Remember freshman year? How Bozeman asked you to the Spring Fling?"
Bozeman. He was two years older than me. Played offensive lineman. His first name was Zachary, but nobody had called him that since the third grade. I'd been surprised he even knew my name, let alone asked me to the dance.
"Of course I remember.You came with me to answer him." We doorbell-ditched Bozeman's house, leaving a two-liter bottle of Coke and a note that said I'd pop to go to the dance with you, or something like that. Bozeman had a reputation for fast hands, but he didn't try anything with me. In fact,he barely touched me at all, even at the fling.And he never asked me out again.Or even talked to me, really.It was weird.
"Yeah,well,I didn't tell you, but Bozeman actually asked my permission."
"Why?"
"Because it was obvious to everyone, except you,how I felt about you.And then that night with the Coke on the porch...after I dropped you off at home, I paid Bozeman a visit." His cheeks went pink and he lowered his eyes.
"And?"
"Let's just say I rescinded my permission. I didn't realize how much it would bother me." His eyes met mine.
I could only imagine what was said between Jack and the lineman, who was twice his size.
"Don't be mad," Jack said. Like I'd be angry after everything we'd been through. "I...I'm telling you this because you have to know that it's always been you. And it will always be you.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Sadness has always been a part of me. That’s why my eyes look sad. Sadness hovers over my life and never leaves me. It knows all the places where I go to. And it finds me. Sometimes I do feel happy. And life looks beautiful. But these moments don’t stay as long as I want them to. And sadness visits me all over again. Sometimes I feel sad when there may not be any reason to be sad.
Sadness has stayed with me throughout my school and college days. While my friends in those days preferred listening to rock and roll, I preferred listening to ghazals or sad or deeply meaningful songs. I was never the most popular boy at school. I had a few friends but I would be brooding alone most often. I wanted to know the meaning of life. I would most often stare at the sky and try look for answers. I somehow felt someone will speak to me from the sky.
I have always felt a voice talking to me from the sky. But I feel lonely most often. I feel as if no one really loves anyone. There is no real love. The majority of people in this world believe in give and take. No person loves anyone unconditionally. When I realise this, I feel utterly sad. Because life is not about projecting an image. It is much more than that. It is about being authentic with ourselves and with others we meet in life.
”
”
Avijeet Das
“
On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.'
'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.'
Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.'
These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.
”
”
Pyotr Kropotkin (Memoirs of a Revolutionist)
“
Eitington, whom I met in Florence, is now here and will probably visit me soon to give me detailed impressions of Amsterdam. He seems to have taken up with some woman again. Such practice is a deterrent from theory. When I have totally overcome my libido (in the common sense), I shall undertake to write a 'Love-life of Mankind'.
”
”
Sigmund Freud (The Freud/Jung Letters)
“
I felt bashful, like I had when I'd first told him of An Imperial Affliction. "Um, okay. Okay. 'Let us go, trough certain half-deserted streets,/ The muttering retreats/ Of restless nights in one-night cheap hotels/ and sawdust restaurants with oyster shells:/ Streets that follow like a tedious argument/ Of insidious intent/ To lead you to an overwhelming question../Oh, do not ask, "What is it?"/ Let us go and make our visit" "I'm in love with you," he said quietly. "Augustus," I said. "I am, " he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you." "Augustus," I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this wierdly painful joy, but I couldn't say it back. I couldn't say it back. I just looked at him and let him look at me until he nodded, lips pursed, and turned away, placing the side of his head against the window.
”
”
John Green (The Fault in Our Stars)
“
Call me Jean-Felix. And when you see Alicia, tell her I love her.” He smiled, and again I felt a slight repulsion: I found something about Jean-Felix hard to stomach. I could tell he had been genuinely close to Alicia; they had known each other a long time, and he was obviously attracted to her. Was he in love with her? I wasn’t so sure. I thought of Jean-Felix’s face when he was looking at the Alcestis. Yes, love was in his eyes—but love for the painting, not necessarily the painter. Jean-Felix coveted the art. Otherwise he would have visited Alicia at the Grove. He would have stuck by her—I knew that for a fact. A man never abandons a woman like that. Not if he loves her.
”
”
Alex Michaelides (The Silent Patient)
“
Let’s say that you have committed to running every day for two weeks, and at the end of those two weeks, you “reward” yourself with a massage. I would say, “Good for you!” because we all could benefit from more massages. But I would also say that your massage wasn’t a reward. It was an incentive. The definition of a reward in behavior science is an experience directly tied to a behavior that makes that behavior more likely to happen again. The timing of the reward matters. Scientists learned decades ago that rewards need to happen either during the behavior or milli-seconds afterward. Dopamine is released and processed by the brain very quickly. That means you’ve got to cue up those good feelings fast to form a habit. Incentives like a sales bonus or a monthly massage can motivate you, but they don’t rewire your brain. Incentives are way too far in the future to give you that all-important shot of dopamine that encodes the new habit. Doing three squats in the morning and rewarding yourself with a movie that evening won’t work. The squats and the good feelings you get from the movie are too far apart for dopamine to build a bridge between the two. The neurochemical reaction that you are trying to hack is not only time dependent, it’s also highly individualized. What causes one person to feel good may not work for everyone. Your boss may love the smell of coffee. When she enters a coffee shop and inhales, she feels good. And her immediate feeling builds her habit of visiting the coffee shop. But your coworker might not like the way coffee smells. His brain won’t react in the same way. A real reward — something that will actually create a habit — is a much narrower target to hit than most people think. I
”
”
B.J. Fogg (Tiny Habits: The Small Changes That Change Everything)
“
There were some children round him playing in the dust on the paths. They had long fair hair, and with very earnest faces and solemn attention were making little mountains of sand so as to stamp on them and squash them underfoot.
Pierre was going through one of those gloomy days when one looks into every corner of one's soul and shakes out every crease.
'Our occupations are like the work of those kids,' he thought. Then he wondered whether after all the wisest course in life was not to beget two or three of these little useless beings and watch them grow with complacent curiosity. And he was touched by the desire to marry. You aren't so lost when you're not alone any more. At any rate you can hear somebody moving near you in times of worry and uncertainty, and it is something anyway to be able to say words of love to a woman when you are feeling down.
He began thinking about women.
His knowledge of them was very limited, as all he had had in the Latin Quarter was affairs of a fortnight or so, dropped when the month's money ran out and picked up again or replaced the following month. Yet kind, gentle, consoling creatures must exist. Hadn't his own mother brought sweet reasonableness and charm to his father's home? How he would have loved to meet a woman, a real woman!
He leaped up, determined to go and pay a little visit to Mme Rosémilly.
But he quickly sat down again. No, he didn't like that one!
”
”
Guy de Maupassant (Pierre et Jean)
“
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it.
"The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child.
"'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs.
"The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind.
"That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love.
"In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life....
"The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun.
Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees:
There was a child went forth every day
And the first object he look'd upon, that object he became...
The early lilacs became part of this child...
And the song of the phoebe-bird...
In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
”
”
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
“
There is a vast difference between being a Christian and being a disciple. The difference is commitment.
Motivation and discipline will not ultimately occur through listening to sermons, sitting in a class, participating in a fellowship group, attending a study group in the workplace or being a member of a small group, but rather in the context of highly accountable, relationally transparent, truth-centered, small discipleship units.
There are twin prerequisites for following Christ - cost and commitment, neither of which can occur in the anonymity of the masses.
Disciples cannot be mass produced. We cannot drop people into a program and see disciples emerge at the end of the production line. It takes time to make disciples. It takes individual personal attention.
Discipleship training is not about information transfer, from head to head, but imitation, life to life. You can ultimately learn and develop only by doing.
The effectiveness of one's ministry is to be measured by how well it flourishes after one's departure.
Discipling is an intentional relationship in which we walk alongside other disciples in order to encourage, equip, and challenge one another in love to grow toward maturity in Christ. This includes equipping the disciple to teach others as well.
If there are no explicit, mutually agreed upon commitments, then the group leader is left without any basis to hold people accountable. Without a covenant, all leaders possess is their subjective understanding of what is entailed in the relationship.
Every believer or inquirer must be given the opportunity to be invited into a relationship of intimate trust that provides the opportunity to explore and apply God's Word within a setting of relational motivation, and finally, make a sober commitment to a covenant of accountability.
Reviewing the covenant is part of the initial invitation to the journey together. It is a sobering moment to examine whether one has the time, the energy and the commitment to do what is necessary to engage in a discipleship relationship.
Invest in a relationship with two others for give or take a year. Then multiply. Each person invites two others for the next leg of the journey and does it all again. Same content, different relationships.
The invitation to discipleship should be preceded by a period of prayerful discernment. It is vital to have a settled conviction that the Lord is drawing us to those to whom we are issuing this invitation. . If you are going to invest a year or more of your time with two others with the intent of multiplying, whom you invite is of paramount importance.
You want to raise the question implicitly: Are you ready to consider serious change in any area of your life? From the outset you are raising the bar and calling a person to step up to it. Do not seek or allow an immediate response to the invitation to join a triad. You want the person to consider the time commitment in light of the larger configuration of life's responsibilities and to make the adjustments in schedule, if necessary, to make this relationship work.
Intentionally growing people takes time. Do you want to measure your ministry by the number of sermons preached, worship services designed, homes visited, hospital calls made, counseling sessions held, or the number of self-initiating, reproducing, fully devoted followers of Jesus?
When we get to the shore's edge and know that there is a boat there waiting to take us to the other side to be with Jesus, all that will truly matter is the names of family, friends and others who are self initiating, reproducing, fully devoted followers of Jesus because we made it the priority of our lives to walk with them toward maturity in Christ. There is no better eternal investment or legacy to leave behind.
”
”
Greg Ogden (Transforming Discipleship: Making Disciples a Few at a Time)
“
I can’t do that to them.” He raises his hands up as I try to grab him, edging closer to the cliff. “Ewan is a good dad, and you’re going to be an amazing mom. I’m just Tobias, the guy who’ll break their hearts every time they come to visit me.” “Tobias...” “I won’t do it to them.” He dodges me when I try to grab him again, one final step from the edge of his demise. “I’m dangerous. I’m the bad guy. I’m fucking insatiable when it comes to pain, and I can’t help it. But I do love you.
”
”
Leigh Rivers (Psychotic Obsession (The Edge of Darkness Trilogy))
“
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
”
”
Elif Shafak (The Island of Missing Trees)
“
She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action.
She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt.
“You expecting someone?” she asked quietly as she got up from her stool.
God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . .
The knock sounded again, followed by a deep voice that went through her like a bolt of electricity.
“Tess? Are you there?”
Dante.
Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company.
“Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?”
“Yeah. Can I come in?”
“Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas.
Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
Overcoming the Past Never allow the past to hold you back from enjoying a full life. What have you got to lose, except a heavy burden? Forgiveness is usually the key to moving forward, which is why it’s on the path to gaining insight. When you forgive yourself, and those who have hurt you, you are able to release negative patterns that visit you over and over again. More important, you will finally sever the control that a memory of another person has over you. Stay in the present, affirm the good that has been a result of a bad situation, and love your authentic self even more than you did yesterday. You can do it!
”
”
Charlene M. Proctor (The Women's Book Of Empowerment: 323 Affirmations That Change Everyday Problems into Moments of Potential)
“
since beauty in a human being is different from the beauty of a thing, since we feel it belongs to a unique person with an awareness of the world and a will, no sooner had the girl’s individuality, a vague hint of soul, a will unknown to me, taken shape in a microscopic image, minute but complete, caught from her passing glance, than I could feel quickening within myself, like a mysterious replica of pollens ready for the pistils, the equally vague and minute embryo of the desire not to let this girl go on her way without having her consciousness register my presence, without my intervening between her and her desire for somebody else, without my being able to intrude upon her idle mood and take possession of her heart. The carriage passed the beautiful girl, leaving her behind us; and since her eyes, which had barely glimpsed me, had gathered nothing of the person in me, she had forgotten me already. Had I thought her so lovely only because I had caught a mere glimpse of her? Perhaps. For one thing, the impossibility of stopping and accosting a woman, the likelihood of not being able to find her again some other day, gives her the same sudden charm as is acquired by a place when illness or poverty prevents one from visiting it, or by the succession of drab days of one’s unlived future when it is forfeit to death in battle.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
She fell silent, remembering the jolt of envy and longing she’d felt when she’d framed the Browns in her viewfinder. Now, weeks and miles later, it was another jolt for Bryan to realize she hadn’t brushed off the peculiar feeling. She has managed to put it aside, somewhere to the back of her mind, but it popped out again now as she thought of the couple in the bleachers of a small-town park.
Family, cohesion. Bonding. Did some people just keep promises better than others? she wondered. Or where some people simply unable to blend their lives with someone’s else, make those adjustments, the compromises?
When she looked back, she believed both she and Rob had tried, but in their own ways. There’d been no meeting of the minds, but two separate thought patterns making decisions that never melded with each other. Did that mean that a successful marriage depended on the mating of two people who thought along the same lines?
With a sigh, she turned onto the highway that would lead them into Tennessee. If it was true, she decided, she was much better off single. Though she’d met a great many people she liked and could have fun with, she’d never met anyone who thought the way she did. Especially the man seated next to her with his nose already buried in the newspaper. There alone they were radically different.”
For more quotes visit my blog: frommybooks.wordpress.com
”
”
Nora Roberts (Summer Pleasures (Celebrity Magazine #1 & 2))
“
We got pregnant with Angel almost by accident. I was thinking it was just about time to go on birth control and wham-it happened. We wanted two children, but were thinking of spacing them out a little more. God and Angel had other plans.
I’m so glad. Bubba and Angel are so close in age and such good friends that I can’t imagine it any other way. But at the time, I was more than a little apprehensive about it. Once again, it worked out that Chris was preparing to leave just when I was due.
They say God only gives you what you can handle. Chris didn’t cope with crying babies very well. So either he paid the military to deploy him with each baby, or God was looking out for him with well-timed, newborn-avoiding deployments.
This time, the Team guy karma worked: the sonogram technician confirmed it was a girl several months into the pregnancy. She was going to be the first female born into the Kyle side of the family in eighty years. Which made her unique, and her grandparents particularly tickled.
Chris couldn’t resist the opportunity to tease them with the news.
“We’re having a boy,” he said when he called them back in Texas with the news.
“Oh, how nice,” they said.
“No, we’re having a girl.”
“Whoo-hoo!” they shouted.
“No, we’re having a boy.”
“Chris! Which is it!?”
“A girl!”
If they could have gotten away to visit us that night, I doubt they would have needed an airplane to fly.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Once upon a time, a greedy prince fell in love with a wicked girl. The prince had far more than he needed, but it was never enough. When he grew ill, he visited the Kingdom of the Great Ocean, where the Underworld meets the living world, to bargain with Moritas, the goddess of Death, for more life. When she refused, he stole her immortal gold and fled to the surface. In revenge, Moritas sent her daughter Caldora, the angel of Fury, to retrieve him. Caldora materialized out of the sea foam on a warm, stormy night, clad in nothing but silver silk, an achingly beautiful phantom in the mist. The prince ran to the shore to greet her. She smiled at him and touched his cheek. “What will you give me in return for my affection?” she asked. “Are you willing to part with your kingdom, your army, and your jewels?” The prince, blinded by her beauty and eager to boast, nodded. “Anything you want,” he replied. “I am the greatest man in the world. Even the gods are no match for me.” So he gave her his kingdom, his army, and his jewels. She accepted his offerings with a smile, only to reveal her true angel form—skeletal, finned, monstrous. Then she burned his kingdom to the ground and pulled him below the sea into the Underworld, where her mother, Moritas, was patiently waiting. The prince tried once again to bargain with the goddess, but it was too late. In exchange for the gold he’d stolen, Moritas devoured his soul.
”
”
Marie Lu (The Rose Society (The Young Elites, #2))
“
And Zeus said: “Hera, you can choose some other time for paying your visit to Oceanus — for the present let us devote ourselves to love and to the enjoyment of one another. Never yet have I been so overpowered by passion neither for goddess nor mortal woman as I am at this moment for yourself — not even when I was in love with the wife of Ixion who bore me Pirithoüs, peer of gods in counsel, nor yet with Danaë, the daintly ankled daughter of Acrisius, who bore me the famed hero Perseus. Then there was the daughter of Phonenix, who bore me Minos and Rhadamanthus. There was Semele, and Alcmena in Thebes by whom I begot my lion-hearted son Heracles, while Samele became mother to Bacchus, the comforter of mankind. There was queen Demeter again, and lovely Leto, and yourself — but with none of these was I ever so much enamored as I now am with you.
”
”
Homer (The Iliad)
“
Neliss, why is this rug wet?”
Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before.
“We have a rug there?”
“Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?”
“Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.”
“You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.”
“Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?”
“I swear, Magdelegna, I am never letting you visit that Druid ever again.”
“Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.”
“I would be a hell of a lot less moody if I could figure out what that damn noise is.”
Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them.
“What is that?”
“Remember when you asked me why I cut my hair?”
“Ah yes, the surprise. Took you long enough to get to it.”
“If you do not stop, I am not going to give it to you.”
“Okay. I am stopping. What is it?”
She held out the box tied with a ribbon to him and he accepted it with a lopsided smile.
“I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away.
“Open it.”
He reached for the ribbon and soon was pulling the top off the box.
“What is this?”
“Gideon, what does it look like?”
He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom.
“What does it say?”
“It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.”
“I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?”
“Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.”
“I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.”
“See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him.
“Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Imagine that you could visit a planet where everyone has a different kind of emotional mind. The way they relate to each other is always in happiness, always in love, always in peace. Now imagine that one day you awake on this planet, and you no longer have wounds in your emotional body. You are no longer afraid to be who you are. Whatever someone says about you, whatever they do, you don’t take it personally, and it doesn’t hurt anymore. You no longer need to protect yourself. You are not afraid to love, to share, to open your heart. But no one else is like you. How can you relate with people who are emotionally wounded and sick with fear? When a human is born, the emotional mind, the emotional body, is completely healthy. Maybe around three or four years of age, the first wounds in the emotional body start to appear and get infected with emotional poison. But if you observe children who are two or three years old, if you see how they behave, they are playing all the time. You see them laughing all the time. Their imagination is so powerful, and the way they dream is an adventure of exploration. When something is wrong they react and defend themselves, but then they just let go and turn their attention to the moment again, to play again, to explore and have fun again. They are living in the moment. They are not ashamed of the past; they are not worried about the future. Little children express what they feel, and they are not afraid to love. The happiest moments in our lives are when we are playing just like children, when we are singing and dancing, when we are exploring and creating just for fun. It is wonderful when we behave like a child because this is the normal human mind, the normal human tendency. As children, we are innocent and it is natural for us to express love.
”
”
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
“
How was Gengo to know, Saigyo reflected, that this unheroic existence imposed even greater torment than the icy lashings of the Nachi Falls in its thousand-foot leap? How was Gengo to realize that Saigyo had not slept a single night undisturbed since he had fled his home for the Eastern Hills, that his sleep was haunted by the cries of his beloved daughter from whom he had torn himself.
Who knew that during the day, when he went about his tasks of drawing water and chopping wood as he composed verses, the sighting of the wind in the treetops of the valleys below and the pines surrounding the temple sounded to him like the mourning of his young wife, and so troubled his nights that sleep no longer visited him? Never again would Saigyo find peace. He had wrenched asunder the living boughs of the tree that was his life. Remorse and compassion for his loved ones would dog him to the end of his days.
”
”
Eiji Yoshikawa
“
I am beginning to see the fallacy in the Western world’s take on dying. Too often we are taught that this one life is all there is and when it ends, that’s it. Or, instead of once again returning to a loving God who welcomes us back Home with open arms, we are told that when we die we must stand in front of a stern and unforgiving deity who sits on a throne and looks at every mistake we have ever made, deciding if we are good enough to enter heaven. And, if we do make it past that stringent test, we certainly aren’t able to visit our friends and family still living. No wonder so many of us are afraid of death. I also find it fascinating that most religions believe in angels or wise ascended souls who brought messages to certain people on earth (Moses and Noah, for example) thousands of years ago, but deny that such an occurrence can happen now. What, did God just decide not to talk to us anymore?
”
”
Donna Visocky (I'll Meet You at the Base of the Mountain: One woman's journey from grief to life.)
“
This love is like a dive under the ocean.
When I first saw you I was fascinated by the extensiveness and you were so beautiful. I did not believe you were so deep that I went downstairs. I wanted to know and see what you have - in the depths, all the way down to darkness. Until I was slowly breathed but I wanted to continue. I visit your paradise peacefully and peacefully. The place where the problem is not heavy and I'm free. But as a dive in the sea, my air gradually decreased. I had to go up and assemble a new hope. That's when I'm dialing again I'm stronger, and I can see the depth of your mystery. The ocean will be ashamed of the depth of my love. With every sinking and flight in your abyss, I feel the light of the world even though my breathing is getting dramatic. As I have this love for you, every time I feel, I'm trying to stop myself coming back and coming back to the sea you built in my heart.
”
”
Sphencer D. Perales
“
Perhaps I haunted her as she haunted me, she looked down on me from the gallery as Mrs. Danvers had said, she sat beside me when I wrote my letters at her desk. The mackintosh I wore, that handkerchief I used. They were hers. Perhaps she knew and had seen me take them. Jasper had been her dog, and he ran at my heels now. The roses were hers and I cut them. Did she resent me and fear me as I resented her? Did she want Maxim alone in the house again? I could fight the living but I could not fight the dead. If there was some woman in London that Maxim loved, someone he wrote to, visited, dined with, slept with, I could fight with her. We would stand on common ground. I should not be afraid. Anger and jealousy were things that could be conquered. One day the woman would grow old or tired or different, and Maxim would not love her any more. But Rebecca would never grow old. Rebecca would always be the same. And she and I could not fight. She was too strong for me.
”
”
Daphne du Maurier (Rebecca)
“
You can forgive yourself,” Daniel had insisted. “I don’t think I can,” she’d replied. He continued to hold her. “I know everything feels wrong, but you can be right again, Marisita, if you try as hard at it as you try with everything else.” This was when the black rose of his darkness had bloomed. Neither Daniel nor Marisita knew what part of that visit triggered it, but the truth was that it was not Daniel coming to comfort her, nor the sensible council he gave. It was not his arms around her or the warmth of his words in her ear. It was, in fact, the way that he said Marisita to her in this last sentence. The way he said her name conveyed all of his sympathy, and it confirmed all of the truth of his advice, and it promised her that she was worthwhile and redeemable, and it indicated that he treasured the way he had seen her selflessly interact with the other pilgrims, and it hinted that if any single thing was different about their circumstances, he would marry her immediately and live with her for decades until they died on the same day just as in love as they were in that moment.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.'
I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them.
'Elain said- said you went to visit me, though. That you tried.'
Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.'
My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.'
'I got to the wall. I couldn't find a way through.'
I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?'
She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.'
'You did that- for me?'
Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me.
...
I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
We were already in school by then. Your friends had made fun of me. I was twelve. My higher brain functions weren’t fully developed. I was so in love with you.”
The cold had woven its way into the fabric of my jeans and settled like a coating of ice in the folds of my jacket. Now I warmed again, puzzling through Hunter’s words. I didn’t know whether to take him seriously. “Your love for me was a symptom that your brain hadn’t developed, or-“
“Shut up.” He turned to face me. “I am drunk and I am trying to confess, so just let me do it, okay? I had fallen in love with you over the summer. Then this horrible thing happened to you and you stopped talking t me. I thought you blamed me, or my dad. Which he deserved.”
“No,” I protested. “It was an acc-“
“I took it as a rejection.” He put his hand on my knee and looked me straight in the eyes. “It’s taken me all this time to figure that out. But I regretted it every day. And I’m truly sorry.” He sat back against the bench and faced the stars. The place where his hand had rested on my knee felt colder than ever.
“I’m sorry, too,” I said, “so we’re even. I didn’t visit you in the hospital when you got crushed by a horse. For much the same reasons regarding love and rejection and being young.
”
”
Jennifer Echols (Love Story)
“
A monk lived near the temple of Shiva. In the house opposite lived a prostitute. Noticing the large number of men who visited her, the monk decided to speak to her.
‘You are a great sinner,’ he said sternly. ‘You reveal your lack of respect for God every day and every night. Do you never stop to think about what will happen to you after your death?’
The poor woman was very shaken by what the monk said. She prayed to God out of genuine repentance, begging His forgiveness. She also asked the Almighty to help her to find another means of earning her living.
But she could find no other work and, after going hungry for a week, she returned to prostitution.
But each time she gave her body to a stranger, she would pray to the Lord for forgiveness.
Annoyed that his advice had had no effect, the monk thought to himself:
‘From now on, I’m going to keep a count of the number of men who go into that house, until the day the sinner dies.’
And from that moment on, he did nothing but watch the comings and goings at the prostitute’s house, and for each man who went in, he added a stone to a pile of stones by his side.
After some time, the monk again spoke to the prostitute and said:
‘You see that pile of stones? Each stone represents a mortal sin committed by you, despite all my warnings. I say to you once more: do not sin again!’
Seeing how her sins accumulated, the woman began to tremble. Returning home, she wept tears of real repentance and prayed to God:
‘O Lord, when will Your mercy free me from this wretched life?’
Her prayer was heard. That same day, the angel of death came to her house and carried her off. On God’s orders, the angel crossed the street and took the monk with him too.
The prostitute’s soul went straight up to Heaven, while the devils bore the monk down into Hell. They passed each other on the way, and when the monk saw what was happening, he cried out:
‘Is this Your justice, O Lord? I spent my whole life in devotion and poverty and now I am carried off into Hell, while that prostitute, who lived all her life steeped in sin, is borne aloft up to Heaven!’
Hearing this, one of the angels replied:
Angels are always just. You thought that God’s love meant judging the behaviour of your neighbour. While you filled your heart with the impurity of another’s sin, this woman prayed fervently day and night. Her soul is so light after all the tears she has shed that we can easily bear her up to Paradise. Your soul is so weighed down with stones it is too heavy to lift.
”
”
Paulo Coelho
“
This is a friendly forty winks, Mrs. FitzEngle.” He snagged her wrist. “Join me.” She regarded him where he lay. “Ellen.” The teasing tone in Val’s voice faded. “I will not ravish you in broad daylight unless you ask it of me, though I would hold you.” She nodded uncertainly and gingerly lowered herself beside him, flat on her back. “You’re out of practice,” Val observed, rolling to his side. “We must correct this state of affairs if we’re to get our winks.” Before she could protest, he arranged her so she was on her side as well, his body curved around hers, her head resting on his bicep, his arm tucking her back against him. “The benefit of this position,” his said, speaking very close to her ear, “is that I cannot behold your lovely face if you want to confide secrets, you see? I am close enough to hear you whisper, but you have a little privacy, as well. So confide away, and I’ll just cuddle up and perhaps even drift off.” “You would drift off while I’m confiding?” “I would allow you the fiction. It’s one of the rules of gentlemanly conduct owed on summer days to napping companions.” His arm was loosely draped over her middle so he could sense the tension in her. “I can hear your thoughts turning like a mill wheel. Let your mind rest too, Ellen.” “I am unused to this friendly napping.” “You and your baron never stole off for an afternoon nap?” Val asked, his fingers tracing the length of her arm. “Never kidnapped each other for a picnic on a pretty day?” “We did not.” Ellen sighed as his fingers stroked over her arm again. “He occasionally took tea with me, though, and we often visited at the end of the day.” But, Val concluded with some satisfaction, they did not visit in bed or on blankets or with their clothes off. Ellen had much to learn about napping. His right hand drifted up to her shoulder, where he experimentally squeezed at the muscles joining her neck to her back. “Blazes,” he whispered, “you are strong. Relax, Ellen.” His right hand was more than competent to knead at her tense muscles, and when he heard her sigh and felt her relax, he realized he’d found the way to stop her mill wheel from spinning so relentlessly. “Close your eyes, Ellen,” he instructed softly. “Close your eyes and rest.” In minutes, her breathing evened out, her body went slack, and sleep claimed her. Gathering her a little more closely, he planted a kiss on her nape and closed his eyes. His hand wasn’t throbbing anymore, his belly was full, and he was stealing a few private moments with a pretty lady on a pretty day. God
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Willow leaned forward and laid her head next to his on the pillow. "Is it too late to say I'm sorry, and that I love you more than anything else in this world?"
"Oh God,no,love." With his good arm, he reached for the back of her head and brought her lips to his. They kissed as if they'd never get enough of each other, because they knew they never would.
When Rider finally released her mouth, he smiled rakishly and pulled her hand under the covers.
Willow smiled when he laid her hand over his throbbing desire. "Hmmm, you are feeling better."
"Almost well enough to start Mr. Happy on his baby-making lessons again," he said in a deep sexy baritone.
"Ah,Rider?"
"Yes,love?" He was pulling her down for another stirring kiss.
"About those lessons?"
"Hmmm, I'm anxious to start practicing again, too,love. But at the moment Mr. Happy is a lot stronger than the rest of me."
"Oh,I know,but...Rider, Mr. Happy must have learned his lessons real fast."
Rider stilled. "What do you mean?"
"I mean that I think Mr. Happy cooked something up in the kitchen."
Forgetting his shoulder, Willow's husband sat straight up in bed. He winced, then asked, "You mean you're...going to have a baby?"
"Of course I'm going to have a baby, you beefwit. Did you think I was baking another damn pie?"
"Yahoooo!" he yelled at the top of his lungs, and hugged her with his good arm.
Six men, Juan included, plus two women came pouring into the room.
"What in the hell is going on in here?" Owen grumbled in mock irritation.
Grinning like a Cheshire cat, Rider announced, "Owen, your daughter is about to make me a father and give you a second grandchild."
"Oh,hell, I knew that."
Nine people echoed, "You did?"
"Hell, yes, all you gotta do is look at 'er face."
Rider cocked his head and studied his wife's face. "She does have an extra glow about her, doesn't she?"
"She sure does." Owen chuckled. "Her mama got the same glow with all five of her babies."
"If I'm glowing, it's because all of you are staring at me like I just grew horns," Willow said, covering her flushed cheeks with her hands.
"Dammit, I just thought of something," Owen said. "I s'pose this means I'll have to add another room to the house for when you come visiting."
"Owen Vaughn," Miriam reprimanded, "stop that cursing. I swear every other word out of your mouth is a curse! I'm going to break you of that before your grandbabies get old enough to repeat that filth."
"Break me of it?" Owen laughed and poked Nick in the ribs with his elbow. "Only one way for a woman to break a stallion, that's to ride 'im hard!" The man all guffawed loudly.
Miriam's face turned ten shades of red. "Well,I never!" She turned on her heel and made an indignant exit.
”
”
Charlotte McPherren (Song of the Willow)
“
Back in L.A., I’d remained friends with my freshman-year boyfriend, Collin, and we’d become even closer after he confided in me one dark and emotional night that he’d finally come to terms with his homosexuality. Around that time, his mother was visiting from Dallas, and Collin invited me to meet them at Hotel Bel Air for brunch. I wore the quintessential early-1990s brunch outfit: a copper-brown silk tank with white, dime-size polka dots and a below-the-knee, swinging skirt to match. A flawless Pretty Woman--Julia Roberts polo match replica. I loved that outfit.
It was silk, though, and clingy, and the second I sat down at the table I knew I was in trouble. My armpits began to feel cool and wet, and slowly I noticed the fabric around my arms getting damper and damper. By the time our mimosas arrived, the ring of sweat had spread to the level of my third rib; by mealtime, it had reached the waistline of my skirt, and the more I tried to will it away, the worse it got. I wound up eating my Eggs Florentine with my elbows stuck to my hip bones so Collin and his mother wouldn’t see. But copper-brown silk, when wet, is the most unforgiving fabric on the planet. Collin had recently come out to his parents, so I’d later determined I’d experienced some kind of sympathetic nervousness on Collin’s behalf. I never wore that outfit again. Never got the stains out.
Nor would I ever wear this suit again.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Sunday, May 7, 1944
I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character!
Monday, May 22, 1944
...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews?
Thursday, May 25, 1944
The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next.
...We're going to be hungry, but nothing's worse than being caught.
Friday, May 26, 1944
...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces.
...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us?
...
...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror.
...
I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything.
Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished.
Tuesday, June 13, 1944
Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike.
It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage!
...Nature is the one thing for which there is no substitute.
”
”
Anne Frank (The Diary Of a Young Girl)
“
As we were getting Mia’s things ready for her discharge, her nurse started to excuse herself to get a wheelchair to transport Mia to the car. Instantly, Mia said, “I’m not riding in a wheelchair.”
“Yes, you are, Mia. It’s a hospital regulation,” I said, believing that was true.
“Mom,” she protested, “they said I’m supposed to walk as much as possible. I’m walking to the car.”
I saw a certain look in Mia’s eyes as she made this announcement, the look that says “I am going to push hard for this.” I knew she was determined, and I would fight a losing battle to try to talk her out of it.
“I’m walking out of here,” she said again.
I guess the medical staff noticed that look too because they allowed her to try to walk, with a nurse close beside her. Seeing that little girl limp her way down the hall, holding Reed’s hand, was one of the proudest moments of my life. I was absolutely amazed by her spunk and determination. I grabbed my cell phone from my purse and snapped a picture.
She is such a fighter, I thought as Jase and I followed her. Visually, she looked roughed up, as though she had been through about fifteen rounds in a boxing match. But in that moment, she showed a level of toughness and resilience I have never seen in a child.
Remembering the information we were told on that first visit to ICI when Mia was seventeen days old, that she would need physical therapy to help her walk again after this surgery, I thanked God as I watched our daughter walk right out of the hospital twenty-four hours postoperation!
When we got into the car, Jase asked Mia, “Well, what do you think about that?”
“I’m a little tired, but I made it,” she replied. Indeed she did.
”
”
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
“
London has swallowed up many millions of young men called Smith... Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare.
Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a in a green dress in a square. ‘It has flowered,’ the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o'clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Reasons to keep books:
To read them one day! If you hope to read the book one day, definitely keep it. It’s fine to be aspirational; no one else will keep score on what you have actually read. It’s great to dream and hope that one day you do have the time to read all your books.
To tell your story. Some people give away every book they’ve read explaining, “What’s the point in keeping a book after I’ve read it if I’m not going to read it again? It’s someone else’s turn to read my copy now.” If that works for you, then only keep books on your shelves that you haven’t read yet. However you can probably understand that the books that you haven’t yet read only tell the story of your future, they don’t say much about where you’ve been and what made you who you are today.
To make people think you’ve read the book! This one may be hard or easy for you to admit, but we don’t think there is any shame in it. Sometimes we hold on to books because they represent our aspirational selves, supporting the perception of how well read or intelligent we are. They are certainly the books our ideal selves would read, but in reality—if we had to admit it—we probably never will. We would argue that you should still have these books around. They are part of your story and who you want to be.
To inspire someone else in your household to read those books one day. Perhaps it’s your kids or maybe your guests. Keeping books for the benefit of others is thoughtful and generous. At the very least, anyone who comes into your home will know that these are important books and will be exposed to the subjects and authors that you feel are important. Whether they actually read Charles Dickens or just know that he existed and was a prolific writer after seeing your books: mission accomplished!
To retain sentimental value. People keep a lot of things that have sentimental value: photographs, concert ticket stubs, travel knickknacks. Books, we would argue, have deeper meaning as sentimental objects. That childhood book of your grandmother's— she may have spent hours and hours with it and perhaps it was instrumental in her education. That is much more impactful than a photograph or a ceramic figurine. You are holding in your hands what she held in her hands. This brings her into the present and into your home, taking up space on your shelves and acknowledging the thread of family and history that unites you. Books can do that in ways that other objects cannot.
To prove to someone that you still have it! This may be a book that you are otherwise ready to give away, but because a friend gifted it, you want to make sure you have it on display when they visit. This I’ve found happens a lot with coffee table books. It can be a little frustrating when the biggest books are the ones you want to get rid of the most, yet, you are beholden to keeping them. This dilemma is probably better suited to “Dear Abby” than to our guidance here. You will know if it’s time to part ways with a book if you notice it frequently and agonize over the need to keep it to stay friends with your friend. You should probably donate it to a good organization and then tell your friend you spilled coffee all over it and had to give it away!
To make your shelves look good! There is no shame in keeping books just because they look good. It’s great if your books all belong on your shelves for multiple reasons, but if it’s only one reason and that it is that it looks good, that is good enough for us. When you need room for new acquisitions, maybe cull some books that only look good and aren’t serving other purposes.
”
”
Thatcher Wine (For the Love of Books: Designing and Curating a Home Library)
“
But she had learned about love through books, knew enough of it to recognize its absence in her life. Everywhere she looked, she was blinded by other forms of love, as if God were taunting her. From her bedroom window, she’d watch mothers pushing strollers, or children hanging from their father’s shoulders, or lovers holding hands. At doctors’ offices, she’d flip through magazines to find families smiling wildly, couples embracing, even women photographed alone, their bright faces shining with self-love. When she’d watch soap operas with her grandmother, love was the anchor, the glue that seemingly held the whole world together. And when she flipped through American channels when her grandparents weren’t looking, again love was the center of every show, while she, Deya, was left dangling on her own, longing for something other than her sisters to hold on to. As much as she loved them, it never felt like enough. But what did love even mean? Love was Isra staring dully out the window, refusing to look at her; love was Adam barely home; love was Fareeda’s endless attempts to marry her off, to rid herself of a burden; love was a family who never visited, not even on holidays. And maybe that was her problem. Maybe that’s why she always felt disconnected from her classmates, why she couldn’t see the world the way they did, couldn’t believe in their version of love. It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone’s arms after a bad day, had known the comforts of the words “I love you” growing up. It was because they’d been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn’t.
”
”
Etaf Rum (A Woman Is No Man)
“
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.”
Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago.
His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate.
Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?”
“I’ll get it back for her,” he promised with a somber smile. “Where is she?”
Alexandra’s mouth fell open at the tenderness in his eyes and voice.
“Where is she?” he repeated with calm determination.
“I cannot tell you,” Alex said with a twinge of regret.
“You know I cannot. I gave my word.”
“Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?”
“I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.”
Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.”
To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin.
Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?”
Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.”
“He’ll go to her as soon as he figures it out.”
“Perhaps.”
“You still don’t trust him, do you?” Jordan said with a surprised smile.
“I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.”
Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.”
“Perhaps,” Alex admitted reluctantly.
Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased.
“That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist.
“And will you love my cousin just a little if he makes amends to Elizabeth?”
“I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.”
“It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?”
“No, do you?”
He nodded. “Philip Demarcus.”
She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?”
“The very same.”
“Do you suppose Mr. Demarcus cheated Elizabeth?”
“Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
She looks to the sky watching the rain as it falls through space and there is nothing to see in the ruined yard but the world insisting on itself, the cement’s sedate crumbling giving way to the rising sap beneath, and when the yard is past there will remain the world’s insistence, the world insisting it is not a dream and yet to the looker there is no escaping the dream and the price of life that is suffering, and she sees her children delivered into a world of devotion and love and sees them damned to a world of terror, wishing for such a world to end, wishing for the world its destruction, and she looks at her infant son, this child who remains an innocent and she sees how she has fallen afoul of herself and grows aghast, seeing that out of terror comes pity and out of pity comes love and out of love the world can be redeemed again, and she can see that the world does not end, that it is vanity to think the world will end during your lifetime in some sudden event, that what ends is your life and only your life, that what is sung by the prophets is but the same song sung across time, the coming of the sword, the world devoured by fire, the sun gone down into the earth at noon and the world cast in darkness, the fury of some god incarnate in the mouth of the prophet raging at the wickedness that will be cast out of sight, and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore, Ben’s laughter behind her and she turns and sees Molly tickling him on her lap and she watches her son and sees in his eyes a radiant intensity that speaks of the world before the fall, and she is on her knees crying, taking hold of Molly’s hand.
”
”
Paul Lynch (Prophet Song)
“
What you did to us—and to me specifically—was wrong, and you had no right to do that.’” The priest stared unblinkingly into Blanchette’s eyes, waiting but unprepared for what came next. “‘Having said that, it brings me to the real reason I’ve come here. The real reason I’ve come here is to ask you to forgive me for the hatred and resentment that I have felt toward you for the last twenty-five years.’ When I said that, he stood up, and in what I would describe as a demonic voice, he said, ‘Why are you asking me to forgive you?’ And through tears I said, ‘Because the Bible tells me to love my enemies and to pray for those who persecute me.’” Blanchette said Birmingham collapsed as if he’d been punched in the chest. The priest dissolved into tears, and soon Blanchette too was crying. Blanchette began to take his leave but asked Birmingham if he could visit again. The priest explained that he was under tight restrictions at the rectory. He said he had been to a residential treatment center in Connecticut, and he returned there once a month. He was not allowed to leave the grounds except in the company of an adult. Blanchette would not see the priest again until Tuesday, April 18, 1989, just hours before his death. Blanchette found his molester at Symmes Hospital in Arlington and discovered the priest—once robust and 215 pounds—was now an eighty-pound skeleton with skin. Morphine dripped into an IV in his arm. Oxygen was fed by a tube into his nostrils. His hair had been claimed by chemotherapy. The priest sat in a padded chair by his bed. His breathing was labored. “I knelt down next to him and held his hand and began to pray. And as I did, he opened his eyes. I said, ‘Father Birmingham, it’s Tommy Blanchette from Sudbury.’” He greeted Blanchette with a raspy and barely audible, “Hi. How are ya?” “I said, ‘Is it all right if I pray for you?’ And he said, ‘Yes.’ And I began to pray, ‘Dear Father, in the name of Jesus Christ, I ask you to heal Father Birmingham’s body, mind, and soul.’ I put my hand over his heart and said, ‘Father, forgive him all his sins.’” Blanchette helped Birmingham into bed. It was about 10 P.M. He died the next morning.
”
”
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
“
I was a country kid who went to a public school, and she was more of a middle-class girl who attended a private school. I was into hunting and fishing, and she liked drama and singing in the choir at school and church. Our lives up until that point were totally different. But Missy and I had a very deep spiritual connection, and I thought our mutual love for the Lord might be our biggest strength in sustaining our relationship. Even though Missy was so different from me, I found her world to be very interesting.
Looking back, perhaps another reason I decided to give our relationship a chance was because of my aunt Jan’s bizarre premonition about Missy years earlier. My dad’s sister Jan had helped bring him to the Lord, and she taught the fourth grade at OCS. One of her students was Missy, and they went to church together at White’s Ferry Road Church. When I was a kid we attended a small church in the country, but occasionally we visited White’s Ferry with my aunt Jan and her husband. One Sunday, Missy walked by us as we were waiting in the pew.
“Let me tell you something,” Jan told me as she pointed at me and then Missy. “That’s the girl you’re going to marry.”
Missy was nine years old. To say that was one of the dumbest things I’d ever heard would be an understatement. I love my aunt Jan, but she has a lot in common with her brother Si. They talk a lot, are very animated, and even seem crazy at times. However, they love the Lord and have great hearts. I actually never thought about it again until she reminded me of that day once Missy and I started getting serious. Freaky? A bit. Bizarre? Definitely! Was she right? Absolutely, good call!
Missy still isn’t sure what my aunt Jan saw in her.
Missy: What did Jan see in me at nine years old? Well, you’ll have to ask her about that. She was the only teacher in my academic history from whom I ever received a smack. She announced a rule to the class one day that no one could touch anyone else’s possessions at any time (due to a recent rash of kids messing with other people’s stuff). The next day, I moved some papers around on one of my classmates’ desks before school, and he tattled on me. Because of her newly pronounced rule, she took me to the girls’ bathroom and gave me a whack on the rear. At the time, I certainly would have never thought she had picked me out to marry her nephew!
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
”
”
Virginia Woolf (Complete Works of Virginia Woolf)
“
I have been all over the world cooking and eating and training under extraordinary chefs. And the two food guys I would most like to go on a road trip with are Anthony Bourdain and Michael Ruhlmann, both of whom I have met, and who are genuinely awesome guys, hysterically funny and easy to be with. But as much as I want to be the Batgirl in that trio, I fear that I would be woefully unprepared. Because an essential part of the food experience that those two enjoy the most is stuff that, quite frankly, would make me ralph.
I don't feel overly bad about the offal thing. After all, variety meats seem to be the one area that people can get a pass on. With the possible exception of foie gras, which I wish like heckfire I liked, but I simply cannot get behind it, and nothing is worse than the look on a fellow foodie's face when you pass on the pate. I do love tongue, and off cuts like oxtails and cheeks, but please, no innards.
Blue or overly stinky cheeses, cannot do it. Not a fan of raw tomatoes or tomato juice- again I can eat them, but choose not to if I can help it. Ditto, raw onions of every variety (pickled is fine, and I cannot get enough of them cooked), but I bonded with Scott Conant at the James Beard Awards dinner, when we both went on a rant about the evils of raw onion. I know he is often sort of douchey on television, but he was nice to me, very funny, and the man makes the best freaking spaghetti in tomato sauce on the planet.
I have issues with bell peppers. Green, red, yellow, white, purple, orange. Roasted or raw. Idk. If I eat them raw I burp them up for days, and cooked they smell to me like old armpit. I have an appreciation for many of the other pepper varieties, and cook with them, but the bell pepper? Not my friend.
Spicy isn't so much a preference as a physical necessity. In addition to my chronic and severe gastric reflux, I also have no gallbladder. When my gallbladder and I divorced several years ago, it got custody of anything spicier than my own fairly mild chili, Emily's sesame noodles, and that plastic Velveeta-Ro-Tel dip that I probably shouldn't admit to liking. I'm allowed very occasional visitation rights, but only at my own risk. I like a gentle back-of-the-throat heat to things, but I'm never going to meet you for all-you-can-eat buffalo wings. Mayonnaise squicks me out, except as an ingredient in other things. Avocado's bland oiliness, okra's slickery slime, and don't even get me started on runny eggs.
I know. It's mortifying.
”
”
Stacey Ballis (Off the Menu)
“
When people start the journey towards wholeness, the pilgrimage to the promised land, there is a moment when their deepest being is touched. They have a fundamental experience, as if the stone of their egoism has been struck by Moses' staff and water starts to spring from it, or as if the stone which was over the tomb has been lifted and the deep self is able to emerge. It is an experience - and perhaps only a very faint one - of rebirth, of liberation, of forgiveness, of wonder. It is a time of betrothal with the universe, with the light, with others and with God. It is an experience of life in which we realize that we are fundamentally one with the universe and with God, while at the same time entirely ourselves in the most alive, light-filled and profound sense. It is the discovery that we are a spring of eternal life.
This experience at the start of our pilgrimage is like a foretaste of the end, like the kiss which is the foretaste of marriage. This is the call. It guides our steps in revealing our final destiny. There is nothing more deeply personal than this moment of wonder. But it happens very often in a given context. It may be a meeting with a poor person, whose call awakens a response in us; we discover that there is a living spring hidden deep within us. It may be during a visit to a community when we meet people who become models for us; in watching them and listening to them, we discover what we want to be - they reflect our own deepest self and we are mysteriously attracted to them. Or again, the call may be more secret, hidden in the depths of our heart, awakened perhaps by the Gospel or some other writing. It is hidden in our secret part; it makes us feel that we have glimpsed the promised land, found ourselves 'at home', found 'our place'. The experience is often such as to take someone into a community or change the orientation of their life.
The experience can be like an explosion of life, a luminous moment, flooded with peace, tranquility and light. Or it can be more humble - a touch of peace, a feeling of well-being, of being in 'one's place' and with people for whom one was made. The experience gives a new hope; it is possible to keep walking because we have glimpsed something beyond the material world and beyond human limitations. We have glimpsed the possibility of happiness. We have glimpsed 'heaven'.
The experience has opened our deepest being. Later, once we are in community and on our journey, clouds can obscure the sun and that deepest self can seem to be shut away again. But, nevertheless, the first experience stays hidden in the heart's memory. We know from then on that our deepest life is light and love, and that we must go on walking through the desert and the night of faith because we have had, at one moment, the revelation of our vocation.
”
”
Jean Vanier (Community and Growth)
“
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
”
”
Marcel Proust (In Search of Lost Time: Swann's Way)
“
We went to dinner that night and ordered steak and talked our usual dreamy talk, intentionally avoiding the larger, looming subject. When he brought me home, it was late, and the air was so perfect that I was unaware of the temperature. We stood outside my parents’ house, the same place we’d stood two weeks earlier, before the Linguine with Clam Sauce and J’s surprise visit; before the overcooked flank steak and my realization that I was hopelessly in love. The same place I’d almost wiped out on the sidewalk; the same place he’d kissed me for the first time and set my heart afire.
Marlboro Man moved in for the kill. We stood there and kissed as if it was our last chance ever. Then we hugged tightly, burying our faces in each other’s necks.
“What are you trying to do to me?” I asked rhetorically.
He chuckled and touched his forehead to mine. “What do you mean?”
Of course, I wasn’t able to answer.
Marlboro Man took my hand.
Then he took the reins. “So, what about Chicago?”
I hugged him tighter. “Ugh,” I groaned. “I don’t know.”
“Well…when are you going?” He hugged me tighter. “Are you going?”
I hugged him even tighter, wondering how long we could keep this up and continue breathing. “I…I…ugh, I don’t know,” I said. Ms. Eloquence again. “I just don’t know.”
He reached behind my head, cradling it in his hands. “Don’t…,” he whispered in my ear. He wasn’t beating around the bush.
Don’t. What did that mean? How did this work? It was too early for plans, too early for promises. Way too early for a lasting commitment from either of us. Too early for anything but a plaintive, emotional appeal: Don’t. Don’t go. Don’t leave. Don’t let it end. Don’t move to Chicago.
I didn’t know what to say. We’d been together every single day for the past two weeks. I’d fallen completely and unexpectedly in love with a cowboy. I’d ended a long-term relationship. I’d eaten beef. And I’d begun rethinking my months-long plans to move to Chicago. I was a little speechless.
We kissed one more time, and when our lips finally parted, he said, softly, “Good night.”
“Good night,” I answered as I opened the door and went inside.
I walked into my bedroom, eyeing the mound of boxes and suitcases that sat by the door, and plopped down on my bed. Sleep eluded me that night. What if I just postponed my move to Chicago by, say, a month or so? Postponed, not canceled. A month surely wouldn’t hurt, would it? By then, I reasoned, I’d surely have him out of my system; I’d surely have gotten my fill. A month would give me all the time I needed to wrap up this whole silly business.
I laughed out loud. Getting my fill of Marlboro Man? I couldn’t go five minutes after he dropped me off at night before smelling my shirt, searching for more of his scent. How much worse would my affliction be a month from now? Shaking my head in frustration, I stood up, walked to my closet, and began removing more clothes from their hangers. I folded sweaters and jackets and pajamas with one thing pulsating through my mind: no man--least of all some country bumpkin--was going to derail my move to the big city. And as I folded and placed each item in the open cardboard boxes by my door, I tried with all my might to beat back destiny with both hands.
I had no idea how futile my efforts would be.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
In fact, I am generally proud of having had so many adventures. But today, I had barely pronounced the words than I was seized with contrition; it seems as though I am lying, that I have never had the slightest adventure in my life, or rather, that I don't even know what the word means any more.
[...]
Things have happened to me, events, incidents, anything you like. But no adventures. It isn't a question of words; I am beginning to understand. [...] There is nothing brilliant about my life now: but from time to time, for example, for example, when they play music in the cafes, I look back and tell myself: in old days, in London, Meknes, Tokyo, I have known great moments, I have had adventures. Now I am deprived of this. I have suddenly learned, without apparent reason, that I have been lying to myself for ten years.
[...]
... adventure does not let itself be drawn out; it only makese sense when dead. [...] Each instant appears only as a part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplacable-and yet I would not raise a finger to stop it from being annihilated. [...] I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn on early morning: and even so the minute passes and I do not hold it back, I like to see it pass.
All of a sudden something breaks off sharply. The adventure is over, time resumes its daily routine. I turn; behind me, this beautiful melodious form sinks entirely into the past. It grows smaller, contracts as it declines, and now the end makes one with the beginning. Following this gold spot with my eyes I think I would accept-even if I had to risk death, lost a fortune, a friend-to live it all over again, in the same circumstances, from end to end. But an adventure never returns nor is prolonged."
(p.56-57) "... Perhaps there is nothing in the world I cling to as much as this feeling of adventure; but it comes when it pleases; it is gone so quickly and how empty I am once it has left. Does it, ironically, pay me these short visits in order to show me that I have wasted my life?
[...]
This feeling of adventure definitely does not come from events: I have proved it. It's rather they way in which the moments are linked together. I think this is what happens: you suddenly feel that time is passing, that each instant leads to another, this one to another one, and so on; that each instant is annihilated, and that it isn't worth while to hold it back, etc., etc. And then you attribute this property to events which appear to you *in* the instants; what belongs to the form you carry over to the content. You talk a lot about this amazing flow of time but you hardly see it. You see a woman, you think that one day she'll be old, only you don't see her grow old. But there are moments when you think you *see* her grow old and feel yourself growing old with her: this is the feeling of adventure.
If I remember correctly, they call that the irreversibility of time. The feeling of advanture would simply be that of the irreversibility of time. But why don't we always have it? Is it that time is not always irreversible? There are moments when you have the impression that you can do what you want, go forward or backward, that it has no importance; and then other times when you might say that the links have been tightened and, in that case, it's not a questino of missing your turn because you could never start again.
”
”
Jean-Paul Sartre (Nausea)
“
She loved Em and she thought that should be enough. It wasn't. Love is never enough. Madness is enough. It is complete, sufficient unto itself. You can only stand outside it, as a woman might stand outside a prison in which her lover is locked up. From time to time, a well-loved face will peer out and love floods back. A scrap of cloth flutters and it becomes a sign and a code and a message and all that you want it to be. Then it vanishes and you are outside the dark tower again. At times, when I was young, I wanted to be inside the tower so I could understand what it was like. But I knew, even then, that I did not want to be a permanent resident of the tower. I wanted to visit and even visiting meant nothing because you could always leave. You're a tourist; she's a resident.
”
”
Jerry Pinto (Em and The Big Hoom)
“
Japanese lilies and her beautiful face
In a crowded market place,
People walked, moved; and quite a few preferred to amble,
While I searched for my known space,
Where she sells beauty’s earthly samples without too much too gamble,
I walked past the busy spaces and the bustling market views,
People haggling, a few arguing,
It was like life was tasked to seek reviews,
In ways pleasing and many a time annoying,
Finally I reached there where I wanted to be,
And there she was this beautiful maiden,
And as she prospected every face, her eyes finally rested on me,
For a while nothing existed, as if time its pace had forgotten,
Only to be revived back to life,
When the maiden at the flower shop said,
“Hello, and welcome to the shop of beautiful life,”
My eyes moved, my lips shivered and in response I only shook my head,
I looked at flowers with different colours,
And her eyes followed mine to every spot where they rested,
I could be there, with the flowers and the maiden, for many hours,
Because at this flower shop, all the flowers only of her beauty attested,
She knew it too because the sparkle in her eyes was brewing with confidence,
She knew she was like the most beautiful summer rose that ever existed,
And I only visited the shop to feel surrounded by this beauty’s appeal so dense,
Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited,
She was pure beauty, and maybe my only and my wilful addiction,
While I was soaking in this experience of charm and beauty,
She tenderly felt my hand trembling with love’s affliction,
“Here, look at these new samples of eternal beauty,”
She said this with a professional tone and demand,
They were small clusters of white charm,
Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand,
Peaceful to look at that always kindled feelings warm,
It was such a delight to witness and see,
Then she silently quoth this,
“They are called the Japanese lilies that sparkle like the pearls from the deepest sea,
They look like joys suspended on the branches of bliss,
These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.”
I again nodded my head with a smile,
As I looked at them closely,
They indeed were clusters of white joy hanging there with a beautiful smile,
And I said hurriedly, “certainly!”
Then I realised something strange,
They were bending downwards, as if gravity pulled them harder,
It was nothing like flowers at other shops, so it indeed was very strange,
I looked at all the flowers and then I looked at her,
And there it was, in her eyes, her beautiful face her overall grace,
That the flowers in her shop felt so inferior,
Because all Japanese lilies and every Summer flower was but a reflection of her face,
And it was difficult to tell whether they were her lovers or she was there lover,
But to me, they all shone as the brilliance in her eyes,
The rose had offered her its blush,
The lies had granted her the twinkling miracle of the night skies,
And all other flowers had rendered her eternally beautiful and lush,
And whenever they looked at her,
The flowers drooped a bit,
And maybe that is why I buy all my flowers from her,
Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit!
And now neither the flowers nor I can quit,
So it is an affair that shall last till eternity and this is how I prefer it,
She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit,
Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Beauty and stone
In the huge town square,
A statue carved from stone witnessed every passer by,
And wondered how it could similar movements acquire,
So that it too could walk if not fly,
Its eyes constantly looked at the strange faces,
Its posture was always the same,
It stood at just one place and it could never visit other places,
For it had sacrificed everything in the static beauty’s name,
That is still, motionless, feelingless and always the same,
It even perceives different things with single perception of mind,
Cursed to play over and over again the same game,
Because for the statue-like beauty everything is predefined,
The posture, the view, the stance, and I guess even its every thought,
At least that is how I feel when I look at the statue placed in the main town square,
It seems to seek what it since eternity has sought,
Because it may bear a fixed expression, but that has nothing to do with its desire,
Because it expresses what its sculptor felt,
And in this crowded town square it looks the same every night, everyday and every time,
Of its own sweet will it has never with anything dealt,
It has witnessed many lovers’ kisses, and it has been witness to many a crime,
But it is its irony to be a statue and nothing else,
Beautiful to look at and admire,
But it has a missing pulse,
That of real, warm, sensitive and sensate beauty in its prime,
So, I sometimes look at it and just pretend it noticed me,
As I leave the spot, I see it unmoved and feelingless,
To it nothing matters, who you are or who you wish to be,
Because it is just beauty carved from stone, completely lifeless,
And then my love I think of you, and I miss you,
So I leave the statue and its stone carved beauty behind,
Because the statue is beautiful, but it cannot be you,
Therefore, instead in my memories and in my heart beats you I discover and always manage to find!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Tip #2: Do More Work When You Send or Reply to E-mails Consider the following standard e-mails: E-mail #1: “It was great to meet you last week. I’d love to follow up on some of those issues we discussed. Do you want to grab coffee?” E-mail #2: “We should get back to the research problem we discussed during my last visit. Remind me where we are with that?” E-mail #3: “I took a stab at that article we discussed. It’s attached. Thoughts?” These three examples should be familiar to most knowledge workers, as they’re representative of many of the messages that fill their inboxes. They’re also potential productivity land mines: How you respond to them will have a significant impact on how much time and attention the resulting conversation ultimately consumes. In particular, interrogative e-mails like these generate an initial instinct to dash off the quickest possible response that will clear the message—temporarily—out of your inbox. A quick response will, in the short term, provide you with some minor relief because you’re bouncing the responsibility implied by the message off your court and back onto the sender’s. This relief, however, is short-lived, as this responsibility will continue to bounce back again and again, continually sapping your time and attention. I suggest, therefore, that the right strategy when faced with a question of this type is to pause a moment before replying and take the time to answer the following key prompt: What is the project represented by this message, and what is the most efficient (in terms of messages generated) process for bringing this project to a successful conclusion?
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
Alas, put no faith in such a bond of union. Interpreting freedom as the multiplication and rapid satisfaction of desires, men distort their own nature, for many senseless and foolish desires and
habits and ridiculous fancies are fostered in them. They live only for mutual envy, for luxury and ostentation. To have dinners, visits, carriages, rank and slaves to wait on one is looked upon as
a necessity, for which life, honor and human feeling are sacrificed, and men even commit suicide if they are unable to satisfy it. We see the same thing among those who are not rich, while the poor
drown their unsatisfied need and their envy in drunkenness. But soon they will drink blood instead of wine, they are being led on to it. I ask you is such a man free? I knew one "champion of freedom"
who told me himself that, when he was deprived of tobacco in prison, he was so wretched at the privation that he almost went and betrayed his cause for the sake of getting tobacco again! And
such a man says, "I am fighting for the cause of humanity."
How can such a one fight? what is he fit for? He is capable perhaps of some action quickly over, but he cannot hold out long. And it's no wonder that instead of gaining freedom they have sunk into slavery, and instead of serving the cause of brotherly love and the union of humanity have fallen, on the contrary, into dissension and isolation, as my mysterious visitor and teacher said to me in my
youth. And therefore the idea of the service of humanity, of brotherly love and the solidarity of mankind, is more and more dying out in the world, and indeed this idea is sometimes treated with
derision. For how can a man shake off his habits? what can become of him if he is in such bondage to the habit of satisfying the innumerable desires he has created for himself? He is isolated, and what
concern has he with the rest of humanity? They have succeeded in accumulating a greater mass of objects, but the joy in the world has grown less.
”
”
Fyodor Dostoyevsky (The Brothers Karamazov)
“
I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived.
But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital
is this lifetime supposed to be only about duty
why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time?
ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave.
om Naamah Shivaya meaning I honor the divinity that resides whin me.
I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion.
four feet on the ground a head full of foliage looking at the world through the heart.
it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well.
same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes
oh how i want italian to open itself up to me
i havent felt so starved for comprehension since then
dal centro della mia vita venne una grande fontanana
dolce sitl nuovo
Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines.
lamor che move il sole e laltre stelle
we are the masters of bel far niente
larte darrangiarsi
The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife,
I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule.
I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady.
I linger over my food and wine for many hours because nobody in
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Yoga is the effort to experience one's divinity personally and then to hold on that experience forever. Yoga is about self-mastery and the dedicated effort to haul your attention away from your endless brooding over the past and your nonstop worrying about the future so that you can seek instead a place of eternal presence form which may regard yourself and your surrounding with poise.
it's all god in disguise but they yogis believe a human life is a very special opportunity because only in alumni from and only with a special opportunity because only in a human form and only with a human mind can God realization ever occur.
is to restore to health the eye of the heart whereby God may be seen.
a great yogi is anyone who has achieved the permanent state of enlightened bliss. A guru is a great yogi who can actually pass that state on to theirs.
mantravirya the potency of the Enlighted consciousness
capable of conscious inquiry
a yearning to understand the nature of the universe.
living spiritual master
when I was nine, I couldn't do a thing with it except cry later over these years my hypersensitive awareness of times s led me to push myself to experience life at a maximum pace if I were going to have such a short visit on earth, I had to do everything possible e to experience it now hence all the traveling all the romances all the ambition all the pasta.
On the other the Zen masters always say that you cannot see your reflection in running water only in still Ater so something was telling me it would be spiritually negligent to run off now then so much was happening right here in this small, cloistered place where every minute of the day is organized to facilitate self-exploration and devotional practice.
vipassana mediation teaches that grief and nuisance are inevitable in this life but if you can plant yourself in stillness long enough you will in time experience the truth that everything. (both uncomfortable and lovely) does eventually pass.
Man is neither entirely ap upper off the god and is not entirely the captain of his own destiny he is a little of both.
But when they do show up again i can just send them back here back to this rooftop of memory back to the care of those two cool blue souls who already and always understand everything
This is what rituals are for we do spiritual ceremonies as human beings in order to create a safe resting place of our most complicated feeling of joy or trauma so that we don't have to have those feelings around with us forever weight us down.
we have hands we can stand on them if we want to that's our privilege that is the joy of a moral body and that is because God needs us because God loves to feel things through our hands.
”
”
Elizabeth Gilbert
“
As we emerge back into our lives, we may never again take for granted:
Hugging a friend.
Shaking hands in business.
Flying to another location.
Being able to work unimpeded.
The roar of the crowd in the stadium.
Watching a concert with 18,000 fans.
Laughing in a movie theater.
Visiting the elders in society.
Shopping easily for food.
Getting a haircut.
The school rush each morning.
Sitting on the freeway with others.
Dining at our favorite restaurant.
Visiting our grandchildren.
Enjoying our work at the office.
Dancing with your loved ones.
Or a walk on the beach.
Perhaps when this ends, we will discover that we have evolved more into the people we had wished we were prior to this giant life lesson. And perhaps our appreciation of one another will help us discover the very best in ourselves.
”
”
Brian Weiner
“
But I don’t think you should try to achieve a state of happiness. What I suggest is that you find things that give you joy.” “Isn’t that the same thing?” “Not really. Joy is what you feel when you find something you love. And it doesn’t have to be easy or taste good or depend on someone sending you a happy face. You find things you like to do, love to do. Run, write, read, sing, jog, visit the old, help people. Search for the things that make you smile, that you’ll want to do again tomorrow.
”
”
J.A. Whiting (Silver Linings (Hope Herring #1))
“
He told of visiting Nancy in the recovery room. “She was asleep when Dick and I got there. Suddenly, as we were standing by her bed, there was a little movement of her body. Her eyes didn’t open, but I heard a tiny voice say, ‘My breast is gone.’ Barely conscious because of her anesthesia, Nancy somehow had sensed we were there. She was devastated by the loss of her breast—not because she was worried about herself, but because she was worried about me and how I would feel about her as a woman. ‘It doesn’t matter,’ I said. ‘I love you.’ Then I leaned over and kissed her softly, and repeated that it made no difference to me. But seeing that sadness in her eyes, it was all I could do to avoid breaking up again.
”
”
H.W. Brands (Reagan: The Life)
“
All of this provocative history has turned Paris into the ideal backdrop for romance and desire. People who visit the city can easily fall in lust or in love, whether for the first time or all over again. How can you not feel sexy in a city where everyone looks like he or she has just had sex? As Caroline de Maigret, Audrey Diwan, Sophie Mas, and Anne Berest emphasize in their book, How to Be Parisian Wherever You Are: Love, Style, and Bad Habits, Always be fuckable: when standing in line at the bakery on a Sunday morning, buying champagne in the middle of the night, or even picking the kids up from school. You never know.
”
”
Jordan Phillips (Inspired by Paris: Why Borrowing from the French Is Better Than Being French)
“
From "The Prisoner's Cross". This excerpt is from the author's father's real WW2 Japanese POW journal, and recounts a miracle the author's father experienced there.
"It was as gray day, and after I had shoveled the iron scrap out of the last drum, I rested on my shovel.Of-course I checked if any guard was doing the rounds. I had crossed paths with remarkable Christians in the camps. Their insights often offered me just the message I needed at a particular-time, and had nurtured not only my faith, but my understanding of how to live it. Still an anger was welling up in me. The winter was coming; we had now been away some two and half years from our family. We never heard anything after their last visit to the Jaarmarkt. There was an anger about the lostness of years, of being 27 and having already spent three birthdays in concentration camps. Suddenly in a mood of utter anger I kicked the heap of iron pieces which flew back at me and landed on the tip of my boot. My kick,
at least, had released the tension, and I was ready to start work again, when I noticed the piece of iron on my boot. It startled me. All the pieces had different forms, leftovers, and cutoffs, waste material, less useful than anything else except to get the dirt and rust off the iron cast tools. I slowly bent over
and let the iron scrap rest in my hand. It was in the form of a cross four inches long. I kept staring at it, forgetting all about the guard who might come along at any time. I never speculated how it got in the heap, how just this piece hit-the-door, when I kicked the heap apart, how it landed on my boot.
There are a million accidental events that happen on any given day. Somehow, this seemed like a message and an answer to my self-questioning a short time back; what in God’s name am I doing in this God forsaken place? It had been in the same mass of scrap iron for days. I had shoveled the scrap in the rotating drum over and over, to glance off the big implements, and remove the rust. The cross in my mind had always been a big question mark. How could a man on a cross, 2000 years back have any usefulness in our time? Slowly I began to perceive that the event might have a purpose now. Jesus of Nazareth was put on a cross by people who absolutely rejected the unconditional love
of God expressed in that cross, and then shared by Christians with others. People came and lived and died by that cross, and the strange power of that cross went on in human beings generation after generation unexplainably. People died for it in fierce confession of their faith, in giving their lives for others. The cross was never totally gone from this world, whatever happened outside Jerusalem in 33 A.D.. Now it had jumped on my boot. I let it roll back and forth in my hand. This little insignificant piece of iron scrap had cleaned far more important pieces of iron, it was only an implement. When I
opened the drum several times a day, the big pieces came out clear and well. Maybe being a Christian was doing the same thing.
”
”
Peter B. Unger (The Prisoner's Cross)
“
How very interesting! You’re considering problems so far in the future, and I have no interest in them. I'm not going to say that I only come visit you when I’m coated in hot, sticky blood, filthy as a pig, and feel like having clean underwear again… but I'm feeling rather fresh and ready to get back out there. Have a lovely day!
”
”
Dakota Krout (Tenacity (The Completionist Chronicles, #9))
“
The Palestine laboratory can only thrive if enough nations believe in its underlying premise. It’s unsurprising that repressive regimes want to mimic Israeli repression, using Israeli technology to oppress their own unwanted or restive populations, but the Jewish state craves Western approval to fully realize its diplomatic and military potential. Aside from the US, Germany is arguably the greatest prize of all. Israel helped Germany rehabilitate its shattered image after World War II, while Berlin grants legitimacy to a country that brutally occupies the Palestinians (a nonpeople in the eyes of successive German governments). Germany purchasing increasing amounts of Israeli defense equipment is just one way it can atone for its historical guilt. When Palestinian president Mahmoud Abbas visited Germany in August 2022 and spoke alongside Chancellor Olaf Scholz, he accused Israel of committing “fifty Holocausts” against his people. The German establishment expressed outrage over the comment but the hypocrisy was clear; the Palestinians are under endless occupation but it’s only they who have to apologize. Germany has taken its love affair with Israel to dangerous, even absurd heights. The Deutsche Welle media organization updated its code of conduct in 2022 and insisted that all employees, when speaking on behalf of the organization or even in a personal capacity, must “support the right of Israel to exist” or face punishment, likely dismissal.40 After the Israeli military shot dead Palestinian journalist Shireen Abu Akleh in the West Bank city of Jenin in May 2022, German police banned a peaceful public vigil in Berlin because of what German authorities called an “immediate risk” of violence and anti-Semitic messaging. When protestors ignored this request and took to the streets to both commemorate Abu Akleh and Nakba Day, police arrested 170 people for expressing solidarity with Palestine. A Palestinian in Germany, Majed Abusalama, tweeted that he had been assaulted by the police. “I just left the hospital an hour ago with an arm sling to hold my shoulder after the German racist police almost dislocated my shoulder with their violent actions to us wearing Palestine Kuffiyas,” he wrote. “This is the new wave of anti-Palestinian everything in Berlin. Insane, right?” This followed years of anti-Palestinian incitement by the German political elite, from the German Parliament designating the BDS movement as anti-Semitic in 2019 to pressuring German institutions to refuse any space for pro-Palestinian voices, Jewish or Palestinian.41 The Palestinian intellectual Tariq Baconi gave a powerful speech in Berlin in May 2022 at a conference titled “Hijacking Memory: The Holocaust and the New Right.” He noted that “states like Germany have once again accepted Palestinians as collateral. Their oppression and colonization is a fair price to pay to allow Germany to atone for its past crimes.
”
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Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
“
The unspoken blame for this never found a resting place-it simply moved like a shadow from husband to wife. Marguerite went quiet for a long time. Eddie lost himself in work. The shadow took a place at their table and they ate in its presence, amid the lonely clanking of forks and plates. When they spoke, they spoke of small things. The water of their love was hidden beneath the roots. Eddie never bet the horses again. His visits with Noel came to a gradual end, each of them unable to discuss much over breakfast that didn't feel like an effort.
”
”
Mitch Albom (The Five People You Meet in Heaven)
“
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
”
”
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
“
I’m glad to hear it. I cannot leave this ship as often as I’d like, but I can visit with you. Visit them, if they’ll have me.” “I think they’re happy on their own, love.” His eyes seemed a little distant, sadness bleeding into his gaze before he shook it free. “It would be best if it was just you and I.” Though it made her sad, she understood. The undines had their own way of life and her people hadn’t made that way of life any easier. It was hard, but it was the right choice. Nodding, she toyed with the ends of his hair. “Will that make you happy? I don’t want to isolate you.” “Oh, you are my love, my mate, my everything,” he breathed. “I would not survive being parted from you again, Alys. Not even in death.” When she drew him in for another kiss, Alys knew that maybe he was right. Maybe they were meant to be together forever. It certainly felt that way. But no matter what, their life would always be an adventure. And there was no one she would rather adventure with than him.
”
”
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
“
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
”
”
Elif Shafak (The Island of Missing Trees)
“
One of those days we were in Maria Vostra getting weed; while we were sitting at the bar during some festive day—I think it was Three Kings' arrival in January—Marco, the 30 some years old Argentine founding member of that club and probably the kindest of the three, received a phone call from Buenos Aires. I didn't understand it much, nor did I pay too much attention, but the tall Marco, who was usually in a great mood, suddenly ran out of the bar crying after one or two minutes. Martina told me she heard him speaking in Rioplatense on the phone. Marco's best friend had been shot dead in broad daylight in Buenos Aires at the same time; in front of her seven-year-old daughter. He had been shot five times in the chest because a thief had tried to steal his scooter and he had tried to stop them; they then shot him dead and took off with his scooter.
We were shocked, at least Marco and I while I tried to hide it - but Martina, who was only 20, wasn't. “That's how poor people are in Argentina, Tomas,” she said, pointing to her lips with her pinky as if it was a known secret. She wasn't fazed by death. I failed to realize what that meant. She must have seen people die before we met.
Perhaps I was blindfolded because I had been with Sabrina, whom I knew had something to do with Timothy's death and had gotten away with it, leaving Canada - I was unsure as to when she left exactly, and why - and why she was really unable to visit little Joel in Canada. I was also aware that Adam had not been to Israel for over 10 years, probably because he had murdered someone or done something similar when he was younger.
Perhaps I had become too accustomed to the presence of bad people; perhaps they had all become too familiar to me after all, two years after I had first met Sabrina, one year after I had first met Adam, and living in Barcelona for one and a half years at that time.
“A scooter worth 200-300 Euros is such a great value there, imagine Tomas. It's so dangerous and poor country” she said.
A few times in Urgell, Martina made a joyful noise of 'Oyyy', but she stopped because I laughed and she never said it again, no matter how much I asked her to. Perhaps the presence of the Polish workers at the other end of the place had something to do with it.
Gucho and Damian spent time with us in the kitchen-living room area every night. We ate, we smoked, and we had a great time together. They were skilled at smoking out of a bowl to get the most from the least weed.
I registered Martina at Club Marley, so if she was in the center and needed weed, she wouldn't have to go all the way up to Maria Vostra, a block from Urgell.
Club Marley was mostly run by Argentine people, so I thought she would like them too. One of those nights I was sitting in Club Marley at a table with Martina. When she went to the bathroom, an elder dispensary budtender I knew, who I met daily, told me that he didn't want to be rude, but: “Be very, very careful with this girl, Tomas. With Latinas, there is love sweeter than honey and all you ever dreamed of, but it only lasts as long as you are successful as you are right now, as long as you’re the manager.”
I said “thank you” and I meant it, but I had no time to reflect on it because he had to go. Martina was suddenly in my mind and by my side again: in love. I thought, “Yes, the guy may be right, but I trust Martina and have no reason not to.”
I knew I was broke and I knew that Martina knew that too. Even though I was a manager and seemed successful to my customers, it did not make me rich yet nor was it the reason to make Martina want to be with me.
I believe he must have caught sight of her looking at me or at another man when I wasn't paying attention. To me, she was one of a kind. I trusted her deeply and even told her about the guy's warning regarding Latinas. She showed no reaction. I didn't notice or pay attention to the fact that Martina never set foot in Club Marley again.
”
”
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
“
George, who are you seeing these days?” “Well, let’s see. I’ve been dating around, you might call it. There’s a visiting professor at the college I see when she’s in town. She travels quite a lot. And a neighbor lady and I like to have dinner in the city. She writes an ‘about town’ column for the paper and we enjoy some of the best restaurants, all on her tab, but that’s not the best part about her. There’s a waitress in Tacoma I like, a music teacher out on Bainbridge Island and a professor of veterinary medicine. She’s the most trouble and I think I like her best.” Noah’s eyes were round. He swallowed. “You’re seeing five women?” “Well, on and off. Each one of them is completely irresistible in her own way.” “Don’t any of them want more of you than an occasional date? Like a serious relationship?” George sighed and looked upward. “I’m not opposed to the idea of marrying again, Noah. But, as of this moment, the only woman I’m seeing I would consider is the vet, Sharon. But she’s forty-four. I think that might be a tad risky, don’t you?” Then he grinned. “Although we do jog together on Sunday mornings. She’s keeping up very well.” Noah burst out laughing. This was what he loved about George and always had—he was so unafraid to live life. He held nothing back. “They used to call men like you rogues,” Noah said. “Not men like me,” he protested. “I care very much for these ladies. They are, each one, wonderful women. I treat them with genuine affection and respect.” Noah
”
”
Robyn Carr (Forbidden Falls)
“
why are Christians generally regarded as such a dour bunch? I’ll confess that even I have thought of Christians that way. And when I’m visiting a church and walk in on Sunday morning, if I can’t sense any kind of palpable joy it’s hard for me to even sit there for the service. Why? Because if I can’t sense any joy in a congregation, I wonder whether the gospel is being preached there at all. Let me be clear again, as I was in an earlier chapter, that joy is different from just being happy. I have been at devastatingly tragic funerals where joy was nonetheless at least still present at moments. And I’ve known joy even in the midst of times of deep sorrow. Joy is not about everything being okay. Joy, at a basic level, is about the hope that God’s love is capable of transforming everything, even us. God’s glory and our joy cannot be separated from one another. Because God is worthy of being glorified, we who are God’s creation can find joy. And, conversely, because we can find joy, we know that God is worthy of glory.
”
”
Emily C. Heath (Glorify: Reclaiming the Heart of Progressive Christianity)
“
Deep within he knew it was too late however as his heart sank to the floor and rooted him to the ground steadfast and immovable as he despaired over why he couldn't foresee or predict when the women he loved were departing and committing themselves to other people, the pattern and chain of events was all too familiar, he'd been here before and it was a destination he had no desire to visit again cut his as Jade's departure cut his heart as brutally as he'd been wounded when Cherise had abandoned him.
”
”
Jill Thrussell
“
Inside the depths of his Genesis knew it was too late however as his heart sank to the floor and rooted him to the ground steadfast and immovable as he despaired over why he couldn't foresee or predict when the women he loved were departing and committing themselves to other people, the pattern and chain of events was all too familiar, he'd been here before and it was a destination he had no desire to visit again; Jade's departure cut his heart as brutally as he'd been wounded when Cherise had abandoned him.
”
”
Jill Thrussell
“
I thought I’d go mad if I had to spend another minute in that blasted room. I was worried about you. I sat there thinking that all I want in life is to spend as much time with you as possible. And then it occurred to me that you had visited this hotel for three seasons in a row—three—and I’d never met you. All that time I wasted, when we could have been together.” “But Harry . . . even if we had met and married three years ago, you’d still say it wasn’t enough time.” “You’re right. I can’t think of a single day of my life that wouldn’t have been improved with you in it.” “Darling,” she whispered, her fingertips coming up to stroke his jaw, “that’s lovely. Even more romantic than comparing me to watch parts.” Harry nipped at her finger. “Are you mocking me?” “Not at all,” Poppy said, smiling. “I know how you feel about gears and mechanisms.” Lifting her easily, Harry brought her into the bedroom. “And you know what I like to do with them,” he said softly. “Take them apart . . . and put them back together again. Shall I show you, love?” “Yes . . . yes . . .
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Finally his thumbing rewarded him with what he was seeking.
Veronese... Veronese... of course! As he'd told Genevieve, he'd seen a Veronese painting when he'd visited Italy. Memorably because he'd found it erotic: Venus and Mars again, and this time Venus was not wearing a shred, and Mars was kneeling, getting ready to, as he'd inappropriately shared with Genevieve, give Venus a pleasuring.
"Genevieve loves a particular 'kind' of painter..." Harry began in a lecturing tone.
"She likes light and a grace of line, mythological subjects rich in subtext. She believes Botticelli is not rated highly enough as a painter. I happen to agree. I've seen his 'Venus and Mars' and I am quite moved by his use of mythological subjects. Very sensual."
Harry looked thunderstruck.
Hmm. The duke didn't know why he should feel authentically pleased by the fact that Genevieve had entrusted him with a confidence she hadn't yet confided in Harry.
"She hadn't shared that particular insight with you about Botticelli, Osborne? Perhaps it's a new one. One she's had only recently.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
Dearest Prudence,
I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line.
During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again.
I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me.
The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now.
I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you.
Dear Christopher,
You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private.
I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well.
I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Dear Christopher,
You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private.
I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well.
I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.
Dearest Prudence,
Amid all the noise and men and madness, I try to think of you in your secret house…my princess in a tower. And my lodestar in the window.
The things one has to do in war…I thought it would all become easier as time went on. And I’m sorry to say I was right. I fear for my soul. The things I have done, Pru. The things I have yet to do. If I don’t expect God to forgive me, how can I ask you to?
Dear Christopher,
Love forgives all things. You don’t even need to ask.
Ever since you wrote to me about the Argos, I’ve been reading about stars. We’ve loads of books about them, as the subject was of particular interest to my father. Aristotle taught that stars are made of a different matter than the four earthly elements--a quintessence--that also happens to be what the human psyche is made of. Which is why man’s spirit corresponds to the stars. Perhaps that’s not a very scientific view, but I do like the idea that there’s a little starlight in each of us.
I carry thoughts of you like my own personal constellation. How far away you are, dearest friend, but no farther than those fixed stars in my soul.
Dear Pru,
We’re settling in for a long siege. It’s uncertain as to when I’ll have the chance to write again. This is not my last letter, only the last for a while. Do not doubt that I am coming back to you someday.
Until I can hold you in my arms, these worn and ramshackle words are the only way to reach you. What a poor translation of love they are. Words could never do justice to you, or capture what you mean to me.
Still…I love you. I swear by the starlight…I will not leave this earth until you hear those words from me.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
So what do you want?” St. Just asked quietly. Winnie looked away, reminding him poignantly of Emmie in the midst of difficult discussions. “What do you want, princess?” he asked again. “I want…” Winnie’s little shoulders heaved, and still St. Just waited. “I want Emmie to s-s-stay.” She hurled herself across the mattress, sending her writing implements flying in her haste to throw herself into St. Just’s arms. “Don’t let her go away, please,” Winnie wailed. “I’ll be good, just… Make her stay. You have to make her stay.” He wrapped her in his arms and held her while she cried, producing a handkerchief when the storm seemed to be subsiding. All the while he held her, he thought of Her Grace raising ten children, ten little hearts that potentially broke over every lost stuffed bear, dead pony, and broken toy. Ten stubborn little chins, ten complicated little minds, each as dear and deserving as the last, and all with intense little worlds of their own. Ye Gods. And what to say? Never lie to your men, St. Just admonished himself… “I don’t want her to go, either,” St. Just murmured when Winnie’s tears had quieted to sniffles. “But Emmie has her business to run, Win. She won’t go far, though, just back to the cottage, and we can visit her there a lot.” Like hell. “She isn’t going to the cottage,” Winnie replied with desperate conviction. “She’s going to marry Vicar and his brother will die and she’ll be rich, but far, far away. Cumbria is like another country, farther away than Scotland or France or anywhere.” “Hush,” St. Just soothed, fearing he was about to witness the youngest female crying jag of his experience. “Emmie hasn’t said anything to me, Winnie, and I think she’d let me know if she were going somewhere.” She had, however, told him to find another governess by Christmas at the latest. “She’s going,” Winnie said, heartsick misery in her tone. “I know it, but she’ll listen to you if you tell her to stay.” “I can’t tell her, Win.” St. Just rose to turn back the bedcovers. “I can only ask.” “Then ask her,” Winnie pleaded as she scooted between the sheets. “Please, you have to.” “I will ask her what her plans are, but that doesn’t affect your needing and deserving a governess. Understand?” When Winnie’s chin jutted, he dropped onto the bed and met her eyes. “We haven’t hired anybody yet, we haven’t even interviewed anybody yet, and we won’t expect you to tolerate anybody who isn’t acceptable to both Emmie and me, all right?” “I don’t want a governess,” Winnie said, but her tone was whimpery, miserable, and hopeless. “I understand that, and I only want you to have a governess you’re going to like, Winnie. All I’m asking is that you give somebody a chance to help you learn, whether Emmie’s here, back at the cottage, or married to the Vicar.” “I love Emmie,” Winnie said, reaching for Mrs. Bear. “I love Emmie, and I don’t want her to go, and I don’t want her to marry Vicar.” “Neither do I, princess.” St. Just blew out her candle. “Neither do I.” He
”
”
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
“
Question six: * Did you have any boy pals or friends when you were growing up? If not, why is that? Would you have grown up differently if you’d had guy friends? Answers: a) As far as I can remember, my main playmate was my cousin Pinky. Although I remember my mother’s longtime friend and confidant, Yin Yee; her son, Tuck would come to visit and play with Pinky and me, but I was never as close to Tuck as I was to my female cousin. Tuck loved to climb trees and I didn’t really care for those kinds of rugged, outdoorsy endeavors. b) I was extremely protected when growing up due to my wealthy parents’ social status; they were afraid I would be a likely candidate for kidnapping. I was always accompanied by either a family member or hired help before and after school hours. Since I didn’t care for any of the afterschool sporting activities that most of the boys my age seemed to delight in participating in, I preferred to be at home playing with my dolls and with Pinky, my playmate. c) Most likely if I’d had guy friends, the pressure of having to hide my homosexual inklings would be a greater burden than I could have dealt with. I would most likely have been bullied by the ‘straight’ boys like KiWi and his gang of three, or I would have ended up pining for their forbidden sexual gratifications. That would have ended either in disasters or, as it did in the case with KiWi, with unsatisfactory sexual doom. Well, dear Arius, I did my best to satisfy your questionnaires. It has been fun; please keep them coming. Until I hear from you again, best wishes to you and your doggies. Kind regards, Young.
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
The picture enclosed here is of a hibiscus that has been flowering in the parlor window one bloom at a time for what seems like a year or more. It’s getting to where I don’t remember when there wasn’t a bud or two and a flower either out or on the way.
This morning there is a fresh new flower just like the one in the picture, but right next to it is the one that was new yesterday and is already spent. I don’t know whether to be happy for the beautiful one or sad for the one that is gone. I guess if I wait until tomorrow I can be sad for the one that is so beautiful now. But how can I anticipate being sad for something that is so pretty?
It’s really a good thing that people can only “see” the present because we are on the same train as a hibiscus except that we are on a longer trip.
I’ve told you before but it fits in here so I will say it again. Sometimes I get feeling so good that I get afraid to anticipate the loss. If life could be a series of beautiful scenes and beautiful music and pleasant visits with people we love, then life should just go on forever. I suppose that’s why people get old and feeble with wandering minds. What is can end without too much loss, and what was did not stop so will be forever. Right now and as far as I can see, I want to be this morning’s flower. I’ll be a hibiscus. You be a rose…
”
”
M. Reed McCall (Moose Tracks on the Road to Heaven)
“
On my first Sunday morning visiting Capitol Hill Baptist Church in Washington, DC, my family and I sat in front of a lovely family in the church balcony. I first noticed them because their young children sat attentively and patiently as they participated in the service. I then noticed their lovely, vigorous singing. But they really grabbed my attention when they greeted us warmly immediately after the service. The man of the family took me around and introduced me to many of the men in the church, and after about fifteen minutes or so invited my family to join his family at their home for lunch—right then. Honestly, the experience made me feel a little weirded out. First of all, his name was Jim, and literally the first three men he introduced me to were all named Jim. Strange, I thought. What kind of church is this? Will I have to change my name again? Then the quick invitation to lunch about knocked me down. It happened too fast. And with my Southern upbringing, it might have even been considered impolite. So I gave him my best polite Southern way of saying no: “That is mighty nice of you. Perhaps some other time.” Everybody down South knows that a sentence like that means no. Southerners know that that is how you must say no because saying no itself is impolite. Southerners are nothing if not polite. So I had clearly said no to this man’s kind but hasty offer of lunch. And wouldn’t you know it? The very next week, when we went to this strange church again, he insisted that we join them for lunch. I was North Carolina. He was New Jersey. There was a failure to communicate. He didn’t understand the rules of the South, but Washington, DC, apparently was too close to the Mason-Dixon Line to clearly establish which “Rome” we were in and what we should do. But I was wrong, and Jim was right. He was the godlier man. He was more hospitable than anyone I had ever met and remains more hospitable than I am today. He embodied Paul’s insistence that hospitable men lead Christ’s church. And rightly, he was a church elder.
”
”
Thabiti M. Anyabwile (Finding Faithful Elders and Deacons (9Marks))
“
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
”
”
Bob Thurber (Nothing But Trouble)
“
Kimchi Jeon There are many different kinds of Korean pancakes using vegetables, seafood, or meat in Korean cuisine. We call this type of pancake "jeon." Among them, this kimchi pancake snack is one of the most popular Korean pancakes. Today, I want to share some secrets to make really tasty kimchi pancakes with you. When I was little, I used to visit an aunt's house and she made kimchi pancakes for me. I love kimchi pancakes, and her kimchi pancakes were the best ever. She gave me some tips about how to make good kimchi jeon. Some people asked me, why I call some Korean dishes "pancakes," even though they are not sweet, and not even close to the American pancakes that you might be imagining. Another word that could describe Korean pancakes is "fritter" - batter mixed with different kinds of ingredients: vegetables, seafood, meat, and so on. Yield: 1/2 Dozen 8-inch Pancakes Main Ingredients 1 Cup All Purpose Flour 1/3 Frying Mix (or 1/3 Cup All Purpose Flour) 1 Cup Well Fermented Kimchi 1/3 Cup Kimchi Broth 1/4 Cup Milk 1/3 Cup Water 1 Egg 1 1/2 tsp Sugar 1/8 Generous tsp Salt Directions Chop 1 cup of kimchi into 1-inch pieces. The most important tip for delicious kimchi pancakes is using well-fermented kimchi. Sour (old) kimchi works great too. When you cut kimchi on your cutting board, the cutting board will get stained. Here is a tip: Put some wax paper on top of your cutting board before cutting the kimchi. :) In a bowl, add 1 cup of all-purpose flour and 1/3 cup of frying mix. To make the pancakes a little crispier, I like to add some frying mix to the batter. However if you don't have the frying mix or don't want a crispy texture, you can use another 1/3 cup of flour instead. Add 1 1/2 tsp of sugar and a generous 1/8 tsp of salt into the bowl. Mix everything together. Adding some sugar is a secret ingredient from my aunt. Depending on how salty your kimchi is, you might need to adjust the amount of salt. Pour 1/4 cup of milk and 1/3 cup of water into the dried ingredients. Milk is another secret ingredient from her, but if you cannot eat milk or do not have it, you can use another 1/4 cup of water instead. Add 1 egg and 1/3 cup of kimchi broth. Several people have asked, "What is kimchi broth?" While the kimchi is fermenting in the jar, a liquid forms from the fermentation process of the napa cabbage. That is what I call kimchi broth. You can use it for other kimchi dishes such as Kimchi fried rice or kimchi soup, so don't throw away your valuable kimchi broth. It will give these dishes an extra burst of kimchi flavor. Before you add the kimchi to the batter, stir the batter until it doesn't have any chunks and gets a consistency like pancake batter. Add 1 cup of chopped kimchi into the batter. If you don't have enough kimchi broth, you can add a little more water and kimchi to get enough flavor. Mix thoroughly. Oh, it already looks delicious, even without frying. In a non-stick pan, add generous amount of oil. Heat the pan on medium-high. I said generous! =P According to your pan size, get 1 or 2 scoops of batter and pour it into the pan. It is important to spread the batter out thinly for crispy pancakes. ;) When the surface of the pancake starts to cook, flip it over. Pressing the pancake with a spatula helps the pancake fry better and makes it crispier. Occasionally flip the pancake, but not too often. When both sides of the pancakes are nicely brown and crispy, it is done. Again, it is a very simple and delicious dish. You should try this someday, especially if you love kimchi.
”
”
Aeri Lee (Aeri's Kitchen Presents a Korean Cookbook)