“
He accused me of being Dumbledore's man through and through."
"How very rude of him."
"I told him I was."
Dumbledore opened his mouth to speak and then closed it again. Fawkes the phoenix let out a low, soft, musical cry. To Harry's intense embarrassment, he suddenly realized that Dumbledore's bright blue eyes looked rather watery, and stared hastily at his own knee. When Dumbledore spoke, however, his voice was quite steady.
"I am very touched, Harry.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
”
”
Madeline Miller (The Song of Achilles)
“
She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...
”
”
Markus Zusak (The Book Thief)
“
Tess, Tess, Tessa.
Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it – a heart ringing – but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.
I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.
And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.
You are not the last dream of my soul.
You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetime’s worth.
With hope at least,
Will Herondale
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”<...>“I will have you without armour, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
But when I touch you, your aura … it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said.
”
”
Markus Zusak (The Book Thief)
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
Before I go," he said, and paused -- "I may kiss her?"
It was remembered afterwards that when he bent down and touched her face with his lips, he murmured some words. The child, who was nearest to him, told them afterwards, and told her grandchildren when she was a handsome old lady, that she heard him say, "A life you love.
”
”
Charles Dickens (A Tale of Two Cities)
“
I know that I am birdlike, made narrow and small as if for taking flight, built straight-waisted and fragile. But when he touches me like he can't bear to take his hand away, I don't wish I was any different.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
”
”
Nick Hornby (A Long Way Down)
“
You told me one time that . . . I was your compass. I gave you direction when you were lost,” Ty said, nearly choking on the words. He glanced up, eyes reflecting like liquid in the low light. “Well, you were my anchor. You were something solid for me to hold onto. I wanted you to remember that.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
Then come here," he said, a bit redundantly, as he had already pulled her with him into an armchair and curled her up in his arms. "Tell me what I can do to help you feel better."
Fire looked into his quiet eyes, touched his dear, familiar face, and considered the question. Well. I always like when you kiss me.
"Do you?"
You're good at it.
"Well," he said. "That's lucky, because I'll always be kissing you.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
If I try to summon back his face, the sound of his voice, and the sensation in my stomach like a key turning in a lock when he touched me, I lose everything.
”
”
Joyce Carol Oates (First Love: A Gothic Tale)
“
Of course I tensed up when he touched me. To be with him was to hurt him-inevitably. And that's what I'd felt as he reached for me: I'd felt as though I were committing an act of violence against him, because I was.
”
”
John Green (The Fault in Our Stars)
“
I like when he tells me that he likes the way I feel because it goes against what I've heard my entire life and I wish I could put his words in my pocket just to touch them once in a while and remind myself that they exist.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife—of years of Jem’s light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will’s own hands on Jem’s thin shoulders as Jem coughed blood into his shirt. “Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Every time he looked at me I felt like I'd touched my tongue to the tip of a battery. In art class I'd watch him lean back and listen and I was nothing but zing and tingle. After a while, the tingle turned to electricity, and when he asked me out my whole body amped to a level where technically I should have been dead. I had nothing in common with a sheddy like him, but a girl doesn't think straight when she's that close to electrocution.
”
”
Cath Crowley (Graffiti Moon)
“
Find one thing. One thing that's beautiful. Anything. Anything that shows you you're not one of them."
His eyes were back on me studying my face silently. Panic raced through me. It wasn't working. I couldn't do this. We were going to have to get out of here, regardless of whatever state he was in. I knew he'd leave, too. If i had learned anything, it was that Dimitri's warrior instincts were still working. If I said danger was coming, he would respond instantly, no matter the self-torment he felt. I didn't want him to leave in despair. I wanted him to leave here one step closer to being the man I knew he could be. I wanted him to have one less nightmare.
It was beyond my abilities, though. I was no therapist. I was about to tell him we had to get out of there, about to make his soldier reflexes kick in, when he suddenly spoke. His voice was barley a whisper. "Your hair."
"What?" for a second, I wondered if it was on fire or somthing. I touched a stray lock. No, nothing was wrong exept that it was a mess. I'd bound it up for battle to prevent the strgoi from using it as a handhold, like Angeline had. Much of it had come undone in the struggle, though.
"Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "your hair is beautiful.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says, " the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, and every shiver of your body, ...."
........
" I want to know where to touch you," he says, " i want to know how to touch you. I want to know how to convince you design a smile just for me." ...... " Yes, " he says, " i do want to be your bestfriend". He says, " I want to be your bestfriend in the entire world". --- Aaron Warner
”
”
Tahareh Mafi
“
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he'd bandaged my bloodied and battered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year, but we'd lived a lifetime in it.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
You’re about to be rich, Kaz. What will you do when there’s no more blood to shed or vengeance to take?”
“There’s always more.”
“More money, more mayhem, more scores to settle. Was there never another dream?”
He said nothing. What had carved all the hope from his heart? She might never know.
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. "Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.”
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?”
He took a breath. “I want you to stay. I want you to … I want you.”
“You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?”
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
“How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly.
"Really," he said. "You love me, too, Lottie?
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Can you just do me one favor?” I ask.
He knots his hands against my spine. “Hm?”
“Only hold my hand when you want to.”
“Poppy,” he says, “there may come a day when I no longer need to be touching you at all times, but that day is not today.
”
”
Emily Henry (People We Meet on Vacation)
“
Please, Noah, I don't want to do this wrong. Tell me how to make you feel good."
He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength.
His chocolate-brown eyes softened. "Being with you feels good. Touching you-" he tucked a curl behind my ear. "-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable?
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart."
He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little."
"Why?"
"For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
When Peeta holds out his arms, I walk straight into them. It's the first time since they announced the Quarter Quell that he's offered me any sort of affection. He's been more like a very demanding trainer, always pushing, always insisting Haymitch and I run faster, eat more, know our enemy better. Lovers? Forget about that. He abandoned any pretense of even being my friend. I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go.
And why should I?
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers.
Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks.
The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint.
It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay.
Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived.
Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
For those who feel their lives are a grave disappointment to God, it requires enormous trust and reckless, raging confidence to accept that the love of Jesus Christ knows no shadow of alteration or change. When Jesus said, "Come to me, all you who labor and are heavy burdened," He assumed we would grow weary, discouraged, and disheartened along the way. These words are a touching testimony to the genuine humanness of Jesus. He had no romantic notion of the cost of discipleship. He knew that following Him was as unsentimental as duty, as demanding as love.
”
”
Brennan Manning (The Ragamuffin Gospel)
“
Haven't I? - he thought. Haven't I thought of it since the first time I saw you? Haven't I thought of nothing else for two years? ...He sat motionless, looking at her. He heard the words he had never allowed himself to form, the words he had felt, known, yet had not faced, had hoped to destroy by never letting them be said within his own mind. Now it was as sudden and shocking as if he were saying it to her ...Since the first time I saw you ...Nothing but your body, that mouth of yours, and the way your eyes would look at me, if ...Through every sentence I ever said to you, through every conference you thought so safe, through the importance of all the issues we discussed ...You trusted me, didn't you? To recognize your greatness? To think of you as you deserved - as if you were a man? ...Don't you suppose I know how much I've betrayed? The only bright encounter of my life - the only person I respected - the best business man I know - my ally - my partner in a desperate battle ...The lowest of all desires - as my answer to the highest I've met ...Do you know what I am? I thought of it, because it should have been unthinkable. For that degrading need, which would never touch you, I have never wanted anyone but you ...I hadn't known what it was like, to want it, until I saw you for the first time. I had thought : Not I, I couldn't be broken by it ...Since then ...For two years ...With not a moments respite ...Do you know what it's like, to want it? Would you wish to hear what I thought when I looked at you ...When I lay awake at night ...When I hear your voice over a telephone wire ...When I worked, but could not drive it away? ...To bring you down to things you cant conceive - and to know that it's I who have done it. To reduce you to a body, to teach you an animal's pleasure, to see you need it, to see you asking me for it, to see your wonderful spirit dependent on the upon the obscenity of your need. To watch you as you are, as you face the world with your clean, proud strength - then to see you, in my bed, submitting to any infamous whim I may devise, to any act which I'll preform for the sole purpose of watching your dishonor and to which you'll submit for the sake of an unspeakable sensation ...I want you - and may I be damned for it!
”
”
Ayn Rand
“
Do you have any idea how much I love you?" he asked.
"Enough to accept my apologies?" I suggested in a small voice.
"Heck no," he said, and pushed off from the wall, stalking forward.
When he reached me, he put his hands up and touched the sides of my neck with the tips of his fingers--as if I were something fragile.
"No apologies from you," he told me, his voice soft enough to melt my knees and most of my other parts.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
He only invited me because of you and Chase.'
'Right,' she said, following me inside. 'He's never shown the slightest interest in you before. I mean, he's never stared at you like you're the only person in the room when we're all together. Or sulked around for days because you turned him down for a dance. Or touched the sleeve of your sweater when he thinks no one's looking-'
'He's never done any of that,' I said. Then, less confidently, 'Has he?
”
”
Claire LaZebnik (Epic Fail)
“
He smiles. "You know- I feel everything when you touch me, love. I can feel your excitement. Your nervousness. Your pleasure. And I love it," he says quietly. "I love the way you respond to me. I love the way you want me. I feel it when you lose yourself, the way you trust me when we're together. And I feel your love for me," he whispers. "I feel it in my bones,
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn't know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth.
It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole's hand touched my neck, thumb pressed into the skin next to my jaw. It wasn't a touch that said I need more. It was a touch that said I want this.
It was all completely soundless. I didn't think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, "That's how I would kiss you, if I loved you.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
What a woman you are,” he murmured, and she heard the emotion in it, the
way the Irish thickened just a bit in his voice. And saw it in those vivid eyes when he drew back. “That you would think of this. That you would do this.”
He shook his head, kissed her. Like the breath, long and quiet.
“I can’t thank you enough. There isn’t enough thanks. I can’t say what this means to me, even to you. I don’t have the words for it.” He took her hands,
brought them both to his lips. “A ghra. You stagger me.”
He framed her face now, touched his lips to her brow. “You’re the beat of my heart, the breath in my body, the light in my soul.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
Close your eyes and picture it. Can you see it?"
I nod, eyes closed.
"Imagine it right there before you. See its texture, shape, and color—got it?"
I smile, holding the image in my head.
"Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?"
I bite my lip and suppress a giggle.
"Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says.
So I do. I do all of those things. And when he groans, I open my eyes to see for myself.
"Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close."
"Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
”
”
Alyson Noel (Blue Moon (The Immortals, #2))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
Open your eyes and say my name.”
I squeeze them shut more tightly.
“It would make my cock hard to hear you say my name.”
My eyes pop open. “Jericho Barrons,” I say sweetly.
He makes a pained sound. “Bloody hell, woman, I think a part of me wants to keep you this way.”
I touch his face. “I like how I am. I like how you are, too. When you are…What is that word you used? Cooperating.”
“Tell me to fuck you.”
I smile and comply. We’re back in territory I understand.
“You didn’t say my name. Say my name when you tell me to fuck you.”
“Fuck me, Jerricho Barrons.”
“From now on, you will call me Jericho Barrons every time you speak to me.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
Ty:
Damn, he's fine.
Damn, he's a good quarterback.
Damn, he's nice and sweet.
Damn, he's a good kisser.
Damn, he's buff.
Damn, he's great to his family.
Damn, now that I know about Henry,
I'm not sure Ty and I are right for each other.
Henry:
I love the way his curls flop around and hang across his forehead.
I love how he never just lets me win. I have to earn it.
I love how he touches me just because.
I love his loyalty.
I love how when we sleep head-to-toe,
he always finds a reason to sleep head-to-head instead.
I love his unconditional support.
I love his spontaneity and crazy sense of humor.
I love his stupid dances.
I love....him.
”
”
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
“
Why?” I whispered. “Why do you hang around? You and Ash could’ve died
today.”
Puck’s heartbeat sped up under my fingers. His voice, when it came, was
very soft, almost a whisper. “I would’ve thought you’d’ve figured that out by now.”
~`~`~`~
Puck loves me, it whispered, thrilled. He’s in love with me. I knew it. I knew it all along.
“You’re kind of blind, you know?” Puck whispered, smiling to soften his
words. “I wouldn't defy Oberon for just anyone. But, for you…” He leaned forward, touching his forehead to mine. “I’d come back from the dead for you.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
Do you know what I see in you now? The usual aura. A steady golden yellow, healthy and strong, with spikes of purple here and there. But when I do this. . . .”
He rested a hand on my hip, and my whole body tensed up. That hand moved around my hip, slipping under my shirt to rest on the small of my back. My skin burned where he touched me, and the places that were untouched longed for that heat.
“See?” he said. He was in the throes of spirit now, though with me at the same time. “Well, I guess you can’t. But when I touch you, your aura . . . it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand on me to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Beau's gaze made my cheeks flush. A pleased grin touched his lips and I suddenly wanted to know how those lips would feel pressed against mine. I couldn't take my eyes off them. Even when his smile vanished I continued staring at his mouth.
"You're gonna have to stop doing that Ash," Beau whispered huskily and closed the space between us. His body was suddenly pressed against mine. I managed to shake my fascination with his lips and gaze up into his eyes. He was staring down at me with a hungry gleam I wasn't accustomed to seeing. But I liked it. I liked it a lot.
"Ash, I'm trying real hard to be good. Good isn't my thing but Sawyers important to me. Please remember I've got limits and you studying my mouth like you want a taste is pushing me dangerously close to the edge of those limits.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
I couldn't meet his gaze. I stared at the table just behind him--the mess of cards on it, the lantern giving off its quiet glow. "When you gave me your shirt to wear that night, I could feel you. I could feel your essence."
The world went still. We were standing only inches from each other, not touching. Outside, I could hear the faint murmur of the wind blowing through the trees.
"What did it feel like?" he asked in a low voice.
"Like...coming home," I admitted.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
Four wanders through the crowd of initiates, watching us as we go through the movements again. When he stops in front of me, my insides twist like someone is stirring them with a fork. He stares at me, his eyes following my body from my head to my feet, not lingering anywhere - a practical, scientific gaze.
"You don't have much muscle", he says, "which means you're better off using your knees and elbows. You can put more power behind them."
Suddenly he presses a hand to my stomach. His fingers are so long that, though the heel of his hand touches one side of my rib cage, his fingertips still touch the other side. My heart pounds so hard my chest hurts, and I stare at him, wide-eyed.
"Never forget to keep tension here", he says in a quiet voice.
Four lifts his hand and keeps walking. I feel the pressure of his palm even after he's gone. It's strange, but I have to stop and breathe for a few seconds before I can keep practicing again.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
For a long time," he said at last, "when I was small, I pretended to myself that I was the bastard of some great man. All orphans do this, I think," he added dispassionately."It makes life easier to bear, to pretend that it will not always be as it is, that someone will come and restore you to your rightful place in the world."
He shrugged.
"Then I grew older, and knew that this was not true. No one would come to rescue me. But then-" he turned his head and gave Jamie a smile of surpassing sweetness.
"Then I grew older still, and discovered that after all, it was true. I am the son of a great man."
The hook touched Jamie's hand, hard and capable.
"I wish for nothing more.
”
”
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
“
I swear to you, Zane. I thought what I was doing was right. I searched for you after I left New York. You were out of my reach. When Burns read me in, the only thing I could think of was that it was the only way of getting back to you. Being partnered with you full-time, being able . . . being able to see you every day, to have you in my life. When he said you might need protecting, it was the only thing I heard. I swear to you. All I wanted from the day I left you in that hospital was you. To be back there with you.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
I-" said Nick, his voice halting. "I don't mind it as much when - when people touch me. Some people."
Mae looked down, and Nick, who looked more relaxed when he'd been stabbed, slowly lifted his hand from his chest and laid it on the tumbled sheets between them, fingers half-curled into his palm. He was still regarding the ceiling with a fixed glare.
"Because you trust them not to hurt you?" Mae asked tentatively.
"No," Nick said, his voice harsh. "Because I'd let them hurt me.
”
”
Sarah Rees Brennan (The Demon's Covenant)
“
When his thumb hovered over the red button, she stared at him aghast. “You’re truly going to … torture me?”
He cast her a puzzled look. “Why wouldn’t I torture you?”
Because you used to love me, used to cherish me. “I thought we had a moment yesterday? Didn’t you like seeing me in lingerie?”
In a monotone voice, he said, “Why did the charge throwers have no ill effect on you?”
He’s truly going to do it? Then fuck him. DEFCON. “Chase, I’ve tussled with vibrators stronger than your charge throwers.”
No reaction. “You consumed energy. And channeled it at will. How?”
All Valkyrie consumed it—they were each connected through a grid of mystical energy—but Regin was the only one she knew of who could radiate it through her body. She’d inherited the talent from her birth mother. “So how does one get started as a magister? College or trade school?”
“I don’t have the time or patience for games. Now, tell me, why do you … glow?”
“I touched a radioactive alien cock once.”
He pressed the button.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Stop. Vibrating." Ryodan plucks a paper out of the air and slaps it back down on his desk.
I wonder if he cleans it. How many tushes have been on that thing? I'm never touching it again. "Can't help it," I say around a mouthful of candy bar. I know what I look like: a smudge of black leather and hair. "It happens when I get really excited. The more excited I get, the more I vibrate."
"Now there's a thought," Lor says.
"If you mean what I think you mean, you want to shut the fuck up and never think it again," Ryodan says.
"Just saying, boss," Lor says. "You can't tell me you didn't think it, too.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
I touch his face, almost without meaning to, gently , like he might be a ghost, like this might be a dream and the tips of my fingers graze his cheek, trail the line of his jaw and I stop when his breath catches, when his body shakes almost imperceptibly and we lean in as if by memory eyes closing lips just touching
“Give me another chance, ” he whispers, resting his forehead against mine.
My heart aches, throbs in my chest. “Please,” he says softly, and he’s somehow closer now, his lips touching mine as he speaks and I feel pinned in place by emotion, unable to move as he presses the words against my mouth, his hands soft and hesitant around my face and he says, “I swear on my life,” he says, “ I won’t disappoint you” and he kisses me
Kisses me right here, in the middle of everything, in front of everyone.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
It’s important to keep up appearances with books,” I explained. “Image goes a long way in this business.”
He dared a look over at me, still nervous but steadily recovering his composure. “I go more for content.”
"Really?” I repositioned slightly so that we were touching again, the soft flannel of his shirt brushing my bare skin. “Because I could have sworn a moment ago you were pretty caught up in outside appearance.”
His eyes shifted down again, but I could see a smile curving his lips. “Well. Some things are so striking, they can’t help but draw attention to themselves.”
"And doesn’t that make you curious about what’s inside?”
"Mostly it makes me want to get you some advanced copies.”
Advanced copies? What did he—?
"Seth? Seth, where—ah, there you are.” Paige turned down our aisle, Doug following behind. She brightened when she saw me, and I felt my stomach sink out of me and hit the floor with a thud as I put two and two together. No. No. It couldn’t be—
"Ah, Georgina. I see you’ve already met Seth Mortensen.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
For a moment, there is silence between us.
He takes a step toward me. “The other night—”
I cut him off. “I did it for the same reason that you did. To get it out of my system.”
“And is it?” he asks. “Out of your system?”
I look him in the face and lie. “Yes.”
If he touches me, if he even takes another step toward me, my deceit will be exposed. I don’t think I can keep the longing off my face. Instead, to my relief, he gives a thin-lipped nod and departs.
From the next room, I hear the Roach call out to Cardan, to offer to teach him the trick of levitating a playing card. I hear Cardan laugh.
It occurs to me that maybe desire isn’t something overindulging helps. Maybe it is not unlike mithridatism; maybe I took a killing dose when I should have been poisoning myself slowly, one kiss at a time.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Franz Kafka is Dead
He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.
That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.
They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
”
”
Nicole Krauss (The History of Love)
“
I found a few springs of rosemary and returned. Ignoring the collective sigh when I appeared, I stripped off the leaves and handed them to Loren.
He sniffed them in suspicion. "What's this?"
I guess it would take more than my word for them to trust me, "Rosemary." No glimmer of recognition. "It's to make your stew taste better. Don't you know the basic herbs and spices?"
"No. I took this job in self-defence. Quain burns everything. Belen thinks jerky is all we need to survive. Flea's idea of good meal is something that hasn't been in garbage can first. And Kerrick poisoned us---"
"Not on purpose." Kerrick said. "The meat looked done.
”
”
Maria V. Snyder (Touch of Power (Healer, #1))
“
... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Can I tell you a boring science fact?" she whispered. "I bet you didn't learn it in Shadowhunter history class."
"If you're trying to distract me from talking about my feelings, you're not being very subtle about it." He touched her face. "You know I make speeches. It's okay. You don't have to make them back. Just tell me you love me,"
"I'm not trying to distract you." She held up her hand and wiggles the fingers. "There are a hundred trillion cells in the human body," she said. "And every single one of the cells of my body loves you. We shed cells, and grow new ones, and my new cells love you more than the old ones, which is why I love you more every day than I did before. It's science. And when I die and they burn my body and I become ashes that mix with the air, and part of the ground and the trees and the stars, everyone who breathes air of sees the flowers that grow out of the ground or looks up at the stars will remember you and love you, because I love you that much," She smiled. "How was that for a speech?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Can I touch you?”
His lashes closed, resting on the tops of his tanned, sculpted cheeks as his smile grew broad. “You don’t have to ask.” I reached out immediately but paused within inches of contact. He must’ve sensed my hesitation because he reopened his eyes. “What’s wrong?”
I swallowed, utterly overwhelmed. “I don’t know where to start.”
Mason’s gaze warmed . He wrapped strong warm fingers around my wrist and drew my palm forward, leading me where he wanted my hand to follow. When he set it on the center of his chest, right over his heart and pressed my flesh to his as if fingerprinting my soul to his. I blinked back gratified tears.
“Start here. No one’s ever touched me here before.
”
”
Linda Kage (Price of a Kiss (Forbidden Men, #1))
“
His hands tightened around mine. “I love you,” he said. “I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?”
I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of Earth.
Except that the sunlight was false, and his love was real.
It was real.
Very deliberately, I pulled my hands out of his. “You’re a demon,” I said, staring at the ground.
“Most likely.”
“I know what you’ve done.”
“The exciting parts, anyway.”
“And I still don’t know your name.” My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so
easily. “But I know you’re my husband.”
The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I was a bird that might be startled into flight. Finally I met his eyes.
“And,” I said. “I suppose I do love you.”
Then he pulled me into his arms.
”
”
Rosamund Hodge (Cruel Beauty)
“
I lifted my face to meet the kiss, wanting the comfort of his touch as much as I was willing to provide the comfort of mine. The contact was sweet and soft, yet at the same time desperate.
It was Zane who pulled away first. "Danica, I think..." He trailed off and kissed me again, this time briefly, just the barest touch of lips to lips. "I love you."
From a man who frequently uttered eloquent speeches, the tentative declaration was not the most flattering of compliments-especially when every movement he made and look he cast my way had shown the long truth before now.
But coming from the serpent who had once informed me that he did not love me and did not think he ever could, whose cool, polished words could cut to the bone and freeze the Earth's frozen molten blood — whose eyes right now were just a bid dazed, and whose expression was as open and startled as I had ever seen it — the words were more than enough.
"I know," I answered. Then, soft but certain, I answered, "I love you too."
His smile matched mine and said the same as mine: I know.
”
”
Amelia Atwater-Rhodes (Hawksong (The Kiesha'ra, #1))
“
Isabella." He pronounced my full name carefully, then playfully ruffled my hair with his free hand. A shock ran through my body at his casual touch. "Bella, I couldn't live with myself if I ever hurt you. You don't know how it's tortured me." He looked down, ashamed again. "The thought of you, still, white, cold . . . to never see you blush scarlet again, to never see that flash of intuition in your eyes when you see through my pretenses . . . it would be unendurable." he lifted his glorious, agonized eyes to mine. "You are the most important thing to me now. The most important thing to me ever.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
I should have known what you would do,” Jem said in a low voice. “I always know what you will do. I should have known you would put your hands into the fire.”
“And I should have known you would throw that packet away,” said Will, without rancor. “It was—it was a madly noble thing to do. I understand why you did it.”
“I was thinking of Tessa.” Jem drew his knees up and rested his chin on them, then laughed softly. “Madly noble. Isn’t that meant to be your area of expertise? Suddenly I am the one who does ridiculous things and you tell me to stop?”
“God,” said Will. “When did we change places?”
The firelight played over Jem’s face and hair as he shook his head. “It is a very strange thing, to be in love,” he said. “It changes you.”
Will looked down at Jem, and what he felt, more than jealousy, more than anything else, was a wistful desire to commiserate with his best friend, to speak of the feelings he held in his heart. For were they not the same feelings? Did they not love the same way, the same person? But, “I wish you wouldn’t risk yourself,” was all he said.
Jem stood up. “I have always wished that about you.”
Will raised his eyes, so drowsy with sleep and the tiredness that came with healing runes that he could see Jem only as a haloed figure of light. “Are you going?”
“Yes, to sleep.” Jem touched his fingers lightly to Will’s healing hands. “Let yourself rest, Will.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck.
When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.”
My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body.
His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck.
My blood was on fire and I was shaking. Is this really happening?
I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine.
But this is where I belong. I tried to push the memories back.
Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress.
I grabbed his wrist. “Wait.”
He didn’t free his arm from my grasp but continued kissing my collar bone.
“Let’s skip the waiting part,” he murmured into my skin.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Then the best thing I can do is—"
He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him?
Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different.
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it.
And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away.
Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian.
Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Will gave a short, disbelieving laugh. "It's true," he said. "I am no hero."
"No," Tessa said. "You are a person, just like me." His eyes searched her face, mystified; she held his hand tighter, lacing her fingers with his. "Don't you see, Will? You're a person like me. You are like me. You say the things I think but never say out loud. You read the books I read. You love the poetry I love. You make me laugh with your ridiculous songs and the way you see the truth of everything. I feel like you can look inside me and see all the places I am odd or unusual and fit your heart around them. For you are odd and unusual in the same way." With the hand that was not holding his, she touched his cheek, lightly. "We are the same."
Will's eyes fluttered closed; she felt his lashes against her fingertips. When he spoke again, his voice was ragged but controlled. "Don't say those things, Tessa. Don't say them."
"Why not?"
"You said I am a good man," he said. "But I am not that good a man. And I am—I am catastrophically in love with you.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Because I was dying.
And Warner could’ve let me die. He was angry and hurt and had every reason to be bitter. I’d just ripped his heart out; I’d let him believe something would come of our relationship. I let him confess the depth of his feelings to me; I let him touch me in ways even Adam hadn't. I didn't ask him to stop.
Every inch of me was saying yes.
And then I took it all back. Because I was scared, and confused, and conflicted. Because of Adam.
Warner told me he loved me, and in return I insulted him and lied to him and yelled at him and pushed him away. And when he had the chance to stand back and watch me die, he didn’t.
He found a way to save my life.
With no demands. No expectations. Believing full well that I was in love with someone else, and that saving my life meant making me whole again only to give me back to another guy.
And right now, I can’t say I know what Adam would do if I were dying in front of him. I’m not sure if he would save my life. And that uncertainty alone makes me certain that something wasn't right between us.
”
”
Tahereh Mafi
“
You want me to have feelings?" he said. "I already told you that I love you. What else should I say? That I long to be near you every second of every day? I see colors, only around you....I smell perfume, only around you. God, it's like...like I'm alive again. Sometimes I go crazy just wondering if I imagined it all, and I wait to see when it...you...will be taken away from me."
"I feel all these things, Abbey," he continued on. "Rage that I can't run my fingers through your hair. Sorrow that I can't lay my face next to yours. Agony that I can't steal the breath from your lips. I can't eat or breathe or sleep for wanting to touch you, and yet I don't eat or breathe or sleep. I'm just here. Stuck in between.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?"
"If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-"
His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch.
I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder.
He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Cole,” I said, “do you think I’m lovable?”
“As in ‘cuddly and’?”
“As in ‘able to be loved,’” I said.
Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.”
I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.”
Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry.
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the
skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.”
It was all completely soundless. I didn’t think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, “That’s how I would kiss you, if I loved you.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
Kid, when will you learn.”
“You’d be amazed the things I know.”
“You might be able thrash your way out of a spider-web, but thrashing in quicksand doesn’t work. The harder you fight, the more ground you lose. Struggling merely expedites your inevitable defeat.”
“Never been defeated. Never will be.”
“Rowena was a spider web.” He touches my cheek with the hand holding the knife. The silver glints an inch from my eye. “Do you know what I am.”
“A great big pain in my ass.”
“Quicksand. And you’re dancing on it.”
“Dude, what’s with the knife?”
“I’m not interested in ink anymore. You’re going to sign my contract in blood.”
“Thought you said it was an application,” I say pissily.
“It is, Dani. To a very exclusive club. What’s Mine.”
“Ain’t nobody’s. “
“Sign.”
“You can’t—“
“Or Jo dies. Slowly and painfully.”
“Dude, why you still talking? Unchain me and give me the fecking contract already.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Say something Becks. Say anything"
"You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back.
"What do you remember about me?" There was strong emotion behind his voice. Something he fought to control.
With my eyes closed, I could easily picture the other side of the century.
"I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient."
I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now."
For a moment the space between us held no tension, no questions, no accusations.
Finally he leaned back, a stunned expression on his face. "Where do we go from here?"
"Nowhere, really," I whispered. "It doesn't change anything.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
”
”
André Aciman (Call Me by Your Name)
“
No, you're not free," he said. "The string you're tied to is perhaps no longer than other people's. That's all. You're on a long piece of string, boss; you come and go, and think you're free, but you never cut the string in two. And when people don't cut that string . . ."
"I'll cut it some day!" I said defiantly, because Zorba's words had touched an open wound in me and hurt.
"It's difficult, boss, very difficult. You need a touch of folly to do that; folly, d'you see? You have to risk everything! But you've got such a strong head, it'll always get the better of you. A man's head is like a grocer; it keeps accounts: I've paid so much and earned so much and that means a profit of this much or a loss of that much! The head's a careful little shopkeeper; it never risks all it has, always keeps something in reserve. It never breaks the string. Ah no! It hangs on tight to it, the bastard! If the string slips out of its grasp, the head, poor devil, is lost, finished! But if a man doesn't break the string, tell me, what flavor is left in life? The flavor of camomile, weak camomile tea! Nothing like rum-that makes you see life inside out!
”
”
Nikos Kazantzakis (Zorba the Greek)
“
I'd been making desicions for days.
I picked out the dress Bailey would wear forever-
a black slinky one- innapropriate- that she loved.
I chose a sweater to go over it, earrings, bracelet, necklace,
her most beloved strappy sandals.
I collected her makeup to give to the funeral director with a recent photo-
I thought it would be me that would dress her;
I didn't think a strange man should see her naked
touch her body
shave her legs
apply her lipstick
but that's what happened all the same.
I helped Gram pick out the casket,
the plot at the cemetery.
I changed a few lines
in the obituary that Big composed.
I wrote on a piece of paper what I thought
should go on the headstone.
I did all this without uttering a word.
Not one word, for days,
until I saw Bailey before the funeral
and lost my mind.
I hadn't realized that when people say so-and-so
snapped
that's what actually happens-
I started shaking her-
I thought I could wake her up
and get her the hell out of that box.
When she didn't wake,
I screamed: Talk to me.
Big swooped me up in his arms,
carried me out of the room, the church,
into the slamming rain,
and down to the creek
where we sobbed together
under the black coat he held over our heads
to protect us from the weather.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
Tristan followed so close behind her she could feel his hot breath on the back of her neck. Again.
“Ten foot rule,” called Nate.
“Bite me!” Tristan hollered back, more hot breath caressing her skin with his words. A wonderful shiver ran through her body. Damn him and his beautiful mouth and hot breath and his leather-smelling shirt. She assumed he was headed to his own room in the basement, but when she walked into the guest bedroom, he followed her inside. She turned around to tell him to leave her alone, but his bright green eyes derailed her words. He was so pretty…
No! No. He was not pretty. He was in danger of dying. Focus on the danger, Scarlet. She glared at him. “What are you doing?”
“I’m sleeping with you.”
Was he insane? She lifted a brow. “I thought you were mad at me.”
“I’m concerned. Not mad.”
“Huh. Well either way you’re not sleeping with me.”
“Yes, I am.”
He was insane. “No,” Scarlet repeated. “You’re not. You could die, Tristan. We can’t touch and we certainly can’t…sleep together.” She felt her face flush.
A look of amusement crossed his face. “I meant sleep, Scar.”
“Oh. Well.” She cleared her throat. “I don’t want to wake up next to a corpse, so, like…scram.
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's
supposed to be symbolic. You firing the last shot of the war."
"What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?"
"You won't miss." Gale adjusts the sheath on my shoulder.
We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?"
"I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it."
He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel
the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer.
"That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to
make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
What?” I cut him off. “That’s not true—I do take this seriously—”
“Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now.
You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.”
“It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.”
Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.”
“What?”
“Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.”
My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?”
“Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.”
“Okay, I can see you were right about having no practice in making declarations of love,” I agreed.
“But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .”
“Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright.
“Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused.
I gave him a little push. “Stop that! I can’t believe how conceited you are!”
“Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
”
”
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
“
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)