When A Woman Wants Revenge Quotes

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Each time I drew my blade, I imagined the look of fear in his eyes when I returned for him. When he realized the wife whose arm he had cut off and left for dead would be the one to end him. I wanted him to know—he did not break me, as that was never his choice to make. I wanted to see the moment he realized that everything he had done to me—every slap, every punch, every kick—was kindling. It built me up into a raging wildfire, and now it was time for him to burn.
Demi Winters (The Road of Bones (The Ashen, #1))
You are Tal’kamar, though precious few know you as such. You destroyed Saran’geth for an ideal. You butchered the Arathi for revenge. You created the Plains of Decay for the love of a woman long dead.” He paused. “You saved Jala Terr knowing it would cost you a century alone. You hid Wereth from the Shadows because you believed a good man was worth more than a good name. You destroyed us—and then, when we hated you most, you saved us at the expense of everything you ever wanted.” There was sadness in those blue eyes as he said the last. Sadness, and bright pain. “You have lived for over four thousand years, and done so much evil and so much good. You are a legend here amongst the Lyth, despised and beloved, famous and infamous both. You are Tal’kamar,” he finished softly.
James Islington (The Shadow of What Was Lost (The Licanius Trilogy, #1))
They maintain he wrote The Art of War. Personally, I believe it was a woman. On the surface, The Art of War is a manual about tactics on the battlefield, but at its deepest level it describes how to win conflicts. Or to be more precise, the art of getting what you want at the lowest possible price. The winner of a war is not necessarily the victor. Many have won the crown, but lost so much of their army that they can only rule on their ostensibly defeated enemies’ terms. With regard to power, women don’t have the vanity men have. They don’t need to make power visible, they only want the power to give them the other things they want. Security. Food. Enjoyment. Revenge. Peace. They are rational, power-seeking planners, who think beyond the battle, beyond the victory celebrations. And because they have an inborn capacity to see weakness in their victims, they know instinctively when and how to strike. And when to stop. You can’t learn that, Spiuni.
Jo Nesbø (Nemesis (Harry Hole, #4))
I have met people who truly do not believe in God, and they feel no anger when they see suffering. They are indifferent to it. But you and I are angry. Anger is not indifference. I blamed God because He took my family. But I couldn’t get revenge from God, so I turned my rage against other people. I wanted revenge. Someone must pay.” “You’re wrong.” Helen said, wanting desperately to believe that he was. “I told you, I no longer believe in God.” “Then why are you so angry with Him?” His eyes were so sorrowful that Helen had to look away. She was unable to reply. “You blame me and my country for your losses Miss Kimball. And I blame you and your country. But you and I are people, not countries. Did you kill my wife? My child? Would you put a gun to their heads and shoot them, or take away all of their food and watch them die? No, of course not. Neither would I kill someone you loved if I met him face to face. Wars come from bitterness and hatred. They are started by nations without face. But wars end when the hatred ends in the hearts of people like you and me. That is why I ask you to please forgive me.
Lynn Austin (A Woman's Place)
When those who have been placed in my life to lead me and train me betray me and turn against me, as Saul turned against David, I will follow the example of David and refuse to let hope die in my heart. Holy Spirit, empower me to be a spiritual father or mother to those who need me to disciple, love, support, and encourage them. Father, raise up spiritual leaders in our land who can lead others with justice, mercy, integrity, and love. Allow me to be one of these leaders. When I am cut off from my father [physical or spiritual] through his insecurity, jealousy, or pride, cause me to recognize that as You did with David, You want to complete Your work in my life. Holy Spirit, release me from tormenting thoughts or self-blame and striving for acceptance. Cause me to seek only Your acceptance and restoration. I refuse to allow the enemy to cause me to seek revenge against those who have wronged me. I will not raise my hand against the Lord’s anointed or seek to avenge myself. I will leave justice to You. Father, cause my heart to be pure as David’s was pure. Through Your power, O Lord, I will refuse to attack my enemies with my tongue, for I will never forget that both death and life are in the power of the tongue (Prov. 18:21). I will never seek to sow discord or separation between myself and my Christian brothers and sisters, for it is an abomination to my Lord. I will remain loyal to my spiritual leaders even when they have rejected me or wronged me. I choose to be a man [or woman] after the heart of God, not one who seeks to avenge myself. Holy Spirit, like David I will lead my Christian brother and sister to honor our spiritual leaders even in the face of betrayal. I refuse to sow discord among brethren. I will show kindness to others who are in relationship with the ones who have wronged me. Like David I will find ways to honor them and will not allow offense to cause me to disrespect them. Father, only You are worthy to judge the intents and actions of myself or of those around me. I praise You for Your wisdom, and I submit to Your leading. Lord, I choose to remain loyal to those in a position of authority over me. I choose to focus on the calling You have placed on my life and to refuse to be diverted by the actions of others, even when they have treated me wrongly. Father, may You be able to examine my life and know and see that there is neither evil nor rebellion in my heart toward others (1 Sam.24:11).
John Bevere (The Bait of Satan: Living Free from the Deadly Trap of Offense)
Getting even… Why do we want it in the first place? Is it a question of honor, nothing but an attempt to teach other people not to mess with us, or something else? Or… maybe it is just our way to make everything right when the Universe fails to do so. Our way to make the world right itself.
Gina Wings (Secrets of a Perfect Hair Color: Adventures of an Urban Woman (On Hair and Humans Book 1))
Hell hath no fury like a woman scorned, and when a woman scorned starts talking, she likes to take plenty of time. She does not want to have to be watching the clock all the while.
P.G. Wodehouse (Pigs Have Wings (Blandings Castle, #8))
You destroyed Saran'geth for an ideal. You butchered the Arathi for revenge. You created the Plains of Decay for the love of a woman long dead...You saved Jala Terr knowing it would cost you a century alone. You hid Wereth from the Shadows because you believed a good man was worth more than a good name. You destroyed us--and then, when we hated you most, you saved us at the expense of everything you ever wanted...You have lived for over four thousand years, and done so much evil and so much good. You are a legend here amongst the Lyth, despised and beloved, famous and infamous both.
James Islington (The Shadow of What Was Lost (The Licanius Trilogy, #1))
That sadness—the sadness of loss—is a different flavor than the sadness of reckoning. The sadness of reckoning feels visceral and angry and tinged with violence. It feels healable, somehow, with revenge or justice. But the sadness of a lost childhood feels like yearning, impossible desire. It feels like a hollow, insatiable hunger. I’d spent my life telling myself I didn’t need a mommy or a daddy. But now I was beginning to realize that this hunger isn’t childish—it is a universal, primal need. We all want to be taken care of, and that’s okay. The woman who appears to me when I meditate, in her soft, baggy clothes—she isn’t quite the same as a parent, and she never will be. But she takes me into her arms and whispers, “I want to love you.” I lean in and let her.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There
Robert K. Massie (Catherine the Great: Portrait of a Woman)
In ancient times, the Gorgon Medusa lived on the far side of Oceanus in the land of Night. She was an awesome dragonlike creature with bronze claws, great golden wings, and fierce eyes that turned her beholder to stone. At one time she had been a beautiful young woman who filled the world with joy, not death, but in a moment of foolish pride she had compared herself to Athena. Such arrogance enraged the noble goddess, and in revenge she turned Medusa's lush hair into a tangle of vile, hissing snakes. From that moment on, Medusa's stare brought the stillness of death to anyone who dared look into her eyes. Meanwhile Polydectes, King of Seriphos, wanted to destroy Perseus, so he sent him off to bring back Medusa's head, knowing that her gaze would kill the young hero. But Athena heard the king's command. Still angry with Medusa, she gave Perseus her bronze shield to defend himself when he attacked the Gorgon. Holding the shield as a mirror, Perseus saw only Medusa's reflection, and her deadly stare did not harm him. He cut off her head and put it into a cloth bag, then flew away with the aid of a pair of winged sandals given to him by Hermes. As Perseus soared over the African desert, blood seeped through the bag and fell to the hot sands below. As each drop hit the scorching ground, it turned to steam, and the rising vapors transformed into three dangerously beautiful nymphs.
Lynne Ewing (The Choice (Daughters of the Moon #9))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Unable to transcend ego, to be naked inside and out, or being left alone because passion is burnt out and "when it is burnt out it is over in an instant," the men use violence - capture, murder, violent revenge. Alienated because of their self-absorption, their thoughts of women are saturated with violence; they dream of violence when they think of the woman they want.
Andrea Dworkin (Intercourse)
I did not get her a morning gift. This is remiss of me.” A quarter mile later: “Very remiss. I intend to consummate the marriage thoroughly, and I do apologize for bringing such a matter up to a fellow who’s in want of his ballocks.” Though the lack hardly seemed to bother the beast. “I could not have spent one more night with that woman driving me mad, and nothing to be done about it. I shall have my revenge on her, see if I don’t.” Thoughts of erotic revenge were not comfortably pursued when a man occupied a saddle, much less a cold saddle. “And
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Jack Reacher made his first appearance in print on March 17, 1997—St. Patrick’s Day—when Putnam published Killing Floor in the United States, which was Reacher’s—and my—debut. But I can trace his, and the book’s, genesis backward at least to New Year’s Eve 1988. Back then I worked for a commercial television station in Manchester, England. I was eleven years into a career as a presentation director, which was a little like an air traffic controller for the network airwaves. In February 1988, the UK commercial network had started twenty-four-hour broadcasting. For a year before that, management had been talking about how to man the new expanded commitment. None of us really wanted to work nights. Management didn’t really want to hire extra people. End of story. Stalemate. Impasse. What broke it was the offer of a huge raise. We took it, and by New Year’s Eve we were ten fat and happy months into the new contract. I went to a party, but didn’t feel much like celebrating. Not that I wasn’t content in the short term—I sleep better by day than night, and I like being up and about when the world is quiet and lonely, and for sure I was having a ball with the new salary. But I knew in my bones that management resented the raise, and I knew that the new contract was in fact the beginning of the end. Sooner or later, we would all be fired in revenge. I felt it was only a matter of time. Nobody agreed with me, except one woman. At the party, in a quiet moment, she asked me, “What are you going to do when this is all over?
Lee Child (Killing Floor (Jack Reacher, #1))
When I went into the attic to find the veil for Rose, I discovered this painting,” she began. “This is your great-grandfather, the third Earl of Ashton.” He wasn’t certain what to make of it, but then the weight of her words struck him. She’d said it was his great-grandfather. “He had green eyes,” Moira whispered. “You can see it for yourself.” Iain accepted the portrait, and when he took a closer look at the man, his blood ran cold. It was like looking into a mirror. There was no doubt at all that he was a blood relation to this man. He set down the portrait, and the hair stood up on his arms. Moira spoke first. “You have to understand how broken I was after I was violated by a man who was not my husband. And because Aidan sought revenge, he died. I found myself with a living reminder of that night.” Tears rolled down her cheeks. “Every time I looked at you, I could only think of the violence. I couldn’t see that you were a gift that Aidan left to me, so I wouldn’t be alone.” Moira turned away, her shoulders slumped forward. He couldn’t answer her, though he knew what she was saying. She finished with, “There is nothing I can say to undo the years I mistreated you. I neglected the only son remaining to me. The last piece of my husband, because I was too blind to see the truth.” For a time, he was frozen, not knowing how to respond. He was the Earl of Ashton in truth. By blood and by birthright. “I will leave, if you ask it of me,” she whispered. “I deserve to be cast out for what I did.” A part of him wanted to lash out at her, for the years she’d made him feel like a shadow worth nothing at all. But what good would it do? She had aged into a fragile shell of a woman who had based her life upon misery and bitterness. He had Rose now, the woman he loved more than life itself. He had brought her here to help him rebuild Ashton . . . but perhaps she could help him rebuild more than the estate. With a heavy sigh, he placed his hand upon his mother’s shoulder. “Will you walk with me when I meet my bride?” Moira took his hand and pressed it to her forehead. Against his fingers, he felt the wetness of her tears. “I will, yes. Thank you.” It would take time to let go of the past. But it would begin with a single step.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Why have your passions cooled?” “I expected--hoped--that you would be more like you were in the letters.” Christopher paused, staring at her closely. “I’ve often wondered…did someone help you to write them?” Although Prudence had the face of an angel, the fury in her eye was the exact opposite of heavenly serenity. “Oh! Why are you always asking me about those stupid letters! They were only words. Words mean nothing!” “You’ve made me realize that words are the most important things in the world…” “Nothing,” Christopher repeated, staring at her. “Yes.” Prudence looked slightly mollified as she saw that she had gained his entire attention. “I’m here, Christopher. I’m real. You don’t need silly old letters now. You have me.” “What about when you wrote to me about the quintessence?” he asked. “Did that mean nothing?” “The--” Prudence stared at him, flushing. “I can’t recall what I meant by that.” “The fifth element, according to Aristotle,” he prompted gently. Her color drained, leaving her bone-white. She looked like a guilty child caught in an act of mischief. “What has that to do with anything?” she cried, taking refuge in anger. “I want to talk about something real. Who cares about Aristotle?” “I do like the idea that there’s a little starlight in each of us…” She had never written those words. For a moment Christopher couldn’t react. One thought followed another, each connecting briefly like the hands of men in a torch race. Some entirely different woman had written to him…with Prudence’s consent…he had been deceived…Audrey must have known…he had been made to care…and then the letters had stopped. Why? “I’m not who you think I am…” Christopher felt his throat and chest tightening, heard a rasp of something that sounded like a wondering laugh. Prudence laughed as well, the sound edged with relief. She had no idea in hell what had caused his bitter amusement. Had they wanted to make a fool of him? Had it been intended as revenge for some past slight? By God, he would find who had done it, and why. He had loved and been betrayed by someone whose name he didn’t know. He loved her still--that was the unforgivable part. And she would pay, whoever she was. It felt good to have a purpose again, to hunt someone for the purpose of inflicting damage. It felt familiar. It was who he was. His smile, thin as a knife edge, cut through the cold fury. Prudence gazed at him uncertainly. “Christopher?” she faltered. “What are you thinking?” He went to her and took her shoulders in his hands, thinking briefly of how easy it would be to slide his hands up to her neck and throttle her. He shaped his mouth into a charming smile. “Only that you’re right,” he said. “Words aren’t important. This is what’s important.” He kissed her slowly, expertly, until he felt her slender body relax against his. Prudence made a little sound of pleasure, her arms linking around his neck. “Before I leave for Hampshire,” Christopher murmured against her blushing cheek, “I’ll ask your father for formal permission to court you. Does that please you?” “Oh, yes,” Prudence cried, her face radiant. “Oh, Christopher…do I have your heart?” “You have my heart,” Christopher said tonelessly, holding her close, while his cold gaze fastened on a distant point outside the window. Except that he had no heart left to give.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Ella finds this story inside herself: A woman, loved by a man who criticizes her throughout their long relationship for being unfaithful to him and for longing for the social life which his jealousy bars her from and for being ‘a career woman’. This woman who, throughout the five years of their affair in fact never looks at another man, never goes out, and neglects her career becomes everything he has criticized her for being at that moment when he drops her. She becomes promiscuous, lives only for parties and is ruthless about her career, sacrificing her men and her friends for it. The point of the story is that this new personality has been created by him; and that everything she does — sexual acts, acts of betrayal for the sake of her career, etc., are with the revengeful thought: There, that’s what you wanted, that’s what you wanted me to be. And, meeting this man again after an interval, when her new personality is firmly established, he falls in love with her again. This is what he always wanted her to be; and the reason why he left her was in fact because she was quiet, compliant and faithful. But now, when he falls in love with her again, she rejects him and in bitter contempt: what she is now is not what she ‘really’ is. He has rejected her ‘real’ self. He has betrayed a real love and now loves a counterfeit. When she rejects him, she is preserving her real self, whom he has betrayed and rejected. Ella does not write this story. She is afraid that writing it might make it come true.
Doris Lessing (The Golden Notebook)
It occurred to me in that moment that this was the perfect opportunity to incapacitate Clare. Unfortunately, I didn't have a weapon, and the only thing in the room, aside from the coffin, was a wreath made of exotic flowers on a wire stand beside me. "Jack loved his flowers." I bent over as if to smell the flowers, grabbed the wreath, spun, and smashed it over Clare's head. Flowers scattered across the carpet and the wreath came apart in my hands. Stunned, Clare just stared, her hair adorned with a sea of pretty pink plumeria. "Simi, what are you doing?" Dad stood in the doorway, his face a mask of horror. "This is the woman who kissed Jack with a gun to his chest. She also tried to kill me. She tried to make it so I would never see you again. I still might have to leave you because of her." My hands tightened around the wire frame so hard my knuckles turned white. Dad's brow creased in a frown. "Use your fist like you did when you were playfighting with your brothers." "Pathetic." Clare grabbed the remains of the flower wreath out of my hands and threw it on the floor. "If you really wanted to hurt me, you'd pick something more substantial." I threw a hard right, grazing her cheekbone when she ducked to the side. "That's it," Dad called out. "A little higher." "What's going on?" Mom walked into the room with Nani. "Why is Simi hitting that woman beside Jack's coffin? We're at a funeral. It's disrespectful." "This is the woman who tried to break them up," Dad said. "She's the reason for all that talk of leaving us. She tried to kill our Simi." "Hit her harder." Mom held her fists in the air. "Give her a one-two punch.
Sara Desai ('Til Heist Do Us Part (Simi Chopra #2))
Oh, so when you want to lick my pussy, I’m your stepsister?” “When I want to lick your pussy, you’re my woman.” I squinted at him. “You’re plastered. I’m making coffee. And for the record, I’m no one’s woman.” “Coffee is good, then.
Elle Thorpe (Rebel Revenge (Saint View Rebels, #1))
Anyway, Hera got hold of him and figured she could use this giant to get her long-awaited revenge on Leto. “Hey, Tityos,” Hera said to him one day. “Blood!” Tityos screamed. “Meat and blood!” “Yes,” Hera said. “Those are very nice. But how about a pretty wife for you too?” “Meat!” “Okay. Maybe later. A woman will be walking this way soon, heading to Delphi. She just loves it when big strong giants try to abduct her and drag her to their underground lair. Interested?” Tityos scratched his massive head. “Blood?” “Why, certainly.” Hera smiled. “If she resists, shed all the blood you want!” Tityos agreed, so Hera gave him a cookie for good behavior and left him lying in wait on the road to Delphi. Soon Leto came along, and Tityos leaped out to grab her.
Rick Riordan (Percy Jackson's Greek Gods)
dating question -What do you want from this world? -To have a wardrobe. In his first meeting with Katrina, she asked him a dating question, and his answer was unconventional, he wished he could buy a wardrobe, in which he put his belongings, a metaphor for the instability in his life, so how does he do this, while he is without a homeland, without a home, moving from place to another, carrying a bag containing a few of his personal belongings. About to cheat on Khadija, the curiosity in the intelligence man’s mind overpowered him, the desire for knowledge, exploration, information, and a thirst for more details, the smallest details. Plan the process with the mentality of a computer programmer, “I will leave them a loophole in the system, they will hack me through it, and to do this they have to open their doors to send their code, and at this very moment, I am sending my code in the opposite direction. The most vulnerable account devices to hack are the hackers themselves. They enter the systems through special ports, which are opened to them by the so-called Trojan horse, a type of virus, with which they target the victim, open loopholes for them, infiltrate through them, and in both cases, they, in turn, have to open ports on their devices to complete the connection, from which they can be hacked backward. Katrina is a Trojan horse, he will not close the ports in front of her, she must succeed in penetrating him, and she will be his bridge connecting them, he will sneak through her, to the most secret and terrifying place in the world, a journey that leads him to the island of Malta, to enter the inevitable den. This is how the minds of investigators and intelligence men work, they must open the outlets of their minds to the fullest, to collect information, receive it, and deal with it, and that is why their minds are the most vulnerable to penetration, manipulation, and passing misleading information to them. It is almost impossible to convince a simple man, that there is life outside the planet, the outlets of his mind are closed, he is not interested in knowledge, nor is he collecting information, and the task of entering him is difficult, they call him the mind of the crocodile, a mind that is solid, closed, does not affect anything and is not affected by anything, He has his own convictions, he never changes them. While scientists, curious, intellectuals, investigators, and intelligence men, the ports of their minds are always open. And just as hackers can penetrate websites by injecting their URL addresses with programming phrases, they can implant their code into the website’s database, and pull information from it. The minds of such people can also be injected, with special codes, some of them have their minds ready for injection, and one or two injections are sufficient to prepare for the next stage, and for some, dozens of injections are not enough, and some of them injected their minds themselves, by meditation, thinking, and focusing on details, as Ruslan did. Khadija did not need more than three injections, but he trusted the love that brought them together, there is no need, she knew a lot about him in advance, and she will trust him and believe him. Her mind would not be able to get her away, or so he wished, the woman’s madness had not been given its due. What he is about to do now, and the revenge videos that she is going to receive will remain in her head forever, and will be her brain’s weapon to escape, when he tries to get her out of the box. From an early age, he did not enjoy safety and stability, he lived in the midst of hurricanes of chaos, and the heart of randomness. He became the son of shadows and their master. He deserved the nickname he called himself “Son of Chaos.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
Wife Number One had a theory. There are two kinds of womanizer, she said. There's the kind that loves women and the kind that hates them. You were the first kind, she said. She believed that women tended to be more forgiving, more understanding, and even protective of your kind. Less likely when wronged to want revenge. Of course, it helps if the man is an artist, she said, or has some other type of noble calling. Or is some kind of outlaw, was my thought. That type above all. Q. What is it that makes a womanizer one type of the other? A. His mother, of course.
Sigrid Nunez (The Friend)
Ella finds this story inside herself: A woman, loved by a man who criticises her throughout their long relationship for being unfaithful to him and for longing for the social life which his jealousy bars her from and for being “a career woman.” This woman who, throughout the five years of their affair, in fact never looks at another man, never goes out, and neglects her career becomes everything he has criticised her for being at that moment when he drops her. She becomes promiscuous, lives only for parties, and is ruthless about her career, sacrificing her men and her friends for it. The point of the story is that this new personality has been created by him; and that everything she does—sexual acts, acts of betrayal for the sake of her career, etc., are with the revengeful thought: There, that’s what you wanted, that’s what you wanted me to be. And, meeting this man again after an interval, when her new personality is firmly established, he falls in love with her again. This is what he always wanted her to be; and the reason why he left her was in fact because she was quiet, compliant and faithful. But now, when he falls in love with her again, she rejects him and in bitter contempt: what she is now is not what she “really” is. He has rejected her “real” self. He has betrayed a real love and now loves a counterfeit. When she rejects him, she is preserving her real self, whom he has betrayed and rejected
Doris Lessing (The Golden Notebook)