Wheat Poems Quotes

We are captives, even if our wheat grows over the fences/ and swallows rise from our broken chains./ We are captives of what we love, what we desire, and what we are.

L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire

Sure, we thought the acres That we tilled were sacred, But how could we have known That wheat can haunt like ghosts

CARL SAGAN SAID that if you want to make an apple pie from scratch, you must first invent the universe. When he says “from scratch,” he means from nothing. He means from a time before the world even existed. If you want to make an apple pie from nothing at all, you have to start with the Big Bang and expanding universes, neutrons, ions, atoms, black holes, suns, moons, ocean tides, the Milky Way, Earth, evolution, dinosaurs, extinction- level events, platypuses, Homo erectus, Cro- Magnon man, etc. You have to start at the beginning. You must invent fire. You need water and fertile soil and seeds. You need cows and people to milk them and more people to churn that milk into butter. You need wheat and sugar cane and apple trees. You need chemistry and biology. For a really good apple pie, you need the arts. For an apple pie that can last for generations, you need the printing press and the Industrial Revolution and maybe even a poem.To make a thing as simple as an apple pie, you have to create the whole wide world.

I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place

As I walked out one harvest night About the stroke of One, The Moon attained to her full height Stood beaming like the Sun. She exorcised the ghostly wheat To mute assent in Love's defeat Whose tryst had now begun. The fields lay sick beneath my tread, A tedious owlet cried; The nightingale above my head With this or that replied, Like man and wife who nightly keep Inconsequent debate in sleep As they dream side by side. Your phantom wore the moon's cold mask, My phantom wore the same, Forgetful of the feverish task In hope of which they came, Each image held the other's eyes And watched a grey distraction rise To cloud the eager flame. To cloud the eager flame of love, To fog the shining gate: They held the tyrannous queen above Sole mover of their fate, They glared as marble statues glare Across the tessellated stair Or down the Halls of State. And now cold earth was Arctic sea, Each breath came dagger keen, Two bergs of glinting ice were we, The broad moon sailed between; There swam the mermaids, tailed and finned, And Love went by upon the wind As though it had not been. - Full Moon

I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night What is the price of Experience do men buy it for a song Or wisdom for a dance in the street? No it is bought with the price Of all that a man hath his house his wife his children Wisdom is sold in the desolate market where none come to buy And in the withered field where the farmer plows for bread in vain It is an easy thing to triumph in the summers sun And in the vintage & to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the houseless wanderer To listen to the hungry ravens cry in wintry season When the red blood is filled with wine & with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear a dog howl at the wintry door, the ox in the slaughter house moan To see a god on every wind & a blessing on every blast To hear the sounds of love in the thunder storm that destroys our enemies house To rejoice in the blight that covers his field, & the sickness that cuts off his children While our olive & vine sing & laugh round our door & our children bring fruits and flowers Then the groans & the dolor are quite forgotten & the slave grinding at the mill And the captive in chains & the poor in the prison, & the soldier in the field When the shattered bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity Thus could I sing & thus rejoice, but it is not so with me!

Y'know — Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney,— same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then. So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us — more than the Treaty of Versailles and the Lind-bergh flight. See what I mean? So — people a thousand years from now — this is the way we were in the provinces north of New York at the beginning of the twentieth century. — This is the way we were: in our growing up and in our marrying and in our living and in our dying. Said by the Stage Manager

XXVII" Naked, you are simple as a hand, smooth, earthy, small...transparent, round. You have moon lines and apple paths; Naked, you are slender as the wheat. Naked, Cuban blue midnight is your color, Naked, I trace the stars and vines in your hair; Naked, you are spacious and yellow As a summer's wholeness in a golden church. Naked, you are tiny as your fingernail; Subtle and curved in the rose-colored dawn And you withdraw to the underground world As if down a long tunnel of clothing and of chores: your clear light dims, gets dressed, drops its leaves, And becomes a naked hand again.

And when you write a poem within the accepted poem-form, making it sound like a poem because a poem is a poem is a poem, you are saying “good morning” in that poem, and well, your morals are straight and you have not said SHIT, but wouldn’t it be wonderful if you could…instead of sweating out the correct image, the precise phrase, the turn of a thought…simply sit down and write the god damned thing, throwing on the color and sound, shaking us alive with the force, the blackbirds, the wheat fields, the ear in the hand of the whore, sun, sun, sun, SUN!; let’s make poetry the way we make love; let’s make poetry and leave the laws and the rules and the morals to the churches and the politicians; let’s make poetry the way we tilt the head back for the good liquor; let a drunken bum make his flame, and some day, Robert, I’ll think of you, pretty and difficult, measuring vowels and adverbs, making rules instead of poetry.

Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation’s Freight Handler; Stormy, husky, brawling, City of the Big Shoulders:

That day of battle in the dusty heat We lay and heard the bullets swish and sing Like scythes amid the over-ripened wheat, And we the harvest of their garnering.

But this I know, that every Law That men have made for Man, Since first Man took his brother's life, And the sad world began, But straws the wheat and saves the chaff With a most evil fan.

Y'know Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney, same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then. So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us more than the Treaty of Versailles and the Lind-bergh flight. See what I mean? So people a thousand years from now this is the way we were in the provinces north of New York at the beginning of the twentieth century. This is the way we were: in our growing up and in our marrying and in our living and in our dying.

you, my friend, could be the smoke’s daughter, you who may not have known you were born of fire and rage, lightning over flaming lava etched your violet mouth, your sex in the scorched oak’s moss like a ring in a nest, your fingers there in the flames, your compact body rose from leaves of fire that make me recall there were bakers in your family tree, you’re still the rainforest’s bread, ash from violent wheat,

Beginning" The moon drops one or two feathers into the field. The dark wheat listens. Be still. Now. There they are, the moons young, trying Their wings. Between trees, a slender woman lifts up the lovely shadow Of her face, and now she steps into the air, now she is gone Wholly, into the air. I stand alone by an elder tree, I do not dare breathe Or move. I listen. The wheat leans back toward its own darkness, And I lean toward mine.

Last of his toothpaste, last of his Wheat Chex, last of his 5-Quick-Cinnamon-Rolls-With-Icing, his Pop Secret Microwave Pop- corn, his Deluxe Fudge Brownie Mix next to my Casbah Nutted Pilaf on the sparser shelf, I'm using it all up. Chanting: he'd-want-me- to-he'd-want-me-to. To consume loss like a hydra-headed meal of would-have-dones accompanied by missed-shared-delight. What can I tell you?

III. Ah Vastness of Pines Ah vastness of pines, murmur of waves breaking, slow play of lights, solitary bell, twilight falling in your eyes, toy doll, earth-shell, in whom the earth sings! In you the rivers sing and my soul flees in them as you desire, and you send it where you will. Aim my road on your bow of hope and in a frenzy I will free my flock of arrows. On all sides I see you waist of fog, and yousilence hunts my afflicted hours; my kisses anchor, and my moist desire nests in you with your arms of transparent stone. Ah your mysterious voice that love tolls and darkens in the resonant and dying evening! Thus in deep hours I have seen, over the fields, the ears of wheat tolling in the mouth of the wind.

Poet is Priest Money has reckoned the soul of America Congress broken thru to the precipice of Eternity the president built a War machine which will vomit and rear Russia out of Kansas The American Century betrayed by a mad Senate which no longer sleeps with its wife. Franco has murdered Lorca the fairy son of Whitman just as Maykovsky committed suicide to avoid Russia Hart Crane distinguished Platonist committed suicide to cave in the wrong America just as millions of tons of human wheat were burned in secret caverns under the White House while India starved and screamed and ate mad dogs full of rain and mountains of eggs were reduced to white powder in the halls of Congress no godfearing man will walk there again because of the stink of the rotten eggs of America and the Indians of Chiapas continue to gnaw their vitaminless tortillas aborigines of Australia perhaps gibber in the eggless wilderness and I rarely have an egg for breakfast tho my work requires infinite eggs to come to birth in Eternity eggs should be eaten or given to their mothers and the grief of the countless chickens of America is expressed in the screaming of her comedians over the radio

If there is murder in the heart, Stiofain, and blood on the hands, we must cleanse it with prayer and music and poems. If we do not . . .” He searched the boy’s eyes. “Stiofain, if I can wish for one thing, it’s that you hear me now. Don’t be flinging the wheat of your youth into the fire. Work it hard, grind your anger into flour, and some day, I promise you, we’ll be sitting down to feasts instead of funerals.” “Oh, Father,” the boy cried, “you are a fine spinner of words. But I am drowning in blood!

XIX. Girl Lithe and Tawny" Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and you luminous eyes and your mouth that has the smile of water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes. Girl lithe and tawny, nothing draws me towrds you. Everything bears me farther away, as though you were noon. You are the frenzied youth of the bee, the drunkenness of the wave, the power of the wheat-ear. My sombre heart searches for you, nevertheless, and I love your joyful body, your slender and flowing voice. Dark butterfly, sweet and definitive like the wheat-field and the sun, the poppy and the water.

Knowledge had tried to come out of hiding dozens of times. In a song, a poem, the sun caressing golden wheat fields against a dark sky, I’d felt the nearness of God. Hundreds of times, I knew in my core that I was treasured.

Colors" A long time ago our national IDs had the word “wheat” next to the “skin color” category… Some people’s colors were associated with olives and chocolate… Eye colors were described as honey and pistachio colored… There was also the chestnut-colored hair – all descriptions reminding us that we are gifts from the same source: Mother Nature’s womb! As for the racist West, it insists on reducing humanity and painting it with politicized colors of which only one color matters! As for other colors, they are made to be equivalent to nobodies and nothingness… They insist on turning this world into a snow-covered wasteland Into one blank page and no more… [Original poem published in Arabic on October 31, 2023 at ahewar.org]

The Nomad by Henry Shore When our ancestors found that wheat Was a good bread to eat They settled in Jericho. All of us are settled now, But in our souls there is a great woe: We don’t know where to go. I am settled in a fine place I own a house, I live in grace, I have a patio But late at night when the wind laments And the garden shivers—my soul is rent: I don’t know where to go. One day when I say good-bye To life and wife, and die and fly Somewhere in a great flow I shall be free to roam again I’ll try to find but try in vain Where to go, where to go.

Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation's Freight Handler; Stormy, husky, brawling, City of the Big Shoulders: They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again. And they tell me you are brutal and my reply is: On the faces of women and children I have seen the marks of wanton hunger. And having answered so I turn once more to those who sneer at this my city, and I give them back the sneer and say to them: Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, Bareheaded, Shoveling, Wrecking, Planning, Building, breaking, rebuilding, Under the smoke, dust all over his mouth, laughing with white teeth, Under the terrible burden of destiny laughing as a young man laughs, Laughing even as an ignorant fighter laughs who has never lost a battle, Bragging and laughing that under his wrist is the pulse, and under his ribs the heart of the people, Laughing! Laughing the stormy, husky, brawling laughter of Youth, half-naked, sweating, proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.

Lines The lightning struck him and left a scar. The wind stopped blowing and the wheat stood up. Self-tensed self, who is this I that says I ? I had a scar in the shape of  lightning That split in half when I opened my mouth. The sun  just a circle of  heat in the sky Throwing absence in the shape of clouds Down on the field. Another life placed In the middle of  the life I called my own. A lesser god commanded the front: return. A little god knocked about in the germ. The third person put me outside my own sphere. A small god chanting lightning in the synapse. Wind blows the wheat down. He calls it prayer.