“
What kills a relationship between two people is precisely the lack of challenge, the feeling that nothing is new anymore. We need to continue to be a surprise for each other.
”
”
Paulo Coelho (Adultery)
“
Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.
”
”
Miranda July (No One Belongs Here More Than You)
“
And what if you try to kill me? Or worse: to kiss me?
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
I had a dream about you. We installed Dr. Robert Jarvik’s artificial heart in a mannequin and brought it to life, only to later kill it because a creature that’s all fake heart and no brain is what’s commonly called a “politician,” and must be destroyed.
”
”
Dark Jar Tin Zoo (I Had a Dream About You)
“
Sometimes it's exhausting for me to simply walk into the house. I try and calm myself, remember that I've lived alone before. Sleeping by myself didn't kill me then and will not kill me now. But this what loss has taught me of love. Our house isn't simply empty, our home has been emptied. Love makes a place in your life, it makes a place for itself in your bed. Invisibly, it makes a place in your body, rerouting all your blood vessels, throbbing right alongside your heart. When it's gone, nothing is whole again.
”
”
Tayari Jones (An American Marriage)
“
I am replete with stamina in finding out every single fact I can about this whole affair.
Yet, I think, do I want to pull that thread? Do I want to unleash the truth, unravel deceit, and kill reality as I´ve known it? It is irreparable, if I do, from the moment we met until now. It is long. If I discover too much that is false about what I thought my past was, Time will be skewed even further. I already have a poor connection with the present. Example: I have no sense of what day it is. It´s better.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
What makes us threaten the things we want most?
”
”
Jim Shepard (My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales)
“
The confusion of love with abuse is what allows abusers who kill their partners to make the absurd claim that they were driven by the depths of their loving feelings. The news media regrettably often accept the aggressors’ view of these acts, describing them as “crimes of passion.” But what could more thoroughly prove that a man did not love his partner? If a mother were to kill one of her children, would we ever accept the claim that she did it because she was overwhelmed by how much she cared? Not for an instant. Nor should we. Genuine love means respecting the humanity of the other person, wanting what is best for him or her, and supporting the other person’s self-esteem and independence. This kind of love is incompatible with abuse and coercion.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
The clerk is looking at me. His expression hasn't changed. What I want to do is punch a hole in the front of the desk, reach through, grab his balls, and make him sing The Mickey Mouse Club song. But these days, I'm working on the theory that killing everyone I don't like might be counterproductive. I'm learning to use my indoor voice like a big boy, so I smile back at the clerk.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
In the language of Ecclesiastes, are there situations in business or in life where you are trying to birth things that should be dying? Trying to heal something that should be killed off? Laughing at something that you should be weeping about? Embracing something (or someone) you should shun? Searching for an answer for something when it is time to give up? Continuing to try to love something or someone when it is time to talk about what you hate?
”
”
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
“
But have you noticed the slight curl at the end of Sam II's mouth, when he looks at you? It means that he didn't want you to name him Sam II, for one thing, and for two other things it means that he has a sawed-off in his left pants leg, and a baling hook in his right pants leg, and is ready to kill you with either of them, given the opportunity. The father is taken aback. What he usually says, in such a confrontation, is "I changed your diapers for you, little snot." This is not the right thing to say. First, it is not true (mothers change nine diapers out of ten), and second it reminds Sam II of what he is mad about. He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it, he is insane because when he loved you, you didn't notice.
”
”
Donald Barthelme (The Dead Father)
“
Early in life I have noticed that no event is ever correctly reported in a newspaper, but in Spain, for the first time, I saw newspaper reports which did not bear any relation to the facts, not even the relationship which is implied in an ordinary lie. I saw great battles reported where there had been no fighting, and complete silence where hundreds of men had been killed. I saw troops who had fought bravely denounced as cowards and traitors, and others who had never seen a shot fired hailed as heroes of imaginary victories; and I saw newspapers in London retailing these lies and eager intellectuals building emotional superstructures over events that never happened. I saw, in fact, history being written not in terms of what happened but of what ought to have happened according to various “party lines.
”
”
George Orwell (Homage to Catalonia)
“
The inconsistencies that haunt our relationships with animals also result from the quirks of human cognition. We like to think of ourselves as the rational species. But research in cognitive psychology and behavioral economics shows that our thinking and behavior are often completely illogical. In one study, for example, groups of people were independently asked how much they would give to prevent waterfowl from being killed in polluted oil ponds. On average, the subjects said they would pay $80 to save 2,000 birds, $78 to save 20,000 birds, and $88 to save 200,000 birds. Sometimes animals act more logically than people do; a recent study found that when picking a new home, the decisions of ant colonies were more rational than those of human house-hunters.
What is it about human psychology that makes it so difficult for us to think consistently about animals? The paradoxes that plague our interactions with other species are due to the fact that much of our thinking is a mire of instinct, learning, language, culture, intuition, and our reliance on mental shortcuts.
”
”
Hal Herzog (Some We Love, Some We Hate, Some We Eat: Why It's So Hard to Think Straight About Animals)
“
The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man.
”
”
Walker Percy (The Moviegoer)
“
Cold flu looks nothing in front of cancer...complications in our personal life is like a flu and killing people on name of God or borders or countries is cancer...you can help this planet...there are ways...willingness is an action
We are one...the only difference is ...few are awake, few are ready to wake up and few are just ignorant and time is coming when there will be no choice for those who is ignorant because of suffering and pain ....
Bigger EGO is always drawn to Bigger Ego so many times Bigger ego ignores the important message being delivered by not a famous person.
Love heals...Love not from mind...deep from heart....Mind brings games and play around with relationships...Something sacred deep from heart....L ♥ V E...Unconditional...No business of give and take....unconditional giving....
Don't be afraid and run away from loneliness and start seeking securities....Try to enjoy every part of it and then you will see ...Loneliness turned into something which we never want to loose....investigate your feeling when you feel lonely
We always want something in return...we have made LOVE a business...I did it too in the past that's why I know it...this is the reason that we should change...you change, I change....everyone should think again on the way of living life and thinking and specially who thinks they know what life is.
2 births in the same life....physical and spiritual....you break the bondage (psychologically) with physical attributes of life ( detached state of mind) and try to find real "maksad" (purpose) of your existence as Being not Doing
If you want to enjoy your relationship with your special one then please keep these tools handy:1) Patience2) Trust3) Freedom4) Honesty5) Respect
we are all stars... twinkling with love and when there is love then there is no conflict
4 letters L ♥ V E ..imagine these letters on your hand and try to feel the deep meaning and power of these letters...feel the love you have for this life...start from there and spread love to everyone you see or meet...LOVE
”
”
Neeraj Sabharwal
“
...as if, one lover gone, I was opening up for an immediate replacement. Smack habit, love habit - what's the difference? They can both kill you. For the bus journey I fell in love with a woman who smiled at me. The motion of the bus made her thick mop of fair curls tremble. We talked about desperados.
'I am fatally attracted to them', I said. 'In fact, I probably am one'.
”
”
Helen Garner (Monkey Grip)
“
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths.
As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be.
It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting.
One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower.
And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on.
So it goes.
And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment.
Rome passed into the past, and became New York.
Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love.
("For The Rest Of Her Life")
”
”
Cornell Woolrich (Angels of Darkness)
“
I belong to a culture that includes Proust, Henry James, Tchaikovsky, Cole Porter, Plato, Socrates, Aristotle, Alexander the Great, Michelangelo, Leonardo da Vinci, Christopher Marlowe, Walt Whitman, Herman Melville, Tennessee Williams, Byron, E.M. Forster, Lorca, Auden, Francis Bacon, James Baldwin, Harry Stack Sullivan, John Maynard Keynes, Dag Hammarskjold… These are not invisible men. Poor Bruce. Poor frightened Bruce. Once upon a time you wanted to be a soldier.
Bruce, did you know that an openly gay Englishman was as responsible as any man for winning the Second World War? His name was Alan Turing and he cracked the Germans' Enigma code so the Allies knew in advance what the Nazis were going to do — and when the war was over he committed suicide he was so hounded for being gay. Why don't they teach any of this in the schools? If they did, maybe he wouldn't have killed himself and maybe you wouldn't be so terrified of who you are. The only way we'll have real pride is when we demand recognition of a culture that isn't just sexual. It's all there—all through history we've been there; but we have to claim it, and identify who was in it, and articulate what's in our minds and hearts and all our creative contributions to this earth. And until we do that, and until we organize ourselves block by neighborhood by city by state into a united visible community that fights back, we're doomed. That's how I want to be defined: as one of the men who fought the war.
”
”
Larry Kramer (The Normal Heart)
“
At this point we can finally see what's really at stake in our peculiar habit of defining ourselves simultaneously as master and slave, reduplicating the most brutal aspects of the ancient household in our very concept of ourselves, as masters of our freedoms, or as owners of our very selves. It is the only way that we can imagine ourselves as completely isolated beings. There is a direct line from the new Roman conception of liberty – not as the ability to form mutual relationships with others, but as the kind of absolute power of "use and abuse" over the conquered chattel who make up the bulk of a wealthy Roman man's household – to the strange fantasies of liberal philosophers like Hobbes, Locke, and Smith, about the origins of human society in some collection of thirty- or forty-year-old males who seem to have sprung from the earth fully formed, then have to decide whether to kill each other or begin to swap beaver pelts.
”
”
David Graeber (Debt: The First 5,000 Years)
“
Leteo will make me forget my relationship with Collin. My insides can stop burning me alive with how much I miss him. I won’t ever get jumped on the train again for liking another guy. My friends will stop being suspicious of what I’m doing when I’m not hanging with them. We’re going to kill that part of me that’s ruined everything. I’m going to be straight, just like how my father would’ve wanted.
”
”
Adam Silvera (More Happy Than Not)
“
Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man.
”
”
Walker Percy
“
Whatever answers faith gives, regardless of which faith, or to whom the answers are given, such answers always give an infinite meaning to the finite existence of man; a meaning that is not destroyed by suffering, deprivation or death. This means that only in faith can we find the meaning and possibility of life. I realized that the essential meaning of faith lies not only in the ‘manifestations of things unseen’, and so on, or in revelation (this is only a description of one of the signs of faith); nor is it simply the relationship between man and God (it is necessary to define faith, then God, and not God through faith); nor is it an agreement with what one has been told, although this is what faith is commonly understood to be. Faith is a knowledge of the meaning of human life, the consequence of which is that man does not kill himself but lives. Faith is the force of life. If a man lives, then he must believe in something. If he did not believe that there was something he must live for he would not live. If he does not see and comprehend the illusion of the finite he will believe in the finite. If he does understand the illusion of the finite, he is bound to believe in the infinite. Without faith it is impossible to live.
”
”
Leo Tolstoy (A Confession and Other Religious Writings)
“
If the whole world seems like it's against you, it helps to know that you've still got home. A safe place. It just takes one person—a teacher, a friend, a parent. If I didn't have you and Dad, if you hadn't made it so clear you loved me as much as you did, or if you'd said, 'yeah, why don't you do it, and put yourself out of our misery, just shut up,' I would have killed myself. I really would have. I spent most of those days wishing I were dead anyway, and what always stopped me was the fact that doing so would destroy the lives of the only people who ever cared about me.
”
”
Nenia Campbell (Freaky Freshman)
“
What are the rules- how long should you stay in a relationship with someone whom you don't think is quite The One? Even if you know there are things you like about them (and things that infuriate you about them), how long should you give it? Is it better to be single and waiting patiently for Mr Right, or to stay with someone because they make you laugh, because you're having fun with them, and you're still young? And anyway, aren't all relationships basically killing time until something better comes along?
”
”
Lorelei Mathias (Step on it, Cupid)
“
We do not eliminate transference; we decant it. We do not kill it as David killed Goliath. We wrestle with it respectfully as did Jacob with the angel, until it yields its blessing. The blessing is the revelation of what we missed or lost and the grace to grieve it rather than transfer it. We feel a momentum to mourn all those who did not make time for us, to let go of their importance to us, to go on with life no longer determined or unduly influenced by what others choose to do. We then find satisfying sources of need-fulfillment in ourselves and in other humans who can be there for us most of the time and not there sometimes. And in a yes to that, we have all we need.
”
”
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
“
The greatest thing I learned while taking classes at Second City was the very first thing they taught: 'Yes, and...'. In improv, you keep scenes alive but accepting whatever you are given and then adding to it or amplifying it. There is no space on stage for 'No,' 'I'm sorry, you're mistaken,' or 'Yes, but...'. Those transitions kill energy, set up interpersonal conflict, engage the ego in a defensive posture, and stymie the flow of conversation onstage.
”
”
Jason Seiden (How to Self-Destruct: Making the Least of What's Left of Your Career)
“
An imaginary circle of empathy is drawn by each person. It circumscribes the person at some distance, and corresponds to those things in the world that deserve empathy. I like the term "empathy" because it has spiritual overtones. A term like "sympathy" or "allegiance" might be more precise, but I want the chosen term to be slightly mystical, to suggest that we might not be able to fully understand what goes on between us and others, that we should leave open the possibility that the relationship can't be represented in a digital database.
If someone falls within your circle of empathy, you wouldn't want to see him or her killed. Something that is clearly outside the circle is fair game. For instance, most people would place all other people within the circle, but most of us are willing to see bacteria killed when we brush our
teeth, and certainly don't worry when we see an inanimate rock tossed aside to keep a trail clear.
The tricky part is that some entities reside close to the edge of the circle. The deepest controversies often involve whether something or someone should lie just inside or just outside the circle. For instance, the idea of slavery depends on the placement of the slave outside the circle, to make some people nonhuman. Widening the circle to include all people and end slavery has been one of the epic strands of the human story - and it isn't quite over yet.
A great many other controversies fit well in the model. The fight over abortion asks whether a fetus or embryo should be in the circle or not, and the animal rights debate asks the same about animals.
When you change the contents of your circle, you change your conception of yourself. The center of the circle shifts as its perimeter is changed. The liberal impulse is to expand the circle, while conservatives tend to want to restrain or even contract the circle.
Empathy Inflation and Metaphysical Ambiguity
Are there any legitimate reasons not to expand the circle as much as possible?
There are.
To expand the circle indefinitely can lead to oppression, because the rights of potential entities (as perceived by only some people) can conflict with the rights of indisputably real people. An obvious example of this is found in the abortion debate. If outlawing abortions did not involve commandeering control of the bodies of other people (pregnant women, in this case), then there wouldn't be much controversy. We would find an easy accommodation.
Empathy inflation can also lead to the lesser, but still substantial, evils of incompetence, trivialization, dishonesty, and narcissism. You cannot live, for example, without killing bacteria. Wouldn't you be projecting your own fantasies on single-cell organisms that would be indifferent to them at best? Doesn't it really become about you instead of the cause at that point?
”
”
Jaron Lanier (You Are Not a Gadget)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
Human connection is based on trust, and it is trust that is continually violated when people do not practice setting aside their narrow self-interests in consideration of the needs and interests of others, such as their coworkers, family, neighbours, and community.
”
”
Diane Kalen-Sukra (Save Your City: How Toxic Culture Kills Community & What to Do About It)
“
You are not my business partner,' Nephenia told Ishak. 'You're my familiar. It's an ancient and time-honoured pairing of two souls, not some shallow business transaction.'
The hyena yapped at her for several seconds, then Nephenia punched me in the arm. 'Ow! What was that for?'
'For letting your squirrel cat introduce these ruinous ideas into my familiar's head about "partnerships" and "equitable relationships". Do you realise Ishak's now telling me he wants us to work out a formal contract?'
'Wait until she hears about the clause on freshly killed meat,' Reichis whispered into my ear.
”
”
Sebastien de Castell (Charmcaster (Spellslinger, #3))
“
For such a patient it would probably be a complete non sequitur to attempt to kill his self, by cutting his throat, since his self and his throat may be felt to bear only a tenuous and remote relationship to each other, sufficiently remote for what happens to the one to have little bearing on the other.
”
”
R.D. Laing (The Divided Self: An Existential Study in Sanity and Madness)
“
LONG, long before Mrs. Lewis cooked for the Burbanks, a tree fell on Mr. Lewis in the woods and killed him in his “prime.” Mrs. Lewis hoped to be one with him again in what she called their eternal home, but the suspended relationship left her with a mixed bag of acid sayings, bitter observations and chilly maxims.
”
”
Thomas Savage (The Power of the Dog)
“
What is a fact even?
James rolls his eyes. What do you mean what’s a fact? A fact is a fact. Facts are real. Proven. Objective.
[…]
I say Facts are fallacies, created and curated by authority figures w/agendas and I say, Facts are used to subjugate, intimidate, enslave, and kill entire “races” of ppl reproductive rights etc I say, so yeah I have a complicated relationship with facts and pretty much everything. The only thing objective abt facts is yr blind allegiance to them. James.
”
”
Tommy Pico (Nature Poem)
“
A large part of carrying the Word of God to full term in your life is surrounding yourself with the right kind of support. Too often within your relationship constellation you are exposed to people who have what I call an “abortive spirit”—they have a way of killing your vision, destroying your passion, undermining your sense of direction and identity,
”
”
Cindy Trimm (PUSH: Persevere Until Success Happens Through Prayer)
“
In other words,” I explained, “to understand the relationship between A and B you might need C, a third point of view. What we call ‘triangulation.’
”
”
Haruki Murakami (Killing Commendatore)
“
Baby, I love you like a lion loves his kill.” Surely, a less romantic description of marriage has never been written.
”
”
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
“
Failed expectations ruin marriages and kills love in the process. You and your partner deserve to know what you’re both getting into… and knowing now is better than later. .
”
”
Eeva Lancaster (You're Getting Married Soon... Now What?)
“
Violence, he says, is not a “relationship problem. It is a problem of [a woman’s] partner’s commitment to violence.
”
”
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
“
The blade of loving you
is what will kill me in the end.
”
”
Melody Lee (Moon Gypsy)
“
Really, we're fighting because she raised me to never forget I was born on parole, which means no black hoodies in wrong neighborhoods, no jogging at night, hands in plain sight at all times in public, no intimate relationships with white women, never driving over the speed limit or doing those rolling stops at stop signs, always speaking the King's English in the presence of white folks, never being outperformed in school or in public by white students, and, most importantly, always remembering that no matter what, the worst of white folks will do anything to get you.
”
”
Kiese Laymon (How to Slowly Kill Yourself and Others in America)
“
you look your woman in the eye and kill her by telling her the truth or you turn away and let her see what she wants. i try not to shake too much when i turn the lights out and the sobbing begins
”
”
Scott C. Holstad (Big Head Press Broadside Poem Collection)
“
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies.
I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony.
And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
What happens to Romeo and Juliet? They kill themselves so that we don't see them struggle with their lives. A relationship is an addition, not a solution. If you are broken and find the perfect person, you are now broken with the perfect person
”
”
Isis Leeor
“
Your False Self is who you think you are. Your thinking does not make it true. Your False Self is almost entirely a social construct to get you started on your life journey. It is a set of agreements between your childhood and your parents, your family, your neighbors, your school chums, your partner or spouse, and your religion. It is your “container” for your separate self. 4 Jesus would call it your “wineskin,” which he points out usually cannot hold any new wine (Mark 2: 21–22). Your ego container likes to stay “contained” and hates change. Your False Self is how you define yourself outside of love, relationship, or divine union. After you have spent many years laboriously building this separate self, with all its labels and preoccupations, you are very attached to it. And why wouldn’t you be? It’s what you know and all you know. To move beyond it will always feel like losing or dying. Perhaps you have noticed that master teachers like Jesus and the Buddha, St. Francis, all the “Teresas” (Avila, Lisieux, and Calcutta), Hafiz, Kabir, and Rumi talk about dying much more than we are comfortable with. They all know that if you do not learn the art of dying and letting go early, you will hold onto your False Self far too long, until it kills you anyway.
”
”
Richard Rohr (Immortal Diamond: The search for our true self)
“
Interestingly, when you practice feeling gratitude toward your partner, you start to notice more positive aspects of both the person and the relationship.[10] In this way, gratitude counteracts unrealistic expectations and can strengthen loving feelings toward them.
”
”
Madeleine Castellanos (Wanting to Want: What Kills Your Sex Life and How to Keep It Alive)
“
I don't have children. I can't say I'd feel the same way if one of them was killed. And I don't have the answers-believe me, if I did, I'd be a lot richer-but you know, I'm starting to think that's okay. Maybe instead of looking for answers, we ought to be asking some questions instead. Like: What's the lesson we're teaching here? What if it's different every time? What if justice isn't equal to due process? Because at the end of the day, this is what we're left with: a victim, who's become a file to be dealt with, instead of a little girls, or a husband. An inmate who doesn't want to know the name of a correctional officer's child because that makes the relationship too personal. A warden who carries out executions even if he doesn't think they should happen in principle. And and ACLU lawyer who's suppose to go to the office, close the case, and move on. What we're left with is death, with the humanity removed from it." I hesitated a moment. "So you tell me...did this execution really make you feel safer? Did it bring us all together? Or did it drive us further apart?
”
”
Jodi Picoult
“
Human beings divide the world into mine and yours. We create borders. Include what we like and exclude what we do not like. Thus a rift occurs in relationships. Gandhari is jealous of Kunti, Kunti of Madri, Arjuna of Karna, Duryodhana of Bhima. That is why Yayati favors Puru over Yadu. That is why Satyabhama quarrels with Rukmini. But for Shyam, there are no boundaries. No mine and yours. This no hero or villain. No predator or prey. No them or us. He sides with both killer and killed. For him, in wisdom, everyone is family. Vasudhaiva Kutumbakam.
”
”
Devdutt Pattanaik (Shyam: An Illustrated Retelling of the Bhagavata)
“
The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it was not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Wells in the doorway in the Third Man.
”
”
Walker Percy (The Moviegoer)
“
Campbell’s slideshow lists grim domestic violence statistic after statistic: second leading cause of death for African American women, third leading cause of death for native women, seventh leading cause of death for Caucasian women. Campbell says twelve hundred abused women are killed every year in the United States.1 That figure does not count children. And it does not count the abusers who kill themselves after killing their partners, murder-suicides we see daily in the newspaper. And it does not count same-sex relationships where one or the other partner might not be “out.” And it does not count other family members, like sisters, aunts, grandmothers, who are often killed alongside the primary victim. And it does not count innocent bystanders: the twenty-six churchgoers in Texas, say, after a son-in-law has gone to a service to target his mother-in-law, or the two spa employees in Wisconsin killed alongside their client by her ex. The list is endless. And it does not count the jurisdictions who do not report their homicides, since homicide reporting is voluntary through the FBI’s Supplemental Homicide Reporting Data. So how many people are killed as a result of domestic violence each year? The bystanders, the other family members, the perpetrators’ suicides? The victims who just can’t take it anymore and kill themselves? The accidents that turn out not to be accidents at all, victims pushed out of cars and from cliffs or driven into trees. Tragedies forever uncategorized.
”
”
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
“
Given that the historically most violent regions of the UK had virtually no
black population at all and given that working-class youth gangs stabbing and
shooting people had existed in Britain for well over a century - who do you
think the gangs attacking our grandparents when they arrived were? - you can
imagine my shock when I discovered that there was, in the UK, such a thing as
‘black-on-black’ violence. None of what occurred in Northern Ireland had ever
been referred to as ‘white-on-white’ crime, nor Glasgow, nor either world war,
the Seven Years War, the Napoleonic Wars, nor any conflict or incident of
murder, however gruesome, between humans racialised as white. Despite
hundreds of millions of ‘white’ people killing each other throughout European
history, witch hunts, mass rapes, hangings, torture and sexual abuse, and despite
the fact that the two most violent regions of Britain in the 1990s were almost
entirely white, there was no such thing as white-on-white violence.
Yet apparently working-class black Londoners had imported from America a
rap-induced mystery nigger gene (similar to the slave sprint one?) that caused
black people to kill not for all of the complex reasons that other humans kill, but
simply because they are ‘black’, and sometimes because they listened to too
much rap, grime or dancehall. This is, after all, what the phrase ‘black-on-black
crime’ is designed to suggest, is it not? That black people are not like the rest of
humanity, and that they do not kill as a complex result of political, historical,
economic, cultural, religious and psychological factors, they kill simply because
of their skin: their excessive melanin syndrome. The fact that yellow-on-yellow
crime, mixed race-on-mixed race crime or white-on-white violence just sound
like joke terms but black on black violence has ‘credibility’ speaks very loudly
about the perceived relationship between blackness and depravity in this culture.
”
”
Akala (Natives: Race and Class in the Ruins of Empire)
“
Remember those cocaine addicts whose dopamine receptors (the tiny hands that grab neurochemicals) decreased after repeated drug use? Cocaine blasts the reward circuitry so that it pumps out massive amounts of exciting dopamine. This accounts for the high. Then two things happen simultaneously. First, the high begins to fade as the brain disposes of the extra dopamine. Second, because so much excess dopamine can damage or kill nerve cells, the cells protect themselves by reducing the number of dopamine receptors (little “hands”) on their surfaces. If a thunderstorm rolls in, you close all the windows and wait for it to pass. That’s what the cells do, except they assume that another storm is on the way, and stay closed up for a while. The addict has lowered her sensitivity to dopamine—a substance that helped give her the high. Now our addict feels rotten. She has two choices: Take more cocaine to jack up her mood artificially by saturating the remaining dopamine receptors, or suffer withdrawal symptoms. Withdrawal symptoms arise when the reward circuitry is starving for dopamine. Whether you have too few receptors for dopamine, or too little dopamine circulating around the nerve cells, you get the same result. Your reward circuitry batteries are low, leaving you with an acute desire to feel normal again.
”
”
Marnia Robinson (Cupid's Poisoned Arrow: From Habit to Harmony in Sexual Relationships)
“
Can two walk together, unless they are agreed?’
Amos 3:3
‘Does This Person Belong in your Life?’
A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?
”
”
Patience Johnson
“
The warning behind this reality is that if we make too much of marriage, we make too little of our relationship with God. And when we make too little of our relationship with God, we undercut our source of love, which makes success in marriage less likely. Focusing on marriage too much is, ironically enough, the best way to kill it.
”
”
Gary L. Thomas (The Sacred Search: What If It's Not about Who You Marry, But Why?)
“
The warning behind this reality is that if we make too much of marriage, we make too little of our relationship with God. And when we make too little of our relationship with God, we undercut our source of love, which makes success in marriage less likely. Focusing on marriage too much is, ironically enough, the best way to kill it. Men
”
”
Gary L. Thomas (The Sacred Search: What If It's Not about Who You Marry, But Why?)
“
So,” he began, after several minutes of silence, “how much did it kill you having to text me?”
I chuckled. “A lot. I was just glad I didn’t throw away the receipt – I didn’t fancy digging through bags of rubbish.”
Danny threw me another half-smile. “So you didn’t throw it out after all? I knew it!”
I rolled my eyes. “Your arrogance astounds me … could you be anymore conceited?”
“Could you be anymore attracted to me?” He quipped back.
I scoffed at him. “In your dreams! Do you really get girls like this?”
He quirked an eyebrow and flashed me that adorable crooked grin. “Many. Why – you jealous?”
“Hardly,” I shot back at him, “you’re not my type so don’t flatter yourself.”
He shrugged. “One hour with me turning on the charm and you’d be singing a different tune … trust me on that.”
I laughed. “You know there’s a fine line between being charming and being cocky … and you my friend, fall into the latter. And it’s not something to be proud of – it’s not an attractive quality.”
Danny smirked yet again. “Ouch. You really know how to insult a guy. Are you always this pleasant?”
“Are you always this obnoxious?” I retorted back.
“Ooh touché. You know – if I didn’t know any better – I’d almost mistake your frostiness for flirting.” He flashed me another half-smile and threw me a knowing look.
I rolled my eyes again. “Well you would, wouldn’t you Mr Overly-sure-of-himself?”
I watched as his confidence seemed to go into overdrive. “Say what you will, but I know you’re secretly charmed by me.”
I shrugged. “Whatever … just don’t be too disappointed when I don’t fall at your feet.”
He looked at me with a twinkle in his eye. “Well, try not to be too surprised when you do.”
I raised an eyebrow at him. “Don’t hold your breath.
”
”
Joanne McClean (Learning to Breathe (Breathing, #1))
“
Tell me what you’re looking for and i will become that for you. I can sacrifice my inner freedoms for you without looking twice at my old journals and solid promises I made to myself about such things. But you must be prepared to kill me when the smiles are no longer frequent. Do it while I sleep. While I hold your hand. Do it fast, baby. Do it fast.
”
”
Darnell Lamont Walker
“
Comparison is a trap. It will kill our joy. It will rob us of our peace. It makes us act foolish and stupid. It causes dissension and division in the body of Christ. It creates terrible tension in our relationships with others. So here’s what you need to focus on: Let God use you the way he sees fit to do so. Embrace what he is doing in and through your life.
”
”
Kurt W. Bubna (Epic Grace: Chronicles of a Recovering Idiot)
“
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.”
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back.
“As charming as you are, how can that be?” I say.
He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.”
Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask.
“Well, there was you,” the prince says. “When we were children.”
“Me?” I ask incredulously.
“You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.”
I cannot help snorting over the sheer absurdity of his statement.
He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women.
He cannot expect me to believe he had real feelings. “Stop with your games.”
“Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.”
“You do like cruel women,” I say.
“Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show.
I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words.
“That resulted in my accidentally killing a person she liked better than me.”
“Oh,” I say. “That is three levels of unfortunate.”
“Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.”
The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?”
“Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.”
“Surely,” I say, wondering if he was. Wondering if I wanted him to be.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Sometimes it seems to me that in this absurdly random life, there is some inherent justice in the outcome of personal relationships. In the long run, we get no more than we have been willing to risk giving. We get to keep no more than we earn by our own efforts. In a way, we each get what we deserve. Everyone is entitled to keep as much garbage as he is willing to put out or to put up with.
”
”
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him: The Pilgrimage of Psychotherapy Patients)
“
By God, don’t interrupt me! You’ll never be able to change what they say. You’ll never be able to stop them. The rumors will go on, and you can’t crush them, you can’t silence them. You can even kill a man, Justin, dozens of them, but the past will not change, and you’ll still be my son. Curse that fact if you wish, but you can’t change it. You’ll die trying… and that would break me as nothing else could, Justin.
”
”
Lisa Kleypas (When Strangers Marry (Vallerands, #1))
“
In our relationship, what is it that you like the most?’ Sita had asked Rama one day.
‘Protecting you like an eyelid protects the eye. If a thorn pierces your foot, I must pluck it out. I must, myself, kill the wild animals that approach you. The thought that I’m protecting you gives me greater pride and pleasure than sovereignty over Ayodhya,’ Rama had said.
‘I can protect myself. I can match you in archery,’ Sita had said, laughing. Rama’s face had fallen.
‘As long as I am alive, you will never have to protect yourself. Such a situation must never arise. You must look towards me for protection. You must turn to my strong arms for protection. If you take care of yourself, what am I for? Promise me that you will never do that.’
Sita had placed her hand in Rama’s.
Abduction. Waiting in Ashoka Vanam—Sita had no alternative.
”
”
Volga (The Liberation of Sita)
“
You know this has really affected my ability to trust myself. No matter what happened in my life, I was always able to trust myself. My instincts. Two men in a row carrying on indiscretions makes me feel like I made up some story. Almost like a fiction, I
wrote in my mind that had a beginning, middle and end. It feels like I manufactured some ideal life that was a made-up invention that I needed to believe was the truth.
”
”
Jacqueline Simon Gunn (Circle of Trust (Close Enough to Kill #2))
“
I’m possessive, and I get jealous. I know that. I accept it. I own up to it. I would be picturing thisimaginary person I love having s-e-x,” I whispered the word just in case, “with whoever he’s been in a relationship with, and I’d want to stab each one of those girls. But not everyone is like that. That’s part of the reason why I don’t have a boyfriend. I know I’m crazy. I already feel sorry for whatever poor bastard ends up with me some day, but he’ll know what he’s getting into. I don’t hide it.”
Trip shook his head, grinning wide. “You said it. You’re fuckin’ nuts.”
What was I going to do? Deny it?
“Diana, I hate to tell you, I don’t know anybody like that.”
I frowned. “That’s okay. I’m sure there’s some nice, divorced Catholic boy out there somewhere in the world, who waited to lose it until he got married and now he’s waiting again for the right girl.”
“Doubt it.”
I gave Trip a face before checking on the steaks again. “Quit killing my dreams.”
“I’m just keepin’ it real for you, honey.”
“Okay, maybe if he’s really nice to me and good to me, and I’m the love of his life, and he writes me sweet notes on a regular basis telling me that I’m the light of his life and he can’t live without me, I’ll give him ten women tops. Tops.” I let out a breath. “I’m getting mad just thinking about it.
”
”
Mariana Zapata (Wait for It)
“
I was on the first one when I felt his fingers encircle my wrist. “Sophie, come on. I don’t want to fight with you.”
Turning, I opened my mouth to say I didn’t want to fight with him either. But before I could, I saw the telltale flash out of the corner of my eye, and the next thing I knew, my arm was jerking out of his grasp. “If you don’t want to fight with her, maybe you shouldn’t suggest she team up with people who want to kill her,” my voice snarled.
Archer backed up so fast he nearly stumbled, and I wasn’t sure I’d ever seen him look so freaked out. But he recovered quickly. “Elodie, if I wanted to talk to you, I’d do a séance or something. Maybe go on an episode of Ghost Hunters. But right now, I want to talk to Sophie. So clear out.”
Elodie had no intention of doing that. “You always were a crappy boyfriend,” she said. “Once you left, I chalked that up to you, you know, not actually liking me. But unless I’m blind as well as dead, you really like Sophie. In fact, hard as it is for me to fathom, I think you love her.”
Shut up, shut up, shut up!
Screw that, she retorted. You two spend all your time making stupid jokes and being all witty. Someone has to get real.
“What’s your point?” Archer asked, narrowing his eyes at me. Her. Whatever. God, this was getting confusing.
“Cal loves her, too, you know. And the last time I checked, he wasn’t part of a cult of monster killers. I’m just saying that if you’re going have loyalties that divided, maybe it’s time to bow out gracefully.”
You couldn’t say Elodie didn’t know how to make a dramatic exit. The next thing I knew, I was pitching forward into Archer’s arms, my head swimming.
Archer clutched my waist and then abruptly shoved me at arm’s length. “Sophie?” he asked, looking intently into my eyes.
“Yeah,” I said, my voice shaking. “I’m back.”
His fingers loosened, becoming more of a caress than a grip. “So you can’t control when she swoops in like that? She can just take you over…whenever?”
I tried to laugh, but it came out more of a cough. “You know Elodie. I don’t think anyone has ever controlled her.”
Frowning, Archer pulled his hands back and shoved them in his pockets. “Well, that’s awesome.”
I grabbed the railing to steady myself. “Archer…that stuff she said. You know it’s not true.”
He shrugged and moved past me onto the steps. “Saying the most hateful things possible is like Elodie’s superpower. Don’t worry about it.” He paused and looked over his shoulder. “We should probably go tell Jenna what we found down here.”
Oh, right. We’d just unearthed a whole bunch of demons. That probably trumped over relationship issues. Another few seconds passed. “Come on, Mercer,” Archer said, holding his hand out to me.
This time, I took it.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Sometimes your gaze alone scares me. Sometimes I've never seen you before. I no longer know what you're doing here, in this popular seaside resort, in this dull, crowded season, where you are even more alone than in your regional capital.
The better to kill you, perhaps, or to drive you away, I don't know. I sometimes manage to feel I've never seen you before. That I don't know you, to the point of horror. That I have no idea why you're here, what you want from me, or what will become of you. Becoming is the only subject we never, ever broach.
You must not know what you're doing here either, with this woman who is already old, mad with writing.
Maybe this is just normal, maybe it's the same all over; it's nothing, you came simply because you were desperate, as you are every day of your life. And also during certain summers at certain times of day or night when the sun quits the sky and slips into the sea, every evening, always, you cannot help wanting to die. This I know.
I see the two of us lost in similar natures. I can sometimes be overwhelmed by tenderness for the kind of people we are. Unstable, they say, a bit nutty. 'People who never go to the movies, or the theater, or parties.' Leftists are like that, you know, they have no clue how to enjoy life. Cannes makes them sick and so do the grand hotels of Morocco. Movies and theaters, it's all the same.
”
”
Marguerite Duras (Yann Andrea Steiner)
“
The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card.
No single detail was quite right, but much as something might appear similar if one were to unfocus their vision…
The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers.
No, he was burdened not just by the gas containers, but by some notion of responsibility.
A man, when facing death, aspires to finish what he started.
What had the custodian of the Thorburn estate started? What drove him?
She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply.
The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful.
It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed.
This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world.
The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground.
He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either.
What was he wrought with? That was another question that begged an answer.
”
”
Wildbow (Pact)
“
Understand something people, we will be hated by many in the name of Christ, ridiculed, mocked, stoned, slaughtered. We will be fined, jailed and killed for our love for Christ. You are supposed to see better with your eyes today, how close this is happening, just prepare your heart and soul to be braver than Peter and not deny Christ in the moment your life might be in jeopardy for Him and what you believe. Apostle Pauls says to live is Christ to die is gain.
”
”
Patience Johnson (Why Does an Orderly God Allow Disorder)
“
1) The woman has intuitive feelings that she is at risk. 2) At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3) He resolves conflict with intimidation, bullying, and violence. 4) He is verbally abusive. 5) He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6) He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7) He has battered in prior relationships. 8) He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9) He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10) His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11) There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12) He uses money to control the activities, purchase, and behavior of his wife/partner. 13) He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14) He refuses to accept rejection. 15) He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16) He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17) He minimizes incidents of abuse. 18) He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19) He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20) He has inappropriately surveilled or followed his wife/partner. 21) He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22) He resists change and is described as inflexible, unwilling to compromise. 23) He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24) He suffers mood swings or is sullen, angry, or depressed. 25) He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26) He refers to weapons as instruments of power, control, or revenge. 27) Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28) He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29) He experienced or witnessed violence as a child. 30) His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
”
”
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
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The Soviets, at least some of them, believed in what they were doing. After all, they did it themselves and recorded what they did, in clear language, in official documents, filed in orderly archives. They could associate themselves with their deeds, because true responsibility rested with the communist party. The Nazis used grand phrases of racial superiority, and Himmler spoke of the moral sublimity involved in killing others for the sake of the race. But when the time came, Germans acted without plans and without precision, and with no sense of responsibility. In the Nazi worldview, what happened was simply what happened, the stronger should win; but nothing was certain, and certainly not the relationship between past, present and future. The Soviets believed that History was on their side and acted accordingly. The Nazis were afraid of everything except the disorder they themselves created. The systems and the mentalities were different, profoundly and interestingly so.
”
”
Timothy Snyder (Black Earth: The Holocaust as History and Warning)
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The decision to create a book trailer is entirely up to you. I can remember when "video killed the radio star" on MTV and how excited I was with some music videos (the ones that lived up to or exceeded my imagined vision of the song) and the ones I disliked so much, I even stopped listening to the song (the imagery just ruined it for me!) Some people argue that in a visual landscape, a book trailer is a must, while others stand firm that books should be read and not seen; unless of course it gets made into a screenplay and then a film. The most practical advice is to trust your instinct. You know what you want to say with your book and if it aligns congruently with your brand, then for a non-fiction book it may be a strategic move. On the other hand, it may come off as too "salesy" and go in the opposite direction. As you can see, I still have a love / hate relationship with matching someone else's images to my own imagination. No matter what you decide, remember to keep it aligned with your brand.
”
”
Kytka Hilmar-Jezek (Book Power: A Platform for Writing, Branding, Positioning & Publishing)
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I began to realize it in Spain--that I wasn't free, that I couldn't be free until I was attached--no, committed--to someone."
"To someone? Not something?"
She was silent. "I don't know," she said at last, "but I'm beginning to think that women get attached to something really by default. They'd give it up, if they could, anytime, for a man. Of course they can't admit this, and neither can most of them let go of what they have. But I think it kills them--perhaps I only mean," she added, after a moment, "that it would have killed me.
”
”
James Baldwin (Giovanni’s Room)
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The point is, Nathan, nobody knows what tomorrow’s about to bring. You have to grab onto whatever little slice of happiness while you can, and you have to fucking live in it. If your relationship with Mel is truly over, yeah, you should absolutely let it go. Things die all the time, but killing them to stop them from dying is my idea of batshit crazy. So if you’re only ending this with her in case it might cause you more pain later on down the line, well then, for all your fancy degrees and your razor-sharp brain, you’re the biggest fucking fool I ever met.
”
”
Sadie Kincaid (Broken (Manhattan Ruthless, #1))
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What kind of life can two men have together, anyway? All this love you talk about--isn't it just that you want to be made to feel strong? You want to go out and be the big laborer and bring home the money, and you want me to stay here and wash the dishes and cook the food and clean this miserable closet of a room and kiss you when you come in through that door and lie with you at night and be your little girl. That's what you want. That's what you mean and that's all you mean when you say you love me. You say I want to kill you. What do you think you've been doing to me?
”
”
James Baldwin (Giovanni’s Room)
“
Whatever you did, and whoever you killed, and however you feel about it, you have to judge all of that in context. You were doing what you felt you had to do, and you were doing it for love.”
“The people I killed are just as dead.”
“Yes. It makes no difference to them why you did it. But it makes a difference to me and to you. What we’ve been through in the last couple of years has produced the relationship we have now, achieved love, maybe. Something we’ve earned, something we’ve paid for in effort and pain and maybe mistakes as well. I live with some.”
“I know,” I said.
“We aren’t who we were,” she said.
”
”
Robert B. Parker (Taming a Sea-Horse (Spenser, #13))
“
puppy. What strength of character, what a friend! Then he rushed to the door and barked as though I were being invaded. And if it hadn’t been for all that plastic he might have succeeded. I remember an old Arab in North Africa, a man whose hands had never felt water. He gave me mint tea in a glass so coated with use that it was opaque, but he handed me companionship, and the tea was wonderful because of it. And without any protection my teeth didn’t fall out, nor did running sores develop. I began to formulate a new law describing the relationship of protection to despondency. A sad soul can kill you quicker, far quicker, than a germ.
”
”
John Steinbeck (Travels With Charley: In Search of America)
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If there was a party, everyone in turn would come sit next to me to regale me with how he or sh thought I should live and what I deserved to have. What it boiled down to was that I should live like them. Elvire, one half of a tightly knit couple would forget that her husband was clinically depressed. Guillaume, married to a harpy, maintained that if one laid low and said amen to everything, things worked out. Maria, fed up to the teeth with her children, wanted me to have my own. Assia loved women but it was killing her mother. Patrizio had bruises on his shoulders from his chronically jealous wife. Not one of them could stand my singleness, because it could have been theirs.
”
”
Sophie Fontanel (The Art of Sleeping Alone: Why One French Woman Suddenly Gave Up Sex)
“
Going away isn't going to help as much as you think. The memory stays with you, and the stain. It's not something you slough off once you leave.
I have two things to say to that, he said. First, none of us can avoid being contaminated by the world's evils; it's all a matter of what attitude you take towards them. And second, you always talk about the effect of 'these people' on you. Have you ever thought about your effect on them? I looked at him with some skepticism. This relationship is not equal in both good and bad ways, he continued. They have the power to kill us or flog us, but all of this only reminds them of their weakness. They must be scared out of their wits to see what's happening to their own former comrades, and to their children.
”
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Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
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Your husband really wants you to be happy. When you’re happy, he feels successful as a husband and as a man. No matter how bad things are in the relationship, your husband’s desire to make you happy is alive and well. If it doesn’t seem like that right now, that’s because when you’re in conflict or a cold war, your husband’s need to defend himself will supersede his drive to please you. But as soon as he feels respected again, he’ll be looking for any chance to delight you. The more he knows about what will make you happy, the easier it will be for him to feel successful as a husband. That’s why it’s so important for you to know your desires and express them clearly. If your husband knows how to make you happy, he can do something about it—and then you’re both happy. That’s why it’s important to take your own happiness seriously. If mama’s not happy, nobody’s happy.
”
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Laura Doyle (First, Kill All the Marriage Counselors: Modern-Day Secrets to Being Desired, Cherished, and Adored for Life)
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Fine people on both sides? I was disgusted.
Here was the same man I’d gone on television to defend when I believed it was appropriate. While I hadn’t been a supporter at the start of his campaign, he’d eventually convinced me he could be an effective president. Trump had proved to be a disrupter of the status quo during the primary and general election. Especially when he began to talk about issues of concern to black Americans. Dems have taken your votes for granted! Black unemployment is the highest it’s ever been! Neighborhoods in Chicago are unsafe! All things I completely agreed with. But now he was saying, 'I’m going to change all that!' He mentioned it at every rally, even though he was getting shut down by the leaders of the African American community. And what amazed me most was that he was saying these things to white people and definitely not winning any points there either. I’d defended Trump on more than one occasion and truly believed he could make a tangible difference in the black community. (And still do.) I’d lost relationships with family members, friends, and women I had romantic interest in, all because I thought advocating for some of his positions had a higher purpose.
But now the president of the United States had just given a group whose sole purpose and history have been based on hate and the elimination of blacks and Jews moral equivalence with the genuine counterprotesters. My grandfather was born and raised in Helena, Arkansas, where the KKK sought to kill him and other family members. You can imagine this issue was very personal to me. In Chicago, the day before Trump’s press conference, my grandfather and I had had a long conversation about Charlottesville, and his words to me were fresh in my mind.
So, yeah, I was hurt. Angry. Frustrated. Sad.
”
”
Gianno Caldwell (Taken for Granted: How Conservatism Can Win Back the Americans That Liberalism Failed)
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This is a small book about a very important subject. A lot has been written about trust: about what it is and what it can do for people, families, companies, communities and countries. As an executive coach and consultant I often find myself engaged by companies where good work is being sabotaged by interpersonal conflict, political infighting, paralysis, stagnation, apathy, or cynicism. I almost always trace these problems to a breakdown in trust. It not only kills good work, it also inevitably creates some degree of misery, annoyance, fear, anger, frustration, resentment, and resignation. By contrast, in successful companies where people are innovative, engage in productive conflict and debate about ideas, and have fun working together, I find strong trusting relationships. As a result, I’ve come to believe having the trust of those you work with is too important not to be intentional about building and maintaining it.
”
”
Charles Feltman (The Thin Book of Trust; An Essential Primer for Building Trust at Work)
“
We often think the purpose of criticism is to nail things down. During my years as an art critic, I used to joke that museums love artists the way that taxidermists love deer, and something of that desire to secure, to stabilize, to render certain and definite the open-ended, nebulous, and adventurous work of artists is present in many who work in that confinement sometimes called the art world.
A similar kind of aggression against the slipperiness of the work and the ambiguities of the artist's intent and meaning often exists in literary criticism and academic scholarship, a desire to make certain what is uncertain, to know what is unknowable, to turn the flight across the sky into the roast upon the plate, to classify and contain. What escapes categorization can escape detection altogether.
There is a kind of counter-criticism that seeks to expand the work of art, by connecting it, opening up its meanings, inviting in the possibilities. A great work of criticism can liberate a work of art, to be seen fully, to remain alive, to engage in a conversation that will not ever end but will instead keep feeing the imagination. Not against interpretation, but against confinement, against the killing of the spirit. Such criticism is itself great art.
This is a kind of criticism that does not pit the critic against the text, does not seek authority. It seeks instead to travel with the work and its ideas, to invite it to blossom and invite others into a conversation that might have previously seemed impenetrable, to draw out relationships that might have been unseen and open doors that might have been locked. This is a kind of criticism that respects the essential mystery of art, which is in part its beauty and its pleasure, both of which are irreducible and subjective. The worst criticism seeks to have the last word and leave the rest of us in silence; the best opens up an exchange that need never end.
”
”
Rebecca Solnit (Men Explain Things to Me)
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By the 1920’s, the wolves had been all but eliminated from the continental United States, except for a small population in northern Minnesota and Michigan’s upper peninsula. It was a campaign unprecedented in its scope and thoroughness. One species almost completely whipped out another. The impetus for the killing was clear enough, but as Barry Lopez asked in “Of Wolves and Men”, his seminal meditation on the fraught relationship between the two species, why did the pogrom continue, even after the threat to the westerner’s way of life was essentially gone? Why did our ancestors feel they had to rout out every last wolf, and why were hunters still so eager to shoot them in the few places they remained?
There was hate, Lopez decided, but there was something else, too. Something more akin to envy. Here is an animal capable of killing a man, an animal of legendary endurance and spirit, an animal that embodies marvelous integration within its environment. This is exactly what the frustrated modern hunter would like, the noble qualities imagined, a sense of fitting into the world. The hunter wants to be the wolf.
”
”
Nate Blakeslee (American Wolf)
“
I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
I realized how often I made the mistake of thinking that fixing things was what the journey was all about. If I can only “find these donkeys,” solve the issue, and get past this problem, everything will work out. I’ll go back to my normal life in my little town in obscurity and live happily ever after. Maybe we all do this. We wander all over the figurative countryside trying to solve our donkey problems. Our financial setbacks. Our hurting marriages. Our parenting issues. Our soul-killing jobs. Rocky relationships. Ill health. Insecurities. Fears. Doubts. We begin to think we’re on a hopeless mission and there is no end in sight. We feel like we have failed. We think we are insignificant. We think God does not see or notice us. We become frustrated with the task. But what we don’t realize is that, even while we’re out there in the middle of Nowhereville like Saul was, God has already been at work. In fact, Nowhereville is just where we are supposed to be. I started to see that all of our donkey problems, our hard situations, are the very things God uses to get us to a place of encounter. A place where our hearts are made new. Like Saul, we’ve come to the end of everything we can think of to do, and we’ve given up. And then we give it one last chance, one more shot, and boom. That’s the moment God shows up. When we’re out of our comfort zones, have used up all of our resources, and are at the end of all hope. That’s exactly the place where He meets us.
”
”
Rachel Anne Ridge (Flash: The Homeless Donkey Who Taught Me about Life, Faith, and Second Chances (Flash the Donkey))
“
Tell me about your adventures, Abigail. Any diabolical new cases to investigate?”
“Yes, as a matter of fact—bones and bodies and everything. We’ll be leaving for Gad’s Valley tomorrow.”
“Isn’t that where that handsome young policeman of yours got stationed? What’s his name?”
I felt my cheeks flush, which made Jenny smile impishly. “Charlie is hardly my anything,” I said. “But yes, he’ll be involved. Not that there are enough flowers in the world to make that romance a reality.”
“You don’t need flowers, dear. You need confidence. Next time you see him, you should just go right up to him and plant a kiss on that boy’s pretty face.”
“Jenny!”
“Fortune favors the bold, Abigail!”
“Sure it does. The last time I was bold, I nearly got the man killed, and then he changed his name and moved a hundred miles away. That’s not exactly a strong start to a relationship.”
“You silly girl. Of course it is—he risked his life for you!”
“Oh, never mind about it, anyway. I’m not going to the valley looking for romance—there are more important matters at stake. I’m looking for a murderer.”
“You should definitely have kissed him right after the big fight.” Jenny smiled, willfully ignoring my protests. She let her gaze drift to the window. “My fiancé got in a fight over me, once. He lost terribly, the poor man—he never was much of a pugilist. He looked like an absolute mess afterward, with gauze wadded up in each nostril and one eye all swollen, but it was still just the sweetest thing. And the stupidest. I told him as much . . . right before I kissed him.” She turned her eyes meaningfully back to me. “Because that’s what you do.
”
”
William Ritter (Beastly Bones (Jackaby, #2))
“
1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’
2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’
3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘
4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’
5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’
6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form.
If you feel something deeply, you’re not ashamed to show your feeling.’
7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘
8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘
9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’
10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘
11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’
12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.
”
”
John Fowles
“
The front door is locked—what’s up with that?”
“Logan fixed the lock,” I tell her.
Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.”
She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl.
Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.”
“Hey, Tommy.”
Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.”
The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?”
One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal.
I grab my ten-thousand-pound messenger bag from the corner.
“I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow.
Tommy and Logan couldn’t have synced up better if they’d practiced:
“No fucking way.”
Marlow holds up her hands, palms out. “Did I say banger?”
“Huge banger,” Tommy corrects.
“No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.”
I toy with my necklace and say, “That actually sounds like a good idea.”
Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never.
“It’s a terrible idea.” Logan scowls.
He looks kinda scary when he scowls. But still hot. Possibly, hotter.
Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.”
Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.”
“No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.”
“We could board up the fucking doors and windows,” Logan suggests.
’Cause that’s not overkill or anything.
I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.”
Tommy’s eyes bulge. “Suck what?”
I laugh, shaking my head. Boys are stupid.
“You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.”
Neither of them seems particularly impressed.
“I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.”
I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall.
“It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?”
Everything.
Everything goes fucking wrong.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
The traditional reluctance in this country to confront the real nature of racism is once again illustrated by the manner in which the majority of American whites interpreted what the Kerner Commission had to say about white racism.
It seems that they have taken the Kerner Report as a call merely to examine their individual attitudes. The examination of individual attitudes is, of course, an indispensable requirement if the influence of racism is to be neutralized, but it is neither the only nor the basic requirement.
The Kerner Report took great pains to make a distinction between racist attitudes and racist behavior. In doing so, it was trying to point out that the fundamental problem lies in the racist behavior of American institutions toward Negroes, and that the behavior of these institutions is influenced more by overt racist actions of people than by their private attitudes. If so, then the basic requirement is for white Americans, while not ignoring the necessity for a revision of their private beliefs, to concentrate on actions that can lead to the ultimate democratization of American institutions.
By focusing upon private attitudes alone, white Americans may come to rely on token individual gestures as a way of absolving themselves personally of racism, while ignoring the work that needs to be done within public institutions to eradicate social and economic problems and redistribute wealth and opportunity.
I mean by this that there are many whites sitting around in drawing rooms and board rooms discussing their consciences and even donating a few dollars to honor the memory of Dr. King. But they are not prepared to fight politically for the kind of liberal Congress the country needs to eradicate some of the evils of racism, or for the massive programs needed for the social and economic reconstruction of the black and white poor, or for a revision of the tax structure whereby the real burden will be lifted from the shoulders of those who don't have it and placed on the shoulders of those who can afford it.
Our time offers enough evidence to show that racism and intolerance are not unique American phenomena. The relationship between the upper and lower classes in India is in some ways more brutal than the operation of racism in America. And in Nigeria black tribes have recently been killing other black tribes in behalf of social and political privilege.
But it is the nature of the society which determines whether such conflicts will last, whether racism and intolerance will remain as proper issues to be socially and politically organized. If the society is a just society, if it is one which places a premium on social justice and human rights, then racism and intolerance cannot survive —will, at least, be reduced to a minimum.
While working with the NAACP some years ago to integrate the University of Texas, I was assailed with a battery of arguments as to why Negroes should not be let in. They would be raping white girls as soon as they came in; they were dirty and did not wash; they were dumb and could not learn; they were uncouth and ate with their fingers.
These attitudes were not destroyed because the NAACP psychoanalyzed white students or held seminars to teach them about black people. They were destroyed because Thurgood Marshall got the Supreme Court to rule against and destroy the institution of segregated education. At that point, the private views of white students became irrelevant.
So while there can be no argument that progress depends both on the revision of private attitudes and a change in institutions, the onus must be placed on institutional change.
If the institutions of this society are altered to work for black people, to respond to their needs and legitimate aspirations, then it will ultimately be a matter of supreme indifference to them whether white people like them, or what white people whisper about them in the privacy of their drawing rooms.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
FACING THE MUSIC Many years ago a man conned his way into the orchestra of the emperor of China although he could not play a note. Whenever the group practiced or performed, he would hold his flute against his lips, pretending to play but not making a sound. He received a modest salary and enjoyed a comfortable living. Then one day the emperor requested a solo from each musician. The flutist got nervous. There wasn’t enough time to learn the instrument. He pretended to be sick, but the royal physician wasn’t fooled. On the day of his solo performance, the impostor took poison and killed himself. The explanation of his suicide led to a phrase that found its way into the English language: “He refused to face the music.”2 The cure for deceit is simply this: face the music. Tell the truth. Some of us are living in deceit. Some of us are walking in the shadows. The lies of Ananias and Sapphira resulted in death; so have ours. Some of us have buried a marriage, parts of a conscience, and even parts of our faith—all because we won’t tell the truth. Are you in a dilemma, wondering if you should tell the truth or not? The question to ask in such moments is, Will God bless my deceit? Will he, who hates lies, bless a strategy built on lies? Will the Lord, who loves the truth, bless the business of falsehoods? Will God honor the career of the manipulator? Will God come to the aid of the cheater? Will God bless my dishonesty? I don’t think so either. Examine your heart. Ask yourself some tough questions. Am I being completely honest with my spouse and children? Are my relationships marked by candor? What about my work or school environment? Am I honest in my dealings? Am I a trustworthy student? An honest taxpayer? A reliable witness at work? Do you tell the truth . . . always? If not, start today. Don’t wait until tomorrow. The ripple of today’s lie is tomorrow’s wave and next year’s flood. Start today. Be just like Jesus. Tell the truth, the whole truth, and nothing but the truth.
”
”
Max Lucado (Just Like Jesus: A Heart Like His)
“
Hunting in my experience—and by hunting I simply mean being out on the land—is a state of mind. All of one’s faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something “means” and to be concerned only that it “is.” And then to recognize that things exist only insofar as they can be related to other things. These relationships—fresh drops of moisture on top of rocks at a river crossing and a raven’s distant voice—become patterns. The patterns are always in motion. Suddenly the pattern—which includes physical hunger, a memory of your family, and memories of the valley you are walking through, these particular plants and smells—takes in the caribou. There is a caribou standing in front of you. The release of the arrow or bullet is like a word spoken out loud. It occurs at the periphery of your concentration. The mind we know in dreaming, a nonrational, nonlinear comprehension of events in which slips in time and space are normal, is, I believe, the conscious working mind of an aboriginal hunter. It is a frame of mind that redefines patience, endurance, and expectation. The focus of a hunter in a hunting society was not killing animals but attending to the myriad relationships he understood bound him into the world he occupied with them. He tended to those duties carefully because he perceived in them everything he understood about survival. This does not mean, certainly, that every man did this, or that good men did not starve. Or that shamans whose duty it was to intercede with the forces that empowered these relationships weren’t occasionally thinking of personal gain or subterfuge. It only means that most men understood how to behave.
”
”
Barry Lopez (Arctic Dreams)
“
With Marlboro Man’s strong hands massaging my tired shoulders, I walked in front of him down the narrow porch toward the driveway, where my dusty car awaited me. But before I could take the step down he stopped me, grabbing a belt loop on the back of my Anne Kleins, and pulling me back toward him with rapid--almost shocking--force.
“Woooo!” I exclaimed, startled at the jolt. My cry was so shrill, the coyotes answered back. I felt awkward. Marlboro Man moved in for the kill, pulling my back tightly against his chest and wrapping his arms slowly around my waist. As I rested my arms on top of his hands and leaned my head back toward his shoulder, he buried his face in my neck. Suddenly, September seemed entirely too far away. I had to have this man to myself 24/7, as soon as humanly possible.
“I can’t wait to marry you,” he whispered, each word sending a thousand shivers to my toes. I knew exactly what he meant. He wasn’t talking about the wedding cake.
I was speechless, as usual. He had that effect on me. Because whatever he said, when it came to his feelings about me or his reflections on our relationship, made whatever I’d respond with sound ridiculously…lame…bumbling…awkward. If ever I said anything to him in return, it was something along the lines of “Yeah…me, too” or “I feel the same way” or the equally dumb “Aww, that’s nice.” So I’d learned to just soak up the moment and not try to match him…but to show him I felt the same way. This time was no different; I reached my arm backward, caressing the nape of his neck as he nuzzled his face into mine, then turned around suddenly and threw my arms around him with every ounce of passion in my body.
Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf.
And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The other problem with empathy is that it is too parochial to serve as a force for a universal consideration of people’s interests. Mirror neurons notwithstanding, empathy is not a reflex that makes us sympathetic to everyone we lay eyes upon. It can be switched on and off, or thrown into reverse, by our construal of the relationship we have with a person. Its head is turned by cuteness, good looks, kinship, friendship, similarity, and communal solidarity. Though empathy can be spread outward by taking other people’s perspectives, the increments are small, Batson warns, and they may be ephemeral.71 To hope that the human empathy gradient can be flattened so much that strangers would mean as much to us as family and friends is utopian in the worst 20th-century sense, requiring an unattainable and dubiously desirable quashing of human nature.72 Nor is it necessary. The ideal of the expanding circle does not mean that we must feel the pain of everyone else on earth. No one has the time or energy, and trying to spread our empathy that thinly would be an invitation to emotional burnout and compassion fatigue.73 The Old Testament tells us to love our neighbors, the New Testament to love our enemies. The moral rationale seems to be: Love your neighbors and enemies; that way you won’t kill them. But frankly, I don’t love my neighbors, to say nothing of my enemies. Better, then, is the following ideal: Don’t kill your neighbors or enemies, even if you don’t love them. What really has expanded is not so much a circle of empathy as a circle of rights—a commitment that other living things, no matter how distant or dissimilar, be safe from harm and exploitation. Empathy has surely been historically important in setting off epiphanies of concern for members of overlooked groups. But the epiphanies are not enough. For empathy to matter, it must goad changes in policies and norms that determine how the people in those groups are treated. At these critical moments, a newfound sensitivity to the human costs of a practice may tip the decisions of elites and the conventional wisdom of the masses. But as we shall see in the section on reason, abstract moral argumentation is also necessary to overcome the built-in strictures on empathy. The ultimate goal should be policies and norms that become second nature and render empathy unnecessary. Empathy, like love, is in fact not all you need. SELF-CONTROL
”
”
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
“
Luce closed her eyes,trying to remember exactly what he'd looked like. There were no words for it.It was just an incredible, joyous connection.
"I saw him."
"Who,Daniel? Yeah,I saw him,too. He was the guy who dropped the ax when it was his turn to do the chopping. Big mistake. Huge."
"No,I really saw him. As he truly is." Her voice shook. "He was so beautiful."
"Oh,that." Bill tossed his head, annoyed.
"I recognized him.I think I've seen him before."
"Doubt it." Bill coughed. "That was the first and last time you'll be able to see him like that.You saw him, and then you died.That's what happens when mortal flesh looks upon an angel's unbridled glory. Instant death. Burned away by the angel's beauty."
"No,it wasn't like that."
"You saw what happened to everyone else. Poof. Gone." Bill plopped down beside her and patted her knee. "Why do you think the Mayans started doing sacrifices by fire after that? A neighboring tribe discovered the charred remains and had to explain it somehow."
"Yes,they burst into flames right away. But I lasted longer-"
"A couple of extra seconds? When you were turned away? Congratulations."
"You're wrong.And I know I've seen that before."
"You've seen his wings before, maybe.But Daniel shedding his human guise and showing you his true form as an angel? Kills you every time."
"No." Luce shook her head. "You're saying he can never show me who he really is?"
Bill shrugged. "Not without vaporizing you and everyone around you.Why do you think Daniel's so cautious about kissing you all the time? His glory shines pretty damn bright when you two get hot and heavy."
Luce felt like she could barely hold herself up. "That's why I sometimes die when we kiss?"
"How 'bout a round of applause for the girl, folks?" Bill said snarkily.
"But what about all those other times, when I die before we kiss, before-"
"Before you even have a chance to see how toxic your relationship might become?"
"Shut up."
"Honestly,how many times do you have to see the same story line before you realize nothing is ever going to change?"
"Something has changed," Luce said. "That's why I'm on this journey, that's why I'm still alive. If I could just see him again-all of him-I know I could handle it."
"You don't get it." Bill's voice was rising. "You're talking about this whole thing in very mortal times." As he grew more agitated,spit flew from his lips. "This is the big time,and you clearly cannot handle it."
"Why are you so angry all of a sudden?"
"Because! Because." He paced the ledge, gnashing his teeth. "Listen to me: Daniel slipped up this once, he showed himself,but he never does that again.Never.He learned his lesson. Now you've learned one,too: Mortal flesh cannot gaze upon an angel's true form without dying.
”
”
Lauren Kate (Passion (Fallen, #3))
“
We went to dinner that night and ordered steak and talked our usual dreamy talk, intentionally avoiding the larger, looming subject. When he brought me home, it was late, and the air was so perfect that I was unaware of the temperature. We stood outside my parents’ house, the same place we’d stood two weeks earlier, before the Linguine with Clam Sauce and J’s surprise visit; before the overcooked flank steak and my realization that I was hopelessly in love. The same place I’d almost wiped out on the sidewalk; the same place he’d kissed me for the first time and set my heart afire.
Marlboro Man moved in for the kill. We stood there and kissed as if it was our last chance ever. Then we hugged tightly, burying our faces in each other’s necks.
“What are you trying to do to me?” I asked rhetorically.
He chuckled and touched his forehead to mine. “What do you mean?”
Of course, I wasn’t able to answer.
Marlboro Man took my hand.
Then he took the reins. “So, what about Chicago?”
I hugged him tighter. “Ugh,” I groaned. “I don’t know.”
“Well…when are you going?” He hugged me tighter. “Are you going?”
I hugged him even tighter, wondering how long we could keep this up and continue breathing. “I…I…ugh, I don’t know,” I said. Ms. Eloquence again. “I just don’t know.”
He reached behind my head, cradling it in his hands. “Don’t…,” he whispered in my ear. He wasn’t beating around the bush.
Don’t. What did that mean? How did this work? It was too early for plans, too early for promises. Way too early for a lasting commitment from either of us. Too early for anything but a plaintive, emotional appeal: Don’t. Don’t go. Don’t leave. Don’t let it end. Don’t move to Chicago.
I didn’t know what to say. We’d been together every single day for the past two weeks. I’d fallen completely and unexpectedly in love with a cowboy. I’d ended a long-term relationship. I’d eaten beef. And I’d begun rethinking my months-long plans to move to Chicago. I was a little speechless.
We kissed one more time, and when our lips finally parted, he said, softly, “Good night.”
“Good night,” I answered as I opened the door and went inside.
I walked into my bedroom, eyeing the mound of boxes and suitcases that sat by the door, and plopped down on my bed. Sleep eluded me that night. What if I just postponed my move to Chicago by, say, a month or so? Postponed, not canceled. A month surely wouldn’t hurt, would it? By then, I reasoned, I’d surely have him out of my system; I’d surely have gotten my fill. A month would give me all the time I needed to wrap up this whole silly business.
I laughed out loud. Getting my fill of Marlboro Man? I couldn’t go five minutes after he dropped me off at night before smelling my shirt, searching for more of his scent. How much worse would my affliction be a month from now? Shaking my head in frustration, I stood up, walked to my closet, and began removing more clothes from their hangers. I folded sweaters and jackets and pajamas with one thing pulsating through my mind: no man--least of all some country bumpkin--was going to derail my move to the big city. And as I folded and placed each item in the open cardboard boxes by my door, I tried with all my might to beat back destiny with both hands.
I had no idea how futile my efforts would be.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Demonstrating for peace to promote war was nothing new.
Totalitarianism always requires a tangible enemy.
To the ancient Greeks, a holocaust was simply a burnt sacrifice.
Khrushchev wanted to go down in history as the Soviet leader who exported communism to the American continent. In 1959 he was able to install the Castro brothers in Havana and soon my foreign intelligence service became involved in helping Cuba's new communist rulers to export revolution throughout South America. At that point it did not work. In the 1950s and 1960s most Latin Americans were poor, religious peasants who had accepted the status quo.
A black version of liberation theology began growing in a few radical-leftist black churches in the US where Marxist thought is predicated on a system pf oppressor class ( white ) versus victim class ( black ) and it sees just one solution: the destruction of the enemy.
In the 1950s UNESCO was perceived by many as a platform for communists to attack the West and the KGB used it to place agents around the world.
Che Guevara's diaries, with an introduction by Fidel Castro, were produced by the Kremlin's dezinformatsiya machine.
Changing minds is what Soviet communism was all about.
Khrushchev's political necrophagy ( = blaming and condemning one's predecessor in office. It is a dangerous game. It hurts the country's national pride and it usually turns against its own user ) evolved from the Soviet tradition of sanctifying the supreme ruler. Although the communists publicly proclaimed the decisive role of the people in history, the Kremlin and its KGB believed that only the leader counted. Change the public image of the leader and you change history, I heard over and over from Khrushchev's lips.
Khrushchev was certainly the most controversial Soviet to reign in the Kremlin. He unmasked Stalin's crimes, but he made political assassination a main instrument of his own foreign policy; he authored a policy of peaceful coexistence with the West but he pushed the world to the brink of nuclear war; he repaired Moscow's relationships with Yugoslavia's Tito, but he destroyed the unity of the communist world. His close association with Stalin's killings made him aware of what political crime could accomplish and gave him a taste for the simple criminal solution. His total ignorance about the civilized world, together with his irrational hatred of the "bourgeoisie" and his propensity to offend people, made him believe that disinformation and threats were the most efficient and dignified way for a Soviet leader to deal with "bourgeois" governments.
As that very clever master of deception Yuri Andropov once told me, if a good piece of disinformation is repeated over and over, after a while it will take on a life of its own and will, all by itself, generate a horde or unwitting but passionate advocates.
When I was working for Ceausescu, I always tried to find a way to help him reach a decision on his own, rather than telling him directly what I thought he should do about something. That way both of us were happy. From our KGB advisors, I had learned that the best way to ut over a deception was to let the target see something for himself, with his own eyes.
By 1999, President Yeltsin's ill-conceived privatization had enabled a small clique of predatory insiders to plunder Russia's most valuable assets. The corruption generated by this widespread looting penetrated every corner of the country and it eventually created a Mafia-style economic system that threatened the stability of Russia itself.
During the old Cold War, the KGB was a state within a state. In Putin's time, the KGB now rechristened FSB, is the state. The Soviet Union had one KGB officer for every 428 citizens. In 2004, Putin's Russia had one FSB officer for every 297 citizens.
”
”
Ion Mihai Pacepa (Disinformation)
“
FACT 4 – There is more to the creation of the Manson Family and their direction than has yet been exposed. There is more to the making of the movie Gimme Shelter than has been explained. This saga has interlocking links to all the beautiful people Robert Hall knew. The Manson Family and the Hell’s Angels were instruments to turn on enemy forces. They attacked and discredited politically active American youth who had dropped out of the establishment. The violence came down from neo-Nazis, adorned with Swastikas both in L.A. and in the Bay Area at Altamont. The blame was placed on persons not even associated with the violence. When it was all over, the Beatles and the Rolling Stones were the icing on this cake, famed musicians associated with a racist, neo-Nazi murder. By rearranging the facts, cutting here and there, distorting evidence, neighbors and family feared their own youth. Charles Manson made the cover of Life with those wide eyes, like Rasputin. Charles Watson didn’t make the cover. Why not? He participated in all the killings. Manson wasn’t inside the house. Manson played a guitar and made records. Watson didn’t. He was too busy taking care of matters at the lawyer’s office prior to the killings, or with officials of Young Republicans. Who were Watson’s sponsors in Texas, where he remained until his trial, separate from the Manson Family’s to psychologically distance him from the linking of Watson to the murders he actually committed. “Pigs” was scrawled in Sharon Tate’s house in blood. Was this to make blacks the suspects? Credit cards of the La Bianca family were dropped intentionally in the ghetto after the massacre. The purpose was to stir racial fears and hatred. Who wrote the article, “Did Hate Kill Tate?”—blaming Black Panthers for the murders? Lee Harvey Oswald was passed off as a Marxist. Another deception. A pair of glasses was left on the floor of Sharon Tate’s home the day of the murder. They were never identified. Who moved the bodies after the killers left, before the police arrived? The Spahn ranch wasn’t a hippie commune. It bordered the Krupp ranch, and has been incorporated into a German Bavarian beer garden. Howard Hughes knew George Spahn. He visited this ranch daily while filming The Outlaw. Howard Hughes bought the 516 acres of Krupp property in Nevada after he moved into that territory. What about Altamont? What distortions and untruths are displayed in that movie? Why did Mick Jagger insist, “the concert must go on?” There was a demand that filmmakers be allowed to catch this concert. It couldn’t have happened the same in any other state. The Hell’s Angels had a long working relationship with law enforcement, particularly in the Oakland area. They were considered heroes by the San Francisco Chronicle and other newspapers when they physically assaulted the dirty anti-war hippies protesting the shipment of arms to Vietnam. The laboratory for choice LSD, the kind sent to England for the Stones, came from the Bay Area and would be consumed readily by this crowd. Attendees of the concert said there was “a compulsiveness to the event.” It had to take place. Melvin Belli, Jack Ruby’s lawyer, made the legal arrangements. Ruby had complained that Belli prohibited him from telling the full story of Lee Harvey Oswald’s murder (another media event). There were many layers of cover-up, and many names have reappeared in subsequent scripts. Sen. Philip Hart, a member of the committee investigating illegal intelligence operations inside the US, confessed that his own children told him these things were happening. He had refused to believe them. On November 18, 1975, Sen. Hart realized matters were not only out of hand, but crimes of the past had to be exposed to prevent future outrages. How shall we ensure that it will never happen again? It will happen repeatedly unless we can bring ourselves to understand and accept that it did go on.
”
”
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
“
Going without food or water will kill the body, but the lack of relationship will kill the mind and spirit.
”
”
David Jeremiah (What Are You Afraid Of?)
“
People often point to the London Metropolitan Police, who were formed in the 1820s by Sir Robert Peel,” Vitale said when we met. “They are held up as this liberal ideal of a dispassionate, politically neutral police with the support of the citizenry. But this really misreads the history. Peel is sent to manage the British occupation of Ireland. He’s confronted with a dilemma. Historically, peasant uprisings, rural outrages were dealt with by either the local militia or the British military. In the wake of the Napoleonic Wars, in the need for soldiers in other parts of the British Empire, he is having more and more difficulty managing these disorders. In addition, when he does call out the militia, they often open fire on the crowd and kill lots of people, creating martyrs and inflaming further unrest. He said, ‘I need a force that can manage these outrages without inflaming passions further.’ He developed the Peace Preservation Force, which was the first attempt to create a hybrid military-civilian force that can try to win over the population by embedding itself in the local communities, taking on some crime control functions, but its primary purpose was always to manage the occupation. He then exports that model to London as the industrial working classes are flooding the city, dealing with poverty, cycles of boom and bust in the economy, and that becomes their primary mission. “The creation of the very first state police force in the United States was the Pennsylvania State Police in 1905,” Vitale went on. “For the same reasons. It was modeled similarly on U.S. occupation forces in the Philippines. There was a back-and-forth with personnel and ideas. What happened was local police were unable to manage the coal strikes and iron strikes. . . . They needed a force that was more adherent to the interests of capital. . . . Interestingly, for these small-town police forces in a coal mining town there was sometimes sympathy. They wouldn’t open fire on the strikers. So, the state police force was created to be the strong arm for the law. Again, the direct connection between colonialism and the domestic management of workers. . . . It’s a two-way exchange. As we’re developing ideas throughout our own colonial undertakings, bringing those ideas home, and then refining them and shipping them back to our partners around the world who are often despotic regimes with close economic relationships to the United States. There’s a very sad history here of the U.S. exporting basically models of policing that morph into death squads and horrible human rights abuses.” The almost exclusive reliance on militarized police to deal with profound inequality and social problems is turning poor neighborhoods in cities such as Chicago into failed states. The “broken windows” policy, adopted by many cities, argues that disorder produces crime. It criminalizes minor infractions, upending decades of research showing that social dislocation leads to crime. It creates an environment where the poor are constantly harassed, fined, and arrested for nonsubstantive activities.
”
”
Chris Hedges (America: The Farewell Tour)
“
Touch her and I’ll kill you,” he snarled.
West stared at him in appalled disbelief. “I knew it. Sweet Mother of God! You want her.”
Devon’s visceral fury appeared to fade a few degrees as he realized he had just been outmaneuvered. He released West abruptly.
“You took Theo’s title and his home,” West continued in appalled disbelief, “and now you want his wife.”
“His widow,” Devon muttered.
“Have you seduced her?”
“Not yet.”
West clapped his hand to his forehead. “Christ. Don’t you think she’s suffered enough? Oh, go on and glare. Snap me in pieces like that blasted pencil. It will only confirm that you’re no better than Theo.” Reading the outrage in his brother’s expression, he said, “Your relationships typically last no longer than the contents of the meat larder. You have a devil of a temper, and if the way you just handled her is an example of how you’ll deal with disagreements--”
“That’s enough,” Devon said with dangerous softness.
Rubbing his forehead, West sighed and continued wearily. “Devon, you and I have always overlooked each other’s faults, but that doesn’t mean we’re oblivious to them. This is nothing but blind, stupid lust. Have the decency to leave her alone. Kathleen is a sensitive and compassionate woman who dserves to be loved…and if you have any capacity for that, I’ve never witnessed it. I’ve seen what happens to women who care about you. Nothing cools your lust faster than affection.”
Devon gave him a cold stare. “Are you going to say anything to her?”
“No, I’ll hold my tongue and hope that you’ll come to your senses.”
“There’s no need to worry,” Devon said darkly. “At this point I’ve made her so ill-disposed toward me that it would be a miracle if I ever manage to lure her to my bed.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
In her hurry, though, she’d forgotten to grab her pajamas, which was a dilemma. She could either go out and get them and return to the bathroom to change, or she could go out there and put them on. If Sean didn’t like it, he didn’t have to watch.
After leaving the bathroom, she turned off the overhead light in the bedroom, but it didn’t do much good. The night was clear, the moon was bright, and she knew she was all too visible when she undid her jeans and shimmied them down over her hips.
“What the hell are you doing?”
“Changing into my pajamas.”
“You always do that in the bathroom.” His voice was low and rough, but she noticed he didn’t look away.
“I forgot them, and there’s no point in going back in there.” She kicked off the jeans and was going to pull on the shorts before changing shirts, but then she remembered his stupid answers to the stupid questions in that game and changed her mind.
“The point is that you don’t do it in front of me.”
“Oh, did you forget? Being watched turns me on.” And she pulled her T-shirt over her head.
She had to bite down on a surprised yelp once she was free of it because suddenly Sean was standing in front of her, wearing nothing but blue boxer briefs and a scowl. “You said I had no imagination.”
“And having no imagination is so much worse than your best friend’s family thinking you’re an exhibitionist.”
“And we’re not ever going to talk about the other thing you said. Ever.”
He was crowding her personal space, so she put her hands on his chest to push him back, but he caught her wrists. Standing there with her palms pressed against his naked skin, she could feel his heart beating at a quickened pace that matched her own and she knew she had two choices. Walk away or end up in bed with him.
She leaned her body a little closer and splayed her fingers across his chest. “Which thing aren’t we talking about? The fast-food-joint bathroom or—”
“Don’t push me too far, Emma. It’s been a long time for me.”
“How long?”
“Too damn long.” He lifted her hands from his chest, but didn’t let go of her wrists. “And I never even got to scope out the dating situation here before you showed up at my door with this half-assed scheme.”
“And since we… You haven’t…”
“The last thing I need is to get caught cheating on a woman I can’t tell anybody I’m not really in a relationship with.” His gaze dropped from her face to her lacy white bra and he sighed. “You’re killing me.”
“Lying awake on the couch every night, wondering what it would be like to slide into bed with you has been killing me for two weeks.”
“Yeah.” He let go of her wrists and slid his hands up the back of her neck and into her hair. “I’ve thought about that, too. A lot. Pretty much constantly, actually.
”
”
Shannon Stacey (Yours to Keep (Kowalski Family, #3))