What Are Good Basketball Quotes

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I love being a pavement artist; seriously, I do. It's like when guys who would normally hate being freakishly tall discover basketball, or when girls with abnormally long fingers sit down at a piano. Blending in, going unseen, being a shadow in the sun is what I'm good at. Seeing the shadows, it turns out, is not my natural gift.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
Well. Um. The thing is…” I inhale, then continue with rapid-fire speed. “Imnotahockeyfan.” A wrinkle appears in his forehead. “What?” I repeat myself, slowly this time, with actual pauses between each word. “I’m not a hockey fan.” Then I hold my breath and await his reaction. He blinks. Blinks again. And again. His expression is a mixture of shock and horror. “You don’t like hockey?” I regretfully shake my head. “Not even a little bit?” Now I shrug. “I don’t mind it as background noise—” “Background noise?” “—but I won’t pay attention to it if it’s on.” I bite my lip. I’m already in this deep—might as well deliver the final blow. “I come from a football family.” “Football,” he says dully. “Yeah, my dad and I are huge Pats fans. And my grandfather was an offensive lineman for the Bears back in the day.” “Football.” He grabs his water and takes a deep swig, as if he needs to rehydrate after that bombshell. I smother a laugh. “I think it’s awesome that you’re so good at it, though. And congrats on the Frozen Four win.” Logan stares at me. “You couldn’t have told me this before I asked you out? What are we even doing here, Grace? I can never marry you now—it would be blasphemous.” His twitching lips make it clear that he’s joking, and the laughter I’ve been fighting spills over. “Hey, don’t go canceling the wedding just yet. The success rate for inter-sport marriages is a lot higher than you think. We could be a Pats-Bruins family.” I pause. “But no Celtics. I hate basketball.” “Well, at least we have that in common.” He shuffles closer and presses a kiss to my cheek. “It’s all right. We’ll work through this, gorgeous. Might need couples counseling at some point, but once I teach you to love hockey, it’ll be smooth sailing for us.” “You won’t succeed,” I warn him. “Ramona spent years trying to force me to like it. Didn’t work.” “She gave up too easily then. I, on the other hand, never give up
Elle Kennedy (The Mistake (Off-Campus, #2))
Psychologists say the best way to handle children at this stage of development is not to answer their questions directly but instead to tell them a story. As pediatrician Alan Greene explained, “After conversing with thousands of children, I’ve decided that what they really mean is, ‘That’s interesting to me. Let’s talk about that together. Tell me more, please?’ Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . .
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
Now for the interesting question: If you completely ignored your goals and focused only on your system, would you still succeed? For example, if you were a basketball coach and you ignored your goal to win a championship and focused only on what your team does at practice each day, would you still get results? I think you would.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
I mean that we must figure out, together, what we are willing to lie about for the sake of a clean memory. The story ends with no sinners, because it must. Everyone is washed clean. A city holds its breath for decades, waiting for something good to descend, and then it does. This, I believe, means that everything resets, and so does everyone within the container of this glorious happening. To enter the church of triumph, everyone must be absolved, and so everyone is. The pistols vanish from the waistbands of cops, from the sock drawers of dealers. What you thought to be blood, dried on the concrete of the park, is instead handprints left by children who pressed their hands into dark paint and left behind a symbol of their living. Yes, living, the children are alive, even the ones thought to be dead. Even the ones who were on the news, even the ones some of us marched in the streets for and broke glass windows for and threw ourselves into police shields for. In the end of this story, there are tattoos that vanish from the skin of those who got the names of the gone-too-soon inked on them, because no one is gone too soon. Yes, if we are to cure ourselves of curses, let us cure ourselves of all the curses tonight, let the lake cough its thick fog upon the people and let them be unmoved by the sweat. What is sweat but decoration, jewelry upon the extended arms beckoning people toward a revival?
Hanif Abdurraqib (There's Always This Year: On Basketball and Ascension)
The language we speak, the beliefs we hold-both good and bad-are passed from generation to generation through experience. And so many aspects of the human experience are invented-as opposed to simply springing up from our genes. Ten thousand years ago, humankind had the genetic potential to read a book, yet not one single human on the planet could read; the genetic potential to play the piano existed, yet not one person could play; the genetic potential to dunk a basketball, type a sentence, ride a bicycle-all that potential existed, but it all remained unexpressed. Humankind, more than any other species, can take the accumulated, distilled experiences of previous generations and pass these inventions, beliefs, and skills to the next generation. This is sociocultural evolution. We learn from our elders, and we invent, and we pass what we’ve learned and invented to the next generations. And the organ that allows this is the human brain-specifically, the cortex. As we’ve said before, the cortex is the most uniquely human part of our body, and, no surprise, it gives rise to the most uniquely human capabilities: speech, language, abstract thinking, reflecting on the past, planning for the future. Our hopes, dreams, and a major part of our worldview are mediated by our cortex.
Bruce D. Perry (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
Patton inspected the cargo with the possessive eye of a man who intended to use every last bullet, bomb, and basketball shoe. When he asked a young quartermaster captain how the loading was proceeding, the officer replied, “I don’t know, but my trucks are getting on all right.” Patton took a moment to scribble in his diary: “That is the answer. If everyone does his part, these seemingly impossible tasks get done. When I think of the greatness of my job and realize that I am what I am, I am amazed, but on reflection, who is as good as I am? I know of no one.” It was a fair self-assessment by a man who had spent the past four decades preparing for this moment,
Rick Atkinson (The Liberation Trilogy Box Set: An Army at Dawn, The Day of Battle, The Guns at Last Light)
We need good liturgies, and we need natural ones; we need a life neither patternless nor over patterned, if the city is to be built. And I think the root of it all is caring. Not that that will turn the trick all by itself, but that we can produce nothing good without it. True liturgies take things for what they really are, and offer them up in loving delight. Adam naming the animals is instituting the first of all the liturgies; speech, by which man the priest of creation picks up each of the world's pieces and by his wonder bears it into the dance. "By George," he says, "there's an elephant in my garden; isn't that something!" Adam has been at work a long time; civilization is the fruit of his priestly labors. Culture is the liturgy of nature as it is offered up by man. But culture can come only from caring enough about things to want them really to be themselves - to want the poem to scan perfectly, the song to be genuinely melodic, the basketball actually to drop through the middle of the hoop, the edge of the board to be utterly straight, the pastry to be really flaky. Few of us have very many great things to care about, but we all have plenty of small ones; and that's enough for the dance. It is precisely through the things we put on the table, and the liturgies we form around it, that the city is built, caring is more than half the work.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.
Karen Joy Fowler (The Jane Austen Book Club)
Every day the same things came up; the work was never done, and the tedium of it began to weigh on me. Part of what made English a difficult subject for Korean students was the lack of a more active principle in their learning. They were accustomed to receiving, recording, and memorizing. That's the Confucian mode. As a student, you're not supposed to question a teacher; you should avoid asking for explanations because that might reveal a lack of knowledge, which can be seen as an insult to the teacher's efforts. You don't have an open, free exchange with teachers as we often have here in the West. And further, under this design, a student doesn't do much in the way of improvisation or interpretation. This approach might work well for some pursuits, may even be preferred--indeed, I was often amazed by the way Koreans learned crafts and skills, everything from basketball to calligraphy, for example, by methodically studying and reproducing a defined set of steps (a BBC report explained how the North Korean leader Kim Jong Il had his minions rigorously study the pizza-making techniques used by Italian chefs so that he could get a good pie at home, even as thousands of his subjects starved)--but foreign-language learning, the actual speaking component most of all, has to be more spontaneous and less rigid. We all saw this played out before our eyes and quickly discerned the problem. A student cannot hope to sit in a class and have a language handed over to him on sheets of paper.
Cullen Thomas (Brother One Cell: An American Coming of Age in South Korea's Prisons)
But to play in an international tournament of the caliber announced, he had to spend much more time at careful, precise study, analysis, and memorization. He stopped answering his phone, because he didn’t want to be interrupted or tempted to socialize—even for a chess party—and at one point, to be alone with the chessboard, he just threw some clothes in a suitcase, didn’t tell anyone where he was going, and checked into the Brooklyn YMCA. During his stay there, he sometimes studied more than sixteen hours per day. Malcolm Gladwell, in his book Outliers, describes how people in all fields reach success. He quotes neurologist Daniel Levitin: “In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chessplayers, criminals and what have you, the number comes up again and again [the magic number for true expertise: ten thousand hours of practice].” Gladwell then refers to Bobby: “To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fischer got to that elite level in less than that amount of time: it took him nine years.) Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.
Frank Brady (Endgame: Bobby Fischer's Remarkable Rise and Fall - from America's Brightest Prodigy to the Edge of Madness)
Carter: "Dude, I don't know why it works, it just does. [...] Just pretend you're not into 'em and then ask a question. What's the worst that could happen?" EJ makes eye contact with the smallest one, off to the side. [...] She looks up at EJ and gives him the nicest smile. He pulls the trigger and yells, "You think you're hot stuff, don't you?" What the...? Where are you going with this? "Excuse me?" she replies, kind of sweetly. EJ asks, "You think you're cool, don't you? Where did you get that shirt, the Salvation Army? What the hell is with your hair? My eyes are as big as basketballs as he fires one mean-ass question after another at her. "You don't have a boyfriend, do you?" he continues. It's like he's armed with self-esteem killer. "Did your parents have any kids that lived?" EJ asks. The girls starts to buckle, and tears are on the way. "Are these your friends, or are they like, counselors here to observe you?" EJ shouts. [...] He asks, "Does your grandma know you borrowed her shoes?" as I drag him away. The girl is crying pretty hard, and her friends are trying to console her. [...] "Man, that didn't do very well. What do you think I did wrong?" EJ asks. "Are you serious?" I ask "I was just doing what you told me to," he replies. "I-I-I told you to go up to that girl and start abusing her?" I ask. "You said to ask her questions and pretend I didn't like her!" he yells back. "Pretend YOU'RE NOT INTO HER!" I clarify. "Not that you hate her and wish she would die! Good God, that girl thought she was gonna get a boyfriend when you walked up, not years of therapy." "Do you think I still have a shot?" he asks "NO, I don't!" I bark
Brent Crawford (Carter Finally Gets It (Carter Finally Gets It, #1))
Hyacinth let her voice grow even louder. “Mama is amazing and the best cook and baker and her food is delicious! And Papa is the best papa in the world! And you are mean and you make us all feel bad about ourselves and you never have anything good to say about anyone. And you won’t go to Mama’s bakery, and I think it’s because you’re afraid to see that Mama is following her dream. And Oliver is great at basketball and he’s smart too, and Isa is the best violin player and is one day going to be the most famous violinist and tour all over Europe, and Jessie will study important science things and help the world be a better place, and I don’t know what Laney is going to do but she’s going to be amazing at whatever she does because she is the nicest person to ever live and gets along with everyone. So stop making us feel bad about ourselves and if you don’t have something nice to say, then don’t say anything at all!
Karina Yan Glaser (The Vanderbeekers Make A Wish (The Vanderbeekers, #5))
Who is the learner and what is his or her relationship to knowledge and learning? Is he or she basically good or evil (or both)? Passive or active in learning? Capable of choice, or has life already been determined somehow? Motivated internally or externally? An unmarked slate or having unrealized potential? These questions are answered every day in every classroom, daycare center, or basketball court—answered by the way children are viewed and treated by adults.
Elaine Cooper (When Children Love to Learn: A Practical Application of Charlotte Mason's Philosophy for Today)
No doubt about it, she’s good. And this piece, it’s technically perfect, but something’s missing. It’s like she’s playing to get it right, to get an A on some test that doesn’t exist. But that’s not what music’s about. Music isn’t like scoring points in a basketball game or knowing all the answers to a pop quiz. It’s pouring all your emotions into an instrument and letting that instrument express every inch of you. That’s real music – the stuff that makes you feel something.
Jennie Wexler (Where It All Lands)
Follow these steps—over and over again for a decade—and you just might become a master: • Remember that deliberate practice has one objective: to improve performance. “People who play tennis once a week for years don’t get any better if they do the same thing each time,” Ericsson has said. “Deliberate practice is about changing your performance, setting new goals and straining yourself to reach a bit higher each time.” • Repeat, repeat, repeat. Repetition matters. Basketball greats don’t shoot ten free throws at the end of team practice; they shoot five hundred. • Seek constant, critical feedback. If you don’t know how you’re doing, you won’t know what to improve. • Focus ruthlessly on where you need help. While many of us work on what we’re already good at, says Ericsson, “those who get better work on their weaknesses.” • Prepare for the process to be mentally and physically exhausting. That’s why so few people commit to it, but that’s why it works.
Daniel H. Pink (Drive: The Surprising Truth About What Motivates Us)
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
The illusion of pattern affects our lives in many ways off the basketball court. How many good years should you wait before concluding that an investment adviser is unusually skilled? How many successful acquisitions should be needed for a board of directors to believe that the CEO has extraordinary flair for such deals? The simple answer to these questions is that if you follow your intuition, you will more often than not err by misclassifying a random event as systematic. We are far too willing to reject the belief that much of what we see in life is random.
Daniel Kahneman (Thinking, Fast and Slow)
A giant rose from the second row. Seriously, the biggest man I’ve ever seen in real life. His head was the size of a basketball, and his back was like a king-size mattress. Except made of bricks. “Good afternoon,” the giant said. I tried not to laugh, but I couldn’t believe what I was hearing. This humongous monster of a man had the voice of a six -year-old. High, squeaky. Like , cute. I could hear that weird sound when you try to hold in a laugh, but a little bit leaks out— like a mouth fart— happening all over the church. People were trying not to crack up, but his voice made it so hard.
Jason Reynolds (The Boy in the Black Suit)
As for the world beyond my family—well, what they would see for most of my teenage years was not a budding leader but rather a lackadaisical student, a passionate basketball player of limited talent, and an incessant, dedicated partyer. No student government for me; no Eagle Scouts or interning at the local congressman’s office. Through high school, my friends and I didn’t discuss much beyond sports, girls, music, and plans for getting loaded. Three of these guys—Bobby Titcomb, Greg Orme, and Mike Ramos—remain some of my closest friends. To this day, we can laugh for hours over stories of our misspent youth. In later years, they would throw themselves into my campaigns with a loyalty for which I will always be grateful, becoming as skilled at defending my record as anyone on MSNBC. But there were also times during my presidency—after they had watched me speak to a big crowd, say, or receive a series of crisp salutes from young Marines during a base tour—when their faces would betray a certain bafflement, as if they were trying to reconcile the graying man in a suit and tie with the ill-defined man-child they’d once known. That guy? they must have said to themselves. How the hell did that happen? And if my friends had ever asked me directly, I’m not sure I’d have had a good answer.
Barack Obama (A Promised Land)
William worked on his passing too, so he could feed the ball to the best players in the park. He wanted to keep his place on the court, and he knew that if he made the other boys better, he had value. He learned where to run to provide space for the shooters to cut in to. He set screens so they could take their favorite shots. The boys slapped William on the back after a successful play, and they always wanted him on their side. This acceptance calmed some of the fear William carried inside him; on the basketball court, he knew what to do. By the time William entered high school, he was a good-enough player to start for the varsity team. He was five foot eight and played point guard. His hours of practice with the glasses had paid off; he was by far the best dribbler on the team, and he had a nice midrange jumper. He’d
Ann Napolitano (Hello Beautiful)
This scene came from the writing I did with Bill in New York, working out of an office in the Director’s Guild building. I generally came in early and worked for a couple of hours before Bill arrived. He would then spend about an hour puttering around the office and smoking cheroots, then would eventually settle in next to me at the desk, read what I had written, and begin offering suggestions and improvements. Sometimes I would print out a scene and then mark it up—as with the scene above—as Bill tried out Phil’s dialogue, and we tweaked lines accordingly. Our afternoons were often spent walking around New York running Bill’s errands while talking about general script issues. He was a warm and wonderful host to me during my New York visit. There was an afternoon where he and Tom Davis paired up against me and Dan Aykroyd in a spontaneous basketball game, the four of us sneakerless and slipping around in our socks. I made my bones with Bill that day when he hurled a basketball at my head and I managed to duck. “Good reflexes,” he said. I think of these two weeks with Bill as one of the more surreal and memorable experiences of my writer’s life.
Danny Rubin (How to Write Groundhog Day)
Porridge is our soup, our grits, our sustenance, so it's pretty much the go-to for breakfast. For the first time, I ate with a bunch of other Taiwanese-Chinese kids my age who knew what the hell they were doing. Even at Chinese school, there were always kids that brought hamburgers, shunned chopsticks, or didn't get down with the funky shit. They were like faux-bootleg-Canal Street Chinamen. That was one of the things that really annoyed me about growing up Chinese in the States. Even if you wanted to roll with Chinese/Taiwanese kids, there were barely any around and the ones that were around had lost their culture and identity. They barely spoke Chinese, resented Chinese food, and if we got picked on by white people on the basketball court, everyone just looked out for themselves. It wasn't that I wanted people to carry around little red books to affirm their "Chinese-ness," but I just wanted to know there were other people that wanted this community to live on in America. There was on kid who wouldn't eat the thousand-year-old eggs at breakfast and all the other kids started roasting him. "If you don't get down with the nasty shit, you're not Chinese!" I was down with the mob, but something left me unsettled. One thing ABCs love to do is compete on "Chinese-ness," i.e., who will eat the most chicken feet, pig intestines, and have the highest SAT scores. I scored high in chick feet, sneaker game, and pirated good, but relatively low on the SAT. I had made National Guild Honorable Mention for piano when I was around twelve and promptly quit. My parents had me play tennis and take karate, but ironically, I quit tennis two tournaments short of being ranked in the state of Florida and left karate after getting my brown belt. The family never understood it, but I knew what I was doing. I didn't want to play their stupid Asian Olympics, but I wanted to prove to myself that if I did want to be the stereotypical Chinaman they wanted, I could. (189) I had become so obsessed with not being a stereotype that half of who I was had gone dormant. But it was also a positive. Instead of following the path most Asian kids do, I struck out on my own. There's nature, there's nurture, and as Harry Potter teaches us, there's who YOU want to be. (198) Everyone was in-between. The relief of the airport and the opportunity to reflect on my trip helped me realize that I didn't want to blame anyone anymore, Not my parents, not white people, not America. Did I still think there was a lot wrong with the aforementioned? Hell, yeah, but unless I was going to do something about it, I couldn't say shit. So I drank my Apple Sidra and shut the fuck up. (199)
Eddie Huang (Fresh Off the Boat)
Cohen continued to struggle with his own well-being. Even though he had achieved his life’s dream of running his own firm, he was still unhappy, and he had become dependent on a psychiatrist named Ari Kiev to help him manage his moods. In addition to treating depression, Kiev’s other area of expertise was success and how to achieve it. He had worked as a psychiatrist and coach with Olympic basketball players and rowers trying to improve their performance and overcome their fear of failure. His background building athletic champions appealed to Cohen’s unrelenting need to dominate in every transaction he entered into, and he started asking Kiev to spend entire days at SAC’s offices, tending to his staff. Kiev was tall, with a bushy mustache and a portly midsection, and he would often appear silently at a trader’s side and ask him how he was feeling. Sometimes the trader would be so startled to see Kiev there he’d practically jump out of his seat. Cohen asked Kiev to give motivational speeches to his employees, to help them get over their anxieties about losing money. Basically, Kiev was there to teach them to be ruthless. Once a week, after the market closed, Cohen’s traders would gather in a conference room and Kiev would lead them through group therapy sessions focused on how to make them more comfortable with risk. Kiev had them talk about their trades and try to understand why some had gone well and others hadn’t. “Are you really motivated to make as much money as you can? This guy’s going to help you become a real killer at it,” was how one skeptical staff member remembered Kiev being pitched to them. Kiev’s work with Olympians had led him to believe that the thing that blocked most people was fear. You might have two investors with the same amount of money: One was prepared to buy 250,000 shares of a stock they liked, while the other wasn’t. Why? Kiev believed that the reluctance was a form of anxiety—and that it could be overcome with proper treatment. Kiev would ask the traders to close their eyes and visualize themselves making trades and generating profits. “Surrendering to the moment” and “speaking the truth” were some of his favorite phrases. “Why weren’t you bigger in the trades that worked? What did you do right?” he’d ask. “Being preoccupied with not losing interferes with winning,” he would say. “Trading not to lose is not a good strategy. You need to trade to win.” Many of the traders hated the group therapy sessions. Some considered Kiev a fraud. “Ari was very aggressive,” said one. “He liked money.” Patricia, Cohen’s first wife, was suspicious of Kiev’s motives and believed that he was using his sessions with Cohen to find stock tips. From Kiev’s perspective, he found the perfect client in Cohen, a patient with unlimited resources who could pay enormous fees and whose reputation as one of the best traders on Wall Street could help Kiev realize his own goal of becoming a bestselling author. Being able to say that you were the
Sheelah Kolhatkar (Black Edge: Inside Information, Dirty Money, and the Quest to Bring Down the Most Wanted Man on Wall Street)
The game within the game is the game that only the players see. They experience it in relation to one another on the floor at a particular time and in the middle of the action. It is one of the nuances of the game of basketball. As Knick teammates during those years, we knew what a teammate was going to do almost before he did it. We helped one another on defense and shared the ball on offense. We made room for each of us to be his best within the context of the team. For example, I often would see Clyde come down the floor with the ball. I'd catch his eye. I knew he wanted to go down my side of the floor. In order to give him a little more room to move, I would clear out. That way I didn't clog up his space. Or, when I had the ball on the side and he was at the top of the key, waiting to go backdoor, our center knew he had to move to the other side of the floor to create the room for the backdoor bounce pass from me to Clyde who was moving down the lane toward the basket. That was the game within the game. On one level, the game within the game was a matter of mechanics but is also operated on a psychological level in that we truly were all for one and one for all. We challenged one another in practice to become better. We helped one another come back from defeat. We inspired one another to reach our peak team performance. None of us felt we could be as good alone as all of us could be together. Our unity came sometimes with laughs, sometimes with conflicts, sometimes with moments of collective insight, but it was that spirit of camaraderie which brought us together in a way that allowed the fans to see something very special.
Walt Frazier (The Game Within the Game)
Do you know what I remember?” I ask suddenly. “What?” “The time Trevor’s shorts split open when you guys were playing basketball. And everybody was laughing so hard that Trevor started getting mad. But not you. You got on your bike and you rode all the way home and brought Trevor a pair of shorts. I was really impressed by that.” He has a faint half smile on his face. “Thanks.” Then we’re both quiet and still dancing. He’s an easy person to be quiet with. “John?” “Hmm?” I look up at him. “I have to tell you something.” “What?” “I’ve got you. I mean, I have your name. In the game.” “Seriously?” John looks genuinely disappointed, which makes me feel guilty. “Seriously. Sorry.” I press my hands against his shoulders. “Tag.” “Well, now you have Kavinsky. I was really looking forward to taking him out, too. I had a whole plan and everything.” All eagerness I ask, “What was your plan?” “Why should I tell the girl who just tagged me out?” he challenges, but it’s a weak challenge, just for show, and we both know he’s going to tell me. I play along. “Come on, Johnny, I’m not just the girl who tagged you out. I’m your pen pal.” John laughs a little. “All right, all right. I’ll help you.” The song ends and we step apart. “Thanks for the dance,” I say. After all this time, I finally know what it’s like to dance with John Ambrose McClaren. “So what would you have asked for if you won?” He doesn’t hesitate even one beat. “Your peanut butter chocolate cake with my name written in Reese’s Pieces.” I stare at him in surprise. That’s what he would have wished for? He could have anything and he wants my cake? I give him a curtsy. “I’m so honored.” “Well, it was a really good cake,” he says.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Michael Lewis, the author of The Blind Side, wrote about professional basketball player Shane Battier, who plays for the Houston Rockets, in an article titled “The No-Stats All-Star.” He describes Battier as follows: “Shane Battier is widely regarded inside the NBA as, at best, a replaceable cog in a machine driven by superstars. And yet every team he has ever played on has acquired some magical ability to win. [Because] Battier . . . seems to help the team in all sorts of subtle, hard-to-measure ways that appear to violate his personal interests.” Subtle, hard-to-measure ways. Lewis continues: Battier’s game is a weird combination of obvious weaknesses and nearly invisible strengths. When he is on the court, his teammates get better, often a lot better, and his opponents get worse—often a lot worse. He may not grab huge numbers of rebounds, but he has an uncanny ability to improve his teammates’ rebounding. He doesn’t shoot much, but when he does, he takes only the most efficient shots . . . On defense, although he routinely guards the NBA’s most prolific scorers, he significantly reduces shooting percentages. [We] call him Lego. When he’s on the court, all the pieces start to fit together. Husbands, children, and coworkers may not understand what it is exactly that we do. Yet because of who we are and what we do, whether in our home, community, or workplace, things magically work. Like Shane Battier, our very presence seems to just make everything and everyone work better together. It’s hard to put your finger on it, but in my experience this “magic” of bringing people together and enhancing their strengths is a talent that many women seem to have. It’s one reason we are so good at being a safe haven and playing a supporting role, but it’s a talent that we can use for great good when we dust off our dreams and put on our Batman suit.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
These include: 1.Do the Right Thing—the principle of integrity. We see in George Marshall the endless determination to tell the truth and never to curry favor by thought, word, or deed. Every one of General Marshall’s actions was grounded in the highest sense of integrity, honesty, and fair play. 2.Master the Situation—the principle of action. Here we see the classic “know your stuff and take appropriate action” principle of leadership coupled with a determination to drive events and not be driven by them. Marshall knew that given the enormous challenges of World War II followed by the turbulent postwar era, action would be the heart of his remit. And he was right. 3.Serve the Greater Good—the principle of selflessness. In George Marshall we see a leader who always asked himself, “What is the morally correct course of action that does the greatest good for the greatest number?” as opposed to the careerist leader who asks “What’s in it for me?” and shades recommendations in a way that creates self-benefit. 4.Speak Your Mind—the principle of candor. Always happiest when speaking simple truth to power, General and Secretary Marshall never sugarcoated the message to the global leaders he served so well. 5.Lay the Groundwork—the principle of preparation. As is often said at the nation’s service academies, know the six Ps: Prior Preparation Prevents Particularly Poor Performance. 6.Share Knowledge—the principle of learning and teaching. Like Larry Bird on a basketball court, George Marshall made everyone on his team look better by collaborating and sharing information. 7.Choose and Reward the Right People—the principle of fairness. Unbiased, color- and religion-blind, George Marshall simply picked the very best people. 8.Focus on the Big Picture—the principle of vision. Marshall always kept himself at the strategic level, content to delegate to subordinates when necessary. 9.Support the Troops—the principle of caring. Deeply involved in ensuring that the men and women under his command prospered, General and Secretary Marshall taught that if we are loyal down the chain of command, that loyalty will be repaid not only in kind but in operational outcomes as well.
James G. Stavridis (The Leader's Bookshelf)
-Write out a conversation with your inner voice. Begin the entry with a question directed to yourself, then write your mental response. It may help to label the different voices A and B. Dialogue writing is a very effective way to get to the heart of the matter. The following passage is an example of typical dialogue writing: A: Tomorrow is a big day. You have an interview at a college. How do you feel? B: I am really nervous. This is the first interview and I don’t know what it is going to be like. A: What are you afraid of? B: I’m afraid I’ll stutter and say something stupid. I’m worried the person will ask a question and I won’t know what to say. A: What do you want to discuss? B: I think it is good that I was on the basketball team for four years. That shows commitment and dedication. I also got decent grades and earned a blue ribbon at the science fair. A: What about your hobbies outside of school? B: I really like to read. I could mention that. I could talk also about the vacations my family has taken. They are pretty interesting. I enjoy my part-time retail job. A: It sounds like you do a lot. B: I guess I am good at organizing my life and accomplishing what needs to be done. Hey, that would sound good in an interview! -Try focused “freewriting.” Pick one topic, such as school, friends, or family, and write everything that comes to mind about that topic. Write for at least ten minutes or until you’re certain that you have run out of things to write. -Write your belief system. Start by writing “I believe…” at the top of a clean page. Then write whatever comes to mind. It may help to ask yourself questions when you get stuck such as “What do I believe about friendship?” “What is my personal style?” or “What are my gifts and abilities?” -Write about an event from your perspective, then write about the same event from someone else’s point of view. For example, if you had a hard time answering a question during class, write about how you felt, what you thought, and how you behaved. Next, pretend you are the teacher writing about the same event. What do you think he or she was thinking? How did he or she act? This exercise is a great way to show that there are multiple ways of seeing the same situation.
Heather Moehn (Social Anxiety (Coping With Series))
Breanne, I'm asking you nicely to please reconsider. Mom and Dad are coming to the game. They have a suite reserved and Mom is expecting you." Jayson almost sounded as if he were begging. I wasn't buying it. "Take Belinda or one of those other women," I huffed. "I don't do much in the leather department. I'm a vegetarian, remember?" "Mom loves that about you." "I'm sure she does. Her son, however, finds me grossly inadequate and walks away whenever he gets a chance. As much as I like your mother, I don't feel good about stringing her along. I'm just a front for you—admit it." "Bree, I'll invite Hank to come, too. I promise one of us will be with you." "Sure. That sounds so comfortable," I said. "Your mother will wonder what the hell is going on when Hank pays more attention than you do. Frankly, I don't want anything from either of you." Jayson was still trying to convince me to go to the basketball game the following evening, and he'd shown up at my front door to do it. I'd been grumpy ever since I'd come back after saving Teeg San Gerxon's ass. Sure, it would put the Campiaan Alliance in chaos, but for a blink, or maybe half a blink—I'd considered saving Stellan and his brothers and leaving Teeg behind to be flayed and swallowed by a sandstorm that had destroyed most of Thelik. "What can I possible do to convince you to come? Donate to Mercy Crossings or some other charity? What?" He'd arrived at my front door as if he'd been invited. I made him stand at the door instead of inviting him in. "Give Trina a raise. That car she's driving really needs to be retired." "What?" Jayson almost shouted. "Okay, the price just went up. Buy her a new car." Did I realize he'd take the bait? No. "All right. I agree, that piece of crap needs to go to the salvage yard. I'll buy her a new car." "A good one. She doesn't want a TinyCar, I know that much." "You think I'd let anybody out of the driveway in one of those things? I saw yours and almost gagged." "But since I'm nobody important to you, I can drive whatever the hell I want," I pointed out. "Besides, I got my car from a vending machine. Put in a dollar and it dropped out. It was too bad, too—I wanted a soda." The corners of Jayson's mouth threatened to turn up. Schooling his face, he said, "I never pegged you for an extortionist," instead. "I never pegged you for an asshole, either, but disappointment abounds. Sell that Mercedes you have and buy four decent cars with the proceeds. See? Everybody's happy." "That's a Mercedes McLaren," Jayson howled. "Then buy eight decent cars." "If you weren't so smart and my mother didn't like you so much," Jayson threatened. "You'd what? Have one of those bigger, taller, better-endowed women beat me up? Jayson Rome, feel free to bring anybody you want against me. They won't last ten seconds." "You'll come to the game? I still plan to invite Hank. I usually sit courtside, but since Dad's coming and bringing Mom," Jayson didn't finish. "Just don't make an ass out of yourself this time." I shut the door in his face before he could sputter a reply.
Connie Suttle (Blood Trouble (God Wars, #2))
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
friends had started hanging around. Franny could feel her stomach hardening and twisting into knots when they arrived, pushing and shoving one another and tripping over their huge basketball shoes. It was a wonder they didn’t knock over a display rack or topple one of the neatly stacked pyramids of paint cans. They seemed to be everywhere at once, and she couldn’t possibly keep an eye on all of them. Actually, she was a little afraid of them. While they dressed like kids, she knew they were actually young men. They were bigger than she was and full of rough male energy. From what she observed it seemed Ben was their leader and they were reporting to him. She was sure they were up to no good. Their whispered conversation was full of winks and nudges, and they constantly checked over their shoulders to see if they were being overheard. She tried to keep her distance, but if she had to approach them to help a customer, she noticed they would move away or fall silent. Whenever Mr. Slack appeared, they disappeared. Returning to the invoices, Franny went through them one more time. She couldn’t understand it. According to the paperwork, the store had received enough batteries to last through the summer, based on her best estimate using last year’s figures. They’d gotten twenty boxes each of AA and D batteries, the most popular sellers, and ten boxes each of the other sizes. Last week she’d noticed the display rack was nearly empty, and she’d asked Ben to fill it. “Can’t,” he’d said, avoiding her eyes. “They’re all gone.” “There should be plenty in the storeroom,” she’d insisted, looking curiously at his two buddies, who were lounging by the paint display. They seemed to find the conversation extremely amusing. “Go check again.” “There’s no point. I’m telling you, they’re all gone. Look, I’m taking a break now,” he’d said, signaling his friends to follow him outside. Sure enough, she couldn’t find any batteries in the storeroom, either. She was sure they hadn’t been sold; she would have noticed the unusual number of sales and ordered more. Where had they gone? It was very disturbing, especially since she’d been having such a hard time lately making up the bank deposit. That was always the first task of the day. She would take the previous day’s take out of the safe and add up the checks and cash, square them with the total sales figure, and fill out the deposit slip. Then Mr. Slack would put the whole business in a blue vinyl zippered pouch and take it to the red-brick bank across the street. For the past few weeks, however, she hadn’t been able to get the figures to match, even though
Leslie Meier (Tippy Toe Murder (A Lucy Stone Mystery Book 2))
A feminine voice from my other side says, “Don’t look at him. Look at me.” I turn back around. She’s tall. Long torso, legs, and arms. In her spare time she could be a fashion model or a basketball player. Smart. Tall is good for these situations. It lets the interrogator loom menacingly. She’s wearing the same suit and balaclava as the guys who snatched me. That’s okay. What isn’t okay is the cattle prod she’s holding. She takes her time coming over. Points at me with the business end of the prod. “Who are you?” she says. “I work for Eva Sandoval.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
Was Wooden a genius, a magician able to turn mediocre players into champions? Actually, he admits that in terms of basketball tactics and strategies, he was quite average. What he was really good at was analyzing and motivating his players. With these skills he was able to help his players fulfill their potential, not just in basketballl - but in life. Something he found even more rewarding than winning games.
Carol S. Dweck (Mindset: The New Psychology of Success)
Seeds of greatness My question for you is this: Are you really alive? Are you passionate about your life or are you stuck in a rut, letting the pressures of life weigh you down, or taking for granted what you have? You weren’t created to simply exist, to endure, or to go through the motions; you were created to be really alive. You have seeds of greatness on the inside. There’s something more for you to accomplish. The day you quit being excited about your future is the day you quit living. When you quit being passionate about your future, you go from living to merely existing. In the natural there may not be anything for you to be excited about. When you look into the future, all you see is more of the same. You have to be strong and say, “I refuse to drag through this day with no passion. I am grateful that I’m alive. I’m grateful that I can breathe without pain. I’m grateful that I can hear my children playing. I am grateful that I was not hurt in that accident. I’m grateful that I have opportunity. I’m not just alive--I’m really alive.” This is what Paul told Timothy in the Bible: “Stir up the gift, fan the flame.” When you stir up the passion, your faith will allow God to do amazing things. If you want to remain passionate, you cannot let what once was a miracle become ordinary. When you stared that new job you were so excited. You told all your friends. You knew it was God’s favor. Don’t lose the excitement just because you’ve had it for five years. When you fell in love after meeting the person of your dreams, you were on cloud nine. You knew this match was the result of God’s goodness. Don’t take it for granted. Remember what God has done. When your children were born, you cried for joy. Their births were miracles. You were so excited. Now you have teenagers and you’re saying, “God, why did you do this to me?” Don’t let what was once a miracle become so common that it’s ordinary. Every time you see your children you should say, “Thank you, Lord, for the gift you’ve given me.” We worked for three years to acquire the former Houston Rockets basketball arena for our church. During that time, it was still for sports and music events. When there wasn’t a ball game or concert, Victoria and I would come up late at night and walk around it. We’d pray and ask God for His favor. When the city leaders approved our purchase, we celebrated. It was a dream come true. Nearly ten years later, it’s easy to get used to. Holding services in such a huge building could become common, ordinary, and routine because we’ve been doing it so long now. But I have to admit that every time I walk in the building, I can’t help but say, “God, thank you. You have done more than I can ask or think.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
The students at Sudbury Valley are “doin’ what comes natur’ly.” But they are not necessarily choosing what comes easily. A close look discovers that everyone is challenging themselves; that every kid is acutely aware of their own weaknesses and strengths, and extremely likely to be working hardest on their weaknesses. If their weaknesses are social, they are very unlikely to be stuck away in a quiet room with a book. And if athletics are hard, they are likely to be outdoors playing basketball. Along with the ebullient good spirits, there is an underlying seriousness—even the 6 year olds know that they, and only they, are responsible for their education. They have been given the gift of tremendous trust, and they understand that this gift is as big a responsibility as it is a delight. They are acutely aware that very young people are not given this much freedom or this much responsibility almost anywhere in the world. But growing up shouldering this responsibility makes for a very early confidence in your own abilities—you get, as one graduate says, a “track record.” Self-motivation is never even a question. That’s all there is.
Russell L. Ackoff (Turning Learning Right Side Up: Putting Education Back on Track)
Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit? “Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it. She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?” I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.” She puts a worried hand on my shoulder. “What happened, Z? Tell me.” I let my forehead hit the surface of my desk. It hurts. “He has my phone.” A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her. “Holy shit! Don’t tell me your chat is on there!” There it is. I nod my head, which probably just looks like I’m rubbing it up and down on my desk. “Please tell me it’s password protected or something.” I shake my head, again seemingly nuzzling my desk. “Zelda, do you have your homework?” Mr. Drew asks from above me. I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean. “Are you…okay, Zelda?” he asks a bit uncomfortably. Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them. I raise a hand and wave him off. “I’m good. As you were, Drew.” “Right. Okay then.” He moves on. Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?” I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it.
Leah Rae Miller (Romancing the Nerd (Nerd, #2))
You’re extremely aware. You read every situation, spot things others don’t, it’s why you’re so good at basketball. It’s like a natural sixth sense. A dark theater would make that impossible, and if you can’t read what’s happening around you, you’re constantly on edge, not in control.” I open my eyes to meet his. “And control is something you need to feel like you.
Meagan Brandy (Boys of Brayshaw High (Brayshaw, #1))
This kind of stress is simply the ambient noise of faithfulness. This is the kind of stress that you feel right before Thanksgiving dinner. When you could just take a nap instead of slapping together one more pie. But the pie is good. And making it is good. And the fact that your legs ache and your hair is frizzy is just a sign that you have been doing other good things. What I mean by ambient noise is not just the soothing sound of waves in the background. It is more like you are a basketball player on the free-throw line, and the other team’s fans are getting all the noisemakers out. When all that screaming and honking and waving and shouting insults is going on, it doesn’t mean that you are doing something wrong. It means that there is a lot of noise in the room hoping you will do something wrong. Some kinds of “stress” are simply what happens when you are being faithful.
Rachel Jankovic (Fit to Burst: Abundance, Mayhem, and the Joys of Motherhood)
I can’t hear you, people! Make some noise if you want a good show. How about death? Do you wanna see lots and lots of death tonight?” I took in the applause, the hollering, the hammering feet, basking in it. Then my arm shot up, pointing one finger to the ceiling. The guard-tower window exploded. A man plummeted from the tower, slamming on the concrete floor behind me with a splat like someone stomping on a tomato. He’d been torn open from throat to groin, his chest a ragged ruin of splintered, wrenched-back ribs and mangled organs. His dead eyes were still open, jaw wrenched wide in terror. Then came the rain. The second sniper, one piece at a time. Hands. Feet. Arms, wrenched off at the elbows. His severed head bounced like a basketball as it hit the concrete, rolling across the floor and coming to a stop next to Warden Lancaster’s Italian leather shoe. A horrified silence fell across the room. The guards looked at one another, uncertain, hands on their guns but not sure if they should draw. Lancaster stared down at the severed head, frozen like a deer in the headlights. “Well,” I said, “you’re about to get everything you asked for. What do you think, Warden? Is this good and messy enough for you? Wouldn’t want you to think I ‘pussied out’ again.” His gaze snapped toward me. He took a halting step back, away from the carnage. “How? How did you—” A third body dove from the shattered window. Not in a guard’s uniform, but a billowing white leather coat. She landed as graceful as a raptor, absorbing the impact with one knee and the outstretched fingers of a single hand, and slowly rose to her full willowy height. Her eyes blazed like molten copper, as radiant as her twist of scarlet hair. “If anyone in this room believes themselves to be a righteous soul,” Caitlin said, “I suggest you kneel down and pray. If nobody answers…then you belong to me.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
Carrington was busy spreading a thick layer of glue on the last of three strips of wood that would be joined and fastened to the top edge of the skiff as a gunnel. I had to smile at the sight of Gage crouched beside her, murmuring instructions, holding back one of the braids that threatened to drag through the glue. “. . . and then at recess,” the girl said, squeezing a huge bottle of wood glue with both hands, “Caleb wouldn’t let anyone else play with the basketball, so Katie and I went and told the teacher—” “Good for you,” Gage said. “Here, put more glue on the edge. Better to use too much than not enough.” “Like this?” “Perfect.” “And then,” Carrington continued, “the teacher said it was someone else’s turn to play with the ball, and she made Caleb write an essay about sharing and cooperation.” “Did that fix him?” Jack asked. “No,” came Carrington’s disgusted reply. “He’s still the terriblest boy you could ever meet.” “They all are, honey,” Jack said. “I told him you were going to take me fishing,” Carrington went on indignantly, “and you know what he said?” “That girls aren’t good at fishing?” Jack guessed. “How did you know?” she asked in amazement. “Because I was a terrible boy once, and that’s probably what I would have said. But I’d have been dead wrong. Girls are great at fishing.” “Are you sure about that, Uncle Jack?” “Of course I— wait a minute.” Together Jack and Gage lifted the assembled wood strips and fit them to the edge of the boat. “Sweetheart,” Gage murmured to Carrington, “bring that bucket of clamps over here.” Carefully he placed clamps along the gunnel, pausing to adjust the wood strips when necessary. “What were you saying, Uncle Jack?” Carrington pressed, handing him some paper towels to wipe up dripping glue. “I was about to ask you: Who is the fishing expert in this family?” “You.” “That’s right. And who’s the expert on women?” “Uncle Joe,” she said, giggling. “Joe?” he asked in feigned outrage. “Humor him, Carrington,” Gage said. “Otherwise we’ll be here all day.” “You’re the expert on women,” Carrington told Jack promptly. “That’s right. And I’m here to tell you, some of the best anglers in the world are women.” “How come?” “They’re more patient, and they don’t give up easy. They tend to fish an area more thoroughly. And women can always find the spot with the hidden boulders or underwater weeds where fish are hiding. Men, we just look right past those spots, but women always find ’em.” As Jack spoke, Carrington caught sight of me in the doorway, and she threw me a grin. “Are you gonna take Miss Ella fishing?” she asked Jack, who had picked up a Japanese saw and was cutting off the protruding end of the gunnel at an angle. “If she wants to,” he said. “Is she gonna catch you, Uncle Jack?” Carrington asked slyly. “She already did, darlin’.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
While Dad was a tough disciplinarian, I knew he loved me too. He isn’t much for hugs, but I hug him often. I’m the only one of my brothers to hug him and call him “Dad.” And even though he didn’t like to come to my school activities or my basketball games, he did take me hunting, starting when I was small. Mom would bundle me up to fight off the damp Louisiana cold that sinks deep into your bones, and Dad would take me along to the duck blind. He built a little step so I could see out, and as soon as I could, I started taking shots. I’ll never forget shooting my first duck. Unfortunately, it was illegal, and we ended up with a gun being pointed back at me.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
While I was interested in girls, I was also scared of them and had never had a girlfriend. I remembered some of the rough girls from the school bus when I was a kid and shuddered. I thought girls were gross, and I didn’t want to be around them. Dad used to say, “Girls will steal your heart and break it,” and I wasn’t sure I could really trust a woman with my heart. Plus, I was definitely shy. I tried to act as though I was cool, but I really wasn’t. I’d acted like a big dog, but I was more of a nerd. At home, when I wasn’t practicing basketball, I read a lot of books. I loved to read, and I think I read every Louis L’Amour book there was.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
We waited what seemed like forever in the emergency room, but I was eventually admitted. The news was not good. X-rays showed a break; plus, I’d torn all three ligaments. It couldn’t have been any worse. The doctor said I would be in a cast for at least three months, and after that I would need physical therapy to get my strength back. He wanted to do surgery, but Dad always says, “The last thing you ever want ‘em to do is cut on you,” so we turned down the surgery. The doctor warned me that I might not be able to walk right again, but I decided to take my chances and try to heal on my own. I was discharged with painkillers, crutches, and a cast and hobbled to the car. As I rested over the next few days, reality began to set in. If I couldn’t jump or run or maybe not even walk, I wouldn’t be able to practice basketball. If I couldn’t practice, I wasn’t going to be able to play on the team my junior or senior years. If I couldn’t play basketball, I wasn’t going to get scouted by colleges, and I wasn’t going to earn a scholarship. My basketball career was over. Maybe it had all been a pipe dream, but it had been on my heart for so many years. In a split second, my life changed completely. My basketball dreams were crushed. I no longer had anything to work for. No more practices, scrimmages, or games. No more drills at home or three-point-shot marathons until dark. My freak accident not only destroyed my ankle, it destroyed my identity and everything for which I lived and breathed. I was going to have to reinvent myself. And that’s when everything started to go bad.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Speaking of feelings, there’s so much intense teasing between you and your brothers, Jep. Do feelings ever get hurt? Jep: I love my brothers and would do anything for them. I know they feel the same about me. Alan has always been there for me with a nonjudgmental attitude, a listening ear, and wise advice. Jase is such a good teacher about wildlife, and he’s the best speaker in our family. He studies, prepares, and he’s always able to look at the funny side of life. I really respect his knowledge. I’ve always thought Willie is the coolest guy in the world. I’ve loved and looked up to him from the first moment I can remember. I’d tag along with him more than anybody else, and he took the time to teach me basketball and baseball. I copied him in just about everything, and I know sometimes it got on his nerves. I was so much younger than my brothers that I really didn’t start stuff, but I sure didn’t mind going to tell on them. They’d get spanked, and I wouldn’t.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
It was what made him good at team sports: soccer, basketball, politics. Miller
James S.A. Corey (Leviathan Wakes (Expanse, #1))
In an instant I was in her arms, her lips against my cheek. I cupped her face in my hands and stared into those eyes, dancing eyes, warm and smiling, filled with tears and love, a combination I couldn’t lose, couldn’t walk away from again. She pulled me inside and closed the door behind me, locking it. I tried to speak, but words wouldn’t come, and she put her finger to my lips to calm me. She turned with her shoulder blades against my chest and drew my arms around her, holding the backs of my hands in her palms. Placing my palms just under her collarbone, she ran my hands down her body. As they passed over her breasts, I could tell they were larger, full and tight, swollen with fluid, and she gasped slightly as I touched her nipples. I closed my eyes, resting my chin on her shoulder, and she continued downward. They moved under her breasts, and I lifted up slightly, feeling their weight, the heaviness, wondering how tired her shoulders were at the end of the day, reminding myself to give her a good backrub. She turned my wrists and drew my hands downward. They immediately began to move forward, over the place where her slim waist used to be, out farther and farther, until they stopped even with her navel. Her skin under the cotton dress was tight, and I spread my fingers wide, taking in the size of her tummy, the width, the depth, moving around it like gripping a basketball. And then it happened. It kicked, a good, hard kick. I could feel it rolling around inside her, stretching and moving, moving deep in her as I had just a few months before on that first night, asking her how it felt to carry a child inside her. I remembered, and she was right. It did feel the very same. My moving inside her had created this movement, and I bit my lip to keep from crying out, from shouting, from wailing in joy as I’d heard her wail in sorrow. She pivoted in my arms and stared into my face, her eyes sad, pain an inch thick over her expression. “Steve, I wanted to tell you, really I did. I wanted to tell you about the baby. And I wanted to tell you about . . .” I put my hand up to quiet her. “I knew, Diana. I already knew.” She looked at me, puzzled. I drew her over to the sofa and sat down beside her. “Remember when we first met?” She nodded. “Well, I lied. The real reason we were here was to look for Nick Roberts.” She was still, quiet, waiting for the rest of the explanation. “When I first came here, I was looking for Nick Roberts. Before I left here the first time, I knew you’d written that book. But I didn’t say anything because by that time I didn’t care. I came to find Nick Roberts. What I found was a beautiful woman, the love of my life. Nick Roberts and anything associated with Nick Roberts just didn’t matter anymore.” “Why didn’t you tell me you knew?” she asked, looking down at her hands, unable to meet my eyes. “Because. Because it didn’t matter. Because I knew I’d have to explain to you why I was here in the first place. Because I was afraid you’d be afraid, afraid I was just playing you, afraid I’d expose you and give you up to the media. But I didn’t, I swear to god. It wasn’t me.
Deanndra Hall (The Celtic Fan)
I’m going to guess that in our seventeen years together, Joe and I have eaten an average of at least one meal out a week—plus at least one or two weeks a year when we are on vacation and we get to enjoy twenty-one restaurant meals. Using this rough calculation, I have heard my husband utter that exact line approximately one thousand four hundred times. If I didn’t madly love the man, or I had years of bitter resentment born of unmet needs and unheard desires festering in me, I can see where this might make me want to stick something sharp into his eye socket and twist it around a few dozen times for good measure. But I do and I don’t, respectively, so his attempted joke is actually endearing. It’s one of his things that I’d miss tragically if it went away. It would be that “Yeah, I hated it” line—not his dashing good looks or prowess with power tools or skills on the basketball court or anything else the rest of the world can plainly see—that I’d get most choked up on if I were delivering his eulogy today. There was a breakthrough, pivotal scene in the epically good movie Good Will Hunting, where Robin Williams plays a therapist reminiscing about his dead wife with his patient (Matt Damon). “She used to fart in her sleep,” Williams tells the clueless Damon character during an otherwise unproductive therapy session. “One night it was so loud it woke the dog up . . . She’s been dead two years, and that’s the shit I remember . . . little things like that, those are the things I miss the most. Those little idiosyncrasies that only I knew about; that’s what made her my wife. People call these things imperfections, but they’re not. No, that’s the good stuff.” That.
Jenna McCarthy (I've Still Got It...I Just Can't Remember Where I Put It: Awkwardly True Tales from the Far Side of Forty)
Besides, I’m not planning on being around much longer. Maybe a week. So this would just be a short period.” “Where are you going?” He ignores my question and rises, carries his cup to the trash, and pitches it in like a basketball player. When he returns I’ve made up my mind, but I still have a question. “You’re carrying around a lot of money,” I try, framing it as a statement. “Oh, that? Yeah. That’s my savings. It’s not that much, and it’s got to last me a while. I try not to spend any of it, but this seemed worth it,” he says with disarming frankness. I feel like a complete loser. He’s made enough to save. Mine’s gone as soon as it hits my guitar case. I’ll freely admit I’m lousy with money. Budgeting isn’t one of my strong points. “You didn’t have to buy me another coffee, Derek,” I start, but his smile stops me. “What?” He shakes his head. “Nothing.” “Really. What is it? What did I do?” “I like the way you say my name. That’s all.” Bam. Right cross to the jaw. With a hell of a follow-through. “How about giving it a try for a few hours, until lunchtime, and seeing how we do? If I’m wrong, I’ll make up the difference. What do you make by one on a weekday?” Damn him straight to hell for being so reasonable sounding. He could probably sell toasters to penguins. I calculate quickly. On a good day, maybe five dollars. Most of my money will come in the afternoon, maybe another whopping ten or fifteen bucks before it gets dark. “Usually?
R.E. Blake (Less Than Nothing (Less Than Nothing, #1))
UCLA basketball coach John Wooden told players who scored to give a smile, wink, or nod to the player who gave them a good pass. “What if he’s not looking?” asked a team member. Wooden replied, “I guarantee he’ll look.” Everyone values encouragement and looks for it.
John C. Maxwell (Mentor 101: What Every Leader Needs to Know)
You become good at what you practise, basketball, anger or compassion, it is up to you!
Kamon (Victor en amour)
STEP 11  –  Spiritual Awareness We pray and think about ourselves, praying only for the strength to do what is right. We have always been a People of prayer. In our old ways, we prayed when the sun came up, we prayed when we picked the herbs that became our medicine, we prayed for a good harvest, and we prayed when the buffalo or deer was taken so our people might live. We are still a People of prayer. Something inside of us becomes alert when an Elder prays before a gathering. At home, there is prayer before a basketball game or a graduation. Step 11 is about re-awakening our gift of prayer and using it for sobriety, recovery and especially on the Wellbriety journey that will last our whole life. Many
White Bison (The Red Road to Welbriety: In The Native American Way)
Let’s take another example; a son whose relationship with his father is troubled. The son feels that no matter what he does it never seems to be good enough for his father. I am grateful that most of the relationships in my life are really good. I’m grateful to my father for working hard so that I could have the education that he didn’t get to have. I’m grateful to my father for supporting our family through my childhood, because I didn’t have a clue then how much hard work and money it took to keep our family going. I’m grateful to my father for taking me to basketball every Saturday when I was a child. I’m grateful that my father is not as tough on me these days as he used to be in the past. I’m grateful that my father cares so much about me, because he wouldn’t be tough if he didn’t care so much. I’m grateful that through my relationship with my father I have learned to have compassion and a greater understanding with my children. I’m grateful to my father for showing me how important encouragement is in raising happy, confident children. I’m really grateful when I get to laugh with my father. Some people never got to do that because they didn’t have a father. And for others, who have lost their father, they will never have the chance to laugh with their father again. I am so truly grateful that I have my father, because amid the tough times, there have been good times, and there will be more good times ahead with my father.
Rhonda Byrne (The Magic (The Secret, #3))
Second, that I live in a society that prizes the talents I happen to have is also not something for which I can claim credit. This too is a matter of good fortune. LeBron James makes tens of millions of dollars playing basketball, a hugely popular game. Beyond being blessed with prodigious athletic gifts, LeBron is lucky to live in a society that values and rewards them.
Michael J. Sandel (The Tyranny of Merit: What's Become of the Common Good?)
Your son, he doesn’t believe in Santa Claus, does he?” Dan laughed. “Tommy? No, he believes in sports. Soccer, basketball in the winter, baseball in the spring, video games in between.” “But your daughter does. She has imaginary friends, I’m guessing.” “She’s six. Of course she does.” Tamara bent down by the fireplace and reached her hand over the decorative logs. A second later she pulled away, as if burned by an invisible flame. A good actress indeed, he thought. “So, what, you think she’s being haunted by the ghost of Saint Nick?” he asked. “Did I say that?” “No, but come on. What kind of question is that?” “Remember the tea, Dan? Children, sometimes the elderly, sometimes even people of great faith, they act like conduits. Why? ’Cause they believe. Much easier to pass through a door that’s open than one that’s locked.” “What if someone doesn’t believe?” “There’s always more than one way into a house. And more than one—” Tamara snapped her head back to the foyer. Her eyes scanned the stairs, as if something silent and unseen had just run down them and into the hallway. He felt a chill pass behind him. “The painting,” she said, reaching out an arthritic finger that pointed past Dan, to the door at the end of the hallway. “It’s there, isn’t it?
Andrew Van Wey (Forsaken)
And for goodness' sake, come on. These men, who were feigning shock and indignation, they knew. Why else would my male friend stop me from taking a bus at midnight when I was a student, and insist I take a cab, even if that would make a massive hole in my monthly budget? What about the basketball community I grew up with, which looked the other way when the elderly club owner kissed the children in the girls' teams a little too close? Why would the young coaches make sure nobody ever had to ride with the club owner in his car alone on the way to the games? Why did the bouncer and owner at the bar and restaurant I worked at make sure the female staff left quietly through the side door on nights the male clientele was getting too rowdy?     Because they knew, that's why.
Rose Hackman (Emotional Labor: The Invisible Work Shaping Our Lives and How to Claim Our Power)
Heroin provides the all-absorbing, anxiety-deflecting presentness, which we can also find in sports. In the middle of a good tennis or basketball game, the voices in my head that do not bear on the activity of the moment are stilled. I forget about not forgetting to buy garbage bags, about my date tomorrow, about my eventual death. And I emerge from the spell of the sport better able to focus on what is and isn’t important.
Ann Marlowe (How to Stop Time: Heroin from A to Z)
The primary challenge of happiness research comes in the application of insight to actual lives, each of which is highly individual and does not fit neatly into any group template. The findings and ideas we’ve presented in this book are based on research, but science can’t know the turmoil or contradictions you feel in your heart. It can’t quantify the stir that you experience when a certain friend calls. It can’t know what keeps you up at night, or what you regret, or how you express your love. Science can’t say whether you’re calling your kids too much or too little, or whether you should reconnect with a particular family member. It can’t say if it would be better for you to have a heart-to-heart over a cup of coffee or play a game of basketball or go for a walk with a friend. Those answers can only come through reflection, and figuring out what works for you. For anything in this book to be useful, you will need to tune in to your unique life experience and make its lessons your own. But here’s what science can tell you: Good relationships keep us happier, healthier, and help us live longer. This is true across the lifespan, and across cultures and contexts, which means it is almost certainly true for you, and for nearly every human being who has ever lived.
Robert Waldinger (The Good Life: Lessons from the World's Longest Scientific Study of Happiness)
Build a foundation for continuous growth What matters, then, is having a good education, good work habits, and a good attitude that gives you a foundation to build on. Popularity is about wanting people to like you, but happiness is about liking yourself. In most schools, the science fair is not the most popular event. Being in the math club isn’t nearly as cool as being on the football team. Some of my friends made fun of people on the debate team. But now they work for people who were on the debate team. Junior high and high school are critical times in our lives and our formative years. There’s so much emphasis on sports and not enough on studies. I love sports. I played sports growing up, still do. They teach discipline and teamwork and perseverance, and that’s all great. But we need to keep sports in perspective. Most of us are not going to play sports for a living. One in one million kids will play professional basketball. I don’t mean to depress you, but if you’re white it’s one in five million! The average professional football career is three and a half years. Even if you do make it, you still need a good foundation for life after football. When you study and learn, and take school seriously you may be called a bookworm, a geek, or a nerd, but don’t worry about those names. In a few years you’ll be called the boss. You’ll be called CEO, president, senator, pastor, or doctor. Thomas Edison, Henry Ford, and Harvey Firestone had summer homes next to each other in Florida. They were close friends and spent much of their summers together. Who you associate with makes a difference in how far you go in life. If your friends are Larry, Curly, and Moe, you may have fun, but you may not be going anywhere. The scripture says, “We should redeem the time.” You need to see time as a gift. God has given us 86,400 seconds each today.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Several years ago, I was playing basketball with our son Jonathan. We’ve played one-on-one for years. For the first time, he beat me, fair and square, 15--14. I gave him a high five. Then I told him he was grounded! During the game at one point Jonathan dribbled around me and went up for a shot. I came out of nowhere, timed it just right, and blocked his shot. I swatted the ball away and it went flying into the bushes. I felt like an NBA star. A couple days later, we went to the gym to play with some friends. Jonathan said, “Dad, tell everybody what happened the other night.” I said, “Oh, yeah, Jonathan went up for this shot, and I must have been this high in the air and I blocked it, and it was something else.” He said, “No, Dad, I meant tell them how I beat you for the first time!” What’s funny is, I didn’t remember my defeat, I remembered my victory The first thing that came to my mind wasn’t that I lost the game to him, but the fact that I did something good. It’s because I’ve trained my mind to remember the right things. For many people it’s just the opposite. They won the game, but they remember all the mistakes they made. They never feel good about themselves. They’re always focused on something they didn’t do good enough. It’s all in how you train your mind. It depends on what channel you’re watching. Don’t make the mistake of remembering what you should forget, whether it’s your hurts, your disappointments, or your failures. Don’t forget what you should remember--your victories, your successes, and the hard times you overcame.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
What she really wants is to have a good moan and then it will be over. But her partner has solutions on the brain and wants to fix the situation, so he comes back with a suggestion like “I’ll buy you a sling” or “Why didn’t you take her for a walk?” Eventually, she gets angry and feels underappreciated. He gets frustrated and feels harassed. He has no idea what her day was really like; all he can think is, What does she want from me? What he wants to do most right now is hide behind a newspaper or turn on the telly to watch his favorite basketball team. At that point, she’s likely to get madder than a wet hen, and instead of the two of them dealing with their baby’s needs, they’re immersed in their own drama.
Tracy Hogg (Secrets of the Baby Whisperer)
There were many people who left a mark at Incarnation, but I’ll pick out just one, a counselor and unit director named Wes Wubbenhorst. He was a big, athletic, goofy man-child. His conversation was all overflowing enthusiasm, interspersed with whistles, pops, weird exclamations, sudden laughter, and good cheer. He was always interrupting himself mid-sentence as another thing that delighted him sprang into consciousness. He lived to be over sixty and walked through the darkest parts of the world, but I don’t think he ever learned to talk in that serious way adults do. Some piece of him always remained a Holy Child. I’ve come to recognize people who were formed by a camp, and they often had what Wes had: bubbling enthusiasm, a radiance, a wardrobe mostly of old sneakers, tattered shorts, and ripped T-shirts. Wes later became an Episcopal priest. He ministered to the poor in Honduras, comforted victims of domestic violence. His God was a God of love, and his life at camp was training for his mission of selfless love. He was, as the saying goes, a man for others: enthusiastically waking you up in the morning and singing you to bed each night, the best passer on the basketball court I’ve ever encountered. When someone did something extraordinarily stupid, he would just smile and sigh in wonder at the wackiness of life.
David Brooks (The Second Mountain: The Quest for a Moral Life)
Cohesion on the offense, intensity on the defense, is the game plan. When a coach puts multidimensional skilled players on the court who have the savvy to create the balance on the floor, move the ball, take high-percentage shots on the offense, and stifle their man on the defense, his team stands a good chance of winning the championship. That is what old school ball is all about. Old school players make timely hoops at the ends of big games. They have good body control and hands, dexterity is always the catalyst for old school players. They can go right and left when they make their moves. They know when to dish and when to swish and they prosper in the paint. They're not over-zealous in their play, falling into early foul trouble. They're omnipresent on defense, creating havoc for the opposing team. They play under control, not hell-bent, and have a rhythm and continuity in their offensive games. Basketball is a game of momentum and old school players know how and when to pick their spots to make their prolific moves that break the opposing team down.
Walt Frazier (The Game Within the Game)
Chantal and I are on opposite teams, so we have to cover each other. The guys have this weird way with us. For example, if we travel or double-dribble they won't call us on it, or, if we get knocked down by a good block they'll yell, "Foul!" and one of us gets to take a shot. But this favouritism also has a downside because they're always telling us what to do, like we don't know the rules of basketball or something.
Ibi Kaslik (Skinny)
And late late late when he thought they had gone—or he had gone— to sleep maybe, to a place inside his head where they couldn’t reach him, in the dark, he opened his eyes, and next to him sat Anthony. Alexander shut his eyes, not wanting Anthony to see all the things he was carrying, and Anthony leaned deeply in and lowered his forehead onto Alexander’s bandaged chest. “Dad,” he whispered, “I swear to God, you have to stop it. You’ve been doing this for weeks now, turning away every time you look at me. Please. Stop. I’m hurt enough. Think of yourself, remember your-self—did you want my mother to turn her face from you when you came back from war? Please. I don’t give a fuck about the arm. I don’t. I’m not like Nick Moore. I’m like Mom. I’ll adjust, little by little. I’m just glad to be alive, to be back. I thought my life was over. I didn’t think I would ever come back, Dad,” said Anthony, raising his head. “What are you so upset about? It wasn’t even my good arm.” He smiled lightly. “I never liked it. Couldn’t pitch ball with it, couldn’t write with it. Certainly, unlike you, couldn’t shoot fucking Dudley with it. Now come on. Please.” “Yes,” whispered Alexander. “But you’ll never play guitar again.” And other things you will never do. Play basketball. Pitch. Hold your newborn baby in your palms. Anthony swallowed. “Or go to war again.” He broke off. “I know. I have some adjusting to do. It is what it is. Mom says this, and you should listen to her. She says I got away with my life, and I’m going to do just fine. All we want is for you to be all right,” Anthony said. “That’s all any of us ever wanted.” “Antman,” said Alexander, his hand on his son’s lowered head, his wounded chest drawn and quartered, “you’re a good kid.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
What should we do now?” She’d meant her question as a joke. After all, hadn’t they come here specifically to have sex? So she was surprised at his next words. “How about a game?” He climbed onto the bed and sprawled back into the mess of pillows against the carved wood headboard. “Like what?” A glance around the room revealed nothing. “I didn’t see any games. Do you think the lobby has some to borrow?” “That’s not the kind of game I was talking about.” “Oh?” Now she was curious. Did he mean something sexual? “Let’s play I never.” It took her a second, and then she remembered the game from high school. “The game where we say something we’ve never done and if you have done that something, you take a drink? Do we need beer?” “Yep. There’s a mini–bar in that cabinet.” She settled in across from him, crossing her legs. “Why do you want to play I never? Feeling nostalgic for high school?” “I want to know you better.” “You could just ask.” “Yeah, but this is more fun.” He grinned. “Planning on getting me drunk and having your wicked way with me?” “You read my mind.” He took a sip of beer and she watched his Adam’s apple bob as he swallowed. “Let’s start off slow,” he said. “I’ve never watched television.” They both took a drink. The wine she’d selected was dry and she felt it in her nose as she swallowed. “Okay, my turn. I’ve never spent the night in a hotel with anyone other than my parents.” He drank. “You have? When?” “Twice in high school, once a few months back.” They hadn’t been together a few months ago, but hearing he’d spent the night in a hotel with a woman felt like a kick in her gut. “Loren, Xander, and I went to London to rescue Adam.” “Oh.” She felt instantly happy again. “What about the other times?” “Prom. A whole bunch of us chipped in to get a room. They kicked us out by 3:00 a.m. Money well spent.” She laughed. “And the other?” “I was the equipment manager for our high school basketball team. We made it to a big championship that year. Man, the moms baked every day for weeks so we could have bake sales and earn enough to get three rooms for the twelve of us. Good times,” he said nostalgically. “Okay, my turn again. I’ve never taken the SAT.” She took a long gulp of wine. “How’d you do?” “Good enough to get into college.” “Nice. But you didn’t go.” “Nope. Got married.” She took a therapeutic drink of wine. His mention of his trip to London reminded her of another thing she’d never done. “I’ve never been on a plane,” she said. Unsurprisingly, he drank. Had she thought they’d taken a boat or car to London? “But it was only that one time to London,” he explained. “I’d never been on a plane before.” “Did you like it?” She’d always wondered what it would be like to sit in a tube that high off the ground. And it was petty of her, but she liked that Rowan had a similar amount of experience to her when it came to world travel. She’d have felt inadequate if he’d been all over the world. “I was so worried about Adam, it was hard to concentrate on the flight. I’d like to go try it again. With you if you’re willing.” “I’d love to. My parents were big into road trips, and Jack never took me anywhere. I want to see as much of the world as possible.” “Then let’s do it. We’ll save up and head out every chance we get.” They grinned at each other. “Okay, another one. Prepare to get your drink on,” he said with a devastating grin. “I’ve never had long hair.” She drank, and understood his game at once. “I’ve never been in the boy’s locker room. Rowan drank. “I’ve never worn a bra.” She laughed and nearly snorted wine up her nose. “I’ve never shaved my beard.” He drank. “I’ve never shaved my legs.” She drank.” I’ve never…” She took another sip for courage. The wine was clearly getting to her or she never would’ve said her next thing. “I’ve never had an erection.
Lynne Silver (Desperate Match (Coded for Love, #5))
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