What An Innings Quotes

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It's okay,' he tells me. 'If you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life.' His voice cracks with emotion. He stops, clears his throat, takes a breath, and continues. 'But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.' For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can't be that late-inning pinch hitter I'd hoped for. He won't unplug my breathing tube or overdoes me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps's recognition, and the permission he just offered me--it feels like a gift. Gramps doesn't leave me. He slumps back into the chair. It's quiet now. So quiet you can almost hear other people's dreams. So quiet that you can almost hear me tell Gramps, 'Thank you.
Gayle Forman (If I Stay (If I Stay, #1))
Sometimes life gives you a second chance, or even two! Not always, but sometimes. It’s what you do with those second chances that counts.
Dave Wilson (Masterly Batting: 100 Great Test Innings)
what inning is the world in right now, would you say? Top of the ninth? Bottom of the ninth?” “Neither,” the pastor said. His face was flush with anticipation. “We’re in extra innings.
Tim LaHaye (Brink of Chaos (The End Series Book 3))
In life, there's the beginning and the end. The beginning don't matter. The end don't matter. All that matters is what you do in between – whether you're prepared to do what it takes to make change. There has to be physical and material sacrifice. When all the dust settles and we're getting ready to play down for the ninth inning, the greatest reward is to know that you did your job when you were here on the planet.
John Carlos
Telling Mom was one thing. Telling Dad is another. He’s in the living room smoking and watching what he claims is a very important Yankees game. It’s in the ninth inning and the teams are tied. I consider backing out, maybe waiting another week or so, but maybe he won’t actually care when I tell him. Maybe all that stuff he said when I was younger, about never acting like a girl or playing with any female action figures, will go away once he realizes I am the way I am without any choice. Maybe he’ll accept me. Mom follows me into the living room and sits down on Eric’s bed. “Mark, do you have a minute? Aaron has something he wants to talk about.” He exhales cigarette smoke. “I’m listening.” He never looks away from the game.
Adam Silvera (More Happy Than Not)
Anytime,” Bill said. “Come on over with a six-pack tomorrow night, if you want. We’ll make fun of that goddamn Yastrzemski.” “That would be fun,” Ben said, “but what’ll we do after the second inning?
Stephen King ('Salem's Lot)
FOR SOME TIME, I have believed that everyone should be allowed to have, say, ten things that they dislike without having to justify or explain to anyone why they don’t like them. Reflex loathings, I call them. Mine are: Power walkers. Those vibrating things restaurants give you to let you know when a table is ready. Television programs in which people bid on the contents of locked garages. All pigeons everywhere, at all times. Lawyers, too. Douglas Brinkley, a minor academic and sometime book reviewer whose powers of observation and generosity of spirit would fit comfortably into a proton and still leave room for an echo. Color names like taupe and teal that don’t mean anything. Saying that you are going to “reach out” to someone when what you mean is that you are going to call or get in touch with them. People who give their telephone number so rapidly at the end of long phone messages that you have to listen over and over and eventually go and get someone else to come and listen with you, and even then you still can’t get it. Nebraska. Mispronouncing “buoy.” The thing that floats in a navigation channel is not a “boo-ee.” It’s a “boy.” Think about it. Would you call something that floats “boo-ee-ant”? Also, in a similar vein, pronouncing Brett Favre’s last name as if the “r” comes before the “v.” It doesn’t, so stop it. Hotel showers that don’t give any indication of which way is hot and which cold. All the sneaky taxes, like “visitor tax” and “hospitality tax” and “fuck you because you’re from out of town tax,” that are added to hotel bills. Baseball commentators who get bored with the game by about the third inning and start talking about their golf game or where they ate last night. Brett Favre. I know that is more than ten, but this is my concept, so I get some bonus ones.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Will: Do you ever wonder what your life would be like if you never met your wife? Sean: What? Do I wonder if I'd be better off if I never met my wife? No, that's okay. It's an important question. 'Cause you'll have your bad times, which wake you up to the good stuff you weren't paying attention to. And you can fail, as long as you're trying hard. But there's nothing worse than regret. Will: You don't regret meetin' your wife? Sean: Why? Because of the pain I feel now? I have regrets Will, but I don't regret a single day I spent with her. Will: When did you know she was the one? Sean: October 21, 1975. Game six of the World Series. Biggest game in Red Sox history. Me and my friends slept out on the sidewalk all night to get tickets. We were sitting in a bar waiting for the game to start and in walks this girl. What a game that was. Tie game in the bottom of the tenth inning, in steps Carlton Fisk, hit a long fly ball down the left field line. Thirty-five thousand fans on their feet, screamin' at the ball to stay fair. Fisk is runnin' up the baseline, wavin' at the ball like a madman. It hits the foul pole, home run. Thirty-five thousand people went crazy. And I wasn't one of them. Will: Where were you? Sean: I was havin' a drink with my future wife. Will: You missed Pudge Fisk's home run to have a drink with a woman you had never met? Sean: That's right. Will: So wait a minute. The Red Sox haven't won a World Series since nineteen eighteen, you slept out for tickets, games gonna start in twenty minutes, in walks a girl you never seen before, and you give your ticket away? Sean: You should have seen this girl. She lit up the room. Will: I don't care if Helen of Troy walked into that bar! That's game six of the World Series! And what kind of friends are these? They let you get away with that? Sean: I just slid my ticket across the table and said "sorry fellas, I gotta go see about a girl." Will: "I gotta go see about a girl"? What did they say? Sean: They could see that I meant it. Will: You're kiddin' me. Sean: No Will, I'm not kiddin' you. If I had gone to see that game I'd be in here talkin' about a girl I saw at a bar twenty years ago. And how I always regretted not goin' over there and talkin' to her. I don't regret the eighteen years we were married. I don't regret givin' up counseling for six years when she got sick. I don't regret being by her side for the last two years when things got real bad. And I sure as Hell don't regret missing that damn game. Will: Would have been nice to catch that game though. Sean: Well hell, I didn't know Pudge was gonna hit the home run.
Matt Damon (Good Will Hunting)
I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part—the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.
Rachel Hawthorne (The Boyfriend League)
In East Bangor, Pennsylvania (population 800), there’s a little diner named for the trolley that used to take people to the once-bustling steel town of Bethlehem. The proprietors have adorned the walls with photographs of other local things that are no more. There’s one of the East Bangor band, a group of about twenty men and boys, in uniform, in front of a bandstand draped with bunting. There’s also one of the Kaysers, a local baseball club, on the day of an exhibition ballgame against the Philadelphia Athletics. These were Connie Mack’s A’s, which team in those early 1930s featured Hall of Famers Jimmie Foxx, Mickey Cochrane, and Lefty Grove. How did a village of under a thousand people manage to have its own band? How did a cluster of slate-belt villages field a regular baseball club, apparently good enough to stay on the same field for nine innings with the Philadelphia Athletics? What
Anthony Esolen (Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child)
Remember what I said about cheaters not playing by the same set of rules as you? You just woke up to find out you’re in the fifth inning of Cheater Ball. When did the game start? What’s the score? Your cheater isn’t going to tell you. For cheaters, part of the game of Cheater Ball is denying they’re playing Cheater Ball. Work from the assumption that your cheater has a very different agenda than you do and that your well-being is not at the top of it.
Tracy Schorn (Leave a Cheater, Gain a Life: The Chump Lady's Survival Guide)
During the seventh inning stretch, we stood up and sang “Take Me Out to the Ball Game.” Jason and I swayed together. I couldn’t have been happier. The Rangers won. “See how it makes a difference when rituals are honored?” Jason said, his arm around my waist keeping me anchored against his side. “I’m too happy to argue,” I said. We stopped off in the gift shop, and he bought me a Texas Rangers cap. “Maybe you can start decorating a wall with caps from the games we go to,” he said. I grinned broadly, because I knew what he was really saying: Tonight was just the beginning for us.
Rachel Hawthorne (The Boyfriend League)
For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can’t be that late-inning pinch hitter I’d hoped for. He won’t unplug my breathing tube or overdose me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps’s recognition, and the permission he just offered me—it feels like a gift. Gramps doesn’t leave me. He slumps back into the chair. It’s quiet now. So quiet that you can almost hear other people’s dreams. So quiet that you can almost hear me tell Gramps, “Thank you.
Gayle Forman (If I Stay (If I Stay, #1))
Under "Activities and Interests," it was written "Boston Red Sox." The Boston Red Sox, an activity and an interest. Not a devotion to be suffered. Not a solemn vow in the off-season. Not a memorial to a dead man. Not a calling beyond reason. Just an interest. I take an interest in when they play, whether home or away, whether they win or lose--things like that. Maybe read about it in the paper the next morning. Millions of others just like me, taking an interest. Not "Coronaries and Rehabilitations." Not "Dedications and Forfeitures." Not "Life and Death." "Activities and Interests." This was how it was presented, in terrifying simplicity. What it was all reduced to, the thirty years, and the stupid tears, and every extra inning. An activity and an interest.
Joshua Ferris (To Rise Again at a Decent Hour)
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
We were in Pittsburgh at the end of September. The Pirates had already clinched the division, and the great Roberto Clemente was looking for his 3,000th career hit. I wasn’t in the lineup again. Clemente wasn’t a power hitter like Mays or Aaron, but he had won four batting titles, was a perennial All-Star, and even at the age of 37 was hitting well over .300. Roberto lined a sharp double down the left-field line in the fourth inning, and we saw history being made again. He joined Willie and Hank and a handful of others to reach that milestone. I remember thinking at the time how difficult it must be to get all of those hits, and for Willie and Hank to get all those home runs. I’d only reached about 900 hits with more than 2,000 to go if I ever was to hit that mark. That put it into perspective for me, that I really was watching one of the greats of the game. It was a dark day for baseball on the last day of 1972 when Roberto’s plane went down while delivering supplies to Nicaragua. He was only 38. I heard about the plane crash the next day, and it was like losing a brother. It was a great loss for the game of baseball and humanity—especially knowing how his fellow Puerto Ricans felt about him. He was a treasure, and he did it the way nobody else could. Some say he did everything wrong at the plate but he had great results behind it. You wouldn’t teach hitting the way he hit, but it was right for him. What he did was in him like it was in with me. He was a man of stature, and it was his calling. Some people are called to preach, some people are called to teach, and some people are called to serve. He was called to serve, and he served his entire island. I believe everything is predestined, and we just have to act out what’s already on the wall of your life. He’d probably always been aware of the need to do something more for others than for himself. He looked around and saw a need and acted on it. I’m certain he looked at who he was and what he accomplished and how he could take being famous into being a blessing for others. I’ve said this many times before, that those who depend on you are seeking a hand up and not a handout. I didn’t think about it then, but I think about it now, how good the Almighty was to wait to call Roberto home after he got his 3,000th hit—a milestone hit that put him next to the greats of the game.
Cleon Jones (Coming Home: My Amazin' Life with the New York Mets)
I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part--the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.
Rachel Hawthorne (The Boyfriend League)
You never talk to the pitcher when…” He shook his head. “You just never talk to the pitcher when--” “I just wanted to congratulate him on a good game--” “It’s not over ’til it’s over,” Chase said. “You jinxed me,” Jason said, crouching down in the corner, pressing his palms against his forehead, like he’d been struck with a migraine headache. “You don’t really believe that superstitious--” His head came up so fast, and his stare was so hard that I stopped. He did believe. He really did believe. And judging by the way the other guys were looking at me, they all believed. I backed away, not knowing what to say. I’d just felt sorry for him because he was being ignored. The guy at bat struck out, and Brandon was next. Bird had her fingers crossed while clutching the wire of the fence. “I think I just made a big mistake,” I said, my voice low. “Yeah, I heard you. According to Brandon, you’re never supposed to use the term no-hitter in the dugout.” “Well, I wasn’t technically in the dugout.” “But your words traveled into the dugout. Close enough.” “Great. You don’t really think I jinxed them, do you?” Brandon struck out, the first time he’d struck out since playing for the Rattlers. When he walked by and glared at me, I found myself wishing Harry Potter was real, sitting in the stands, and could turn me into a rabbit’s foot. I didn’t really believe in bad luck. I believed we made our own luck, but I also understood the power of positive or negative thinking. If you think you’ll lose, you’ll lose. The next inning, when six batters in a row got base hits off Jason, the coach put in a relief pitcher. By that time, even people in the stands were looking at me like it was my fault. Someone suggested I sit behind the dugout of the visiting team.
Rachel Hawthorne (The Boyfriend League)
Hurry up!” everyone in the room seemed to shriek at the same time. It didn’t matter to us that all over Pittsburgh, in every house and in every bar, thousands of others were undoubtedly carrying out their own rituals, performing their own superstitions. Hats were turned backward and inside out, incantations spoken and sung, talismans rubbed and chewed and prayed to. People who had the bad fortune of arriving at their gathering shortly before the Orioles’ first run were treated like kryptonite and banished willingly to the silence of media-less dining rooms and bathrooms, forced to follow the game through the reactions of their friends and family. And every one of those people believed what we believed: that ours was the only one that mattered, the only one that worked. Ruthie fumbled through the pages. Johnson fouled one off. “Got it!” Ruthie called. She stood and held Dock Ellis’s picture high over her head, Shangelesa’s scribbled hearts like hundreds of clear bubbles through which her father could watch the fate of his teammates. “He’s no batter, he’s no batter!” Ruthie sang. Johnson grounded the next pitch to shortstop Jackie Hernandez, who threw to Bob Robertson at first, and the threat was over. We yelled until we were hoarse. We were raucous and ridiculous and unashamed, and I have no better childhood memory than the rest of that afternoon. Blass came back out for the ninth, heroically shrugging off his wobbly eighth and, with Ruthie still standing behind us, holding the program shakily aloft for the entirety of the inning, he induced a weak grounder from Boog Powell, an infield pop-up from Frank Robinson, and a Series-ending grounder to short from Rettenmund. For the second inning in a row, Hernandez threw to Robertson for the final out, and all of us (or those who were able) jumped from our seats just as Blass leaped into Robertson’s arms, straddling his teammate’s chest like a frightened acrobat. Any other year, Blass would have been named the Most Valuable Player, and his performance remains one of the most dominant by a pitcher in Series history: eighteen innings, two earned runs, thirteen strikeouts, just four walks, and two complete game victories. But this Series belonged to Clemente. To put what he did in perspective, no Oriole player had more than seven hits. Clemente had twelve, including two doubles, a triple and two homeruns. He was relentless and graceful and indomitable. He had, in fact, made everyone else look like minor leaguers. The rush
Philip Beard (Swing)
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
Some coaches think that the best way to deal with pressure is to ignore it, treat every moment of a game the same so as not to heighten the tension even more. La Russa believes that players need to openly acknowledge pressure—literally embrace it as “your friend,” in his words—because the more they embrace it, the less it can intimidate them. He teaches hitters that the best way to deal with pressure is to prepare for it, come into the at-bat with a keen sense of what the pitcher is likely to throw and how you should handle it. Most important, when you’re up there, focus on the process and not the result; don’t project into the future. Forget about the noble but irrational concept of going for broke. Put away the hero complex and simply try to get something started. But don’t hesitate, either: In clutch moments, you’re unlikely to get your perfect pitch, so don’t wait around for it. Be aggressive. Nobody lives these principles better than the great Pujols. Alfonseca serves him a sinker low and inside to start the inning. It’s a good first pitch: difficult to drive, difficult to get into the gap. Pujols stays inside of it with his hands. He doesn’t try to do too much with it; he simply makes contact, and the ball scoots up the middle, past the shipwreck hulk of Alfonseca. It’s a single, an Oscar-
Buzz Bissinger (Three Nights in August: Strategy, Heartbreak, and Joy Inside the Mind of a Manager)
baseball, maybe even confuse you with a fog of overanaly-sis. As far as he knew, there was no way to quantify desire. And those numbers told him exactly what he needed to know when added to twenty-four years of managing experience. Each line was a concise history of Morris’s twelve outings through the end of May, and the numbers within each line reflected the following: innings pitched, hits allowed, runs given up, and pitches thrown. They told La Russa a story just like his matchups did, and this particular one contained dark foreshadowing. They showed that, out of Morris’s
Buzz Bissinger (Three Nights in August: Strategy, Heartbreak, and Joy Inside the Mind of a Manager)
If you own a retail company, another key factor in the analysis is figuring out whether the company is nearing the end of its expansion phase—what I call the “late innings” in its ball game. When a Radio Shack or a Toys “R” Us has established itself in 10 percent of the country, it’s a far different prospect than having stores in 90 percent of the country. You have to keep track of where the future growth is coming from and when it’s likely to slow down.
Peter Lynch (One Up On Wall Street: How To Use What You Already Know To Make Money In)
Even after my last Test innings, we had a discussion about how I had got out and what I had done wrong, despite knowing I’d never play for India again.
Anonymous
It’s a peculiar paradox. To know how to win, you must win frequently. As Aristotle said, ‘We are what we repeatedly do. Excellence then is not an act, but a habit’. You cannot be lackadaisical all your life and suddenly seek discipline in the middle of a big innings or before a big game.
Anita Bhogle and Harsha Bhogle (The Winning Way 2.0Learnings from Sport for Managers)
The two men gave not a chance, and they were still there at lunch. In two-and-a-half hours, on the stickiest pitch umpire Chester ever saw, they had lifted the total from 49 to 161. Hobbs, the freer of the two, had moved from 28 to 97; Sutcliffe, with his immense self-control, from 20 to just 53. The players and umpires made their way towards the pavilion, but the two batsmen remained for a minute in the middle, meticulously clearing the little divots of earth and patting down the pitch with their bats. “Well played, Jack”, said Sutcliffe. “Well played Herbert”, said Hobbs. Three words each, but in that very English way they acknowledged the ordeal of what they had been through.
Stephen Chalke (Masterly Batting: 100 Great Test Innings)
Mark Waugh, the most fluent and aesthetically pleasing batsman of his generation but also one of the most frustrating to watch. Often, when he appeared to be a class above the rest and to have the bowling at his mercy, he would play a lazy shot to what appeared, more often than not, an innocuous delivery. And just like that his innings would be over. To make matters worse, he didn’t seem to care; he would nonchalantly wander off the field. No shaking of the head or staring back at the pitch to apportion blame. His fans had to learn to accept 30s and 40s instead of centuries and 150s. His concentration, some would say his interest, never seemed to be there in the Test arena. Despite playing some match-winning Test innings, Waugh was never quite able to shake the ‘lackadaisical’ tag.
Sean Ehlers (Masterly Batting: 100 Great Test Innings)
We all know the situation; the brilliant quick bowler with his tail up delivers the ball on a perfect length and line. A hint of swing has it pitching just outside off, before seam movement takes it further away from the right hander who would be well advised, if good enough, to leave well alone. But he only has a fraction of a second to respond and make his decision. Yet somehow this astonishing batsman is neither shouldering arms nor nibbling, he’s standing tall and smashing a wicket-taking delivery through the covers, on the up, to the boundary. 'Wow,' enthuses the commentator, 'I’m here to tell you that was some shot.' And it was. Next over, same bowler, same ball, same response but instead of that beautiful meaty sound of ball meeting sweet-spot there is a heavy click as a thick edge flies waste high to a grateful third slip. 'Gone! And you have to say that was a poor shot – no foot movement.' "The gap between brilliant and brainless was some four centimetres. Or was it? Surely the first shot was every bit as reckless and feckless? Our foolhardy batsman got away with his poor shot selection first time but within minutes he went from hero to zero. So who is our thrilling and exasperating protagonist? Take your pick: Victor Trumper, Stan McCabe, Denis Compton, Barry Richards, Gordon Greenidge, Virender Sehwag. This is how they played, the risks they took made them what they were: the most thrilling, watchable and often frustrating batsmen of their respective generations. If you want the highs then you must take the lows, and for each run-a-ball century there will be a horridly inappropriate early-innings catastrophe signalling disappointment for all neutrals.
Andy Baynton-Power (Masterly Batting: 100 Great Test Innings)
'Find out where the ball is. Go there. Hit it' "'If there is a ball there to be hit, just hit it' "Two remarkably simple and similar philosophies, reflecting an uncomplicated attitude to batting. It will probably come as no surprise that one of these quotes is attributable to the quintessential Crown Prince of Simplicity, Virender Sehwag. What is more surprising is that the other quote belongs to the actual prince of the batting art, KS Ranjitsinhji; very few traditionalists would mention Ranji and Sehwag in the same breath, yet their approach was, in this essential philosophy, the same.
David Mutton (Masterly Batting: 100 Great Test Innings)
Cricket is a team game where individuals inspire each other to achieve performances which surpass what might otherwise be beyond them.
Richard Lloyd Parry (Masterly Batting: 100 Great Test Innings)
I don’t like exclamation marks as a rule, but this one’s unavoidable. Playing against Neil Harvey! I’d read Arthur Mailey’s poignant essay about playing against his hero, Vic Trumper. If I’d earlier found Mailey’s near-hysterical countdown a bit over the top, I didn’t think so now. So, God, please don’t let it rain. "I’ll keep it brief. Harvey back-cut a ball, which I chased. Picking it up near the pickets, I gazed at it. Gosh, this ball had just been stroked by Neil Harvey! Our wicket-keeper was screaming, 'Come on, Frithy! Throw the bloody thing in!' I did, shamefaced at the silly delay. Then our off-spinner annoyingly dismissed Neil for 10. "On the second Saturday I got in. ABC Radio were experimenting with live broadcasts from grade matches. My old scrapbook shows that I scored 29 in 100 minutes, a dreary effort that may well have been solely responsible for the abandonment of the commentary idea. What must Neil Harvey have thought? What really matters, though, is how my precious innings ended. Harvey bowled a curving off spinner outside leg. I tried to glance it, but that ball was loaded. It swerved, what, two feet? Well, two or three inches anyway. Maybe there’s something wrong with me, but I left that field slightly elated.
David Frith (Masterly Batting: 100 Great Test Innings)
In 2011 India’s Test team was crowned as world cricket’s leading side for the first time in its history. The foundations for this global domination can be traced to a decade earlier, when a career-defining performance by VVS Laxman helped to turn a whole series on its head as India, in the face of a seemingly unassailable deficit, staged an unbelievable recovery to go on and overpower what many considered to be the finest cricket team ever assembled.
Dave Wilson (Masterly Batting: 100 Great Test Innings)
Imagine this for a moment, if you will (you can reject the premise later on, but please just go along with it for now): imagine a baseball game.  The Dodgers are playing the Giants.  If you don’t know much about baseball, you may not know the Dodgers and Giants are bitter rivals.  They both want to win, obviously.  And obviously it’s just a sport, so it’s ok that they both want to win. But suppose the score is 10-1, with the Dodgers leading, and it’s the ninth (last) inning.  Suppose after all those games, and all those years and decades (over a century) of this bitter rivalry, the players, managers, coaches and fans said, “Let’s do something different.  Just for this one game, let’s see if we can play to a tie.  It will be different.  I mean we’ve played hundreds of games the other way.  And that was fun.  But let’s just try something different for now.  I mean, all this sweating and fighting and yelling just to win a game—it’s not the only thing in the world.  It’s good, but why not try something new for a change?  So let’s just play the game differently the rest of the way out, this one game.  And how about the fans of the Dodgers and the fans of the Giants switch caps, or at least try to root for the other guys for a while?  I mean, it’s just this once—it can’t hurt, right?  This old game of baseball, it’s a wonderful game, but come on—do we have to play the same way over and over game after game for the rest of our lives?  Just once can we do things differently?” Well, i know some of you sports fans are laughing right now, if not vomiting.  I mean, this is kind of ridiculous—trying to lose, on purpose?  It’s a bit of a left-wing stereotype i’m living up to right now.  So go ahead, get it all out of your system.  Call me every name in the book.  Say the world will fall apart if one baseball game is played differently.  I mean competition is the basis of everything.  If we didn’t compete over everything in life, what sort of meaning would life have?  Our civilization would fall apart.  The Dodgers letting the Giants win would be the end of western civilization.  It would destroy all our western values.  It might even be un-Christ-like.  A lot of you may not be able to imagine such a ridiculous thing even being considered, much less actually happening. And i find this interesting.  I find it interesting that we are so wrapped up in the idea that there must be winners and losers, and that somehow the outcome of this competition (whether it’s a baseball game or the life of a nation) is fair because that’s simply the natural order of things.  The side that wins is supposed to win; the side that loses is supposed to lose.  To dispute this is to dispute the most basic assumptions of who we are. If winning is this important to us, and—by extension—competition is too, then we need to be completely certain that the rules are fair, that nobody is cheating.  That is, suppose the Dodgers were cheating and that’s how they scored 10 runs?  What would we do then?  They probably should forfeit the game, right?  Well, i say white amerika has been cheating.  We’re not all bad—we have talent, we played hard, we love our mothers, but the fact is we’ve been cheating.  White amerika should forfeit.
Samantha Foster (an experiment in revolutionary expression: by samantha j foster)
If there is a man on third and one out, the team should score, on average, .897 runs. What does that mean? That 89.7 percent of the time, the man on third should score? No, not exactly: It means that the run-scoring potential is .897 as a function of there being a man on third and at least two additional batters in the half inning, barring a double play, pickoff, or failed steal attempt. Totaling the run potential of the man on third plus that of the two additional batters, who may get on base themselves, provides the .897. In the case of the first batter, let’s say that no one was on base—then the run potential for the team would be .249 (see the table for the intersection of one out and no one on base). Thus we see that in the situation this batter confronts, .249 of the team’s run value is attributable to the batter’s possibility of reaching base, bringing up not only the next batter but perhaps several more, depending upon the outcomes. This means that of the run value inherent in the situation “man on third, one out” (namely, .897), .249 resides with the batter(s) and .648 with the baserunner. In other words, a runner on third with one out will score, on average, 64.8 percent of the time.
John Thorn (The Hidden Game of Baseball: A Revolutionary Approach to Baseball and Its Statistics)
guessed she’d been something in her day. And if he’d known they were going to show up at the club, he’d have told the cocky bastards to fuck off out of it and take a taxi. Not smart. Despite that, Bishop recognised the deal with the Giordanos was the best chance he was likely to get to make the south London mob eat some of the same shit they’d dished out to his family. Until every Glass was history and he was standing at the bar in LBC, drinking Luke’s champagne and getting ready to fuck his hookers, Calum wouldn’t relax. The crew from New Orleans had their own reasons for being in London. He had no interest in them; they could cut off the sister’s tits and leave her to bleed out for all he cared, then with Glass beaten and broken he’d step in and deliver the final blow. And when her celebrated brother was history anybody who objected to the new arrangement was dead. The Giordanos were convinced he was on a mission to settle his uncle’s unfinished business. Wrong! To hell with revenge! He wanted what was good for Calum Bishop. As simple as that. George Ritchie was another name high on Calum’s hit list. The Geordie was a legend in his own right: he’d had a good innings, but his time was up. Persuading him to jump ship and join forces would’ve been the cherry on the cake. Not happening; he was Luke’s man. Yet, coming face to face with the old fucker, it was impossible not to have a sneaking pang of regret. In The North Star on Finchley Road, despite being outnumbered, Ritchie hadn’t flinched. Glass
Owen Mullen (Thief (The Glass Family #4))
In the extra innings phase, you can learn from your life and live with vigor and generosity and gratitude. There is the belief that when you lose one sense, the other senses make up for it and become sharper. . . Maybe in extra innings, we discover new skills, such as patience and resilience, even as we accept that what we lost won't come back.
Karen Duffy (Backbone: Living with Chronic Pain without Turning into One)
But she seems to be on a roll of not giving a fuck. “If the Rebels make it to the World Series, Brody and Gary are required to perform the following rituals in this order. First game, both lying on their backs, pinkies linked.” Jesus, not the pinkies linked. “Second game, back-to-back, rotating every half inning so they don’t strain their necks.” That one just makes sense. “Third game, they feed each other potato salad every inning. That one’s disgusting to witness.” We keep a cooler to the side so it doesn’t get warm, not that you were asking. “Fourth game…hmm, what do they, oh yeah. They pretend their feet are phones and ring each other up every inning to call in the inning’s plays.” That one we could have left out. “Fifth, sixth, and seventh, those are up for grabs. But if they do reach game seven, they have to wear their clothes backward with their underwear on the outside and sing ‘Twinkle Twinkle Little Star’ before every inning while holding hands and spinning around in circles.” Well…fuck. That’s pretty damning. And for the record, I carry that song for the both of us. Gary has an awful voice, and I should be sainted for dealing with his off-pitch singing.
Meghan Quinn (Bridesmaid for Hire (Bridesmaid for Hire, #1))
I think when people go on with “ah, they had a good innings” or “only the good die young”, well, really what they’re saying is “I don’t want to be uncomfortable, I don’t want to acknowledge your pain because I wouldn’t know what to do with it, and I’m afraid I’ll say the wrong thing, and me being comfortable is more important than you being able to say how you feel.
Jean Grainger (Sincerely Grace (The Knocknashee Story, #4))
Chapter 20 There's One More Inning I don't know what "inning" of life you are in, but the odds are you have at least one more opportunity to come to the plate. Are you running against the wind? Is a storm about to swamp your boat? Have you failed in the past? Do you believe God has given up on you? I don't believe he has! In Philippians 3:12-14 Paul reflects the attitude I believe we ought to have: Philippians 3:12-14 (NASB) Not that I have already obtained it or have already become perfect, but I press on so that I may lay hold of that for which also I was laid hold of by Christ Jesus. 13 Brethren, I do not regard myself as having laid hold of it yet; but one thing I do: forgetting what lies behind and reaching forward to what lies ahead, 14 I press on toward the goal for the prize of the upward call of God in Christ Jesus.
Neil T. Anderson (Living Free in Christ)
Be it sports, or be it anything in life … everything boils down to how you handle your idle time (the free time between two balls, innings etc.). The time between two balls in cricket, the time between two shots in shooting or the time a person spends idle dictates how he will perform. What happens generally is that what your mind tells you in your free time, defines your complete story in cricket or for that matter in life.
Sfurthi Sahare (The Monkey Theory: Conquer Your Mental Chatter)
They sat quietly for a few minutes. Finally, Alex said, “So Ben, right now I like baseball because I just caught one. Why do you like baseball so much?” “I don’t like baseball. I love baseball.” “That’s pretty obvious, but why?” Ben looked at his brother and shook his head thoughtfully. “It’s different than any other sport. It’s like life. The only way you can appreciate it is slowly. The drama of the game builds as each inning goes by. Sure, it’s great seeing your team hit a home run in the first inning, but it’s even better to see one in the ninth inning, especially when your team is down and you win because of it. The entire season is like that too, the same kind of pace from game one until the World Series. It’s not about any individual play, although that’s important. It’s not the home run itself. It’s the drama that precedes the home run, maybe a whole game that’s turned around and changed by it. You can’t appreciate baseball if all you watch are the highlight reels or all you see is one inning or one play. I’m not the first to say this, but baseball is life.” Alex smiled at his brother. “Look, I play basketball and I’ve played it my whole life, but frankly, when you watch a professional game, in my opinion the defense is almost nonexistent and the only thing good about it is the last couple of minutes,” Ben said. “You don’t get that in baseball. The drama of baseball is in every moment of the game, it builds until the last out. Baseball is all about the whole game.” “What about football?” asked Alex. “That has drama. The game is played over sixty minutes. I find it a whole lot more exciting than baseball.” “It’s not the same thing. It has many of the same elements when you look at the basics of it. They both have athleticism, strategy, and tactics, but it’s different. I’ll bet you find it exciting because of its ferocity. The violence is what turns me off about football. Don’t get me wrong, you still have to be able to think to play the game, but at the end of the day football is about violence—linemen trying to kill each other, the defensive guys trying to kill the quarterback, the receiver. The violence overshadows the thinking. I’ve seen games where the fans actually cheered when a visiting player was injured.” “Yeah, welcome to Philly.” Alex smiled. “Fair enough, but I bet it’s the same in any city,” Ben said. “Baseball isn’t about violence. Look, I know it has violence. God must love the catchers. I don’t know how they survive a two-hundred-pound base runner sliding into home, cleats first, and many second basemen have been hurt trying to put a man out at second. But that’s not what the game is about. It’s just a part of it, like life. “If I had to summarize the difference between baseball and football, football is about war; baseball is about life. In football you have two armies clashing, over and over again. They keep at it until one side overwhelms the other. Baseball is different. It’s about going out and working hard and having little victories and defeats along the way and sometimes you win and sometimes you lose. Hopefully you win, but even if you don’t you keep coming back every day. It’s like when you drive a truck, cut hair, sell buttons and zippers, or do advertising. It’s the same thing for all of us. It’s day-in and day-out work, and you hope at the end of the year you’ve won more than you’ve lost. If I want violence all I have to do is open the paper and read about Korea, or close my eyes and think about Okinawa. I get inspired by baseball to come back every day and try harder and if I work as hard as I can, and have a little luck, I get rewarded for it.
Joel Burcat
First game, both lying on their backs, pinkies linked.” Jesus, not the pinkies linked. “Second game, back-to-back, rotating every half inning so they don’t strain their necks.” That one just makes sense. “Third game, they feed each other potato salad every inning. That one’s disgusting to witness.” We keep a cooler to the side so it doesn’t get warm, not that you were asking. “Fourth game…hmm, what do they, oh yeah. They pretend their feet are phones and ring each other up every inning to call in the inning’s plays.” That one we could have left out. “Fifth, sixth, and seventh, those are up for grabs. But if they do reach game seven, they have to wear their clothes backward with their underwear on the outside and sing ‘Twinkle Twinkle Little Star
Meghan Quinn (Bridesmaid for Hire (Bridesmaid for Hire, #1))
He also wanted to make a statement. Bitcoin was just an advertisement for something with much broader application: the blockchain. “What’s the line in Lord of the Rings? ‘The ring has a power of its own.’ It will work its way into all the world’s record-keepings and dealings. And right along with it will be money + +. But we’re still very much in the opening innings of the game.
Benjamin Wallace (The Mysterious Mr. Nakamoto: A Fifteen-Year Quest to Unmask the Secret Genius Behind Crypto)
In the middle of the 1971 season, Weaver managed what is widely considered the greatest All-Star Game ever played. For the first time, two Black pitchers, Vida Blue and Dock Ellis, started on the mound. Twenty Hall of Famers played in the game, including Hank Aaron, Willie Mays, Reggie Jackson, and Roberto Clemente, and two, Sparky Anderson and Weaver, managed. Aaron, Clemente, Jackson, Johnny Bench, Frank Robinson, and Harmon Killebrew all homered. Jackson hit one off a light tower on the roof. Juan Marichal and Jim Palmer each pitched two scoreless innings. The team was so good that Pete Rose didn’t get to hit, and Tom Seaver and Steve Carlton didn’t pitch.
John W. Miller (The Last Manager: How Earl Weaver Tricked, Tormented, and Reinvented Baseball)
But it’s not the words. It’s what they mean. That soon he’ll be gone, and you will be left behind, and you shouldn’t spend your today wallowing in yesterday, at the expense of tomorrow.
A.J. Stewart (The Ninth Inning (Miami Jones #13))