“
Meeting your soul mate is like walking into a house you've been in before - you will recognize the furniture, the pictures on the wall, the books on the shelves, the contents of drawers: You could find your way around in the dark if you had to.
”
”
Jandy Nelson (I'll Give You the Sun)
“
Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
You are enough to drive a saint to madness or a king to his knees.
”
”
Grace Willows (To Kiss a King)
“
Before you find your soul mate, you must first discover your soul.
”
”
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
“
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
”
”
Grace Willows
“
I could recognise his soul in mine as much as he could find me in his. Our sole existences seemed to have been for this very moment when nothing else mattered.
”
”
X. Williamson (Distract My Hunger)
“
Galaxies pass through his black eyes, and I wonder whether this second could last a century. Whether the universe could be just me and him, understanding each other on a forever loop.
”
”
Ali Hazelwood (Check & Mate)
“
On July 2, McCandless finished reading Tolstoy's "Family Happiness", having marked several passages that moved him:
"He was right in saying that the only certain happiness in life is to live for others...
I have lived through much, and now I think I have found what is needed for happiness. A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books , music, love for one's neighbor - such is my idea of happiness. And then, on top of all that, you for a mate, and children, perhaps - what more can the heart of a man desire?" ...
”
”
Jon Krakauer (Into the Wild)
“
I have lived through much, and now I think I have found what is needed for happiness. A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books , music, love for one's neighbor - such is my idea of happiness. And then, on top of all that, you for a mate, and children, perhaps - what more can the heart of a man desire?
”
”
Leo Tolstoy (Семейное счастие)
“
Meeting your soul mate is like walking into a house you’ve been in before—you will recognize the furniture, the pictures on the wall, the books on the shelves, the contents of drawers: You could find your way around in the dark if you had to
”
”
Jandy Nelson (I'll Give You the Sun)
“
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky."
Excerpt from Grace Willow's Last Minute Bride
”
”
Grace Willows
“
Where shadows dim with shadows mate,
in caverns deep and dark.
Where old books dream of bygone days,
when they were wood and bark...
”
”
Walter Moers (The City of Dreaming Books (Zamonia, #4))
“
Damned mating heat. Lawe is threatening to join a monastery and Rule's threatening to quit. Why don't you two try to show the younger guys it can be fun instead of taking a note out of everyone else's books and letting it drive you insane?
-Jonas
”
”
Lora Leigh (Mercury's War (Breeds, #12))
“
Like no one else... you share that part of my mind that associates itself mostly with ideal things and places... The impression thinking about you gives me is very closely linked with that given me by a lonely hillside or a sunny afternoon... or books that have meant more to me than I can explain... This is grand, but still it isn't enough for this world... The earthly and obvious part of me longs to see and touch you and realise you as tangible.
”
”
Vera Brittain (Testament of Youth)
“
But I still has enough longing for that concept that I didn't want to dispel it completely. Meaning: I didn't want to tell Lily that I felt we'd all been duped by Plato and the idea of a soul mate. Just in case it turned out that she was mine.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Her name is Denise, and she has green eyes and red hair. Well, this week. Last week her hair was dyed blonde, and she had blue eyes. Or maybe that was a different woman. I don’t know. All I know is that she is my soul mate.
”
”
Jarod Kintz (This Book Has No Title)
“
All I need to do
is place my pen against paper
and your love
writes for me.
”
”
Kamand Kojouri
“
Choose your life's mate carefully. From this one decision will come 90 percent of all your happiness or misery.
”
”
H. Jackson Brown Jr. (The Complete Life's Little Instruction Book)
“
Poetry is jealous of you tonight,
for as soon as I come
to pen a few words,
your perfume attacks me
in the most civilised manner
and I forget myself.
I forget the poem.
I forget the ...
”
”
Kamand Kojouri
“
It's red hot, mate. I hate to think of this sort of book getting in the wrong hands. As soon as I've finished this, I shall recommend they ban it.
”
”
Tony Hancock
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
We read to understand our intuition of the world, to discover that someone a thousand miles and years away has put into words our most intimate desires and our most secret fears. Reading is a collaborative act.
”
”
Alberto Manguel
“
I believed that books might save him because I knew they had so far, and because I knew the people books had saved. They were college professors and actors and scientists and poets. They got to college and sat on dorm floors drinking coffee, amazed they'd finally found their soul mates. They always dressed a little out of season. Their names were enshrined on the pink cards in the pockets of all the forgotten hardbacks in every library basement in America. If the librarians were lazy enough or nostalgic enough or smart enough, those names would stay there forever.
”
”
Rebecca Makkai (The Borrower)
“
Some of us have deeper feelings for one over another. It can’t be helped. It’s chemistry. It’s inherent. You can’t make yourself love someone you don’t and you can’t make yourself stop loving someone you do.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Holding on to negative feelings and past circumstances is like placing a lock on your soul.
”
”
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
“
I reminded myself: when a book lies unopened it might contain anything in the world, anything imaginable. It therefore, in that pregnant moment before opening, contains everything. Every possibility, both perfect and putrid. Surely such mysteries are the most enticing things You grant us in this mortal mere -- the fruit in the garden, too, was like this. Unknown, and therefore infinite. Eve and her mate swallowed eternity, every possible thing, and made the world between them.
”
”
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
“
The librarian thought the problem was just that the right books weren’t breeding with each other and proposed a forced mating program. The library committee had an epic secret meeting about the ethics of literary eugenics which ended in a furious deadlock.
”
”
Lev Grossman (The Magician's Land (The Magicians, #3))
“
He told me that soul mates come into our lives at very precise times to inspire and to awaken us to bigger and better ways of looking at the world and interacting with it. We’ve known each other before, he said, and we will know each other again.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
This is going to hurt, but you will have to watch other couples be happier, richer and louder than you. Wait. No obstacle can withstand patience. Wait. You may not think so now, but there will come a time when you will be tempted to run away. Would that be right? Would that be fair? As every matriarch discovers, entire seasons will pass without reward. As your mate's peculiarities add up, what do you do? Wait!
”
”
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
“
A terrorist doesn't let strangers into her flat because they might be undercover police or intelligence agents, but her children bring their mates home and they run all over the place
The terrorist doesn't know that one of these kids has bugged every room in her house, made copies of all her computer files and stolen her address book.
The kid works for CHERUB
CHERUB agents are aged between 10 and 17. They live in the real world, slipping under adult radar and getting information that sends criminals and terrorists to jail.
”
”
Robert Muchamore (The Recruit (Cherub, #1))
“
Why didn't you write all this time?
Did you not remember us in a song?
A dance?
In the skies littered with stars?
Did you not get drunk?
Why didn’t you write all this time?
Did you not remember us in a film?
A book?
In idyllic dusks and dawns?
Did you not get high?
It is good that you didn't.
For all is well.
I am drunk and dazed.
I have already forgotten you
and your bewitching ways.
”
”
Kamand Kojouri
“
A male frigate bird blows up a wild red pouch on his neck. He can keep it puffed up for hours. It is his way of impressing the girls.
”
”
Julie Murphy (Sea Birds (Weird, Wild, and Wonderful))
“
You may kill for yourselves, and your mates,
and your cubs as they need, and you can;
But kill not for pleasure of killing, and
SEVEN TIMES NEVER KILL MAN.
”
”
Rudyard Kipling (The Second Jungle Book (Jungle Book, #2))
“
In the trembling grey of a spring dawn, when the birds were whispering in mysterious cadence among the trees, have you not felt that they were talking to their mates about the flowers?
”
”
Kakuzō Okakura (The Book of Tea)
“
It’s the spark of love’s memory inside your heart that recognizes them and most of the time they recognize you too. That spark is the magnet that always brings us back to each other. Like glue, it binds us together with an invisible cord from lifetime to lifetime, soul mate to soul mate.
”
”
Kate McGahan (Jack McAfghan's - The Lizard from Rainbow Bridge: A True Tale of an Animal Spirit Angel (Jack McAfghan Pet Loss Series Book 2))
“
Dear Judy Blume, why didn’t you write a book about how to survive talking to your centuries-old, super-duper experienced, smoking-hot soul mate about sex for the first time ever? That book would have been extremely helpful in preparing me for this incredibly awkward situation.
”
”
Karen Amanda Hooper (Taking Back Forever (The Kindrily, #2))
“
Soul mates meet in a place where time stands still. You recall where you were when the call came in. The vivid colors of the day. The season. The way the sun was streaming in or how the rain fell upon the glass. That’s how you know it was your destiny. You can remember the smallest details of your meeting. And you thought it wouldn’t matter.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Men write more books. Men give more lectures. Men ask more questions after lectures. Men post more e-mail to Internet discussion groups. To say this is due to patriarchy is to beg the question of the behavior's origin. If men control society, why don't they just shut up and enjoy their supposed prerogatives? The answer is obvious when you consider sexual competition: men can't be quiet because that would give other men a chance to show off verbally. Men often bully women into silence, but this is usually to make room for their own verbal display. If men were dominating public language just to maintain patriarchy, that would qualify as a puzzling example of evolutionary altruism—a costly, risky individual act that helps all of one's sexual competitors (other males) as much as oneself. The ocean of male language that confronts modern women in bookstores, television, newspapers, classrooms, parliaments, and businesses does not necessarily come from a male conspiracy to deny women their voice. It may come from an evolutionary history of sexual selection in which the male motivation to talk was vital to their reproduction.
”
”
Geoffrey Miller (The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature)
“
You are enough to drive a saint to madness or a king to his knees
Excerpt from To Kiss a King by Grace Willows
Coming this summer to Amazon Kindle and paperback.
”
”
Grace Willows (To Kiss a King)
“
...pushing through her own feeling of panic to find what Kane was trying to communicate to her. It was a bit of a jumble and she strained to make sense of it, finally grasping a repeated thread: I love you. Be ready.
”
”
Nicky Charles (The Mating (Law of the Lycans, #1))
“
Sophia and Grandmother sat down by the shore to discuss the matter further. It was a pretty day, and the sea was running a long, windless swell. It was on days just like this--dog days--that boats went sailing off all by themselves. Large, alien objects made their way in from sea, certain things sank and others rose, milk soured, and dragonflies danced in desperation. Lizards were not afraid. When the moon came up, red spiders mated on uninhabited skerries, where the rock became an unbroken carpet of tiny, ecstatic spiders.
”
”
Tove Jansson (The Summer Book)
“
We must love someone. We must keep loving, all our days, Someone, anyone, anywhere Outside our selves; For even the sarus crane Will grieve over its lost companion, And the seal its mate. Somewhere in life There must be someone To take your hand And share the torrid day. Without the touch of love There is no life, and we must fade away.
”
”
Ruskin Bond (A Book of Simple Living: Brief Notes from the Hills)
“
Some souls come together just for a little while to teach each other something. It can be confusing because you can think you love someone at first sight and you assume that they are a soul mate. You think it’s supposed to last forever. You share the same dreams because when your mind is asleep, your souls travel to the same place so that you can be together. You think of them and they call within moments, because they are thinking of you too. The truth is that some soul mates stay just long enough to teach you what you need to learn.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
All of you do this. Every organic sapient I’ve ever talked to, every book I’ve read, every piece of art I’ve studied. You are all desperate for purpose, even though you don’t have one. You’re animals, and animals don’t have a purpose. Animals just are. And there are a lot of intelligent – sentient, maybe – animals out there who don’t have a problem with that. They just go on breathing and mating and eating each other without a second thought. But the animals like you – the ones who make tools and build cities and itch to explore, you all share a need for purpose. For reason. That thinking worked well for you, once. When you climbed down out of the trees, up out of the ocean – knowing what things were for was what kept you alive. Fruit is for eating. Fire is for warmth. Water is for drinking. And then you made tools, which were for certain kinds of fruit, for making fire, cleaning water. Everything was for something, so obviously, you had to be for something too, right? All of your histories are the same, in essence. They’re all stories of animals warring and clashing because you can’t agree on what you’re for, or why you exist.
”
”
Becky Chambers (A Closed and Common Orbit (Wayfarers, #2))
“
Mr. Charles Darwin, who looked a bit like God which is interesting, wrote a book called You're a Fucking Monkey, Mate. He played around with the title for a while: We're All Fucking Monkeys; You're a Fucking Monkey, Mate; Get Out of My Face, You Fucking Monkey. And he ended up with On The Origin of Species.
”
”
Eddie Izzard
“
And Submission is the mate of Dominance. The two are destined for marriage." ~Lucian Bane
”
”
Lucian Bane (Dom Wars: Round Five (Dom Wars, #5))
“
Too many disciples neglect their thorn-like qualities. For instance: Opting for singleness doesn't count if you can't attract a mate. Patience doesn't count if you are too cowardly to defend what is right. Forgiveness doesn't count if the offender never respected you enough to ask for it. Don't label your character flaws as noble sacrifices.
”
”
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
“
A fulfilling long-term relationship is not accomplished by just finding the one. It is rather a co-operation between two passionate and highly motivated partners working together, figuring out every single situation holding hands. If there is trust at the root of the relationship, if the partners make an effort to keep it interesting, if difficulties are handled tactfully and if you can appreciate every single deed of your partner no matter how insignificant it is, the flames of love would never burn out and your love can truly live happily ever after.
”
”
Abhijit Naskar (The Art of Neuroscience in Everything)
“
The serious reader in the age of technology is a rebel by definition: a protester without a placard, a Luddite without hammer or bludgeon. She reads on planes to picket the antiseptic nature of modern travel, on commuter trains to insist on individualism in the midst of the herd, in hotel rooms to boycott the circumstances that separate her from her usual sources of comfort and stimulation, during office breaks to escape from the banal conversation of office mates, and at home to revolt against the pervasive and mind-deadening irrelevance of television.
”
”
Eric Burns (Joy of Books)
“
When you dream you go inside yourself, even though it makes you feel like you are traveling many miles and light years to go to the dream worlds. This is the irony of all of it. Everything lives within the heart of the dreamer. Your heart can take you everywhere. It’s the world where we are still together. The heart is where you’ll find me and anyone else you have ever loved with all your heart and all your soul.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
It’s a hard thing about relationships, isn’t it? Doesn’t matter what type it is, if it’s worth keeping, sometimes you have to say shit you don’t want to, pry it out of your own mouth and toss it over a fence your mate’s building now because that’s what people do when you hurt them—build fences, raise walls, dig ditches, pitfalls, etc.
”
”
Jessa Hastings (Daisy Haites (The Magnolia Parks Universe Book 2))
“
Yes. I was just telling Elyse here... frankly, kids, I'm not sure it's even legal to have a female first mate. We'd have to consult the rule book, but as far as I know, regatta's a man's race."
Christian's jaw ticked, just like it had with his father the night of the party. "Damn. Must have hit my head on the way out of that time machine. 1850, are we? I might need some new clothes. Elyse, you sew right? Don't all girls sew?
”
”
Sarah Ockler (The Summer of Chasing Mermaids)
“
In a fraction of a moment we fall in love, we break up, we live out a love story that lasts until the end of time. We are soulmates, we are adversaries, we are everything. We are nothing. We are at our fullest potential of every possibility. We are supposed to cross paths for one reason or another. Sometimes we don’t know the reason until it’s far behind us.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
In primates at least, infanticide seems to have been the crucial factor driving the evolution of monogamous mating systems.
”
”
Robin I.M. Dunbar (Human Evolution: A Pelican Introduction (Pelican Books))
“
I came to
pen another poem for you,
but even every unwritten poem
is you.
”
”
Kamand Kojouri
“
If there’s anyone we are sure to learn something from, it’s the one who pushes our buttons.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Men with lower self-esteem tend to select women who are less physically attractive and women with lower self-esteem tend to select mates who are lower income earners
”
”
Jack Schafer (The Like Switch: An Ex-FBI Agent's Guide to Influencing, Attracting, and Winning People Over (The Like Switch Series Book 1))
“
She made me her everything. She didn’t realize then that when you make someone your everything, when they are gone you have nothing left. I have since learned that our Master sends us soul mates who teach us to depend on them and then we come to believe we cannot live without them. Then He takes them away to prove to us that we can indeed live without them, but also to prove that we cannot live without Him.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
We now know that love is, in actuality, the pinnacle of evolution, the most compelling survival mechanism of the human species. Not because it induces us to mate and reproduce. We do manage to mate without love! But because love drives us to bond emotionally with a precious few others who offer us safe haven from the storms of life. Love is our bulwark, designed to provide emotional protection so we can cope with the ups and downs of existence. This drive to emotionally attach — to find someone to whom we can turn and say “Hold me tight” — is wired into our genes and our bodies. It is as basic to life, health, and happiness as the drives for food, shelter, or sex. We need emotional attachments with a few irreplaceable others to be physically and mentally healthy — to survive.
”
”
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
“
He witnessed the love people throughout the industry had for their animals and for the sport itself. Someone once snapped a picture depicting his rictus of wonderment as he listened to a stable mate trace the lineage of a horse in a neighboring stall. Sires and dams, by name, for generations back. Wil could tell the lad wasn’t fabricating those names. We remember what we love.
”
”
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
“
You can’t “make” someone your soul mate. You can try but it will always be very hard work. Human relationships are hard even when they are easy, so it’s important to be in one with a soul mate. She felt she could learn to love Shane; that she might grow to love him over time. She always felt she could make her mind up and then accomplish anything, but the heart and the mind have different agendas. If she was going to try to make this relationship work, it had to come from her heart, not from ‘making up her mind’. You don’t have to “try” to be anything when you are with your soul mate because they are looking for who you are, not for who you are trying to be.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
It was hard to explain. But what was between them went further than a mating ceremony or a back carving or a witnessed exchange of commitment. He couldn't put his finger on the why of it...but she was his missing puzzle piece, the twelfth in his dozen, the first and last pages of his book.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
When strangers on a train or a plane ask what I do for a living, I say, "I kill people." This response makes for a short conversation. No eye contact and no sudden movement from my seat-mate. Only peace and quiet. Rare is the fellow passenger who asks why I do it.
I suppose I got tired hanging out in a book all day waiting for a story to begin. I write the kind of novels I want to read. And why the theme of solving murders? Violent death is larger than life and it's the great equalizer. By law, every victim is entitled to a paladin and a chase, else life would be cheapened.
And the real reason I do this? My brain is simply bent this way. There is nothing else I would rather do. This neatly chains into my theory of the writing life. If you scratch an artist, under the skin you will find a bum who cannot hold down a real job. Conversely, if you scratch a bum... but I have never done that.
The heart of my theory has puritan roots: if you love what you do, you cannot call it honest work.
”
”
Carol O'Connell
“
Assassinating the Lord Ruler?” Wax asked. “Isn’t that a little violent for a children’s book?” “Mate,” Wayne said, “it ain’t violence if it’s religion. Don’t you know anythin’?
”
”
Brandon Sanderson (The Lost Metal (The Mistborn Saga, #7))
“
It can get a little complicated when you have the expectation that you’re supposed to live Happily Ever After with this person when they were designed to stay with you for just a little while. Our Master designs it this way so you make the most of the relationship when you have it. She thought all soul mates were meant to be forever, when some soul mates are just meant to be.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
To my oldest friend, who at the time of publication of this book most likely still hasn’t finished it because of the “weird wolfy shit.” I love you, asshole. You don’t know what you’re missing.
”
”
Lana Ferguson (The Fake Mate)
“
When we met, we were two injured souls. Both keeping the real out of our lives for fear of what we might find. But nothing could have kept us apart. I never believed in destiny. Thought that was a bunch of crap for people who read too many books. Until I met you. You’re it for me, Babe. I didn’t even know I was missing something until I found you, but now I don’t know how I got through a day without what you’ve given me. You’re my soul mate. As sappy as it sounds, it’s god damn true. Nothing has ever been truer in my life. So no, I’m not worried about this fight not helping me heal from my past, because it’s you who does that for me. You’ve filled all the cracks in my heart and made me better. I never thought I’d say this after what I went through, but I’m the luckiest bastard on this earth.
”
”
Vi Keeland (Worth the Fight (MMA Fighter, #1))
“
Sometimes driven aground by the photon storms, by the swirling of the galaxies, clockwise and counterclockwise, ticking with light down the dark sea-corridors lined with our silver sails, our demon-haunted sails, our hundred-league masts as fine as threads, as fine as silver needles sewing the threads of starlight, embroidering the stars on black velvet, wet with the winds of Time that go racing by. The bone in her teeth! The spume, the flying spume of Time, cast up on these beaches where old sailors can no longer keep their bones from the restless, the unwearied universe. Where has she gone? My lady, the mate of my soul? Gone across the running tides of Aquarius, of Pisces, of Aries. Gone. Gone in her little boat, her nipples pressed against the black velvet lid, gone, sailing away forever from the star-washed shores, the dry shoals of the habitable worlds. She is her own ship, she is the figurehead of her own ship, and the captain. Bosun, Bosun, put out the launch! Sailmaker, make a sail! She has left us behind. We have left her behind. She is in the past we never knew and the future we will not see. Put out more sail, Captain for the universe is leaving us behind…
”
”
Gene Wolfe (The Citadel of the Autarch)
“
The right loved one will fill up your life like the final puzzle piece that makes it all complete. You feel it when you meet them. Or sometimes if you aren’t mature enough or wise enough, it can take time to discover that they are the right one. Once your jigsaw puzzle is complete, the rest are often just extra pieces.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Home, like love, hate, war, and peace, is one of those words that is so important that it doesn't need more than one syllable. Home is part of the fabric of who humans are. Doesn't matter if you're a vampire or a wizard or a secretary or a schoolteacher; you have to have a home, even if only in principle-there has to be a zero point from which you can make comparisons to everything else. Home tends to be it.
That can be a good thing, to help you stay oriented in avery confusing world. If you don't know where you feet are planted, you've got no way to know here you're heading when you start taking steps. It can be a bad thing, when you run into something so different from home that it scares you and makes you angry. That's also part of being human.
But there's a deeper meaning to home. Something simpler, more primal. It's where you eat the best food because other predators can't take it from you very easily there. It's where you can your mate are the most intimate. Its where your raise your children, safe against a world that can be horrible things to them. It's where you sleep, safe. It's where you relax. It's where you dream. Home is where you embrace the present and plan the future. It's where the books are. And more than anything else, it's where you build the world that you want.
”
”
Jim Butcher (Peace Talks (The Dresden Files, #16))
“
I loved Twitter: an open, rhizomatic forum where you could aggravate existing mental illnesses, shop for new ones, violate your Miranda rights, and get fired. A place to be judged on the character of your content, driven by rubbernecking and spite, where fame is a millstone and names are bad op-sec. Twitter was the right word for it, birdsong being a Darwinian squall mistaken for idle chatter, screaming for territory and mates. An improv class, press conference, intervention, Klan rally, comics convention, and struggle session all booked in the same conference room.
”
”
Tony Tulathimutte (Rejection: Fiction)
“
Not everyone understands the love that takes place between two soul mates. Once it strikes, you are never the same. Then every song you hear about true love finally makes sense. All the famous love poems resonate in your heart when you read them. You come to recognize those who have also come to recognize the deepest, truest love …and they recognize you too. You cannot experience this level of relationship with someone who has not been into the depths of love and spirit. You cannot fault them. They are on their own path and if you do anything, pity them for not yet knowing what love is all about.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
One thing you distinctly never want to hear a man you're interested in say softly is that his favorite book in the whole world is The Golden Notebook. Here you are dealing with a liar from the black lagoon and it's time to start feeling in your purse for carfare.
”
”
Norman Rush (Mating)
“
The library was still giving trouble: a few books in some of the more obscure corners of the stacks retained some autonomy, dating back to an infamous early experiment with flying books, and lately they'd begun to breed. Shocked undergraduates had stumbled on books in the very act.
Which sounded interesting, but so far the resulting offspring had either been predictably derivative (in fiction) or stunningly boring (nonfiction); hybrid pairings between fiction and nonfiction were the most vital. The librarian thought the problem was just that the right books weren't breeding with each other and proposed a forced mating program. The library committee had an epic secret meeting about the ethics of literary eugenics which ended in a furious deadlock.
”
”
Lev Grossman (The Magician's Land (The Magicians, #3))
“
Even the beasts succumb to such aggression. Killers among your kind, among my kind, are just that – the savagery of beasts mated with intelligence, or what passes for intelligence. They dwell in a murky world, sir, confused and fearful, stained dark with envy and malice. And in the end, they die as they lived. Frightened and alone, with every memory of power revealed as illusion, as farce.
”
”
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
“
All relationships live in the shadow of the third, for it is the other that solders our dyad. In his book Monogamy, Adam Phillips writes, “The couple is a resistance to the intrusion of the third, but in order for it to last it is indispensable to have enemies. That is why the monogamous can’t live without them. When we are two, we are together. In order to form a couple, we need to be three.
”
”
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
“
As the sociologist Diana C. Mutz discovered in her book Hearing the Other Side (2006), those with the highest levels of education have the lowest exposure to people with conflicting points of view, while those who have not graduated from high school can claim the most diverse discussion mates.19 In other words, those most likely to live in the tightest echo chambers are those with the highest level of education.
”
”
Greg Lukianoff (Unlearning Liberty: Campus Censorship and the End of American Debate)
“
NOW this is the Law of the Jungle — as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back —
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.
Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter — go forth and get food of thine own.
Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken — it may be fair words shall prevail.
When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.
The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.
The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.
If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.
Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!
If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.
The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.
The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.
Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.
Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.
Cave-Right is the right of the Father — to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.
Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.
Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is — Obey!
”
”
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
“
I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place,
because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.
”
”
Kamand Kojouri
“
But there’s a deeper meaning to home. Something simpler, more primal. It’s where you eat the best food because other predators can’t take it from you very easily there. It’s where you and your mate are the most intimate. It’s where you raise your children, safe against a world that can do horrible things to them. It’s where you sleep, safe. It’s where you relax. It’s where you dream. Home is where you embrace the present and plan the future. It’s where the books are. And more than anything else, it’s where you build that world that you want.
”
”
Jim Butcher (Peace Talks (The Dresden Files, #16))
“
Among the required reading for all PUAs were books on evolutionary theory: The Red Queen by Matt Ridley, The Selfish Gene by Richard Dawkins, Sperm Wars by Robin Baker. You read them, and you understand why women tend to like jerks, why men want so many sexual partners, and why so many people cheat on their spouses. At the same time, however, you understand that the violent impulses most of us successfully repress are actually normal and natural. For Mystery, a Darwinist by nature, these books gave him an intellectual justification for his antisocial emotions and his desire to harm the organism that had mated with his woman. It was not a healthy thing. Tyler
”
”
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
“
Just so ya know, mate, superpowers come at a cost."
"What superpowers are you-"
"Oi, listen. D'ya know Pinocchio? The wooden lad. Yeah, his superpower was ta lie ta everyone about anythin' he saw fit. An' I think 'tis cool if y'ask me. But it had a cost, it did. His nose grew longer with every lie. Ha! Ya see?"
"No, I don't."
"We're reality's lies mate. An' there's a cost ta'r existence."
-Robert Cassidy, on people with paranormal abilities.
”
”
Yannis Karatsioris (The Book of the Forsaken (The Game, #1))
“
The truth is that we stray and have affairs not because we are all naturally inclined to have multiple mates but because our bond with our partner is either inherently weak or has deteriorated so far that we are unbearably lonely. We haven’t understood love or known how to repair it. So, confused and lost in a world that sells sex aggressively as the be-all and end-all of a relationship, the only obvious “solution” has been to seek out new lovers to try to create the longed-for connection.
”
”
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
“
You should talk to Ian about Cuba, old chap, that really gets him going. He says, and I agree, you lost. The Soviets sucked you into another trap. A fool’s mate. He believes they built their sites almost openly—wanting you to detect them and you did and then there was a lot of saber-rattling, the whole world’s frightened to death, and in exchange for the Soviet agreement to take the missiles out of Cuba your President tore up your Monroe Doctrine, the cornerstone of your whole security system.
”
”
James Clavell (Noble House (Asian Saga Book 5))
“
He was right in saying that the only certain happiness in life is to live for other...I have lived through much, and now I think I have found what is needed for happiness. A quiet secluded life in the country, with the possibility of being useful to people to whom it is easily to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbor - such is my idea of happiness. And then, on top of all that, you for a mate, and children, perhaps - what more can the heart of a man desire?
”
”
Leo Tolstoy (Family Happiness and Other Stories)
“
Outsong in the Jungle
[Baloo:] For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: "Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Kaa:] Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Bagheera:] In the cage my life began;
Well I know the worth of Man.
By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way."
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[The Three:] On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!
”
”
Rudyard Kipling
“
The Oracle handed her a small, leather bound booklet, about as thick as a pamphlet, and said, “You are a teacher, yes?”
It was nice of the Oracle to phrase things in the form of a question and let people feel they were imparting information. “Yes, I am.”
“Excellent. I know teachers value learning, and this book has very valuable information on gargoyles. If Terak remains part of your life, this you’ll want to know.”
Larissa weighed it in her hand. “This is a very light history.”
The Oracle arched one fine brow. “Why would I bother with that? This, my dear, is about how gargoyles mate.
”
”
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
“
When I’m gone, time won’t change. It will pass the way it always has. I’ve seen it happen. People always move on. You will find your mate. You will move on then I’ll be nothing but a memory, but I will never forget you. I will always love you for you have drawn emotions in me no other has in two thousand years. I will live with the memory of you in my heart because nothing can erase you from within me. You have forever changed me. You’ve taught me what it’s like to truly love.
”
”
J.L. Sheppard (Heavenly Desire (Elemental Sisters, #3))
“
People often ask me where I get my ideas from, sometimes as often as eighty-seven times a day. This is a well-known hazard for writers, and the correct response to the question is first to breathe deeply, steady your heartbeat, fill your mind with peaceful, calming images of birdsong and buttercups in spring meadows, and then try to say, “Well, it’s very interesting you ask that . . .” before breaking down and starting to whimper uncontrollably. The fact is that I don’t know where ideas come from, or even where to look for them. Nor does any writer. This is not quite true, in fact. If you were writing a book on the mating habits of pigs, you’d probably pick up a few goodish ideas by hanging around a barnyard in a plastic mac, but if fiction is your line, then the only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
”
”
Douglas Adams (The Salmon of Doubt)
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
We sit in silence for a few minutes, drinking. Then Alberto glances up. “You know that the Greeks used to believe that people were made up of two heads and two bodies. But Zeus was afraid of how powerful that could be, so he split people in two. That way, instead of causing trouble for him, they spent the rest of their lives trying to find their other half.” “A soul mate,” I say. “Do you believe that there’s only one for each of us, and that we have to sift through seven billion people to find it?” “No. I think that you can love more than one person in a lifetime. There’s the one who teaches you what love is, even if it doesn’t last.” Wyatt. “And then there’s the one who makes you a better human than you were, even as you do the same for him.” Brian. “And then there’s the last one,” Alberto adds. “The one that you never get enough time with. But who sees you through to the end.
”
”
Jodi Picoult (The Book of Two Ways)
“
No purer artist exists or has ever existed than a child freed to imagine. This scattering of sticks in the dust, that any adult might kick through without a moment’s thought, is in truth the bones of a vast world, clothed, fleshed, a fortress, a forest, a great wall against which terrible hordes surge and are thrown back by a handful of grim heroes. A nest for dragons, and these shiny smooth pebbles are their eggs, each one home to a furious, glorious future. No creation was ever raised as fulfilled, as brimming, as joyously triumphant, and all the machinations and manipulations of adults are the ghostly recollections of childhood and its wonders, the awkward mating to cogent function, reasonable purpose; and each façade has a tale to recount, a legend to behold in stylized propriety. Statues in alcoves fix sombre expressions, indifferent to every passer-by. Regimentation rules these creaking, stiff minds so settled in habit and fear.
”
”
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
“
The cicada lies in the earth for seventeen years. It is warm and dark there, it is soft and wet. Its little legs curl underneath it, and twitch only once in a little while. What does the cicada dream when it is folded into the soil? What visions travel through it, like snow flying fast? Its dreams are lightless and secret. It dreams of the leaves it will taste, it composes the concerto it will sing to its mate. It dreams of the shells it will leave behind, like self-portraits. All its dreams are drawn in amber. It dreams of all the children it will make.
And then it emerges from the earth, shaking dust and damp soil from its skin. It knows nothing but its own passion to ascend - it climbs a high stalk of grass and begins to sing, its special concerto to draw the wing-pattern of its beloved near. And as it sings it leaves its amber skin behind, so that in the end, it has sung itself into a new body in which it will mate, and die.
The cicadas leave their shells everywhere, like a child's lost buttons. The shells do not understand the mating dance that now occurs in the mountains above it. The shell knows nothing of who it has been, it does not remember the dreaming of self, that was warm in the earth. The song emptied it, and now it simply waits for the wind or the rain to carry it away.
You are the cicada-in-the-earth. You are the shell-in-the-grass. You do not understand what you dream, only that you dream. And when you begin to sing, the song will separate you from your many skins.
This is the lesson of the cicada's dream.
”
”
Catherynne M. Valente (Yume No Hon: The Book of Dreams)
“
The Book of Oogenesis In the beginning were the gametes. And though there was sex, lo, there was no gender, and life was in balance. And God said, “Let there be Sperm”: and some seeds did shrivel in size and grow cheap to make, and they did flood the market. And God said, “Let there be Eggs”: and other seeds were afflicted by a plague of Sperm. And yea, few of them bore fruit, for Sperm brought no food for the zygote, and only the largest Eggs could make up the shortfall. And these grew yet larger in the fullness of time. And God put the Eggs into a womb, and said, “Wait here: for thy bulk has made thee unwieldy, and Sperm must seek thee out in thy chambers. Henceforth shalt thou be fertilized internally.” And it was so. And God said to the gametes, “The fruit of thy fusion may abide in any place and take any shape. It may breathe air or water or the sulphurous muck of hydrothermal vents. But do not forget my one commandment unto you, which has not changed from the beginning of time: spread thy genes.” And thus did Sperm and Egg go into the world. And Sperm said, “I am cheap and plentiful, and if sowed abundantly I will surely fulfill God’s plan. I shall forever seek out new mates and then abandon them when they are with child, for there are many wombs and little time.” But Egg said, “Lo, the burden of procreation weighs heavily upon me. I must carry flesh that is but half mine, gestate and feed it even when it leaves my chamber,” for by now many of Egg’s bodies were warm of blood, and furry besides. “I can have but few children, and must devote myself to those, and protect them at every turn. And I will make Sperm help me, for he got me into this. And though he doth struggle at my side, I shall not let him stray, nor lie with my competitors.” And Sperm liked this not. And God smiled, for Its commandment had put Sperm and Egg at war with each other, even unto the day they made themselves obsolete.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
Romance Of A Youngest Daughter"
Who will wed the Dowager’s youngest daughter,
The Captain? filled with ale?
He moored his expected boat to a stake in the water
And stumbled on sea-legs into the Hall for mating,
Only to be seduced by her lady-in-waiting,
Round-bosomed, and not so pale.
Or the thrifty burgher in boots and fancy vest
With considered views of marriage?
By the tidy scullery maid he was impressed
Who kept that house from depreciation and dirt,
But wife does double duty and takes no hurt,
So he rode her home in his carriage.
Never the spare young scholar antiquary
Who was their next resort;
They let him wait in the crypt of the Old Library
And found him compromised with a Saxon book,
Claiming his truelove Learning kept that nook
And promised sweet disport.
Desirée (of a mother’s christening) never shall wed
Though fairest child of her womb;
“We will have revenge,” her injured Ladyship said,
“Henceforth the tightest nunnery be thy bed
By the topmost stair! When the ill-bred lovers come
We’ll say, She is not at home.
”
”
John Crowe Ransom
“
POLLARD had known better, but instead of pulling rank and insisting that his officers carry out his proposal to sail for the Society Islands, he embraced a more democratic style of command. Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important. Whalemen in the nineteenth century had a clear understanding of these two approaches. The captain was expected to be the authoritarian, what Nantucketers called a fishy man. A fishy man loved to kill whales and lacked the tendency toward self-doubt and self-examination that could get in the way of making a quick decision. To be called “fishy to the backbone” was the ultimate compliment a Nantucketer could receive and meant that he was destined to become, if he wasn’t already, a captain. Mates, however, were expected to temper their fishiness with a more personal, even outgoing, approach. After breaking in the green hands at the onset of the voyage—when they gained their well-deserved reputations as “spit-fires”—mates worked to instill a sense of cooperation among the men. This required them to remain sensitive to the crew’s changeable moods and to keep the lines of communication open. Nantucketers recognized that the positions of captain and first mate required contrasting personalities. Not all mates had the necessary edge to become captains, and there were many future captains who did not have the patience to be successful mates. There was a saying on the island: “[I]t is a pity to spoil a good mate by making him a master.” Pollard’s behavior, after both the knockdown and the whale attack, indicates that he lacked the resolve to overrule his two younger and less experienced officers. In his deference to others, Pollard was conducting himself less like a captain and more like the veteran mate described by the Nantucketer William H. Macy: “[H]e had no lungs to blow his own trumpet, and sometimes distrusted his own powers, though generally found equal to any emergency after it arose. This want of confidence sometimes led him to hesitate, where a more impulsive or less thoughtful man would act at once. In the course of his career he had seen many ‘fishy’ young men lifted over his head.” Shipowners hoped to combine a fishy, hard-driving captain with an approachable and steady mate. But in the labor-starved frenzy of Nantucket in 1819, the Essex had ended up with a captain who had the instincts and soul of a mate, and a mate who had the ambition and fire of a captain. Instead of giving an order and sticking with it, Pollard indulged his matelike tendency to listen to others. This provided Chase—who had no qualms about speaking up—with the opportunity to impose his own will. For better or worse, the men of the Essex were sailing toward a destiny that would be determined, in large part, not by their unassertive captain but by their forceful and fishy mate.
”
”
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
“
The things about you I appreciate
May seem indelicate:
I'd like to find you in the shower
And chase the soap for half an hour.
I'd like to have you in my power
And see your eyes dilate.
I'd like to have your back to scour
And other parts to lubricate.
Sometimes I feel it is my fate
To chase you screaming up a tower
Or make you cower
By asking you to differentiate
Nietzsche from Schopenhauer.
I'd like successfully to guess your weight
And win you at a fête.
I'd like to offer you a flower.
I like the hair upon your shoulders,
Falling like water over boulders.
I like the shoulders too: they are essential.
Your collar-bones have great potential
(I'd like your particulars in folders
Marked Confidential).
I like your cheeks, I like your nose,
I like the way your lips disclose
The neat arrangement of your teeth
(Half above and half beneath)
In rows.
I like your eyes, I like their fringes.
The way they focus on me gives me twinges.
Your upper arms drive me berserk.
I like the way your elbows work.
On hinges …
I like your wrists, I like your glands,
I like the fingers on your hands.
I'd like to teach them how to count,
And certain things we might exchange,
Something familiar for something strange.
I'd like to give you just the right amount
And get some change.
I like it when you tilt your cheek up.
I like the way you not and hold a teacup.
I like your legs when you unwind them.
Even in trousers I don't mind them.
I like each softly-moulded kneecap.
I like the little crease behind them.
I'd always know, without a recap,
Where to find them.
I like the sculpture of your ears.
I like the way your profile disappears
Whenever you decide to turn and face me.
I'd like to cross two hemispheres
And have you chase me.
I'd like to smuggle you across frontiers
Or sail with you at night into Tangiers.
I'd like you to embrace me.
I'd like to see you ironing your skirt
And cancelling other dates.
I'd like to button up your shirt.
I like the way your chest inflates.
I'd like to soothe you when you're hurt
Or frightened senseless by invertebrates.
I'd like you even if you were malign
And had a yen for sudden homicide.
I'd let you put insecticide
Into my wine.
I'd even like you if you were Bride
Of Frankenstein
Or something ghoulish out of Mamoulian's
Jekyll and Hyde.
I'd even like you as my Julian
Or Norwich or Cathleen ni Houlihan.
How melodramatic
If you were something muttering in attics
Like Mrs Rochester or a student of Boolean
Mathematics.
You are the end of self-abuse.
You are the eternal feminine.
I'd like to find a good excuse
To call on you and find you in.
I'd like to put my hand beneath your chin,
And see you grin.
I'd like to taste your Charlotte Russe,
I'd like to feel my lips upon your skin
I'd like to make you reproduce.
I'd like you in my confidence.
I'd like to be your second look.
I'd like to let you try the French Defence
And mate you with my rook.
I'd like to be your preference
And hence
I'd like to be around when you unhook.
I'd like to be your only audience,
The final name in your appointment book,
Your future tense.
”
”
John Fuller
“
Is it true it takes thirteen months for a female to carry and give birth?”
“Minimum.” He said it with such casual dismissal that Bella laughed.
“That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face.
His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm.
“I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat.
“Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon.
“You.”
Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on.
“Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station.
“Because I cannot seem to help myself, lovely little Bella.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Many people approach Tolstoy with mixed feelings. They love the artist in him and are intensely bored by the preacher; but at the same time it is rather difficult to separate Tolstoy the preacher from Tolstoy the artist—it is the same deep slow voice, the same robust shoulder pushing up a cloud of visions or a load of ideas. What one would like to do, would be to kick the glorified soapbox from under his sandalled feet and then lock him up in a stone house on a desert island with gallons of ink and reams of paper—far away from the things, ethical and pedagogical, that diverted his attention from observing the way the dark hair curled above Anna's white neck. But the thing cannot be done : Tolstoy is homogeneous, is one, and the struggle which, especially in the later years, went on between the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds, and the man who maintained that fiction is sinful and art immoral—this struggle was still confined within the same man. Whether painting or preaching, Tolstoy was striving, in spite of all obstacles, to get at the truth. As the author of Anna Karenin, he used one method of discovering truth; in his sermons, he used another; but somehow, no matter how subtle his art was and no matter how dull some of his other attitudes were, truth which he was ponderously groping for or magically finding just around the corner, was always the same truth — this truth was he and this he was an art.
What troubles one, is merely that he did not always recognize his own self when confronted with truth. I like the story of his picking up a book one dreary day in his old age, many years after he had stopped writing novels, and starting to read in the middle, and getting interested and very much pleased, and then looking at the title—and seeing: Anna Karenin by Leo Tolstoy.
What obsessed Tolstoy, what obscured his genius, what now distresses the good reader, was that, somehow, the process of seeking the Truth seemed more important to him than the easy, vivid, brilliant discovery of the illusion of truth through the medium of his artistic genius. Old Russian Truth was never a comfortable companion; it had a violent temper and a heavy tread. It was not simply truth, not merely everyday pravda but immortal istina—not truth but the inner light of truth. When Tolstoy did happen to find it in himself, in the splendor of his creative imagination, then, almost unconsciously, he was on the right path. What does his tussle with the ruling Greek-Catholic Church matter, what importance do his ethical opinions have, in the light of this or that imaginative passage in any of his novels?
Essential truth, istina, is one of the few words in the Russian language that cannot be rhymed. It has no verbal mate, no verbal associations, it stands alone and aloof, with only a vague suggestion of the root "to stand" in the dark brilliancy of its immemorial rock. Most Russian writers have been tremendously interested in Truth's exact whereabouts and essential properties. To Pushkin it was of marble under a noble sun ; Dostoevski, a much inferior artist, saw it as a thing of blood and tears and hysterical and topical politics and sweat; and Chekhov kept a quizzical eye upon it, while seemingly engrossed in the hazy scenery all around. Tolstoy marched straight at it, head bent and fists clenched, and found the place where the cross had once stood, or found—the image of his own self.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure.
But there she was.
His mate.
She was nothing like Jesminda.
Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him.
Elain had been... thrown at him.
He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her.
'Do you mind if I held myself to the other?'
He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication.
Rhysand was many things, but he certainly had good taste.
The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness.
He didn't want to admit he liked it. Didn't want to admit he found the city beautiful.
That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be.
An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one.
'There's a plate of biscuits. Would you like one?'
He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return.
But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window.
He had not seen her entire face since that day in Hybern.
Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock.
Looking at her now...
She was pale, yes. The vacancy still glazing her features.
But he couldn't breathe as she faced him fully.
She was the most beautiful female he'd ever seen.
Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once.
But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))