Whale Rider Quotes

We've searched our database for all the quotes and captions related to Whale Rider. Here they are! All 19 of them:

He loved them deeply, but sometimes love becomes a power game between the ambitions that parents have for their children and the ambitions that children have for themselves.
Witi Ihimaera (The Whale Rider)
Man might carve his mark on the earth but unless he's vigilant, Nature will take it all back.
Witi Ihimaera (The Whale Rider)
Sometimes life has a habit of flooding over you and rushing you along in its overwhelming tide.
Witi Ihimaera (The Whale Rider)
Der Mensch mag sein moko (Tätowierung) in die Erde tätowieren, aber sobald seine Wachsamkeit nachlässt, nimmt die Natur sich zurück, was er sich angeeignet hatte, um seine Eitelkeit zu befriedigen.
Witi Ihimaera (The Whale Rider)
Even the good guys,' she said, 'can't win all the time.
Witi Ihimaera (The Whale Rider)
Girls can do anything these days.
Witi Ihimaera (The Whale Rider)
Like a savage tigress that tossing in the jungle overlays her own cubs, so the sea dashes even the mightiest whales against the rocks, and leaves them there side by side with the split wrecks of ships. No mercy, no power but its own controls it. Panting and snorting like a mad battle steed that has lost its rider, the masterless ocean overruns the globe.
Herman Melville (Moby Dick: or, the White Whale)
... the love which Kahu received from Koro Apirana was the sort that dropped off the edge of the table, like breadcrumbs after everybody else has had a big meal.
Witi Ihimaera (The Whale Rider)
Panting and snorting like a mad battle steed that has lost its rider, the masterless ocean overruns the globe.
Herman Melville (Moby Dick: or, the White Whale)
... sometimes love becomes a power game between ambitions that parents have for their children and the ambitions that children have for themselves.
Witi Ihimaera (The Whale Rider)
Flask mounted upon gigantic Daggoo was yet more curious; for sustaining himself with a cool, indifferent, easy, unthought of, barbaric majesty, the noble negro to every roll of the sea harmoniously rolled his fine form. On his broad back, flaxen-haired Flask seemed a snow-flake. The bearer looked nobler than the rider. Though truly vivacious, tumultuous, ostentatious little Flask would now and then stamp with impatience; but not one added heave did he thereby give to the negro's lordly chest. So have I seen Passion and Vanity stamping the living magnanimous earth, but the earth did not alter her tides and her seasons for that.
Herman Melville (Moby Dick: or, the White Whale)
The sight of little Flask mounted upon gigantic Daggoo was yet more curious, for sustaining himself with a cool, indifferent, easy, unthought of, barbaric majesty, the noble negro to every roll of the sea harmoniously rolled his fine form. On his broad back, flaxen-haired Flask seemed a snow-flake. The bearer looked nobler than the rider.
Herman Melville (Moby-Dick or, The Whale)
But not only is the sea such a foe to man who is an alien to it, but it is also a fiend to its own offspring; worse than the Persian host who murdered his own guests; sparing not the creatures which itself hath spawned. Like a savage tigress that tossing in the jungle overlays her own cubs, so the sea dashes even the mightiest whales against the rocks, and leaves them there side by side with the split wrecks of ships. No mercy, no power but its own controls it. Panting and snorting like a mad battle steed that has lost its rider, the masterless ocean overruns the globe.
Herman Melville (Moby-Dick or, The Whale)
Watching, the ancient bull whale was swept up in memories of his own birthing. His mother had been savaged by sharks three months later; crying over her in the shallows of Hawaiki, he had been succoured by the golden human who became his master. The human had heard the young whale’s distress and had come into the sea, playing a flute. The sound was plangent and sad as he tried to communicate his oneness with the young whale’s mourning. Quite without the musician knowing it, the melodic patterns of the flute’s phrases imitated the whalesong of comfort. The young whale drew nearer to the human, who cradled him and pressed noses with the orphan in greeting. When the herd travelled onward, the young whale remained and grew under the tutelage of his master. The bull whale had become handsome and virile, and he had loved his master. In the early days his master would play the flute and the whale would come to the call. Even in his lumbering years of age the whale would remember his adolescence and his master; at such moments he would send long, undulating songs of mourning through the lambent water. The elderly females would swim to him hastily, for they loved him, and gently in the dappled warmth they would minister to him. In a welter of sonics, the ancient bull whale would communicate his nostalgia. And then, in the echoing water, he would hear his master’s flute. Straight away the whale would cease his feeding and try to leap out of the sea, as he used to when he was younger and able to speed toward his master. As the years had burgeoned the happiness of those days was like a siren call to the ancient bull whale. But his elderly females were fearful; for them, that rhapsody of adolescence, that song of the flute, seemed only to signify that their leader was turning his thoughts to the dangerous islands to the south-west.
Witi Ihimaera (The Whale Rider)
In truth, Sam Zemurray was more interesting and unique—as a salesman of a perishable product, he was a kind of existentialist, skirting the line between wealth and oblivion, health and rot, a rider of railroads, a chaser of time, crossing the country in a boxcar filled with reeking produce. It was life: move the fruit now or you’re ruined forever. He became a gambler by necessity—a risk taker, a salesman, a brawler. “The little fellow,” as the big wheels in Boston called him, but the little fellow would build a kingdom from ripes.
Rich Cohen (The Fish that Ate the Whale: The Life and Times of America's Banana King)
« Man might carve his identification mark on the earth but, once he ceases to be vigilant, Nature will take back what man had once achieved to please his vanity. »
Witi Ihimaera (The Whale Rider)
This is the last spear. It is the seed of Paikea and we must return it to the land.
Witi Ihimaera (The Whale Rider)
Whale Rider,
Rosalind James (Fierce (Not Quite a Billionaire, #1; Escape to New Zealand, #8.5))
Yet it had not always been like this, the ancient whale remembered. Once, he had a golden master who had wooed him with flute song. Then his master had used a conch shell to bray his commands to the whale over long distances. As their communication grew so did their understanding and love of each other. Although the young whale had then been almost twelve metres long, his golden master had begun to swim with him in the sea. Then, one day, his master impetuously mounted him and became the whale rider. In ecstasy the young male had sped out to deep water and, not hearing the cries of fear from his master, had suddenly sounded in a steep accelerated dive, his tail stroking the sky. In that first sounding he had almost killed the one other creature he loved. Reminiscing like this the ancient bull whale began to cry his grief in sound ribbons of overwhelming sorrow. Nothing that the elderly females could do would stop his sadness. When the younger males reported a man-sighting on the horizon it took all their strength of reasoning to prevent their leader from arrowing out towards the source of danger. Indeed, only after great coaxing were they able to persuade him to lead them to the underwater sanctuary. Even so, they knew with a sense of inevitability that the old one had already begun to sound to the source of his sadness and into the disturbing dreams of his youth.
Witi Ihimaera