Sally Ride Quotes

We've searched our database for all the quotes and captions related to Sally Ride. Here they are! All 34 of them:

Young Sally Owens: He will hear my call a mile away. He will whistle my favorite song. He can ride a pony backwards. Young Gillian Owens: What are you doing? Young Sally Owens: Summoning up a true love spell called Amas Veritas. He can flip pancakes in the air. He'll be marvelously kind. And his favorite shape will be a star. And he'll have one green eye and one blue. Young Gillian Owens: Thought you never wanted to fall in love. Young Sally Owens: That's the point. The guy I dreamed of doesn't exist. And if he doesn't exist I'll never die of a broken heart.
Alice Hoffman (Practical Magic (Practical Magic, #1))
When Muslim radicals and fundamentalists look at the West, they see only the openness that makes us, in their eyes, decadent and promiscuous. They see only the openness that has produced Britney Spears and Janet Jackson. They do not see, and do not want to see, the openness - the freedom of thought and inquiry - that has made us powerful, the openness that has produced Bill Gates and Sally Ride. They deliberately define it all as decadence. Because if openness, women's empowerment, and freedom of thought and inquiry are the real sources of the West's economic strength, then the Arab-Muslim world would have to change. And the fundamentalists and extremists do not want to change.
Thomas L. Friedman (The World Is Flat: A Brief History of the Twenty-first Century)
The stars don't look bigger, but they do look brighter.
Sally Ride
He holds the elevator door open with one enormous hand and leans out to look at the weather. Then he swings those dark blue eyes to mine, his brow beginning to crease. The familiar bubble forms in my head. I wish he was my friend. I burst it with a pin. “I’ll give you a ride,” he forces out. “Ugh, no way,” I say over my shoulder and run.
Sally Thorne (The Hating Game)
I’ve discovered that half the people would love to go into space, and there’s no need to explain it to them. The other half can’t understand, and I couldn’t explain it to them. If someone doesn’t know why, I can’t explain it.
Lynn Sherr (Sally Ride: America's First Woman in Space)
Turns out I don't need someone holding my board and pushing me into the wave - I can do it myself. Several times as, as I ride the wave, I have that glorious, blissful feeling... like I'm flying. It's even better than the feeling I had the day Gabe took me surfing. Because it taught me that Gabriel Gerard isn't the only one who can make magic. I can make magic too.
Sally Hepworth (The Soulmate)
Since this used to be a Martian ship, I thought maybe you’d have reloads that would fit our racks.” “Sure,” Captain Tseng said without a moment’s hesitation. “I’ll have the destroyer Sally Ride pull alongside for munitions transfer.
James S.A. Corey (Caliban's War (Expanse, #2))
Many people at that time thought that physics wasn't a good subject for women to study. They thought women couldn't handle it, and some people at Stanford agreed. One male professor is said to have stood up and declared, "What are these girls doing here? You are taking jobs away from men!" But Sally persisted, because she knew what she wanted. She had been raised to believe she could do anything a man could do.
Atia Abawi (She Persisted: Sally Ride)
No, there wouldn't be," Holden said. "It'd be entirely different." Sally looked at him; he had contradicted her so quietly. "It wouldn't be the same at all. We'd have to go downstairs in elevators with suitcases and stuff. We'd have to call up everyone and tell 'em goodbye and send 'em postcards. And I'd have to work at my father's and ride in Madison Avenue buses and read newspapers. We'd have to go to the Seventy-second Street all the time and see newsreels. Newsreels! There's always a dumb horse race and some dame breaking a bottle over a ship. You don't see what I mean at all." "Maybe I don't. Maybe you don't, either," Sally said. Holden stood up, with his skates swung over one shoulder. "You give me a royal pain," he announced quite dispassionately.
J.D. Salinger (The Complete Uncollected Stories)
When you’re getting ready to launch into space, you’re sitting on a big explosion just waiting to happen.
Sally Ride
Unwinter did not wind his Horn or glance back. He did not lift an armored hand to summon his knights. He did not command them to follow. And yet. The whisper became a rustle, the rustle deepened to a throbbing, the throbbing swelled into a roar. The highborn fullbloods of Unwinter, pale and wasted, sallied forth clasped in their own black armor, riding by two and three on the nightmare mounts enticed from the Dreaming Sea’s foaming edge.
Lilith Saintcrow (Wasteland King (Gallow and Ragged, #3))
Q: Dr. Ride, apart from the obvious differences, how do you assess the differences in men and women astronauts? A: Aside from the obvious differences, I don't think there are any. - Prime crew press conference, April 29, 1982
Sally Ride
Al che lei ride, sincera. I suoi piccoli denti brillano di nuovo e si copre la bocca con la mano. Lui butta giù un altro po' di birra e registra la sua espressione dolce, che gli è mancata, e la scena gli sembra simpatica, anche se è probabile che in seguito gli verrà in odio tutto quello che le ha detto.
Sally Rooney (Normal People)
Stuart Diver has had years of extensive professional counselling to retrain his brain so that he can replace the thought of how helpless he was when Sally dies with the truth that he tried everything he could to save her, showing how much he cared. He has learned to substitute memories of Sally's last moments with thoughts of wonderful times from their lives together- a great trip, a fun birthday, some other special occasion. In the corner of his living room is a bicycle that he rides every night, and he likens keeping his mental health on track to keeping physically fit. It's hard. It requires patience and it takes discipline.
Leigh Sales (Any Ordinary Day)
Everything felt wrong. She needed to go home, to her dad’s small lab in the basement, to curl up on one of the tables like she used to. It had been a long time since she’d last brought a quilt down and made a nest for herself among the books, tubes, and wires—a million years or however long it took light to travel. She’d rest her cheek on the table and listen to her dad talk about space. She’d been little when he’d told her about the beginning of the universe and how the solar system was born. How the sun was like an island, and the planets were ships sailing around it. He’d said, “Pluto is our far star sailor,” the way other people said Once upon a time. His words opened a door inside her. She wished she’d brought her NASA book, with six full pages on the “Thirty-Five New Guys,” the Astronaut Class of 1978, NASA’s first new group of astronauts since 1969. On Sally Ride, on Challenger—which she realized was gone now—on Judy Resnik, mission specialist, the second American woman in space. Who Nedda wanted to be. Who was gone now too. They were gas and carbon—and what else? They had to be something else. She wanted her stupid little-kid pony, but it was in the classroom. She wanted to go fishing with Denny, even if it was too cold. She wanted to smell her mother’s perfume until she was sick from it. She wanted to eat all the icing roses off that stupid cake until Betheen yelled.
Erika Swyler (Light from Other Stars)
Stai proprio bene, le dice. Lo so. È tipico mio, arrivo all'università e divento carina. Lui ride. Non vorrebbe, ma qualcosa della loro strana dinamica lo fa ridere. «Tipico mio» è proprio una frase da Marianne, vagamente autoderisoria e al tempo stesso allusiva a una qualche intesa tra loro, un'intesa sul fatto che lei è speciale. Il suo vestito ha una profonda scollatura sul davanti e le scopre le pallide clavicole simili a due bianchi trait d'union.
Sally Rooney (Normal People)
The summer stretch had come into the evenings: it was gone seven, but the sky was a soft clear blue and the light flooding through the open windows was pale gold. All around us the Place was humming like a beehive, shimmering with a hundred different stories unfurling. Next door Mad Johnny Malone was singing to himself, in a cheerful cracked baritone: “Where the Strawberry Beds sweep down to the Liffey, you’ll kiss away the worries from my brow . . .” Downstairs Mandy shrieked delightedly, there was a tumble of thumping noises and then an explosion of laughter; farther down, in the basement, someone yelled in pain and Shay and his mates sent up a savage cheer. In the street, two of Sallie Hearne’s young fellas were teaching themselves to ride a robbed bike and giving each other hassle—“No, you golf ball, you’ve to go fast or you’ll fall off, who cares if you hit things?”—and someone was whistling on his way home from work, putting in all the fancy, happy little trills. The smell of fish and chips came in at the windows, along with smart-arse comments from a blackbird on a rooftop and the voices of women swapping the day’s gossip while they brought in their washing from the back gardens. I knew every voice and every door-slam; I even knew the determined rhythm of Mary Halley scrubbing her front steps. If I had listened hard I could have picked out every single person woven into that summer-evening air, and told you every story.
Tana French (Faithful Place (Dublin Murder Squad, #3))
If you could take one ride in a time machine, which way would you go? The future or the past? Sally forth or turn back?...Do you prefer the costumed pageant of history or the techno-marvels to come? It seems there are two kinds of people. Both camps have their optimists as well as their pessimists. Disease is a worry. Time traveling while black or female poses special hazards. Then again, some people see ways to make money at lotteries, stock markets, and racetracks. Some just want to relive past loves. Many back travelers are driven by regret—mistakes made, opportunities lost.
James Gleick (Time Travel: A History)
When Sally stopped crying, she found herself alone, the cold draft of the window at her neck, and on both sides, the rows of doors went on and on, diminishing to nothing, the end. 'What fun it is to ride and sing a sleighing song tonight, oh.' What glories. Mathilde came. And though she appeared to be the... same sweet girl Sally had been afraid of, she was not. Sally saw the flint in her. Mathilde can save Lotto from his own laziness, Sally thought. But here they were, a year later, and he was still ordinary. The chorus caught in her throat. A stranger hurrying as fast as he could over the icy sidewalks looked in. He saw a circle of singing people bathed in the clean, white light from a tree, and his heart did a soumersault. And the image stayed with him, it merged with him even as he came home to his own children, who were already asleep in their beds, to his wife crossly putting together the tricycle without the screwdriver he'd run out to borrow. It remained long after his children ripped open their gifts and abandoned their toys and puddles of paper and grew too old for them and left their house and parents and childhoods, so that he and his wife gaped at each other in bewilderment as to how it had happened so terribly swiftly. All those years, the singers in the soft light in the basement apartment crystalized in his mind, became the very idea of what happiness should look like.
Lauren Groff (Fates and Furies)
Remember, the conversation between you and your horse must never be dull or inert. It should be, “Ask, receive, give. Ask, receive, give." Ask with your body and legs; receive through your body into your hands; give primarily with the hands, but also with your body and legs, so that you can ask all over again, receive again, and give again. The give is your thanks. If you don’t give, you must ask harder the next time, and even harder after that, until you end up with a dead or resistant horse. I have heard Major Hans Wikne, coach of the Swedish dressage team and head of the Swedish National School for Instructors, say so many times, “For everything you ask from your horse, your must give back a little more. The give is more important than the take." Riding is much more than a push-me-pull-you between leg and hand.
Sally Swift (Centered Riding)
One factor was the Barbie group at Ogilvy & Mather, the ad agency that had, in the seventies, acquired Carson/Roberts. By 1984—a year after Sally Ride's landmark space flight, the same year as Geraldine Ferraro's historic bid for the U.S. vice presidency—Mattel urged O&M creative director Elaine Haller and writer Barbara Lui to, in Lui's words, "express where women were and where they wanted their daughters to be at the time." Upon hearing that, Lui told me last year, she remembered her own childhood on Manhattan's Upper West Side. "My mother's words came to me," she said. "My name is Barbara—I was called Bobbie at home—and my mother used to say, 'Bobbie, you can do anything,' " which, with a few revisions, became the doll's new slogan: "We girls can do anything, right, Barbie?
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
TO FIRST-GENERATION BARBIE OWNERS, OF WHICH I WAS one, Barbie was a revelation. She didn't teach us to nurture, like our clinging, dependent Betsy Wetsys and Chatty Cathys. She taught us independence. Barbie was her own woman. She could invent herself with a costume change: sing a solo in the spotlight one minute, pilot a starship the next. She was Grace Slick and Sally Ride, Marie Osmond and Marie Curie. She was all that we could be and—if you calculate what at human scale would translate to a thirty-nine-inch bust—more than we could be. And certainly more than we were . . . at six and seven and eight when she appeared and sank her jungle-red
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
I hear from the sofa- ‘Wear a jacket, Karly!’ My mom thinks even when I’m dressed, I’m still half-naked. So, out the door, I see sis get on the yellow bus. Waving at me like a moron out the window! And the cold feels like a b*tch slap to my face, yet it is a good way to wake up. I got into the SUV that was wrecked the night before. Thinking that this thing is like a coffin to me, yet I could say anything, or Jenny would think I have completely lost my mind. So, we go down all the same roads, not stopping at any of the red or yellow lights or signs. When Liv gets into the car she leans forward and grabs my hot- chocolate, and the smell of her perfume is strawberry, it is a body spray she has been wearing devotedly ever senses she was twelve and her hips and boobs develop like the end of sixth grade, she buys like five bottles every time we go into Sally Beauty Supply. I know that she has it on her, so I ask her for a squirt, even though I am sick of it after all these years, and even though I don’t want to smell like her, I ask for it anyway, I don’t want to smell like balls! Even though it stopped being cool in seventh grade, to where kiddy stuff like she still does- I have to close my eyes, overwhelmed, and coffin as a puff of it surrounds me, or then what I asked for. Gross, I smell like a pre-teen after gym class now, just trying to cover it up. Closing my eyes was a horrible idea. One- I get to feeling car sick. Two- I can see where Jenny is driving, and the way it feels- it must be off the road. Three- I start to daydream about Marcel, plus heartsick over Ray still, even though I was done after what he did to me, I can stop having feelings for him, he was the first that took me from behind. Oh no, he was not my first love god no, I didn’t know what love was until I saw it in Marcel's eyes, but was it real? That is what I am afraid of- trusting my heart to a boy again. I could see all the flashes of sincere light within Marcel's home, I could see him holding as no boy has ever done with me. I could almost feel the tingle of his kiss on my lips. ‘Holy freaking crap balls,’ said Jenny. I snap my eyes open as Jenny swerves to avoid hitting a cuddly black cat, walking past. That is when I start to look out the window into the side mirror, and the glossy dark trees are flocking on either side of us like outlined ghosts in the navy-blue sky. I smell something hot. I said- ‘Yeah that’s just me.’ I hear Jenny shrieking not too long after I feel relaxed, and yet once more, I feel my stomach go to the bottom of my feet and back up, as the SUV rolls to the one side, tires wailing- ‘It was a family of deer this time, trying not to get murdered. You should have seen their faces. It’s like mine every time I ride in this SUV.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
We shared a healthy disregard for the overblown egos and conservative intransigence of both our professions
Lynn Sherr (Sally Ride: America's First Woman in Space)
Tick could feel his eyes start to droop again, so he pressed the stereo unit and turned up the volume. His and Sally’s favorite song was burned on every inch of the CD, so he could play it over and over. “Mustang Sally.” He started to sing along with Wilson Pickett at the top of his lungs, “Ride, Sally, ride!” He was two streets away from where he lived on David Court when he saw the strobe lights shooting upward to the sky. Blue, red, and white just like it was the Fourth of July. But it wasn’t the Fourth of July. He knew what the lights meant. Good cop that he was, he knew he was going to have to stop to offer any assistance if needed. Sally, the kids, and sleep would have to wait just a bit longer. He turned off the CD player and turned the corner, and his world came to a screeching halt. He saw the barricade, the yellow tape, the crazy arcing lights, the crowds of people, and too many police cars to count. All parked in front of his house, in
Anonymous
She took full advantage of the ever-widening definition of "woman's place" and spent much of her life making sure it was everywhere. That she could not, or would not openly identify herself as a gay woman, reflects not only her intense need for privacy, but the shame and fear that an intolerant society can inflict even on its heroes.
Lynn Sherr (Sally Ride: America's First Woman in Space)
Stella is a dreamer and looks up to strong women like astronaut Sally Ride (the first American woman in space), prima ballerina Misty Copeland, and pro skater Lizzie Armanto, among others.
Sierra Prescott (Shredders: Girls Who Skate)
Nature herself begins to throw away the anachronism. When she has thrown it away, then real civilization becomes possible. You would understand if you were peasants. Who would try to work with stallions and bulls? No, no; we want geldings and oxen. There will never be peace and order and discipline so long as there is sex. When man has thrown it away, then he will become finally governable.’ “That’s Filostrato,” Thomas continued, “one of the bad guys in Lewis’s That Hideous Strength, a companion volume to Abolition.
Douglas Wilson (Ride, Sally, Ride (Or Sex Rules))
As the Supreme Governor of the Church of England, the monarch is the defender of the faith—the official religion of the country, established by law and respected by sentiment. Yet when the Queen travels to Scotland, she becomes a member of the Church of Scotland, which governs itself and tolerates no supervision by the state. She doesn’t abandon the Anglican faith when she crosses the border, but rather doubles up, although no Anglican bishop ever comes to preach at Balmoral. Elizabeth II has always embraced what former Archbishop of Canterbury George Carey called the “sacramental manner in which she views her own office.” She regards her faith as a duty, “not in the sense of a burden, but of glad service” to her subjects. Her faith is also part of the rhythm of her daily life. “She has a comfortable relationship with God,” said Carey. “She’s got a capacity because of her faith to take anything the world throws at her. Her faith comes from a theology of life that everything is ordered.” She worships unfailingly each Sunday, whether in a tiny chapel in the Laurentian mountains of Quebec or a wooden hut on Essequibo in Guyana after a two-hour boat ride. But “she doesn’t parade her faith,” said Canon John Andrew, who saw her frequently during the 1960s when he worked for Archbishop of Canterbury Michael Ramsey. On holidays she attends services at the parish church in Sandringham, and at Crathie outside the Balmoral gates. Her habit is to take Communion three or four times a year—at Christmas, Easter, Whitsunday, and the occasional special service—“an old-fashioned way of being an Anglican, something she was brought up to do,” said John Andrew. She enjoys plain, traditional hymns and short, straightforward sermons. George Carey regards her as “middle of the road. She treasures Anglicanism. She loves the 1662 Book of Common Prayer, which is always used at Sandringham. She would disapprove of modern services, but wouldn’t make that view known. The Bible she prefers is the old King James version. She has a great love of the English language and enjoys the beauty of words. The scriptures are soaked into her.” The Queen has called the King James Bible “a masterpiece of English prose.
Sally Bedell Smith (Elizabeth the Queen: The Life of a Modern Monarch)
Christopher Crawford SO GAY How gay is it for two men to stroke the same dog at the same time. What if they’re both sitting on a sofa watching When Harry Met Sally. How about two men watching the same gorgeous sunset from the same high ridge. And if a man daydreaming on a bus ride finds his eyes when focus returns, on the crotch of the man seated opposite. How about two men riding a bus into a gorgeous sunset or two gorgeous men watching a sunset in silence. How about two men daydreaming and stroking a gorgeous dog and the dog makes a strange deep sound of pleasure. What if the men are old friends. What if they’re brothers. What if there’s music playing.
Christopher Crawford
In many ways it might have been more surprising had the Beatles not regularly used stimulants during their ascent to fame. In the years 1962-64 they played over 750 concerts, often more than one a day; recorded and released 67 songs for EMI across eight UK singles, four albums and an EP (Long Tall Sally, the only one from that period to contain recordings unavailable elsewhere); appeared numerous times on television and radio; gave countless interviews and press conferences; starred in their first feature film; appeared in two Christmas pantomime shows; had their own US cartoon series; and conquered America. Their photographs were everywhere, their likenesses rendered on everything from toys and musical instruments to clothes and pillow cases, and their every word was devoured by their legions of fans.
Joe Goodden (Riding So High: The Beatles and Drugs)
Golda Meir in Israel, Geraldine Ferraro on the Mondale ticket, Sandra Day O’Connor on the Supreme Court, Sally Ride in space.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
Jealousy turned you mean. Jealousy turned you against me sometimes, on perfectly fun car rides to Grandma’s house—Why does Sally get the front seat?
Alison Espach (Notes on Your Sudden Disappearance)
The town seemed to be full of oddities. Like the garden of strange snow statues, carved to look like little round men with jaunty black hats and carrots for their noses. And the leafy green bouquets with white berries tied up in bows hanging over archways all around town, often with two people smooching beneath them, as if the leaves were sprinkled with some kind of love potion. And then there was the large rotating contraption of wooden animals spinning round and round as jaunty music played from a hidden speaker. Even stranger, several children were riding on these animals, squealing in delight as they spun. Looks like fun, Sally couldn't help thinking.
Mari Mancusi (Sally's Lament)