Wendy Williams Quotes

We've searched our database for all the quotes and captions related to Wendy Williams. Here they are! All 23 of them:

The ocean, after all, is not about stability but about change. Change is normal. Everything changes. All the time.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
How many color patterns can your severed arm produce in one second?
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
Cambrian animals were not particularly large at first, but they were plentiful and innovative. Jaws appeared. Eyes appeared. Nature began experimenting with weaponry.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
Horses get anxious when their expectations are not met.
Wendy Williams (The Horse)
My best friend Zoe has a perfect rear end and stick legs, and long, silky black hair. She is obviously not descended from William Penn. There are no dowdy pilgrims in her ancestry. Whereas I am grounded and mired in this place, she's like milkweed fluff that will take off with the first strong breeze. Stronger than fluff, though. She's like a bullet just waiting for someone to pull the trigger.
Wendy Wunder (The Museum of Intangible Things)
Everything is octopusied.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
I'm more interested in having a place to work out my voice and my body than I am in having furniture.
Wendy O. Williams
Burden thought irrelevantly that Wendy Williams must be attracted by bald men, first Rodney with his exaggerated forehead, naked as an apple, then this pebble-head.
Ruth Rendell (An Unkindness of Ravens (Inspector Wexford, #13))
Without an engine, Beebe's bathysphere dangled helplessly from the topside support ship like a ball of yarn suspended from knitting needles.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
We must have horses and dogs and cats and other animals in our lives in order for our psyches to function as they should, just as we have to have bacteria in our guts in order to digest food.
Wendy Williams (The Horse: The Epic History of Our Noble Companion)
Sometimes the dendrites leading into the nonsensory neuron are so plentiful that, under a microscope, they look very much like a richly branched coral, or perhaps like a piece of finely tatted lace
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
The dissection started out smoothly enough. Several boys lifted the thawed carcass out of its container and put it on the lab table. Then a line of girls elbowed their way in to form a phalanx at the dissecting table. They looked like groupies in a mosh pit. There was no room in the front line for the boys, who stood behind and watched, arms folded across their chests....One girl spent most of her time in a trancelike state picking the sharp little rings out of the squid's suckers. She was deeply intent on trying to harvest as many of the toothed rings as possible. Later that day she went home and shocked her mother by saying she wanted to switch her career goal from baking to marine science.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
I come from a long line of downtrodden women who marry alcoholics. All the way back to my Lenni Lanape great-great-great-(lots of greats) grandmother, Scarlet Bird, a red-haired New Jersey Indian who married William Penn. I know this to be true because of the red highlights in my hair, and because, if you ever see the statue of William Penn in Philadelphia, the one that dictates the height of all the buildings in its perimeter, you will notice, if you look at him from behind, that he and I have the exact same rear end.
Wendy Wunder (The Museum of Intangible Things)
The squid has even evolved a special place to house the bacteria - a structure scientists call a 'light organ' located inside the mantle. But the bacteria don't just set up house and begin to party. When the first batch of bacteria arrive in their new digs, they have work to do.The light organ has been partially prepared for the bacteria's arrival, but the final touches won't occur until the newly arrived bacteria get things started. It's as though they've arrived in a new house but only the frame is up. The bacteria themselves have to do the finish work.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
A True Story Let me tell you about Wendy. For more than ten years, Wendy struggled unsuccessfully with ulcerative colitis. A thirty-six-year-old grade school teacher and mother of three, she lived with constant cramping, diarrhea, and frequent bleeding, necessitating occasional blood transfusions. She endured several colonoscopies and required the use of three prescription medications to manage her disease, including the highly toxic methotrexate, a drug also used in cancer treatment and medical abortions. I met Wendy for an unrelated minor complaint of heart palpitations that proved to be benign, requiring no specific treatment. However, she told me that, because her ulcerative colitis was failing to respond to medications, her gastroenterologist advised colon removal with creation of an ileostomy. This is an artificial orifice for the small intestine (ileum) at the abdominal surface, the sort to which you affix a bag to catch the continually emptying stool. After hearing Wendy’s medical history, I urged her to try wheat elimination. “I really don’t know if it’s going to work,” I told her, “but since you’re facing colon removal and ileostomy, I think you should give it a try.” “But why?” she asked. “I’ve already been tested for celiac and my doctor said I don’t have it.” “Yes, I know. But you’ve got nothing to lose. Try it for four weeks. You’ll know if you’re responding.” Wendy was skeptical but agreed to try. She returned to my office three months later, no ileostomy bag in sight. “What happened?” I asked. “Well, first I lost thirty-eight pounds.” She ran her hand over her abdomen to show me. “And my ulcerative colitis is nearly gone. No more cramps or diarrhea. I’m off everything except my Asacol.” (Asacol is a derivative of aspirin often used to treat ulcerative colitis.) “I really feel great.” In the year since, Wendy has meticulously avoided wheat and gluten and has also eliminated the Asacol, with no return of symptoms. Cured. Yes, cured. No diarrhea, no bleeding, no cramps, no anemia, no more drugs, no ileostomy. So if Wendy’s colitis tested negative for celiac antibodies, but responded to—indeed, was cured by—wheat gluten elimination, what should we label it? Should we call it antibody-negative celiac disease? Antibody-negative wheat intolerance? There is great hazard in trying to pigeonhole conditions such as Wendy’s into something like celiac disease. It nearly caused her to lose her colon and suffer the lifelong health difficulties associated with colon removal, not to mention the embarrassment and inconvenience of wearing an ileostomy bag. There is not yet any neat name to fit conditions such as Wendy’s, despite its extraordinary response to the elimination of wheat gluten. Wendy’s experience highlights the many unknowns in this world of wheat sensitivities, many of which are as devastating as the cure is simple.
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
Marine biology is not a science for the faint of heart." - KRAKEN The Curious, Exciting, and Slightly Disturbing Science of Squid (2011)
Wendy Williams
This is when, according to some researchers, some primate lines first evolved the three cones in the eye that allow us to see more colors than other mammals (including horses)—a change driven in part by the fact that as fruits became limited, primates needed to forage with greater focus to detect protein-rich young leaves, which are often red.
Wendy Williams (The Horse: The Epic History of Our Noble Companion)
people who enter into an intercultural marriage have already distanced themselves somewhat from a strict adherence to many of the predominant values of their own society.
Wendy Williams (The Globalisation of Love)
I’d go there again if I had the funding,” Roper told me wistfully. One of his big issues is the lack of funding for ocean research, something he feels is both unwise and unjust. “Why aren’t we spending billions studying our oceans?” he asked me. “We know more about the moon’s behind than we do about the ocean’s bottom.
Wendy Williams (Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid)
So if Wendy’s colitis tested negative for celiac antibodies, but responded to—indeed, was cured by—wheat gluten elimination, what should we label it? Should we call it antibody-negative celiac disease? Antibody-negative wheat intolerance?
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
I never strike out at any life form. The only things I attack are icons of conspicuous consumption. People put objects in front of their life, in front of anything that has real importance. They make this 'thing' their God.
Wendy O. Williams
WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY
Tracy Kidder (Good Prose: The Art of Nonfiction)
degrees.
Wendy Williams (Ritz Harper Goes to Hollywood! (Ritz Harper Chronicles Book 3))