Welcome Gesture Quotes

Hey, Clary. You take care of yourself," he said. "I know you can." He paused. "And take care of Jace, that poor, helpless blond." Jace made an obscene gesture, which actually did feel familiar to Simon, so he knew that was their thing.

The truth is that the heroism of your childhood entertainments was not true valor. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all--all designed to appear heroic, to excite and gratify and audience. Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth--actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.

So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.

We have lost the art of public tenderness, these small gestures of wiping and washing; we have forgotten how abjectly the body welcomes a formal touch.

The butterfly startled at Mary’s gesture and floated up, drifting on the breeze, its wings sparkling blue and bright in the late afternoon sunshine. Silence watched it, enthralled, and then her eyes met Michael’s. A corner of his mouth cocked up. “Welcome home, m’love.

Darrow shook his head. “Why?” Not about her magic being whittled to nothing. But why she had gone to face them, with little more than embers in her veins. “Terrasen is my home,” Aelin said. It was the only answer in her heart. Darrow smiled—just a bit. “So it is.” He bowed his head. Then his body. “Welcome,” he said, then added as he rose, “Your Majesty.” But Aelin looked to Evangeline, the girl still beaming. Win me back my kingdom, Evangeline. Her order to the girl, all those months ago. And she didn’t know how Evangeline had done it. How she had changed this old lord before them. Yet there was Darrow, gesturing to the gates, to the castle behind him. Evangeline winked at Aelin, as if in confirmation. Aelin just laughed, taking the girl by the hand, and led that promise of Terrasen’s bright future into the castle.

For a long time they just stay there like that, as still as the statues in the garden. And when he gives her no sign --- no gestures of welcome, no indication of need--Hadley swallows hard and comes to a decision. But just as she turns to walk away she hears him behind her, the word like the opening of some door, like an ending and a beginning, like a wish. "Wait," he says, and so she does.

I stopped at a red light, turned my head, and allowed myself to enjoy the handsomeness that was Brent. He noticed my staring and asked, "What?" "As if you don't know. You're not the type of guy that a girl gets tired of looking at." "Oh. Well in that case, you're welcome to look all you want," he said and gestured to himself. "You're allowed to touch, too." He wiggled his eyebrows suggestively. I lowered my voice into its sexy-husky range. "I was hoping you'd say that." With my flirtiest look on my face, I rubbed my hand slowly up his arm and then pinched him firmly on the shoulder. "Ow!" Brent rubbed his shoulder and grinned. "Not what I had in mind!

Gabe?" Our eyes met in the rearview mirror. "Thank you. For getting us out of there." Gabe laid a hand over his heart in a gesture that would have meant "You're welcome" or even "I love you.

Caroline nodded. "I understand that. The bayou is a huge part of your life and the local lifestyle. And people might come in here because of the bayou, but they don't fall in love with it and come back because of that. They fall in love and come back because they feel like a part of the family. Because they feel welcome and accepted here. That's what all of this represents." She gestured to encompass all of the photographs they had hanging on the wall. "I think these photographs are key. The posters and sports banners are great, but these photographs need to stay for sure.

He was a dim secondary social success -- and all with people who had truly not an idea of him. It was all mere surface sound, this murmur of their welcome, this popping of their corks -- just as his gestures of response were the extravagant shadows, emphatic in proportion as they meant little, of some game of 'ombres chinoises' [French: "shadow play"].

Welcome to my house! Enter freely and of your own free will!" He made no motion of stepping to meet me, but stood like a statue, as though his gesture of welcome had fixed him into stone. The instant, however, that I had stepped over the threshold, he moved impulsively forward, and holding out his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed cold as ice, more like the hand of a dead than a living man.

...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression! Oh my contemporaries, my dear contemporaries... Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic... Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff... Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!

When at last Lindbergh reached the speaking platform, he nodded to those present and accepted the cheers of the crowd. President Coolidge made a short speech of welcome, pinned the Distinguished Flying Cross on his lapel, and with a gesture invited Lindbergh to speak. Lindbergh leaned into the microphone, for it was set a little low for him, expressed pleasure at being present, said a very few words of thanks, and stepped back. A moment of eerie stillness followed as it dawned on the watching throngs, most of whom had been standing in the hot sun for hours, that they were in the presence of two of the most taciturn men in America and that this ceremony was over.

This thing between us is just something we’ll have to ignore.” “Easy for you to say. I’m the one with the thing between us.” I gesture toward my erection. “I’ve got the hots for you and a dick that’s eager to prove himself after last night’s disasters.” “Tell it to sit down.” “Fine. You’re welcome to sit down on it.” “I walked right into that one, didn’t I?” “Yes, you did.

My brother Sessah races forward, and I grab him just as he flings himself at Lilah and I. I swing him in the air, grinning. “Little brother, do not knock down my mate!” “I want to say hello,” he calls out, waving happily at Li-lah. He makes a new gesture, one that makes my heart swell with pride. Welcome home, he signs to Li-lah, and then looks at me. “Did I do it right?” I rumple his messy hair and set him down. “You did well.

It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.

Christian Grey: [answers phone] Anastasia. Anastasia Steele: Yeah, this is me. I'm sending back your expensive books because I already have copies of those. Thanks though for the kind gesture. Christian Grey: You're welcome. Where are you? Anastasia Steele: Oh, I'm in line because I have to pee really bad. Christian Grey: Anastasia, have you been drinking? Anastasia Steele: [laughs] Yeah! I have, Mr. Fancy Pants. You hit... you hit the hail on the nead. I mean the head right on the nail. Christian Grey: Listen to me. I want you to go home right now. Anastasia Steele: You're so bossy! Ana, let's go for a coffee. No, stay away from me Ana! I don't want you! Get away. Come here, come here! Go away!

When the marketing department needed data from Diane’s database, they could use extremely personal information in their mailings to not only customize a sales pitch to that person but also let them know “we care about you so much that we looked up everything we could find about you in real life.” Customers were often so flattered by this gesture that they would send thank-you notes like “How did you find all this out?” or “Who are you people?” or “I have never told anyone this fact, so how did you know?

Their menu points out that: "It took Vikings many centuries to create the smorgasbord. It brings you the fish of the sea, the meats of the range... the fruits of the land and the wings of the sky in a gracious gesture of hospitality and welcomes you to the meal that follows....

When the dogma of the Assumption was defined a friend of mine, a very intelligent Mohammedan, congratulated me on the gesture which the Holy Father had made; a gesture (said he) against materialism. And I think he was right. When our Lord took his blessed Mother, soul and body, into heaven, he did honour to the poor clay of which our human bodies are fashioned. It was the first step towards reconciling all things in heaven and earth to his eternal Father, towards making all things new. "The whole of nature", St Paul tells us, "groans in a common travail all the while. And not only do we see that, but we ourselves do the same; we ourselves although we have already begun to reap our spiritual harvest, groan in our hearts, waiting for that adoption which is the ransoming of our bodies from their slavery." That transformation of our material bodies to which we look forward one day has been accomplished—we know it now for certain-in her. When the Son of God came to earth, he came to turn our hearts away from earth, Godwards. And as the traveller, shading his eyes while he contemplates some long vista of scenery, searches about for a human figure that will give him the scale of those distant surroundings, so we, with dazzled eyes looking Godwards, identify and welcome one purely human figure close to his throne. One ship has rounded the headland, one destiny is achieved, one human perfection exists. And as we watch it, we see God clearer, see God greater, through this masterpiece of his dealings with mankind.

All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.

This eye,' Lucien gestured to the metal contraption. 'It can see things that others... can't. Spells, glamours... Perhaps it can help me find her. And break her curse.' He glanced at Elain, who was again studying her lap. 'I'm not needed here. I'll fight if you need me to, but...' He offered me a grim smile. 'I do not belong in the Autumn Court. And I'm willing to bet I'm not longer welcome at h- the Spring Court.' Home, he had almost said. 'But I cannot sit here and do nothing. Those queens with their armies- there is a threat in that regard, too. So use me. Send me. I will find Vassa, see if she can... bring help.

Whether he was right or wrong does not matter to this story. But in 1906 the natural style of acting came as a welcome change after the extravagances, the grand gestures, and the facial contortions of the last century. It was an inevitable change to come about with the growth of new ideas, freedom, and the modern outlook.

Individually and collectively, we will have to be the resistance—offering daily, bold, defiant pushback against all that feels wrong here. This pushback will come as we loudly and unapologetically speak truth where truth is not welcome. It will come as we connect with one another on social media and in faith communities and in our neighborhoods, and as we work together to demand accountability from our elected officials and pastoral leaders. It will come in the small things: in the art we create and the conversations we have and the quiet gestures of compassion that are barely visible. It will come in the way we fully celebrate daily life: having dinner with friends, driving through the countryside, playing in the yard with our children, laughing at a movie we love. It will come as we use the shared resources of our experience and our talents and our numbers to ensure that our children inherit a world worth being here for. It will come as we transform our grief into goodness.

Just like the strangers who'd fed me in El Salvador or South Africa, I was going to have to see and understand the hunger of other, different men and women, and make a gesture of welcome, and eat with them. And just as I hadn't "deserved" any of what had been given to me—the fish, the biscuits, the tea so abundantly poured out back in those years—I didn't deserve communion myself now. I wasn't getting it because I was good. I wasn't getting it because I was special. I certainly didn't get to pick who else was good enough, holy enough, deserving enough, to receive it. It wasn't a private meal. The bread on that Table had to be shared with everyone in order for me to really taste it.

Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.

Welcome to the island of misfit toys, Dex.” I expand my hands in front of me, gesturing to the room as I walk backward. “The only thing I expect from my friends is loyalty and honesty. What they choose to do apart from that is up to them. I’ve no room to judge anyone. But here’s a tip. You might want to stop tryin’ to understand me because you’re not going to like what you find. Okay?

She laughed, a sound of pure joy, and she cried more, because that joy was a miracle. 'That's a sound I never thought to hear from you, girl,' Amren said beside her. The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight. Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting. Nesta fell to one knee and bowed her head. 'I am sorry.' Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.' Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.' Nesta's brow furrowed. She hadn't changed anything. Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.' 'I didn't do anything.' 'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?' Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.' 'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.' 'But my power only creates terrible things. The House is good,' Nesta breathed. 'Is it?' Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.' Amren nodded. 'And where is it now?' 'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.' Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.' But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it. Amren chuckled gently. 'And worth it for that, too.' Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.

The world is surprising. It had undiscovered stores. It is not yet wholly given. There will be new gestures, new questions, new forms of life. The capacity to welcome them, to make room for them (to accommodate without crushing them), to learn from and be transformed by them depends on the provision of this “quiet yet live holding”---in this form. Then in all its further expected and unexpected, tested, and as yet unimagined forms.

Smirking slightly, I hold my hands out. “What do you think of my nail varnish?” There’s a stunned silence in the room before he leans forward. “I think it’ll look good in Cornwall,” he says deliberately. “What?” I jerk out. He smirks. “Welcome to the staff of Ashworth House, Oz. I think you’re going to do well.” “Are you mad?” I demand loudly. “I just gave the worst interview of my life.” Milo nods frantically and I gesture to him. “Yes. Even Milo knows this, don’t you?

What happened?” Violet asked Jay, when Mike went to join the girls in the kitchen, giving them a moment alone in front of the fire. Jay shook his head, his expression dark. “You tell me. One minute you were leaning on me, and the next you passed out. It freaked the shit out of me.” “Claire actually screamed,” Chelsea added, rejoining them. She sat down on a wooden chair across from Violet. “I can’t believe you didn’t hear her. I’m with Jay though-it was pretty scary. You’re lucky he caught you before you hit the ground.” Violet cringed. She glanced up at Jay, humiliated. “You…caught me?” He nodded, and she could tell from the look on his face that he was enjoying this part. A lot. “You’re welcome,” he said with a completely straight face. She looked at him again and rolled her eyes, stubbornly refusing to thank him after he’d already so clearly patted himself on the back. Megan came back in, carrying a mug of hot chocolate, and Claire trailed behind her. “Be careful,” Megan warned quietly, handing it to Violet. “It’s kind of hot.” Their fingertips brushed as the mug exchanged hands. Violet locked eyes with the younger girl. “Thank you.” She imparted as much meaning as she could in the two simple words and hoped that it was gesture enough, even if only for herself. She felt bad for the things she’d suspected her of doing. Megan pulled her hand away and glanced down nervously. “You’re welcome.” Her voice was timid and hesitant. “So she gives you hot chocolate and you thank her. I save your life and get nothing. That’s messed up,” Jay complained. Violet smirked at him over the top of her hot cocoa. “Hers tastes better,” she teased, blowing on the steaming liquid and then taking a sip. “Besides, I think you’ve already thanked yourself.

So in the long run, it didn't matter at all if you had bee good or not. The girls in high school who had "gone all the way" had not wound up living in back alleys in shame and disgrace, like she thought they would; they wound up happy or unhappily married, just like the rest of them. So all the struggle to stay pure, the fear of being touched, the fear of driving a boy mad with passion by any gesture, and the ultimate fear - getting pregnant - all that wasted energy was for nothing. Now, movie stars were having children out of wedlock by the dozen and naming them names like Moonbeam or Sunfeather.

They destroyed all the equipment, all the medicines. The Harijans – the people we used to call Untouchables – used to come a hundred miles for treatment.’ ‘But I thought Untouchability was outlawed at independence,’ I said. ‘Technically it was,’ replied Tyagi. ‘But do you know the saying “Dilli door ast”? It means “Delhi is far away.” The laws they pass in the Lok Sabha [Indian parliament] make little difference in these villages. Out here it will take much more than a change in the law to alleviate the lot of the Dalits [the oppressed castes, i.e. the former Untouchables].’ ‘But I still don’t understand why the Rajputs did this. What difference does it make to them if you educate the Untouchables?’ ‘The lower castes have always been the slaves of the higher castes,’ replied Tyagi. ‘They work in their fields for low wages, they sweep their streets, clean their clothes. If we educate them, who will do these dirty jobs?’ Dr Tyagi waved his hands at me in sudden exasperation: ‘Don’t you see?’ he said. ‘The Rajputs hate this place because it frees their slaves.’ ‘And what did you do,’ I asked, ‘while the Rajputs were beating the place up?’ Dr Tyagi made a slight gesture with his open palm: ‘I was just sitting,’ he said. ‘What could I do? I was thinking of Gandhiji. He was also beaten up – many times. He said you must welcome such attacks because it is only through confrontation that you can go forward. An institution like ours needs such incidents if it is to regenerate itself. It highlights the injustice the Harijans are facing.’ He paused, and smiled. ‘You yourself would not have come here if this had not happened to us.’ ‘What will you do now?’ I asked. ‘We will start again. The poor of this desert still need us.’ ‘And if the higher castes come for you again?’ ‘Then we will welcome them. They are also victims of their culture.

Now where's this artist?" His eyes darted around the room, landed on Gennie and clung. She thought she saw surprise, quickly veiled, then amusement as quickly suppressed, tug at the corners of his mouth. "Daniel MacGregor," Grant said with wry formality. "Genvieve Grandeau." A flicker of recognition ran across Daniel's face before he rose to his rather amazing height and held out his hand. "Welcome." Gennie's hand was clasped, then enveloped. She had simultaneous impressions of strength, compassion, and stubbornness. "You have a magnificent home, Mr. MacGregor," she said, studying him candidly. "It suits you." He gave a great bellow of a laugh that might have shook the windows. "Aye.And three if your paintings hang in the west wing." His eyes slid briefly to Grant's before they came back to hers. "You carry your age well, lass." She gave him a puzzled look as Grant choked over his Scotch. "Thank you." "Get the artist a drink," he ordered, then gestured for her to sit in the chair next to his. "Now, tell me why you're wasting your time with a Campbell." "Gennie happens to be a cousin of mine," Justin said mildly as he sat on the sofa beside his son. "On the aristocratic French side." "A cousin." Daniel's eys sharpened, then an expression that could only be described as cunning pleasure spread over his face. "Aye,we like to keep things in the family. Grandeau-a good strong name.You've the look of a queen, with a bit of sorceress thrown in." "That was meant as a compliment," Serena told her as she handed Gennie a vermouth in crystal. "So I've been told." Gennie sent Grant an easy look over the rim of her glass. "One of my ancestors had an-encounter with a gypsy resulting in twins." "Gennie has a pirate in her family tree as well," Justin put in. Daniel nooded in approval. "Strong blood. The Campbells need all the help they can get." "Watch it,MacGregor," Shelby warned as Grant gave him a brief, fulminating look.

At the first World Fantasy Convention, in 1975, the mayor of Providence gave me a key to the city. I appreciated the gesture, but it wasn’t necessary. My welcome to Providence had come almost half a century earlier, in 1927, from the hand of its distinguished citizen, Howard Phillips Lovecraft. His was the hand penning the stories which enthralled me when I first encountered them in the pages of Weird Tales magazine. And early in 1933 it was through that same hand I was ushered into Lovecraft’s private world as we began a personal correspondence. Thus he opened the gates of his cherished Providence to me long before I ever actually arrived there.

We can perhaps hold both the desire to separate from these bodily memories and the willingness to be with them in the broad embrace of welcome and compassion. I do believe this kind of acceptance is a lifetime's work that inevitably leads to 'failure' at times. Our biology wants to protect us from what may harm us, and the arising of implicit memory can feel quite threatening. If we can soften towards our own tendency to want to move away and offer to begin again with gestures of inclusion, this is likely what is possible and optimal for us humans. Humility and grace are perhaps the gifts of this tension, gifts that we can then extend to our people in the form of honoring their struggle.

He made a gesture I can't describe: 'Gentlemen, welcome to the world of reality--there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth --actual heroism receives no queues up to see it. No one is interested.' He paused again and smiled in a way that was not one bit self-mocking. True heroism is you, alone, in a designated work space. True heroism is minutes, hours, weeks, year upon year of the quiet, precise, judicious exercise of probity and care--with no one there to see or cheer. This is the world. Just you and the job, at your desk. You and the return, you and the cash-flow data, you and the inventory protocol, you and the depreciation schedules, you and the numbers.' His tone was wholly matter-of-fact.

He stands by a window. A flock of starlings settles among the tight black buds of a bare tree. Then, like black buds unfolding, they open their wings; they flutter and sing, stirring everything into motion, air, wings, black notes in music. He becomes aware that he is watching them with pleasure: that something almost extinct, some small gesture towards the future, is ready to welcome the spring; in some spare, desperate way, he is looking forward to Easter, the end of Lenten fasting, the end of penitence. There is a world beyond this black world. There is a world of the possible. A world where Anne can be queen is a world where Cromwell can be Cromwell. He sees it; then he doesn't. The moment is fleeting. But insight cannot be taken back. You cannot return to the moment you were in before.

To hail a religion for its compatibility with a secular society was decidedly not a neutral gesture. Secularism was no less bred of the sweep of Christian history than were Orban's barbed-wire fences. Naturally, for it to function as its exponents wished it to function, this could never be admitted. The West, over the duration of its global hegemony, had become skilled in the art of repackaging Christian concepts for non-Christian audiences. A doctrine such as that of human rights was far likelier to be signed up to if its origins among the canon lawyers of medieval Europe could be kept concealed. The insistence of United Nations agencies on "the antiquity and broad acceptance of the conception of the rights of man” was a necessary precondition for their claim to a global, rather than a merely Western, jurisdiction. Secularism, in an identical manner, depended on the care with which it covered its tracks. If it were to be embraced by Jews, or Muslims, or Hindus as a neutral holder of the ring between them and people of other faiths, then it could not afford to be seen as what it was: a concept that had little meaning outside of a Christian context. In Europe, the secular had for so long been secularised that it was easy to forget its ultimate origins. To sign up to its premises was unavoidably to become just that bit more Christian. Merkel, welcoming Muslims co Germany, was inviting them to take their place in a continent that was not remotely neutral in its understanding of religion: a continent in which the division of church and state was absolutely assumed to apply to Islam

Welcome," she said flatly. "You are aware that the dildo iron maiden is bring your own didos?" We held up our bag of dildos. "And that there are no actual spikes or blades of any type allowed in the iron maiden?" "Did somebody really try that?" Drix asked. BellaSade nodded tiredly. She gestured to the open chamber. "As you can see, the iron maiden has steps inside so that you can impale yourself on different dildos on different levels. Any projections near the eyes or ears must be no longer that four inches and completely blunt. This is the signal hole. " She indicated a large hole in the side of the iron maiden. "If you need to safe signal use that. That--" she pointed to another large hole in the back -- "is the grope hole. Please do not signal through the grope hole or grope through the signal hole.

Welcome, ladies and gentlemen, to your new home.’ He gestured to the stone walls of the cavern that surrounded them. ‘Your lives as you once knew them are over,’ he continued. ‘You have been selected, all of you, the worst, the most cunning, the most mischievous minds from around the world . . . selected to become part of an institution like no other. You have all exhibited certain unique abilities, abilities that set you apart from the mediocrity of the teeming masses and which mark you out as the leaders of tomorrow. Here, in this place, you will be furnished with the knowledge and experience to best exploit your own natural abilities, to hone your craft to a cutting edge.’ He paused and slowly surveyed the pale, wide-eyed faces before him. ‘Each of you has within you a rare quality, a gift if you will, a special talent for the supremely villainous. Society would have us believe that this is an undesirable characteristic, something that should be subdued, controlled, destroyed. But not here . . . no, here we want to see you blossom into all that you can be, to see your innate wickedness flourish, to make you the very worst that you can be.’ He stepped out from behind the lectern and walked to the edge of the raised platform. As he loomed over them he seemed to grow taller and some of those at the front of the group edged backwards nervously. ‘For today all of you have the unique honour and privilege of becoming the newest students of the world’s first and only school of applied villainy.’ He spread his arms, gesturing to the walls around them. ‘Welcome to H.I.V.E., the Higher Institute of Villainous Education.

The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.

Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.

On the first day of sophomore English, he blew in like a cool breeze, welcomed them, and then printed something on the board that Pete Saubers never forgot: ‘What do you make of this, ladies and gentlemen?’ he asked. ‘What on earth can it mean?’ The class was silent. ‘I’ll tell you, then. It happens to be the most common criticism made by young ladies and gentlemen such as yourselves, doomed to a course where we begin with excerpts from Beowulf and end with Raymond Carver. Among teachers, such survey courses are sometimes called GTTG: Gallop Through the Glories.’ He screeched cheerfully, also waggling his hands at shoulder height in a yowza-yowza gesture. Most of the kids laughed along, Pete among them. ‘Class verdict on Jonathan Swift’s “A Modest Proposal”? This is stupid! “Young Goodman Brown,” by Nathaniel Hawthorne? This is stupid! “Mending Wall,” by Robert Frost? This is moderately stupid! The required excerpt from Moby-Dick? This is extremely stupid!’ More laughter. None of them had read Moby-Dick, but they all knew it was hard and boring. Stupid, in other words.

Before I had a chance to reply, I realized that my colleagues had assembled in a circle around my desk without my noticing. I looked up at them. Their expressions ranged from bored to benevolent. Janey looked mildly concerned. “We know you don’t like a fuss, Eleanor,” she said, having clearly been nominated as spokeswoman. “We just wanted to say that we’re glad you’re feeling better, and, y’know, welcome back!” There were nods, murmured assent. As speeches went, it was hardly Churchillian, but it was yet another very kind and thoughtful gesture. I wasn’t one for public oratory, but I sensed that they would not be satisfied without a few words. “Thank you very much indeed for the flowers and the card and the good wishes,” I said, eventually, eyes on my desk while I spoke. There was a bit of a silence that no one, and certainly not me, quite knew how to fill. I looked up at them. “Well,” I said, “I don’t suppose those overdue invoices are going to process themselves, are they?” “She’s back!” Billy said, and there was laughter, including my own. Yes. Eleanor Oliphant was back.

The van stops on the coast road. Ho-ho, Cornelius says. Cornelius? Please. Let's just get to the fucking island. Patience a small while. Cornelius kills the engine. He climbs from the van. The wind comes harder now from the sea. He gestures for John to follow; he does. They walk the scalp of a hill together, descending. You're not to be afraid, John. They approach a great fall-away to the sea; far below, it flashes its green teeth, the ever-welcoming sea. Right, Cornelius says. He steps up to the edge; the fall is sheer - it's a great distance to fall and to a certain ending there. Come on, John. He steps with Cornelius to the edge of the sheer fall; the wind pulses hard against them. Lean into it, Cornelius says. Like so. He does and he is held there. Fucking hell. . . Be fierce, John. The wind comes hard and Cornelius leans in closer again to its great force; he is held there. Cornelius? Now, John. John tips his toes up close to the edge and closer again to the sheer fall and closer. Cornelius? Go on. He leans over the edge and the wind holds him perfectly there. Do you see, John? Maybe. Do you see the trick of it, John? I think so. No fear.

Winterborne, who was standing beside a plate-glass counter and looking down at its contents, glanced up at their approach. “Welcome,” he said, a smile in his eyes. “Is this what you had expected?” The question was addressed to the group, but his gaze had gone to Helen. The twins erupted with happy exclamations and praise, while Helen shook her head and smiled. “It’s even more grand than I had imagined,” she told him. “Let me take you on a tour.” Winterborne slid a questioning glance to the rest of the group. “Would any of you like to accompany us? Or perhaps you’d like to start shopping?” He gestured to a stack of rattan baskets near the counter. The twins looked at each other, and decisively said, “Shopping.” Winterborne grinned. “The confectionery and books are in that direction. Drugs and perfumery over there. Back there you’ll find hats, scarves, ribbons, and lace.” Before he had even finished the sentence, the twins had each grabbed a basket and dashed away. “Girls…” Kathleen began, disconcerted by their wildness, but they were already out of earshot. She looked at Winterborne ruefully. “For your own safety, try to stay out of their path or you’ll be trampled.” “You should have seen how the ladies behaved during my first bi-annual sale discounts,” Winterborne told her. “Violence. Screaming. I’d rather go through the train accident again.” Kathleen couldn’t help smiling.

Voluptuous?” Grey smiled at the naughty light in her gaze. “A full subscription. Perhaps you will discover between the pages other activities you would like to sample with me.” It wasn’t much of a gift, certainly not an expensive one, but Rose embraced him as though he had given her the world-and he had the wine stains on his cuffs to prove it. “Thank you!” She kissed his cheek. “Oh, Grey, thank you so much!” “It’s only a magazine, Rose, but you are welcome.” She pulled back so that he could see her face, the delighted flush in her cheeks. “It’s not just a magazine. It’s a gesture of…trust and respect. Do you know how many husbands would forbid their wives to read such literature?” Yes, he did, and he would hardly call it literature. “I’m of the opinion that a husband can only benefit from his wife reading this kind of material.” A coy, seductive-wonderfully wicked-smile curved her full lips. “Perhaps we will both benefit.” He could shag her senseless right then and there. He gave her back her wine instead, and positioned himself with his back against the headboard. He tugged her close, turning her so that she sat with her back against his chest. “Read to me.” She looked horrified at the idea. “What? No, I couldn’t.” Grey trailed his fingers down the side of her neck, smiling smugly as she shivered. “Read it. Please.” Her fingers trembled slightly as they parted the pages. “What would you like to hear?” “A story,” he replied, brushing the tip of his finger along the curve of her ear. “Something that will take a while.” Because the longer she read, the longer he could touch at his leisure. “’Lady Jane’s Confession,’” she read, her voice a little huskier than normal, “’Or, An Adventure in Lust.’” Grey gently pulled a pin from her hair and set it on the bedside table. “Sounds interesting.

We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.

There was an infinity of firmest fortitude, a determinate unsurrenderable wilfulness, in the fixed and fearless, forward dedication of that glance. Not a word he spoke; nor did his officers say aught to him; though by all their minutest gestures and expressions, they plainly showed the uneasy, if not painful, consciousness of being under a troubled master-eye. And not only that, but moody stricken Ahab stood before them with a crucifixion in his face; in all the nameless regal overbearing dignity of some mighty woe. Ere long, from his first visit in the air, he withdrew into his cabin. But after that morning, he was every day visible to the crew; either standing in his pivot-hole, or seated upon an ivory stool he had; or heavily walking the deck. As the sky grew less gloomy; indeed, began to grow a little genial, he became still less and less a recluse; as if, when the ship had sailed from home, nothing but the dead wintry bleakness of the sea had then kept him so secluded. And, by and by, it came to pass, that he was almost continually in the air; but, as yet, for all that he said, or perceptibly did, on the at last sunny deck, he seemed as unnecessary there as another mast. But the Pequod was only making a passage now; not regularly cruising; nearly all whaling preparatives needing supervision the mates were fully competent to, so that there was little or nothing, out of himself, to employ or excite Ahab, now; and thus chase away, for that one interval, the clouds that layer upon layer were piled upon his brow, as ever all clouds choose the loftiest peaks to pile themselves upon. Nevertheless, ere long, the warm, warbling persuasiveness of the pleasant, holiday weather we came to, seemed gradually to charm him from his mood. For, as when the red-cheeked, dancing girls, April and May, trip home to the wintry, misanthropic woods; even the barest, ruggedest, most thunder-cloven old oak will at least send forth some few green sprouts, to welcome such glad-hearted visitants; so Ahab did, in the end, a little respond to the playful allurings of that girlish air. More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile.

Cooper, a host of works by American nature writers, and I’ve never in reading a single one of those pages felt one tenth of the emotion that fills me before these shores. And yet I’ll keep on reading, and writing. Two or three times an hour, a sharp crack breaks up my thoughts. The lake is shattering along a fault line. Like surf, birdsong, or the roar of waterfalls, the crumpling of an ice mass won’t keep us awake. A motor running, or someone snoring, or water dripping off a roof, on the other hand, is unbearable. I can’t help thinking of the dead. The thousands of Russians swallowed up by the lake.5 Do the souls of the drowned struggle to the surface? Can they get past the ice? Do they find the hole that opens up to the sky? Now there’s a touchy subject to raise with Christian fundamentalists. It took me five hours to reach Elohin. Volodya welcomed me with a hug and a “Hello, neighbor.” Now there are seven or eight of us around the wooden table dunking cookies in our tea: some fishermen passing through, myself, and our hosts. We talk about our lives and I’m exhausted already. Intoxicated by the potluck company, the fishermen argue, constantly correcting one another with grand gestures of disgust and jumping down one another’s throats. Cabins are prisons. Friendship doesn’t survive anything, not even togetherness. Outside the window, the wind keeps up its nonsense. Clouds of snow rush by with the regularity of phantom trains. I think about the titmouse. I miss it already. It’s crazy how quickly one becomes attached to creatures. I’m seized with pity for these struggling things. The titmice stay in the forest in the icy cold; they’re not snobs like swallows, which spend the winter in Egypt. After twenty minutes, we fall silent, and Volodya looks outside. He spends hours sitting in front of the window pane, his face half in shadow, half bathed in the light off the lake. The light gives him the craggy features of some heroic foot soldier. Time wields over skin the power water has over the earth. It digs deep as it passes. Evening, supper. A heated conversation with one of the fishermen, in which I learn that Jews run the world (but in France it’s the Arabs); Stalin, now there was a real leader; the Russians are invincible (that pipsqueak Hitler bit off more than he could chew); communism is a top-notch system; the Haitian earthquake was triggered by the shockwave from an American bomb; September 11 was a Yankee plot; gulag historians are unpatriotic; and the French are homosexuals. I think I’m going to space out my visits. FEBRUARY 26 Volodya and Irina live like tightrope walkers. They have no contact with the inhabitants on the other side of Baikal. No one crosses the lake. The opposite shore is another world, the one where the sun rises. Fishermen and inspectors living north or south of this station sometimes visit my hosts, who rarely venture into the mountains of their

Asad waited in one of the end stalls, watching alertly as Kathleen approached. His head lifted, his ears perking forward in recognition. He was a compact gelding with powerful hindquarters, an elegant conformation that afforded both speed and endurance. His coloring was a shade of chestnut so light it appeared golden, his mane and tail flaxen. "There's my boy," Kathleen exclaimed gently, reaching out to him with her palm upward. Asad sniffed at her hand and gave her a welcoming nicker. Lowering his finely modeled head, he moved to the front of the stall. She stroked his nose and forehead, and he reacted with pure gladness, blowing softly and nudging closer. "I shouldn't have waited so long to see you," she said, overcome with remorse. Clumsily she leaned to kiss the space between the horse's eyes. She felt him nibble delicately at the shoulder of her dress, trying to groom her. A crooked grin twisted her lips. Pushing his head away, she scratched his satiny neck in the way she knew he liked. "I shouldn't have left you alone, my poor boy." Her fingers tangled in the white-blond mane. She felt the weight of his head come to rest on her shoulder. The trusting gesture caused her throat to cinch around a quick breath.

Thank you, Liam.” His almost innocent gesture is so tender it makes me shudder. I have to blink a few times to remind myself this is a job. Thinking about emotions is pointless. “You’re welcome.” I give him my most charming beam and a wink. “Book me again if you had a good time, yeah?” His grin makes the crow’s feet that are just appearing at the corners of his eyes more obvious. I like them on the man, though. I don’t think I have a type, but a ‘daddy’ is definitely not one I’d normally go for. But then, he’s probably only ten, fifteen years older than me. Hell, shut up, Liam. Quit over-analysing. It’s not like this hot guy is going to be interested in you beyond paid-for sex. I’m probably horny, missing a lover or a regular fuck buddy who would be better than nobody. I miss one person most but he’s gone, found his true love and he’s doing well. I am happy for him despite the ache inside me when I think back to the hard times I shared with Sasha and the love I felt for him. Some days I wish I could turn back the clock. By the time I told Sasha I loved him, it was too late, but regrets are a luxury for someone like me.

Typically only the incivility of the less powerful toward the more powerful can be widely understood as such, and thus be subject to such intense censure. Which is what made #metoo so fraught and revolutionary. It was a period during which some of the most powerful faced repercussion. The experience of having patriarchal control compromised felt, perhaps ironically, like a violation, a diminishment, a threat to professional standing—all the things that sexual harassment feels like to those who’ve experienced it. Frequently, in those months, I was asked about how to address men’s confusion and again, their discomfort: How were they supposed to flirt? What if their respectful and professional gestures of affiliation had been misunderstood? Mothers told me of sons worried about being misinterpreted, that expression of their affections might be heard as coercion, their words or intentions read incorrectly, that they would face unjust consequences that would damage their prospects. The amazing thing was the lack of acknowledgment that these anxieties are the normal state for just about everyone who is not a white man: that black mothers reasonably worry every day that a toy or a phone or a pack of Skittles might be seen as a gun, that their children’s very presence—sleeping in a dorm room, sitting at a Starbucks, barbecuing by a river, selling lemonade on the street—might be understood as a threat, and that the repercussions might extend far beyond a dismissal from a high-paying job or expulsion from a high-profile university, and instead might result in arrest, imprisonment, or execution at the hands of police or a concerned neighbor. Women enter young adulthood constantly aware that their inebriation might be taken for consent, or their consent for sluttiness, or that an understanding of them as having been either drunk or slutty might one day undercut any claim they might make about having been violently aggressed upon. Women enter the workforce understanding from the start the need to work around and accommodate the leering advances and bad jokes of their colleagues, aware that the wrong response might change the course of their professional lives. We had been told that our failures to extend sympathy to the white working class—their well-being diminished by unemployment and drug addictions—had cost us an election; now we were being told that a failure to feel for the men whose lives were being ruined by harassment charges would provoke an angry antifeminist backlash. But with these calls came no acknowledgment of sympathies that we have never before been asked to extend: to black men who have always lived with higher rates of unemployment and who have faced systemically higher prison sentences and social disapprobation for their drug use; to the women whose careers and lives had been ruined by ubiquitous and often violent harassment. Now the call was to consider the underlying pain of those facing repercussions. Rose McGowan, one of Weinstein’s earliest and most vociferous accusers, recalled being asked “in a soft NPR voice, ‘What if what you’re saying makes men uncomfortable?’ Good. I’ve been uncomfortable my whole life. Welcome to our world of discomfort.”34 Suddenly, men were living with the fear of consequences, and it turned out that it was not fun. And they very badly wanted it to stop. One of the lessons many men would take from #metoo was not about the threat they had posed to women, but about the threat that women pose to them.

Um," I point at his cape and gadgets. "You know you'll stand out, right?" He frowns at me. "You're none better," he says. I look down at my very medieval looking white gown and the two swords I carry. At least Yami is hidden as a dragon necklace. "You're right. I won't blend in either." He freezes. "Right, well, I'll just say it's Halloween." "But it's not." He raises an eyebrow.  "What do you mean?" "You can't just say it's Halloween. It has to be the actual day." "Really? Your human customs are so strange." He turns to the sink to wash his hands. I sigh. "Okay, we can say we're part of a fantasy game reenactment. Cosplay. That should give us a good cover." "Cosplay?" he says, holding the word in his mouth like a foreign thing he's afraid to taste. "Yeah, it's when humans dress up like characters from their favorite… " Ace's eyes are vacant and he looks bored. I sigh again. "Nevermind. Just let me do the talking if anyone questions our choice of clothing." He washes his hands, then gestures at the door. "After you." I lead, entering a place I once called a second home. Everything is familiar, everything makes me feel welcome. Jesus eyeing the naked sculptures. The Neon signs. The baby bottles filled with milk for customers' coffee. "Oh, Ari, sweetie. I didn't see you come in." Sheri runs up to me, wrapping me in a hug. "It's been so long. How have you been? And who's this dashing young man?" Ace raises his cape in front of his eyes. "It's Halloween." "No… no…" I shake my head and pull his cape down. "He's a friend. I'm just showing him the sights.

Say ‘Thanks’ and ‘Please’ and ‘You’re welcome’ as you go through your daily life. It makes a difference. We are all sensitive souls inside, and everyone appreciates a small gesture of kindness and appreciation.

I seriously doubt that the smile is our species’s “happy” face, as is often stated in books about human emotions. Its background is much richer, with meanings other than cheeriness. Depending on the circumstances, the smile can convey nervousness, a need to please, reassurance to anxious others, a welcoming attitude, submission, amusement, attraction, and so on. Are all these feelings captured by calling them “happy”? Our labels grossly simplify emotional displays, like the way we give each emoticon a single meaning. Many of us now use smiley or frowny faces to punctuate text messages, which suggests that language by itself is not as effective as advertised. We feel the need to add nonverbal cues to prevent a peace offer from being mistaken for an act of revenge, or a joke from being taken as an insult. Emoticons and words are poor substitutes for the body itself, though: through gaze direction, expressions, tone of voice, posture, pupil dilation, and gestures, the body is much better than language at communicating a wide range of meanings.

The love-goddess gestured to the fish of the lake below her and they gleefully gave up their scales to clothe her in a glimmering gown. The very ends of her toes dangled like cherries over the water as she drifted toward the beach. Even her pointed finger seemed a welcome sight. With a voice that sounded like the wind though roses, she whispered, ‘My boy . . .

In that case welcome to Blue Creek and I hope you know we,” Lou gestured around the diner, “are pretty sure that you and Rook are perfect for one another.” West crooked one eyebrow and smirked slightly. “Off one chance encounter you’ve decided this?” “Chemistry, of course. You two have it in spades.” He

Welcome to the 21st century cosmopolitan world where biased thoughts preside over unbiased deeds, simple gestures become overrated gossip materials and injustice is a part of long term justice.

Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Joanna Kellogg, one of Joseph’s sisters, was stumbling. For Joanna, the world was blurred. Her eyes didn’t focus the way other people’s did. Leaves on trees were green blots against a blue sky. She couldn’t recognize people until they were within a dozen paces. When an Indian brave took Joanna’s hand, she had not seen her mother die and did not know this was the killer. She was only ten, but her pack was nearly as large as the ones grown men carried. Joanna did not complain or call out. She just walked more and more slowly. Ruth Catlin lost her temper. She flung the pack she had been given into the snow. She grabbed Joanna by the shoulders and ripped off Joanna’s pack, flinging that into the snow too. She hurled an iron frying pan across the snow and then a whole leg of lamb. Indian and captive alike were mesmerized. “You savages!” Ruth screamed. “Don’t you even think about hurting Joanna. She’s too little! You are vicious and mean! I hate you!” She dragged Joanna forward as if the two of them meant to reach Canada first, by God. “Go ahead and kill me!” she yelled, holding out her hair to be scalped. “I dare you!” She made a fist around her own hair, yanked it tight and waved the bristles in Indian faces. Nobody tomahawked Ruth. She stomped past Indian after Indian, calling them names. Ruth stormed right up to the front of the line, where the lead Indians were trampling out the path. She could go no farther. The Indians politely stepped back and gestured north, making it clear that Ruth was welcome to lead the way. Ruth kicked wildly at one of the braves, but he stepped back and Ruth’s burst of energy vanished. She wanted to lie down on her own soft bed, bury her face in her pillow and weep for the family that had died around her. Even more, she wanted to kill an Indian. Or ten of them. But she had no weapon and as for softness, even the snow was not soft today. Well, at least she would not give those Indians the satisfaction of seeing her cry. Glaring, dragging poor Joanna, she marched on.

I trust Lady Jenny made you welcome?” “Very.” Kesmore’s eyes narrowed, and like an idiot, Elijah babbled on. “She is knowledgeable about art, and her company is enjoyable.” Also a sore trial to his self-restraint, which was why departure this morning was a relief. Mostly a relief. The thwack of Kesmore’s riding crop against his boot punctuated the soft whistle of the winter wind. “Lady Jenny can handle the hellions gracing my nursery, which ought to recommend her to half the bachelor princes in Europe. She talks horses with me, poetry with Louisa, politics with His Grace, recipes with—” Kesmore broke off and waved one black-gloved hand in the direction of the house—a silly wave, hand up, fingers waggling madly. Elijah followed the man’s gaze and saw a woman in a third-floor window with a child in her arms. In a gesture ubiquitous among mothers, she was waving the baby’s tiny hand in Kesmore’s direction. “The child probably can’t even see you, Kesmore, and he has no notion why you’re fluttering your hand around.” “Neither do I, and someday, neither will you.” This time Kesmore waved his riding crop at the mother and child, who waved right back.

Many hospitality companies follow the "5 and 10 Rule," whereby when a customer is within ten feet of the employee, they should provide acknowledgement with eye contact and a genuine smile. When the customer is within five feet, it is encouraged to provide a warm welcome, sincere greeting, a friendly gesture, and offer to help, or to engage him or her in conversation.

Mix • Be situationally aware and pay attention to the people in the room. • Introduce guests or help strike up a conversation. • Be the one who takes the initiative and makes and effort to “work the room.” • Make eye contact and acknowledge others with a smile and friendly gestures. • Greet people as they arrive, even if it is not your expected role. • Spot the people who may be first timers or guests and help them feel more welcomed and embraced.

Keri answered the door, looking frazzled and not having the best hair day he’d ever seen. “Hi, Sean. I was just thinking, gee, I need more Kowalskis in my life right now.” He laughed and stepped into the big foyer. “Baby acting up?” “I thought the Kowalski men were royal pains in the ass—no offense—but you guys have nothing on the girls.” “Joe writing?” She blew out a sharp breath and put her hands on her hips. “No. Joe is pretending to write so I won’t dump Brianna in his lap, but he’s probably playing some stupid game.” From the other room came a pissed-off howl that Sean hoped was their daughter and not a wild animal foraging for table scraps. “So he’s in his office?” Keri nodded and waved a hand in that direction before making a growling sound and heading off to appease her daughter. Welcome to the jungle, he mused before heading to Joe’s office. He rapped twice on the door, then let himself in. Joe looked up with a guilty start and Sean knew his wife had him all figured out. “She knows you’re only pretending to write so you don’t have to deal with the kid.” “You know what really sucks? Everybody keeps saying to just wait till she’s older. Like it gets worse. How can it get worse?” Sean lifted his hands in a “don’t ask me” gesture. “For years I’ve been writing about boogeymen and the evil that lurks in the hearts of men. I had no idea there’s nothing scarier than a baby girl.” Sean laughed. “She can’t be that bad. What does she weigh? Ten pounds?” “Fifteen. But it’s fifteen pounds of foul temper and fouler smells. Trust me.” “I’ll take your word for it.” Joe leaned back in his leather office chair and sighed. “Let’s talk about your life. She still on the couch?” “Yes, she is.” “Good. I said you’d last three weeks.” Maybe, but Sean wouldn’t bet on it. Or he shouldn’t have bet on it, anyway. Especially a whole month. His balls ached just thinking about it. “You guys come up with a plan for the kids for Saturday yet?” “Yeah, but it’s going to cost you.” “Not a problem. I’ll just take it out of all the money I’m going to collect from you idiots at the end of the month.” Joe grinned. “You keep telling yourself that, buddy.” He was. With as much oomph as he could muster. And he’d probably keep telling himself that up to the minute he got Emma naked.

The obvious pain in her eyes moved him. For a moment he wanted to gather her into his arms and soothe her but he was sure she wouldn’t welcome such a gesture.

Well?” Baird gestured again, obviously waiting for her to precede him but still Liv hung back. “Uh…I think I forgot something on the ship,” she said, backing away. “Do you mind if I go get it?” “You didn’t bring anything to forget.” There was a definite hint of impatience in the deep, growling voice. “Are you coming in or not?” “I choose not.” Liv shook her head. “I just…I don’t think so. No thanks.” Baird looked at her with obvious disbelief. “You have to come in—this is where I live. Where else would you stay?” “Um—well, do you guys have guest rooms or anything like that? I mean, it’s a big ship so you must have someplace else, right?” Liv was feeling more and more nervous and it wasn’t just the fact that he was big and dangerous and scary looking. She had a feeling that if she went into his suite, that she might not come out again as the same person. That somehow being near him twenty-four/seven for the next month would change her, make her lose control. “Olivia, you can’t stay in the guest quarters. You’re my bride and this is our claiming period.” The big warrior was practically growling with impatience. “What’s the problem?” “How can you ask me that?” she flared at him, crossing her arms protectively over her chest. “You stand there staring at me like I’m an antelope and you’re a really hungry lion and you’ve told me about twelve times how you can’t wait to get me in bed, or up against the wall, or anywhere at all for that matter. And now you want to know why I’m scared to go into a dark room and be alone with you? What do you think I am—crazy?” He blew out a breath and ran a hand through his thick black hair. “I can’t believe this. Haven’t I told you I would never hurt you?” Liv frowned up at him. “Yeah, well, I’m not sure about your definition of ‘hurt.’ I mean, forced sex isn’t always painful but just because it doesn’t hurt doesn’t mean it isn’t rape.” “Is that what you think of me? That I want to take you by force?” He swooped down on her suddenly, eyes blazing a molten gold. Liv backed up but before she knew it she was pinned against one cold metal wall with his thick, muscular arms on either side of her and his face inches from hers. “Well what am I supposed to think?” she demanded, hoping her voice didn’t tremble too much. “You can think whatever you want, Olivia, but you should know one thing.” He leaned even closer, his hot breath stirring her hair as he murmured in her ear. “When I take you—because I will take you—make no mistake about that,” he said, cutting off her protest. “When I do, I promise you’ll want it every bit as bad as I do. You’ll beg for it, Linlenta. Beg to have my shaft inside you, filling you up as I bond you to me forever.” “You arrogant bastard.” Liv narrowed her eyes at him. “You must have a pretty high opinion of yourself if you think I’ll welcome you with open arms and beg for more.” “It’s not an opinion, it’s a fact.

What are you doing here, Kiernan?” I asked dully. His eyes crinkled up for a second in surprise at my tone. “I came to see you. I know it’s been too long, that I took too long, but…” Two spots of color blossomed on his cheeks, like he didn’t want to go on, but then he forged ahead. “But there were all sorts of ceremonies and things, to welcome her. Everyone was called to court. They even made sure that the Baroness of Mossfeld came,” he added with a puff of laughter and a hopeful glance at me. The holdings of Mossfeld were in the most northern reaches of Thorvaldor and the woman who held them was so eccentric that she had not been seen in court since the crowning of the king. Kiernan and I had spent many hours lying on the grass of the palace gardens, wondering exactly what she was like and what she did with herself stuck out on the boggy, sodden land that was Mossfeld. But I didn’t smile, and I saw Kiernan swallow before he continued. “Anyway, I couldn’t leave. My father, he said that it would be an insult to--to Nalia--if I left to find you while they were still welcoming her. He finally gave me permission yesterday, and I started out this morning.” “I see that. But why?” I asked. There was a tone in my voice I didn’t recognize, as two-edged and keen as a sword blade. It would cut Kiernan, yes, but it would also cut me where I held it. I didn’t care. “This,” I said, throwing my arm out to indicate the cottage and the tub of dye, “isn’t exactly what you’re used to.” He glanced to where I had gestured, blinking and off balance. I shook my head. “No. You’re all fun, all froth and silliness and jokes.” He blanched, hurt, and I almost did myself. It wasn’t true; there was more to Kiernan than that, and we both knew it. Still, I didn’t stop. “There aren’t any pretty women to kiss here, Kiernan, or games to play or pranks to set. No plays to see, no music halls to go to. There aren’t even any libraries for you to run away from.” I laughed, and it was a high, shrill sound, one I didn’t recognize. “Oh, don’t worry. It’s not just you. Look around. There’s nothing here anyone sane would want anything to do with.” “There’s you,” he said quietly. “I came here to find you. I would have gone anywhere,” he added more stridently. “To Two Copper district in Vivaskari or the boggy reaches of Mossfeld or the Nameless God’s frozen hell. You’re my friend. I came to find you.

Ridley Montebello crossed the edge of the dance floor to reach me. I gestured a welcome not only to a good friend but also my trusted attorney.

I was born to an unwed female in a settlement that makes Windhaven look like a tolerant, welcoming paradise. She was shunned for bearing a child out of wedlock, and forced to give birth to me alone in a tent in the dead of winter.' Horror lurched through her. She'd known Cassian was low-born, but that level of cruelty because of it... 'What of your father?' 'You mean the piece of shit who forced himself on her and then went back to his wife and family?' Cassian let out a cold laugh that she rarely heard. 'There were no consequences for him.' 'There never are,' Nesta said coolly. She blocked out the image of Tomas's face. 'There are here,' Cassian growled, as if he sensed the direction of her thoughts. Cassian gestured to the city below, hidden by the mountain and the House blocking the view. 'Rhys changed the laws here in the Night Court, and in Illyria.' His face hardened further. 'But it still requires the survivor to come forward. And in places like Illyria, they make life a living hell for any female who does. They seem it a betrayal.' 'That's outrageous.' 'We're all Fae. Forget the High Fae or Lesser Fae bullshit. We're all immortal or close to it. Change comes slowly for us. What humans accomplish in decades takes us centuries. Longer, if you live in Illyria.' 'Then why do you bother with the Illyrians?' 'Because I fought like hell to prove my worth to them.' His eyes glittered. 'To prove that my mother brought some good into this world.' 'Where is she now?' He'd never spoken of her. His eyes shuttered in a way she had not witnessed before. 'I was taken away from her when I was three. Thrown out into the snow. And in her so-called disgraced state, she became prey to other monsters.' Nesta's stomach twisted with each word. 'She did their backbreaking labour until she died, alone and...' His throat worked. 'I was at Windhaven by then. I wasn't strong enough to return to help her. To bring her somewhere safe. Rhys wasn't yet High Lord, and none of us could do anything.' ... 'It's a story for another time. But what I meant to try to explain is that through it all, through every awful thing, the training centred me. Guided me. When I had a shit day, when I was spat on or pummelled or shunned, when I led armies and lost good warriors, when Rhys was taken by Amarantha- through all of that, the training remained. You said the other day the breathing helped you. It helps me, too. It helped Feyre.' She watched the wall rise in his eyes, word after word. As if he waited for her to rip it down. Rip him down. 'Make of that what you will, but it's true.' Oily shame slithered through her. She'd done that- brought this level of defensiveness in him. Heaviness weighed on her. Started gnawing on her insides. So Nesta said, 'Show me another set of movements.' Cassian scanned her face for a heartbeat, his gaze still shuttered, and began his next demonstration.

My real task is not to try to reinvent myself or to transcend my life after all, but to inhabit it more fully, to appreciate it, and to thoughtfully tend whats already here. .. embracing and welcoming the person I actually am and quietly making the contribution I have to offer- whether its a manuscript page or an email to my old next-door neighbor. What matters is not the grandness of the gesture, but its source. If I do my work, all of it, with love, then it is worthy.

The Helhound gestured grandly to the stables. “Welcome to Hotel Horseshit.

How do I know you haven't hidden away some weapon in your trousers or shirt?" His grin was unleashable. "By all means, love." He spread his arms in a welcoming gesture. "Search me. I assure you, it would be enjoyable for both of us.

Bryce swung her arm out in a grand, sweeping gesture as the Prince of the Chasm stepped through the Northern Rift. “Welcome back to Midgard,” she said. “Hope you have a pleasant stay.

Neither of us are alone any longer. I’m here for as long as you’ll have me.” Brela grinned and flashed her teeth. “Then you better get comfortable.” She pressed a quick kiss to Farrah’s lips, this time nipping slightly as she pulled away and gestured to the cottage. “Welcome home, Farrah.

It was as the clarity of the light reached perfection that he saw Peggy. She was standing before him, not 20 yards away. She wore the dress she had worn on the day they had first met. She was just as beautiful, and not a day older. She smiled straight into his eyes, and stretched out her arms to him in a gesture of welcome. ‘Peggy, my dear,’ Arthur Creighton said to her. ‘What a surprise. What a wonderful surprise.’ He stretched out his own arms in response, and walked joyfully towards her.

Her feet touched upon ground, and a cloud of silvery dust blossomed up to her waist. Her clothes shimmered, and the checkered cotton dress she was wearing became an elegant white gown with a silver cord around the waist. "Your apprentice gown," explained Agata. She gestured ahead. "Welcome to the Wishing Star." Before her was a village not unlike Pariva, only every cottage was a different color: rose, violet, mahogany, marigold. Burgundy, magenta, and pearl. Even the flowers in the gardens matched the colors of the houses, and trees made of gold and copper and silver lined the shimmering streets. In the center was a house made of crystal, its windows stained with hearts of every color in the town. As soon as her gaze fell upon the house, its door opened, and over a dozen fairies filed outside, each wearing a warm smile.

This made a pattern of movement and gesture very effective and it provoked laughter, which is a welcome thing as saving from silence, but also frightening when there are many laughing together -- it is then a sea with strange tides. Players swim in the rise and fall of it and if they lose the mastery they drown.

The only role that has fallen to women is that of a sacred prostitution. A radical devotion accompanied by a desperate absence. Just once a woman has to have materialized in your life as if from another world and said ‘ I love you’, and you have to have welcomed her without even knowing her name. Once in your life an idea or a phrase has to have come to you as if in a dream and have immediately taken possession of you. For, if language is to seduce or strike your imagination, words themselves also have to have indulged in a sacred form of prostitution. These are the only gestures of affection a blind destiny can show toward us.

It was a grand, welcoming gesture that made me think of the ticket taker at a haunted house.

Ettrek deboarded first, greeting a man with black hair long enough to brush his shoulders with a clasped hand. When I moved closer, I realized they had to be brothers, maybe even twins. “Wow, you weren’t kidding,” the brother said. “Cyra fucking Noavek is with you.” “How did you know my middle name?” I said. He smiled, and offered me a hand. “My name is Zyt. Short for something so long I don’t even remember it myself. I’m Ettrek’s older brother.” “You probably don’t want to shake my hand,” I said. “You’re welcome to shake Teka’s twice, though.” “Don’t volunteer me for extra handshakes,” Teka said. “Hi. Teka Surukta.” “Here are some oracles,” I said, gesturing behind me to Eijeh and Sifa. Zyt raised his eyebrows.

the sovereign state of exception is a politico-theological weapon designed to neutralise the threat posed not so much by liberalism but by more radical forms of politics, especially anarchism. Curiously enough, the state of exception – the condition in which the rule of law is suspended – itself resembles a form of anarchy, perhaps what Hannah Arendt referred to as the ‘anarchy of power’ that characterised totalitarian regimes. However, Schmitt is quick to distinguish the exception from anarchy and chaos: order in the juristic sense still prevails, even if it is, he says ominously, ‘not of the ordinary kind’. This is a kind of artificially induced ‘anarchy’, designed to preserve rather than overthrow the existing order, or – as we saw in Schmitt’s welcoming of the Nazi revolution – overthrowing it in order to preserve it. To borrow the concept of ‘immunisation’ from the theorist Roberto Esposito, the exception might be seen as gesture in which, in order to protect oneself from a virus, one injects oneself with it so that the system’s immune response is triggered. In the same way, to immunise itself against the threat of anarchy, the state suspends the rule of law and becomes ‘anarchic

Welcome to college.” I gestured with a sigh. “It’s like high school, but deadlier.

Welcome to Australia,” Seth announced in his best local accent, gesturing at their barren surroundings. After surveying the area for a moment, he frowned. “I expected more koalas.

imagine her glancing up at me, noticing what she’s doing to me with her small, innocent gestures. I imagine her rolling onto her back, welcoming me to create secrets with her that’ll never leave this room.

But what a painful difference between the two! The father bends over his returning son. The elder son stands stiffly erect, a posture accentuated by the long staff reaching from his hand to the floor. The father’s mantle is wide and welcoming; the son’s hangs flat over his body. The father’s hands are spread out and touch the homecomer in a gesture of blessing; the son’s are clasped together and held close to his chest. There is light on both faces, but the light from the father’s face flows through his whole body—especially his hands—and engulfs the younger son in a great halo of luminous warmth; whereas the light on the face of the elder son is cold and constricted.

A Reclusive Invitation by Stewart Stafford In a mansion crouched at the forest's edge, Gargoyles perched on a Jericho hedge, Lived Samuel Keane, with millions at least, Welcomed the locals to his Christmas feast. Self-imposed exile of wealth's solitary scene, On that evening, time for connection pristine, An alabaster white suit in a chessboard hall; Legions of armour and battle scars to recall. "Come, gather round, let camaraderie ignite! On Christmas Eve, a dream-come-true night!" Perkins, the grey butler, in reluctant festive red, Gestured them toward Keane's banquet spread. Their gracious host took his place at the end, A throne chair helped into place with a bend, Beaming, he clapped and food was brought in, To gasps and applause at the goblets of gin. A succulent feast at a baronial ball; Roasted goose, boar, a tall glass highball, Stories grew taller, just like each drink, Songs and jests sent them over the brink. Enjoyment and melody's atmosphere bright, Fleeting warmth shared in lush candlelight. Dawn looms, Les Misérables adore company: "Why does hangover guilt crave chablis?" A Father Christmas event once a year, Guests departed, a loud triple cheer, A fading smile of a host so grand, Adrift, nothing elaborate planned. The fireworks faded, the last ember died, Keane shut his mansion with secrets inside. A portcullis closed slowly on a seasonal high, A gothic arch door shut 'neath morning star sky. © 2024, Stewart Stafford. All rights reserved.