Weird Person Quotes

We've searched our database for all the quotes and captions related to Weird Person. Here they are! All 100 of them:

All forms of madness, bizarre habits, awkwardness in society, general clumsiness, are justified in the person who creates good art.
Roman Payne (Rooftop Soliloquy)
Maybe love is just about finding the person you can be your weird self with.
Matt Haig (Reasons to Stay Alive)
One person's crazy is another person's sane, I guess.
Maureen Johnson (Let It Snow: Three Holiday Romances)
I am supposed to be touched. I can’t wait to find the person who will come into the kitchen just to smell my neck and get behind me and hug me and breathe me in and make me turn around and make me kiss his face and put my hands in his hair even with my soapy dishwater drips. I am a lovely woman. Who will come into my kitchen and be hungry for me?
Jenny Slate (Little Weirds)
Quiet people always know more than they seem. Although very normal, their inner world is by default fronted mysterious and therefore assumed weird. Never underestimate the social awareness and sense of reality in a quiet person; they are some of the most observant, absorbent persons of all.
Criss Jami (Healology)
I'd rather be a little weird than all boring.
Rebecca McKinsey
There's a whole category of people who miss out by not allowing themselves to be weird enough.
Alain de Botton
A real friendship ought to introduce each person to unexpected weirdness in the other.
Jaron Lanier (You Are Not a Gadget)
Melanie thinks: when your dreams come true, your true has moved. You've already stopped being the person who had the dreams, so it feels more like a weird echo of something that already happened to you a long time ago.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
You’re a strange person.” “I prefer the term fabulously weird.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
You get lonely, is what it is. A person's not supposed to go through life with absolutely nobody. It's not normal. The longer you go by yourself the weirder you get, and the weirder you get the longer you go by yourself. It's a loop and you gotta do something to get out of it.
Jim Shepard
I am tired of sinking down to a lower place to be with men. I am tired of throwing a tarp over some of my personality so that the shape of my identity suits some gross man a little better for whatever shitty things he needs to do in order to keep his boring identity erect and supreme.
Jenny Slate (Little Weirds)
I just hope I don't become so blissful I become boring. I think I'll always be neurotic enough to do something weird.
Kurt Cobain
I have never seen much point in getting heavy with stupid people or Jesus freaks, just as long as they don't bother me. In a world as weird and cruel as this one we have made for ourselves, I figure anybody who can find peace and personal happiness without ripping off somebody else deserves to be left alone. They will not inherit the earth, but then neither will I... And I have learned to live, as it were, with the idea that I will never find peace and happiness, either. But as long as I know there's a pretty good chance I can get my hands on either one of them every once in a while, I do the best I can between high spots.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
I just stare at him. I want to ask him a thousand questions, but I can tell he doesn't want to be asked. "We make weird friends," I say instead. "I've never been into the f-word with people." "I'm privileged, then? Why me?" He thinks for a moment and shrugs again. "You're the realest person I've ever known." "Is that good or bad?" "It's fucking awful. There's not much room for bullshit, and you know how I thrive on it." We laugh for a moment and begin walking again.
Melina Marchetta (Saving Francesca)
The world is a weird and wonderful place. Why must we try and explain it all away? For our personal satisfaction?
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Theoretical crushes could remain perfect and flawless, because you never actually had to find out what that person was really like or deal with the weird way they chewed or anything.
Morgan Matson (The Unexpected Everything)
What else did he say?” She screwed up her face. “Oh, some weird thing about telling you that he still feels the same way about that tent, and he promises to say it to you in person next time he sees you.” I gave a bark of laughter that was more of a sob. “That asshat,” I blubbered. Elodie nodded in sympathy. “Such an asshat.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I've heard plenty of wacky things in my time and you just have to learn to roll with them without directly challenging the person spewing the weirdness. Challenging weirdness is a pointless and sometimes dangerous exercise.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
It's weird, marriage. It's like this license that gives a person the legal right to control their spouse / their 'other half.
Jess C. Scott (Blind Leading Another (Lust))
AND YOU KNOW it's weird to know a person you don't know and at the same time not know a person you know, you know?
Jason Reynolds (Long Way Down)
Do you ever think about how weird it is that we run into each other all the time?" he asked, eyes unreadable "No," I admitted. "Isn't that the way the world works? In a city of millions you'll always see the same person." "But how often is it the person you most want to see?
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
It's easy to like someone from a distance. But when she stopped being this amazing unattainable thing or whatever, and started being, like, just a regular girl with a weird relationship with food and frequent crankiness wh's kind of bossy--then I had to basically start liking a whole different person.
John Green
Dear other iterations of my past self, Thank you for not being so goddamn weird that I felt I had to address you personally in a letter from the future. I commend you.
Allie Brosh (Hyperbole and a Half)
I know I shouldn’t introduce my own memoir with this amount of insecurity, but my personal life philosophy is always to assume the worst, then you’re never disappointed. BAM! Highlight that previous sentence, baby!
Felicia Day (You're Never Weird on the Internet (Almost))
It was such a weird thing how a breakup stretched much wider than you expected. You didn't just lose a person, but their entire world as well.
Sarah Dessen (The Moon and More)
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
Lauren Oliver (Before I Fall)
I think he just loved being with the bears because they didn't make him feel bad. I get it too. When he was with the bears, they didn't care that he was kind of weird, or that he'd gotten into trouble for drinking too much and using drugs(which apparently he did a lot of). They didn't ask him a bunch of stupid questions about how he felt, or why he did what he did. They just let him be who he was.
Michael Thomas Ford (Suicide Notes)
Every other person in the world would have looked at it and thought, Max would hate this. It was girly. It was beautiful. It wasn't made of titanium and black leather with spikes on it. But it seemed exactly right, in a weird, heart-fluttery kind of way. And I really loved it.
James Patterson (Fang (Maximum Ride, #6))
It seems weird to me that here we are, alive, not knowing why we are alive, and just going about our business, sort of ignoring that fact. How are we all not looking at each other all the time just like, Yo, what the fuck?
Melissa Broder (So Sad Today: Personal Essays)
Why do you want to ask her out?" I asked. "I mean, she's great. But are you just doing this to distract her from Micah and give her a safe alternative? Or do you, um, like her?" "Of course he likes her," said Adrian, quick to defend Jill's honor. I had a feeling that there was really no good way for Lee to answer at this point. If he expressed interest in her, Adrian's bizarre chivalric instincts were going to kick in. If Lee wasn't interested, Adrian would no doubt demand to know why Lee didn't want to marry her then and there. It was one of those fascinating — but weird — quirks of Adrian's personality.
Richelle Mead (Bloodlines (Bloodlines, #1))
What I mean is, I still feel like me. It's not like I wake up and think, I am a responsible adult. I just look in the mirror and see myself. the same stupid person I've been looking at for years.
Eleanor Brown (The Weird Sisters)
It’s weird how much people change... It’s kind of sad, if you think about it. Like there’s no continuity in people at all. Like something ruptures when you hit twelve, or thirteen, or whatever the age is when you’re no longer a kid but a “young adult,” and after that you’re a totally different person. Maybe even a less happy person. Maybe even a worse one.
Lauren Oliver (Before I Fall)
She never managed to find herself in these books no matter how hard she tried, exhuming traits from between the pages and donning them for an hour, a day, a week. We think in some ways, we have all done this our whole lives, searching for the book that will give us the keys to ourselves, let us into a wholly formed personality as though it were a furnished room to let. As though we could walk in and look around and say to the gray-haired landlady behind us, "We'll take it.
Eleanor Brown (The Weird Sisters)
It would be safe to assume that the house is an enclosed structure owned and built by people. It would be weird to assume that the house has a personality, a soul. Why would anyone assume that? It is true. It does. But that was weird to assume that. Never assume that kind of thing.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
SN: you know what I think about sometimes? Me: What? SN: you know that piece of hair that always falls into your eyes—the not-quite-a-bang piece? I want to be able to tuck it behind your ear. I want to be able to do that. I want to meet you when I feel comfortable enough with you to do that. Me: You are so weird. SN: you are not the first person to say that. Me: Am I the first to say that I really like that about you?
Julie Buxbaum (Tell Me Three Things)
I think its good to just say what you're thinking out loud. Some guy comes up to you on the street and starts asking a bunch of personal questions, you can say 'Whoa, this is weird behavior, I don't know you. You seem like a predator.' If he gets mad and calls you a "bitch", it doesn't mean you're a bitch, it just means you were right." -Karen Kilgariff
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
It is a certain type of person who feels this way that I feel, and I'm proud to be one, and now I see that I must really not forget that the style of what I find beautiful is incredible to me, that it is incredible to feel lucky to want to want what one wants, to be able to see the rings of yourself this way.
Jenny Slate (Little Weirds)
Don’t just love a person for the image, idea or concept of them, but love them for every fantastically weird and twisted details that makes them up.
lauren klarfeld
I started to dream, which was weird not only because I was dead, but because I never dream. People have tried to argue with me about that. They say everybody dreams and I just don't remember mine. But, I'm telling you, I always slept like the dead. Until I was dead. Then I dreamed like a normal person.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Why could nothing with Kate be simple? Why couldn’t Jim ever just come by to tell me that he had bowled a perfect game or benched a personal best. Maybe finally asked that weird tiger girl out.
Ilona Andrews (Kate's Origin (Curran POV #6))
It's so weird how life is so full of moving around--people coming and going, people passing by each other all day long. You never know which person's going to steal your heart. You never know which is going to settle your soul. All you can do is look. And hope. And believe.
Natalie Lloyd (A Snicker of Magic)
Forget trying to pass for normal. Follow your geekdom. Embrace nerditude. In the immortal words of Lafcadio Hearn, a geek of incredible obscurity whose work is still in print after a hundred years, “Woo the muse of the odd.” You may be a geek. You may have geek written all over you. You should aim to be one geek they'll never forget. Don't aim to be civilized. Don’t hope that straight people will keep you on as some sort of pet. To hell with them. You should fully realize what society has made of you and take a terrible revenge. Get weird. Get way weird. Get dangerously weird. Get sophisticatedly, thoroughly weird, and don't do it halfway. Put every ounce of horsepower you have behind it. Don't become a well-rounded person. Well-rounded people are smooth and dull. Become a thoroughly spiky person. Grow spikes from every angle. Stick in their throats like a pufferfish.
Bruce Sterling
CUSTOMER: Which was the first Harry Potter book? BOOKSELLER: The Philosopher’s Stone. CUSTOMER: And the second? BOOKSELLER: The Chamber of Secrets. CUSTOMER: I’l take The Chamber of Secrets. I don’t want The Philosopher’s Stone. BOOKSELLER: Have you already read that one? CUSTOMER: No, but with series of books I always find they take a while to really get going. I don’t want to waste my time with the useless introductory stuff at the beginning. BOOKSELLER: The story in Harry Potter actually starts right away. Personally, I do recommend that you start with the first book – and it’s very good. CUSTOMER: Are you working on commission? BOOKSELLER: No. CUSTOMER: Right. How many books are there in total? BOOKSELLER: Seven. CUSTOMER: Exactly. I’m not going to waste my money on the first book when there are so many others to buy. I’l take the second one. BOOKSELLER: . . . If you’re sure. (One week later, the customer returns) BOOKSELLER: Hi, did you want to buy a copy of The Prisoner of Azkaban? CUSTOMER: What’s that? BOOKSELLER: It’s the book after The Chamber of Secrets. CUSTOMER: Oh, no, definitely not. I found that book far too confusing. I ask you, how on earth are children supposed to understand it if I can’t? I mean, who the heck is that Voldemort guy anyway? No. I’m not going to bother with the rest. BOOKSELLER: . . .
Jen Campbell (Weird Things Customers Say in Bookshops)
He exhaled sharply, and his brow creased in puzzlement. “You don’t like French kissing?” “It makes me feel like a shark getting its teeth cleaned by pilot fish.” It was weird and far too personal.
Helen Hoang (The Kiss Quotient)
If what you create seems to turn out much stranger than who you are as a person, it's probably because your heart is talking.
Criss Jami (Healology)
If someone is being unkind or petty or jealous or distant or weird, you don’t have to take it in. You don’t have to turn it into a big psychodrama about your worth. That behavior so often is not even about you. It’s about the person who’s being unkind or petty or jealous or distant or weird. If this were summed up on a bumper sticker, it would say: Don’t own other people’s crap. The world would be a better place if we all did that.
Cheryl Strayed (Brave Enough: A Collection of Inspirational Quotes)
Be glad you have a mother who loves you." He was glad of that. A lot, since she was basically the only person on earth who did. But now that he was a full head taller than her, it was weird when she tried to cuddle him like he was a baby. He could be almost seven feet tall like Acheron, and she'd probably still try to pull him into her lap.
Sherrilyn Kenyon (Invincible (Chronicles of Nick #2))
Personally, I felt pretty safe. Librarians are like priests. You can tell them you want information on just about any subject and they never look at you weird. It's like a rule or something. I figured even in a small town like this, my question wouldn't be the strangest one the librarian had heard. I didn't know if librarians had any sort of official privacy code, but I was counting on confidence. They're not big talkers. It comes from being forced to be quiet all the time.
Eileen Cook (Unraveling Isobel)
In the end, how [is] anyone any different from a 'normal' person? If you love someone, you love them. It doesn't matter where they came from or if they're a boy or a girl, or if you fight, or if they're weird, or if they find it difficult to communicate with you; you just fucking love them.
Abigail Tarttelin (Golden Boy)
She dug in her backpack, found her cell phone, and checked for coverage. It was kind of lame in Morganville, truthfully, out in the middle of the prarie, in the middle of Texas, which was about as middle of nowhere as it was possible to get unless you wanted to go to Mongolia or something.... Claire started dialing numbers. The first person told her that they'd already found somebody.... The second one sounded like a weird old guy. The third one was a weird old lady. The fourth one... well, the fourth one was just plain weird.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Just be yourself. Let people see the real, imperfect, flawed, quirky, weird, beautiful, magical person that you are.
Mandy Hale
Bringing a child into the world without its consent seems unethical. Leaving the womb just seems insane. The womb is nirvana. It’s tripping in an eternal orb outside the space-time continuum. It’s a warm, wet rave at the center of the earth, but you’re the only raver. There’s no weird New Age guide. There’s no shitty techno. There’s only you and the infinite.
Melissa Broder (So Sad Today: Personal Essays)
He was tired of everyone believing they knew everything there was to know about him, as if a person never grew, a person never changed, a person was born a weird and dreamy little kid with too-red lips and stayed that way forever just to keep things simple for everyone else.
Laura Ruby (Bone Gap)
I said that I am in love with you. I've tried not to be, I really have, but it's just useless. I know you don't feel the same way about me, but I had to tell you because... well, you're all I think about. All the time. I miss you every second that you're not with me... and I know you won't want to be around me anymore, but, Camilla... you're one of the best friends I've ever had. You're smart and amazing and weird and probably the most beautiful person I've ever seen... and before I met you, all I wanted was just to fast-forward through everything. But, really, I think my life was just paused, or something. You... made me press play. You made everything move. And no matter where you go, or whatever you feel about me... I will love you forever for that.
Melissa Keil (Life in Outer Space)
...people change, even good people, if they get the wrong thing in their head. And not everything is always what it looks like and sometimes just because one person looks weak, they might be very strong, and another person might look like a spooky freak but he might be one of the kindest people you'd ever meet. And I guess I learned that time is slippery...We have to enjoy every second, love with all our hearts, all we can, while we can.
Lee Thompson
I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him for ever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset. Then I look up and there he was, three metres away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking and crying.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Just a minute," said Lobsang. "Who are you? Time has stopped, the world is given over to...fairy tales and monsters, and there's a schoolteacher walking around?" "Best kind of person to have," said Susan. "We don't like silliness. Anyway, I told you. I've inherited certain talents." "Like living outside of time?" "That's one of them." "It's a weird talent for a schoolteacher!" "Good for marking, though," said Susan calmly.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Wait,” Toby said, talking over her as she looked around at all of us. “So this means all you guys are off, like, rounding the bases and I’m still in the dugout. I’m the person selling Cracker Jack in the stands.” “This metaphor is getting weird,” Palmer murmured to me.
Morgan Matson (The Unexpected Everything)
Excuse me?" Jess asked in disbelief. "This is Frozen Zarek I'm talking to, right? Not some weird pod person?" He shook his head at Jess's joking. "It's me, dickless." "Hey, now, that's way too personal. I don't need to know that much about you.
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
It was shockingly weird to touch another person after a whole life - because the last three months were my whole life - of avoiding any kind of contact. Like touching a sparking downed power line, only to find out that it felt nice.
Stephenie Meyer (The Short Second Life of Bree Tanner (The Twilight Saga, #3.5))
It occurs to me that if anyone ever bullies me again I will warn them one time but probably start to stop loving them, and that if they do it again I will have my final answer, that a person who does that to me does not love me. And then I will explain that their behavior has made it clear to me that I want to leave, and although I will have been clear, I will have been respectful, I will leave without participating in condemnation. I will go without digging deeper into the dark.
Jenny Slate (Little Weirds)
If, by the virtue of charity or the circumstance of desperation, you ever chance to spend a little time around a Substance-recovery halfway facility like Enfield MA’s state-funded Ennet House, you will acquire many exotic new facts… That certain persons simply will not like you no matter what you do. That sleeping can be a form of emotional escape and can with sustained effort be abused. That purposeful sleep-deprivation can also be an abusable escape. That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That logical validity is not a guarantee of truth. That it takes effort to pay attention to any one stimulus for more than a few seconds. That boring activities become, perversely, much less boring if you concentrate intently on them. That if enough people in a silent room are drinking coffee it is possible to make out the sound of steam coming off the coffee. That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating intently on anything is very hard work. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good. In short that 99% of the head’s thinking activity consists of trying to scare the everliving shit out of itself. That it is possible to make rather tasty poached eggs in a microwave oven. That some people’s moms never taught them to cover up or turn away when they sneeze. That the people to be the most frightened of are the people who are the most frightened. That it takes great personal courage to let yourself appear weak. That no single, individual moment is in and of itself unendurable. That other people can often see things about you that you yourself cannot see, even if those people are stupid. That having a lot of money does not immunize people from suffering or fear. That trying to dance sober is a whole different kettle of fish. That different people have radically different ideas of basic personal hygiene. That, perversely, it is often more fun to want something than to have it. That if you do something nice for somebody in secret, anonymously, without letting the person you did it for know it was you or anybody else know what it was you did or in any way or form trying to get credit for it, it’s almost its own form of intoxicating buzz. That anonymous generosity, too, can be abused. That it is permissible to want. That everybody is identical in their unspoken belief that way deep down they are different from everyone else. That this isn’t necessarily perverse. That there might not be angels, but there are people who might as well be angels.
David Foster Wallace (Infinite Jest)
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
CUSTOMER: Do you have any of those books where you can change the names of the main character to the name of the person you're giving the book to? Do you have Alice in Wonderland, but not Alice, I'd like Sarah in Wonderland. BOOKSELLER: I'm afraid you have to buy those from the publisher, as they're a print on demand service. CUSTOMER: Yeah, I don't really have time to do that. Do you have a copy of Alice? Then I can buy some Tipp-ex or something, and edit it.
Jen Campbell (Weird Things Customers Say in Bookshops)
What would make Nico realize they were simply, irreconcilably too different. ‘Yes?’ Nico didn’t seem able to talk at first. Then: ‘You are a legitimate demigod Care Bear.’ Will’s top lip trembled. He fell to his knees. Then he bent over in loud, raucous laughter until tears poured from his eyes. ‘You’re so weird.’ Nico crawled over, pulled Will to him and silenced his laughter with a tender kiss. ‘Please keep being my own personal Care Bear, though.’ ‘Always,’ said Will.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
I thought about the word 'profile' and what a weird double meaning it had. We say we're looking at a person's profile online, or say a newspaper is writing a profile on someone, and we assume it's the whole them we're seeing. But when a photographer takes a picture of a profile, you're only seeing half the face... It's never the way you would remember seeing them. You never remember someone 'in profile.' You remember them looking you in the eye, or talking to you. You remember an image that the subject could never see in a mirror, because you are the mirror. A profile, photographically, is perpendicular to the person you know.
David Levithan (Every You, Every Me)
I'm in a weird-ass mood today, Doc. Wired up, mind all over the place, looking for answers, reasons something solid to cling to, something real, but just when I think I've got it figured out and neatly filed under fixed instead of fucked, turns out I'm still shattered, scattered, and battered. But you probably already knew that, didn't you?...You might not be able to help me. That makes me sad, but not for me. It makes me sad for you. It must be frustrating for a shrink to have a patient who's beyond fixing. That first shrink I saw when I got back to Clayton Falls told me no one is a lost cause, but I think that's bullshit. I think people can be so crushed, so broken, that they'll never be anything more than a fragment of a whole person. (129)
Chevy Stevens (Still Missing)
Alex hopped onto the four-poster bed. He bounced up and down, grinning as the springs squeaked. "What are you doing?" I asked. "Making noise." He leaned over and rifled through Randolph's nightstand drawer. "Let's see. Cough drops. Paper clips. Some wadded-up Kleenex that I am not going to touch. And ..." He whistled. "Medication for bowel discomfort! Magnus, all this bounty belongs to you!" "You're a strange person." "I prefer the term fabulously weird.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
But back to the sea captain and his broken heart. I somehow always felt that this was my story as well. Maybe because I was so obsessed with what it would feel like to one day fall in love, to have another person who loved you the most, and loved you so much, voluntarily, that it became involuntary.
Jenny Slate (Little Weirds)
You know, when you think about it, that’s kind of a weird thing. I mean it’s meant to be sympathetic, right? But it’s kind of not. Like you’re telling the person there’s nothing unique about what they’re saying I considered this as a couple of kids on Rollerblades whizzed past, hockey sticks over their shoulders. “Yeah,” I said, finally, “but you could also look at it the other way. Like no matter how bad things are for you, I can still relate.
Sarah Dessen (Just Listen)
What?" he asked. "I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection." His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions." "Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs.
Richelle Mead (Storm Born (Dark Swan, #1))
What if you believed that everything in life was like a prize? What if you thought of the world as a big random drawing, and you were always winning things, the world offering them up with a big grin, like an emcee's: Here you go, Hollis. Here is a motorcycle. Here is a little boy who loves you. Here is a weird experience, here is something bad that you should mull over because it will make you a better person. What if you could think that life was this free vacation you'd won, and you won just because you happened to be alive?
Dan Chaon (Among the Missing)
The amateur dreads becoming who she really is because she fears that this new person will be judged by others as "different." The tribe will declare us "weird" or "queer" or "crazy." The tribe will reject us. Here's the truth: the tribe doesn't give a shit. There is no tribe. That gang or posse that we imagine is sustaining us by the bonds we share is in fact a conglomeration of individuals who are just as fucked up as we are and just as terrified. Each individual is so caught up in his own bullshit that he doesn't have two seconds to worry about yours or mine, or to reject or diminish us because of it. When we truly understand that the tribe doesn't give a damn, we're free. There is no tribe, and there never was. Our lives are entirely up to us.
Steven Pressfield (Turning Pro)
You broke me up there in the mountains. You cracked something in my head, I don’t know. I have never been obsessed with another person before or after. You just drilled your way in and since then, I’ve been yours. You got to a place that I didn’t know existed ... and all that has changed me, taken the stuff away I thought was true about me. In some weird, weird way, started something that turned me into more than a goodlooking bastard.
Aleksandr Voinov (Special Forces - Mercenaries Part II (Special Forces, #2 part 2))
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled. There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation. She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come. I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it. Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?” She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?” She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.” This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment. I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness. When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
This may sound weird, but there are certain songs, like really great songs---you don't just listen to them, you know? They make you feel like they're listening back. Like the person who wrote the song heard you. Music makes you feel less alone in that way. It's proof that someone out there has felt the exact same way you do and they've managed to capture it in this perfect blend of words and sound.
Jasmine Warga (Here We Are Now)
The world doesn’t need balanced people. Every person should have an idée fixe, an obsession. Only then the world will function well. Like numerous drones doing their part in a beehive, such obsessed people could then contribute to the world. Individually, such people may appear weird, but together they will make our world a much bearable place. Balanced people do not enrich this world; not at all. They are happier, though. We all need to have a monomania. We all need an all-consuming passion.
Abhaidev (The Gods Are Not Dead)
When I was a little girl,' I said, sitting down, 'the wallpaper in my room had pictures of Noah's story.' [...] You know what's weird though? It's weird that the ark would be such a kids' story, you know? I mean, it's...really a story about death. Every person who isn't in Noah's family? They die. Every animal, apart from two of each on the boat? They die. They all die in the flood. Billions of creatures. It's the worst tragedy ever,' I finished, my voice tied off by a knot in my chest.[...] 'What the hell,'I said, 'pardon my language, was that doing on my wallpaper?
Adam Rex (The True Meaning of Smekday)
It’s weird because we often try to present our fake, shiny, happy selves to others and make sure we’re not wearing too-obvious pajamas at the grocery store, but really, who wants to see that level of fraud? No one. What we really want is to know we’re not alone in our terribleness. We want to appreciate the failure that makes us perfectly us and wonderfully relatable to every other person out there who is also pretending that they have their shit together and didn’t just eat that onion ring that fell on the floor. Human foibles are what make us us, and the art of mortification is what brings us all together.
Jenny Lawson (Broken (in the best possible way))
She turns her head so slowly to look at me that for a moment I am stricken with the weird unfamiliarity of being seen—no, not seen. Recognized. It’s rare enough someone knows I’m me and not Ethan without getting a good look at me. It’s straight up weird when someone can tell without fully turning around. The only person I know who can do that is Grandma Belly—my parents still mix us up so frequently that there’s about a 50 percent chance I am Ethan, and someone switched us along the way.
Emma Lord (Tweet Cute)
Gus hated feeling anxious. He also hated warm ketchup, loud people, sunburns, parallel parking, jams and jellies, Instagram, Sarah McLachlan’s SPCA commercials, rubber glue, Michael Bay’s DVD commentaries, Michael Bay’s films, Michael Bay, and that weird feeling that tattooed, bearded hipster caused in the pit of his stomach that felt like he had tripped down a flight of stairs into a frozen lake that got lit on fire.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
God: Check out this human I designed. Angel: Wow, that looks pretty incredible. How does it work? God: It's pretty complicated. Point to something and I'll tell you what it does. Angel: Okay. What are these? God: Teeth. They're for chewing up food. Angel: How come there are so many of them? God: I threw in, like, three or four extra. If they don't like them, they can pll them out somehow, I guess. Angel: What about this weird bag thing? God: That's the appendix. Angel: What does it do? God: It explodes. Angel: Really? That's all? God: Pretty much. Angel: What causes that to happen? God: It just happens randomly. Like you'll just be walking down the street or driving a car and boom. Angel: Geez...that's terrifying. Does it kill the person? God: (shrugs) Sometimes.
Simon Rich
If you asked me whether I was the type of person who liked trying new things or preferred sticking with what was familiar, I would have told you I was the second girl. The if –it-aint-broke-don’t-fix-it girl. I also would have told you plays were lame. It suddenly occurs to me that I don’t seem to know very much about…me. It’s a weird feeling, like maybe a stranger is inhabiting my body. Or maybe a stranger was, and I kicked her out.
Paula Stokes (The Art of Lainey (The Art of Lainey, #1))
If/when I die, do not want Pam lonely. Want her to remarry, have full life. As long as new husband is nice guy. Gentle guy. Religious guy. Very caring + good to kids. But kids not fooled. Kids prefer dead dad (i.e., me) to religious guy. Pale, boring, religious guy, with no oomph, who wears weird sweaters and is always a little sad, due to, cannot get boner, due to physical ailment. Ha ha. Death very much on my mind tonight, future reader. Can it be true? That I will die? That Pam, kids will die? Is awful. Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like. Note to self: try harder, in all things, to be better person.
George Saunders (Tenth of December)
I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked. I paused. "Yeah, he's cute." "Come on, America! You have to have noticed those eyes and his voice..." "Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself. "Yes, okay, he does have a funny laugh, but it's cute." "Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke." Marlee lost it and doubled over in laughter. "All right, all right," she said, coming up for air. "You have to think there's something attractive about him." I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it. What was attractive about Maxon? "Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it." Marlee smiled, and I knew she'd seen that in him, too. "And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that. "And...well, don't tell anyone this, but his arms. I like his arms." I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation. "Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed. "I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird." "Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms. "Ha, ha! I bet that's it. I dare you to ask him!" "No way!
Kiera Cass (The Selection (The Selection, #1))
When you break up with someone, and I’m not talking casual breakups here, it’s hard to take the sudden absence of such an important person in your life. It reminded me of when I’d stopped going to school and the weird uneasy feeling I’d gotten afterward, like I was forgetting to do something. My life until that point had pivoted around some form of education, and all of a sudden, it was gone. Homework, classes, running around, and then – bam – nothing but a life of work stretching out before you. No one prepares you for that feeling or even mentions it. You just suddenly have a gap and have to decide how to fill it. A break up is like that gap, only much, much more painful. One day the person you talked to constantly or did stuff with is just absent. Gone. Poof. And even though I’m not one of those people who has to be in a relationship all the time, I was feeling at a loss.
Lish McBride (Necromancing the Stone (Necromancer, #2))
I am just a guy, doing my best to be the best person I can be. And, every once in a while, I fuck up the moment I’m in. Please. Get over it. Get over yourselves. Get over this weird need to be morally superior to me and to the other people in this world. And let me be imperfect. I assure you, my imperfections drive me to improve. Let me love myself. I assure you, loving myself despite my faults will only make me a better person. Let me be my own judge. I assure you, I’ll be more fair and just than you ever will. Let me be the owner of my own intentions. I assure you, there isn’t another soul on earth who knows what my real intentions are but me. Love and acceptance despite ongoing and glaring imperfection is all I’ve ever tried to attain with this blog. For me. For you. For everyone. And I’ll never stop.
Dan Pearce (Single Dad Laughing: The Best of Year One)
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex. “My eyes!” Cole yelled. Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake. Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.” Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement. I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.” Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
Samantha Young (Down London Road (On Dublin Street, #2))
In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a phantasmagoria of macabre shadow-studies; now glittering and leering with concealed rottenness as in Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Dore. He would often regard it as merciful that most persons of high Intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humour ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.
H.P. Lovecraft (The Call of Cthulhu & Other Weird Stories (20th-Century Classics))
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, Kiss me harder, and You’re a good person, and, You brighten my day. I live my life as straight-forward as possible. Because one day, I might get hit by a bus. Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming.
Rachel C. Lewis
Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.
Hakim Bey (TAZ: The Temporary Autonomous Zone (New Autonomy))
Ruby and Aaron are both crazy patient; they’re good parents.” “I could be a good dad,” Ivan whispered, still feeding Jess. I could have told him he’d be good at anything he wanted to be good at, but nah. “Do you want to have kids?” he asked me out of the blue. I handed Benny another block. “A long time from now, maybe.” “A long time… like how long?” That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?” “Because of figure skating?” “Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.” Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.” I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.” Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything. All he said was, “Hmm.” A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?” “I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.” I frowned, the feeling in my stomach getting more intense. He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.” It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?” Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.” I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.” “Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.” I blinked. “I hope you get abducted by aliens.” Ivan laughed, and the sound of it made me smile. “You would miss me.” All I said, while shrugging was, “Meh. I know I’d get to see you again someday—” He smiled. “—in hell.” That wiped the look right off his face. “I’m a good person. People like me.” “Because they don’t know you. If they did, somebody would have kicked your ass already.” “They’d try,” he countered, and I couldn’t help but laugh. There was something wrong with us. And I didn’t hate it. Not even a little bit.
Mariana Zapata (From Lukov with Love)
Meg! I love you! I want to marry you!” “That’s weird,” she said without stopping. “Only six weeks ago, you were telling me all about how Lucy broke your heart.” “I was wrong. Lucy broke my brain.” That finally stopped her. “Your brain?” She looked back at him. “That’s right,” he said more quietly. “When Lucy ran out on me, she broke my brain. But when you left . . .” To his dismay, his voice cracked. “When you left, you broke my heart.” He finally had her full attention, not that she looked at all dreamy-eyed or even close to being ready to throw herself into his arms, but at least she was listening. He collapsed the umbrella, took a step forward, then stopped himself. “Lucy and I fit together so perfectly in my head. We had everything in common, and what she did made no sense. I had the whole town lining up feeling sorry for me, and I was damned if I was going to let anybody know how miserable I was. I—I couldn’t get my bearings. And there you were in the middle of it, this beautiful thorn in my side, making me “feel like myself again. Except . . .” He hunched his shoulders, and a trickle of rainwater ran down his collar. “Sometimes logic can be an enemy. If I was so wrong about Lucy, how could I trust the way I felt about you?” She stood there, not saying a word, just listening. “I wish I could say I realized how much I loved you as soon as you left town, but I was too busy being mad at you for bailing on me. I don’t have a lot of practice being mad, so it took me a while to understand that the person I was really mad at was myself. I was so pigheaded and stupid. And afraid. Everything has always come so easy for me, but nothing about you was easy. The things you made me feel. The way you forced me to look at myself.” He could barely breathe. “I love you, Meg. I want to marry you. I want to sleep with you every night, make love with you, have kids. I want to fight together and work together and—just be together. Now are you going to keep standing there, staring at me, or could you put “me out of my misery and say you still love me, at least a little?
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
School went exactly as Violet thought it would: weird. It wasn’t her best, and it wasn’t her worst, day ever. It was just weird. Jay was true to his word, deciding not to hold anything back. And it started the second they got out of the car, when he claimed her hand and refused to let go, even when Violet tugged and pulled to try to get it away from him. He ignored her mute protests and held on tight, smiling more to himself than to her, and paraded her right into the school like that. Not that they’d never held hands before, because they had. But this was entirely different, and Jay was hell-bent on making sure that everyone knew it. And just in case anyone wondered what the hand-holding actually meant, he made sure to clear things up for them by planting a big, albeit very satisfying, kiss on her lips, right in the middle of the hallway. Violet didn’t try to pull away from that; in fact, she was dismayed to find herself leaning into him, craving more, and not caring—at least at that moment—who might see them together. Unfortunately that person turned out to be Chelsea. Chelsea, of all people, along with Claire, who happened to walk up at very inopportune instant. “Well, well, well,” Chelsea said in an oh-so-innocent voice. “Look what we have here, Claire-bear. It’s old Jay and Violet.” The unconcealed smile was embedded deep in her voice. “Only, and correct me if I’m wrong, this looks a little more than friendly, don’t you think?” “I never kiss my friends like that,” Claire replied, blank-faced and serious, oblivious to sarcasm. Jay’s answer was to pull Violet closer, wrapping his arm around her waist. Violet cringed. Chelsea cocked her head at Claire. “I was just trying to make a point.” Claire looked confused. “What point?” “Seriously, Claire? That Violet and Jay are dating now.” She glanced away from poor confused Claire and flashed a gloating look to the couple in front of her. “It’s about time, by the way. I think everyone will thank you for putting us all out of our misery. I, for one, was completely fed up with watching you two lovesick puppies pining over each other. Seriously, it was disgusting.” She grabbed Claire by the sleeve of her snug, body-hugging hoodie and led her down the hallway, toward their first-period class. Violet watched in stunned silence, processing everything that Chelsea had said to them, as Claire bounded along in Chelsea’s commanding wake. Jay decided that it was his turn to gloat. “You pined for me?” he asked, stupid grin and all. Violet hit him in the arm. “Shut up!” She shook her head. “I’m pretty sure she was talking about you anyway.
Kimberly Derting (The Body Finder (The Body Finder, #1))
If, by the virtue of charity or the funded Ennet House, you will acquire many exotic new facts. You will find out that once MA’s Department of Social Services has taken a mother’s children away for any period of time, they can always take them away again, D.S.S ., like at will, empowered by nothing more than a certain signature-stamped form. I.e. once deemed Unfit— no matter why or when, or what’s transpired in the meantime— there’s nothing a mother can do.(...)That a little-mentioned paradox of Substance addiction is: that once you are sufficiently enslaved by a Substance to need to quit the Substance in order to save your life, the enslaving Substance has become so deeply important to you that you will all but lose your mind when it is taken away from you. Or that sometime after your Substance of choice has just been taken away from you in order to save your life, as you hunker down for required A.M. and P.M. prayers , you will find yourself beginning to pray to be allowed literally to lose your mind, to be able to wrap your mind in an old newspaper or something and leave it in an alley to shift for itself, without you.(...)That certain persons simply will not like you no matter what you do. Then that most nonaddicted adult civilians have already absorbed and accepted this fact, often rather early on.(...)That evil people never believe they are evil, but rather that everyone else is evil. That it is possible to learn valuable things from a stupid person. That it takes effort to pay attention to any one stimulus for more than a few seconds.(...)That it is statistically easier for low-IQ people to kick an addiction than it is for high-IQ people.(...)That you will become way less concerned with what other people think of you when you realize how seldom they do.(...)That most Substance -addicted people are also addicted to thinking, meaning they have a compulsive and unhealthy relationship with their own thinking. That the cute Boston AA term for addictive -type thinking is: Analysis-Paralysis. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good.(...)That other people can often see things about you that you yourself cannot see, even if those people are stupid.(...)That certain sincerely devout and spiritually advanced people believe that the God of their understanding helps them find parking places and gives them advice on Mass. Lottery numbers.
David Foster Wallace (Infinite Jest)
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.
Amanda Hocking (Ascend (Trylle, #3))
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)